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#im just so enamored with the concept of them and that people love them and take them places
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getting jump scared every time i open instagram and see more werepups
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twiixr4kidz · 10 months
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PRAYING YOU GIVE US SOME THE EVIL EXES X A DUMBASS S/O PLEASEEEE
Like they're so dumb it's not a joke- like imagine Roxy asking her s/o about the menu at a restaurant they're going to and they go "babe....I'm a lesbian." And it takes a full FIVE MINUTES for them to figure out what she meant
OMG YES i am a certified dumbass so this was very easy to write
matthew patel:
listen....... he gets it
he isn't the sharpest tool in the shed
it's like when you're around each other, your brain cells disappear
most discussions end in the two of you looking at each other, very confused, whatever conversation you were having being long forgotten
he doesn't mind re-explaining thinsg to you if you don't understand them
he thinks it's kinda cute honestly
lucas lee:
he is the himbo-est himbo to ever himbo
honestly most of ramona's exes are dumb but in different endearing ways
i can tell you for a fact that he'll tease you for one thing and then proceed to do it immediately after without even realizing
OR HE'LL TRY TO LIKE SHOW YOU WHAT YOU WERE DOING WRONG AND HOW TO FIX IT AND THEN HE MESSES IT UP HIMSELF LMFAO
"babe, that's not how you do a kickflip. THIS is." (he bails and breaks his board)
todd ingram:
todd is probably one of the most confused people you will ever meet
sometimes you say things that completely baffle him
im talking something so dumb his jaw is hanging wide open and he's rendered completely fucking speechless
and you're confused as to why HE'S confused because you thought you explained what you were saying really well
but you very much did not
there are so many conversations you have with him that are cut short because he doesn't know how to respond
"hon... look at me... what?" "huh?" "did you hear a word you just said?" "wait... what did i say?"
roxie richter:
she thinks it's cute!!!
most of the time
other times, she's genuinely concerned for your sanity
"so... whatcha wanna eat?" "babe, im a lesbian" "...what?" "what do you mean what?" "i know... you're a lesbian... i was asking about the food..." "OH"
you cannot hear apparently
she thinks it's funny whenever you do that thing where you hear her but you don't process what she said so you go "what" and then you cut her off when she tries to explain cuz you finally have an answer
she thinks it's HILARIOUS
kyle katayanagi:
he thinks it's hysterical
like you know this motherfucker is the ultimate tease
you don't know the answer to a question? you say something that sounds dumber than you intended it to?
you know damn well he's getting on your case about it
and honestly he loves it
he knows he's smart but he's fascinated by your sheer stupidity
he doesn't mind explaining things to you either
but you aren't getting out of an explanation without him calling you, and i mean this in the most affectionate way possible, a dumbass
ken katayanagi:
he's ALSO very fascinated with the fact that none of your millions of brain cells work
even when it comes to what he thinks is a simple concept, it takes a lot of explaining for you to understand
this is explaining that he doesn't mind doing
maybe his knowledge is just a little TOO advanced
he can never tell if he's the one whose too smart or if it's just your natural dumbness
it confuses him
he's enamored
literally say one dumbass thing around him and he's gonna have you pinned to a wall in the most intense makeout session of your life
gideon graves:
listen... gideon isn't as much of a douche as everyone makes him out to be
he thinks you being dumb is adorable
something about his weird thing for control and how he loves to explain things to you
he doesn't wanna control in a toxic way, let me just get that out there
he just loves how you never seem to know what's going on
god he loves it HE LOVES IT
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helplesslypurple77 · 11 months
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Day 13- Step Bro!Dazai/Reader/Step Bro!Fyodor
Notes: I think it's a little ooc, but i really couldn't decide which characters to go with so yeah.
also, uhm, that fyodor header picture has nothing to do with the actual story, i just though he looked so fucking hot with that gun(also yes, ik im using the step silbing/dad concept twice but its just so sexy to me yaknow*)(*and also, if your wondering, i actually have a wonderful relationship with my father)
Ever since you can remember the house had been cold. You didn't call it your house, even though you had lived there all your life. No, it was more akin to a creature unto itself, a perfect reflection of your childhood. You were born in this house, the only child Mother, or Cecilia as she insisted upon, didn't abort. You spent your younger years with a nanny, who cared for you the best she could. She taught you to read and write, and you excelled especially at math. But Cecilia didn't care. She never cared. And the house reflected her disinterest.
The nanny, a kind woman named Martha, had been disposed of when you turned eight. Cecilia decided you were old enough to function on your own and fired the waste of money. You spent your years after that in the library, absorbing information, reading fanciful stories with mothers who loved their daughters. You wondered why Cecilia never loved you. 
When you turned ten, Cecilia brought home a man. She introduced you, and you stood like instructed, pretty and well behaved. He patted you on the head, but never spared you a glance. He was tall, blond and very, very young. Much younger than Cecilia. And he was much too enamored to care for you, Cecilia's little child. Cecilia encouraged this behavior, and although the number of people in the house had grown, you were all alone. You were always alone. But it was ok, you were used to the silence. You sat in your large playroom, and cried into your pillow, muffling your feelings in the silk. Cecilia didn't need your burdensome feelings. 
The summer you turned eleven, Cecilia brought another man home. And this man was kind to you at first. He gave you candy and treated you with kindness, luring you into his trap like a spider. The first time he hit you, you had cried defiantly for Cecilia. And of course Cecilia had not come, for she would rather believe her boytoys over her own flesh and blood. Humans were cruel things, ready to hurt others at the drop of a hat. And Cecilia was the cruelest. Nothing comforted you for ounce as you cried into your comforter, as unloved as before. 
