#idk if i like it more. i think i like the characters more in this one but ill need to sit on it a while to say overall

[starrysharks]

reassassination swap AU... fuckin.... unassassination idfk

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[deerspherestudios]

Hi there! I just wanted to let you know that I love your games! Mushroom Oasis especially has an especially place in my heart. Mychael is such an interesting character and one of my favorite types of yanderes—not violent towards his object of affection but still manipulative and willing to cross lines even if he feels guilty about it. Thank you so much for the work you have done; it’s obvious this game is a labor of love and I am looking forward to see how the story progresses.

In the meantime, I have to ask, do you think there might be a future option where the player can cook for Mychael? Totally okay if that is a little too specific. Cooking is just a love of mine and I love to cook for people I love and I feel that is something that Mychael would appreciate.

Also—and forgive me if you have answered this already—but I was curious to see where Mychael’s affection lands on the scale you created by the end of day 3. Or would there be more than one answer since it seems actions taken on this day might start to split between the platonic and romantic routes.

Thank you again for your time and for creating this wonderful game. Your art is so lovely and you have a real knack for fun character design.

HELLO!! Thank you so much for the kind words!! For me personally I've never been a fan of "if I can't have you no one can <3" type yanderes so knowing that it's a shared sentiment means a lot!!

I actually have something of an idea where MC does something nice for Mychael for a change in Day 4!

It was closer to buying a gift and the players can choose what they'd get for him but adding a cooking/baking option (or a more diverse set of gifts rather than just shopping for it) seems like a good idea! As usual the script is still cooking so we'll see!

As for the charts, they're answered here and explained here!

Also,,, idk if you'll ever read the addition below but I'm holding back on gushing rn because uh, this is for you personally but it's basically an appreciation post for being one of my fave authors <3!!!:

AAAA A A 11 !! ??

I'm gonna try and articulate myself in the best way I can but I have been a FAN of your writing since??? Gosh, 2015??? I was following your blog back when the pfp was a torchic (and a treecko i think??) and the header was Swiggity swiff Gotta Yiff ?? Idk if you're comfortable with people knowing of your writing but let me know if I should edit anything here!!!

I LOVED your writing so much it was silly and witty but you can do drama and heart and spicy just as well it was a major inspiration!!! I genuinely though it was a little goof when I saw you were following my blog the other day and THEN YOU SEND ME AN ASK??? IM, , , THROUGH THE ROOF, I would mention my fav fics of yours by name but I'd be outing myself but the scope is huge <3

I've been thinking of how to respond to this all DAY and decided to just be honest but but just know I love what you do <3 Admittedly idk if you still write these days but either way I hope you're doing well!!!! <3

[yuri-is-online]

Bro floyd is so handsome-

And he's weirdly the only twst character that I can describe as handsome??? Like every other character I like is either cute or pretty. Trey and leona might have been handsome to me at one point but I'm just. Not attracted to them yk? Even Jade! Jade is very pretty! He's my evil little wife! But floyd is like. The only one that's actually handsome, like in the traditional sense. At least to me he is. Just like. His mannerisms I guess... idk man he's cool as hell and weirdly reminiscent of dark vintage americana. Weirdest fucking aesthetic I can connect him to but fuck you I'm connecting them (national anthem demo 1 by lana. I was reading the lyrics and also the overall vibe of that specific version of the song just kind of cemented for me)

Idk dude sometime I just go into you inbox and dump out my twst thoughts with no real purpose or structure and this is one of those times 🦵...also it's 2 am so that probably has something to do with it. Good night Yuri!

The prequel to this ask and also still goodnight because it is rather late here rn

Floyd is very much a mob boss, old Americana, guy you obviously should not be attracted to but still everyone kind of understands why type of guy. He's handsome in italics, in a way that you giggle about and exaggeratedly wag your eyes because hey you could be joking.

