#if you think there's a point to this post no there isn't. i'm just bored and really miss his streams 😩

[theflyingfeeling]

Aleksi sitting Like That™ on his Twitch streams, a compilation

thanks bye~

[birdmenmanga]

@raventhekittycat

hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms

There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.

But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!

Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)

But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.

For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.

Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.

There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.

The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.

But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.

So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.

Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.

It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.

Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.

I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it

[monty-glasses-roxy]

Just had the idea of doing a Roxy askblog that's based on it being a secret blog she's not allowed to have and every so often if someone asks her something she just says stuff like "To the Fazspy reading this, I'm not the real Roxy." to try and throw the staff off her trail lmao

Will probably never make a blog like that, but it could be kinda funny. Maybe I bring the idea of an 'ask Roxy anything' game back where I draw the answers for it instead so it's not a whole ass blog dedicated to Roxy being a sneaky lil shit on the internet

[anthonycrowley]

the beatles were the taylor swift of the 1960s. this is not a compliment.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[maddy-ferguson]

i don't think i'll ever forget that damn kissing debate first because it was an INSANE thing to have a debate on and second because it got me my first hate anon ever

[itsclydebitches]

Just finished Good Omens 2 and I'm honestly boggling at the Aziraphale hate because yes, his decision led to the angsty cliffhanger, but it makes SO much sense for his character. Not just in a "Religious brainwashing and sunk-cost fallacy" kinda way but also a "Aziraphale has no reason to believe this isn't the perfect solution" way. That scene among the nebula is crucial because it establishes that Crowley loved being an angel—reveled in his ability to create and allow his creations to grow kinda like plants—and the only problem was that someone else was calling the shots, someone who wouldn't listen to his criticism. Aziraphale has also spent 6,000+ years watching Crowley do good, all the while forced to deny the fact that he's "nice" lest embracing his original nature get him into trouble with hell. Now, Metatron comes along with an offer that fixes everything in one fell swoop. Crowley can be an angel again, be nice without censure, his ideas and criticisms will hold weight because he'll be answering to Aziraphale, and they'll be together.

It strikes me that Aziraphale isn't there when Crowley sees Gabriel's trial, ergo he likewise doesn't see the (non)acknowledgement that there's an institutional problem up in Heaven. There just happen to have been two archangels who called it quits. Same when Gabriel blurts that phrase out to Crowley. Aziraphale has always been more blind to the ways in which Heaven is "toxic" (for very understandable reasons) and this season he's continually sheltered from new evidence of its structural problems. The plot just preaches to the choir: Crowley. He likewise wouldn't see the conflict Gabriel and Beelzebub have caused as evidence of an underlying problem because that's a problem he and Crowley will no longer share. Why would they be worried about Heaven still being unable to accept partnerships between angels and demons when Crowley will no longer be a demon? And that's something he presumably wants based on Aziraphale's memories of him and the ongoing admission that he's lonely.

The way I see it, they got what they thought they wanted at the start of Season 2. Heaven and Hell are keeping an eye on them, but functionally they're left alone. Crowley can spend all the time he wants with Aziraphale and nothing comes of that except that they're both continually named traitors and the higher-ups grumble about it. If Gabriel had never shown up, things should have been perfect based on Crowley's "Let's just run away and have each other's company" standards. Better, even, considering that they get to be together on their beloved Earth, rather than being bored out in Alpha Centauri without any sushi, plants, books, or Bentleys. And yet... Crowley doesn't strike me as particularly happy. Because, you know, based on that kiss he wants to be with Aziraphale, not just literally be with him, but the point of this post is that his "Let's run away and be an 'us'" falls totally flat when he doesn't explain that specific desire to Aziraphale; the desire to change what an 'us' means. From Aziraphale's perspective they're already an 'us.' That was the entire point of "our side" in Season 1 and now they can continue to be 'us' up in Heaven. Plus, Aziraphale likely sees this as a sacrifice on his part. He will give up his bookshop, his Earthly indulgences, take on the responsibilities of leadership (which I don't think he actually wants for a variety of reasons), and spend the rest of eternity in a place where he's felt so small because he thinks that's what Crowley wants. Crowley was happy as an angel. Crowley wanted them to be together without risk of permanent discorporation. They were able to achieve that after not-Armageddon and he still wasn't happy... so surely those two things together will do the trick. Crowley never actually articulates how he wants their relationship to change and the kiss comes much too late, when he's already rejected what Aziraphale must see as a perfect, selfless solution he's secured for them. Even if Crowley wasn't always moving too fast for him, an overture of romance isn't going to go well after that.

Is this crushing and angsty and devastating as a hiatus? Damn straight, my heart it breaking. But it's a good setup. More importantly, it makes perfect sense for their characters, particularly when they're still talking past one another. Aziraphale is someone who has always moved more slowly as a matter of course, as an angel he has remained immersed in the rhetoric of Heaven, his main avenue of breaking free of that (Crowley) has a huge communication problem (to say nothing of his own denial. He only made headway with the help of Nina and Maggie, seconds before Aziraphale shows up), and Metatron (in a no doubt incredibly manipulative manner) has just offered Aziraphale a job that presumably makes him happy AND Crowley happy AND allows him to maintain the moral this-is-how-the-universe-works perspective he's had since he was literally created. Of course he's going to say yes to all that!! And sure, there are problems in Heaven, Aziraphale isn't completely blind, but he can fix them now that he's in charge. How? Well... he'll figure that out later! Kinda like how he's been making plans on the fly this entire season. That seems logical from his perspective, right? It's not like he's gotten a crash-course in the concept of the master's tools never being able to dismantle the master's house...

[vorestarr]

i love when Astarion is mean, and i mean like genuinely mean, saying shitty things and lashing out specifically to hurt someone or push them away. i think it really says so much about him and about the specific situations when he feels the need to lash out. i love seeing it with Durge/Tav, but i'm playing a Karlach origin to romance him right now and he's so mean during his first romance scene when he can't even kiss Karlach.

after playing it, i went to look at the parsed dialogue for that scene because i wanted to see if there were any dev notes, and oh boy are there dev notes. walk with me here while i go through them all. (i didn't add alt text to the images below, but i did transcribe the lines i'm referencing in the images below, so all the important information is in the text of the post itself.)

it's the typical Astarion scene, but after his "i've been waiting to taste you" line, he diverges with: "Although your condition means tasting you could be a risky proposition. You're quite the forbidden fruit, aren't you?"

the player (as Karlach) has a few choices in reply at that point, but as long as they pick one that progresses the scene (i.e., not the one where you reject him last minute), he goes down the same dialogue tree. this tree starts with:

Astarion: All denied to us because of what Zariel did to you. [devnote: subtext, thinking about Cazador]

so right off the bat he's upset because Karlach's situation is reminding him of his own with Cazador.

but then his next line is:

Astarion: I - you know, I have no idea what to do with you now. [devnote: Astarion's mask as the flippant libertine is cracking a bit here. He's frustrated but vulnerable here. Because he can't physically seduce or touch Karlach, his usual means of interacting with a person is punctured. He's faced with the reality that he might not know how to handle a situation where he can't bite or seduce his way to the finish line.]

wow. that's a lot in that dev note.

at this point, the player has the option of a few responses, but two options to continue the encounter. the choices to continue it are: "You don't have to 'do' anything. We can just be." or "After the life you've led, I'm not surprised."

if you choose the first option, Astarion is frustrated but less mean. he says:

Astarion: 'Just be' what, exactly? Frustrated? Bored? What do we do, if not... that?

if you choose the second option, he's a little meaner. understandably so, since the player just poked at his painful past:

Astarion: You think you know the life I've led? The experiences I've had? You've no idea the stories I could tell, sweet Karlach. But you - you're just -

then, both the paths converge to the same final statement, which is mean no matter what Karlach has said to this point:

Astarion: Urgh! Why is this so difficult? I'd have already bedded you twice if you were normal.

importantly, there are dev notes for all of his lines here, but the notes are all the same:

devnote: Masking defensiveness with offensiveness. In truth he really does want what Karlach is offering (to just hang out without having sex) but now that it's within grasp he's floundering.

again, at this point the player has two choices to continue the encounter, and one to end it. i'll go down each continue path separately, since they can diverge quite a bit.

path 1

the first choice is to say: "Twice in this short space of time? Doesn't sound very satisfying."

he gets mad. and mean.

Astarion: Karlach! You know what I mean. [devnote: Frustrated] Astarion: Or maybe you don't. Astarion: There may be an inferno in you, Karlach, but at the end of the day you've been frigid for a decade, isn't that right? [devnote: Being mean-spirited in an attempt to drive Karlach away, even though he doesn't actually want to do that.]

the player again has two response options to continue the encounter, and one to end it.

the first choice to continue the encounter is: "You want to try that again? Without being a jackass, maybe?"

in response he says:

Astarion: This is impossible - you're impossible! [devnote: Masking defensiveness with offensiveness. In truth he really does want what Karlach is offering (to just hang out without having sex) but now that it's within grasp he's floundering.]