The summer you turned fifteen it was clear you had inherited Cecilia's peerless beauty. You spent the rest of the summer mastering makeup and when you arrived at your private school you were instantly popular. The makeup just elevated your already peerless beauty and people, both boys and girls fell at your feet. You reveled in the popularity, the love. A different kind of love, but love all the same. The house congratulated you, but Cecilia didn't care. She never did, after all.
Your grades never fell however, you simply could not let them. If you were proud of anything, it was your intelligence. It was wholly yours, unlike your beauty, inherited from Cecilia. You hated that you were her creation, hated it with your entire very being. You loved your intelligence, however. It came from your father, you were told briefly by Cecilia, and because you had never met him it was easier to accept his qualities. The house was from your father, his money at least. A gift to Cecilia. 
And the one gift he had ever gotten you was a ring, a gorgeous piece of silver and emeralds that Cecilia had taken, stoll right from your pudgy two year old hands. You had never even gotten to hold it as an adult. You didn't miss it, not really. But you hated the trait you shared with Cecilia, a sense of selfishness, and a love for jewelry. 
 It was on your sixteenth birthday, sitting at a table alone as you were blowing out the birthday candles, that you truly cried without the comfort of your pillows. Cecilia was out, and as you eat your cake, you soon come to realize that you had grown up too fast. You had been an adult since the moment Martha was fired and you had sat in the cold walls of your beige playroom, crying and crying for comfort, something that would never find you again. You were a shell, a puppet, a beautiful china doll empty of  love. You were Cecilia. The house laughed at your plight, as you sobbed into your pillow, muffling your feelings into the comforting silk. 
It was a hot summer day, a few weeks after you turned seventeen when Cecilia broke the news. You were sitting by the pool, sunbathing in your swimsuit. Cecilia simply walked in, spared you a glance, and informed you she was getting married. You felt a small shiver of surprise run up your spine. Cecilia had had many boyfriends, yes, but she never married them. This man had to be different. Or maybe it was her age, and her fading looks. You hated the spike of happiness that pillaged though your heart, you hated how feelings of hatred turned you into a spiteful shrew, just like Cecilia. Cecilia had cracked open a beer, flipping through her magazine, sparing you one last glance. “He has sons, two of them.” She had said, closing the screen door behind her. 
⋆。 °✩
“There you are, Name. You're late.” Cecilia said, giving you her usual faintly disapproving stare mixed with disgust. You still quail under it, even though it's the same one you’ve seen for years and years and years. You still fear her disapproval, even after all. 
“I'm sorry Cecilia.” You say, straightening your spine. You're still in your school uniform, and the bus was late but you know better than to give excuses. Cecilia doesn't care for those. The little skirt and blazer combo is one of your favorites, and the only thing you truly love about St. Catherine's private school for young ladies. The walls of St Catherines are barren and cold, but not as cold as your own. Cecilia flips her hair, looking perfectly put together as always, although her age is beginning to show around her eyes. She hates it, you know, and you love it. You can't wait for Cecilia to wither away, her personal worst nightmare. 
“Don't embarrass me, Name.” Cecilia says, her cold eyed stair rooting you to your place. “Just smile pleasantly and entertain your step brothers, alright Sweetheart?” She says. The pet name reeks of disinterest but her disinterest is preferable to her anger. For when Cecilia angers the foundations of the very house shake. You nod, and Cecilia takes that as enough. A knock sounds on the door, and any ugly expression is gone from her face as she flies for the door, opening it and hopping into the arms of the man behind it. 
He’s your mothers usual type, tall and handsome, but several years older than you would have guessed. He spins her around, and they kiss. You look away. There are two boys standing behind him on the doorstep, and to your surprise they also look away from the torrid display. Their strange boys, both around the same height, but that is the only thing they share in common. They don't even really look related, but who are you to judge? Done with their display, Cecilia and her new husband step through the door, still attached at the hip. Cecilia throws you a glare, and you put on your customary smile, a smile so fake you feel like a barbie doll. 
“My daughter, Name.” Cecilia almost imperceptibly grimaces at the word daughter, gesturing at you. You smile. “Hello.” You say, feeling like a fake. The man gives you a smile, gesturing at his sons, who have stepped through the door, and now stand on either side of him and Cecilia. “My sons, Fyodor and Osamu.” The one on the right smiles at you, the other one simply gives you a nod. They're so different, you’d almost think them adopted. But you can see their features in their father. 
The smiling one, Osamu, has short wavy brown hair and sparkling brown eyes. He gives you a tiny wave, and you feel your smile become genuine for a second, before you catch yourself. The ones who smile are more dangerous, you had learned long ago. They lure you with kindness and hit you with force. He’s dressed in a wrinkled button down and uniform pants, his posture casual with his hands in his pockets. A matching tie hangs crooked on his neck. It's the uniform for your school, or the boys school across the street. St. Catherines school for young ladies and St. Andrews school for young men share a single campus separated by a metal fence. 
The one on the left side is pale, almost sickly pale, with dark circles to match his long dark hair. It looks soft, his hair, and brushes just below his jaw. H’s eyes are dark, and they run over your face, almost as if they're checking for cracks in your composure. He’s dressed in the same uniform, but his appearance is more neat. His tie is tied correctly, and he wears a black jacket over the rest of his uniform. They are strange boys, but you are very used to strange after all. 
“Name? Entertain your new brothers, Sweetheart.” Cecilia says. You wince at the nickname. You hate that nickname, you hate it so much. “Yes Cecilia.” You bite out, smile still in place. You feel empty, like a porcelain doll. A tool Cecilia can use and discard at any moment. You feel disposable. You hate it. 
