#i'm going to go to the store and if they don't have My Yarn then i'm getting some yarn for a hook holder i saw (which will be my third WIP)

[bywandandsword]

You ever be reading a fic and the author is clearly a knitter and gave one of the characters knitting as a hobby, and then the author made two different characters knitting sweaters for the main protagonist as an expression of love and comforting an actually important B plot, and sweaters themselves becoming symbolic of asserting one's bodily autonomy and practising genuine self care, while also symbolizing a desire for physical comfort, which was denied to the main protagonist until the Plot of the fic happened

You ever have that happen to you, when you yourself are a knitter, and go, well I have no choice but cast on a sweater for myself, now do I?

[thegreathomestuckreread]

the worst thing about doing Arts and Crafts is when you have a very specific idea and you do not have the supplies to make it Right Now Immediately

[uncanny-tranny]

I can understand why people have fifty thousand WIPs because I've been waiting so long for my yarn to come back in stock that I'm going insane and will continue adding WIPs until I can get my yarn(tm)

[neverbelessthan]

I got tagged by the lovely @sleepystede to make an adorable little picrew blorbo dude. Thank you for tagging me! 🥰

I was feelin' the spots. He looks like a little chicken stuck in a stress ball. Also this is a 10/10 accurate representation of me in a few weeks, glasses and noise cancelling headphones on, listening to @lindie-kninjaknitter's podfics while i wander about Japan ✌️

tagging: @jessystardust, @adickaboutspoons, @scorpiostarseed, @wickedlycaskett, @endevouring-to-surprise, @daria-meoi, @pumpkinspicepirates and sorry sorry sorry if i've tagged anyone who has already done it, and if I missed someone who would like to do it please just pretend that I'm better at this than I am and that I tagged you. (And if I keep tagging you for these things and you hate them, please tell me to stop.) *social anxiety jazz hands*

(I've been buried under mountains of uni work and only just realised that i've been tagged for a bunch of things! Sorry! I'm slowly toddling my way through them, thank you so much for thinking of me! ❤️)

[autistic-shaiapouf]

Also with so little time before the con and so much Outfit left for me to make, I'm starting to enter hyperfocus when I'm working on it 👁👁

[speedwagons-glorious-mane]

Spinning yarn is like. A religious experience. While I am spinning yarn I am content, my mind is quiet, it's just me, the fibre and my little 3D printed turkish spindle going round and round literally no thoughts, head empty, just vibing

[bigcats-birds-and-books]

not me, buying Expensive Yarn Fades like that might Fix Me

[wellofdean]

Not to discourse, but...I do not understand at all why people think Jensen Ross Ackles is gonna answer questions about things that haven't happened yet in an ongoing story in any kind of way that tells you anything concrete about what is going to happen, or what his character is going to feel or do, when his character has not had a chance to feel or do them yet? Do people really want him to start spinning fucking yarns up there?

Also, I cannot understand why anyone wants him to?! Like, thank you Jensen for NOT TELLING US. I don't want to go into it having been told what to feel and think about it! I want to see it, be surprised and experience emotions that aren't just the smug satisfaction of watching what I already know will happen play out. Like, when Supernatural returns, y'all know they are not going to just immediately throw the whole cow to us piranhas, right?

And while I'm here, on my horse, I would also like to say that I can't help but feel that this whole discussion that I have seen elsewhere in my feed here, is predicated on the idea that Jensen has not known ALL ALONG what character he was acting or what Dean feels and thinks, and that he is not good at his job. Does it ever occur to people that he DOES KNOW, because he is, in fact, fucking great at his job?

One of the best things about that guy is the way he does not say anything coercive EVER about this story or his character. He is letting his work as an actor speak for him, AS HE SHOULD. Do you feel like there is a deep sadness in Dean? A loneliness and an unspoken inner life? A desire for something more? Do you feel like he has made it clear in a million tiny ways that Dean cannot carry on without Cas, but that he fucking tried because Cas died to save him, and he had to make it mean something? Did you not see how he hugged that fucking dog that one time?? Do you not watch Dean, and see these things? These things are the actual content of the actual narrative. The narrative is the place where Dean's feelings and thoughts and actions are stored. Jensen speculating about it on a con stage is not a thing I even sort of want!

If you are disappointed that Jensen did not say: oh yeah, they will RESOLVE IT (nudge nudge wink wink har har har) my question is: why don't you trust your own eyes? Why do you think he is not in control of what he is putting across as an actor? Why do you need him to tell you, in kindergarten terms, what happened? Why don't you want to just watch it and be surprised by joy? The truth is, he has been very consistent in his responses to these kinds of questions, AND he made a whole season of television (TW) with his production company that is consistent with everything he has said. What can he possibly do to satisfy you?

I can only say that personally? I AM SATISFIED. Dean is Dean, and I love him. Jensen made him, and I love that guy's work. Please make more of him, because I cannot wait to love Dean some more. I am here because it's fun, and I am having a good time. Y'all should try it!

[hunnylagoon]

Candy

PT1: Sober to Death

Ellie Williams x Reader

I’m home and here to stay like a ghost to haunt. You can’t shake me off your back for I linger in your head like carelessly uttered curse. Summer falls to ashes in my mouth and so I will spit them into your urn, just like that all of my devotion turns violent.

Premise: After a mental break you are being held together by nothing but glitter glue and craft yarn. You seek refuge with an old friend in a coastal town to live the life you thought you left behind.

Warnings: SENSITIVE THEMES / reader is a recovered addict / mentions of drug and alcohol abuse / angst / brief mentions of violence / possibly triggering discussions of drug addiction

Read at your own discretion

Inside me, something seethes. Inside me, some feral animal has been forced into a cage where it thrashes and screams. Perhaps I will turn into a snarling wolf and rip out the throats of each girl who made me go home crying in middle school. Maybe I will don the pelt of a sheep and surprise all of those who convinced me it was a good idea to try ketamine when I shed my cloak and reveal my long curled claws and fangs sharp as knives.

I'm heartless at worst and helpless at best.

I don't know how else to be. I was raised like a stick of dynamite lit from both ends and I can describe in detail how the earth warps beneath my feet or how I watch the sky bend until it snaps and collapses onto a body too tired to lift it back up.

Everything miles ahead of what I was, to them, I was only ever an addict. Cursed with the nickname 'popper' since tenth grade and everyone thought it to be nothing more than a joke they didn't know how I found serenity in the tablet of acid that rested on my tongue. 

It started with pot and drinking on the weekends then flew into full-blown benders when I swallowed back synthetic sunshine like it was candy. None of my friends thought I would end up with my back plastered on my dorm floor, eyes wide with what once was a bottle of pills frothing out of my mouth. 

It took me two overdoses to get here, had to put my white blood cells to work.

"I didn't think you'd be up this early," Joel smiled at me, he was nursing a mug of coffee, a plate in front of him with a half-eaten piece of toast and a golden yoke running onto the porcelain. That might've been my favourite thing about the farm, fresh eggs. Once you have them you can never go back to the sad pale grocery store eggs.

"That makes two of us," I pulled out a chair from the wooden dining table and sat down. Joel had put so much love into this home. These days I’m too nauseous to eat breakfast.

"Ellie doesn't even wake up this early," He took a slug of his black coffee, the scent was strong, filling up the entire house, I could smell it the second I woke up. "How's the room? Is everything to your liking?"

I had felt so guilty for free-loading off Joel whom I hadn't seen since I was twelve, it had been eight years. He sent me cards on my birthday every year but I never was able to grasp how close our parents had been. I'm pretty sure I was friends with Ellie when I was little, there were pictures of the two of us hugging each other and playing beneath sprinklers, my front teeth missing, Ellie covered head to toe in Spider-Man band-aids. I didn't have any recollection of us when we were close, as we got older we got more stiff around each other. When my family would visit, she would hang out with her friends and I would keep to myself. Of course, my parents moved us to the city where everything hit me too hard all at once. "It's perfect, thank you."

"It's pretty hard to peel yourself off that mattress, huh?" Joel smiled at me, showing me every ounce of warmth he had when I was a child.

I nod in response "So much more comfortable than those stiff dorm mattresses," It almost felt like I was making conversation with a ghost.

"Since you're up so early, care for a tour while I do some chores?" He asked. I had been here a few days already, though I just kept to myself I didn't want to impose on his pleasant life with his daughter who hadn't called him at three am sobbing because she had too many opioids. I had wandered briefly around the farm of course and I had remembered bits and pieces of it from my childhood but I felt so out of place that I mainly locked myself inside of my temporary room and lived through my friend's Instagram stories.