(at this point, the path diverts to merge with the dialogue tree from the previous branch where Astarion complains about Karlach not being normal. so we'll pause here, and continue down that dialogue tree with the path 2 header below.)

the second choice to continue the encounter after Astarion says that Karlach has been frigid for a decade is to say: "What's really going on here, Astarion? Suddenly you're so vicious."

he replies:

Astarion: Suddenly? Darling, you haven't been paying attention. [devnote: Seething and mean.] Astarion: Listen, it's just - ... I'm sorry, all right? Is that what you want?

again, at this point, he diverts to the same shared dialogue tree as the other response option. that merges with path 2, so we'll continue there:

path 2

to go BACK to the previous branch we went down, where Astarion said he would have bedded Karlach twice already if she was just normal, the other response option for the player is: "I am normal. 'Fucked up' is the height of normalcy."

instead of being mean, Astarion immediately apologizes:

Astarion: Oh no - don't you tar me with your 'normal' brush. My demons keep me extraordinary. [devnote: Karlach has punctured Astarion's bad mood with a joke.]

and then he apologizes, like he does in the other paths, saying he doesn't know what to do without being able to touch her.

Astarion: I - ...I'm sorry, Karlach. It's just, not being able to touch you - having to slow down, it's... I'm just not used to it. [devnote: subtext here is on the slowing down. That IS what he wants. But it's hard for him to see that clearly.]

Astarion: So, can you -... I don't know. Help? Show me what to do? [devnote: First breakthrough. He's asking for help knowing what to do when you can't jump into bed with someone.]

again, at this point, the player has two options to continue the encounter or one to end it.

for the first response to continue, the player can say: "We can just talk. As long as we want. Then we can sleep. Near, but not too near."

Astarion responds to this one pretty positively. he's still a little mean, but it's in his fond teasing way, and not his biting, cruel way:

Astarion: Karlach, champion of the Hells, wants to talk and then fall asleep? [devnote: Incredulous] My dear, you're much more boring than I gave you credit for. [devnote: Teasing] All right, Karlach. Let's try it your way. [devnote: Gently. He's feeling vulnerable, but sees that this might be a chance to feel safe.]

the second response option from the player is: "I don't know either. This is all just as new for me as it is for you."

he doesn't respond quite as well to this one, and goes back to being mean:

Astarion: Well. To quote you: 'Fuck.' Astarion: Why don't we put ourselves out of this misery and just sleep? If I can at least look at you, I won't have wasted my whole evening. [devnote: Peak of Astarion sexy toxicity.]

then, the scene fades to black and it transitions to the morning-after scene with Astarion, where the player first sees his scars.

i also think as a whole, this scene is just so representative of Astarion's early-game state of mind. he's following a comfortable script with all his interactions, but when he's confronted with something new, he flounders.

especially when it comes to sex, which is a touchy subject for him, his first reaction to any vulnerability is to lash out and hurt people. in this scene:

if Karlach brings up his past experiences, he lashes out. ("You think you know the life I've led?")

he blames Karlach for the situation because that's easier than addressing that he doesn't know what to do without his script. ("if you were normal")

if Karlach jokes about him ("Doesn't sound very satisfying") he lashes out even further, calling her frigid and impossible and then even doubling down if she calls him out ("you haven't been paying attention").

but if Karlach jokes about HERSELF ("'Fucked up' is the height of normalcy"), it snaps him out of his toxic bullshit and he's able to take a step back and apologize to her.

then regardless, he's also able to recognize that this is an opportunity to get what he wants without having sex, and recognize that he wants that too.

and then to me, Astarion being mean in that last response choice ("I don't know either") makes perfect sense, given the context of his other lashing out earlier in the conversation. even if the player didn't make those previous choices where he lashed out at them, he can still get mean and toxic on this choice.

crucially, with this choice, he's taken that step of hopeful vulnerability where he recognizes that maybe he does want to just spend time with Karlach without having sex, but he doesn't know how to do it. he asks for help.

if the player says they don't know how to do that either, he immediately puts those defensive walls back up. he doesn't want to flounder around, he wants an answer. he wants to know that it's actually possible to have a positive experience with someone without the script he's always used. the player saying they don't have that answer just pisses him off.

wow okay this post got really long, but i really vibed with the dev notes for this scene, and i think you can see exactly these toxic behaviors from Astarion in other scenes and in romances with other characters as well, but it's just so so clear with the Karlach scene and the dev notes just really highlight that.

[idiopathicsmile]

I've been thinking about American diner lingo lately.

Like, relaying an order for poached eggs on toast as “Adam and Eve on a raft.” Or “shingles with a shimmy and shake” for buttered toast with jam.

(I personally learned about this phenomenon as a very young child because we had a picture book where a bear and an elephant are roommates and temp workers and they get a job at a diner for a while. Couldn't tell you why this streamed back into my brain like a week ago, but here we are.)

I'm not sure I can articulate this but there is something so beautiful to me about it. We as a culture know so little about its origins—maybe the 1870s, maybe the 1880s—or even really why it exists.

Wikipedia (yes I wikipedia'd this, yes I feel actual embarrassment about the lack of academic rigor in this aimless tumblr post but also there is also just not a ton of information on the topic) suggests that some diner lingo might've been mnemonic devices for short order cooks to remember specific dishes but honestly scroll through any list and you'll find it mostly isn't that. What it reads like is bored food service workers, mostly in the 1920s through 1970s, looking for a way to amuse or at least entertain themselves.

Milk is “moo juice.” Jell-o becomes “nervous pudding.” Black coffee is “a mug of murk.”

Western history loves its individual heroes, but my guess is the practice arose organically at multiple luncheon spots across the US. We don't know the names of the servers and cooks who came up with the terms but a few of the terms have survived, in a fashion—as wider used slang (“Joe” for coffee), as a vintage-y affectation in quirky restaurants of the present, and in compendiums of self-consciously useless factoids (oysters wrapped in bacon are transmuted into “angels on horseback”). It's something about the ordinary people of the world of the past, the tiny fossils we leave behind without even knowing it. One unknown day in history, someone then working as a diner employee thought to call a tall stack of pancakes “Jayne Mansfield” because for some reason it made their day a little better, and this somehow caught on to the point where I can, without doing much work, still find multiple written sources insisting it happened. It wasn't a marketer or a CEO somewhere, it was just a bunch service workers passing the time and leaving the slightest little linguistic footprints behind.

I don't know. Imagine if one of your inside jokes from work was still being spread by offbeat trivia lovers a hundred years from now.

[irishmammonagenda]

Death is a Debatable Thing-Obey Me x Reader

Summary: MC died 😱 and reincarnated as an angel, as per usual; chaos ensues. Word Count: 6.9k Warnings: Mention of Death, Cursing, Torture (mentioned, no torture happens) Michael is featured heavily in this, I just made up a personality for him, I don't play NB a lot (it makes me too sad) and I think he shows up there so if this is different to how he's portrayed there then L for me. Everyone except Luke was written as and can be read as Romantic(/platonic if you prefer)You can read Michael as Romantic, but I wrote him more Platonically.

post dividers from @saradika-graphics on tumblr (their dividers r really cool check them out if u havent fr (sorry for tagging you btw i just wanted to give credit)

"Absolutely not." You say, looking at your new found wings. "I did not die just to be reincarnated with the ugliest clothing I've ever seen."

"Would you have preferred to have been reincarnated as bare as Eve was in Eden?" The man you'd come to know as Michael. His dark skin shone in the blessed light of the celestial realm, his thick curly hair was pinned back in such a delicate fashion you wanted to unpin all the ornaments in it. Your fingers twitched at your sides.

"Isn't that against modesty rules or something...?" You paused, Simeon was an angel, he essentially had his ass out at all times anyway. Whore.

Michael stares at you weirdly, before playing with one of the loose strands of his hair, pulling the tight coil until it was completely straight before letting go and letting it spring back up again. Now you really wanted to mess up his hair. Just to annoy him.

"So anyway..." You start, sitting on a cloud that you fall through. For a moment you think you're about to pull a Lucifer and fall through the sky, but you manage to grab onto something and pull yourself up. That something is Michael's ankle and he's laughing at you, wiping a tear from ruby red eyes that shine just like that of his fallen brother.

"Stop laughing at me! Anyway, when can i go to the Devildom?" You inquire, watching Michael's face turn stern. He glares down at where you're lying, still gripping his ankle

"You're not returning to the Devildom anytime soon." He says sharply.

Your breath hitches. "Why not?! I have to let the brothers and Dia and Barbs and Sol and everyone else know I didn't die!"

"You did die. Why do you think you're an angel." Michael sighs, "and no. You're not letting them know you've returned."

"Why not?!" You repeat, outraged. "No offence though MC, but you´ve just died." "So?" You reply with indignation. "So," Michael says in a mocking tone, pitching his deep voice up high before letting it fall down the octaves once more. "You're barely able to walk on clouds or do anything yet. Letting you down to the Devildom is the equivalent of sending a baby bird into a den of lions."

"But...they'd protect me." You said softly, Michael's tone softens as well, laying a gentle hand on your shoulder.

"They'd also over-protect you, they've just lost you. I don't think you're ready for that smothering just after your death."

You nod. Michael's soft expression turns devious, "Plus, this way, you have plenty of time to think about how youre going to scare my broth-...the brothers and everyone else whilst proving you're alive...well an angel..."

You grin too. "Amazing point Mr Michael."

He plays with his golden locks again, an idiosyncracy. "Anytime" He grins before beginning to walk again, you grab onto his ankle tighter. "Oh and Mc?"

"Yeah?"

"Call me Mr Michael again and I'm shaving all you hair off. And trust me. Angel hair does not grow back." He smiles evilly. You shudder.

Well it turns out Michael is a fucking liar.

After being a little bit too bored during your second month of being an angel and first month of learning not to fall through the clouds in Michael's private garden that consists purely of clouds and a singular harp he stole from some poor Irish Deity, you go bored and snipped your unnaturally long angel hair up to your waist. You didn't want to go too short just yet.

