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#if anything it's a self-reminder
disappointeddyke · 8 months
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dyke bod
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grimfantas · 3 months
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10 years in the future for Nanako-chan
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spitblaze · 2 months
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The thing you need to remember about Tumblr discourse is that like 70% of it does not matter off of this specific website and even less of it matters once you get off the internet
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Just because it’s hard doesn’t mean you can’t do it. You can do hard things. I believe in you. You gotta believe in you.
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arthursfuckinghat · 14 days
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1899 Arthur Morgan, chronically exhausted, ill, afraid, and working himself to death trying to save what was left of the gang.
1911 John Marston, tired, frustrated, and running himself ragged trying to get enough help with taking down the last of the gang.
1914 Jack Marston, alone, depressed, and not stopping for anything or anybody until he avenges his father. He is the only true remaining tie to the gang.
Arthur didn't care strongly for revenge, but it was important to John, then it was important to Jack. Whether they realised it or not, they fed the cycle of revenge and damned themselves in the process.
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laniidae-passerine · 7 months
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I made my post about Dean Highbottom and then as I was writing my tags realised that his Hunger Games counterpart is Haymitch. and now my head is in my hands and I don’t think I’ll ever recover
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girlyaois · 11 months
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I honest to God think a lot of the moral fears surrounding whether you think about your f/os enough or if you comfort your f/os enough in your mind or if YOU do enough FOR your f/os can... really and truly be answered simply by being reminded that they aren't real. you do not morally owe any of your f/os your time, effort, or emotional availability. because they aren't real, and you are. and it's OKAY to say this. it will never be immoral to acknowledge we daydream and draw fanart for ourselves and our joy because we're real people, they're not, they don't need anything from you. don't exert yourself worrying about people who don't exist.
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1111-sunset-circle · 10 months
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using your f/o’s shower or their product once you’ve run out for the first couple of times. the smell of their soap or shampoo on your skin or in your hair for hours, reminding you of them every time you catch it in the air.
imagine them doing the same with your things. telling you how it makes them feel like you’re right there with them, even when you aren’t.
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quinn-pop · 3 months
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never posted this but im pretty sure this was the first metadede i drew (prolly last April?)
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reachexceedinggrasp · 1 month
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Danny 'I don't do weird' Pink frustrates me as a character, because I'm honestly not sure whether he was supposed to have an arc or not.
His primary role is as a foil for Clara's arc and, in aid of that, as a mirror to the Doctor. A solider with survivor's guilt and a man of action who can't stand by when people need help etc., in some ways he and the Doctor have a lot in common, but he's also a very grounded and circumspect personality versus the Doctor's being fantastical and adventurous. Danny isn't curious and doesn't want to pursue new things or experiences, instead he wants to be fully present with and grateful for what he already has. The Doctor is incorrigibly curious and always interested in new things.
Danny is someone who desires nothing more than an ordinary life, and looks for beauty and satisfaction in the normal things and people around him. He wants his world to be small and quiet, he values the mundane things others might take for granted. He's normal, patient, dependable, simple, honest, etc. His reaction to trauma hasn't been to disavow the things which lead him to that event, or to seek out stimulation to avoid thinking about it, it's to be thoughtful and cautious and somewhat rigid so he can always apply the mindset and skills he retained from before he was traumatised.
He's very firm and unbending in his worldview and in his self-image. He doesn't seem to ever reassess people once he's decided what he thinks of them. He's not unreasonable or unwilling to compromise, he is in fact maybe too reasonable, but he is implastic. He's extremely even-tempered except for around his identity as a soldier, which he's prickly about, but still pretty quick to let it go as long as he's not being deliberately antagonised.
So anyway Danny represents this other path, and this opposite response to the horror of war and making a catastrophic mistake, but he never learns, he never grows and he and Clara are never much on the same wavelength about anything. He's supposed to be stability, the things she 'should' want, the 'person she's supposed to like', the safe choice, the presentable life which Clara feels like she has to have. He's orderly and ordinary and that's what she wants from him. She has to control her image, her future, and her options.
