#i'm trying to get used to post without having to show something to others

[yurki-posts]

Man I wanna show my "Au" or backstory of Pre-Void Rob I had in my head for a year so bad but I just can't freaking draw the idiot's hair. Maybe i'll try to first write it all down and make a fanfic, just gotta find the motivation to actually do it..

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[inkspiredwriting]

A Life Worth Fighting For

Five Hargreeves x Fem!reader

A/N: It's time we all got our five back. Five needs y/n, in every timeline. If I'm honest, I don't want to read anything more about this Five/Lila relationship. For me that never happened. From now on I'll be posting the stories that I've already finished writing

Warnings: spoilers for season 4 episode 5-6

The air shimmered with energy as Five and Lila landed in yet another timeline, they found themselves in a cozy, well-kept house that radiated warmth and comfort. The scent of fresh coffee hung in the air, mingling with the subtle fragrance of flowers from somewhere nearby.

Lila glanced around, her brow furrowed with suspicion. “This doesn’t look like any of the timelines we’ve been to,” she muttered, her hand instinctively moving toward the handle of the knife strapped to her thigh. “Too quiet, too… perfect.”

Five didn’t respond immediately. He was scanning the room, his sharp eyes taking in every detail. The polished wooden floors, the cushy furniture, the family photos lining the walls—it was all so domestic, so ordinary. It felt like the calm before a storm, and after seven years of battling against the odds in a timeline where everything was wrong, he couldn’t trust it.

“We need to be careful,” Five said finally, his voice low. “This place looks safe, but it’s too familiar. We could be in one of those timelines where something’s just a bit off.”

“Like that time where your younger self shot at us??” Lila quipped, her lips curving into a smirk that didn’t reach her eyes.

“Exactly,” Five replied, the memory flashing through his mind. “Let’s find out where we are and who’s running the show here.”

Just as he was about to suggest searching the house, the door to the living room swung open. Both Five and Lila instinctively tensed, ready for whatever was about to step through.

But what they saw caught them completely off guard.

Another Five stood in the doorway, looking just as surprised as they were. This version of Five was dressed casually, in a button-down shirt and jeans, a far cry from the suits that the time-traveling Five was used to. He looked… settled.

“What the—” the other Five started, his eyes narrowing as he processed the scene before him. “What are you doing in my house?”

Five stepped forward, his gaze locked onto his counterpart. “We’re from a different timeline” he said, his voice steady.

The other Five’s eyes widened in recognition, then narrowed again with suspicion. “A different timeline? What do you want?”

Before Five could respond, Lila spoke up, her tone laced with annoyance. “Listen, mate, we don’t want to be here any more than you want us to be. We’re just trying to get back to our own timeline, but we’ve been stuck in the wrong one for seven years. Seven years!”

The other Five’s expression softened slightly, though the wariness didn’t leave his eyes. “Seven years? What happened?”

Five took a deep breath, trying to steady himself as memories of those long, grueling years came rushing back. “We got trapped,” he explained, his voice quieter now. “No way out. We were stuck there for what felt like a lifetime. And… well, we ended up together.”

For a moment, there was silence. The other Five’s eyes flicked between his counterpart and Lila, his expression growing darker with each passing second. “You ended up together?” he repeated, disbelief coloring his tone. “You and her?”

Five nodded, bracing himself for the reaction he knew was coming.

The other Five’s jaw tightened, and without warning, he stepped forward and smacked his counterpart on the back of the head. “What the hell is wrong with you?” he snapped, his voice a mix of anger and incredulity. “Do you even know what you’ve done?”

Lila’s eyes flashed with anger, but Five raised a hand to stop her from retaliating. “I didn’t have a choice,” he said, though even as he spoke the words, he knew how weak they sounded.

“There’s always a choice!” the other Five shot back, his anger unabated. “You’re telling me that in seven years, you never once thought about the consequences? About Diego? He’s her husband in our timeline, for Christ’s sake! They have three kids together!”

Five flinched at the mention of Diego, a pang of guilt stabbing through him. “I don't have a girlfriend or wife,” he said defensively, the words tumbling out before he could stop them. “I have no one.”

At this, the other Five’s anger seemed to shift, turning into something more like pity. He sighed, running a hand through his hair. “Because you gave up,” he said quietly. “You gave up on yourself, and you gave up on your family.”

For a long moment, Five couldn’t find the words to respond. The weight of what his counterpart was saying pressed down on him like a lead blanket. Had he really given up? Had he allowed himself to lose sight of everything that mattered because he was too tired, too lost, to keep fighting?

The silence between them grew heavy, filled with all the unspoken regrets and what-ifs of a life that could have been.

“Look,” the other Five said, his voice softer now, “I know how easy it is to get lost in this mess, to lose sight of who you are and what you want. But you can’t just throw everything away because things get hard. You have to fight for what matters.”

Five looked down, his hands curling into fists at his sides. He wanted to believe that it wasn’t too late, that he could still find the life he’d always wanted, the love he’d convinced himself was out of reach. But the last seven years had left him scarred, beaten down by a world that had taken so much from him.

His thoughts were interrupted by the sound of laughter coming from outside. He looked up and saw that the other Five was gazing out the large bay window, a small smile on his lips.

Five followed his gaze and felt his heart clench at the sight that greeted him.

In the garden, a beautiful pregnant woman was playing with a little girl, who looked to be around four years old. The woman’s laughter was like music, her face glowing with happiness as she twirled the giggling child around in her arms. The little girl had a mop of dark hair and eyes that sparkled with mischief—eyes that Five recognized all too well.

“That’s Y/n,” the other Five said softly, his voice filled with warmth. “And that’s our daughter, Maddie.”

Five stared at him, his mind reeling. “I want what you have,” he said finally, his voice barely a whisper. “I want… her.”

The other Five nodded, his expression firm but not unkind. “Then fight for it,” he said. “Don’t give up on yourself. Don’t give up on her.”

Five’s throat tightened as he watched them, his heart aching with a longing he hadn’t allowed himself to feel in years. This was it. This was what he had wanted, what he had fought so hard to protect but had never truly believed he could have. A family. A home. A life filled with love.

He could have had this. He could have had her.

“I can’t believe…” Five started, but his voice broke, and he had to swallow the lump in his throat. “I can’t believe I gave this up.”

“You didn’t,” the other Five said, placing a hand on his shoulder. “Not yet. You still have a chance to find her. You still have a chance to make this life your own.”

Five closed his eyes, trying to block out the overwhelming tide of emotions threatening to drown him. He didn’t deserve this—this kindness, this hope. But he wanted it more than anything. He wanted to find his y/n, to have his own Maddie, to fight for a life worth living.

When he opened his eyes again, he found the other Five watching him, a knowing look in his eyes.

“Go,” the other Five said gently. “Find her. Fight for her.”

Five nodded, and then turned to Lila, who had been watching the exchange in silence. She looked at him with a mixture of sadness and understanding, knowing that whatever they had shared was over.

“We should go,” Five said softly, his eyes meeting Lila’s. her expression unreadable, and with a final nod to the other five, he teleported them both away, leaving the other Five standing alone in the quiet house.

A few moments later, the front door opened, and Y/n and Maddie walked in, their faces flushed with happiness from their time in the garden. Y/n smiled warmly at Five, the love in her eyes undeniable as she approached him.

“Everything okay?” she asked, a note of concern in her voice as she noticed the tension in his posture.

Five looked at her, his heart swelling with an overwhelming sense of gratitude and love. He wrapped his arms around her, pulling her close as he kissed her gently on the lips.

“Everything’s perfect,” he murmured against her lips, his voice filled with emotion. “I’m just… so happy that I have you. You’re my one true love, y/n. No one else. Just you.”

Y/n smiled, her eyes shining with love as she leaned into his embrace. “I love you too,” she whispered, resting her head against his chest.

Five held her close, the weight of everything that had just happened slowly fading away as he focused on the warmth of her body against his, the sound of her heartbeat, the soft rise and fall of her breath. This was his life, his family, his everything.