In the time frame of a week you learnt two things.

One: Angel hair does grow back, maybe a tiny bit faster than human hair, and Two, Michael was babysitting the harp. Turns out the Deity was called the Dagda and he was visiting France on holidays for some reason, poor man, having to go to France and deal with all the French People there. Turns out he left the harp in Michael's hands, something about Fomoranians not being smart enough to see this one coming.

You just nodded and slowly backed away. Michaels red eyes followed you. He and Lucifer had to be twins.

Another day passed. The more you thought about it, the more Michael and Lucifer had to be twins. After having cut your hair to just below your shoulders, you found a piece of unnecessarily fancy parchment paper and a quill on Michael's desk

Holding the black quill in your hands you felt a sense of familiarity wash over you. Was that?....

No fucking way.

Michael was using one of Lucifer's feathers as a quill. You cackled.

After much deliberation you'd realised you could not write with a quill, but also that you were very good at ripping paper and making blotches of ink on said paper with a quill.

You decided to snoop in Michael's desk for a pen, instead you found a drawer titled, 'LUKE ONLY' in cursive letters, the label was stuck to the drawer so obviously you opened it.

Colouring books, letters written by Luke from the Devildom, Report Cards, Crayons, Drawings, and a pack of stickers were left in the drawer, a notepad lay next to it, Michael's cursive handwriting all over it 'Activities to do', it had things like 'Bowling' and 'Baking' and 'Gardening' and 'Teach him how to knit' and 'Arts and Crafts' and 'Prank Jesus' and 'Take him to Human Realm Cinema' and and anything else really. You cooed, your ivory wings rustling happily.

You grabbed a crayon and began to write.

WHY MICHAEL AND LUCI ARE TWINS one; same eyes two; both evil three; both hot four; satan is basically luci's son if you think about it and michael has blond hair too, if luci and michael are twins that means that blond hair is in the gene pool and thats how satn has blond hair even though luci has black hair five; both like wearing dramatic cape coat things six; both of them baby luke seven; they ha

"What are you doing?" Michael asks, startling you, and ruining your next point of 'they have hands', "Why is my drawer open?" He grabs the parchment from you, reads it and bellows out in laughter.

"We are twins you could've asked." He smiled, "also put the crayon back thats Red and Luke likes colouring in Teddy Bears red."

"Yessir."

You were a master conspiracy theorist.

In the end, you and Michael had decided on visiting the Devildom for 'diplomatic' reasons, but upon seeing the glint in his eyes it was probably more for 'dicklomatic' reasons seeing as he's an utter dickhead.

You had a veil covering your face, seeing as you were still kind of legally and widely believed to be dead.

You know, the usual.

You walked behind Michael, attempting to kick at the back of his knees, it never worked sadly. You took a deep breath as you reached the RAD council room doors.

Michael grabs you by your shoulders whispering into your ear. "Now remember MC im going to use you as a bargaining tool, so keep that veil on till i say so, got it?" He grins.

You nod, knowing that 'bargaining tool' in Michaelish translates to 'im bored and want to see a dramatic reunion'

Michael opens the doors.

You walk in with him but stand at the door awkwardly, steeling yourself so you don't immediately run into any of your idiots' arms.

Luke apparently had the same idea, as when he saw Michael, he let out a happy 'yip!' kind of sound similar to a puppy's and then ran from where he stood beside Simeon and Solomon into the Archangel's arms.

Michael catches him happily, petting his head as the young angel nuzzles into his hair, blabbering on about who knows what. Asmo takes a photo of it, everyone else stares with varying levels of fondness, awkwardness and 'meh'.

Sadly for you however, once Simeon is done greeting Michael, and Michael is now distracted by Luke introducing him to Barbatos who is apparently the 'bestest baker in the world!' (you could agree with that sentiment), Simeon walked over to you, his serene smile on his face.

"Hello, I'm Simeon, forgive me for asking, but do I know you? You have a familiar aura."

You shake your head.

"Oh, never the matter" Simeon smiles, "What's your name then. my friend?"

You clear your throat and put on a deep american accent, "Rupert...Pleasure to meet you...Simeon.."

"Are you sure we haven't met before?"

"Certain." You say in the same ridiculous voice.

Simeon nods, he excuses himself after Solomon calls him over, you turn to glance at Michael who is carrying a now sleeping Luke in his arms and gently stroking the boy's golden hair while stressing out Lucifer with questions. Satan looks on with a smirk on his face.

Glancing around the room you see similar scenes, Mammon and Levi are playing a game on the latter's switch, Asmo, Solomon and Simeon are talking, sometimes glancing at you. Barbatos and Diavolo were watching Michael annoy Lucifer, with both sometimes adding their input, causing Michael to laugh loudly then stiffle it, so as not to wake up the sleeping baby in his arms. Beel and Belphie were near the others but still off in their own twin world, Belphie was awake and watching Michael bully Lucifer from where his head laying sleepily on his twin's leg.

Raphael, Thirteen and Mephisto had been sent out on a top secret mission the day before, Michael had said it was because he didnt want to die and also did not want his death to be put in the RAD Newspapers, especially a picture of him that was less than flattering.

Even though everyone seemed joyous, you noticed an air of sadness, like something was missing. Looking at your old seat in the student council you see the amount of flowers set on it.

Against your better judgement, you walk towards it. Not noticing a few pairs of eyes following you.

When you reach your former desk, you notice a photo of you framed, it was you and everyone, a family photo, everyone was either in their demon, angel or reaper forms, you wore really cheap red horns with a halo you shoved on one of them whilst also wearing an old reaper robe. It looked ridiculous, you loved it.

"Enjoying yourself? Rupert.~" a honeyed voice startles you. Asmo, although, somethings in his voice, maybe anger, maybe suspicion.

"Uhhh.." You say in your fake american accent.

"I'm Asmodeus, avatar of lust.~ Are you enjoying yourself?"

"Guess so." You shrug Americanly, thankful once more the veil covers your whole face.

Asmo's eyes have some hurt in them, he seems...catty, probably because you, who he thinks is a random stranger is just standing at his dead loved one's desk.

L.

You open your mouth to say something, but no sound comes out, especially not when another familiar voice is added to the mix.

"Well hello. I don't believe we've met before. The name's Solomon. You must've heard of me."

Oh shit.

"Oh...I have, briefly! Hello Solomon, my name's Robert." You say in your fake deep american accent voice.

Asmo tilts his head, "I thought your name was Rupert?"

Shit.

"Oh. Yes" You quickly bullshit, "My name's got the hyphens, Robert-Rupert." You avoid eye contact despite the fact you have a veil covering your face that only lets you see out of it, so the sorcerer and demon can't even make eye contact with you, even if they wanted to.

This was getting awkward.

"You seem very familiar Robert-Rupert." Solomon says, you did not like that crafty smile.

"I get that a lot." You nod before walking away.

You walk towards Michael who, has a now awake but sleepy Luke in his arms, he sits on one of the sofas in the council room beside Simeon, with Barbatos, Diavolo and Lucifer facing them on the other sofa. Atleast you'll be safe from Solomon over here. As you walk, you notice Satan, Beel and Belphie have left. Either Lucifer was going to get pranked or Lucifer was going to get pranked but not as prankily because Beel unknowingly made puppy-eyes. Mammon and Levi were bickering quietly in a corner (shocking they could do it quietly) about who won the lat round of Devilio kart.

When Michael saw you approaching he waved you over, beckoning you to sit down in the empty space beside him, "This is an angel I'm currently training, their name is.....Steven."

Simeon tilts his head "I thought their name was Rupert?"

Michael clears his throat awkwardly.

You make your voice the deep horrible American accent, "My full name is Robert-Rupert-Steven...it's hyphenated."

Michael nods aggressively.

Lucifer, Simeon, and Barbatos side-eye eachother. Something was going on here.

"So, Robert-Rupert-Steven," Barbatos begins, his polite smile a little jagged at the edges, "I saw you at MC's desk earlier, how so?"

At the mention of your actual name, everyone there tenses up, Luke, thankfully is too sleepy to have realised, Michael quickly stands up with the small angel in his strong arms, knowing if he heard the conversation about to occur he would be upset, "I should probably go, give this one a walk around to wake him up a little. Simeon, would you like to come with me?"

Simeon nods, Michael and Him leave the council room, with Luke sleepily holding both of their hands and walking slowly along with them.

Now you were stuck with the Prince of the Devildom, the Scary Butler and the Scary Single-Dad. All of which haven't realised that it's you, and all of which thinking you are a random stranger.

"Well, Robert-Rupert-Steven?" Diavolo asks, his friendly demeanor the tiniest bit strange,"What captivated you to go towards MC's desk."

"Who's MC?" You decide to play it dumb. Bad decision, seeing as all three stiffen, Barbatos' being the most unnoticeable.

A very long 3 hour conversation went by, wherein, Diavolo, Lucifer, Barbatos as well as a certain Mammon and Levi who joined 10 minutes in, and an Asmo and Solomon who joined 12 minutes in talked about you, for 3 hours straight.

'AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH.' was an accurate reprenstation of your mental state actually.

The urge to just rip your veil off right there was almost stronger than the urge to dropkick Maddi anytime you remembered she existed. Keyword being almost.

You just about made it out of the council room with your life. Now for your master plan. Scare the absolute shit out of the Anti-Lucifer-League. That'll get them back for never listening to your amazing prank suggestion of leaving random origami swans around the house in random spots. It was genius!