"I'd love to," I smile politely, unsure of what else to do. 

 "Do you think you're gonna go back to school?" Joel asked as he stood up with his plate and mug in hand and began to wash them in the stainless steel sink. "No pressure, there's life outside of a lecture hall."

This was a question I had been thinking about day in and day out. I was a year and then some into getting my degree when my 'fun habits' began spiralling uncontrollably. My parents had managed to snag me a two-year deferral so I could go to rehab and go back to school the following year but I was so full of shame that I shook with the thought of going back. For the first time in my life, I am afraid I have no real desires. 

When I was dead inside a motel bathtub, I thought I needed to be somewhere different but now that I'm there, I need to be someone different too. "I'm not really sure right now, just please don't tell my parents I said that."

"Secrets safe with me," He opens a cabinet and pulls out a bag of cat food, shaking it until a scrawny calico cat appears out of thin air. Pepper happily devours the food Joel puts in her little bowl. I remembered Pepper, she was a kitten way back then and I would cut open socks to make clothes for her. "You should just know that it's never too late."

Very early in my life, it was too late. "Thanks, Joel," Not yet a corpse and still I rot like all of my ambitions turn to sludge at my tired feet.

He looks around, exhaling a deep breath, trying to scope out anything else he has to do in the kitchen. "You outta get geared up, I'm gonna wake up Ellie then me and you can get to work."

I nod in agreement even though I'm not sure what he means by 'gear up' so I figure that's just him saying to put on a hoodie and some rain boots. I stand awkwardly by the door, waiting for Joel. Absentmindedly I rock back and forth on my heels hands clasped together. I'm twenty years old but I feel like I'm twelve again, trying to find a place for myself in someone else's life. 

I thought of the last time I was in this house. I was twelve, unaware of the future that awaited me, I had buried a time capsule with Ellie and her cousins somewhere on this property. Writing to my future self, talking about all of the things I should be. If only she saw the brain-rotten zombie that was her destiny.

My parents had told everyone back home I was backpacking across Australia and taking a break from academics to see the world. In the eyes of those who knew me well and were more than aware of what happened, it was a shame to them that I had wasted a sharp brain and a pretty face. It takes a whole lot of strength the endure myself.

It doesn't take long for Joel to walk back down the creaky stairs, Ellie trailing behind him, sleep in her eyes. She's in boxers and one of Joel's old t-shirts, hair still messy and unbrushed. Ellie yawns and gives me a little wave- it wasn't really a wave, just her raising a hand in my direction as an acknowledgment. 

We hadn't spoken much since I got here, I had met her in the past but we didn't know each other. A lot can change in eight years. She wasn't unfriendly toward me, we indulged in small talk and laughed at each other's jokes but each conversation was so shallow I wanted to lay face down and drown in them. 

Ellie goes straight for the fridge, unlike her dad, she pours milk into a sickly sweet cereal which seems cavity-inducing. She was back from college for the summer, taking advantage of her father's love and food. Joel walked over to where I was standing at the door, slipping into his mucking boots. "While you're both here," He says before looking at me "How much do you know about boats?"

I furrow my eyebrows "A good bit I guess?" I answer, figuring he was just trying to rekindle a spark between Ellie and me that had been put out eight years ago by rain, ocean spray, and vodka.

"Y'know, Els," He gestures towards me "This one used to work at her parent's marina, they tell me she's done a couple of repairs and I bet she could give you some pointers on how to fix up that boat." I'm confused by his words, this is the first I've heard about a boat. Joel can see the uncertainty on my face "Her uncle gave her a piece of shit boat last summer before she went back to school, over the year I guess some teenagers thought it was a good hideout and trashed it even more."

"Seriously?" Her head pokes up "It would be great if you could come down with me later, she just needs a little love," Ellie spoons some cereal into her mouth. I had always thought it weird how people spoke about their boats like they were women, I even caught myself doing it on occasion. "Only if you want to, of course."

"Sure," I agree, no idea how much repair this boat was in need of "I've got nothing better to do."

I could tell Joel counted this as a win. I knew he had been commuting with my parents and how desperately they wanted me to keep myself occupied for the summer. "Well, we've got some work to do, kiddo."

After a solid five hours of following Joel around like a duckling and re-learning all the names of the animals, I was walking with Ellie toward her pickup truck. "Wanna drive?" She asks as we walk to the long beaten driveway

"Oh, I can't." The coolness of the morning has ebbed away into a borderline unbearable heat, I wasn't sure how Ellie was absolutely unfazed in her Jeans, T-shirt, and trucker hat. 

"You never got your licence?"

"No, it got taken away."

She cracks a grin "Jeez, what did you do? Hit a pedestrian?" Ellie teases.

"Something like that," Truthfully, my licence got revoked after I got a DUI and swerved my car off the highway, I was too high to realize the danger I was in and laughed the entire time warm blood pooled from a gash in my head that had to be stapled shut. Luckily my parents can throw money at anything and the problem will go away. 

She hops in the truck, there are little bits and pieces of it that show how it's lived in. A rubber duck with sunglasses sits on the dashboard and I'm partially surprised it hasn't melted in the sweltering heat. 

As beautiful and scenic as the drive down to the docks is, it's also extremely awkward, only on my end, Ellie seems completely unfazed. Travelling down the dirt roads until we finally hit the pavement. 

The salty breeze of Andromeda Cove carries conversations of clubbing and tanning, mingling with the sweet scent of coconut sunscreen and sea salt. Colourful beach umbrellas dot the shoreline. Seagulls glide effortlessly overhead, their calls blending seamlessly with the distant laughter of beachgoers. Quaint shops and cafes line the bustling boardwalk, offering an array of surfboards, souvenirs, and freshly caught seafood delicacies.

The Cove was immune to those gross and bland modern buildings that looked like something I would've made in Minecraft as a kid. Everything down here was local and kept its charm even after all these years. "Do you ever miss it here?" 

"I don't remember much of it to be honest."

"Really?" She asks, taking a turn down to the docks "It doesn't seem like it was that long ago."

"Yeah, my memory just isn't very good." My lungs are burnt and my brain is fried. You could tell me that I was in cheerleading for five years of my life and I would probably believe you. 

"Alright." 

I hadn't remembered her being this quiet but then again I don't remember much, I should probably write down everything I can before Alzheimer's sets in. There are lapses in my mind where memories should live, I recall my life through glimpses.

Ellie takes her keys out of the ignition and hops out of the truck, leading me down the docks. I keep guessing in my head which boat belongs to her and then the second I spot it, I know and how I dread. It's a sailboat or what's left of one, sharpie graffiti scribbled all around it. The word 'wanderlust' had once been titled along the side though the first half was scratched out by what I assume were those teenagers Joel mentioned so it just said 'lust'.

Ellie had no problem climbing aboard, I on the other hand had doubts that it could support the weight of two people, let alone itself. There were chips of white paint scraped off, Ellie motioned for me to get on deck  "How long has this been abandoned?"

She waves me off  "There's freedom that comes with abandonment."

I raise an eyebrow "Sinking in a boat that's docked is a very lame way to die."

"Nah," She says "We can haunt the marina."

She holds out her hand for me to take it and with hesitation, I do. Stepping over the gap between the dock and the boat, I haul myself over the rails. Even in the dark, I could make that climb, it was almost like muscle memory from working at my parents marina summer after summer. "She's a beauty, yeah? In her own special kind of way," Ellie pats the side of the companionway. "I actually made some progress on it last summer, if you can believe me."

"I don't know if I can," I look around, following her as we duck into the saloon.

She reaches for a notebook with a pink sharpie clipped onto it on the table of the saloon and turns to face me "Whoever was here must've been a real wordsmith, what I can't figure out is how the words got out of the notebook and onto my walls." 

I crawl onto the cushioned V-berth to get a better look at all of the writing on the walls. Most of it had been poetry, not Edgar Allen Poe but the kind that only an angsty teenage girl on the verge of a mental break could've written. 

The Statue of Juliette:

May I ask what you have done to women?

That your hands have only learned to harm one

Hand after filthy hand

Is dragged

Groped

Caressed

Prodded

Over my rusted skin

The things I have seen

The things I have endured

No water can clean me

No blanket can warm me

Take a hammer to my bronze flesh

And I will thank you for your kindness

As my body crumbles and clatters against cobblestone

I am eternally grateful

For this is the gentlest act I have ever faced

"I know," Ellie says, and I look back to meet her sharp gaze "A real Sylvia Plath.”