And he wouldn't give that up for anything in the world...timeline or not.

[verstarppen]

hear me out….. okay reader is famous and meeting fans,, a fan is wearing a top with like charles or max or whoever’s face on it and reader spots it and is like “…who is that😮‍💨” and the fans tell her and shes like “please show me their instagram” and then she follows whoever the guy you choose on ig,,, but one of the fans was recording the whole interaction qnd the video goes viral as well as a screenshot of readers ig following their account <3333 you can ignore i just thought this would be a good giggle type fic and your fics are my fav for giggling <33333

summary; your comic book signing takes a turn when a fan walks in wearing a t-shirt with a poorly photoshopped "charles lechair" or wheover that is

pairing; charles leclerc x fem! comic book artist! reader [ no faceclaim ]

a/n; this is for my charlie girlies i see your comments ladies and they make me smile im lurking and im stalking when you least expect it; all art used in this is by my lord and saviour dan mora if i could eat his artsyle i would

liked by charles_leclerc and 430,010 others

ynlantern thank you everyone who stopped by for a print or a sticker @ comic_con ! and if you haven't, i'm here for the next 2 days

view all 100,333 comments

orangleclerc HE'S IN THE LIKES Y'ALL

kirbyvettel can someone pls explain what's going on orangleclerc I'll DM you the video baconforza HEY I WANT TO KNOW TOO lionkingseb ffs please someone explain

egggrosjean I've never cared about anything superhero related but this whole situation made me look into your work, and I have to say it's amazing!!! Keep up the good work

roboclaren HE FOLLOWED HER BACK LMAO

liked by charles_leclerc, maxverstappen1, ynlantern and 5,331,254 others

pierregasly He's great with kids and dogs

view all 1,699,314 comments

monte_carlos_55 STOP EMBARASSING HIM

verstoppen "My crush is coming act cool" My friends:

charles_leclerc What did I say

pierregasly I'm doing free promotion charles_leclerc You're talking a lot of shit for someone within bitch slap distance pierregasly Delete this, you're ruining my marketing strategy

scuderiaferrari It's true! He's actually a driver, strategist and team principal!

ynlantern isn't half of that your job? scuderiaferrari @ charles_leclerc Nevermind, we don't like her. charles_leclerc 😐

liked by charles_leclerc, pierregasly, carlossainz55 and 1,200,100 others

ynlantern i heard he solved world hunger or something

view all 800,121 comments

vertiddieenjoyer WAR IS OVER

ceruleanwilliams historians in 2294 trying to figure out what charles leclerc actually did and what the internet said he did to get him a date: 😰

pierregasly No need to thank me

honeyvettel the real main character

arthur_leclerc You did it. You crazy son of a bitch you did it.

charles_leclerc No swearing under her posts, please arthur_leclerc Yes, mom.

liked by ynlantern, carlossainz55, maxverstappen1 and 2,474,551 others

charles_leclerc Round 2 :)

view all 505,041 comments

scuderiaferrari That was fast

carlossainz55 Unlike our pitstops scuderiaferrari You're getting distracted charles_leclerc Wish I could get distracted out of SF-23

pic credits: instagram and pinterest

blog taglist: @coffeehurricanes @iifloweringnightsii @jsjcue @lanando4 @fastcarsandshit @christianpulisic10 @allygatcr  (it's been a week and im already crying screaming throwing up without f1 help me)

[felixknow]

Hannie's 🍒 fixation

Han/f!reader, friends who do something sexual...by accident...? nah, Han is a boob guy and wants to put his mouth to good use

ADULTS ONLY, MDNI, I don't want teenagers reading my NSFW posts

Since meeting Han, your friendship has been touchy-feely.

Maybe it’s because you’re both introverts who like quality time rather than chatting. Maybe it’s because your love languages are both physical touch.

Either way, a night in at your place watching anime is completely normal. Laying side by side in your bed, both scrolling on your phones, not even paying attention to the plot of the show you’ve both seen a dozen times.

No one has spoken in, like, an hour but it’s honestly so nice you don’t even care.

Han giggles and lays his phone against his chest, covering his bare face as it turns red.

“What’s so funny?” you ask, nudging him.

“Ahhhh, I need this,” he says, turning his phone toward you. It’s a picture of a blonde girl wearing a crop top that reads "Had a bad day? You can play with my boobs."

"This would make literally everything better," he chuckles, looking at you expectantly-- in his head he’s waiting for a giggle or a funny reaction, not for what you actually say.

"Good thing I have a perfectly good pair of tits right here," you blurt without thinking.

"Really?!" he asks excitedly, dropping his phone as he rotates toward you, now laying on his side facing you instead of on his back. His eyes are so bright and excited, and his hand is already sliding up your torso-- how could you say no?

"Yeah," you say softly, shrugging. "I don't mind. We're friends,” you add on, becoming less sure as you talk. “I trust you."

"This is the best day of my life," he says as one of his hands cups one of your breasts and squeezes gently. "Oh-- is this your nipple?" he asks, walking his fingers back a couple of inches until two press down over your half-hard bud.

"Yes," you confirm, laughing softly. Your face warms up, all the way down your chest. You hope he doesn’t notice given that his eyes are so entranced on your chest.

"It's so cute," he coos, pressing your shirt down flat so your nipple pokes against it. Before you can formulate a thought, he's reaching over to your other boob, squeezing and feeling carefully until he finds your other nipple. It perks up in interest as he touches it, and your breath hitches in your throat when he starts very purposefully flicking his finger back and forth, trying to perk it up. 

"Aw, come on," he mumbles to himself. "It was hard and then it got soft again."

Probably because I'm starting to get flustered and trying to be calm, you think but don't tell him.

He pinches your sensitive bud between his fingers and rolls harshly, sending a very intense and quick shock through you. You bite your lip to stop a noise from escaping. Your heart rate is increasing and your skin is becoming much more sensitive to his touch. And he smells so good…

I'm so pathetic. He's barely been touching me a minute and it's making me horny.

"Ahh, there we go," he says happily now that your nipple is distinct through your t-shirt. You watch as a thought crosses his mind, making his eyebrows furrow slightly as his bottom lip pouts. 

Then he leans down, swiftly sucking your nipple through your shirt.

"Ahhhh," you moan, finally unable to hold it in. You grab fistfuls of your blankets in an effort to keep your hands to yourself. Somehow touching him, even just playing with his hair, would make this far more real than it already is.

"I was wondering when you'd make noise," he says, looking up at you with the most innocent eyes. Then he goes back, sucking you through your shirt while he gets his other hand up and onto your other tit as he turns and half lays on you, working his way until his legs and hips are between your thighs.

He kneads and squishes one boob while sucking the other nipple. Half of this is what you expected him to do-- maybe touch and hold your boobs for a minute or so and then laugh it off. You didn’t expect this. Not him soaking a wet patch through the front of your shirt.

Not one of his hands sneaking under your blanket to find the bottom hem.

Not him yanking your shirt up to your collarbones, breathing a soft "wow" while his sparkly eyes take in the sight of your naked chest.

"Hannie," you say with an unsure tone, but he either doesn't hear you or ignores it. Instead he leans in once more and kisses your nipple. He drags his soft lips against your bare skin and breathes in the smell of you. You're so warm against his cheek and he feels completely lost in the selfish pleasure of playing with you.

“Does it feel good?” he asks, twisting both of your nipples between his fingers. He pouts as he waits for your response, clearly wanting you to say yes.

You nod shyly and pull the collar of your shirt up to hide the bottom part of your face.

He beams up at you, then laughs and pulls your shirt back down.

“Hey, don’t hide from me. I want to see you.” He licks a circle around your burningly sensitive nipple. “And hear you,” he adds, sucking your nipple into his mouth.

You moan softly, cautiously reaching one hand up to rest on his back. He hums and flicks his tongue then releases your nipple with a pop.

“This really is the best,” he says, giving your other nipple equal treatment. He once again lets go with a dramatic pop.

“This is my favorite thing we’ve ever done.”

He switches back again but goes faster, sucks harder, making himself out of breath as he ravenously indulges in your chest.

