#i’ll think about it i think

[codgod]

the qsmp awards stream is the most scuffed stream i’ve ever watched istg

[introvert-slushie]

Currently thinking about how much Ford tries to hide his hands a lot when he can…behind his back with this stance. Due to how often he’s been bullied for it.

And also, how Mabel is one of the ones who Ford feels happy about showing his hands to because she thought they were cool looking upon first shaking his hand, instead of him being judged for his six fingers.

[ID: Gravity Falls screenshots. The first three are of Ford with his hands crossed behind his back. The last two are of him shaking hands with Mabel, and letting her paint a turkey on his hand. He's smiling in both. End ID.]

[doctorsiren]

OBJECTION! - Ace Attorney, but in Legos that I 3D modeled myself

[chloesimaginationthings]

I can’t wait to see mangle in the FNAF 2 movie,,

[aboutiroh]

You know what’s astonishing about Katara? She grew up in a world without bending.

It’s not surprising that Sokka calls her bending ‘magic water’ in the first episode. It might as well have been magic to them at that point; they had never seen it in practice until they meet Aang.

So not only did Katara not have any teachers, she didn’t have any kind of guidance, no visual aids, no idea of how bending is supposed to look or work. The first time she ever sees actual waterbending movements is when she steals the waterbending scroll from the pirates. The first time she meets another waterbender is when she reaches the North Pole, where within weeks she outmasters pretty much everyone and goes on to teach the Avatar.

Everything she does is so incredibly impressive, and yet I can’t help but feel the most proud of her when she catches a fish on that little boat.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[mangozic]

the wettest of cats

[s-ccaam-era-crepe]

i think everyone who's ever had migraines should be financially compensated forever btw

[wanologic]

yo danny fenton he was just 19

[boysaremytoys]

i need a horny baby boy to jerk off and whimper pathetically as i hold him and talk him through it: “oh, sweetie… i know… yeah, gonna cum?… feel better now?… you made such a mess” or maybe he’d still be hard and i’d encourage him to keep going

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[jellynotbees]

Narinder is a disaster but lamb is into that so it balances

[perplexingly]

Know that even if I’m not beside you, I will always have been your Balduran.

[trypo-p]

If you drew Pootis and Medimedes dressed for the First Day Of School, I think that would be REALLY fucking cute

How am I going to stop some real bad stress from tearing me a structurally superfluous new be-hind? The answer; Draw a Pootis. And if that don’t work; Draw more Pootis.

[chloesimaginationthings]

FNAF Vanny and Amanda from DBD would get along..

[so-very-small]

genie: so, you have three wishes-

me: i want everyone in the world to be able to size shift between two inches tall and fifteen feet tall, at will, in a totally safe manner, EXCEPT for my ex and anyone within a 100 meter radius of them. everyone they see or meet will be the exact same height as them.

genie: that’s…. specific.

me: they’re into size. imagine knowing g/t is now real and exists, and you will NEVER get to experience it firsthand. i cannot think of a worse fate for any size fan.

genie: ….y’know what, fuck yeah. let’s do this

me: YAY. so for my second wish, i’m thinking bigass sword

genie: NICE