Breaking into the House of Lamentation was always easy when you knew that Mammon hid his emergency house key behind the garden gnome that now you saw it....kind of looked like a really bad rendition of Michael. With its dark skin, A DnD-esque robe and, a horrible smiley face painted on it, and the worst crime of all, bright yellow, almost neon hair, and also a princess tiara.

You almost cackled.

Taking the key you slowly open the door to the kitchen and sneakily sneak in. Sadly for you, it was they key to the kitchen door to the outside of the back of the house, which meant it opened in the kitchen, and since it opened in the kitchen, you awkwardly waved at Beel, who was having a midnight feast.

Beel tilts his head. "You're the Angel from earlier. What are you doing here?"

You once more, fake your Robert-Rupert-Steven voice and say, "I have Materials for the Anti-Lucifer League as they've suggested."

You are such a good liar.

"Oh," Beel nods, normally he wouldn't let a stranger into the house, but something felt...familiar...and safe with you. "Okay then, do you know where you're going?"

"Yes."

Beel nods, and goes back to eating the pudding labelled 'MAMMONS: BEEL DONT TOUCH THESE'

After much searching, you do not find the Anti-Lucifer-League, but you do unfortunately, open the door to Lucifer's office. The place where Lucifer currently is.

He looks up immediately on guard. You are not prepared to die a second time,

"What are you-" He begins, in demon form and standing up.

You interrupt him, making 'woooooh!' sounds and waving your arms about, and in your Robert-Rupert-Steven voice, you say "Wooooh! I am the....ghost of christmas past!...Woooh! and I am..." You pause, not noticing your Robert-Rupert-Steven voice has began to slip away, and your natural one has taken its place. "I am here to tell youuuuu.....to woohhhh! Take breaks more! Woooh!....and not overwork yourself! Woooh!"

Lucifer pauses, the danger in his eyes fades into disbelief. He knows that voice. He's spent the better part of a year listening to recordings of that voice and praying to his Father for the first time since the celestial war for that voice to return to him.

"..MC?.."

You've been found out. Quickly you put your Robert-Rupert-Steven voice back on, except it's gone up 12 pitches. "Who's MC?! Haha! What a weird thing to sa-"

You don't get to finish, as Lucifer pulls your veil off. His breath hitches upon seeing your face.

Your covers been blown. All because you pretended to be the ghost of Christmas past. Great.

Lucifer immediately pulls you into a hug, arms tightening around you, as if he's afraid you'd disappear. He chuckles, wiping tears from his eyes, his frame shakes. "I thought-thought I'd lost you forever...I always thought your face was angelic...-...it's fitting."

You hug him just as tightly.

But ever the menace, after about an hour or so, you look up at the Avatar of Pride, "Say, Luci?"

"Yes, my dove?"

"Wanna help me prank the rest of them?"

"Perhaps...I might help with...some setups..." He pauses, "You are telling Barbatos outright though."

You shudder. "Of course I am. I don't have a second deathwish."

Lucifer's grip on you tightens slightly, you kiss his cheek in apology. "Sorry," You grin, "Too soon?"

"Try again in another century dear."

The next day, the first thing you and Lucifer do is travel to the Demon Lord´s Castle.

Barbatos greets you in the Entrance Hall, "Oh, Lucifer," He nods in greeting at the eldest of the brothers (second eldest actually, seeing as Michael enjoys bragging that he's older by a whopping total of 2 minutes) he turns to you, who put the veil back on, "And Robert-Rupert-Steven, Welcome to the Demon Lord's Castle, although, I must ask, why you have shown up today?"

In your Robert-Rupert-Steven voice, you accidentally, against your better judgement, and rather impulsively state; "I'm here to assassinate Dia-...volo."

A portal opens, dragging you through it, and you land in the feared rumoured dungeons. Barbatos follows gracefully, now in Demon Form. Leaving a sighing Lucifer in his wake in the Entrance Hall. He decides to just journey to Diavolo's office and discuss things related to work. Barbatos wouldn't hurt you when he found out it was you so he really had nothing to worry about. Maybe you'd finally learn to stop joking about assassinating Diavolo, especally when other Noble Demons were around at Balls.

Sadly for you, you were now alone in Barbatos' Dungeons. Now what's scarier than being alone in Barbatos' Dungeons? Being alone with Barbatos in Barbatos' dungeons.

Time to run away.

As it turns out, running away isn't very easy when magic chains pin you to the wall. In your panic, you blurt out, "You know, I'd rather you pin me to the wall haha!" in your normal voice. The fear forcing your horrible puns and jokes to slip out.

Barbatos, who had been approaching menacingly calmly with a torture device pauses so fast it gives you whiplash. (Better than getting whiplash from the whip he was previously holding.)

In some display akin to a cockroach kind of squirming about after you crush it, in your chained up state you manage to twitch enough that you were able to pinch a piece of your veil's fabric just enough that it falls to the ground.

Immediately, the magic chains fall away, strong arms catch you as you stumble. "Hi Barbs..." You say breathlessly.

Barbatos looks like he'd seen a ghost. (You were an Angel, thank you very much.) After your death he had tried and tried to pull a you from another dimension. It would never work, some force stopped him each time. (To be fair, it was probably your jealous ass. No way in Diavolo were you being replaced by yourself from another dimension.)

His bottom lip trembles, much like the rest of his body, as he leans in, "May I, my dear?" You nod, giving him your consent as he kisses you so gently, as if he feared you would break or fade away.

He murmurs apology upon apology for the fact he had no doubt frightened you, he couldn't risk a threat to Diavolo, your 'death' had left him a little...tethered and emotional.

You close your eyes and kiss him again, now noticing you're in the kitchens and not in the spooky scary dungeon.

"Wanna bake cookies? Like we always used to do?"

Barbatos nods softly. "You do have to tell Lord Diavolo you're actually alive though, little lamb."

Your eyes light up. "We could make a cake! And hide me inside it!"

Barbatos sighs, but looking at your puppy eyes, he agrees. Gently he picks a stray ivory feather from your wings, making them rustle at the touch. Devil...you looked angelic.

Baking with Barbatos was always fun, but sadly he did not agree with your attempt at throwing flour at him.

"MC?" He catches your attention, bringing an ungloved hand to caress your face, "Have I ever told you that you shine brighter than all the stars in the Devildom?"

You blush and try to cover your face when he turns away to add more eggs into your batter only to find flour on your face. That sneaky bastard! Psychological warfare is illegal. And that sure felt like it.

It was on.

Apparently it was only on for you though. Though you did get a speck of flour on Barbatos' apron. That was a win, especially if you ignore the fact that your face and apron were covered in the white powder, which you were ignoring! So take that Barbatos!

In the end, the cake was beautiful, Barbatos helped you into the cake, and cut out a you shaped hole out of the layers made.

He then helped you out again, and the Flour War began again only this time with icing.

Hiding in a cake is quite a fun experience. Especially when you can take bites of your hiding space. Yum yum.

You feel Barbatos' wheeling of you stop as he reaches Diavolo's office, he knocks on the door, and as you requested, begins to film on his DDD (you had to promise the video would never get out of your hands.)

Diavolo sat alone, Lucifer had had to leave an hour before, Beel had went on a rampage in Hell's Kitchen again apparently.

"My Lord, I feel you have been feeling down, so here is a treat." Barbatos says, "And as a special treat, I will allow you to cut it yourself." He nods at Diavolo who you can just picture has stars in his eyes as you hear the demon butler walk to a corner of the room, still filming.

Diavolo brings the knife to the cake, as it cuts into it, you grab the blade and pull it forward. Upon hearing Divaolo's confused murmurs, You peek through the tiny hole the knife made, seeing Diavolo distracted, tilting his head like a child and asking Barbatos what he should do now.

You however know what you should do now.

Quick as a flash, you shove your hands through the cake, reach for Diavolo's arms and pull him in face first.

You didn't even care if it was probably treason. Diavolo's suprised screaming and Barbatos' slight surprised chuckle was so worth it.

It was worth it for Diavolo even after 4 hours, as he held you in his big arms, whilst the both of you were still covered in cake. Barbatos, the traitor, snapped photos of this and sent them to Lucifer.

On a great note, Diavolo agreed to help prank the rest of the brothers with you, much to Barbatos' dismay. (The butler was definitely going to help you with a certain sorcerer, however)

After a night and day at the castle and a very extensive bath, you recollected your veil, and snuck out (read: Barbatos and Diavolo waved goodbye to you and gave you some left over cake for the journey home) of the castle, you began your walk to Purgatory Hall.

Michael was staying there, and you needed to tell him everyone's reactions so far.

It was also a Saturday, meaning that Solomon would be out in Sorcerer's society meetings all night and morning.

When you got there you made use of the tree there and climbed up it until you saw something in Luke's room. You paused your climbing and looked in through the window.

Two figures were in the Young Angel's room.

As Luke lay tucked in in his bed, cuddling the dog plushie that Mammon had given him at a carnival last year that he claims to have thrown away, Michael and Simeon sat on his bed, the nightlight on the boy's bedside table created a gentle glow that the two elder were using to read the storybook strew across both of their laps aloud, they appeared to be acting it out ever so slightly. When Luke finally drifted off. Both Angels kissed his forehead then dimmed the nightlight down slightly, dim enough where it wouldn't hurt the boy's eyes but bright enough that the dark wouldn't scare him if he woke up in the middle of the night, keeping the curtains open for added light.

You cooed silently, your white wings rustling.

Snapping out of it, you scale across the wall before finding the spare room Michael was staying in and breaking in.

"Hello Motherfucker." You greet the Archangel.