He's that sort of handsome where most interested parties would ditch him after a weekend. Handsome in a way that sparks but doesn't start a fire, like one of his bad moods that's strong, horrible, and will do so much damage but is gone as soon as it's come on. Like a man desperate for a real connection and can't quite get it, who is looking into your eyes while it rains outside not saying anything but really wanting you to know it's real. Handsome like the guy who doesn't get the girl but everyone knows if the writer was paying attention to their own characters would have been the better choice.

Handsome in a way that's stammered out without a technicality offered by someone small, vulnerable, and foreign to everything he knows in more ways than just the one obvious fact who ignores all of that stuff. Handsome enough for the spark to catch and the connection to wrap itself around your waist and drag you into the ocean without a single scream because the part those stories often ignore is that there are people who would look at an eel three times there size and still "would."

He laughs, dizzyingly loud and all the things he is at once because what he thinks of you is much simpler than all of that. He thinks you're cute~ so cute he could just eat you up.

[lu-polls]

[Poll suggested by: Anonymous]

[head---ache]

hi btw this im not saying this for anything in specific its just something in my mind rn but youre allowed to ship any of my characters with anyone you want, even if they have their "canon" partners. for example, emmie is dating destiny and brass, but if you think she would make a cute couple with idk hit, then go ahead!!! go crazy!!! WHATS MORE if you think emmie (or any of my characters shes just the example lol) would make a cute couple with any of YOUR characters, ALSO GO CRAZY!!!!!! of course this doesnt apply to any weird age gaps or weird "interdimensional" incest but i feel like i dont need to explain this but yea!! have fun!!!!

[ohnoitsz1m]

HEY. hey. hlvrai airplane furries. okay?

I do plan to make more. Dw. I already know what Tommy is. And I have a pretty good idea for Coomer as well. Bubby,,, I'm conflicted. I only got around to these two because I started at like midnight and it's currently 3 am again

More explanation and rambling below

For those out of the loop Airplane Dragons are an original furry species made by scpkid in like 2015? Idk. They've been around for a while and I really like them.

I've only gotten more interested in airplane dragons in the last 4 years because I'm around planes and jets literally every day,, and while it's not anywhere near MY field of study, being around them every day, you tend to pick up a decent bit of knowledge about them, at least enough to later turn your favorite characters into planes and jets for the hell of it.

For the other characters, if I ever get around to them:

Tommy would be one of those Concorde planes.

Why? Because I think this looks absolutely ridiculous, but the function of the drooped nose is played entirely seriously in a lot of cases and it just felt very Tommy to me. I DID consider making Bubby a Concorde instead but this feels too silly for him. He would never let himself be a Concorde plane...

Coomer, I'm thinking something ww2 era. Why? Old. Military background.

I don't really have any solid ideas for Bubby, maybe it'll come to me later.

[ray-winters]

opinions on misha being queer? not only in the context of dating noel but just in general (sorry if uve answered this before..)

I think it's definitely possible and that there are interpretations of it where it makes absolute sense! In terms of my Misha, it was the first time I'd played a character as an adult where I went "oh weird, I think he's straight." bc I tend to make every character I play at least bisexual, but idk. My Misha just very much so came to me very straight.

But one interpretation isn't to speak on the character as a whole/other interpretations. I think he's very easily read and interpreted as queer, I just personally saw him as a very open minded European man who didn't give a fuck about Western ideals like that. Like he's the dude who takes Noel to prom bc Talia's not able to go (bc Ukraine) and he'd rather go with his best friend & give his bestie that experience (and beat up anyone who had anything to say about it.)

The way I rational with that is this:

I personally identify as a gay man. That being said, I have in my life kissed my lady friends, danced with them, hugged them, cuddled up, etc. That doesn't make me inherently bisexual, it doesn't make me inherently straight, I am just a dude who loves his friends & expresses it in those ways. Same w/my personal interpretation of Misha- him dancing w/ or hugging or kissing Noel doesn't make him inherently bi or gay, he's just a love bug. I think that platonic affection between men, specifically between straight men & queer men is incredibly underrepresented, and if it were something more normalized in our society I think that we'd all be better off for it. So I wanted to showcase that w/my Misha- it also felt true to my interpretation of the character.