"Is this your candle?" I reach for it on the ground, it's halfway through its life. A vanilla bean bath and bodyworks candle.

She takes it from my hand and gives it a sniff "I was wondering why it smelled so good in here, I just thought that was you." She places the candle back onto the saloon table "So, Neptune's daughter, where should we start?"

I snatch the notebook from the table and flip it open to a page clean of any writing. It takes a little less than fifteen minutes to seek out all of the trouble spots. Ellie followed behind me and nodded to everything that I was saying. 

The boat isn't in nearly as bad of condition as I expected. I suspected that the teenagers who occupied it while Ellie was away at college had all been girls, they took relatively good care of the boat aside from the graffiti, allegedly most of the damage had been there when Ellie got it from Tommy a year ago.

We now sat next to each other in the booth around the saloon table, the ocean rocked the boat beneath us ever so gently, the same way a mother would rock her child's cradle. I missed the sea when I was in college, on a bender I had driven three hours just to be back with it, it seemed the only safe place to let go and be reborn. I liked the sharpness of the air, the vastness of the horizon and the mystery beneath it. I thought I would rise from the seafoam a new woman the same way Aphrodite did but no, I threw up on the sandy shores and called my parents to make it go away.

I give the notebook over to Ellie, a new entry written in bright pink Sharpie amongst the poetry and anecdotes. 

Wanderlust's issues:

Mainsail and jib seem sketchy; Unfold the hoist for a full assessment

Wiring issues are out of my hands but a probable concern-should probably call in an expert

Nav instruments are cracked

Leaks on starboard window, probs cracked moulding

Interior woodwork is original, mainly solid despite a bit of mildew

Graffiti and chipped paint, graffiti likely cleanable (May need a new coat of paint)

Possible rigging issues

Underside? That's a question for the experts

Final Verdict: Wanderlust is a seaworthy vessel in need of some love

Ellie lets out a low whistle "God, I love a girl who knows the difference between a mainsail and a jib." She cracks a mischievous grin.

"You're teetering very close between sexy and crass," I tease her in return.

She seems a little taken aback by my comment, like she hadn't anticipated a response but ignores it nonetheless "What would it take to make you my first mate?"

"I'm sorry?"

"For someone with a bad memory, you seem to know your boats, Joel said that you used to work on charters. You gotta know more about sailing than me. It'll be a fun summer project, get you out of the house a bit."

I furrow my eyebrows as I look at her "You want me to work on the boat with you?"

Ellie nodded. She didn't rush to fill the silence that stretched between us, she didn't bother to sweeten the deal or hunt for some reason I would like working with her. She just let it stand. I looked her in the eyes, trying to figure her out. She goes from being almost non-verbal with me and now she asks me to spend the summer on a boat with her. I wondered if she knew what she was doing at all and if I would be carrying her through this.

I had a feeling that Ellie would become my next bad habit. It's easy to get addicted when everything interests you and nothing satisfies you. "I'm in."

"You won't regret this," Ellie almost jumps up, I swear I could've seen her making calculations in her head "So, I'm thinking we get rid of all this junk and get a good look at it bare bones, make a list of supplies and give her the spa day shes in desperate need of."

On my second day as first mate, I had been scrubbing away inside of the saloon while Ellie did some work on the exterior, my Scrub Daddy was being put to work. By the time I even made a dent in all of the Sharpie poetry, it was nearly falling apart and begging to be killed.

When I emerged from the companionway to replace my filthy bucket of water I spotted Ellie chatting up a girl on a dock. She had long glossy black hair that cascaded down her back in strategic ringlets. "So you're gonna sail on this thing?"

"Rebuilding her first," Ellie tells her, leaning against the railing. The girl she's speaking to looks like she's freezing, denim shorts cropped high and a white tank top.

"Do you need help?" She smiles and even I'm seduced by it. She has tanned skin that she's clearly been working on and sunglasses pushing back the silky hair from her forehead. "I've been on boats, lots of times," Her arms are crossed over her chest. I can see goosebumps all over her legs from the chill brought to us by the gray sky above and the frigid air. 

"That so?" Ellie asks, rising to her full height. A wrench in hand, it looks like the beginning of a really bad movie, not a family-friendly one. She saw me then, standing behind her. I watched her facade drop. Her smile changed as I approached, turning from flirt to friend in two seconds.

"Oh, hey," The black-haired girl regards me like I'm some kind of threat. "So do you need help or what?" 

Ellie looks at me and then back to her "Thanks for the offer but we're all set."

"Do you maybe wanna grab lunch or something?" She completely ignores me.

Ellie shakes her head "We've got lots of work to do, but-" She takes a deliberate pause and I almost cringe "I'll probably be at the shipwreck later. Stop by if you're around."

"See ya'," She grins and takes the sunglasses off the top of her head, placing them on the nose bridge before walking back down the dock.

"Wow," I dump my bucket of water over the rail of the boat "Looks like super difficult work out here, you are so brave." Sarcasm drips from my tone "Without you, who will flirt with all of the hot girls at the marina?"

"No need to be jealous," She says "I'm spending every waking minute with you after all."

I gave her the evil eye but I truly wasn't jealous. I didn't chase the thrill of a fling or late nights with girls whom I would forget by morning. I had dropped that by college and replaced it with ketamine and opioids, I abused liquor like I was its two-faced love. Now the only thing I chased was calmness. 

I wasn't jealous, just briefly reminiscing over how carefree I used to be. 

The tide was rolling and the sky above us was gray and angry as if something was raging within it. "Shit," I mutter, waves shifting from a distant hiss to a closer hush. The air hung heavy, I hadn't even noticed the change in weather from what seemed like the century I spent scrubbing away in the saloon. 

Ellie must've noticed what I was. "So, I'm thinking we should go?"

"You think?" I retort.

Moments later we're packed and rushing down the dock to find her truck. It doesn't take long for rain to begin to splatter on the ground beneath us, it isn't light and gentle, it's harsh. It sounds like pebbles being tossed onto a sheet of glass.

By the time we reach the truck, I'm soaked, hair sticking to my forehead and neck "You didn't want to poke your head into the saloon and say 'Hey, it's looking like there's gonna be a storm'?" 

"I was a little preoccupied," Ellie isn't much better off than I am, she takes off the flannel she had on top of her tank top and tosses it into the backseat, her tattoo out on full display. The rain is so heavy that everything on the outside of her truck looks like a blur. 

"Can you even drive in this?"

"No, can you?"

"No, I told you I have a DUI," The second the words leave my mouth I regret the slip-up. My eyes go wide and a hand slaps over my mouth, I'm acting like I just told her I was the one who took out JFK.

"You didn't tell me that."

"Well," I look forward, ignoring her piercing gaze, "I thought I did."

If not for the rain outside that pounded against the glass as if it wanted to be let in, we would've sat in complete silence while we drowned beneath all of the words going unsaid. My mind begins to wonder, first I think of the black-haired girl at the docks; I hope she didn't get stuck outside in the rain, especially with her lack of clothing. Then I think about what Ellie's thinking, did she know already? Had Joel told her? I'm humiliated all over again like I'd been when the paramedics dragged my half-naked body out of a bathtub.

"Do you wanna talk about it?" She asks. I don't say anything and she takes this as a hint "We don't have to talk about it."

I'm beginning to grow comfortable with the silence. I almost preferred it to the back-and-forth banter Joel and Ellie constantly had, which was more so father and daughter teasing each other.

Joel had probably known more about me than I did, my parents liked to keep him filled in after all. They just loved to keep tabs on me, if it was legal I'm sure they would put cameras behind my retinas and watch my every move. Eight months ago when I was in rehab, that was the most peace I've ever felt. As much as my parents wanted me clean, they held resentment since I ruined my life and was destroying theirs by association. Joel didn't seem like the type to gossip to his daughter but it nagged at me regardless. "Did Joel tell you anything?"

"What do you mean?"

"Just-like," I search through my brain to find the words "Like what I've been up to?"

She shrugged "He just said you are on a deferral and need a break from the city."

"Okay," I say, my voice so quiet it was almost smothered by the obnoxious rain. 

"Are you hungry?"