⋆。 °✩
Your new brothers are kind, if a little strange. The quiet one with pretty hair, Fyodor, is a year older than you. He plays cello and dislikes Cecilia, which makes you like him a lot. Fyodor treated you with an amount of distance at first, but slowly warmed up to you when he found out you play piano. He had informed you one day, when he was helping you with homework, that his mother was a Russian supermodel. And he’s handsome, you're not really surprised. He’s kind in a quiet kind of way, less teasing than his younger brother. You also notice how he subtly moves forward, shielding you whenever Cecilia is angry. You love him for it, that protectiveness. 
Osamu is younger than you by about six months, and loud. He quite clearly makes it his goal to be the loudest person in the room and you love how it annoys Cecilia every time he steals her thunder. He’s a very touchy person as well, unlike his brother. He would comfort you with jokes when he saw you were down, and could not cook for the life of him. His reaction to Cecilia was the most reactionary. He taunted her, shot smart alec remarks in her direction, or just plain ignored her. And every time he got a reaction. Cecilia’s face would flush red with anger, and she would strike out, just to be dodged with a snarky little comment. And the more angry she got, the more pleased Osamu became
And they hate each other, the brothers. At first you had thought they got along well, but then you noticed the snarky little comments they would trade back and forth, the glares behind their parents back. Everything is a constant competition, be it a board game or report cards they make it their goal to beat the other each time. And you don't really mind, the house feels warm and full of life, and you feel included. To them, life seems a game, and the people who live it merely pieces, to be moved to and fro to their pleasure. You must assume yourself a spectator, not a piece, but if you were a piece you would like to be the queen. Cecilia didn't like your new brothers, that much was obvious. But she still used them to belittle you every chance she got.  
“Your brothers got all A+.” She would say, pinning you with that faintly disgusted expression she used as default. “And you got an A.” You would surrender to your room to cry in peace, away from Cecilia's proud eyes, and the prying ears of your much to perceptive brothers. 
But if they shared anything, it was a sense of mystery. Because each of them never allowed you to get too close, keeping you forever just a length away. You tried not to take it personally, but you still shed a tear or two. 
But for the first time in many years, you were happy. The house congratulated you, as its hallways filled with laughter to replace to silence, its rooms with color to replace the beige. Cecilia was as unpleasant as ever, but she was busy with her husband, and left you and your step brothers to their own devices. But still you feared it would all go away. That soon, they would tire of you, that they would never let you close, that Cecilia would grow tired of her husband and toss out the trash as she always did. It was a nagging fear that came back to haunt you in dreams, until you woke up in a cold sweat. 
And there's an odd tension that hovers in the air, whenever you and the brothers interact. A strange tension that makes your blood sing with excitement, that leaves you on your toes with anticipation. When Osamu slings his arm around your shoulders, pulling you into a loose hug of sorts. When Fyodor pulls your hair behind your ear, his cold fingers brushing your face, leaving goosebumps in their wake. It's a tension you’ve felt before, a tension you don't want to give name to, a tension that scares you. But then, you're sure it's just you, that your new brothers simply treat you as a sister, like how you should treat them. You should not desire your step brothers, Cecilia had told you the night before they moved in. But then again, Cecilia had never been a very good role model. 
⋆。 °✩
It's raining, big fat drops pattering against the roof, wind splattering the droplets against the window panes. A faint clatter can be heard from outside, as if the wind itself is crying, banging at the doors. The wind sounded lonely. It banged on the doors of the world, begging to be let into the light, much like you had when you were young. You wanted to comfort the wind, to hold her in your arms with the warmth you had never been given, but everyone knew you could not hold the wind. So you simply told her to stay strong, and let the night and rain embrace her for you. 
You would always read when it rained. You remembered a book you had read long ago. It had been the one to solidify the wind as lonely, and had been oh so impressionable to your young mind. ‘Keep strong wind’ it read, ‘keep strong and soon the rain and night will hold you in their comforting embrace, will keep you warm and happy…’. You had always seen yourself in the lonely wind, and had dreamed of your rain and night to comfort you. The library had long been your only comfort, and you begged for human comfort, human warmth.(You didn't dare to hope that your step brothers could be your night and rain, because you knew god would hear you and laugh in your face. Because god loved Cecilia, not worthless you.)
Cecilia and her husband are gone, on a weekend trip to Hawaii. You were not invited, because of course not, and neither were your brothers. 
The house is almost silentand with Osamu out at book club the house seems to sigh in relief, giving itself time to relax before the loudness returns. 
You are curled up on the couch with a book, listening to Fyodor as he practices his Cello. It's a cozy evening, the fire crackling in the grate, the strains of the first movements of Brahms – Cello Sonata No. 1 floating through the cozy atmosphere. You hear the piano part along with him unconsciously, fingers tapping your things in rhythm. You can never quite beat the musician out of you, it's embedded into your very being at this point. 
Brahms – Cello Sonata No. 1, the first movement is a deep piece, and slightly depressing if you're being honest. But you love the melancholy that surrounds it. It creates a certain air, allowing the instruments to tangle together beautifully almost as if the melodies are dancing together. They twist like lovers, the parts, dipping one then the other, a beautifully teasing medley of pure emotion, something you could never truly give in life. It would be nice to dance with Fyodor, he was such an elegant human being, from the way he walked to his looks. You imagined the two of you would sail across the floor of the ballroom, his gloved hand on your waist, twirling you and spinning you and only looking at you. You wanted him to gaze upon you with reverence, much like the men your mother married gazed upon her. You want to be loved.
The Cello part comes to an end, and you sit silently for a moment, hesitant to break the spell. Then Fyodor's accented voice, still slightly hushed, breaks through the atmosphere. “How was it?” He says. You love his accent, it feels all full and warm. “Good, good as always.” You say, putting a finger in your book and looking up. “You were a bit sharp on the first note of measure twenty seven.” You're reading Pride and Prejudice, again. You’ve always loved it, and have read it some many times you’ve simply lost count.