TL;DR- Misha can be queer, Misha can be hetero, it just comes down to your personal interpretation! Mine was not, for several reasons, but that doesn't make someone else's interpretation any less valid.

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[dunmeshistash]

Dear Meshi Master, is Marcille despite being much older, wiser, more experienced, more serious about studies and career (I mean this very kindly) less mature than the Toudens? In the sense that she needs hugs, praise and reassurance which she was not getting w/ Falin gone (Laios tries but he's not comfortable giving hugs). I think about this when she's crying her eyes out and/or hugging someone like a baby koala.

I think maturity level is something hard to quantify, people "mature" differently depending on their life experiences and especially in Marcille's case as a half-elf it's pretty inconsistent

There's also a difference between being someone smart/wise/responsible and having emotional maturity (or emotional intelligence idk). I'm not that knowledgeable in the subject and Marcille still has lots of growing to do in the emotional side but I don't think she's really that immature.

Needing hugs praise and reassurance and I'll even add the fact she keeps toys and is invested in fictional characters, I don't think those make her immature, tbh some people like Shiro who bottle up things instead of letting it out like Marcille could be considered more immature. Look at how Izu reacts to Marcille letting her emotions show.

Izu is still very young so she doesn't have the "emotional maturity" to deal with someone who wears their emotions so genuinely like Marcille (She's trying tho, very cute). In this situation I think Izu is the more immature even tho Marcille is crying out like a baby, cause Marcille is allowing herself to feel what she's feeling while Izu isn't equipped to deal with those feelings properly.

I think there's some aspect she's still working thru tho (which I don't think there's an specific age where you're supposed to be done working thru) and the others aspects to me seem more like parts of who she is, she cries and hugs and wants words of affirmations but it's not like that side of her impacts how she deals with important things. Marcille can be serious and calm when the situation asks for it, for example when Senshi is taken by the Griffin Marcille manages to calm down enough to think of something while Laios is in full panic, he relies on her when he can't deal with things himself.

And after that she fully takes lead of the situation. She's whiny and a crybaby but she's still "mature" (whatever that means) if you ask me. There's several other examples but it's easy to tell if you compare with how the younger characters like Izutsumi and Pattadol act.

Hopefully this makes some sense, I'll admit I don't really understand what is being "mature" or not, it's something that feels pretty arbitrary to me.

Edit: just to add, I do think Marcille has a childish side to her and that it is part of her character, her childhood had lots of inconsistency and trauma associated and she even gets the childish ear warmers in her dungeon lord outfit. That's the part I mean when I say she still has things to work thru due to past trauma and she's also just young in general.

[rotisserory]

When you consider the aventurine x ratio quest is a clear nod at the movie double indemnity, it’s even more obvious that their bickering is part of aventurine’s plan and they need to pretend they don’t like each other’s company so that Sunday doesn’t think they’re in on it together. Which, makes ratio’s moments of slipping up so much more endearing to me LMAO

Like I was just thinking about their first on-screen back and forth and how ratio calls him a “sigonian thrall” and calls out his branding scar (which lowkey, STRONG start ratio we could have started with an above the belt jab but alright get into the role ig 😭) and aventurine does look hurt for a second, but he catches himself fast and ends up laughing and is like “you’re funny lol so true!”