"You couldn't pay me to fuck your mother."

"Harsh. And here I was about to tell you my escapades..." You sigh dramatically. Michael immediately smiles sweetly. Buttering you up. You cave.

After about an hour of Michael laughing at you specifically, and then changing your contact to 'ghost of christmas past' the bastard finally fell asleep.

Feeling thirsty, you snuck downstairs into the kitchen to get a drink, and also a sharpie so you could draw a mustache on Michael's face. Not bothering to put your veil on seeing as no one would be awake anyway.

As you filled up a glass of water and leaned against the kitchen counter drinking it, lost in your own plans, mainly of who to prank nest and how to do it.

You don't hear the little pitter-patter of feet until it's too late.

"MC?" A sleepy Luke stands in the doorway in cat themed pajamas no doubt gifted to him by a certain someone, he holds his dog plush loosely as he rubs his eyes with a tiny fist.

He walks slowly towards the cupboard, pouting sleepily when he realises he can't reach it, you immediately grab his favourite mug,(the one with the red tractor on it) knowing to put milk and some sugar in it before placing it in the microwave for 2 minutes.

Luke walks over to you still half asleep, resting his face on your side, you bring him in for a hug. "Simeon said you went to a happy place after you left, he always got sad when I asked when you were coming home..."

You bite your lip and speak softly, "My flight got delayed for a little while," You lie. Luke didn't need to know you died, Simeon hadn't told him in the best of ways to shield the young boy, that worked out in your favour.

You catch the microwave before it beeps, taking the warm milk out and stirring the hot-spots out of it before handing it to Luke. With his teddy now in the crook of his elbow, he sleepily took the mug before putting his tiny hand in yours.

"C'mon Luke, let's get you back to bed." You say softly, he nods tiredly.

"Will you tuck me in? And read me a bedtime story?" He yawns quietly.

"Of course."

After closing his curtains and tucking Luke in, he snuggles up to you and you read him a bedtime story, after drinking his warm milk, he falls asleep quite quickly, so do you.

A mistake, really. Seeing as in the morning when Simeon comes in to wake the small angel up and sees you there he lets out a shriek very out-of-character for him.

A shriek which wakes both you and Luke up.

Luke smiles toothily, "Oh Simeon! MC came back last night! Did you not see?"

Simeon collects himself, "I must've been asleep Luke, why don't you get dressed then come down for breakfast? Michael and I made pancakes. M-MC, why don't you come downstairs now?"

Luke nods and gets up dutifully.

As soon as you leave the room and Simeon is sure you're both out of the earshot of Luke, he pulls you into a hug which you return.

"I thought I'd lost you.." He breathes out softly.

"Me? C'mon Simmy...you know I'd never let death keep me." You laugh, he laughs breathlessly.

"I suppose not...." He captures your lips in a soft innocent kiss before leading you downstairs, hand-in-hand.

When Michael sees the two of you he offers you a pancake, far too casually for Simeon's taste.

Simeon looks between the two of you and glares at Michael. "You knew about this."

"Haha! Funny story actually! I need to go help Jesus! He's gone and ventured into another desert!" Michael laughs nervously before booking it, only coming back when Luke appears, knowing then he's safe from Simeon's wrath....

....for now.

You took out your super serious napkin and crayon that you stole from Diavolo (read: Diavolo gave you) and crossed out Simeon's name.

Your list was now as follows:

Purgatory Hall Simeon Solomon House of Lamentation Mammon Levi Satan Asmo Beel Belphie

For Satan and Belphie, you could knock out two Anti-Lucifer-League Birds with one stone. It felt a little mean to prank prank Levi and Beel...Mammon and Asmo were debatable, but you were going all out on Solomon. That'll teach him to turn you into a sheep that one time 2 years ago.

After careful deliberation and planning, (20 seconds of thinking.) You'd decided to sneak into the Sorceror's society and jokingly attempt to assassinate Solomon, and maybe fully assassinate Maddi if she was there. Not maybe, definitely.

Veil over your head, you walked in, when the sorcerer guards stopped you, you just pretended to be Michael then walked further in. Apparently they were terrified of the Archangel. Damn this society needs better sorcerers securitying it.

After stealing schedules you realised Solomon would be in a meeting right now with a bunch of no names. Oh well.

You crept into the meeting and attempted to plunge the butter knife Barbatos' gave you from the castle kitchens specifically for this in his neck, knowing he'd dodge. "This is for the Sheep Potion you Rat Bastard!" You screech like a Bean Sídhe. After half a millisecond of shock and slight anger, Solomon realises who it is behind the veil, laughing he grabs the arm you're holding the butter knife in and drags you into his lap, gently ripping the veil off of you and giving you a peck on the forehead, before he turns to the shocked and slack-jawed sorcerers that looked older than he did. "Sorry all, my adorable partner," He puncuates the word partner by pulling you closer to him, "missed me a little too much. and has-" He kisses you on the lips passionately for a moment, leaving you very much breathless and him very much chuckling, "-strange ways of showing their affection."

Bastard.

Some time into the meeting you whisper, "How are you not more shocked?"

"Well Robert-Rupert," He whispers teasingly back to you, "Remember that binding spell we did back when you were alive? It never broke. I knew the moment I saw you."

Your heart stops. "Did you tell anyone else?"

"I debated telling Asmo, but I suppose you wanted to on your own terms." He teases.

"I should've tried to stab you with a sharper knife."

Solomon laughs, "Oh and MC my love?"

"Hmm?"

His eyes glint predatorily, "You look absolutely ravishing as an angel. I can't help but want to corrupt you..."

You bury your face in his chest to hide your blush.

Bastard.

On the bright side, now a rumour that Solomon the Wise and Michael the Archangel are secret lovers has spread around the Devildom. You're counting that as a win.

Purgatory Hall Simeon Solomon House of Lamentation Mammon Levi Satan Asmo Beel Belphie

After your encounter with Solomon, you'd decided learning to just hide your angel form was the best course of action. Luckily it was fucking easy and you could've done it ages ago. Strange how Simeon and Luke never mentioned it....meh. You're pretty sure Luke just thought Michael thought you were super cool so he made you an angel. You weren't telling him anything otherwise.

´Satan and Belphie watch your fucking backs.´ was the pedal note of all your thoughts currently, you´d snuck back into the House of Lamentation, thankfully Beel was not in the kitchen, he was at Fangol at this hour.

Walking through the halls stealthily, you heard whispers as two sets of feet seemed to enter the room at the farthest end of the hallway. Lucifer´s room.

You fucking caught them.

No time to be caught in Lucifer´s room, seeing as if you were there long enough and Lucifer caught you, you would not be leaving for a good while.

So you crept up to the attic, the official Anti-Lucifer-League headquarters, you climbed the pillars to get on the roof and you waited.

Sure enough, ten minutes later, snickering could be heard coming up to the attic. Satan opens the door, letting Belphie in, both brothers in various fits of sniggering as they walk into the room.

"He'll never see this one coming!" "This is our best one yet."

From your place on the attic ceiling, you spot Lucifer filming on his DDD from the shadows of the doorway. Of course he found out about this.

"Of course it's our best one yet!"

You swing down off of the ceiling beam, swinging lightly upside down. "And you didn't invite me?" You pout.

Satan and Belphie scream, clutching onto eachother, before noticing that it's you and running to pull you down and clutch onto you instead. You notice Lucifer chuckle and put his DDD in his pocket before leaving. Traitor.

You cuddle into your two Anti-Lucifer League Brethren, maybe this wasn't so bad. (Of course it wasn't, you loved your idiots.)

Safe to say, you didn't leave the attic for a long time. Apparently people need time to process that you're not actually dead. What madness.

House of Lamentation Mammon Levi Satan Asmo Beel Belphie

You had long unentangled yourself with a sleeping Belphie and Satan, making sure to leave a:

it wasnt a dream dont worry lads im alive.

note on their chests just in case.

Sitting in the attic with your napkin and crayon in hand, you ripped the Purgatory Hall part off of it and used the back of it for that note, you scanned through the list. You should save your First Man for last, so your next options were Beel, Asmo and Levi.

Seeing as you've shown yourself to Belphie, it's only natural your gentle giant is next.

Watch your fucking back Beel. Literally

Speaking of, it's been a few hours, Beel should be coming back from Fangol practice any moment now.

As was routine at this point, you crept through the House of Lamentation's halls and quickly ran into Beel and Belphie's shared bedroom.

As Beel walked into the room, his Fangol bag slung across his chest and a pile of after Fangol snacks in his hands, you braced yourself, made a run for it, anf landed right square on his back, arms around his neck to keep from falling.

"Oh hi MC!" Beel hummed cheerfully, before his eyes widened and he dropped his snacks. "MC?!"

"Hi!"

Quick as a flash, Beel maneuvers himself in 'dying cockroach you in Barbatos' dungeons part two' and grabs you into his arms.

"I thought you died..." He said, smelling your hair as he cuddled you.

"I did. I just came back as an angel."

"Really?" His breath hitches, "Can I see?.."

You take a deep breath and your wings and halo pop out, he strokes them gently.

"You're beautiful..." He whispers, enraptured...."I think...out of all of Father's creations over the years since the celestial war...you're the most precious...."

He speaks softly, always the gentle giant, the moment lasts for just a moment, before the moment, like all moments do, has passed. Beel's stomach rumbles and you giggle.

"You should eat your snacks, Beelie.."

"They always taste better when we share." He nods seriously.

House of Lamentation Mammon Levi Satan Asmo Beel Belphie

Levi or Asmo? You bit your crayon in thought then immediately made a face. Crayons did not taste nice.