We had thrown on two jackets Ellie had in the back seat of the cars. She offered me Joel's black raincoat while she humbly took the bright yellow rain poncho. It took everything in me not to laugh at her, she looked like Georgie.

Ellie slung one arm around me, we were both hunched over as we ran as fast as we could. She was shouting stuff at me but I couldn't hear her through the rain, I just nodded in agreement and hoped she hadn't said something awful.

She tugged me left, the deluge chasing us into Salty's for cover. It was nearly dead in there, two other tables, one was an elderly couple and the other was a group of girls, laughing like hyenas while one of them showed the others a picture on her phone.

Ellie wasted no time in taking off her poncho and I didn't blame her, no one wanted to be seen in that. The second we settled into a booth by the huge glass window which took up the entire storefront, an over-eager waiter came up. He was tall, had dark hair and had handsome features, he must've been bored with how slow it was in here. "Hey, Jesse," Ellie said "Can I have water and a big-buck burger?"

He nodded and swerved his body to look at me, "Alright and for you-" He looked up from his notepad and paused for a moment before a huge smile cracked on his face "I haven't seen you in so long!" 

"Hi," I smiled, my mouth hanging openly awkwardly as I tried to recall him.

"Do you remember me?" He asked, his hand dropping to his side "Jesse," He reminded "We used to go to school together."

I had no idea who he was "Oh my god, yes!" I say "I remember."

His smile grows "God, you look so different."

"You too," I gesture at him "You're way more-" My mind falls flat "Grown."

He nods along to my words "Have you had a chance to look at the menu?"

Wanting this conversation as soon as possible I nod despite not even opening the menu “Yeah, I'll just get the, uh, big-buck and a club soda.” I repeated Ellie's order.

He jots it down onto his notepad "It'll be right up."

"Ellie, I don't know who that is," I say when I see him retreat to the server station to fill in the order. The entire restaurant is nautical-themed, the walls painted black, and there were nets with faux fish covering every square inch of the ceiling.

"Wow, I had no idea," She says, sarcastically "Damn, your memory really is fucked." 

Trust me, I know or at least I think I do. I disregard her comment "Water? Don't you wanna get rootbeer or something? Joel said you drink so much soda that your blood is made of corn syrup."

She grins "Gotta keep up the tough guy act."

Across the restaurant one of the girls waves to Ellie, this one has curly brown hair and a sundress "Hi, Ellie!"

Her eyebrows furrow "Hey there-um...you," Ellie said "Good to see you again."

The girl smiles slyly at Ellie before turning back to her friends. "Looks like I'm not the only one forgetting people, what's your excuse?"

"There's a lot of girls in the world, I can't remember all of their names."

"You must've gone through every girl in the cove, power to ya'," I say "No idea you had such a reputation."

"You don't know a lot about me."

I shrug "You know even less about me."

"I bet I could guess."

"Be my guest."

She leans back like she's carefully considering her next words, choosing them very wisely before she finally settles "You picked a major like communications and got bored quickly, decided you needed to do some soul searching. Probably read 'Eat, Prey, Love,' then went on a backpacking trip, expenses paid by your parents. Alternatively, you lived in a van and pretended to be a broke hippie."

I shook my head "Very cliche and you were only right about one thing."

"What?"

"I got bored quickly," The rain outside was failing to cease. Across from me, it looked like Ellie was calculating my every move. Her auburn hair was still wet, and from her hairline, a droplet of water dribbled down onto her button nose to rest on her cupid bow.

"Can I have a hint then?"

"No."

I see a realisation hit her "You partied with frat guys?"

I shook my head "I've always been too cool for them." I wasn't too cool for them, I was too fucked up to even know they were throwing a party until someone verbally informed me, by that point all I've ever done at a frat party was break in through a window and steal a keg like the disgusting fiend I was. It was nothing to be proud of, my friends thought it was hilarious and posted it on their Snapchat stories, egging me on and feeding into this sickening behaviour. What wasn't funny was how I got caught and winded up with a busted lip and broken rib. With pupils the size of my iris, I couldn't feel the pain I was in.

"Okay, now you have to tell me."

"I can't, I lose my mysterious allure."

The bell above the door chimes signalling the arrival of another customer and said customer makes a b-line for our table. She takes a seat next to Ellie "Jesse texted me that you were here.”

"Dina, were you at work?" Ellie furrows her eyebrows.

"Yeah, it's not like anyone's buying souvenirs right now and Jesse told me you finally came back," She whips her head to look over at me.

I genuinely remembered her, unlike Jesse. She had buried the time capsule with Ellie, her family and I. I also recalled how her older sister used to give us hand-me-down clothes. "Dina, hi."

She has freckles scattered across her face the same way that Ellie does. Her smile was so comforting, I forgot that I was soaked to my bones and shivering. "Well we should all do something together tonight," Dina grins "You're doing Ellie a huge favour by helping her fix that rig, she better give you some good head for it."

I almost choke on my saliva while Ellie just groans with disappointment like she had anticipated Dina saying something along those lines "D, you can't say that stuff around every girl I'm with, this is essentially my sister for the summer."

Dina raises her hands in defence "Sorry, my bad, I was unaware since you failed to mention that you have my old friend living with you." Ellie looks like she's going to say something but Dina speaks up again before she has the chance to "Let me give you my number."

Wordlessly, I hand my phone over to Dina who fills out her contact information and then gives my phone right back to me. I study Dina's face and her mannerisms, hoping that something might bring me back to my childhood which has been wiped away by every upper and downer you could put a name to. Something about her seemed familiar, maybe we had been closer friends than I thought.

I nod along to whatever she and Ellie are saying, chiming in random bits of dialogue but my mind is stuck on the two of them side by side. They're what I could've been if my family never moved us away and I hadn't turned my brain into sludge.

The life I could've had.

 Ellie smoked from what I knew, maybe Dina or Jesse were into something a little more hardcore. Hardcore? If hardcore qualifies as drowning in a concoction of cough syrup, Vicodin, codeine, and Gatorade to balance out the flavour of self-destruction. The bottles I swallowed to sleep, I showed up to almost every lecture high. Here I was handed what was nearly a good life and I tossed it away for something with a sweeter taste than a stable job and proper education.

The horrors I've committed. No good deed will ever outdo the bad that I have unleashed upon this godforsaken earth. From my clouded brain, paralyzing thoughts come to life to curse myself, the nightmare no mother would wish for her child to endure. 

Relapse after relapse, I would fall sick with the thought of how many times I had to relapse until I was finally clean and that bitter flavour washed from my mouth.

"Are you okay?" Dina asks with a smile and furrowed brows "We kind of lost you there."

It's one in the morning and I want to drink wine then slip beneath the rapid waters that will gladly pull me under and claim me as theirs.

Instead, I opt for a class of water. As Dina had said earlier, she wanted to get a bunch of friends together but the second we got home, I showered and locked myself away. Echoes of laughter and chatter drifted through my window.

I slip down the steps that lead to the kitchen. Outside the rain has finally dissipated and Ellie, Dina, Jesse, along with a handful of people I don't know crowd around a bonfire. The kitchen is illuminated only by moonlight, the moon hung over me as I poured myself water from the tap, a dead thing over a dying thing. 

I have seafoam in my veins and centuries-passed sunshine that induces my craving for some pills that will put me to sleep. Three months completely clean and yet that doesn't end the yearning for the drugs that comforted me more than any human ever had. 

The door cracks open and in comes Ellie, she's laughing and from the uncontrollable giggles, drowsy gaze, and slightly disoriented walking I can tell that she's been smoking. "Hey," She smiles at me, reaching passed me to grab a mug with Garfield on the front and fill it with water but she doesn't take a sip, she just sits it down on the counter behind us and stares at me.

Our faces only inches apart, I contemplate her next move. This close I can smell the marijuana on her and I almost want to scuttle upstairs and light a candle. Ellie hugs me, wrapping her arms around my midriff and letting her head find its resting place in the crook of my neck "Are you okay?"

"Mhm" She hums "I'm just glad you're here, whatever the circumstances are, I'm happy that you're helping me with the boat," I'm carrying almost her full way, and she's slouched against me "I love you man, I know you don't remember a lot from when we were kids but we had a lot of fun together."

"Thanks, Ellie," I give her a little pat on the back "That's really nice of you."

She peels herself away from me, using the counter to lean against instead. She looks me up and down, having an intense staring contest with my pyjamas "Do you wanna come out and smoke with everyone?" She's shed her tank top and thrown over a gray hoodie to shroud her from the oncoming cold.