And their simple relationship, once it exists, functions well as the contrast to her complicated and tumultuous relationship with the Doctor while the companion power dynamic is being dismantled and rebuilt so they can be emotional equals. But like, the set up is confusingly executed.
Listen- they have zero chemistry, they have nothing to talk about and have to resort to talking about work, every conversation goes instantly off the rails, they rub each other the wrong way, there is never any reason for them to keep reconciling and trying again to connect. Like. You are not hitting it off! and keep offending each other bc you're not compatible! Quit!!
Clara is forcing it, that makes complete sense with what she's going through, she's trying to take control of her life and her emotions, trying to prove to herself she's not pining for the Doctor and at the mercy of his whims for her life to be full and complete. She doesn't want to need him or to be dependant on him. She doesn't want to be the heartbroken sadsack whom he abandoned at Christmas or who will take whatever scraps he'll throw her. She wants to control his position in her life and control how she feels about him. Hence her assigning him a specific day and confining their adventures on her own terms. She's trying to keep the Doctor compartmentalised. Having an Appropriate Human Relationship means she's successfully put the Doctor in his box (lol) and neutralised the chaotic power of her feelings for him. I mean, obviously not, but that's what she tells herself.
But what is Danny doing? Why does he keep pursuing this when it's so clearly not a good match?
Again in Listen, and much more so The Caretaker, Danny illustrates that he does not know who Clara is, he's wildly wrong about her and what she's like, and he's very high handed about it as well. He's convinced that the Doctor is taking advantage of her, that the Doctor is domineering in their relationship, that she is not a person who wants to be put into challenging or dangerous positions, that the Doctor is pushing her to takes risks and become a leader where that's not her nature. None of this is true. Clara was always a decisive, assertive, strongly driven person who seeks out new experiences and naturally assumes a leadership role any time that's necessary; she relishes being challenged and facing the unknown. Her blow up with the Doctor wasn't about him 'pushing her too far', it was about him failing to support her when she needed him and condescending to her as a human rather than treating her with the intimacy and equity their bond and history together demands. It's personal and it's about their emotional relationship. It's not about making hard choices, it's about having to make hard choices without her partner being honest with and emotionally available to her.
Clara was always an adventurous person, willing to be spontaneous as long as it's on her terms, and excited by the prospect of authority and responsibility. The danger and challenge isn't an unfortunate side effect or a risk she has to take to see amazing sights, it's part of the appeal. She lied to Danny by omission when she said she went off in the box to 'see wonders', not just because the real reason is that she's in love with Doctor, but also because she doesn't just want to be a tourist. She wants to get involved and save people, she wants things to sometimes go pear shaped. She enjoys and craves that part of it too.
Danny is also wildly wrong about the Doctor, but this is understandable and would be fine except that he's never corrected? He never learns better? What's the point?
In Death in Heaven Danny goes out still wrong about the Doctor, still condemning him cruelly and unfairly while knowing nothing about him. He had a point with some of his original rant, there was actual insight there, but it's buried in assumptions and bitterness and then Danny keeps tripling down on the assumption. The one which doesn't understand that the very thing he's shitting on the Doctor for (being willing to lead and make hard choices that must be made in order to save people) is something the Doctor has in common with Clara. And always has. The Doctor didn't change her or push her into that, that's who she's always been.
What is the point of Danny calling him a blood-soaked general and mocking him, calling him an officer as a pejorative again, and again because the Doctor is trying to save the planet. Like, memory check, that's what Danny is mad about. The Doctor doing everything in his power to save literal billions of lives. Doing it for no reason, out of altruism. Doing it while always trying very hard not to fight or kill anyone. Doing it even at enormous spiritual cost to himself.
I don't understand how we're meant to find Danny sympathetic in that moment, because he comes off like a complete dickhead. And it's all the more frustrating because in the intervening episodes Danny has been eminently reasonable. As I've discussed before, we're exhaustively shown that Danny is 100% okay with what Clara claims is going on, that he doesn't want to get in the way of her friendship with the Doctor, that if it really were only the relationship she's pretending it is, there would be no conflict. He's the one who encourages her to make up with him after Kill the Moon! He tells her to go on travelling and it's fine!