Speaking of things that did not taste nice, you remembered that one time you tried to eat Levi's controller because you were bored.

Levi it was!

You had to time this perfectly, waiting in the shadows until Levi went down to get a snack, you snuck into his room, saying the answer to his password out of pure habit, before sitting on his gamer chair and maneuvering it in such a way he would not be able to see anyone on it from the door.

When Levi walked into his room, a bag of crisps in hand, he took a few steps before you swung around "Boo!" and he screamed. Dropping his crisps.

After convincing him you were infact not a ghost (Unlike Lucifer's), you sat with him in your arms, watching anime, and getting caught up on the new episodes released.

You cuddled up to him in his bathtub that night. You grinned evilly. This gave you an idea.

House of Lamentation Mammon LeviSatan Asmo Beel Belphie

It was no secret that Asmo bathed a lot. Funfact, Angels can hold their breath for 30 minutes!

As Asmo was busy picking out which pajamas he wanted to wear after his bath, you tiptoed behind him and slowly got in his bath, hiding under the bubbles.

It took a total of five minutes before Asmo closed the door to his bathroom and got into his bath, this was your chance! Reaching out, you grabbed his foot and pulled him under.

He screeched, when got back above the surface of the water, he grabbed your hand and pulled you over.

He squealed this time, hugging you tightly.

"Oh MC darling!~ I thought you were...well never the matter~...." He punctuated each word by kissing your face all over, leaving you squirming in his grasp out of embarassment. "How naughty!~ Sneaking into my bath like that...~...not that you arent always welcome my lovely!~"

"A-asmo," You say, your clothes soaked, though you couldn't find yourself caring. "Asmo, I love you..." your voice is soft and the Avatar of Lust coos.

It was a nice night.

Time for your final victim. Your First Man. Feeling nice, you decided not to do something too mean.

Painstakingly, you made a trial of grimm from the front door to your First Man's room, more specifically; to his bed. The plan was to hide behind the door and jumpscare him while he was busy collecting the grimm.

Unfortunately for you, seeing as you weren't sure when Mammon got off his modelling shift, you'd finished far too early, and since you and Asmo were up the entire night, you were quite sleepy.

Surely a little 5 minute nap wouldnt hurt?

You woke up hours later to a sobbing Mammon on top of you, cuddling you in his arms like his life depended on it. It seems you'd falled asleep on his bed, more specifically in his nest.

In the nest you would normally sleep in while alive. (While Human technically, seeing as you are alive, just not human.)

You bring a hand to his snowy locks, he sobs harder. Like his brother, kissing all over your face softly, "Thought I lost ye' forever Hum'n" he gasps for air, his sobs quieting down, "Though' you were gone....I prayed ev'ry nigh'...." he says, voice barely above a whisper as he strokes your cheek, looking into your eyes. "I prayed ta Fath'r ev'ry nigh' since ye' died...that he'd bring ye' back te me...."

"And he did..." You say just as softly, bringing your hand up to wipe the tears from his eyes, sharing a soft kiss with him. As always, your greedy lovable bastard would want more, and you'd want nothing more than to give them to him.

And the next day when you told Michael you'd be staying in the Devildom he cheered, then told you to include him in this 'Anti-Lucifer League business' because it 'seemed fun'.

Wow. Now you knew where Satan got it from. Poor Lucifer, he just barely got away from Michael in the Celestial realm, and now he has to deal with Michael 2.0 in the Devildom.

Satan and Michael really were kind of similar....maybe it's a good thing they've only met in passing.

Moral of the story kids. Death sucks, don't do it. If you do do it, reincarnate. Bam! Problem Solved.

This is the longest ever fic I've ever wrote and probably does not make a lot of sense so I apologise for that. I also apologise for any ooc behaviour i'm still learning how to write characterisation😔✊

also i love thinking of Michael being a father figure to Luke and its very obvious

[cripplecharacters]

The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks 

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it. 

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia. 

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred. 

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic. 

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up. 

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are? 

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask? 

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns. 

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it. 

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

[codenamethebird]

Ok here's a little (not really) analysis/theory post about Hades 2, because I'm obsessed. Its consumed all my thoughts. And I need to talk about a theme I think will (hopefully) be addressed as the game progresses.

Here's some examples of dialogue that starts to touch on this conflict between mortals and the gods. What exactly do mortals deserve? We also have literal Icarus "flew too close to the sun" here too (and probably Pandora). Chronos was able to sway many to his side with a promise of a golden age without the gods, which is presented by the narrative as a foolish venture. And not saying it isn't, or that Chronos is the secret good guy here, but I believe Chronos is taking advantage of a very real hurt that exists for mortals.

This line from Nemesis really stood out to me, because it implies that while mortals have a concept of evil, the gods don't. Which sounds ridiculous but the more you think about it makes total sense. The gods in Hades (and just greek myth in general), are kind of the worst. They are petty and selfish, they literally attack you if their boon isn't picked first, and most vitally in this context, often utterly disregard mortals.

For example, one of the things that drove me a little crazy in Hades 1, was how chill everyone was with Demeter's never ending winter. Demeter was killing possibly millions upon millions of mortals and everyone else just sort of let it happen. Maybe complained a bit because it was annoying to them, but just stood by. And that's just one example. Mortal's have a very valid reason to hate the gods.

And considering we have more areas of the surface to explore that aren't out yet, I have a feeling Melinoë is going to be meeting some of these discontent mortals. And my hope is they are going to be nuanced characters, that will challenge Melinoë not just in a fight, but her very ideals.

Because Melinoë is very deferential to the gods, waaaaaay more that Zag ever was. Unlike Zag, who was more like a bro to them and was willing to suck up to them for personal gain, Melinoë seems to genuinely mean all the respect she gives them. She praises them, defends them when they are insulted, and just generally very polite to them.

In a smaller scale, she describes Hypnos as having a wisdom about him and can somehow sense her intensions while asleep. Which as Nem implies, the version in Melinoë's head doesn't exactly line up with reality (though sidebar, I am a believer in Chekov's Hypnos and that he's going to somehow save the day and put Chronos in a never ending sleep or something, but that's beside the point haha).

Melinoë's reverence to the gods makes total sense of course. She was denied her family and a happy childhood, and because of that has glorified them all in her head. The Olympians are sending her vital aid on her holy mission for vengeance and to save her family, even as their own home is being attacked, how honorable of them!

And I think part of Melinoë's arc is that perfect picture of them breaking into pieces. Yes, they are the better of the two options between them and Chronos, but that doesn't mean they aren't also kind of the worst. That mortals deserve better than frivolous gods that can decide on a whim their fates for better or worse (love u Moros but I'm still fucked up over you and your sisters giving mortals horrible doom endings when you were bored. At least he feels bad now but still. Perfect example of gods even when not intending to having horrific consequences for mortals). And maybe like how Zag healed relations with his family, Melinoë can start repairing relations between the Gods and Mortals.

[most-normal-eccles-cake-ignorer]

Good Omens: Lockdown and Crowley not mentioning his living situation in S2*

*till S2E6 when he asks if he can have his apartment back bc he's bored of living in his car but Aziraphale doesn’t hear bc mentally he’s in Alpha Centauri.

Having read the 'Crowley doesn't tell him' Neil Gaiman ask close to when I first listened to Lockdown (I lived under a rock until recently), my initial thought was HAS HE BEEN LIVING IN HIS CAR FOR YEARS?! but I think he was still in his apartment in 2020:

as far as Hell knows, Crowley just had a pool party in holy water (the holiest) so the higher-ups are probably willing to give him some space (plus Beelzebub is busy going on pub dates w Gabriel)

while there should be ~8 months between the end of Season 1 events (The Very First Day of the Rest of Their Lives on Sunday, Aug 25, 2019) and the Lockdown phonecall (on or near the 30 year anniversary on May 1, 2020), I can't imagine that's a very long time for Hell, especially if you're understaffed and busy dealing with fallout from Almostgeddon / going on pub dates

Shax dropping off mail and asking about the boiler seems like something one does in the first few months of living somewhere, not ~3 years in (if S2 is in 2023)

That said, I think the phone call underlines why Crowley never directly tells Aziraphale that he is living in the Bentley in S2, and it's just a great conversation (all hail Gaiman) sooo I wrote about it:

***Note: This post analyzes the Lockdown phonecall from Crowley's perspective only. Our heroine is feeling quite emotionally vulnerable at this point in time so things are going to hit him harder than they normally would.

I do not think Aziraphale meant to cause him pain (!!) but Crowley can't see that yet and I've written this post in a way that reflects that missing insight. (I explain in more detail in this reblog if you are interested) I am working on a companion post for Aziraphale's side of this conversation and how I think it affects his behavior in S2 because if we know anything about these two, it's that their exactlys are different exactlys.***

Crowley’s habit of sleeping to skip time like an RPG character by a campfire amuses me to no end, but in this context it feels heavy. Crowley already worries about losing time with what he loves and he probably hoped things would be different between him and Aziraphale after the events of S1. But things don’t change much. Then lockdowns start, and Crowley is trapped in his apartment alone, transcendentally bored, and unable to make his brain shut up. Sleeping a month away starts to sound less awful.

But Crowley hasn’t given up yet; he’s still awake when Aziraphale calls, and he’s even giving it two more days. Was he waiting for Aziraphale to call? Is it even possible not to at least kind of wait for someone’s call when you are cut off from everything and the caller has been your only friend and crush for millennia?