Fyodor sighs, leaning back in his chair and resting his cello back into its case. “You always catch my mistakes. What would I do without you, Name.” He says with a small smile. Your heart warms at the praise, your smile threatening to break out of its confinements, all together and split your face in two. You tamp it down, putting on a face of disinterest you're not sure he believes. You always get the vague feeling that your brothers know you better than you know yourself.
You flip through the channels on tv, happy to have control of the remote. It's all the usual, sports games and real housewives and spanish game show episodes. You put on a random movie, which sounded interesting. ‘Essential object of enjoyment,’(is a title that to anyone else would scream softcore porn film, to you, still a sheltered girl of seventeen years old, it seemed as innocent as a daisy. You were not a virgin, but inexperienced and somewhat oblivious, so at odds with your calm adult attitude.) Fyodor plops himself on the couch next to you, a tedious foot away. He seemed too far away but all at once to close, the heat of his body a tease beside you. You clench your legs together, pulling in on yourself.
The film is about a young woman named Maria, who is taking a vacation on a very sketchy manor in a strange small town. It's a low budget film, with crappy acting and even crappier scares, but it's entertaining and you find yourself settling in against the couch, slowly leaning closer and closer to the warm human beside you. And soon, as Maria decides to ignore all the advice of the locals and enter the abandoned church late at night, you're so close your shoulders are almost touching, and finally, you dare to lean into him. 
He lets you, slinging an arm around your shoulders with an excuse none of you are listening to anyway, and pulls a small blanket over your bare legs. “You're cold aren't you?” he says, voice hushed in your ear. You shiver, with a nod. You arent that cold, but you want to be close to him, to feel his heat, his warmth. You're sure he knows this, and you let yourself feel hopeful for once, curling into his body like a pedigree cat. 
And as you watch the movie, heart pounding in your throat, it dawns on you that something is very clearly wrong. The budget is too cheap, but the camera work is too advanced, the camera’s to expensive. The acting is too bad, but the actress has professionally done makeup and hair. And then, as you watch Maria get tied up by the clean masked man, it all makes too much sense. It's softcore porn. You move for the remote, fishing around for it on the couch, desperately. You're already flushing, your thighs rubbing together as you reach around for it. The idea of watching a porn film with your step brother is humiliating and embarrassing and frustratingly arousing. 
“Do you need something?” Fyodor says, rubbing little soft patterns in your shoulder, pulling you closer to him. You nod. “The remote, gonna switch channels.” You're already flushing, but have stopped your frantic fishing for the remote. He frowns in disappointment and you automatically tense, so used to Cecilia’s disappointed or angry stares. “Can we leave it, I'm actually enjoying it.” He says. You glance at the screen, where Maria is now being threatened by a knife. You desperately want to say no, but the people pleaser in you insist you agree. And so, you sink back into his touch, flushing. 
‘Where is it? Where is it?’ The masked man is saying to Maria. The film takes a moment to focus on the actress’s bountiful chest, and you try not to writhe with embarrassment and jealousy. You bet Fyodor likes big boobs, Cecilia said all men like big boobs. Her’s are fake, but you don't feel the need to protest and get a slap. 
The bad guy of the film is a man in a purple mask. He’s thin in stature, and tall, overwhelming Maria’s small frame. He reminds you distinctly of the man sitting beside you, with his face hidden like that. He has a russian accent in the film as well, just like the man beside you, and as he whispers in her ear it does stuff to you. 
‘Tell me where it is or there will be consequences.’ the man in the mask says. 
‘I will never tell you!’ Maria says definitely. You watch in horror as the masked man's thin fingers slip between her thighs. The camera cuts to her face of surprise. It's clear that this is where the actress’s true chops shine, as her mouth drops open in a little oh of surprise. 
You feel hot, biting back a whimper as you press your thighs together, hoping that your step brother doesn't notice. 
‘Your such a slut for my fingers aren't you?’ The man in the mask bends Maria over a table, the camera now showing a cut of his hands pulling her thighs apart. All you can picture in your mind is you as Maria, and the man in the mask as Fyodor. When the man in the film speaks all you can hear is Fyodor’s voice, his teasing lines, him all him all him. 
And then, the other bad guy of the film appears. And honestly it should shock you out of your dirty fantasies, but the other man, this one in a teal mask, sounds very similar to your other step brother. 
You can imagine yourself in Maria's place, bent over a table like that, fingers shoved up your cunt, dick keeping you silent. And most of all, pretty praises falling out of your step brother's mouths. ‘Such a pretty girl, such a smart girl, so good for us, such a slut for us—’
Fyodor’s eyes are on you, you can feel them even as you focus resolutely on the screen. He speaks near your ear, a pur, a whisper, a tease ment for seduction. “What are you imagining, darling?” He says. He speaks like he already knows, and through your haze of arousal clouding your brain you let the words escape before you can stop them. 
“Fingers in my cunt.” You say, your voice a whimper. Maria on the screen begins to moan, loudly. The volume goes down on screen and you're too lust clouded to question why Fyodor had the remote. 
“You want fingers in your pretty cunt baby?” Fyodor purrs in your ear, his long pale fingers teasing the edge of your uniform skirt. “You want my fingers stuffed up that tight cunt of yours? Would that feel good?” You whine, head falling back against his arm, eyes falling closed. 
“Oh yes, please.” Your voice is embarrassing, all breathy and whiny. This whole situation is illogical, and if you were able to see through the haze of lust in your brain you would have backpedaled immediately. But you're horny and in love and he’s encouraging you. 