I shake my head, no "I don't mess with that stuff."

"That's smart," She says "Have fun in your room, stowaway, I'll see you tomorrow to work on our boat," With that Ellie leaves without grabbing the Garfield mug she came in here for.

A/N: Hey, y’all. I’m aware I have a million open docs, I assure you they are all getting some love but I needed to come back to my roots and write some angst. These are some issues I have struggled with and I feel that it’s important to bring attention to it so it’s not taboo.

[jasperthehatchet]

Hi ❤️ I found this beautiful red pair of pants at the thrift store a while ago, and I just got around to modifying them (also I fucked around with my photo editor for no reason)

I really love the embroidery on it and the material is extremely soft and breathable. But when I got them they were a bit too big for me and the drawstring was a pain in the ass to use. So I removed the drawstring and mended the hole, then I folded the waist band over itself in two places at my sides and stitched it in place. It's an elastic waist band so I was completely okay with removing the drawstring entirely (I forgot to take a picture of the waist band. Oh well)

I was thinking of adding more embroidery to the waist band but I'm afraid of compromising the stretchy-ness in any way so Idk yet. I think I'll leave it alone for now

I also changed the shape of the legs, they were flared out a little bit. I like the shape so instead of using elastic, I made drawstrings for the bottom of the legs so that I could achieve that poofy pants shape I like, but I also have the option to untie or remove the strings and bring them back to their original shape if I want to

I went from having this in my wardrobe and rarely wearing it to wearing it all the time!!! They're so comfortable and beautiful and they were fun to modify 🌿☀️

*****

[Image ID:

There are 5 total images. The first one is of me in my mirror wearing a black crop top and red pair of pants made of flowy fabric, they're embroidered with an intricate diagonal grid pattern and some vines around it in the same color as the fabric, across the middle of both legs and going down. but the embroidery doesn't show well in this particular image. My head doesn't show in the image so it's just my outfit. I edited the photo and put some sun stickers on it as well as two captions in white text placed near my waist that say: "took the drawstring out and mended the hole" and "tailored the waist band to fit" and a third caption at the bottom of the photo that says "cut open the hem at the bottom of each leg and inserted new drawstrings, changing the shape."

The next two images are pictures of the pants laid out on my bed, one image is zoomed in on the embroidery.

The next image is zoomed in on the bottom of the right leg where I put new drawstrings made of darker red yarn. There's red embroidered vines going down the seams and slightly lighter red embroidery thread on the edges of the hole I cut in the hem. There are three captions in white text in the photo that say: 1. "I embroidered the edges of the fabric I cut so they don't fray." 2. "Once i finished that i stitched it closed 1/4th of the way on the inside to prevent this part of the hem from sticking out." 3. "And I made two new drawstrings from yarn before I realized I could've used the one from the waist band instead"

The last image is of the same are of the pants as the last image but without the text and my hand. And the hole where the drawstrings are coming out of is less visible.

End ID]

[trashpandacraft]

hi! ok so i'm going to talk about one of my top-five favourite things, which is: dyeing stuff! this is going to be specifically about dyeing protein fibres (animal fibres—wool, alpaca, silk, etc) in a pretty low-key way in your kitchen.

to be clear up front: this is not the most scientific, most perfectly reproducible, or most Objectively Correct way to dye things. i get a lot of fibre that i like this way, though, and i think that other people can, too.

fibre i've dyed that i think is neat:

you can also dye yarn like this:

yes, i like blue a lot. i also really like variegation and heathering, which is why most of the fibre here has patches of white—it's an intentional choice that i've made. you can make different choices.

here is what you need to dye things:

fibre, vinegar, dye, a pot, heat, and some water.

that was so you don't get overwhelmed by the impending wall of text. here is what you need to dye things (it's the same stuff!), but with way more detail:

fibre or yarn. this is the big one, obviously. i tend to dye in 100-200 gram batches, because that's approximately what fits on my stovetop easily. if you're very nervous about felting or harming your fibre, you can use stuff that's been treated to be superwash, start with yarn (which is harder to felt than fibre is), or use a felt-resistant breed like dorset or suffolk. honestly, though, i learned with merino because that's what i had, and it was fine. again, though, this guide is only for protein fibres. it will not work for things like cotton. the only exception to this is nylon, which will take on some colour, but less than a protein fibre will.

a mordant. this is a fancy way of saying a thing that makes dye stick, and for what we're doing here, it's citric acid or vinegar. your grocery store definitely has at least one of them, though if you can choose, i prefer citric acid, because i love wet wool smell but i do not always love wet wool vinegar smell.

dye. i use acid dyes, and am personally deeply loyal to dharma acid dyes, but ashford and jacquard acid dyes work the same way. if you don't want to buy dye or don't have access to it, food colouring will often work, as well, though i haven't tried this with natural food colourings and have no idea how well they'll work.

a dedicated dye pot. ok, if you're doing food dyes, you don't need this. if you're not, it's definitely best practice, though i don't know how dangerous it is not to. any large metal pot will do, but my favourite option is hotel pans, which are those huge metal pan/tray things that hold food at buffets and the like. i have a full-size one that's 15cm deep, and a half-size one that's 4cm deep. they're great because they let you lay out the fibre you're working with so you can see most of it in a single layer.

dedicated dye utensils. as before, i don't know how much of a huge deal this is. i'll be honest and admit that for several years i had a single pair of tongs that got used for all tong-requiring events, including dyeing, and i'm still alive. i suggest that you have at least a big spoon, and a big spoon and tongs are even better.

something to mix the dye in. yeah, i use empty plastic sports drink or soda bottles for this. you can be fancy and get mason jars or little squirt bottles or whatever, and if you get super into dyeing you'll want to mix up dye stocks, but that's way outside the scope of what we're doing here. i like the powerade bottles that have a little squirty mouthpiece, because it's fun to squirt dye onto things.

personal protective equipment. i think this is the part of things that freaks people out. ideally, you wear plastic gloves and a mask (yeah, like your covid masks) when you're working with dye. realistically, i almost never remember to put on gloves and just accept that my hands are going to be blue sometimes. you should wear a mask, because dye is an irritant, but the world is an imperfect place and i have wicked bad adhd and sometimes i forget. this isn't advice. i'm just being honest. you should use some kind of safety stuff. you probably won't die if you don't.

you might also want some little random bits: an old toothbrush or paintbrush, a pipe cleaner, some toothpicks, etc. this is mostly if you like speckles, or if you want very small patches of colour.

so first: there are a million ways to dye things, and i'm not convinced that any of them are objectively correct. i do what i do and it works for me. some of the things i do are the opposite of what most guides suggest, but i do them because i like the effects they create.

ok, that's all the background stuff you need. let's dye some stuff!

the number one most important thing to remember when you're dyeing is this:

you can always add more colour. you cannot take it away.

that's in fancy writing and bold because every once in a while i forget this, and every single time i end up regretting it.

here is how to dye things:

put water, citric acid (or vinegar), and fibre into a pot. add dye and heat. let cool completely. rinse the fibre in cool water, then hang to dry.

like, sure, we're going to go into way more detail, but push come to shove, if you do that, you're going to end up with dyed fibre. there are a lot of tutorials telling you that you must soak your fibre first, or you must add your citric acid this way, or hold the water at exactly this temperature, and i'm here to tell you that while any of these things can give you different results, those results aren't necessarily better.

the only way that you can totally screw this up is by accidentally felting your fibre, so before i get into the way more detail part of things, i'm going to talk about that.

how not to felt your fibre

i feel like if you've read this far, you know how things felt: wool, heat, and agitation. you may also notice that at least two of these things are required for dyeing. this can be stressful! but you don't have to be afraid of it. there's only been one time that i felted something to the point that it was unusable, and that happened because i literally fell asleep for several hours while the pot was on the stove. you can avoid doing this by simply setting an alarm—this is a good idea anyhow, because you'll want to check on your dye pot!

when you're dyeing, use the lowest heat that you can while still keeping the water at a simmer. if your stove, like mine, has one burner that's wildly unpredictable and sort of out of control, you may want to look for some sort of flame diffuser, also called a flame tamer or a simmer ring. i bought one on amazon for about fourteen dollars, and it's literally just a thick metal circle. it works fine.

you can also keep the heat low by using a pot with a thick bottom, though in my experience those are expensive, and if i had one i would be using it for soup, not wool.