Aziraphale asks why Crowley isn't "out and about" tempting people or setting a bad example and he responds:

C: Everyone's so miserable and cooped up right now anyway, and I just… well… don't have the heart for it. A: *glowing audibly* I'm not miserable~ C: Really?

Crowley sounds genuinely surprised at Aziraphale's happiness and quickly assumes it's because the angel has been around people. He's so lonely/depressed/in his own head that he hadn't even considered someone enjoying being 'cooped up'. *sob*

Aziraphale goes No actually I put the closed sign up in the window and I'm having the Time of My Life, never had so few customers, not in 200 years!, etc. Although, he says:

A: …There were a few young lads a couple of nights ago who broke in through the back and tried to steal the cashbox! But they soon saw the error of their ways~ C: *clearly amused* Did you smite them with your wroth? A: Well I certainly gave them a good talking to, and I sent each of them home with cake~ C: *annoyed, swooning* Cake? A: Quite a lot of cake, actually. C: *physically ill from having such a giant crush on this dumbass baker/security guard* eeeekkkgghhh I'm gonna regret asking but.. ...rrgh.. *30 seconds of Aziraphale joyfully describing his baking while Crowley probably tries very hard not to imagine the angel eating each item in sensual slow motion* I stg you can hear him struggling in the background once or twice

A: …And once I've baked them, I have to eat them all myself, which was why I was so delighted— C: To send your burglars home laden with baked goods, yes, nnyeaayeah I follow…

Crowley interrupts, finishing Aziraphale's sentence in his nervous hurry to say the next bit:

C: *loud inhale* You know, I could.. hunker down at your place. … Slither over and watch you eat cake. I could bring a bottle--a case of… something… drinkable…?

He's trying to sound so casual about it but this is someone who was rejected/abandoned by actual literal God after asking what he thought were welcome, uncontroversial questions. Asking makes him vulnerable. He's supposed to be the rescuer, not a demon in distress. He does not feel casual about asking.

Crowley knows it's unlikely but he's so miserable and desperate for company that he can't help but ask, just in case. Even the smallest chance of spending time trapped indoors with Aziraphale—with nothing to do but drink, watch him eat, and talk about things they'd normally avoid—is too tempting.

A: *panicking* Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over. C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*

And just like that, Crowley doesn't need two days to decide. The depression nap doubles in length. He doesn't hear how badly Aziraphale wants to say yes behind the fear, or maybe he does and it hurts worse because why isn't Crowley enough for him? You can almost hear the spiralling:

SHOCKING, asking made it worse. It always does doesn’t it? Why even bother? you just embarrass yourself.. SLITHER over? why did I say that *grumble grumble* of COURSE His Holy Holiness, your only friend in the universe, would rather eat cake by himself while everything goes to shit than ~deign~ to have you in his presence. "AsK aND yE sHaLl ReCeIvE" bugger this for a lark im going to bed

(a bit dramatic but we've all been there)

I imagine sleep doesn't come right away. Maybe his thoughts drift to when he sat beside the angel at a dark Tadfield bus stop after a rather eventful Saturday. Crowley must've felt a tiny bit hopeful when he invited Aziraphale to stay with him: Heaven had withdrawn its favor and the bookshop was gone; Aziraphale was like him now. Didn't that mean things would change?

"I don't think my side would like that." Apparently not.

In the end, Aziraphale did ride the bus back to Crowley's apartment and stayed till the next morning when he caught a cab, but only to sell the illusion. Crowley understood that as far as sides went, the angel was still on Heaven's, even if Heaven wasn't on his.

And now this: the entire world is shut down; there is nothing for Aziraphale to do but stay in and read and bake in his magically reconstituted bookshop and he still won't invite Crowley in. Burglars and un-fallen angels only—nobody who asks questions.

So... of course Crowley doesn't tell Aziraphale when he loses his apartment. He already knows what answer he would get; the angel has told him so many times. Aziraphale is a company man first, a companion to one very sad owl when convenient.

If Crowley works up the courage to say 'please take me in, I have nowhere else to go' and Aziraphale goes 'sorry, no, far too political, but I WILL risk being erased from the Book of Life to protect this nude amnesiac former coworker who always hated me,' it's going to be too much. You can't sleep long enough for that type of hurt to go away. Better not to say anything.

"Then nothing has to change, does it?"

[shares-a-vest]

Happy MET Gala Day. I wrote some tags on THIS post and instantly got brainworms. cw: In this ficlet, Eddie calls Steve a slut but it is said with affection.

"Steve!" Eddie screams over his shoulder into the next room. But his voice only echoes around him, bouncing off the pristine white walls of the hotel room ensuite that he thinks is as big as his uncle's old trailer, "The car is gonna be here any minute!"

Silence.

He smoothes his hands down his lapel one last time and smiles at his reflection before he turns on his heel and rushes into the hotel suite where he finds Steve right where he left him, in a make-up chair getting all dolled up by Chrissy with Robin by his side.

She is asleep in a bedazzled bathrobe and honestly, Eddie would prefer to join her. Not only is attending the MET Gala an expensive evening (Eddie loathes to think how much money Steve has spent in the lead-up to all this), but it all involves being gawked at and judged and repeatedly asked the same three questions by the press who are just going to make him come off like a real asshole anyway.

"Just getting glam done," Steve says, grimacing as Robin gives a grunting snore.

"Stop eating those flowers, Erica..." she mumbles, dipping her head and nuzzling into the plushy warmth of her collar.

Chrissy rolls her eyes and steps back to examine her handiwork.

Whatever that is, Eddie can't really tell. Steve looks just like his regular pretty self with maybe a spot of shimmering blush. He opens his eyes, fluttering his lashes and – well yeah, whatever Chrissy did makes his eyes pop more than usual.

But those eyes quickly grow dark, shadowed by a frown when Steve gives Eddie a once over.

"Is that your outfit?" he accuses.

Eddie nods and does a little twirl only to spin back around to the sight of Steve pursing his lips.

So much for pleasantly surprising each other with their outfits – the only thing that had Eddie giving this whole deal an ounce of his attention.

"Well it isn't on theme," he continues, shrugging with a nonchalance that would give Anna Wintour herself a run for her money.

"What are you talking about?" Eddie defends, "I'm wearing lace!"

He flaps his jacket to reveal a sheer black lace shirt before lifting his touser legs enough to show off his matching socks.

Steve pinches his nose.

"Eddie, that is a bare minimum!"

Eddie flails his hand in the direction of Steve's barely-there shirt, a sheer number that shows all of his chest hair.

"Excuse me for not dressing like a total slut."

He blushes as Steve stands up to reveal a similarly sheer pair of pants (if you could call them that). Underneath is nothing short of a goddamn codpiece that Eddie is certain won't cover his boyfriend's whole ass and –

Robin snorts again, causing Chrissy to giggle.

She nudges her partner and Robin startles awake, almost tipping back in her makeup chair and Eddie realises that 'doing glam' has taken so goddamn long, all because Buckley decided she needed the world's biggest feathery eyelashes.

"Boring!" she says, taking one bleary-eyed look (if she can see through those bird wings, that is) at Eddie's outfit.

She blows a raspberry for good measure.

Steve turns, chuckling and yep – that is at least half of his ass hanging out in some sort of lace-assless-chaps-codpiece situation that has no business being anywhere but on their marital bed – or a paid-for hotel equivalent.

Maybe they should just stay right here, Eddie thinks as he looks, his mouth agape as he ogles the sight before him.

"Calm down, Eddie," Chrissy warns with a wicked grin.

"Well, it's far too late now for us to do anything about it," Steve pouts, throwing on a floral-embroidered vest that at least covers a shred of his modesty, "I told you to come see my stylist."

"What about my brooch!" Eddie shrieks, pointing to the diamond-encrusted rose pin just above his breast pocket, "It's crystal."

[kiwi-cult]

PARSELSCRIPT!!

Hi. This is mostly for the people from Discord but tadah! I'm finally making that Tumblr post I've been talking about for months.

(Warning this will probably be very chaotic)

To anyone new who sees this: me and some friends made an alphabet for Parseltongue from Harry Potter, aka Parselscript. I'll take you on a little journey to explain my process and give you some tips, should you want to start writing it.

Disclaimer: I wanted to make this script usable for the writer I made it for so it's less of an actual language and more just some characters to represent the Latin (or ‘English’) letters. Like a cipher. It is not realistic. If I made this realistic I'd have to add all sorts of things to indicate body language and smell etc and also have to figure out what sounds Parseltongue actually has etcetera etcetera. No.

Alright.

It all started when we started talking about Parselscript in a Discord server and I asked my friend Ava to visualise the script because she seemed to have a clear vision of it, so I could use it to go from there.

That's how we got this.

I think we all wanted to go with something flowery for some reason, so we did.

After this I just messed around with brushes and shapes in Procreate for a while, tweaking things and trying to make it more writeable. I ended up with something like this (still a rough draft).

It may look a bit like random squiggles at first, and it kinda was at this point. As you can see there's also a lot of added dots and lines, which can be a bit hard to remember and I see you wondering what it looks like without them.

Well here it is.

I showed this to the people I brainstormed with in Discord and we decided to go with the more complicated version because it looks better lol.

This is one of the final versions.

It says: "Hello, my name is Kiwi Cult. I made this script after reading a fanfic called Terrible, But Great written by Isalise the loml on Archive Of Our Own."

Now, to talk about some of the (boring) logistics.

It is read from left to right, top to bottom.

Every separate combination of squiggles you see above is a separate word. Every word is made up of a starting character, one or more letter characters and an ending character.