But then when ratio jabs at him for being sigonian again and asks if the notion “escaped his sigonian upbringing”, aventurine doesn’t laugh and actually claps back and drops the trauma of “well Idk bc i didnt go to school i was busy dealing with my family dying and my country being destroyed so 🤨” and then ratio immediately apologizes LMAO 😭 like it’s so out of character when you’re playing the scene for the first time bc it’s like dude imo the first thing you said was way ruder than that why is this the one you’re apologizing for ?? but I think by him getting defensive that second time, aventurine was tryina be like ‘ok maybe lay off the insults about my race and my enslavement that’s really not something i feel great about lol’ which is why I think it’s sweet ratio would be caught off guard and be like ‘oh oops was that one too far I’m sorry I didn’t mean to actually offend you I was just getting into my role’ 😭 and then correct me if I’m wrong but I’m pretty sure ratio doesn’t bring up either topic again for the rest of their interactions, he sticks to his insults about aventurine being a crazed gaudy gambler who talks too much

Ratio has a handful of moments where he breaks character but I think that one is my favorite. Dude is not the best actor but he’s trying his best for his clamorous little peacock huh

[starreyblueberry]

Timmy Turners fate in the new series is one of the most anticipated/theorized aspects of the new show right now. We have multiple easter eggs towards him being a possible character in the new show, and due to the creator saying that Timmys kids could possibly be Cosmo and Wandas next godkids, I don't think Timmy has kids yet (aka the channel chaser ending might be on its way, but not happened just yet.) He is arguably going to either be a huge hit or miss, everyone has different ideas, fates, what he should be, what would be the best conclusion to his character. The lines between real genuine trauma and gags in the old show are blurry, as well as core aspects of his personality. It’s so hard to actually write him as an adult for the new show purely cause what exactly are you going to take from the show that MATTERS. Will you take the lovingness of his parents from season one? or the neglectful spiteful parents they become from season 4. Will you take the horrible grades as him actuallly being bad at school, or crocker failing him on purpose. Will chole even be his best friend? Or is it back to AJ and Chester? Or will his only friends be cosmo and wanda?

We’re Cosmo and Wanda parents to Timmy, or just godparents.

Its already proven that timmys magic somewhat stayed (aka Peris existence, Dale being a millionare, hell even dimsdale/fairy world being intact) If they will acklowdge that? The school mascot being Timmy turner adjacent, past fairy’s seeming to have remembered Timmy (The tooth fairy having a little card of Timmy, Jorgen hanging out w cosmo and Wanda more CAUSE of Timmy’s adventures etc). He’s somehow a crutal part of almost every piece of the show and he’s not even there. I fully believe they’re gonna explain why a lot of Timmy’s wishes have stayed (in my opinion so many of his changes have made the world in general a better place, and he has saved the universe so often undoing his shit would kinda change the whole fabric of space and time, thus making his magic stay, memories are more… iffy.)

I know a huge thing is also the family dynamic, the fact Timmy is their favourite, hell the HALL OF TIMMY!!! The fact they keep a picture of his room in their house, the fact that they reference him sometimes within conversations with hazel. Never actually spoken his name but implied that’s their Timmy (aside from one time) That the reason the world is right now the reason this problem or circumstance or blessing is happening is because of Timmy Turner.

The amount of pure power Timmy has over the show is something crazy, and I do trust the new writers to give us an ending that will satisfy us. He’s been so connected to many people’s childhoods, showing found family at its core. He’s snarky, loud, smart, kind, and more. People want to see him happy, people want to see him with his family. Who you count as his family is up to you. It’s already been semi-confirmed it’s gonna be connected to the channel chasers ending since most of the general audience has said they wished the show ended during that time ( I have my own opions about it but I digress.) It would be super cool if they did their own take, aka any unconventional Timmy future that we haven’t seen as a concept in the OG show. I know many people are rooting for too remember, for them to be united, and I really wish it happens. We also have to remember this is hazels story too, and we’ll be seeing the end of Timmy’s story rather then the middle of it. A special about him would be amazing though, especially if he’s either the hero, or the villain. Idk!!One day I’ll make a full post about every possible future Timmy and my preferences towards which ones, but for now I’ll stick with my analysis of the OG show.

All I know is that Timmy changed Cosmo, Wandas, and Peris life almost more then any other Godkid, and I like to think the show respects the impact he had. Not only as their godkid, but as their first kid to consider true family.

[therandomfando4]

Hey, so I think I might have figured this code out in the newest Smg4 video, maybe?

Okay, so, this is the original code.