“Fuck, your tits are so hot, baby.”

“Mmm,” you whine softly, turning your head away and covering your face slightly.

“Hey, I said don’t hide. What, you don’t think your tits are hot or something?”

“They’re not. They’re big but they sag. It’s embarrassing.”

“It’s fucking hot,” he insists, crawling a little higher so he can see you better. You can’t help but to gasp when you feel his hard-on slide against your crotch. “Do you know how many guys like big tits? I don’t care if they’re hanging down to your fucking stomach.” He smirks. “They’re easier to get in my mouth that way.”

“Oh my god, Hannie,” you laugh, playfully pushing on his cheek to move his head away from you.

“I’m so serious,” he says, though he laughs. “I can’t believe you’re letting me play with them. I’m on cloud nine.”

“I can kind of tell,” you say softly, shifting just enough so he feels the movement against his crotch and knows you’ve noticed his boner.

“Oh yeah,” he says, face blushing even deeper than yours. “You know what would be even better than playing with your tits?”

“What?”

“Eating you out.”

masterlist | Click here for part 2

[dunmeshistash]

How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

[hareofhrair]

I wanted to put this one the previous post but it was long and this is a tangent but- In regards to the hypothetical "If House was my doctor I'd just tell him everything. Rip to all his other patients but I'm different."

The whole point of the show is that you wouldn't. Like a major theme of the show is about how the various shames and stigmas and habitual dishonesties that plague our societies both metaphorically and literally kill us. "Everybody lies" isn't just a cynical catchphrase, it's the shows thesis. Because of how we operate as a society, everyone feels compelled to suppress and hide things and that inevitably leads to suffering.

And there are plenty of episodes where this is obvious, ie "I cheated on my partner and gave them an STD." But there's also much more of "This little girl went through early puberty and because of the way our society stigmatizes women's bodies her single father never discussed puberty with her and she was so afraid and ashamed of her new pubic hair that she tried to shave it without telling anyone and mutilated herself, leading everyone to think she'd been abused and throwing off the whole case until House figured out her hormones were going crazy because she'd been exposed to her father's low T medicine, which he hid because of how our society regards masculinity, which he started taking because he began dating a younger woman (because of shame stemming from our society's unrealistic expectations wrt sex in relationships) which he was hiding from his kids, because of shame regarding our societies toxic views on monogamy."

A particular episode stands out as a really good example. S06E15 "Private Lives," which aired in 2010 but was fairly prescient about where social media was heading. The patient was a blogger who documented literally every moment of every day for her followers. She made it very clear she left *nothing* out, from her and her boyfriend's sex life to, eventually, asking for feedback from her followers on whether to get her heart valve replaced with one from a pig or a "vegan" plastic one. She handed the whole blog over to House as soon as he took the case and the team poured through the whole thing. Surely this is proof you're wrong about everybody lying, the team says to House. She's give us her whole life and you still can't find out what's wrong! Spoiler, it turned out the crucial symptom that allowed House to put it all together? Was the one thing she *didn't* include in the blog- Her bowel movements. Shame and stigma around talking about *poop* nearly killed this woman. It was also a detail that should have been picked up immediately by a normal doctor, who would have asked about her bowel movements as part of the standard checklist of diagnostic questions. But this woman was so confident that she'd laid out every relevant detail of her life in her blog, she wouldn't answer those questions, obfuscating what she was actually ashamed of underneath a pile of curated, rationalized, narritivized junk she could pretend was proof of a lack of shame and not simply a skill at creative writing.

When I say "I'd just tell House everything" is ridiculous, I don't just mean "well, because of the way the show works, you HAVE to be hiding SOMETHING." I mean literally, you- because you are a human being- are ashamed of *something.* And because you are a human being, the more info you try to give House the more deeply you will bury whatever it is you're actually ashamed of. And, because of the way the show works, that *will* end up being the key to what's making you sick.

[fromgoy2joy]

Let's write about Jewish characters in dynamic ways- that make it clear "Yes this is us. Yes, we are living our lives with this happiness and ritual, and we love it. "

Like it's so easy to write about, to have casual observances of Judaism and cultural practices be in the background of stories. I'll write of the few examples I can think of in my frame of reference as a college student-

there's a mezuza in the doorway of a college kid's apartment. Whenever his friends come over, it's a reach for some of them to touch it because both he and the rabbi who installed it are 6 foot three. The others feel like a middle school boy slapping the ceiling as they try and reach for the damn thing.

Characters rush on public transport to get to a rabbi's house on shabbat. The train is due. There's a flurry of regrouping, then trying to call a missing friend to get there, and then the process of methodically hiding Magen davids and jewish objects because getting to shabbat dinner without a situation was an order from college Hillel staff.

A character is half-drunk at 2 AM at the convenience store but has to scan the list of ingredients on their chemically disgusting snack for gelatin.

Said character is prevented by her friends from only sustaining herself on 7/11 slushees "even though it's all kosher!"

There are references to the Purim incident constantly- it is never clarified what happened on Purim.

the hypothetical gang of characters are in the middle of nowhere on a grand magical adventure. The main character notices a mezuza on a door of a cabin, knocks on it, and has an in-depth conversation with the resident. Then, he waves his friends over. "Hey, guys! We have a place to stay tonight!" Because through the magic of Jewish geography, it was discovered that the grumpy old Jewish man in the woods is the grand uncle of one of his Jewish Day school teachers

A character who eats cheesy bacon bagels regularly on passover has a deep respect for jewish ritual items. He kisses the siddurim as they're handed back into a pile, he always kisses his kippah that he wears for ritual purposes of shabbats and minions. He's very careful with these objects and keeps on claiming dropping something He is observant, and he cares so much, but not in the "typical" way. Just... please show the nuance in practice.

The big "going out night" for our fearless college student isn't Friday but saturday night because of shabbat.

The stain on the rabbi's couch is not to be mentioned

A character keeps on mentioning the stain anyway.

Jewish goodbyes after any event take a minimum of two hours and that's why the gang is delayed on their journey to save the world .

I want more representation than characters in novels saying "haha I'm jewish but eat bacon and love Christmas!" in such flat ways. Please feel free to add more hypothetical ways of representation in the comments !!! About or inspired by your own life and experiences ! Let's make this post vibrant!

[wilcze-kudly]

People will go on about how "Katara's story is a tragedy" because she... ended up marrying the guy she loves, having children and grandchildren which she was always excited about and literally becoming a master waterbender and rising to the top of her field as a healer.

Yes, Katara's story has tragic aspects to it. And there are certainly flaws in how she is written in tlok (Though I will argue that there are actually more issues with how Toph and Zuko are just plopped in there for no reason in later seasons). And her storylines aren't perfect, for example her resolving her trauma around the murder of her mother being more used to prop up Zuko than her own internal turmoil. (Most of TSR is from Zuko's perspective and I hate that actually)

"Katara's story is a tragedy" Why do you have such a hard on for this woman's misery? Let her be happy, man.

You know what gaang girlie's life is an actual onscreen tragedy?

Toph's!

People will fucking downplay Toph's childhood abuse because she wasn't physically hurt, but her childhood was a never ending carousel of abelism, misogyny, neglect and isolation. The way Toph describes her parent's treatment of her as "pressure and pain" is heartbreaking.

Toph's only escape was Earth Rumble and earthbending, but despite her skills, she remained the perfect little lady her parents always wanted her to be. She's never known a different life, and she was only able to be her real self in secret.

And when Toph finally opens up to her parents, when she finally lays her real self bare in front of the people who are supposed to love and care for her?

She is met with what may be, in my opinion, the cruellest rejection in the show.

Despite this, even when Toph runs away, she still cares for her parents' approval. Hell, she's even lured into a trap due to her getting a forged letter from her mom and getting excited because it looked like her mom was finally accepting her.

It's also important to note how determined to be self sufficient and to prove herself Toph is. We can especially see this right after she joins the Gaang, where she refuses to participate in splitting with the rest of the group, insisting on "pulling her own weight". This isn't Toph being a brat, or spoilt, this is her wanting to prove that she can handle herself because people have handled and understimated her her entire life.

