#idk how to say it in english

[chradi]

I'm strexcited about potentially working at a school in the next few months/year and being paid a minimum of 22$/hour

[feluka]

In front of the Journalists' Syndicate, Cairo, Egypt, on 15th January 2024.

The crowd chants:

مصر مشاركة في الحصار معبر بيننا و بين اهالينا الصهيوني متحكم فينا طول ما الدم العربي رخيص يسقط يسقط اي رئيس عملوها احفاد مانديلا و احنا فخوف و فعار و مزلة عايزين المعبر مفتوح

Translation:

Egypt participates in this siege! A crossing between us and our people! Controlled by Zionists! As long as Arab blood is seen as cheap, Any and every president must fall! Mandela's grandchildren have done it, While we are seized by fear, shame, and humiliation! We demand Rafah Crossing open!

[notsofriendlyfriendlyreminder]

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHH-

oh wait i got it right

[arom-antix]

As part of a two-part reverse bang-bang, here's some more Valentines art to which @probablytoooldforthis wrote an amazing fic, Sweets for the Sweet! Please go check it out, I promise you won't regret it, and keep your eyes peeled for the second chapter - and artwork, of course - coming out on White Day aka the 14th of March!

Also, I this is an unrendered version, the finished version will be posted within about a week's time (hopefully) since I don't have access to digital drawing at the moment YuY

[theyarewrestling]

Dan and Phil, The Blair Witch Project, and taking back agency.

In their latest video, «DanAndPhilCRAFTS - Slime» Dan and Phil have made a very clear homage to the 1999 found footage film «The Blair Witch Project» directed by Daniel Myrick and Eduardo Sanchez. The movie tells a story about a group of students, who travel to a small town in order to film a documentary about a local legend. In the process of filming, however, they get lost in the woods and never make it out of there, being haunted and then presumably killed by the witch. In this essay I am going to analyze how the visual narrative is structured in both films in relation to one another, the way «Slime» differs from «Blair Witch» and how that difference conveys the shift in Dan and Phil’s public presence.

Let's start with imagery associated with the paranormal in both films. In Blair Witch one of the signs of the witch's presence become the "dolls" made out of sticks. They are filmed by the characters, who are naturally freaked out by the dolls appearing seemingly out of thin air, signaling the presence of the dangerous and inhuman Other.

Dolls are also used in Dan and Phil's video, the main difference being that the pair are not haunted by the paranormal and unexplainable Other, no, they willingly put the dolls there, they are taking active steps in bringing about their own doom.

While in «Blair Witch» the dolls are placed ominously in between tree branches, filmed from below to make them look like they’re floating above the camera, being forces of a power that the characters ought to be afraid of, in «Slime» the dolls are nailed to a steady surface at camera-level, and while they do provide an unnerving atmosphere, they are not a danger to the characters, at least not a danger they’re not aware of.

The same can be said for other "occult" imagery and artifacts. While in «Blair Witch» the characters finding strange symbols and even bloody remains in the forest strengthens the tension and suspense, signaling the close presence of the witch, in «Slime» all of the unnerving, "occult" and "satanic" exists under the characters' control. Dan draws the symbol on the wall himself, the animal skulls are presumably also brought in by the characters. Instead of being signs of danger, uncontrollable, they are merely tools in the hands of the pair.

The interior of the shack where the students meet their end in the 1999 film is filthy and decaying, which only strengthens the fear within the characters and us as the audience. It is filmed using close up shots which show the shack in it's decrepit and unnerving state. The shack that Dan and Phil's video is filmed in also seems abandoned from the interior, it is broken down, dark and dusty. However, instead of being mortified, like the characters of «Blair Witch», they occupy the space quite comfortably. Instead of being haunted by the building, they become the ones who haunt it, once again taking back control of their own demise. The interior is filmed at strange angles, almost reminiscent of German Expressionist films, in which the odd angles conveyed the detachment from reality and perpetual insanity, which in Dan and Phil's case could be used to depict the pair's descent into madness which leads them to their ritual.

Nature plays a crucial role in «Blair Witch» as the witch herself is never shown. The characters are "surrounded" by the unnerving dark trees, which presumably hide the horror that is never allowed to be seen directly.