avoid shocking your wool—never put room temperature wool into hot water, and never put hot wool into cold water. leave your wool in the dye bath until it's cooled completely, which for me usually means overnight.

finally, obviously you have to move the fibre around some. you'll need to peek under it in the pan, and when you're done, you have to rinse it and squish out the water. try to minimise handling, though. don't run water directly onto the fibre, don't get a wooden spoon and stir your dye pot around, don't wring the fibre dry when it's done.

you're probably never going to be perfect. i often find that i lose a gram or two of wool where fibres have grabbed onto each other, or where parts of the ends clumped up. it's not really felted, just sort of compacted, but it's not great to work with, and i'd rather lose a gram of fibre than fuss with the clumpy bits.

back to how to dye things

let's take it step by step, assuming a hundred grams of fibre.

put your pan on the stove and fill it halfway with water. add either a teaspoon of citric acid or a tablespoon of vinegar. this is going to help the dye strike, or stick to the fibre. the teaspoon/tablespoon is a guideline, but one that it's fine to exceed. adding more will help the dye strike faster, which can be useful if you're trying to create blocks of colour on your fibre. i usually err on the side of a little more than the guidelines, and just eyeball this—if you feel like the dye isn't taking well, you can add more later.

add your fibre to the pan. this is the first place you have to think about what you want the finished fibre to look like! you can put it into the pan any way you want, but i suggest trying to keep it in a relatively even layer, regardless of what that layer looks like. here are some ways to get specific effects:

if you want a gradient from one end of the fibre to the other, use a rectangular pan and lay your fibre out so that the line of it is parallel to the short sides of the pan

if you want a short, repeating gradient, use a rectangular pan and lay your fibre out so that the line of it is parallel to the long sides of the pan

if you want something that starts with very close repeats that get further apart as you go down the fibre, make an approximate spiral

if you don't want A Pattern (i usually don't) just lay things out in a single layer, more or less

here comes the next exciting part! decide if you want to let your fibre soak or not. again, doing or not doing this gives you some different effects!

soaking your fibre will mean that dye takes more evenly. if you want consistent colours, you'll want to soak.

not soaking your fibre means that the dye takes less evenly. the fibre on top will have less acid available to it, spends less time in the dye bath, and also has to actually get wet before it will start to dye. i actually love doing this, and think it affords a lot of cool opportunities to play with and layer colours.

if you're soaking, leave the fibre there until it's submerged. if not, don't.

now you're going to add dye! decision time, again.

you can add dye when the water is cold, which will give you more even dye coverage, and in my experience gives the colours more time to mix together

you can add dye when when the water is hot, which will give you less even coverage, and tends to encourage the colours to stay more delineated

probably surprising no one, i tend to heat the water first unless i'm starting with a base colour or i'm doing a two-colour gradient.

time to mix up some dye

as i mentioned earlier, i'm assuming that you're using powered acid dyes for this. if you're not, this mixing up part is technically optional—but doing it gives you way more control about how and where you place your colours, so i'm going to assume that you'll do it.

i usually mix dye in some sort of empty drink bottle. regardless of what you're using, before you add dye to anything, put some water in the bottle, wipe off the lip, put the lid on tightly, and shake the bottle vigorously. if there is any leakage at all, do not use that bottle. find a better bottle. if your bottle cap doesn't seal well or if you have an empty condiment bottle that's just a little wonky or whatever, you will get dye all over the kitchen, and your landlord will be really really mad about it, and you will regret your life choices. (if you own your kitchen, you can do whatever you want, but this isn't about you and you know it.)

so you have a bottle that seals tightly! great job. dump out the water and carefully put some dye powder into the bottle. remember earlier how i said you should be wearing a mask? this is the part where you should be wearing a mask.

i know that people are reading this and going, ok, but how much dye do i put in?

my answer is put in the amount that feels right in your heart, and don't forget the number one rule of dyeing things, which is that you can always add more colour, but you cannot take it away.

this isn't a very scientific answer. most dyes have a guideline about how much to use, expressed as a percentage of the dry weight of the fibre, which is what you use to get the whole quantity of fibre dyed evenly. for dharma dyes, it's like 1.5-2%, i think ashford is 1%, and jacquard is more like 2-4%, depending on the colour.

here is the problems with doing that in your kitchen: first, using that much dye will get you an evenly dyed piece of fibre, which—for me, at least—is basically the opposite of what i want. second, and more importantly, unless you have one of those teeny tiny scales used by jewelers and drug dealers, your kitchen scale will not weigh out such tiny quantities with any accuracy. third, if you do it like this, you really have to plan what you're doing ahead of time, because there's a point after which no more dye will bind! the fibre will be like enough thank u that's it i'm good and that'll be it, so you lose some of your ability to decide that actually, you want more green.

you can probably guess, at this point, that i don't weigh the dye. once you've done a couple batches of fibre with a given brand of dye, you'll start to get the vibes for how much you should use. if you really want a guideline, for a hundred grams of fibre, start with a quarter teaspoon of a given colour. you can add more—either more of this colour or a different one—later, as desired.

put your dye in the empty bottle, and then fill the bottle partway with hot water. the amount of water doesn't really matter here, nor does the specific temperature of the water. i usually fill about 3/4 of the way, because that way there's plenty of room for this next step, which is: wipe the lip of the bottle, recap it tightly, and then shake it up real good. the dye powder is going to dissolve into the water, and you now have a bottle of dye!

if you're going for a gradient, you might want to mix up your second colour so you can add them at (basically) the same time for more even mixing. if you're not, or if you only have one mixing bottle, you can do them one at a time.

oh my god we're finally putting dye on the fibre

are you ready? it's time!!

you have basically infinite options for how to do this, and many of them will give you different effects. here are some ideas:

pour the dye all at one side of the pan. and if you don't add anything else, your fibre will fade from the colour of the dye to the natural colour of the fibre

pour two colours, one at either side of the pan. depending on how much dye you use (and remember, you can always add more), this will give you either chunks of colour surrounded by white, or a two-colour gradient

add all the dye to unheated water and mix it gently, then let the fibre soak for a few minutes longer before turning on the heat. this will give you a fairly even colour

pour randomly all over, and you'll either end up with a tonal yarn or a heathered one, depending on how much dye you're using

add the dye to the water under the dry fibre, which will sink in and take up more dye on the bottom of the fibre than the top

if your heat wasn't on before, it should be now, and you're going to let the dye hang out in the hot but not boiling water for a while. how long? well, one of the cool things about dyeing with these dyes is that they exhaust, which means that when the dye has been sucked up by the fibre, the surrounding water will be clear. how long this takes will depend on the specific dye, how much of it you used, how much mordant you used, etc. i try to check every fifteen minutes.

reminder: if you started with room temperature water, the dye's not going to start taking until the water heats up, so don't check it after fifteen minutes and freak out that nothing has happened. it is fully normal for it to take up to an hour for the dye to exhaust. don't turn up the temperature, just give it time.

yay it worked!

at this point, you have a pot of hot water with some beautifully coloured fibre in it! but maybe it's not beautiful enough. maybe you want...more colours.

that's cool as hell and you should go for it. we mentioned two-colour gradients up there, but what if you want something else?

the answer, probably obviously, is adding more dye.

first, a caveat: while you can successfully make multicoloured gradients like this, it's more difficult than you think, and if it gets messed up—all the colours bleed into each other, say—it turns into a muddy mess. my suggestion is to stick to two (or three at most!) colour gradients until you have a much better feel for what you're doing.

let's talk about ways you can add more colour. you have two options: big colour and little colour.

big colour is going to add a lot of colour—you're going to mix up the dye and pour it just like you did before, but paying more attention to places that don't have dye yet. sometimes it's the middle of a gradient, or the white splotches from random pouring, or the half of the fibre that wasn't submerged when you started. or maybe you dyed the whole thing yellow, and now you want to add a blue gradient over top. whatever!

if you don't want to freehand pour, consider buying a couple large syringes, or a bottle with a squeezy top. these are also fun because you can easily get more colour between the laid-out fibre, or even under it.

in the pictures at the start of this post, the red-and-gold top and both yarns were dyed by adding big colour.

little colour isn't going to add big patches, but is going to add speckling, tonal depth, or smaller patches of colour. all of the blue-base fibres and the yellow-and-blue yarn were dyed like this.