His fingers caress the edge of your panties, teasing you with glances of touches, driving you crazy. You grip his arm, the one teasing your pussy and shove the hand against your drooling cunt. The man beside you bites back a groan, muffling his pleasure, but you hear it. It reassures you that he wants you too, but also drives you insane, craving sweet relief with his touch. 
Fyodor’s fingers find purchase, clever musicians' hands pulling back the crotch of your panties. He chuckles as you clutch his arm, still clothed in his loose white turtleneck and jeans. “You're so wet darling, your little cunt is absolutely drooling.” he says, his accent doing things to your brain, to your pussy. Your eyes catch on the dirty picture. He drags his fingers through, collecting a fair bit of wetness and popping his fingers in his mouth. The picture is nasty. He keeps eye contact all throughout, sucking his fingers wetly, the dirty slurping sounds filling the room. 
“Here darling.” He holds out his wet fingers, dripping with a mix of saliva and your own arousal. “Suck.” He says. You take them in your mouth obediently, tasting the mix of arousal and saliva. The very idea that you're tasting him, that you're tasting his very being, makes your abandoned cunt clench around nothing, the nasty slurping sounds you make only fueling the arousal perfuming the air. At some point Fyodor had turned off the porn, and now the only sounds that fill the room are from the two of you. A different kind of music than that you're used to, a symphony of debauchery. 
His fingers leave your mouth with a pop, and you open your eyes. He smiles at you, all hazy eyes and spit slicked lips. “Good girl.” He says, and then shoves both fingers in your cunt. You arch off the couch at the abrupt intrusion, clenching down hard around his fingers with a scream. ‘Oh, oh god Fyodor!” You say, panting. He looks vaguely proud as he scissors you open, watching as you thrash around on his fingers, bucking desperately. 
The sound of the door slamming penetrates the haze, and you grip Fyodor’s fingers, trying to stop him. He just continues to fuck you open, grining all the while. 
“Man, fuck you Fyodor.” It's Osamu, looking less surprised and more annoyed. Fyodor just continues grinning as you moan on his fingers, drooling pussy on display. “I consider this a win then?” He says, smirking. Ah, another one of their competitions. You would pay more attention but your being fucked open by Fyodor’s long relentless fingers. You keen as he adds another one, gripping his arm with a nasty whine. 
Osamu speaks to Fyodor, but his eyes are fixed on you. “It's not over yet, you fucker.” He says, slamming his backpack down on the floor and sauntering over to you. “Name declares the winner. Deal?” Fyodor, now rubbing a thumb on your clit nods, holding out his other hand to shake. “Deal, that sound good darling?” You nod around your moans, not truly comprehending what that means. Osamu sends you a rather scary looking grin and pounces. 
They move you into a doggy position first, Fyodor replacing his fingers with his cock. You're already so close, and as you feel the large intrusion bully your walls apart you cum right there, your head falling against the couch cushions. “Oh, oh, oh god, ‘m coming!” You scream, drooling onto the couch. Fyodor grunts behind you. “You're tight.” He coos. Osamu grips your jaw, draggin you off the ouch to look at him. “So pretty too, just perfect aren't you.” His dick is already hard in his jeans, you can see the bulge as Fyodor begins to move, fucking you through the overstime. You whine in pain, the sharp pains of overstimulation mixing with the blinding pleasure they give you. Dazai chuckles. 
“We’re going to fuck you do good darling.” He says, running a gentle hand through your hair. “Make you feel our love.”
⋆。 °✩
It's when you're three orgasms deep, and you're hung over the couch backwards, a dick down your throat and cum dripping from your pussy, that you maybe start to have second thoughts. Their stamina seems endless, and they bring to the edge relentlessly, their competitive natures making them drive you to orgasm after orgasm. The world is hazy at this point, and all you feel is pleasure, all you hear is their voices, all you want is them, them them. 
“Switch her around Osamu.” Fyodor says, his accent rough though the haze. You feel yourself hoisted up, and now you're folded into a mating press and Fyodor’s fat cock is bullying your walls again. Cum leaks out of all your holes, the loud squelching sound letting you know that you're thoroughly ruining Cecilia's favorite couch. You're covered in sweat, completely naked and makeup ruined, and to the boys you’ve never looked so pretty. They tell you at length, compliments showered on your exhausted form. 
And as you cum yet again, clenching around Fyodor’s dick with a weak cry, you feel so loved, so appreciated, and so optimistic. 
And then you bended into another position, Dazai’s dick lodged into your ass, Fyodor’s in your dripping cunt.
⋆。 °✩
“So, which of us won anyway?” It's Dazai, and he sounds plenty exhausted. You sigh tiredly, holes dripping cum onto the carpet and exhausted. “Draw.” Is all you manage to pant out. 
Fyodor beside you chuckles. “I guess we’ll have to have a rematch then.” You're exhausted, but you feel your pussy clench tiredly at the mention of that. “Yeah.” You sigh out tiredly. The boys chuckle beside you, each pressing a kiss to your cheeks. 
“Love you Name.” You hear them whisper in your ear. You smile as you drift off the sleep. 
End Notes: I am actually a piano player, and every time I listen to classical pieces nowadays I feel really bad because I haven't been practicing lately because my piano teacher is taking a break because she had a baby. 