Eventually, Toph starts to learn to trust the members of the Gaang and this is a step in the right direction. She's literally making friends for the first time in her life I'm so proud of her.

However, I was genuinely upset when Toph's life changing field trip with Zuko didn't work out. When Toph was trying to connect with Zuko and he blew her off (I'm not blaming him tho they had shit to do), I couldn't help but remember the rejection Toph suffered from Lao.

Post canon, Toph continues to try and prove herself, starting a metalbending school and training new metalbenders.

She also reconciles with her father. Not before Lao disowns he rmultiple times and calls her a rude, ungrateful thing. And while he eventually comes to understand Toph and cherish her, that type of trauma sticks with you.

So it's no wonder really that Toph, someone who went her entire childhood seemingly without even speaking to someone her age, would have trouble forming connections. She has children with two different men, neither of which seem to stick around.

Toph tries to do right by her daughters and gives them the freedom she never got. Sadly, the pendulum swung too far to the other side, since it seems that she started to neglect her daughters, which led to them developing a sleugh of issues of their own.

Toph becomes the cheif of police, which kind of makes sense. Republic City was only slowly emerging as an actual metropolis. Toph took on a role as a protector, and probably as a way to prove herself. But as Republic City grew, Toph probably realised that she became something she hated. A cog in the machine, and started to despise her job.

Searching for a semblance of the freedom and happiness her travels afforded her in her childhood, Toph leaves the city and takes up the life of a hermit in a swamp. She managed to fix her relationship with Suyin to some extent, but still seems reluctant or simply unable to connect with her daughter or grandchildren. Since she apparently hasn't seen Opal, a grown 20 year old woman since she was a little girl.

On the surface old Toph doesn't seem terribly dissimilar to young Toph, still tough and spunky. But she is more jaded, depressed and pessimistic. She comes out to save Suyin from immediate harm and manages to somewhat reconcile with Lin, but then she fucks right back off to the swamp where she seems to literally hide until Wu and Korra straight up force her to come with them.

Toph's story began with her alone and it seems to end with her alone as well. It's a story of a girl who grew up isolated and handled by others, and was woefully unprepared for the real world, which only jaded her further. She lives with the guilt of fucking up her daughters' lives and a belief in the pointlessness of life.

Toph started off longing to experience the world and ended up willingly isolating herself from it.

If that isn't a tragedy, I'm not sure what is.

Mind you, this is not the trauma olympics. I'm not saying that Toph has suffered more than Katara or that Katara's trauma is not as valid as Toph's. Katara and Toph's experiences are completely different, Katara being a victim of genocide and war, Toph being a victim of child abuse. I'm just saying that, objectively, Katara had a happier 'ending' than Toph.

[awearywritersworld]

do not leave me in this abyss, where i cannot find you

sukuna x reader summary: the higher ups succeed in kidnapping you and sukuna doesn't know if he'll get you back alive. w/c: 2.85k tags/warnings: fluff and angst. reader is kidnapped and gravely injured. depictions of blood. canon typical violence. "good girl". cursing. ft gojo. aged up!yuuji. fem!reader. not canon compliant. no use of y/n. *please mind the warnings for this chapter* a/n: and finally folks, we've reached the climax of the series. there will only be one more official chapter after this one, so i hope this lives up to expectations. this could maybe be read as a stand alone, but it's certainly better when serving as a culmination to the other chapters. i'm a little nervous posting this, so i'd love to hear your thoughts :) series masterlist // masterlist

brontë

sukuna isn't sure at first why the name is familiar, but he soon realizes that a great many of the books on your shelf are authored by women of that name, including jane eyre.

though he finds your copy of wuthering heights, written by an emily brontë, tucked away in the drawer of your nightstand, the headphones you'd asked him grab lying on top of it.

he pulls the book from its spot with care, as the cover is worn and frayed at the edges. flipping through the pages, there are quite a few quotes underlined and countless scribbles in the margins.

while you'd forced him to read jane eyre, he tucks wuthering heights under his arm of his own volition. he isn't sure if it's because you've kept this one separate from the others, or because it might give him an opportunity to know you better, or because he's positive it will make you happy, but he does it all the same.

when he steps back into the living room, he drops your headphones in your lap and takes the seat beside you, wasting no time in beginning the first chapter.

"what've you got there?" you eventually question, even though you know the answer.

he doesn't spare you a glance when he responds, "a book."

"oh, yeah? what kind of book?"

he elects to ignore you, which only serves to encourage your mischievous tone. "i thought romance novels were beneath you and your refined taste."

finally looking at you, he narrows his eyes at your childish taunt. "do you want me to read it or not?"

"of course—"

"then i suggest you be a good girl and behave yourself."

your mouth snaps shut so abruptly that your teeth click as they meet, something sukuna takes note of with a raised brow. you're thankful when he returns to reading rather than saying anything more.

so without any additional interruptions, he delves into the tragic story of heathcliff and catherine. or more precisely, the pain and destruction that follows it.

the further he reads, the better he discerns that while you seem to have a penchant for the brontë sisters, they seem to have a penchant for writing about men that are wicked and callous.

the very notion makes him chuckle.

maybe it explains why he's sitting here with your feet in his lap, while you try and fail (rather cutely) to stifle your giggles at some stupid youtube video.

"what?" you ask, taking out one of your headphones once you notice he's staring at you with a small smile.

"nothing. just enjoying the story."

the way you beam in response makes his mouth go dry.

"hah! i knew it! you're a romantic at heart."

you make a big show of pressing your hands to your chest and swooning.

"settle down there," he chides, his hand patting your thigh. "you're getting ahead of yourself."

two days later, sukuna feels that something isn't quite right. it's barely perceptible, nothing more than a minute shift in the atmosphere, but it grows more palpable as time stretches on.

yuuji's mission takes him farther from home than usual, to a little town about two hours outside of the city.

the curse he exorcises upon his arrival is much weaker than he's grown accustomed to, probably only a third or fourth grade.

yuuji doesn't seem to notice anything out of the ordinary, or at least, he pretends not to. sukuna thinks that's the problem with optimists— they don't take action quickly enough, too busy wasting their time hoping for the best.

when he returns home late that afternoon only to find your apartment door slightly ajar, his hand hesitates before pushing it open.

he discovers that the living room is littered with residuals, but it's eerie how nothing else is out of place... save for you, who is no where to be found.

in a disbelieving panic, he begins checking all the rooms, not hearing sukuna's frantic voice even though it's coming from inside his own head. "she's not here... idiot, she's not here. we have to go. we have to go now."

he eventually finds a note lying on the coffee table, but even this he hardly processes— something about surrendering himself and sukuna to the higher ups at headquarters in exchange for your life.

"listen to me, brat... you're wasting time... idiot!"

"what?" he barks abruptly.

"she isn't far, a couple blocks to the east at most—"

"it doesn't matter. headquarters is to the west. that's where we need to go."

"have you failed to comprehend a single thing i've said about the higher ups?" sukuna sneers. "they'll kill us, then kill her too. she knows too much about jujutsu society. they won't let her live, and that's if she's not... if she isn't already..."

he can't get the word out.

"no... no, they wouldn't..."

"now is not the time for your blind faith in the integrity of others." sukuna tries again and again to assume control of his vessel, and while the force behind it makes yuuji's head pound, it's no use. "for fuck's sake— please, yuuji!"

it's the first time he's heard the curse occupying his body say his actual name or use the word please, and in a strange way, it seems to ground him to some degree.

itadori yuuji has always been uncannily fast, but as soon as he makes his way out onto the street, it's like his feet aren't even touching the pavement. he appears as a blur to the people he passes by and it happens so briefly that they more than likely disregard it as a trick of the light.

the ruby decorating your neck leads them right to you, a low hum of frequency that only sukuna can hear.

yuuji comes to a stop in front of an old warehouse building. there are several wooden boards nailed across the main entrance, which splinter and fall to the earth under the impact of his impatient fist.

although the people down the hall quiet themselves upon hearing the crash, he can still sense their energy. he just can't seem to pick up on yours.

maybe sukuna is wrong? maybe you're not here after all.