Even when he discovers she's been lying to him and cavorting with the Doctor behind his back (again despite him telling her it was fine with him!), he's calm about it and repeats for the millionth time that all he wants from her is honesty. The truth. Which is the one thing she can't give him because Clara knows their entire relationship is built on the lie, they're only together because of the lie. The truth is, as Moffatt said, that Danny never stood a chance. There is a conflict between the two relationships and she's always going to choose the Doctor.
And that does come out, she gives the whole speech to Danny, not knowing it's him, finally being honest. And he seems unsurprised by it, which makes sense because on some level he definitely always knew ('do you love him?' 'no' 'really had enough of the lies'), but then nothing comes of that. Clara just soldiers on, going right back to pretending this relationship wasn't a façade doomed from the start, and Danny allows her to pretend. He goes off on the Doctor, but not in a way the Doctor actually deserves at all, and just sweeps her confession under the carpet. Letting her get away with it again. True to form, I guess! he always did. But shouldn't we make progress?
And it's like... I hate that he dies on that note. It feels like he dies in denial. I guess you could argue it contributes to his decision to not come back, but that feels like a disservice to the character. Saving the kid is important to Danny, it allows him to atone for his greatest mistake, but he didn't need to change or grow to accomplish that and it doesn't provide any closure to his actual role in the narrative, which was as Clara's foil. Clara is off the hook, free to go on lying to herself about their relationship. It's not addressed in Last Christmas, either, it's only barely hinted at.
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revasserium · 7 months
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write. it doesn't have to be good, it doesn't even have to be a story. write a sentence, a fragment, a phrase, a thought. write something. write anything. write.
and be proud of yourself that you did.
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aerithisms · 9 days
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rotating the pub scene from 73 yards in my mind i think there is so much being said there about wales and welsh/english tension that is so interesting and is going so under discussed
#blahs#dw#dw spoilers#the whole thing about castles in wales being english torture centres. much to unpack#i think it's easy for most viewers to watch it and see that the characters are taking the piss and write it off#but what's interesting about it is i think rtd is basing that on real exaggerations of oppression by welsh people#most castles in wales WERE built by the english and they WERE designed to oppress the welsh. except that was like 800 years ago#and some people use this as an example of welsh oppression /now/ when it's like. not relevant to modern wales really#and 'torture chambers' is a wild exaggeration that dangerously tries to compare wales to much more recent human rights violations#i think rtd is trying to caution against a romanticised or sensationalised narrative of old wales that certain welsh nationalists have#this is also what he's doing with roger ap gwilliam#i keep seeing people say his character is 'just nukes' and i'm not gonna pretend it's The most complex politics ever#but it's also not just nukes. it's about specific political tensions and attitudes in wales.#rtd's viewpoint reminds me a lot of my dad#my dad's a proud welshman he's a native speaker he grew up in a welsh speaking community#but he doesn't really care about old welsh history about llewelyn ap gruffydd or owain glyndwr or anything like that#he doesn't see it as relevant. to him what's important is modern wales and the tensions of the 20th century#i'd wager rtd probably feels the same#and what with doctor who being produced in wales being rtd's doing i think he's enthusiastic about collaborating with england#rather than being like. isolationist about it. (that's the wrong word but i can't think of a better one)#WHICH INCIDENTALLY ties the political strand of the episode with the personal strand about ruby#who is also dealing with a self-fulfilling sense of isolation#anyway i think this episode is about wales in a very significant way. we need more welsh people writing think pieces about it#honest to god i don't think any analysis of it that doesn't talk about its welshness is quite Getting It
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crowtechs · 2 months
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hello hi. you. yes you. hello!!
i want you to know that you dont have to follow what every other selfshipper does. you cant write or draw? then thats fine! i think you just gushing about silly things is more than enough! your f/o does not mind what you do, theyre just happy that you think about them! or even endlessly stare at fanart, screencaps, or even rewatching/rereading their sources!