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illyabata · 1 year
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scars are A Thing™ with wriothesley and nobody can convince me otherwise, idc if there is zero mention of his scars or their meaning when he comes out idc it’s my permanent headcanon that scars and their stories are simply entangled with his character idc
so now i give you: wriothesley who is fascinated by your scars
tw: discussion of scars lol, but in no way do i indicate their origin unless it’s stretch marks. however if talk of scars at all is triggering to you, dont read!! it’s sweet fluffy stuff, but that doesn’t matter if it will trigger you. please take care :)
sfw, big brainrot under cut
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theyre so much smaller than his, more delicate, just like you. doesnt matter if compared to other people you are big or tall, he’s such a big guy that he makes you feel small no matter your size or height. and no matter what your scars look like to you, to him they are beautiful. to him they are delicate.
he’s enamored by all of your scars no matter their origin—stretch marks, however, seem to intrigue him the most of all. he’s absolutely transfixed by them, and you can never understand why. he’s simply mesmerized by the way the blemished skin stretches as he thumbs and presses it, watching the discoloration flatten itself only to bloat back when he leaves it alone. for some reason he just seems so puzzled by the concept of natural scarring of the body; nothing had happened to harm you for these to appear—they’re simply the product of change, your skin either going through rapid periods of expanding or shrinking. he thinks they’re pretty.
he’d spend so long just running his rough fingers over your skin, absorbed in the feeling of the puckered tissue under his own blemished hands. whether the scars are stretch marks or from something else, he loves them, he loves you.
this might sound weird but i just like to imagine you both spend time gently tracing each others’ scars as comfort, like it sounds weird in words but it makes sense i promise. there is something intimate and fascinating about scars, no matter what they’re from; it’s truly like the language of your body’s history, a record of what has occurred. you can resent them or be proud of them, it really depends on the person and situation—but regardless, scars are always a record, and that is a constant no matter the person.
and if you’re not comfortable with that level of touch or that much attention on your scars, that is absolutely okay. he’s not going to make you uncomfortable, he’ll always ask if it’s okay before he looks at or touches them—or touches you at all, really. he never wants to hurt you. and if you say you’d rather he not touch your scars, he’ll understand and just show you he loves you—all of you—in some other way.
like idk about anyone else or if its just me and im fucking insane but sometimes i get lost looking at my own scars; sometimes the human body at work is just kind of fascinating to watch, and even more so in retrospect. it’s like holy fuck you’re looking at its handiwork, you can plainly see how the skin has been so masterfully rebuilt into this little woven bandaid of cells, carefully crafted to not only rebuild but protect. your body has looked after itself, and it will continue to do so. and thats just kind of a fascinating thing to me idk😭
some extra thoughts about scars, not really to do with wrio; red brackets will indicate the end of it if you want to skip: [[ it usually replaces any feeling of disgust i have because instead of focusing on the bad feeling of remembering where they came from or being sad at the way they look im able to think about how cool it is the way my body recovered and made my skin even stronger; it didnt just wipe it all away and give me a clean slate so i could forget, it pieced the cells together again bit by bit until it had not only replaced the wound but enforced it—so instead of forgetting the bad feelings, they were replaced by wonder. sort of like a sign that says “proof that where once there was pain, now there is strength”. it’s kind of like how they say you don’t just try to quit bad habits, you must replace the bad habit with a good one. you can replace the bad feelings associated with your scars with new feelings, whether they are good feelings or neutral feelings or meh feelings. ]]
before you, he understood scars to be an ugly thing—a source of shame, a show for others to marvel at if he left them uncovered, for them to ogle at and whisper about as if trying to guess the origin of the wounds was a sort of entertainment to them. and then in the fortress of meropide, his scars felt much less like a source of shame and more like an intimidation factor (which wasn’t something he necessarily felt good about, but it was something that he benefitted from as the duke). but when you came along and he began to know you, suddenly they were this beautiful, fascinating phenomenon that lead him to view his own scars in a different light.
he’s a powerful, strong man, yes. he’s intimidating and feared, but he is also loved, and all for good reason—he is solid and safe, an image of reliability to others. and sometimes it could weigh him down when he couldn’t seem to let another help carry the burden.
the way you made him feel, though, tracing his big ugly scars like they were rivers, like they weren’t repulsive—it changed him entirely, and it changed the way he saw himself. in the overworld, he was a criminal brute slathered in the proof of his savageness. in the fortress, he was the rock-solid standard for redemption, and he had to uphold his firm reputation. but with you, he was able to be fragile; with you, the walls he had built to protect himself from both sides of fontaine’s society came tumbling down, because he didn’t have to pretend when he was with you.
if such a small, sweet thing like you could see him in such a kind light with so much love in those eyes of yours, perhaps he was not so bad after all.
everyone else in all of teyvat could believe he was truly a bad guy like he sometimes enjoyed playing at—but it wouldn’t matter, because there you were in his bed every night, held fast in his big arms as you mindlessly traced the long, thin writings engraved in his skin, letting the stories they told lull you to sleep.
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divorcedfiddleford · 10 months
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ok last thing i SWEAR im gonna shut up after this but i just wanted to post michael rianda's outline for the jack kerouac wendy episode that i mentioned. it definitely needed a lot of work but i do like it in concept. image ID/transcript below the cut (warning it's LONG)
[image 1 ID: a screenshot of a tweet from michael rianda. it reads: "I Found a Lost Wendy Episode of Gravity Falls! We were always trying to crack a Wendy episode. This was my favorite. I love the teenage feel of wanderlust + getting excited about reading "On the Road." I love the backstory and flaw. It didn't work but I always liked it." end image 1 ID.]
[image 2 ID: a screenshot of michael rianda's outline. from here i will simply transcribe what he has written, only fixing typos that interrupt screen readers.
Episode 3. Wendy's "On the Road" This is the first in a series I did where I wanted to get to know a character better, and I started with that desire, and followed it through.