Dan and Phil make an obvious homage to that with their shots of the trees, however there is a major difference. While the shot is still desaturated and somewhat unnerving, the flowers on the tree are in bloom, symbolizing a new beginning and the hope that comes with it. The new "life" that is going to happen after the pair summons Baphomet.

In «Blair Witch» Heather's final message is a long shot filled with pure fear and desperation. Dan and Phil's shot mimicking it is almost unnecessary as it lasts only a few seconds, however in those few moments it manages to showcase the pair as a unit, they are calm and in the process of their ritual, determined to bring it to fruition. While Heather is left alone in the dark forest in which she will die, Dan and Phil are not alone: they are in this together, they are a team. If they die, it's because they chose to do so. "Creativity is nothing without friendship".

Now for the infamous "Blair Witching it in the corner". In this memorable scene from the 1999 film one of the students is stood in the corner facing the wall. Heather and the audience both know that, according to the Blair witch mythology, this position is a prelude to being killed, as that is how the murderer, who was persuaded by the witch, used to place his victims, for he couldn't bear to look them in the eyes. This face-to-the-wall position conveys pure helplessness at the hands of the persecutor. In «Slime» there is a scene that makes an obvious homage to the «Blair Witch» scene: Phil is stood in a dark corner of a room, the shot is in black and white. There is, however, a stark difference: Phil is facing the camera. With just this one change the scene no longer feels like a display of helplessness. Phil is looking straight at us, he is not a victim at the hands of unknown horrors, he is in control.

The way the "monster" is presented in both films differs significantly. A big part of the horror in «Blair Witch» is our inability to ever see the witch herself. The "monster" not being shown to the camera is a trope as old as low-budget horror: it helps build suspense and also hides the lack of budget. In «Blair Witch» the rapid movement of the camera also makes it feel like the horror is too great for a human mind to comprehend, too great to be caught on camera, Lovecraftian in nature.

The 1999 movie starts with the characters interviewing Blair locals, who tell the characters and us, the audience, the legend of the Blair witch. The witch was sentenced to death for practicing witchcraft, so she haunts those who try to disturb her peace. Here we can make the connection between those persecuted for "practicing witchcraft" aka being Other with being queer and being othered and, historically, persecuted for it.

This interpretation correlates well with the fact that the "monster", in this case the devil Baphomet, is present in «Slime». More than that, Dan and Phil actively seek him out. In the final scene of the short film, Baphomet has his arms around the pair, claiming them. The characters are willingly allying themselves with the Other. Dan and Phil see the "monster" and yet they do not run away, instead, they worship him. In the theme of reclaiming your agency, this could symbolize coming out, proudly and purposefully becoming part of the Other.

They are doomed from the start, but they are not helpless victims of the Other, scary and unknown, they are the ones bringing about their own doom. This is taking your agency back, and I feel like this narrative rhymes really well with Dan and Phil's current presence on the internet. While the early years of their careers were filled with public speculation and being stripped of their agency, something that "was just theirs" being scrutinized by the public, which definitely affected the way they had to behave, their current self-described "chaos era" is very different. They no longer make the effort to pretend to be anything they're not. They are the ones in control of the narrative, keeping their private life private, while also sharing way more openly and freely, knowing that we know and not really caring about the public's perception, as post coming out they have taken the power and agency back into their own hands.

[elirium]

Recently i noticed that one of my favorite panels is way more boring in the english version than in the one i read. So. I decided to share it with you.

English version:

German version:

Translation: "Red... I understand your feelings [...] but in a battle there should be no romantic feelings."

