love the difference in charles’s & crystal’s initial reaction to finding out edwin was in hell. we have crystal who was like HELL? HE SPENT DECADES IN HELL? versus charles who was like whoa mate that���s sick oh also we’re married for eternity now lol fyi
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this interaction makes me so insane, sam loves dean so unconditionally, no matter what dean does to him, sam always forgives him/comes back to him
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the real reason Steve brings a date to a high school basketball game for a high school he doesn’t even go to anymore is because the one time Nancy went with him the team won and his sports superstitions kicked in and he can’t just risk Lucas losing because of him not having a date, so he will take on the burden and ridicule of being the guy who graduated and drags new dates to games all in the name of not upsetting the delicate intricacies of rituals in sports
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And another thing: Colin Bridgerton graduated from the school of Yearnington with a degree in downbadism
I will not be taking any criticism at this time just see exhibit A and B
Exhibit A:
See the Innovations fair episode and cupcake scene (I’m to lazy to screen-record the scene or look up a gif of it, y’all know which scene i’m talking about)
Exhibt B:
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Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --
CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan.
JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.
Have you seen The Dying Swan? It is dramatic.
Here, take a minute:
First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.
This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT
Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.
There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.
Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.
Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.
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“And just for a second, I could be one of the greats
I am Caesar on a TV screen, champion of my fate
No one can tell me to stop, I'll have everything I want, anyone
And everyone will like me then
Everyone will love me”
Song reference and normal version under cut!
ALSO TELL ME IF I NEED TO ADD MORE TAGS
Seriously this fucking song is driving me BONKERS for Triumphant Wilson. I will go on a rant if anyone asks about him/SRS.
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EA SPOLIERS 😭😭😭😭😭😭😭😭😭😭😭😭😭
PORTER 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭PORRTTTERRRRRRRRRRRR😭😭😭😭😭���😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 FESTIVAL DATE????? 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 I 😭😭 CAN 😭😭 DO 😭😭😭ANYTHING 😭😭😭 FOR 😭😭😭 YOU?!?!?!?!?!?!?!😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭
in conclusion porter please call my line
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we know that alfred is insane over gil, but is gil insane over anyone? it doesnt have to be the degree of insane alfred is
Gil is insane overall so it’s very hard to spot a difference when he’s being more so but I like to think, as all unhealthy sibling relationships go in this series - that he’s obsessed with Ludwig. Not to the extent that Ludwig is fixated on him but he’s very much an overbearing helicopter parent in his own trying to make it seem like I don’t give a shit way. He’s calmed down sooo much in modern times but I Know that boy was going through like no less than 20 lessons a day when he was born
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