11-12-1-19 2-1-11: 2

First, I changed the numbers into letters by using the alphabet. 1 being A, 2 being B, 3 being C, and so on. Which gave me this:

K L A S B A K B

Which confused me until I changed two letters around. Making this.

K L B S B A K A

Swapped 2 & 1

11-12-2-19 2-1-11: 1

I immediately tied this to Smg3 as he says "Baka," a fair bit in Smg4. But I wasn't convinced it meant anything until I figured out that almost all of the numbers were doubled except for 12 & 19.

I figured 12 out pretty fast. But 19 took me a while to figure out. With 12, I remembered something about the number being in the 3 timetables, and that it was the 4th number.

3 × 4 = 12

34..

When I figured this out, I was still doubtful. Since I knew the creatives on the show sometimes fuel the ship, why is it being hidden like as though it's important? On a classified document, and with Mr. Puzzles?

So I just thought it was some kind of coincidence and that it was something deeper or that the code ultimately meant nothing and that I was just wasting my time on it. Besides, 19 didn't mean anything, right?

Yes and no.

I was right about the number itself, not meaning anything until I used additions.

What two numbers made up 19?

9 + 10..

After seeing those two numbers, I instantly thought of a certain meme.

Now it was 21.. I searched up what time tables could go into 21, the two numbers being 3 and 7.

3 × 7 = 21

I first thought about the number 3, which I realised was kinda stupid of me once I remembered the numbers that made up 7 were 3 and 4.

3 + 4 = 7

Either these somehow are 3 coincidences, or really is about Smg34.

Now, unless there is more that I'm missing in this code. I have a few guesses. (If anyone can think of anything else, I'd love to know.)

The classified document is most likely an image or YouTube thumbnail.

If it's a thumbnail, I believe it could be either:

A. Wotfi 2023

This one is because Mr. Puzzles had a YouTube thumbnail of the Puzzlevision movie, and I was thinking about how wotfi 2023 was the last big event before Puzzlevision. As well as Smg3 and Smg4 being the highlighted characters in it.

B. Snowtrapped..

Okay.. I know it has been milked to death by people submitting it for the Wotfi 2024 challenges. But, I feel like it could explain why it's in the document and considered classified. I'm not a fan of this one.

C. A thumbnail for a future episode.

Idk if it would make sense, but eh.. it could be cool.

Now, just some or one of the images that could be in the document.

A. Smg3's notebook.

An image of it or the physical book itself.

B. The drawing at the end of Smg3's notebook

Because it's still a secret to everyone that Smg3 drew a picture of him and Smg4 hanging out together.

C. An image of Smg3 and 4 hanging out or doing something that would be considered gay. Something that would embarrass Smg3 and/ or 4 probably.

Either way, if none of these options are right, I'm hoping we actually get to see what's in the document or that the code is foreshadowing something.

I also used pager codes mixed with the baka I found before. I found these sentences, but I don't know if the creatives behind Smg4 meant for someone to use pager codes.

Swapped 2 & 1

(11)-(12-2)-(21) 2-1-11:1

K L B U B A K A

You. I want you. Home. Baka.

Swapped 2 & 1

(11)-(12-2)-(19) 2-1-11:1

K L B U  B A K A

You. I want you. Yes. Baka.

Or

You. I want you. Hug. Baka.

As I said, I have no idea if the pager codes were planned or coincidental.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anyway, I'd like to hear what other people think about my findings. And if others have found anything of their own.

This took me a while. If I find out this was a waste of time, I'm going to be so upset. /hj

Have a good one, guys.

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[oristian]

So how come we can tell that Elain wants azriel and is attracted to azriel but Eluciens claim they need Elain's POV to confirm she doesn't want Lucien??

Idk it's almost like thoughts and acts and verbal things she has said matter?? It's almost like... we don't need everyone and their mother's POV to tell very basic information??

