Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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Et tu, Nico Robin
The way Crocodile reacts to what Robin says here is so interesting though, and I don't mean his decision to kill her, no, I do mean how he reacts
Like yes, as he says a few pages later, he "never trusted anyone from the start", Crocodile had been fully expecting someone would betray him eventually. And that does reflect in his calm demeanor in this whole scene, how he just accepts it and what'll happen next
But what interests me is how he seems almost... slightly sad? Which would be a natural reaction for someone to have if their belief of betrayal being unavoidable and eventual was confirmed like this. But also, it's not really an emotion you'd expect to see from Crocodile (even if it's mild and barely noticable)
Thing is though... Like Crocodile had made it a huge point how He Did Not Interact With His Minions Directly. He went out of his way to hide his identity to ensure success for Baroque Works, that's why he had Robin send out all the orders and borderline running the organization for him. It's why he ordered his agents to go hunt down the Strawhats and stop Vivi, to stop his identity from being leaked out and so that he could take over Alabasta without WG interference.
But Crocodile isn't stupid. Surely he must have considdered it. Thought about the possibility. That Robin could've been the one who leaked out his identity to Vivi in the first place, that she had betrayed him already. After all, Robin was supposed to be the only one who knew who "Mr 0" really was.
And so in this moment, when Robin claims the Poneglyph does not mention Pluton at all... I wonder if this would've been confirmation in Crocodile's mind of Robin's betrayal, of her leaking his identity out in the first place.
Yes, he says he's getting rid of Robin because she's not delivering on information about Pluton as promised, but that could be because he can't say for 100% certain if his suspicions are right; he can't read the Poneglyph so he can't tell for sure if Robin is telling the truth or if she's lying and intentionally withholding the information. He can't say for 100% certain Robin was the one who leaked his identity out either, it's just that if she had been planning against him this whole time in secret then of course she would refuse to co-operate here, of course she'd withhold the location of Pluton from him.
Had Robin told him Pluton's location here, perhaps Crocodile would've continued to believe (or hoped, at least) that Robin hadn't been the one to backstab him.
But Crocodile does not trust others. Even if he can't know for a 100% certain, Robin not delivering on the information he had been promised did make it more likely she had been the one to backstab him to begin with. And this time, unfortunately, he was right in his beliefs. Robin did betray him.
Et tu
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I like to call this the "it was supposed to have been one thing and now it's something entirely different"
some ringo alts I wanted to draw at some point! I turned it into some style experiments about halfway through oops (forbidden ringo from a soul rended, a soul mended by @nenilein bc I couldn't stop thinking about her LOL)
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ringo | arle | amitie | ally | rulue | maguro | lidelle | ?
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... okay, no, I just had two thoughts.
So even when Kenjaku possesses another body, they still hold the Cursed Technique of the previous body and carries it over to that next body. (Example, using Kaori's CT while in Suguru's body.)
Doing that... I wonder if it's possible that would mean their children could possibly inherit a CT they have or a variation of it?
Because, before knowing what was revealed, what if Yuji had been able to use Blood Manipulation because Kenjaku has the technique (from possessing Ancestor Noritoshi Kamo's body)?
Which, if that had been the case, it would have been even more fucked up he consumed 6 of his other siblings to use a technique he already has.
Leading onto my next thought!
It's messing with my head realizing that not only Yuji consumed 6 of his siblings while they were fetuses but had he not been Yuji, his body could have been taken over. Add those 6 fetuses, that would make Yuji risking being possessed and his body being taken over 7 times!
Death Paintings have to gain a body via consuming said DP. Just like how the reincarnated sorcerers take over bodies completely. Incarnated sorcerers are reincarnated through, in most cases, consuming some Cursed Object. The DPs are considered Cursed Objects, in their own class of Cursed Wombs.
Has even even been discussed how risky that was? Yuji getting his body taken over? Or because Yuji was able to control Sukuna, they figure that the DPs would be no problem?
Yuji really isn't a vessel. He really was born a cage. No one else has been able to have complete control of their own body without the incarnated sorcerer possessing it gives up that control willingly (ex: Angel and Hana - Angel lets Hana have control).
Yuji isn't just a cage for Sukuna. He's a cage for anything!! It makes sense that the DPs couldn't take control of his body because he could control Sukuna.
But they didn't know Yuji was made for that that I'm aware of!! There was a risk literally 6 times with the Death Paintings!
I'm sleepy writing this... I have thoughts, oh my gosh... just ignore me...
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