Cold Open: A woman answers a phone at a Wal-Mart type superstore place. Wendy's on the other end with Dipper and Mabel. She asks to be transferred to extension 234. Extension 234 connects them to the stores loudspeaker speakerphone. Wendy starts making joke announcements over the loudspeaker: Wendy: "Clean up to aisle 6, customers seem to be projectile vomiting all over eachother." Mabel and Dipper are laughing hysterically. The woman can't hang up on Wendy so she calls the cops. Wendy's still going. Soos asks if she could get in trouble for it. Wendy brushes him off. Then the cops show up. Stan sees Wendy arrested and swells with pride- "she HAS been learning from me (quietly weeps) I'm so proud."
Act One: Open on Manly Dan... by his age it must be the past- he teaches his boys to chop wood and they're all struggling. A huge tree drops in the distance. When the dust clears... it's little Wendy. He tells her to climb aboard his shoulders my little axechild! They happily gallop off. They love each other. It's very sweet. Cut to present day: A confrontational Manly Dan is bawling Wendy out for getting in trouble for the prank phone call. He tells her not to be so impulsive and do the first thing that pops into her head. Wendy insists Manly Dan is the most impulsive person she knows, besides the cops left her off with a warning. She brushes it off by saying she has to go to work.
B story. (Not sure what)
Wendy's reading On the Road at work. She's getting progressively more pumped about this book. Mabel asks what it's about. She explains it all and the kids are pumped. They're swept up in this romanticized teenage vision of hitchhiking on the open road. Stan has to leave for some secret portal reason and Wendy's like: "Let's do this right now!" (Secretly she just doesn't want to go home and deal with her dad.) "Let's do it let's just hitch hike. Leave town! Start a new life! Like Jack Kerouac!" Mabel is enamored.
End image 2 ID.]
[Image 3 ID: picking up from the transcript of the previous image:
Soos is wary of leaving the shop at first. But Wendy talks them into it. A couple of her friends come. Lee, Nate, Thompson, and Tambry. They get on the road and are immediately having fun. Things are looking up. Soos is worried. Wendy: "Easy Soos, we're in Oregon... it's just going to be a bunch of nice hippies..." Cut to a terrifying crazy red eyed driver without a face driving towards them. Act break.
Act Two: Wendy and Co are having fun just like you should on a road trip/vagabond adventure. They're stopping at mini-marts and getting lame snow globes- and making fun of them. Things are looking good. It's like a road movie. They all relate to each other about problems with their parents. Wendy doesn't say much but she has a flashback to her and her dad drifting apart.
Stan B Story.
The scary faceless driver comes by and offers them a ride. (they can't see his ghoulish faceless self) Wendy immediately says yes before anyone else can decide. People are like "I don't want to go hitch-hiking." "Wendy: It'll be fine! Come on- this is the adventure of our lives. People in those stories never said, no I'm scared." She makes them all go in. It's creepy and tense in the car. Eventually the guy reveals himself to be a horrifying ghoul face and locks the doors. They all go screaming into the distance.
Act Three: He takes them to the "End of the Road" Diner. Or you hang a lampshade on it and have it be Bob's Big Boy but with a David Lynch head on the outside. There are other people that get taken there and stay forever and are sort of these lost souls that are stuck there. From all different eras. It's like this terrifying Lynch-ian dark version of an idyllic road trip stop. Basically it's a Lynch parody fest with Soos and Mabel. Like these little creepy old couple are walking in fast motion out of a wall and Soos is pushing them back in. "Whadda you doin grandma and grandpa... get outta that mouse hole. Get back in that mouse hole you goofs." (Probably too insane) Anyway, everyone wants them to have "the special" and after you eat the special, you stay there forever. Wendy's really guilty that all this is her fault.
End image 3 ID.]
[Image 4 ID: the last of the transcript:
Wendy wants to impulsively react, but remembers her dad. She thinks carefully what to do and comes up with a plan- and chops down a tree on the driver. They all come home- relieved to be back in Gravity Falls, and her dad is chopping wood in the back- he's still mad at Wendy.
Wendy: Hey... Dad? Manly Dan: (grunts) Wendy: Can I chop some wood with you? Manly Dan just nods and waves her off. They fell the tree. Manly Dan: Haha! That's my little axechild! Wendy smiles and keeps chopping.
Something like that- obviously a lot of variables to be figured out- but I love the teenage feeling of this and love that it gives Wendy a story and a flaw. Still needs work to make her better but it's a start.
End image ID.]
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deduction-substitute · 4 months
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I think of those concept arts for the chinese academy of arts crossover and im in LOVE with Lucky's designs
Watch me make this about luckyqi and edlucky
This is a REALLY long post i will warn you. Just know that it includes doomed immortal yuri (luckyqi), reincarnation, and edgar 𝓯𝓻𝓮𝓪𝓴𝔂 valden
Lucky being an immortal that loved the mortals and was loved back. She never cared much for grand displays or offerings, so little was actually known about her
Many people praised the same god without knowing, having their own interpretations of Lucky. Unfortunately, this also caused misunderstandings, believing that their god was superior when theyre LITERALLY PRAISING THE SAME GUY
Heartbroken by his followers turning against each other, he went down to the mortal realm to try and sort it out, which wasn't allowed and risked the loss of your immortal status
It did not work lawl. Because Qi Shiyi, another immortal, was sent down to correct Lucky's wrongdoings. By that, she was the one to dish out her punishment. I love doomed yuri ❤️
Qi Shiyi and Lucky met on the battlefield. Lucky, knowing what she came here to do, accepted his punishment.
Qi Shiyi was originally going to just bring him back, but Lucky loved his people too much to leave them and asked to be stripped of his immortality instead
Reluctantly, Qi Shiyi did as she asked and accompanied Lucky in the battlefield to help resolve the war, since it was greatly affecting other immortals too
FAST FORWARD TO HOW MANY CENTURIES LATER!!!