Y'all acting like she is a complete black box just because we don't have her POV yet 😭😭

What if I said "oh we need Lucien's POV to tell he actual feels a bond and didn't orchestrate a fake mating bond to claim an Archeron sister after she got made?"

"But he wouldn't do that"

How am I supposed to know he wouldn't!! We don't have his POV either 🤪 he could be Koschei for all we know 🤷🏻‍♀️

And nobody better fucking bring up Feyre hating Rhys or Nesta kicking Cassian in the balls. Their words differed from their actions. They might've SAID they hated their love interests at the time, but their ACTIONS differed. Anyone who genuinely thought Feyre hated Rhys or Nesta hated Cassian is literally just lying atp because come on what do you mean you didn't pick up on that?? Nesta was willing to die for Cassian and Feyre was literally thinking Rhys was the most beautiful man she had ever seen. Be so fr.

Elain's actions match her words. We don't need her POV to know that.

Good morning! This might be a long response, so hope you enjoy!

Elain Archeron is a book character. Books follow standards enacted by the stricture of narratives, and how stories are told overall—in short, the reader is being told something through a book. A story is told through settings, dialogue, characters, et cetera. While the reader may be able to create their own theories, pick up on literary devices, and generate predispositions, until the reader is fully informed by the intent of the author on page, it is speculation.

When people claim that we need Elain’s POV to understand how she is feeling towards Lucien, that is very much true. There is a plethora of reasons as to why she shifted her composure around him between ACOWAR and ACOSF. From asking if he is alright and inviting him to Velaris, to shrinking around him? Until we are in her inner monologue and seeing what she is seeing, the reader can only speculate. Is she now very horny for him, is the mating bond chafing when he’s around, did she have a vision of their future, is she wildly attracted to him, et cetera? The same way that people claim she is in love with Azriel is the same way we claim we need her POV—neither is true until Elain confirms it herself with her own thoughts, feelings, and words.

Now, I want to bring up “thoughts, actions and verbal things,” because, more often than not, it is misconstrued. The only instance where the reader might be swayed to believe that Elain feels anything for Azriel is the almost kiss in the bonus chapter. However, we only had Azriel’s POV. Compared to Wings and Embers bonus chapter with Nessian, the reader was lacking the female’s POV. With Nesta and Cassian, we read that both were feeling the pull towards each other in that chapter. In ACOSF, we were limited to just Azriel—why is that? As for the other lines of dialogue that are seemingly connected to Elriel, those are regarding Graysen. “I don’t want a male,” would also be applied to Azriel, no? “And that love would trump even a mating bond,” is about Graysen.

I have been asked before how I can confidently ship Elucien when Elain seemingly lost her “newfound boldness,” and, “shrunk in on herself,” when Lucien came during Solstice. While I do understand how some people can read that as a negative for the ship, I once again have to say that we do not know why either of those actions happened. There has been zero indication that Lucien is forcing himself on her, is bad for her, and/or is disrespecting her wishes, so why has Elain suddenly started acting like this? This is why we claim that we need her POV for all of these unanswered questions.

Essentially, Elain is a blank sheet of paper. Could she stay this newfound meek personality and live all her days in a small cottage with a garden, or will she revert back into her old personality and become the socialite that she once was? While the reader can understand some of her character, she is still more shifted towards the background and is lacking the substance that a fleshed out POV and aligned character development would offer to her. This is one of the reasons why so many people seemingly dislike her character, because she has not been able to explain her actions. This was similar to Nesta.

The example you brought up with Lucien and the bond needing clarification actually was solved very quickly in ACOMAF. When Feyre unleashed Helion’s spellcleaving magic and broke the bonds in Hybern, she would have broken any fake mating bond tied to Elain and Lucien. Feyre has also been inside of Lucien’s head while he was experiencing the tug of mating instincts. Elain has felt the tug of the bond and Lucien was able to experience her from the inside due to the bond. They both have experienced mating behavior towards each other. The reader has had a snippet of Lucien’s POV.