but oh? you want to post things but you just cant? or have this nagging feeling of endless fear and embarrassment? thats ok! thats totally a-okay here! just remember: you shouldnt feel embarrassed to gush about your f/o(s).
you also have the draft feature. you can use that! maybe thatll be better, maybe you can just use it to throw in your selfship lore. or have all of these silly cute headcanons for your f/o! or even do silly incorrect quotes too. maybe at some point you want to post that sort of stuff. but for now, just at least get them down and save them for another day to see.
please always remember: selfshipping is not a competition. its for you. i understand if you feel afraid and self conscious to put yourself out there, but just know: your f/o(s) see you and are always so proud of you whatever you may do.
( pr0/c0mship dni !! this post is not for you !! )
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good-beans · 8 months
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I know most of our focus goes (rightfully) to the trial songs, but I genuinely believe Baptism of Fire is equally a masterpiece of meaningful writing and intense vocal acting
Incoming tag rant because I need to yell about this, feel free to yell back
#milgram#fuuta kajiyama#like the other vds have good writing about the character and whatever social issue their crime focuses on#but this one is very pointedly about YOU#its about the audience. its about the milgram project. its about self reflection. its about self-appointed roles. its about you#even if you didnt vote t1 or anything the whole things is calling on you to reflect on your own judgements of others#how you treat people who come off rougher. how you treat people who have made a (bad but) common mistake.#do you also find entertainment in seeing people dragged down and suffering because it would 'serve them right?'#but es always remains in control of the situation. the drama doesnt end with 'and fuuta was right - you guys suck!'#its clarified that situations are different and have nuance. we are reminded to look at things with nuance.#then we are smoothly re-immersed in the story#and then!! the acting itself!!!#arthur lounsbery put his whole fussy into that performance (<- fuuta pussy) and i am in his debt every day for it#in both his vds hes just super expressive and fun to listen to#i dont understand japanese but he packs so much interesting intonation and emotion into every word -- im obsessed listening to him#he nails all the subtle emotions fuuta has: the pouts and outrage as well as underlying fear grief insecurity and immaturity#and then baptism of fire hes just... Wailing#like mahiru has her innocent and pathetic cries of pain in her sweet voice that works for her character but fuutas pain feels much more raw#the way hes practically sobbing at the end -- his voice cracking and screeching throughout -- the whimper of pain#its so unbearably intense!! it hurts!! and its supposed to!! but hes just so raw with it#and dont even get me started on his pained hysteric laughter omg....#its just. a masterpiece.#i always appreciate the vds but i dont think ive enjoyed/relistened to one as much as this one#okay WAIT im back to add one more thing because im obsessed with ths idea of intentions#specifically in milgram i think the intention behind the murders are very important to consider#so i love love love the huge focus on 'i didnt expect/mean for this to happen'#plus as a general theme in fiction i think its sooo juicy when good intentions get fucked up#so i loved the repetition of that#fuuta is such a special case because he genuinely had no desire or expectation for his victim to die#(maybe kazui too? but he doesn't say so in his vd like fuuta does)
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sableeira · 1 year
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waiting for the day that soukoku will terrorize yokohama again
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sootyships · 9 months
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of course, your f/o adores you!
look. it's always us ourselves who are our worst critics—or the people close to us who take us so much for granted they won't appreciate the good in us.
your f/o isn't like that! right? it's not very kind to think people who care about you would think so badly of you. i know that little voice in your head wants to tell you these things, but that voice is unkind to everyone.
and besides, while what your f/o gets out of your relationship isn't what's most important, they do! they do get things out of it! you can understand your f/o so well that few people could even hold a candle to you. it's not just that you care for them and know so much about them, but you are also willing to recognize their complexity. you make them feel good about themselves!
but they also can perceive you both more objectively (as someone who isn't you or a family member) and more subjectively (as themselves) and they recognize the things about you that appeal to them, even when you have difficulty recognizing them.
they adore you, and they want to make you happy.
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