"no," comes sukuna's voice, cold and hard. "she's here."

he makes his way down the stretch of hallway and to an open door where he stops, both of his feet planting firmly on the ground. everything appears to be frozen as he stares at ten sorcerers who quietly stare back.

it's clear they were not expecting yuuji, but he knows the higher ups assigned so many sorcerers just in case he did somehow figure out where they brought you.

he recognizes many of their faces and even knows some of their names, their familiarity no doubt intended to discourage him from engaging them.

after a few moments, yuuji's eyes land on your figure— motionless on the floor.

he has to admit, the higher up have put together a fairly sound plan. it's just that there's one small detail they failed to account for.

a curious and constraining sensation erupts from the center of his chest, and yuuji doesn't quite understand what's happening until he registers he's no longer the one in control of his body.

the king of curses remains completely still as he studies you from afar with a slight tilt of his head, his mind refusing to believe the scene right before his eyes.

when the gravity of the situation finally settles in, a gut churning agony blossoms in his stomach and bleeds into every part of his body. every bone. every pore. every vein.

the entirety of him burns, both inside and out.

the air in the room is heavy, overburdened with hostility and raw power. it makes the sorcerers' knees buckle and they nearly collapse beneath the immense pressure.

as sukuna takes a step toward the nearest person, the edges of his vision turn white.

he moves with deadly precision, at a speed which very few people on earth could even begin to comprehend.

it's a joke how quickly it's all over.

some of them are in pieces. others have exploded into nothingness. a few are burnt to ash.

in his haste, sukuna nearly misses the final sorcerer. he's probably the youngest of them all, cowering in the corner of the room. his eyes are wide with horror and his body shakes with fear.

"p-please, spare m-me. i didn't touch her," he sputters out.

the laugh that follows is utterly humorless. "do you actually believe that makes a difference to me?"

"i told t-them not to hurt her! i swear. that's how i got this." he points to his bottom lip, busted open and swollen. "she even told me she was sorry that i got hurt... that i didn't have to defend her."

this gives sukuna pause and his jaw clenches as he considers what you would tell him right now were you conscious.

so even as every fiber of his being screams at him to end the sorcerer's miserable, pathetic life... he restrains himself and pins him to the wall instead, pressing a forearm to his throat.

"go back to the higher ups. go and tell them that if anyone lays a hand on her ever again, i will ruin them," he spits, venom lacing each word. "i'll slaughter every last one of them. i'll level their homes. i'll take everything from them. tell them this is a promise they shouldn't take lightly."

when sukuna takes a step back, the young sorcerer crumbles to the ground. "i- i- i will."

"then get out of my sight," he growls.

returning his attention to you, his demeanor shifts in every respect.

you're going to be okay. you're going to wake up. he's going to take you home and it will be like none of this ever happened.

but when he falls to your side, his knees meeting the ground so brutally that it cracks beneath his weight, his conviction falters.

your blood is spilt onto the concrete. your skin is cold. he can't tell if you're breathing. he can't feel your heartbeat.

he determines that the gash across your side deserves his attention first and his hands tremble as they move to cover it.

he puts every ounce of power he has into his reverse cursed technique, but your eyes don't flutter and your chest doesn't rise nor fall.

his palms stain crimson, and while blood has never bothered him before, the fact that it's yours forces the bile to rise from his stomach and into his throat.

and his face is wet.

why is his face wet?

why are his lips trembling?

why is his vision blurred?

he wipes at his cheeks, leaving a trail of your blood across his face in the process.

"no," he chokes out. "please, don't do this. you're fine. please, you have to be fine. please."

the king of curses begs, but he has no idea who his desperation is directed toward. maybe it's you. maybe it's the gods. maybe it's some entity that's unknowable to him.

hell, maybe it's just whoever will listen to him. there has to be someone out there, right? something.

unbeknownst to him, and poetic in sorrowful sort of a way, his next pleas are reminiscent of heathcliff's after he learns of catherine's death.

"be with me always"

"stay with me, angel. please don't go."

"take any form"

"hate me for this if you want, for being the reason you're in this mess. you can't hate me anymore than i already hate myself."

"drive me mad"

"i'll read every single stupid romance novel on your bookshelf. i promise i'll play all of your ridiculous card games."

"only do not leave me in this abyss, where i cannot find you!"

"just don't leave me here without you. i don't want to be here without you.

"oh, god! it is unutterable!"

"please," he whimpers.

"i cannot live without my life!"

"you're everything. you are everything. you can't leave me with nothing."

"i cannot live without my soul!"

"i love you," sukuna laments. "i love you."

he doesn't even comprehend the words that have been tumbling past his lips, because they're coming from a part of himself that he long believed to be dead and buried.

it's the part of him that can feel suffering and regret and loss and love.

it's the part of him that you've been painstakingly unearthing whenever you send a smile his way. whenever you curl into his side. whenever you press your lips to his.

and he's so undeserving of it each and every time. he's known that. god, has he known that.

he thinks bitterly of the night you'd walked to the park together hand in hand— when you told him the universe had sent you to knock him down a peg.

turns out you were wrong.

the universe gave you to him, but only so it could take you away too.

and it won't just knock him down a peg. it will fucking destroy him. it will completely and irrevocably destroy him.

this is what he does deserve.

how is it that you can be both his salvation and his undoing?

"i love you," he repeats, his voice barely above a whisper.

it's ironic that the three words he's never once said in his entire life are the only ones he can manage in this moment.

he hears a quiet sigh escape your lips, but he knows that it's just his imagination— nothing more than the universe playing its final sick joke.

the sun is out and its rays are peeking through the window of your bedroom. sukuna thinks it's despicable.

everything should be cold and dark today.

you're lying in bed half dead and the only thing keeping sukuna's sanity intact is the shallow rise and fall of your chest.

he should go to jujutsu headquarters and deliver a slow, painful death to every single person involved in yesterday's events. then he should turn their headquarters to ash and stand there watching until the wind blows every last bit away.

but more than that, he should be by your side, so that's where he's remained.

it's been nearly a day and you still haven't woken up, so he's taken to performing reverse cursed technique on you every few hours.

yuuji had shoko come by last night and she assured him your body just needs time, but sukuna doesn't intend on taking any chances. aside from the brat, there isn't a single sorcerer he trusts.

so naturally when gojo teleports directly in the middle of your living room unannounced, sukuna moves swiftly to his feet and blocks the doorway to your room.

gojo regards him nonchalantly, hiding his surprise that yuuji is not the one to greet him. "what are you doing... out and about?"

"that's none of your concern."

"right. well, i came to check in."

"that's not necessary."

the two men watch one another carefully, before gojo eventually chuckles. "god, you actually care about her. i guess the whole soul thing should have been proof enough, but i couldn't bring myself to really believe it until now."

sukuna doesn't respond, so the other man continues. "you should know that the threat to her has been... dealt with."

"that so?" sukuna asks, crossing his arms over his chest.

"mhmmm. word of this spread to the three clans and they agreed civilians have no place in jujutsu politics if it can be helped. not to mention your little... messenger. it all caused quite the ruckus for the higher ups."

"i don't think ruckus is enough to deter them." his tone makes it clear that he feels gojo is wasting his time.

"this isn't the heian era anymore, you know. the higher ups may still be the figureheads of jujutsu society, but they have little say when all three clans concur on a matter." receiving nothing more than a blank stare, he adds, "besides, i'm rather fond of her myself, so i may or may not have made certain threats of my own."

sukuna's eye twitches. "anything else you feel compelled to share before you leave?"

"can i at least see her before i go?" gojo questions, peering over sukuna's shoulder.

"if you do not value your life, i welcome you to try."

a sly grin breaks out on gojo's face.