Feyre, Nesta and Elain are all similar in how they were reluctant to accept the bond at first—the only difference is that Elain is fully aware of the bond before she accepts it. Feyre and Nesta were stuffed into forced close proximity with both of their mates, which also differs from Elain, and her sisters also had access to their mates before they turned fae. Elain met Lucien the night she turned fae and had very little alone time with him. Feyre and Nesta both experienced firsthand the chaffing of the bond while being so close to their mates for so long, but Elain has not. Elain was in love and engaged to Graysen and was now suddenly tossed a fae male as her mate, while simultaneously losing her humanity? It is only reasonable that she would not be jumping for joy over this new revelation.

SJM is an author that uses similar patterns across her entire body of work. To say that we cannot compare how she wrote Feysand and Nessian to Elucien in the same series makes no sense to me. Now, I do believe that you have contradicted yourself in your paragraph regarding Feyre and Nesta. I agree, while they may have claimed that they wanted nothing to do with their mates, their actions showed the reader otherwise. Elain is similar with Lucien, however, she has not once said that she hated him, wanted him gone, wanted to reject the bond, et cetera. Anything she has said against wanting a fae male was because she wanted Graysen and to return to her mortal life. Her actions towards Lucien have included worriment for his safety, relief that he is alright, inviting him to Velaris, keeping all of his Solstice gifts, the half step, et cetera. Someone who planned on rejecting the bond with their mate would not have done any of the above.

If the reader does not need Elain’s POV, why would she need an entire book? If her thoughts, feelings, and actions are fully explained from another’s POV, why would she need to explain herself in her own inner monologue? She already has hobbies, friends, a lover, a home, joy, purpose, and family—what would be the point of her having a book?

I so hope I managed to answer your question. Have a good day!

[stanshikabutromy]

every time i get a comment on my edits saying rogue didn’t deserve remy i actually lose my shit. did we watch the same show?

i have a lot of thoughts about rogue and remy in x-men ‘97 and none of them speak ill about them. first of all, it’s never even confirmed if rogue cheated on remy or not. they’re intentionally vague about it and the only time they’re deliberate about it is AFTER rogue and remy break things up (also on that note they were never official—remy says it himself). also do you really think rogue would get pissed at magneto for asking her to be his queen if they had been cheating the whole time? they just did all that to create tension for the viewers and to obviously add to rogue’s dilemma.

rogue is a complicated character people!!! her character does not revolve around remy—she is her own person!!! we keep forgetting that rogue hasn’t properly touched anyone since she put cody in a coma at the ripe age of 13 (i think idk). it makes sense for rogue to crave touch—a lot of her character revolves around her being jealous of the freedom that other couples have to touch. so when magneto comes along, he’s offering her this answer to her problem. he’s allowing her skin on skin contact and a relationship that wouldn’t avoid normal couple things.

now even with remy’s insistence that he doesn’t mind how things are, rogue is obviously going to doubt. she’s always been insecure about her mutation but she’s definitely ten times more insecure about it when it comes to relationships. remy is a known flirt, he’s know for the countless one night stands he’s had. he’s give all that up to be with rogue. so this leads to rogue feeling like she’s not giving enough in the relationship which leads her to believe she should leave and give him a proper chance at a real relationship. (she has a very singleminded view on relationships due to her seeing her fellow x-men’s relationships.) no matter how many times remy can say that he doesn’t care, rogue can’t help but feel like she’s cheating him out of giving him a real—or normal—relationship/family. which is why she turns to magneto in the end. she wants remy to find someone real/normal and she’s willing to compromise for him. she makes the decision for him as she inevitably believes that remy will do it one day eventually or he’ll end up regretting his decision to stay with her. her choice to choose magneto wasn’t out of her love for magneto but rather her love for remy. there’s a reason why the second after she kisses magneto she almost immediately realizes that she’s better off with remy because she can’t compromise and she’s in love with remy. so fuck all of you in my comments calling rogue a bop or saying rogue didn’t deserve remy. go read the comics or something and then maybe—just maybe—we can have a conversation.