[from chapter 40]

[weirdly-specific-but-ok]

I THOUGHT GYATT MEANT GOD FOR MONTHS WHEN WERE Y'ALL GOING TO CORRECT ME

[tobisiksi]

tw: suicide mention-emotional maipulation

I refuse to believe that kusuo never tried to lose on purpose in one of kusukes games

a lot of people say that he probably was too egocentric to lose but man, ku gives up on things without thinking twice just for the sake of the others

just like when he gave up on satou when he and hii got together (the only example I can come with rn but there is a lot more)

and don't get me wrong, kusuo IS egocentric, but he knows where to trace a line he has a moral code and the principal rule is "don't be an inconvenience to the others"

so there is no way he didn't tried before

kusuke saw through his facade?

kusuke is insane and a masoquist and he has some suicidal behaviour aaand

I can see him telling kusuo to never try to fake a lost again or else he will off himself

idk he just yk, he's emotionally abusive and he's too obsessed with the idea of kusuo and him playing deathly games

TOO obsessed

he even took himself as hostage and he also kidnapped and brainwashed one of his brothers friends

he would say something like that

but I also believe that he wasn't aware of the heigh of those words

(I believe that he isn't aware of the heigh of all his actions, he just have a really twisted view of what is wrong and right)

I see this kind of scenario happening when they were young, when kusuo stopped copying his older brother (the motorcycle, the little cardboard robot, rock papper scissors, guys he was copying his older brother cuz he thought he was cool) and started to feel some resentment or even pity towards him

kusuke wouldn't take pityness very well, resentment? dont care, being hated? kay whatever but feeling any form of empathy or pity?????

it makes him sick

so he would say something like that but the thing is that he sees his brother as a God who is superior to every other living being

so he thinks that it isn't a big deal because his God had more important things to take care of

wrooooong, your God it's your baby bro who is just a child who used to admire you a lot before you started to get more and more insane progressively and the thing you just said it's fucking up his head because the love and hate he has for you were the strongest feelings his baby brain could feel and now he cannot come up with a way to make you stop envying or feeling resentful cuz of his powers (that he did not choose to born with in the first place) without making you have a meltdown that will end up with you killing yourself

[novalizinpeace]

I’ve actually been thinking about this for a while and I don’t even know if this was asked before.

IF alba actually kept her horn…would she ever have some kinda self taught abilities with it? Like telekinesis or something similar? Or would she just use it to stab people?

I’m just genuinely curious of what would’ve happened if she kept the horn instead of ripped it outta her skull. Thank you!

unless the chapter 4 reveal a demonic involvement in the factory like in BATIM, no, there's no magic in the experiments, just raw and crazy science.

Alba's horn was her equivalent of a flesh mole, hurt like hell if it take off the skin at force, but you can live without it.

[httpiastri]

liam saying "what the fuck" in his dumb accent is one of my favorite things this year

i can’t even tell what kind of accent it is he’s doing 😭

[enden-k]

Hi!! You're free to ignore this if it doesn't interest you ofc but I wanted to talk a bit about the "Aventurine racism" thing. It's mostly people not reading things right and misinterpreting things (as always.)

Aventurine is said to be Sigonian, a race known for being untrustworthy. Now, "Sigonian" is not a reference to any real place or community, in any language. It's entirely made up and exists only within the honkai universe. The reason people started speculating that he is Romani is because he calls himself "Avgin", which the game translates as "honey", and "Avgin" is indeed the romani word for "honey". This, of course, doesn't prove he's Romani or based on any Romani culture at all, but people took it and ran with it.

Ratio called him "Sigonian thrall" and, since Romani people have suffered a lot with slavery, people started freaking out. The thing is, Aventurine is a slave, but it has nothing to do with any Romani inspiration or traits he might have. Aventurine is a slave because he works for the IPC, and a good majority of IPC workers are enslaved to the IPC. He's not even the first character to be shown to have a branding mark. Topaz, who I didn't see anyone complaining about, is also enslaved to the IPC and has the same marking on her neck.

It should also be noted that although both Sparkle and Ratio were racist towards Aventurine, the "race" being discriminated against is entirely fictional and not meant to represent any real ethnicity or culture. We should keep in mind that the story is set in a magical universe, and we have nearly no information on Sigonians or Sigonia-IV.

Personally - and this is just my own theory/interpretation - I don't think Ratio was being racist at all. Judging by how the IPC operates, Sigonia-IV has most likely been destroyed or suffered a great disaster, so his claim of Aventurine being a "Sigonian thrall" could've been just a mention to how he has nowhere to run from the IPC, since his home world is gone. Also, Sparkle is just mean, and not really a trustworthy source of information - her comment on Sigonians being notoriously untrustworthy could be her own personal opinion rather than fact (of course, we don't have enough information on this to claim that it's just her opinion, nor that it isn't.).

