#if you still have netflix

[bethhiraeth]

fuck personality tests, who have you got set for your Netflix profile pic?

[spielzeugkaiser]

The ages in this show!! I have made some jokes about this before, but it gets me - with aging Ciri up and bringing her closer to Jaskiers age when they meet I can not help but draw parallels. Like Geralt bonded way differently with both of them (which makes sense because Ciri has been his Child surprise since birth and Jaskier just randomly turned up one day and followed him like a puppy) but it's so funny to me. also I'm 100% sure Jaskier was horny as fuck from the beginning so there was a whole different vibe from the get go

[waltricia]

WHY THE FUCK DO THEY KEEP DISRUPTING MY WORK DAYS WITH ALL THIS GOD DAMN PROMO GIVE ME A FUCKING BREAK PLEASE MY HEART AND MIND CANT TAKE IT AND I WILL BE FIRED AND THATS ON YOU SHONDA THATS ON YOU

FUUUUUUUUUUUUUUUCCCKKKKK

[eggy-the-boy]

*poking my blorbos with a stick* 

[dkettchen]

[demadogs]

There are things out there that our little minds will never comprehend.

DARK (2017-2020)

[ivetried27nameswhataboutthis1]

Yoko: I don’t believe that Enid is a werewolf. Not until I see her as a wolf myself.

Wednesday: She is a werewolf, you know that.

Yoko: I could believe her to be a were-bunny or maybe even a were-corgi. But a werewolf? No.

Wednesday: You want her to transform in front of you? You’ll end up dead.

Yoko: You think, she’d kill me? Enid? *laughs for 5 minutes straight*

Wednesday: That’s not what I’m saying.

Yoko: What were you saying, then?

Wednesday: That I’m going to kill you, if you watch my girlfriend get naked, as she transforms.

Yoko: Oh..Now, that is something I can believe.

Wednesday: You still want to see it?

Yoko: No, no. Actually, I think I just now wrapped my head around it. No need.

Wednesday: That’s what I thought.

[beaulesbian]

Dream of The Endless, a sort of a compilation

[mc-tummy-blur]

Wait wait wait Nimona was trying to build a connection with Gloreth after being rejected by animals and Gloreth was accepting of her despite being a shape-shifter but Nimona was seen as a monster by the village which then made Gloreth switch her opinions because her parents and the village told her that Nimona was a monster and tried to kill her then 1000 years later Ballister ended up building a connection with Ambrosius a descendant of Golreth and after being rejected by the knights throughout his whole life basically since training started young Ambrosius was accepting of him despite being a commoner but then he was seen as a murderer by the town which had made Ambrosius changed his opinion on him because of what he had seen and what the knights/Director were telling him but unlike Gloreth who while was reluctant at first to treat Nimona as a monster but then gave into hating her and wanting her to die like the people around her did Ambrosius had been reluctant throughout the whole ordeal but in the end stayed committed to Ballister because he loved him despite what everyone else was saying about him and its like the movie was already drawing parallels to how Ballister and Nimona were the same and viewed as outcasts/monsters/murderers but there's notable parallels to Gloreth and Ambrosius in how they were people close to Nimona and Ballister and it came to a point where they had to go against them but the key difference in what happened was the side they chose and the aftermath when they were being forced to chose a side and it really showcases how their generations were different thus their mindsets were different in handling the situation and its just exactly like in real life when it comes to queer people like people especially children can be conditioned to hate queer people with enough fear mongering/hate speech and that's exactly what happened with Gloreth in how she ended up treating Nimona and it was going to happen with Ambrosius but a saving grace was that he was much older so it was harder to change his opinions on Ballister that and he is in a different time period than Gloreth showing how things had drastically changed and advanced in many areas and i feel that the whole point with the parallel between Gloreth and Ambrosius is that times have changed and how even though our past generations have treated queer people like they are monsters and that we should hate them when in reality its not too late for our generation to treat them like equals and that we should love them like holy shit this movie is so insanely and unapologetically queer in so many ways that I did not imagine was humanly possible

[slimyshield]

lockwood & co is great bc you have a group of teenagers who are all at this point in their lives highly trained individuals and capable and experienced and it shows in how they operate. but they are also teenagers and chaotic and disorganized and struggling with altogether too much pressure on their shoulders and it shows too. they're marching around London acting like they know what they're doing and they do but at the same time they don't, because they hunt ghosts and have for years but they're only sixteen and that is so young. you don't know anything when you're sixteen. and they have the health and safety of a nation resting on their shoulders, and they squabble over who gets the last cookie.

[b4kuch1n]

and the storm he was driving/washed it away/in the eye there was a silence

[spielzeugkaiser]

[MASTERPOST]

Eskel is like "I WILL read this book about... A wolf and all his friends? Dancing and being. happy... 🥺"

[arcanegifs]

[ladyylavenderrr]

Obsessed with Weyoun having an incredibly stereotypical gay accent in the German dub of DS9. Dubbing production team clocked him immediately

[genderkoolaid]

tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.

while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.

thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."