if you're still reading this closely, you might have caught that i just said both yarns were dyed with big colour, and that the yellow-and-blue yarn was also dyed with little colour. these are both true! the base colours of the yarn were done to make big colour, but if you look at the full-size image, there are also a bunch of speckles. you can do whatever you want! no one can stop you!

here are some ways to add little colour:

mix up some dye, but use less water. add drops of the dye, either directly onto the fibre (more dramatic!) or in the water (tonal!)

use a toothpick to grab a little bit of dye powder and drop it into the dye bath (similar to the previous one, but a little less predictable)

put on a damn facemask. take a clean toothbrush, paintbrush, or pipecleaner, and just barely touch it to the dye powder. gently flick or tap the brush to add speckles of that colour

find a salt shaker that you're never going to use for anything but this. put citric acid, salt (to make it distribute better), and dye powder into it, and shake it up (with the holes covered, please cover the holes) to make sure they're evenly distributed. gently shake this over the fibre to add speckles, but more of them, and clustered together

put a little dye in a spray bottle and gently mist the exposed fibre, kinda glazing it with colour

another thing is that if you like a natural coloured yarn with dyed speckles, you can do any of these techniques without doing big colour first. the only thing to note when doing this is that you'll want to be very sure to spread out the fibre well, and maybe to consider dyeing one side, then very very carefully flipping it over and getting the other side.

ok, now what?

let's say that you've added all the colours that you want, and you've let your bath simmer long enough that the water is clear, or nearly clear. (if it's not, check troubleshooting, below.)

put the lid on your pan and walk away. if you don't have a lid, just walk away, but it's less dramatic.

the super frustrating part here is that the safest thing to do is wait until the water and fibre is fully cooled before you do anything else.

have i ignored this? yes

has it ever gone horribly wrong? not horribly wrong, but it's definitely caused me to lose an inch or two of roving on occasion

is it way more stressful if you don't wait? absolutely yes

honestly maybe just go to bed and deal with your fibre in the morning

so now let's say that it's morning and you slept long enough that your water and fibre are both room temperature, which often actually feels quite cool on your hands.

you have to drain your fibre. there are two ways to do this:

lift the fibre out of the water. this has the upside of not risking dumping your beautiful fibre into your sink, and not needing to maneuver a full pot of water, both of which are admirable. the downside is that wet fibre is fragile, and you'll want to be careful to support it.

dump the water out of the pan. this has the upside of minimising how much handling you're doing of the fibre, as well as (in my opinion) making rinsing easier. the downside is attempting to keep the fibre into the pot while you dump the water into the sink, and also needing to carry around a full pot of water.

secret third option: dump the fibre (and the water) into a strainer. upside: very easy, and you can keep the fibre in the strainer while you rinse, minimising both how much it needs to be handled and the weight on the fibre. downside: i never remember that this is an option until i'm already elbows-deep in acidulated water, discovering every tiny cuticle tear.

you're going to fill your dyepot with water again so that you can rinse the fibre. you want to minimise thermal shock, so keep the water temperature as close to the temperature of the fibre as you can, and don't run the water directly onto the fibre. i like to pull all the fibre to one side of the pan, and fill the pan on the other side.

side note: if you, smart person, remembered that you can use a colander, simply fill a pot with water, put the colander in the pot, and gently agitate the colander.

if you, person who is deeply relatable, did not remember you can use a colander and now have a pot with clean water and fibre, gently move your fibre in the water to encourage any excess dye and also citric acid to get out of there.

drain your fibre again, and this time, you're going to squeeze it dry. you're still trying to minimise agitation, so this isn't a 'wring it out' situation, it's a 'gently squish it between your hands and/or a hand and the side of the pot' situation.

hang your fibre to dry. remember what i was saying earlier about it being fragile? let me suggest, here, that you do not simply drape the entire length over a single hanger or something and hope for the best. if you literally have a single hanger, at least drape it back and forth a bit, but better if you can use more than one hanger, or a clothes drying rack, or that weird metal wine rack thing that came with your fridge that you've never used, or whatever.

important reminder: drip-drying things will make your floor wet! if you live somewhere very clear with no major roads or pollen nearby, you can probably dry things outside, but if you don't, you'll probably want to position the drying rack in a bath, shower, laundry area, or otherwise over something that will catch and/or absorb the water.

how long it takes for the fibre to dry is another unknowable variable. if it's warm and dry where you are, it might literally be overnight. if it's damp and cool, it can take days. the batch i posted a couple days ago literally took almost a full week to dry. spread it out as best you can, gently squeeze out the water you can, and otherwise you just have to wait.

you're done!

when it's dry, that's it, you're done! you might find that you need to pick off some little lint balls or a bit of compacted or slightly felted fibre from the tips, but other than that, you should be good to go.

like most fibre stuff, this is best maintained by handwashing in cool water. you may see a little bit of dye or colour loss the first time you wash it, which is pretty normal and nothing to worry about.

congratulations! you made it to the end of this incredibly long post, and if you followed along, you've just dyed some fibre!

troubleshooting

this isn't dyed enough! i want more colours!

add more dye! i'm not the boss of you.

this is true even after the fibre is all done and dryed. there's nothing that says you can't dye it again—you can, and i have.

some fibre seems to require more dye than others. silk, for example, dyes beautifully with acid dyes, but also needs way more dye than i expect it to.

remember that if you're dyeing something that's a wool/cotton blend, for example, the cotton isn't going to dye. the only exception is nylon, which will kinda dye, but not as dramatically. this guide will not work for plant fibres.

this is too dyed! i want fewer colours!

please refer back to the number one most important thing about dyeing, which—as you know—is: you can always add more colour, but you cannot take it away.

pull out some more fibre and try again. this has a learning curve, just like any other fibre craft.

these colours don't look like i expected!

this can be about a lot of things.

colour guides, especially if you're looking at them online, aren't always very accurate.

colour guides tend to assume that you're dyeing a single colour at the suggested dye percentage of weight, and using less than that will give paler colours.

dyes, especially if you're mixing brands, can interact with each other and behave in ways you didn't expect.

dyes can also break, which is when they split into their component colour molecules. this happens commonly with blacks and browns, food colouring, and anything that dharma trading has marked as 'advanced'. some people find this very desirable and seek it out; some people are very frustrated by it.

the ph of your water can sometimes affect your dye. i've been lucky enough that i've only lived places with lead problems, not weird ph stuff, so i haven't investigated this closely, but if you're consistently not getting the results you expect, even going for a single, solid-colour dye, look at the ph.

my dye water's not clear!

if you used a quarter teaspoon of dye and a hundred grams of fibre, and it's been, say, 45 minutes of actually hot water and your water still isn't clear, you probably didn't use enough mordant, and you should add some more citric acid or vinegar to encourage the dye to get in there and do its thing.

if you used you used more like a teaspoon of dye, or if the citric acid doesn't change anything, you used too much dye for your fibre. you can either shrug and pour it down the drain, or you can add some more fibre and dye that, too.

my rinse water's not clear!

you probably used too much dye. it's ok—just keep rinsing it, gently, until it's more or less clear.

some colours just like to run—you know how every once in a while you get a yarn and it just bleeds a little bit every time you wash it? sometimes it's just like that. i wouldn't worry about it too much.

my fibre has felty/clumpy bits!

a little bit of this is normal, especially at the ends of a fibre that felts easily (this means you, merino!)

pick off the bits that you don't like—this is generally fairly easy, and involves very minimal fibre loss. i don't bother doing it until i sit down to spin, and then just pull off bits as i come to them.

if there's a lot of felty/clumpy bits, more than you can reasonably pick out, you agitated the fibre too much. there's not much for this other than trying to card it out, which may or may not work.

sometimes this happens because your stove got weirdly aggressive and boiled your fibre. especially for wool that's prone to felting, the bubbling and jostling can be enough to encourage more clinginess than you'd like.

i want my dyeing to be reproducible!

this is kinda doable. it's a handmade thing, so it's always going to have some natural variance, but you can do it.

buy a jeweler's scale that measures in fractions of a gram.

start measuring your dye and acid, and take detailed notes about what you do.

follow those notes in the future, and you'll be probably 90% of the way there.

i want to dye with natural dyes!

i fully support this and have played around with it a little bit myself, but absolutely do not know enough about it to advise you.

the internet is very large and full of many people who are much smarter than i am, and i feel confident that at least one of them is desperate to tell you all about how to do natural dyeing.

i am, at this point, not that person.

i want to dye plant fibres!

i am begging you to find another guide, because this one will not work.

you didn't answer my question!

that's what my inbox is for

i have to reiterate that i'm just a person with real specific interests who started dyeing things because i couldn't find or afford the kinds of colourways that i wanted.

i am not a professional

i will do my best to answer questions, but sometimes the answer is 'just fuck around until you find out'

plant fi—

shhhhh

the end

thank you for reading this incredibly long post! i might make another one in the near future, either so i can show pictures or because i took out an entire section about how to choose colours and pick a colour scheme and work with colours, and i kinda want to talk more about that, but this is no joke almost six thousand words long, so i thought, you know. maybe not tonight.

anyhow, i hope that this was useful to someone! thank you for letting me talk about one of my very favourite things.