Sorry for the long ask! I also have more to say about the possibility of Aventurine being romani if it interests you, based on him being a Su expy.

thanks for explaining this further, i dont really have anything add to it other that i share your interpretation there but i think its interesting for the others to see as well (this entire topic is tiring me out but mostly bc of some ppl taking it to extremes or making stuff up to prove their points. thanks for taking the time to write and explain all this!!)

[skunkes]

[feluka]

when i make a post about coptic culture and someone tags it as "worldbuilding"... a chill runs up my spine

[slavhew]

always covered in your tears and their blood.

[brookheimer]

the one thing i feel pretty certain about for this episode is that america will not decide the election. a decision will be made, a president will be elected, but america will not be the deciding factor.

succession can’t mimic 2016 or 2020 point blank, that would be boring and have nothing to say. it can’t try to outdo trump because it’ll go too whacky and fall flat like veep’s last season (sorry conheads, no way he’s winning). but what it CAN do is illustrate the immensely corrupt, often arbitrary, and hugely influential nature of news media and conglomerations on political processes. i think probably jimenez will be in the lead, then atn/waystar does something to, i don’t know, discount votes or cast suspicion on jimenez or call the election for mencken early, and the tide will shift, even though the votes are already in. the votes don’t actually matter. the actual result doesn’t actually matter. that’s the power logan (and as an extension, billionaires and CEOs in general) hold. shiv says it herself to logan in s4e2: “just cause you say it’s true doesn’t make it true. everyone just fucking agrees with you and believes you, so it becomes true and then you can turn around and say like, 'oh, you see? see? i was right.'” but it doesn’t matter that logan’s “a human fucking gaslight,” everything he says comes true anyways. not because he was right, but because that’s how it works. he says things and then they happen, regardless of what the truth is or what should actually come to pass. that’s been one of the key throughlines since the very first episode of the entire show when, in response to kendall calling logan out of touch because times are changing and logan isn't changing with them, logan hisses that everyone always says you’re wrong until you do it and prove you were right: “you make your own reality.” you can't miss the bus if you're the one driving it. the election, the votes, the political process? none of that matters. it was always going to come down to the roys and their ilk (allies or enemies, just the top 1%) — that was the whole point of “what it takes” (the mencken episode) last season, after all.

i’ve seen lots of theories about what america will choose and how the candidates will respond and all that and i just don’t think that’s the show’s focus; i think the whole point is to demonstrate the lack of agency, the illusion of democracy. because, i mean, we’ve already seen the fall of democracy via fascist election and fascist election-denial, both in real life and in the countless (usually mid) satires created afterwards. it would be disappointing to see succession use the election to reiterate that same point of 'ohhh alt-right ahhhhh!!!' i don’t think it’ll be about ‘fascism’ at all — at least, not ‘trump-y’ fascism. it’ll be about fascism in the broader sense, the kind that doesn't sport a KKK hood (even when it keeps one tucked away in the attic). it's the fascism that every single roy (very much including shiv and kendall) aid and abet -- the fascism that so many succession fans don't seem to regard as fascism, despite it quite literally being the definition of fascism. trump wasn’t the entrance of fascism into our political process. he wasn’t the lone sign of the failing of american democracy. democracy in america has long been illusory, trump just made it more blatantly evident with his particular brand of hate-speech-ridden masculinist in-your-face fascism.

so i think that’s what this episode will hopefully focus on — america will not decide. corporations, news media, and the roys will. thus, the president will most likely become president not because the country supports his policies the most, but because he’s likely to agree to help block a business deal for a major media empire, and the other candidate is unlikely to. and this will likely come to pass due to said major media empire's interference and influence: they create their own reality. they say it, and everyone agrees with them and believes them, so it becomes true.

[incorrect-hs-quotes]

ARADIA, taking on LORD ENGLISH: 0h my g0d this m0nster makes me finally feel like im a living being t0day! 0u0