"eager to make good on your promise of killing me from all those years ago?" he pauses, his hand coming to rest on his chin as if he's pondering something of great importance. "as much as i'd love to see you try, we shouldn't wake our precious sleeping beauty before she's ready, so maybe another time."

with that, he disappears, leaving a very irritated sukuna in his wake.

"our," he repeats under his breath, shaking his head. "that unbearable imbecile."

when he turns on his heel, however, the malicious look is immediately wiped from his face because you're awake.

you're awake and peering at him from behind heavy lids.

"hey," you greet in a small voice.

his eyes grow impossibly soft and he sits on the bed beside you, his hand moving to caress your cheek. your skin is warm again.

"hey, angel."

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[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[bokutosbabe]

Now I'm Covered In You

(bllk boys as boyfriends)

a / n — thought making another post in this form would be fun, so i hope you enjoy!

content — bllk characters x reader, gn! reader, pet names used in a few parts, sadly canon otoya i fear, misspelled words are there for a reason i swear, cheater! otoya and oliver, some characters repeated, lmk if i missed anything!

synopsis — bllk boys and what type of boyfriend they'd be

✿.｡. “ how's one to know? ” .｡.✿

—The Romantic One

is always planning surprises for you, and i mean always. there's not a single week where you aren't being taken on 'adventures' that always lead you to a different restaurant.

what's the point in having all this money and not spending it on you?

they are constantly writing you love letters and poems. well, they try to anyway. they're not the best with their words and with many spelling mistakes, rather liking to show with actions, but they tried for you.

usually their poems end up something like this

' roses are red

so is my heart

my darling

my deer

my sweet buttercup

you taste just like a

tasty soda pop '

°❀⋆.ೃ࿔*:･ ISAGI YOICHI, shido ryusei, jyubei aryu, ALEXIS NESS

— The Player

you know the famous saying, "how you get them is how you lose them?" yeah that's exactly how this relationship is.

you'd been one of their many side quests while they had a relationship going on. eventually after they'd ended said relationship, they'd chose you as their next partner.

they do spoil you with many gifts, mostly after you catch them cheating on you for the umpteenth time, but you stayed because they 'loved you'

sure they told you they loved you, but that wasn't really the case when they'd broken up with you because you were 'boring' them.

°❀⋆.ೃ࿔*:･ OTOYA EITA, oliver aiku

— The Protector

is constantly worrying about you and is looking out for your safety.

with them being this 'big bad' soccer player, many people refuses to even look you in the eyes when you were with them. but if someone dared to hit on you when they walk off for a second? please pray for them.

some guy could be asking you for directions and he'd come up behind you and wrap an arm around you without even uttering a word. you didn't have to look at them to know the look they were giving the man was nothing but deadly.

some may call it controlling, but you knew them, they just wanted to keep you safe from all these men.

you had him, who else would you need?

°❀⋆.ೃ࿔*:･ KUNIGAMI RENSUKE, rin itoshi, SHOEI BARO, tabito karasu

— The Funny (insane) One

is constantly making jokes- some that aren't funny - but you laugh anyways.

everyone always asks you how your relationship is doing so well, and the answer is always, " i don't know," because you genuinely don't. yes, the two of you get into arguments, and sometimes the two of you get heated enough to have to take time apart from each other, but you always come back together.

how?

because they always forget what the fight was even about and come back into your space to show you some cat meme they believe you would like.

and the two of you laugh until you feel better again.

maybe you don't know how your relationship is so healthy, but you know why you're happy.

because they take the time to make you laugh.

°❀⋆.ೃ࿔*:･ BACHIRA MEGURU, RYUSEI SHIDO, gin gagamaru, seishiro nagi

— The Traditional One

dates. Dates. DATES!!

they took you on soooo many dates before officially asking you to be their partner.

they definitely give the vibes of "my mom taught me i needed to..."

just the best gentleman!

you need to step over a puddle? they're putting their jacket down over it for you (it wasn't necessary, but they insisted on it)

you talked about wanting to see a movie once? he's already bought the tickets.

if you get married? he's insisting you stay home

" a pretty face like you doesn't need to work, i'll provide us everything." in his words

will do anything for you, really.

°❀⋆.ೃ࿔*:･ YUKIMIYA KENYU, michael kaiser (pls ignore the mom part), REO MIKAGE, oliver aiku (again)

✿.｡. “ i'd meet you where the spirit meets the bone ” .｡.✿

likes, comments, and reblogs are appreciated!!

[landograndprix]

╰┈➤ ❝ desire • l.n c.l ❞ vii

part six - part eight

➪ Charles hasn't paid much attention to you after your daughter was born but a certain Brit does.

➪ life goes on and it's up to you to decide who stays and who goes.

➪ established relationship mom!reader x dad!Charles x lando

➪ reader really growing and living her best life like she should. Spelling mistakes add character 😉 if you haven't been tagged, know that I either wasn't able to tag you or simply forgot to add you to my list, I'm not ignoring you, please send me a message if i did!

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y/nusername

📍 Nice, France

liked by landonorris, milliexoxo and 2548,543 others

y/nusername life. 🐠

tagged: landonorris, milliexoxo

view all 1,888 comments

charlesgirlies can you tell zoë to stop growing so fast? 🥺

yukisan who's the other girl?

↳ bott_ass their nanny

yukisan since when?

bott_ass girl how should I know? 😭

norry4 cutest little kid on the block 😍

milliexoxo ❤️

mrsnorris once again lando hanging out with them..

↳ norrizz okay and?

mrsnorris what about Charles? How would your bf react if you hang out with anorhers guy all the time?

norrizz pretty sure they broke up

mrsnorris sure because you know them personally right?

norrizz no girl because in one if her vlogs she's moving, she now lives in Nice without Charles or is that something couples do nowadays??

chilisainz so what if her and lando hang out, they're good friends! You should follow y/n a bit more before you judge them..zoë adores lando and the other way around. They're good friends

hamilt44n can't wait for bahrain in two weeks, hope I get a chance to meet you!

yourmumsuser my beautiful grand baby 🥰🥰🥰❤️❤️❤️

landonorris we did in fact find nemo 🐠

↳ y/nusername and now we've lost dory :(

milliexoxo we'll have to go to the aquariums again to look for her!

norrislandooo stop it why is this so cute?! 😭

charliecharlie who's millie?

norrislandooo their nanny

charliecharlie why she look so young?

norrislandooo idk lmao y'all Charles girlies so obsessed with y/n and all the people she's hanging out with

milliexoxo I'm 19 that's probably why I look so young, thanks 🤩

norrislandooo oh god, she's one of us 😭

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y/nusername

📍 bahrain

liked by charles_leclerc, landonorris and 555,465 others

y/nusername week 1. 🇧🇭

tagged: milliexoxo

yourmumsuser my pretty pretty grandbaby ❤️❤️❤️

norry4 y/n back on the tracks LFGOOOO

julieeeexo zoë is such a cute little thing 🥺

milliexoxo my cute little gurlfriend is stealing the show 😍

↳ landonorris just like her mum

norrizz lando norris get out of here, stop trying to flirt with the milfs for gods sake 😂

manon_roux ma petite princesse me manque :( (missing my little monkey)

bott_ass can't wait to see you and jenson judge Danica on love tv 😍

↳ hamilt44n honestly can't wait for y/n to shut Danica up

charliecharlie I don't think jenson would've survived another season without y/n 💀

charles_leclerc ma jolie princesse ❤️ (my pretty princess)

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y/nusername posted to their story

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y/nusername

📍 Saudi Arabia

liked by milliexoxo, landonorris and 478,745 others

y/nusername week 2. 🇸🇦

view all 1,889 comments

milliexoxo okaaaasy mom 😍

↳ y/nusername 😐

charlesgirlies millie >>>>> noelle

bott_ass millie >>>> manon

charlesgirlies millie is queen <3

milliexoxo stop it, the fame will get to my head 😇

hamilt44n is zoë always so happy? 😭

norrizz okay girl, I see the subtle hints 👀

↳ norry4 the nails 😭

charles16 they're orange not mclaren colors..

norry4 same thing to me 😭

charles16 y'all reaching too much, she's still with charles

norry4 it's alright bestie, I've been living in delulu land too, I'll help you through it

yukisan I love you mother, I hope you know that 🥰

landonorris amazing photographer, could you tag him?

