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#idk if it's a good way to go about this
pantherpilz · 11 months
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@ my chronically ill peeps: you don't owe anyone the extra effort it takes to pretend that you are ok. You don't need to pretend, even if it makes people upset, downright furious even.
You will have people who get upset at you for being chronically ill, because surprise!! your condition is chronic and no matter how many times they ask: no, it did not get better overnight. No, not even after trying -thing-
It's ok to be chronically ill, it's not a moral failing or your fault, you are NOT a burden. Sometimes shit just happens. And the people who do matter? They will stick around, even if you're having a particularly bad day or when you simply don't have the energy to put a fake smile on your face.
Chronically ill people do not need to try harder, to grow despite our illness and be a "success story".
You are not a failure for having to rely on people or for being dependent on medication.
If you're not chronically ill, be prepared for the answer to the question of "How are you?" or "Are you OK?" It will not always be what you want to hear.
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inkskinned · 3 days
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sure i find you in my hair and under my pillow and in the car. but i know in my heart you are picking me out of your teeth. i know i am burning through your sundays, sticking to your ceiling.
i hope i'm in every bitter cup of coffee and every candle wick and every bath. i hope my shadow flickers under your door so the empty hallway i have left behind is a swift dart of nothing more. i hope you find me in notebooks and stop signs and fleetwood mac - like i am marginalia on your life, i want my fingerprints burned into your days like acid.
i loved you, and you know i loved you, and for the rest of your life i will be the person you broke. for the rest of your life i hope the shame of that runs like a cattle dog, bites at your heels. i hope every time your cup is full or the moon is a toenail or a cat is purring or a laugh is in your belly or the sky turns pink while the sun is setting - i hope you remember that someone loved you, and you crushed them in your palms. you extinguished every future i lit. i hope that haunts you.
i hope you never fucking forget it.
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ancientouroboros · 3 months
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this doesn't really count as a preview of my piece for the 2025/2026 gravity falls hunkles calendar but it doesn't really not count either
and the only way to understand what I mean, because I never remember to post my calendar art, is to go order one from @gfhunklescalendar and be part of the history we're making...together
after you order your calendar drop me an ask with your hunkle stan thoughts and I'll try to turn some of them into art
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panakoui · 5 months
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post canon laishuro prelude :>
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asphalt-eater · 11 months
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i like to think goth is a gender in of itself
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gvaine · 4 months
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5.13 ⋄ The Diamond of the Day
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danandfuckingjonlmao · 4 months
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had a dream dan got cancelled so he and phil hard launched in his apology video for damage control
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jondoe279 · 8 months
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atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again
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cacaocheri · 5 months
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we both deserve to be happy
in case anyone is wondering, it gets easier. it gets so so much easier and i hope you find the love you're looking for
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violetscanfly · 1 month
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Once again I offer you art that I didn't post when it was made✌🏻 One thing I have learned is to never throw away your art because even if you don't immediately like it you might some day
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litt1e-prince · 1 year
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"Who's your friend, MK?"
INSPIRED BY THE FIC: https://archiveofourown.org/works/46162438/chapters/116212117
Which, if you 'haven't read yet- why not?? go read it now!! It's literally so good, its so good- had me crying- LIKE. I WANNA FIGHT WUKONG FROM THIS FIC SOOOO BAD but at the same time,,, i wanna hug him and bring him nice things and make sure he's safe and happy! The author writes so amazingly and aaaah! the pain!!!!
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bigskydreaming · 2 months
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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lazylittledragon · 4 months
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right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"
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silvers-starrway · 6 months
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So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!
I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!
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unclewaynemunson · 1 year
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Thanks to a conversation I had with @frankenstein-ate-my-left-shoe and @stevesbipanic about this post by @piratefishmama about Scott Clarke helping middle schoolers with sexuality crises I wrote a lil something :)
Scott Clarke has been worrying about Eddie Munson ever since the boy first set foot into his classroom. He was tiny for his age and thin on the verge of being scrawny, with big, scared eyes in a pale face. With his long, dark curls he was the kind of boy who would unavoidably be called names for being too much like a girl, and Scott wasn't surprised that it only took one week before the boy came in with his hair all buzzed off, pulling even more attention to his expressive eyes instead.