[thehandthatleads02]

can you describe what a typical day looks like for you and your girls?

I'm always up first, usually around 5:30. mercy's a heavy sleeper so she doesn't wake up, but she is sensitive to light so I keep them low. softgirl has her own room because she is a very sensitive sleeper, but even then I do my best to stay quiet as I get ready for work. (TBH, I think I wake her up every morning but she's too polite to tell me). I am out of the apartment before either of the girls wake up and off to work.

mercy wakes up after me and gets herself to work. She's not much of a morning person so her mornings are a little slow, but I do encourage her to edge before work. She doesn't always have the energy, but we are working on ways to make that easier. She's started transitioning to a hybrid work from home, so that adjusts the schedule a bit. (I also work from home two days most weeks). softgirl is usually the last up, she has a fairly involved morning routine she does most days. Getting ready for work, getting her morning Overwatch game in, getting food. (if it's a good day). She typically gets to her store to open around 11:30, and fortunately it is close enough she can walk.

I'm usually off around 4, and if softgirl doesn't close that day she's usually ready to be picked up by the time I get to the store. Once we get home I make sure she gets a shower, get her dried off, and I pick out one of my shirts to wear for the evening. (She gets grumpy if I forget this.)

mercy is typically home by 6, and whoever is responsible for dinner that night will cook. We eat dinner on the couch, and we have to have something on the TV because softgirl can't handle the sound of people eating. After dinner we usually play a video game together, for a long time that was Overwatch but lately it is branched out to Borderlands and some other stuff.

Around 8 we pile on to the couch to snuggle and watch TV. The girls get grumpy if they don't get good snuggle time. Lately we have been going through The Legend of Korra, but we watch a lot of Kitchen Nightmares and Hell's Kitchen too.

Around 9 we usually get ready for bed, and then snuggle together in my room for a bit. This is usually tiktok time. When softgirl gets tired she heads to her room for bed, and I usually make sure the door is locked, the lights are out, and softgirl has water to drink overnight.

There's some variation in there depending on softgirl's schedule, if I have to work late, if mercy has her yarn club, but that's the general gist. We try to do something fun together on the weekends, Sunday is the only day we are all off work right now.

I imagine none of this sounds exciting or terribly sexy, I imagine most people picture regular orgies, lots of Dominance and submissive procedures, or perhaps a lot of edging. To be perfectly honest, life gets in the way. This week I am trying to buy a new car, get taxes done, get some pictures hanged on the wall... We have a vacation coming up in a few months we have to plan, we're trying to buy a house this year.... It's all really much more normal that most people assume.

There is a lot more I want to do. I fit in more where I can. I'm trying to build a streaming channel over on twitch and youtube so we can get some extra income in, give us some more options. (That's the shameless plug, follow those channels from my pinned post to see my non-kink content) I'd love if both of my girls didn't have to work, but right now the finances just don't work that way.

I want to help softgirl manage her chronic pain and her stress. I want to help mercy be a better bimbo and handle her stress better. I want my girls to be happy. There is so much I want to do, but for now I am making my plans one step at a time.

Not sure that was the answer the anon was asking for, but that's what life looks like at the moment.

[rayshippouuchiha]

These two blankets are currently on my hook and I'm alternating between them.

The rainbow one is 3 weight acrylic yarn, also stored in the hoard since A.C.Moore's closure. The pattern is a stacked granny stitch used in March's stitch of the month from Jayda in Stitches' 2021 calendar blanket.

The striped blanket is also Bernat Blanket yarn (can you tell I have a favorite type?) in Yarnspirations' Lush Life pattern, which uses the Alpine stitch. I had actually planned to use this yarn to make a blanket for my youngest brother (I'll use his nickname, Bubba), who selfishly took all the height genes for himself and is already 6'6" and still growing. We were at my other younger brother's (who I am only allowed to refer to as Pie, he will accept no other name from me) apartment and I told him (Bubba) what I was planning and he immediately started making that face that all people who learn of a gift they don't want but will accept anyway because "family." I asked him what was wrong, and he hemmed and hawed for a few minutes before finally admitting that he didn't like the sensation of crocheted items against his skin.

I hadn't started the blanket yet, but I told Bubba that I would rather he had told me now so that I know and don't spend my time on making something he's not going to like. It would hurt my feelings more that he felt he had to accept something just because I made it for him. After I gave him a hug, our brother Pie, turns to me and says, "So, I hear you have yarn for a blanket, but no one to give it too. I find myself in need of another blanket." As if the little shit hasn't snagged everything I made that I didn't already have a person in mind for or kept for myself. He must have taken at least 20 pattern testing amigurumis and several blankets already. I have had to pat him down a few times for just completed projects that were commissioned before he left my place.

these are fucking art goddamn it

[softpine]

Oooo what are you crocheting? My cousin showed up to Christmas in a cardigan she crocheted herself and I've kind of been thinking about trying it out ever since.

this is only my first project!! i followed these tutorials last week and then made my first hat over the course of 2 nights :') it's super janky because i missed a bunch of stitches in the middle but i was too lazy to frog it because i know i'm never going to wear this hat anyway lmaoo

i 100% think you should give it a shot!! it's so low cost to just practice and see if you like it. i bought this variety of needles for $6, and that hat i made only used 1 skein of yarn for $2.50 (definitely recommend buying yarn in person, the prices are jacked online, plus it's nice to see it & feel it yourself). so i feel totally fine with messing things up while i'm learning because i'm not wasting a ton of money! and you can literally unravel your entire piece and restart if you want to save even more money while practicing. sorry i know you didn't mention money, but i always thought picking up a new crafty skill would be expensive so i held back for way longer than i should have!! obviously the cost grows as you get more advanced and want better materials, but at the moment this is dirt cheap for me

now i'm starting my next project, which is this recycled fabric bag (i'm making mine bigger like a tote bag and using smaller stripes because i have a ton of old clothes i don't think anyone would want at a second hand store because they're stained or ripped etc so it would be cool to use all those colors) maybe ambitious for a beginner but go big or go home baby 🤙🏻

[mirith]

I went to a yarn store!! My local store closed last fall and the nearest one to me is an hour away and is mostly for sewing/quilting. Their yarn selection is very small and limited. So I just haven't been to a yarn store in a while.

Going to knit a Prismarine (pattern on ravelry by Alina Appasova, app won't paste the link in) scarf with this! They had a pretty sample in the store and I'm excited too see how these colors knit up.

Do not ask me how much I spent. My boyfriend guessed $45, and said "oh no" when I replied, "I wish".

This one was beautiful! It's Three Kittens Needle Arts. Near Minneapolis. (was visiting for work so I'm not sure how to be more specific, Google says Mendota Heights?).

It's large and has so many yarns and samples of things. Nicely organized. Big table for classes or people to drop by and knit. Lots of books and notions. And it was busy!! On a Tuesday morning!

It made me wish I had a LYS still. Decades ago my town had five. One by one, they closed. The last one to go was the only one I had known, having moved into town almost ten years ago. And now that's gone too.

I don't think the lady working at the Minneapolis shop understood my excitement to touch yarn. She probably thought I was a bit weird. Whatever. I love yarn, what can I say.

[journeyman-tier-fibercraft]

Finally! I have finished all my squares! It took me sooo long to be happy with the finished layout but I'm pretty satisfied.

Now I just gotta. Find the will to join all of these. Which will probably be several months at a minimum. Because of how long it'll take (and how I honestly just don't want to refer back to the photo every time) I'm storing them in cute little bundles based on what row they're in. So when I go to crochet them together I can just use them in order.

My plan is to use this tutorial using black yarn. Having a seamless joining method will hopefully make up for the 500 ends I needed to weave in already.