↳ y/nusername @.lando.jpg

landonorris nice, great guy that is

landonorizz YOU'RE TELLING ME LANDO TOOK THAT SEXY ASS PICTURE?!

luhamilton I bet they make sex tapes 👀

landonorrizz only fans when??? 👀

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y/nusername posted to their story

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Desire taglist; @fangirl-dot-com @sainzluvrr @writingworlds @chezmardybum @lewisvinga @xjval @fanficweasley @rockyhayzkid @aundercover @thecubanator2 @minchedchilli @crimeshowjunkie @alisoncasey21 @eeviepepi08 @shamelesspotatos @sleepybrokenmelle @leireggsworld @janeholt3 @iamahalicinationn @dessxoxsworld @kapsylia @22yuki @dark-night-sky-99 @sheslikeacurse @nerdreader

Everything taglist; @thomaslefteyebrow @hopefulinlove @smoothopz @softboystarkey @honethatty12 @cixrosie @parkersmjs @ireadthensuetheauthors @celestialams @be-your-coffee-pot @heli991113 @kodzuvk @reality-is-a-con @80sloverry @bibissparkles @myescapefromthislife @lanando4 @elliegrey2803 @ravisinghs-wife @harrysdimple05 @minkyungseokie @pretty-little-bunny382728 @thatgirlthatreadswattpad @severewobblerlightdragon @cherry-piee @namgification

Lando taglist: @beatricemiruna @simp-for-fictional-people @landossainz @christianpulisic10 @bored-brunette2 @i83andrew

[casscainmainly]

Gender and Sexuality in Batgirl (2000)

While Kelley Puckett's opening run on Batgirl (2000) deals with Cass experiencing human connections and human life outside of fighting, issue 37 onwards takes a hard turn into gendered experiences. For sure there's some problematic elements (Cass gets sexualised a LOT more), but Horrocks' run does explore Cass' view on gender and romance in an interesting way. I'll be focusing on issues 37 - 57, essentially Horrocks' run but including guest writers (Gabrych, for instance, is our starting point). By the way I'm not a gender studies expert so feel free to disagree with any of these readings.

Riot Girls

Issue #38 (written by Gabrych) opens with this Batman conversation, which sets up Horrocks' run perfectly. Cass has never experienced a close female friendship (Babs is more mother/daughter) until Stephanie. Yet Bruce strikes a nerve here: she's not like you, and she never will be. He tells Cass something she already suspects - there's something she lacks that Stephanie has. (Bruce is, ironically, trying to say that Stephanie's the one lacking, but that's not what Cass hears).

This leads into the iconic Steph-Cass conversation:

Steph reveals she's had a baby, and this is Cass' reaction. She realises how much she doesn't understand about her body, romance, and gender in general. Stephanie has "finally beat [her] at something." She has experienced 'girlhood' in ways Cass can only dream of.

At the end of the issue, Stephanie asks if Cass thinks "he's right" (referring to Bruce), and Cass says yes. By siding with the male perspective (Bruce, or the he), Cass falls out with Stephanie, losing her first female friend. The whole of Horrocks' run should be understood in the context of this issue, with Cass searching for an understanding of her gender/sexuality.

The Superboy Saga

When Babs takes her on vacation, she makes Cass put on a bikini. Cass ends up meeting Superboy, getting grossed out, and delivering this excellent speech. It's Cass' first proper encounter with the male gaze, and it's especially disquieting for her because a) she knows the power of vision and b) she's brushing up against sexism and systemic injustice, something she hasn't really experienced before. She's encountering a power that can't be defeated with fists, and she is struggling to understand it.

She eventually does kiss Conner, and decides to take a trip to Metropolis. The decision occurs after this panel. Cass' desire to be with Conner stems from her desire to understand these feelings of passion, to want/need and be wanted/needed by others. The top panel here is interesting, too; she sees sexism playing out with other people ("check me out, girls!" / "Jerk."). Her anguished expression indicates she's having trouble reconciling the harmful forms of passion (top panel) with the sweeter forms of love (bottom panel).

At the end of the Superboy saga, Cass learns to distinguish between her romantic and platonic feelings. This taking place after the fallout with Stephanie (who explicitly repudiated her friendship) makes this extra intriguing - Cass calls the creature they're fighting "lonely," clearly meant to show insight into herself. Without Steph, she felt 'lonely', thus sort of falling into this relationship with Conner. Conner, however, is unable to fulfil that loneliness. Which leads us to...

Bruce Wayne Strikes Again

I noted in my other post how Bruce is super disapproving of Cass' love life. While it's hilarious, it genuinely impacts Cass' ability to express her sexuality freely. Here, Bruce pits Cass' sexuality against Batgirl; he implies that these attempts to understand herself harm her vigilante career. The way Cass responds ("I want to. I need to") is strikingly similar to the passions panel ("I want you. I need you"). Instead of being directed to another person, Cass directs her passions to Batgirl as a career. She's sliding back into her early mindset where Batgirl was all she was.

Again, another contrast between her and Stephanie: Stephanie fought for recognition in the suit, but Cass has to fight for an identity outside of it.

The Tai'Darshan Tale

But the real motivator for Cass' sexual awakening is, of course, Tai'Darshan, the semi-racist-caricature metahuman terrorist from Tarakstan. He flirts with Cass constantly, and makes a lot of gendered references ("easy, girl," "I don't understand why a woman like you," he calls her "beautiful") (#39, #40). He is the first significant character to take an interest in Cass as a girl, and without his flirting Cass probably wouldn't have kissed Conner (she kisses him after fighting Tai'Darshan twice).

Tai'Darshan does a big tornado thing and Bruce, intent on not letting him kill, knocks him aside, killing him. I'm low-key mad about this plot point, but that's okay 'cause so is Cass! In an echo of the Steph-Cass situation above, Bruce entirely disapproves of Tai'Darshan, but Cass likes him. Unlike with Stephanie, however, Cass doesn't side with Bruce. Instead, she keeps her feelings "secret" from Batman. It's the start of their relationship fracturing, as well as the start of Cass prioritising her own feelings and self-development over Bruce's perception of her.

No Soul

After all of this boy drama Cass understands romance a bit better, but is still in the dark about her gender. When a woman tells her she has "no soul," Cass goes to Barbara, who tells her the following:

Barbara connects 'soul' with Batgirl and femininity. Cass believes her, putting on Barbara's old suit (which one panel associates with "girl power!") and heading into the streets. What's interesting is that to achieve girlhood, Cass discards her suit in favour of Barbara's. Once again, there's this belief she's not 'feminine enough'; she's not like other girls, and she never will be.

But the suit obviously doesn't match Cass' fighting style, and in the end Cass returns to her old one. We get this great speech from Babs:

Cass is asleep here, but I do think she's learning that there's no 'right way' to be a girl - that she doesn't have to be Stephanie or Conner's girlfriend or Batgirl or Barbara, but just Cass.

The Dick Debacle

Cass gets hit with a drug called 'Soul' and has these hallucinations. This mostly male group sexualises her, criticises her for being sexual, calls her ugly, calls her hot; Cass is visualising the overwhelming contradictory standards applied to women everywhere, a compression of all her experiences thus far. Even Babs has fallen victim to pushing Cass towards stereotypically feminine experiences, and Cass' anguish is not so much at these people but at the patriarchy she's finally beginning to understand.

Dick, in particular, seems to represent this anger:

Finding out Dick broke Babs' heart seems to be the final straw. Here, her hallucinations paint her rage as feminine; the devil repeatedly calls her "girl," and Soul is being peddled by an all-female group who were 'tired of being girlfriends'. Then Cass kicks Dick out a window.

The Dick incident represents a culmination of her negative gendered experiences, beginning from her fallout with Steph and ending with another one of her close female companions (Babs) being hurt by a man.