The very first character you see in the top left corner, with the three petal looking thingies, is a silent starting character that indicates the start of a sentence. Not word: sentence. The end of the character, that little circle thingy, is a comma. So, the first combination says: "Hello,".

Then, the second combination starts with a kind of hook going down and right. This is also a silent character and more meant as an interpunction, that's why you don't pronounce it. It's kind of just a way to start the word when there isn't anything special about it (aka it's not the start of a sentence, a name, an exclamation or a question. But every character is special in its own right🥲). The same kind of hook can be found at the bottom of the combination, except going up. It has the same use, basically just a way to end the word when there isn't anything special about it. Now, you might ask: why does it go right and not left?

We talked about this a while, because I wanted the direction to have some kind of meaning. We wondered about gender, tone, blah blah all kinds of complicated things but in the end I just wanted this script to be writable so I chose to have proficient writers in Parseltongue make their hooks go left and beginners have their hooks go right.

Now, you might notice that I end my words with a hook going right. That is because I don't see myself as a pro in writing in Parselscript okay? It's hard!😭💀

Now, other than the character indicating the start of a sentence, the circle, and the simple hook, there are a few other characters to start or end a combination (don't worry I'll show them all to you at the end, you won't have to use your imagination for long).

We have a character to indicate a name. Now, the rule is: name indicator over start of sentence indicator. So, if you start a sentence with a name, you'll use the symbol to indicate a name, NOT BOTH. (That's not even possible but I don't even want to see you try and butcher my child).

There is a character to indicate a sentence that would usually be followed by an exclamation mark (!), but at the start of the sentence. Then you’d end the exclamated sentence with a period.

The same goes for a question mark (?): put it at the start of a question, not the end. Again, it wouldn't even be possible to use it at the end of a combination but I DON'T EVEN WANNA SEE YOU TRY.

Finally we have a period (.), which looks a bit like a flower with four petals. You do use this one at the end of a word, and it is always followed by a start of sentence indicator or a name indicator. I know people are rejecting capitals these days in their typing but I don't wanna see it. If you start a word after a period with a hook I will find you.

So, to put it all next to each other, the symbols we have are: -start of sentence indicator -name indicator -exclamation mark (!) -question mark (?) -period (.) -hook (direction depends on efficiency) -comma (,) (direction depends on efficiency)

I didn't make adjusted characters to indicate a capital letter like we do in the Latin alphabet, meaning that the only things you can kind of 'capitalise' are the start of a sentence and the start of a name.

It is also slightly phonetic. Emphasis on slightly. I made separate characters for almost all letters in the Latin alphabet, so you can just write your word normally with Parselscript characters. The only difference is that I made only one character for the 'f/v' sounds and that there is no 'c' character. If a word has a 'c' in it, you'll have to use the character for a 'k' or an 's'. Also a ‘q’ can be made with ‘k’ and ‘w’ etc.

A few examples: -character=karakter -parselscript=parselskript -crazy=krazy -science=siense

-quiz=kwuiz

I know it looks a bit confusing, but I trust you guys' ability to read context clues and figure out what someone means when you try to decipher Parselscript.

Now, for a word like 'phonetic' or 'decipher' I don't really care whether you use the separate characters for 'p' and 'h' or just the one for the 'f/v' sound. You do you.

I also don’t use any double letters because they basically sound the same and it looks ugly but if you want to use double symbols feel free.

I also made some numbers that do not look like they fit with the rest of the script but I promise you that's just because you're not used to it yet. Our own numbers don't belong with our alphabet either because we nicked them from the Arabs (I think, don't quote me on this) but we don’t notice that either.

Tadah. (Yes I know it’s out of order I told you this was gonna be chaotic af)

Other than that, feel free to ask me questions if I've forgotten anything or if you're wondering about anything. I can't guarantee that I have a good answer because I might not even have thought about it myself, but I can always try to come up with something. I am one person, I'm afraid I haven't been able to take everything about a script into consideration.

Now, without further ado; here is the key.

No, your eyes didn't deceive you: there are two versions. The first has a bit more loose squiggles than the second one. I realised that when I was writing physically, the second version was much nicer to write, so it is kind of like Simplified Parselscript. I haven't decided yet if I'm gonna put some lore behind it or not yet. But I included the og one if you're a tryhard and wanna take it on.

Now, if you're gonna start writing it yourself, here is the stroke order.

I tried to make it as clear as possible but please ask me if you're confused on anything.

Red is the starting point of the whole symbol, the arrows indicate the direction to go in, x marks the start of the small extra's.

Now, I'd also recommend writing on some type of paper with vertical lines like this if you're gonna do it physically.

You can just turn a paper with normal, horizontal lines a quarter to get vertical lines. Also, do NOT write in between the lines. They are meant to help you keep the start and ending on the same line so you don't start going into crazy directions while writing. So, start your sentence symbol or hook or whatever in the middle of the line and try to keep coming back to that vertical line after every letter. As you gain more proficiency you'll probably go straight into the next letter without going back to the line all the time but I think this is a good starting point.

I also recommend writing with a fountain pen or something else that flows well because it’s easier to write that way.

Here is another rough draft I made on physical paper to get a feel for it. As you can see this draft had a lot more different starting characters and ending characters so just ignore that. Hope this motivates you a bit or smth.

Lmk if you want me to post a video of me writing in this Parselscript.

Also please let me know if you know of someone else who's also made a Parselscript because I tried to look for it on Tumblr and Twitter etc but I couldn't find anything.

I also feel like there’s a big mistake I made that I realised the last time I worked on this script but I’ve forgotten it now so if you find out please comment or dm or anything💀

Also feel free to use in your own fic, tho a little tiny shoutout in the a/n would be nice :) I’m @/kiwi_cult on Ao3, @/slvtr_ on Wattpad, @/kiwi cult on ff.net, @/slvtr.1 on TikTok and @/.slvtr on Discord.

Credits:

@natis-balamnimaja @asterialvia and @/zee (who unfortunately left the server and I don't know the Tumblr @ of) for brainstorming with me and @isalisewrites for inspiring us and making the server we discussed this in.

Okay bye :) tell me if I forgot anything.

🥝

[drea-ms]

WHILE YOU WERE SLEEPING by KUSUO SAIKI

٩(ˊᗜˋ*)و ♡ Inspired by Laufey's song "While you were sleeping", Kusuo Saiki falls in love with you at 3:30 am, he "hates" it ( spoiler; he does not )

warnings. pure fluff. ooc!saiki i think. corny and cheesy story i thought of at 12:47 am after thinking of the guy i like. mentions of yn. grammar mistakes. from saikis pov kinda. being in love. sweet fluff before all the angst (707 angst coming soon.) i just love saiki a lot :(.

The clock read 3:30 am, and the pink haired boy still couldn't sleep, so deep in his thoughts. But, what was he thinking about? Could it be a plan to become average and leave his friend group forever or the amount of noise there is in the middle of the night that the average person couldn't hear? or maybe it's the girl with [h/l] [h/c] hair. Probably the first one, or maybe it's the last one. It's definitely the last one.

He doesn't know how he began to think of you this late, one moment he was getting ready to sleep, the other, he was thinking of how pretty you would look if he wasn't a pyschic and without his powers. He hates how you left him in this position, while you were sleeping without a care in the world, Kusuo Saiki had just began to fall in love with you. He absolutely hates it (he doesn't. he's lying to himself again.)

He just hopes it's a one time thing, that your playing mind games with him (how is that possible??? he's a god damn psychic!!) and that when he does go to sleep, that it'll never happen again. Yeah, this is just a one time thing...

It's 9:76 am. Six hours after that predicament. And he was so wrong, since that night, he couldn't bring himself to sleep without the thought of you within him, each time he did try to sleep, you were in his dreams. One way or another,you started to appear in his daily thoughts more and more often. When he was getting ready for school, everything and everywhere he went and did, you were in his mind. Like a lost puppy you were following him around in his thoughts, he absolutely hates it. He hates how when he gets to school you're there and you're talking to your friends and spot him and wave at him with your dumb smile. He hates how after class you greet him and both of you hard to lunch, he hates how you know that he likes being alone and leave him to himself, knowing well enough that he doesn't mind being with you, even if it means he's sacrificing his own time just to be with you.

And he's back at square one, the clock ticking and the time is 3:30 am, thinking of you again, how candy can't compete with how sweet you are, that the way you smile might as well be on par with Teruhashi, how your kindness and friendliness can make someone's teeth fall out. Everything about you is on his mind, and while you're sleeping again, like a baby, he's falling more and more deeper in love with you.

Sweet and Kind YN LN stuck in Kusuo Saiki's head, and he's beginning to like it, he likes everything about you, he likes how you always get him coffee jelly, even though you don't like coffee. He likes how you try to get him away from his and yours friend group just for you and him enjoy the silence for a while, he loves loves loves the idea of being your boyfriend one day.

And maybe that idea might become true. He just hopes that when it does, the both of you will be in bed together awake at 3:30 am and in love.

VAL TALKS?!? back again :3 it's been a couple of weeks but i have school and i'm busy most of the time living life and going to school:) i wrote this because i was bored and start playing mystic messenger again and i thought of the guys i like :). i'm not sure i'm back for good, but i like writing and i have a 707 angst that's being brained stormed rn so i wanna focus on that and other stuff rather than just over work myself to point where writing isn't fun anymore to me:) it'll take some time for me to come back but i'll write and post every so often :) asks are open!! send me stuff of your favs!! especially mike from the fnaf i want to write him, so send requests!!