Scott was known for worrying about the nerdy kids, and even though it wouldn't be obvious to everyone right away, he immediately noticed that Eddie was one of those. He wasn't the kind of nerdy kid who would sit in the front of the classroom, hanging onto Scott's every word while avidly scribbling down the secrets of the universe that Scott liked to share. No, Eddie was the other kind of nerdy kid: the kind who would often be called dreamy, or imaginative, or quiet, or lazy. The kind who would retreat to the back of the class and get low scores on their tests because they were spending their time sneakily reading comic books underneath the table or staring out of the window with their mind completely elsewhere for hours on end.
Middle school wasn't an easy place for kids like Eddie, as Scott knew all too well. The only thing he could do, as a teacher, was try to make it a little bit more bearable for him. He was glad when the boy took him up on his offer to spend his lunch breaks in the science classroom instead of the cafeteria or the playground. Soon, it became a habit that Eddie would be on the other side of Scott's desk reading his way through some big book while Scott was grading papers or preparing his next lesson.
Scott knew that with patience and kindness, all kids like Eddie would eventually come out of their shell and start trusting him. So he asked about the books Eddie brought first, proceeded to topics like music and games he liked to play later, and eventually could ask him about his home life.
Whenever he'd talk about his books or his music, Eddie's eyes lit up and his smile widened. Scott soon found out that, when Eddie was at ease, he could talk a mile a minute and bounce around the classroom, caught up in his stories with all kinds of excited hand gestures. At those moments, he was nothing like the quiet boy with the haunted look in his eyes who Scott met two months ago.
But Eddie never disclosed much about his personal life. He didn't mention his mother even once and he didn't tell Scott much more than that he was living with his uncle in Forest Hills because his dad was “unavailable” to take care of him.
Scott doubted whether Eddie was much better off living with his uncle than with his father. Judging from the meager lunches he brought with him, the shabby and ill-fitting clothes he wore, and the fact that the man never once came to drop Eddie off or pick him up at school, Scott was skeptical, to say the least.
He started worrying even more when one day, Eddie lingered in the classroom after the last lesson of the day, saying he wanted to ask him a “science question” with a certain dread in his eyes that Scott had never seen there before.
“There's nothing I love more than a good science question,” Scott quickly reassured him. “Tell me, what is it?”
“The other kids,” said Eddie, “Brendon and Mark and, you know... They call me names.” His voice was soft and his eyes were aimed towards the ground as he spoke. “Queer. And fag. And...” He shrugged. “Y'know.” He raised his head up again, big scared eyes meeting Scott's.
“I – I think they're right,” he said, almost in a whisper. “How can you stop being gay?”
And oh, this was a conversation Scott had experience with. He had been a teacher at Hawkins Middle School for almost two decades and there had always been kids he worried about, who would open up to him about this exact topic.
So he sat Eddie down at his desk and patiently talked him through everything the boy needed to know; God knows his trailer park uncle most certainly wouldn't. He told him all about science and nature and feelings and, most importantly, being perfect the way you are, no matter who you love.
More than two hours later, Eddie finally left the classroom with relief in his eyes instead of dread. But Scott kept worrying: Eddie's uncle hadn't so much as called the school to inform where Eddie was. Who was looking out for him after the last school bell rang and the kid rode his bike out of Scott's sight?
Not long after that conversation, Scott finally got to meet Mr. Munson for the first time. He was one of Scott's last appointments of the yearly parent-teacher evening, and Scott half expected him not to show up. But he was right on time, even though he looked almost comically out of place when he walked into the science classroom.
He was exactly what Scott would've imagined of a man living in Forest Hills: washed-up jeans and a worn-down flannel, cigarette dangling from the corner of his mouth, and a gruff frown hidden underneath a faded gray trucker's hat. He walked up to where Scott was seated behind his desk in a few big strides, and Scott couldn't help but think that there was something almost intimidating in merely the way he carried himself. Not exactly the kind of man who radiated safety for a boy like Eddie.
They shook hands and Scott felt rough callouses press against his own chalk-stained fingers.
While Scott talked Mr. Munson through Eddie's grade list – a list that at this point was barely enough to get him into the next grade – Mr. Munson didn't say anything. Only when Scott asked him if he had any questions, he opened his mouth.
“How're the other kids treatin' him?” the man asked him in a thick southern accent.
“It's not easy for him,” Scott answered in all honesty. He wondered how much Eddie told his uncle about what his days at school usually looked like.