Fallout

In the final issue before War Games, Cass essentially loses both Barbara and Steph (after making up with her and seeing her as Robin). I just like the parallel between Cass looking at Barbara as she leaves, and Stephanie looking at Cass - in a way, this is the most 'like' Stephanie Cass ever gets.

There isn't really a satisfactory conclusion to the explorations of gender or sexuality in Horrocks' run, or even in Gabrych's after. I think there's a lot to explore and I hope whenever Cass gets her next solo they look into all this a little further!

[elllisaaa]

in ur last svt post (which made me fold btw) you mentioned you love doing bf thoughts (and we love reading them!!) so i’m gonna be the one to do it… any dirty bf!wonwoo headcanons sweetie? 🫣

not me dropping two wonwoo asks in one day like i’m not hansol biased i’m gonna run away 🏃‍♀️ he’s so husband material tho (getting back into my svt phase is fun 🙂‍↕️)

lmaoo honestly it's valid being whipped for wonwoo, i am too even though i'm a seokmin and chan girlie (hansol is coming at me these days though...)

BF!WONWOO who's a silent lover, but who loves you so much that everyone can see who smitten by you he is.

another member of seventeen that i think is a very good listener. wonwoo is always ready to listen to you when you need to talk, be that because something funny happened to you or because you had a bad day. and he's also really good at giving you advice when you have a problem. he strikes me as someone who's emotionally smart, so it isn't difficult for him to know that you're sad without you having to tell hims. sometimes he'll notice that you're not doing well and he will prepare you a little snack and deliver it with a kiss and a sweet "i love you, i'm here if you need to talk." that almost makes you tear up from how caring he is. also, wonwoo's hugs must feel incredibly good, like being engulfed in a warm bubble of love that's so soothing you immediately relax in his embrace. you could literally spend your whole life hugging him because it's genuinely the best feeling in the world.

"it's okay darling, i'm here now. everything is going to be alright."

wonwoo would love to play video games with you. it's good if you are already into it, but it would be even better if you don't because he would love to teach you how to play his favourite games. he would even use it as an excuse to make you sit on his lap while he's trying to show you how to play. from there, you would often play together, but it's also not rare for you to simply sit in wonwoo's lap and watch him play, or take a nap there, lulled to sleep by his breathing and heartbeat. one of his favourite ways to spend a date night at home with you is playing board games. you'd pick out one or two games together, make yourself some tea and prepare snacks and then you'll spend your night playing together. the members often joke about how the two of you are like an old couple but you don't care because what matters is that you're having fun during these game nights. also, wonwoo loves to just stay at home with you, all cozy in your matching pajamas and getting to see you all relaxed. he obviously loves it when you're dressing up when the two of you are going out, but you're the most beautiful to him with only a big beautiful smile on your face.

"let's just watch a movie tonight, i don't want to see other people, only you."

he's adamant on reminding you of how beautiful you are every single day. and that's the way he says it that makes you blush - like it's the most natural thing ever and that it's obvious. however, when it's your turn to praise wonwoo, he gets shy and bashful, and you literally have to fight him to get him to accept the compliment. but wonwoo loves your insistence on adoring him and he loves the attention - he's down bad for you, but it's good to know that you're down bad for him as well. he would often take photos of you without you noticing when he thinks you look particularly pretty. he won't show these pictures to you, but he has folder of them on his phone and on his computer too, and he looks at them when he's away from you and that he misses you. wonwoo would put all these secret photos into a pretty album he made and decorated himself, and he would gift it to you for your anniversary. overall, he would gift you a lot of mindful things like these, and you keep all of them in a little box under your bed.

"when did you take this one nonu ?" - "when we went to the botanical garden, you were so pretty that day."

BF!WONWOO who's a service top and who loves to please you, but who can also get a little bit mean when he wants to.

wonwoo definitely loves cockwarming with you. when you sit on his lap while he's playing video games, it's not impossible that he'll end up pushing your panties to the side and slipping his cock inside of you, not moving at all. he just loves the intimacy of it, how much you trust him and relax into his touch immediately. but it's impossible to not get hard when your pussy feels this wet and this warm, nor when you're sometimes clenching around him. wonwoo usually gives up pretty quickly, because he loves the feeling as much as you. most of the time, he would grip your hips and help you drop down on his cock slowly until the both of you cum. but when he's feeling more needy, he would bend you over his desk and fuck you rough from behind until you're screaming his name. but sometimes, you can stay like this for a long time, even managing to fall asleep because it feels so warm and safe to be so close to him. it's the way you feel so comfortable around him that gets him going mostly.

"just sit on my cock for while baby, then i'll fuck you, okay ?"

overall, wonwoo just loves to please you in every way he can. he's inflexible about foreplay because he loves to have you cumming at least once before he fucks you - his girl should get as much orgasms as possible because you only deserve the best. he woul often keep his glasses on while eating you out, because even if it's the most comfortable for him, he knows how crazy you go when he looks up at you through the fogged lenses and how hot you think he is when he has them on. wonwoo prefers positions where he can see your face as he fucks you, so missionary is a must with him. he loves to see your face contort when you're close to the edge, and he loves to watch you as he brings you to your orgasm - your pretty expressions and the sounds you make often enough to trigger his own release. again, he loves how close he can be to you in this position, chest and forehead pressed against each other's, whispering praises and love confessions against your lips while he ruts his hips into you deep.

"you're so pretty darling… so fucking pretty like this."

despite him being very romantic, he also knows how much you like it when he shows you how strong he is. wonwoo would definitely manhandle you into bending over for him if that's what you want - and he's not gonna lie by saying that he doesn't like it when you become all putty in his hands because he's holding your hands firmly behind your back. it's quite good for his ego too to hear you gush about how attractive he is, how hot his strength and his muscles are. wonwoo also uses it to his advantage when you've been a little tease or that he's frustrated. all these hours spent at the gym are worth it when it allows him to hold you down against the mattress while he pounds into you until you're crying out his name and that tears are running down your face. of course, he's always mindful of any signs of discomfort when he's rougher, but you both love it when wonwoo doesn't hold back and ruins you. it feels rewarding to know that he can make his girl scream his name so loud that the neighbors complain the next day.

"i'm not gonna let you go until you're dripping baby, i need to have you again."

[lazyleafeon]

[image description: Text says: commissions for Palestine. there is an image of the artist on their drawing tablet. all commission information shows art examples.

Commission info text says: $1-$7 Lined Chibi. $1 lines, $5 monochrome rendering, $7 full color rendering.

$15 lined fullbody. +$7 for full color. +half price per extra character (up to 3 characters total).

Comics. Sketch comics: $25 full page. $12 half page. Up to 4 pages. Fully lined: $50 for full page. $25 for half. Up to 3 pages.

will draw: furries, mecha, OCs. won't draw: nsfw, real people without permissionwill draw: furries, mecha, OCs. won't draw: nsfw, real people without permission. End ID]

I'm reopening commissions for Palestine. I will draw you something if you donate to any of these (note that gofundmes require you to donate at least 5 of whichever currency the fund is using):

The Gofundme's and other fundraisers on this masterlist

Helpgazachildren's Gofundme

Esims for Gaza (or this crowdfund to donate money for esims)

The Municipality of Gaza's life for Gaza campaign

Any of the fundraisers I've reblogged on this account

I'll also draw you something if you donate to other verified fundraisers for Palestine or funds for people on the ground, or to verified fundraisers for Sudan or Congo.

guidelines/other info:

personal use only

Turnaround of around 1 month for chibis, 2 months for fullbodies, and 4-6 months for comics. I will update you as soon as I have a sketch or if there are any delays.

Please include a visual reference or text description of the character(s) you want drawn. If you don't i'll go off of google or my own design for them

For comics I can work with prose or a script. if i know the characters i can try writing a script myself based on a prompt, though it will take me longer

I reserve the right to refuse a commission and may ask you to choose something else.

To get a commission, DM me on this account or email me at desklamprey @ gmail.com with a receipt of your donation made after this post was made (8/11/24 at 9:30 PST), a link to where you donated if its not from the 4 i listed above, and the details about your request.