Mr. Munson bowed his head. “I know,” he mumbled.
“Eddie is a sensitive kid, he –”
“I know what kinda kid he is,” Mr. Munson interrupted him immediately. It sounded sharp and Scott wondered if he should be worried about Mr. Munson having a temper.
“Of course,” he cautiously retreated. “I just assumed, since I've never seen you at the school before, sir, that you might not be aware of what exactly he has to deal with in here.”
“Maybe you should do less assuming, then,” Mr. Munson answered bluntly. “You think I should be at the school more? Drop Eddie here in the mornin', come pick him up in the afternoon, all that?”
Scott wondered if Mr. Munson was mocking him.
“Well, I think it might be good for Eddie if –”
“You know why I ain't never at the school? 'Cause I'm tryin' my damned best to keep that boy's stomach filled. When should I be at the school, exactly, between my day shift at the quarry and my night shift at the plant?”
“I – I'm sorry,” Scott backpedaled. Suddenly, the frown lines in the tired face of the man in front of him had gotten a different meaning. “I didn't know. You're right, I shouldn't have made assumptions.”
“Look, I dunno how much he shared with you, Mr. Clarke, but I know he looks up to you. So I think you should know that he's the kinda kid who got in trouble at home for bein' “too sensitive.”” He shot Scott a meaningful glance. “Boy was cryin' to me on the phone, 'cause of what his daddy did to him, so I picked him up and drove him here and I made it my mission, as his uncle, to protect him, to shield him, and to take care of him as best as I possibly can.”
Scott had always prided himself on being a good judge of character. He wondered if he had ever been more wrong about somebody before in his life.
“I know he thinks highly of you, Sir,” Mr. Munson continued. “And I'm very grateful that you're keepin' an eye on him when I can't. But at some point, he may trust you with some very personal information about himself, and you better have his back when he does.”
He knows, Scott realized with a shock. He tried to give Mr. Munson a reassuring smile, but his heart was beating in his throat with what he was about to tell him.
“I was a sensitive kid, myself, Sir. I promise you Eddie is in good hands with me.”
Scott wondered whether Mr. Munson caught the message in those words while a long silence stretched out. Their gazes were locked: Mr. Munson's eyes were bright blue, completely different from Eddie's but just as expressive. His gaze softened while the seconds passed and underneath his graying beard, his mouth twitched.
“I was a sensitive kid, too,” he eventually said.
And Scott's jaw nearly dropped to the floor. This man, with his big calloused hands and his trucker's hat and his undeniably manly demeanor?
His feelings of astonishment must have been visible on his face, because Mr. Munson chortled softly.
“Didn't see that one coming, did ya?”
Scott laughed, too, making the last bit of residual tension between them disappear. “I'm sorry, Mr. Munson. I had no idea.”
“'S okay,” Mr. Munson said. “'s good to know that Eddie has someone lookin' out for him here. Um –” He scraped his throat. “I um...” He abruptly averted his gaze back to his lap again, where his fingers were nervously fumbling with the cap he was holding between his hands.
“I always make Eddie dinner,” he finally said. “'S one of the few things I can do for him, y'know. It'd probably be better for me if I took a quick nap 'tween my jobs, but it's the only time of the day we got together. I'm not much of a cook, but I try to get him to eat somethin' healthy and warm, and we talk about stuff, whatever it is he wants to talk about. So um... If you ever wanna join us – that is, if you don't mind comin' to the trailer park... We don't have much, but I'm sure we can fit another chair 'round the table. I think it could be good for Eddie.”
Scott could barely believe what was happening. To think that only a few minutes ago, he had been worried about this man having a temper or being neglectful towards his nephew...
Wayne Munson was shy and soft-spoken and he loved Eddie with a passion that sparked a fierce protectiveness. And after having Scott judge him based on the way he looked and a bunch of false assumptions, he showed him nothing but genuine goodness.
He felt his lips bend into a smile more authentic than he'd been able to give in a while.
“I'd love to join you sometime,” he told Mr. Munson. “For Eddie – but I also wouldn't mind getting to know you better,” he added in a sudden spur or braveness.
And he could swear that something suspiciously like a smile matching his own was hiding beneath Mr. Munson's beard.
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beanghostprincess · 7 months
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Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.
And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.
That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.
Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.
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