Many myths and legends were made about Lucky's story, of course with different variations. But all of them ended the same: with him in the arms of an unknown immortal as he took his last breath
Edgar Valden, a rising painter, got a job at a museum that wanted to use the different texts about Lucky to (hopefully) create a more accurate depiction of him
At first Edgar did NOT want to take this job, past is past or whatever, and the curator has fired multiple painters before. She was said to be a strict woman, who dedicated her whole life to preserving whatever was left about Lucky.
But the more Edgar read about Lucky the more he became enamored with him
It's silly, to have fallen in love with a myth. But the vision of Lucky that Edgar created in his mind had completely consumed him, and he obsessed over every word, every single detail he could get about the unlucky immortal
The curator of the museum would come visit sometimes to check on his progress, as well as choose which of his paintings would be included.
She often ordered Edgar to change certain parts of his piece or redo it entirely. Edgar complained about it at first, until he realized that this gave him a chance to become "closer" to Lucky
He wants his painting of Lucky to become his ultimate masterpiece. His magnum opus.
But for some reason, the curator was never satsfied with Edgar's works. Sending back each piece with harsh criticism, and making Edgar fall further down his obsession
He needed more. More about Lucky. The texts the museum supplied him with wasn't enough. So he did his own research
Edgar came up emptyhanded, and went to the curator to see if she had any more about him. She acted defensive for some reason, but eventually, after seeing how dedicated Edgar was, let him see texts that she collected and kept private from the public
For some reason, these texts were a bit too...personal?? There were letters between Lucky and the immortal (at least Edgar assumed it was them) that was with her in her last moments, scripts of characters that were written over and over again, as if the writer couldn't differentiate one from the other
But hey!! Who was Edgar to complain? He ate it all up and used it as inspiration and motivation to finish his piece
When Edgar presented his final canvas to the curator, she went pale before ordering that it would be presented in the museum as the main piece, the rest of Edgar's paintings included as well even though she rejected them before
Finally, Lucky's gallery was open to the public. Many people far and wide came to visit and admire Edgar's paintings.
One of them happened to be a young man named August, or as his friends liked to call him, Lucky.
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nerves-nebula · 5 months
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Re read Loose Stitches and it got me thinking about school experiences that made me realize something really weird my parents always said that stemmed into something that actively still a problem now that I’m in university, where I really struggle to admit when I’m struggling or don’t know something, even though that’s the point of school. My parents always used to say I shouldn’t ever say “I don’t know” and got mad at me for asking questions about stuff they asked me to do, and got reaaal snippy whenever I asked for clarification or for them to repeat what the told me to do. Stuff like that made me weird about getting help from teachers in any scenario, which I’m realizing is a whole avoidant behavior thing that fucks me up even when I do ask for help. Any way, I don’t know why I’m telling u any of this—I feel like my asks to u always get traumadump-y—but Loose Stitches captures a series of very vivid experiences which makes me think which is cool and I love it a lot, I guess.
sammeeee. well, sort of. they'd both get annoyed if i questioned them and my own self imposed anxiety + their bullying made me terrified to ask questions and look "stupid" but at least my dad is enamored enough by the concept of learning that he doesn't hate ALL questions. if you ask the right ones he'll even be delighted :D at least, that's what I remember. it's been a long time now.
I'm in my junior year of college and I've basically only just now realized that I should probably have emailed professors a lot more than I did. for help, advice, questions. i mean they're the greatest assets we have here, they have SO MUCH knowledge and I've just been too afraid of bothering them to ask.
y'know, loose stitches was never supposed to be about school or the education system or CPS or anything like that. in fact, while writing part 1 I was initially annoyed because I wanted to get to all the "cool" stuff that happens in part 2 and I needed to spend all this time in this setting i didn't care about (this weird hybrid CPS housing/college campus) in order to do it. but in having to flesh out that "boring" stuff in part 1, i've found that's not so boring or uninteresting after all, and it's gonna make part 2 way better as well when i dive into all the ways the system can and has failed people, not JUST our main two characters.
honestly, I still think the world of loose stitches is kind of underdeveloped, because the focus was never really on the world building for me so a lot of it is just life experiences and what I've learned from history with a slightly different nonhuman context.
ummmm that has nothing to do with what you've said here and i just realized im rambling. should get back to work now, thanks for the ask! I always love to hear what people think about my comic <3
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bugsinthebayou · 6 months
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heya i am quite enamored by lyrebranch and would really love to learn more. would you be interested in elaborating on their personalities and history together? :3
EXPLODES I LOVE LYREBRANCH SO MUCH !!!! im so obsessed with them theyre so unhealthy
now im not gonna go super into detail because 1. im tired and 2. these two are actually characters ive got for a possible meowdy bit, so i dont wanna spoil Everything
Calypso Nudibranch - calypso nudibranch is a triton/fish person from the undersea. specifically, she's their beloved princess. shes a natural-born leader, flounders when she has to lie, and is generally calm and collected. she's an incredible warrior, known and loved by her people for her dedication to being their guardian and future leader. there's one thing that gets her so, so angry, and thats people like jasmine lyre
Jasmine Lyre - now jasmine lyre... well. do you remember what chip jrwi was like? in the first few riptide episodes? shes like that but like, wayyy worse. way worse. and also a bisexual woman. my first ever message/concept idea for her was literally this
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i have a playlist for her and it only has two songs so far but theyre So Her its insane. shiny from moana and a mask of my own face by lemon demon. she cares about one thing, and one thing only; gold. gold, jewelry, fame, power. and i guess she cares about her crew mutinying a bit. she sucks so bad she broke up with her girlfriend the day she met calypso because she hated calypso more passionately than she loved her gf. most of everything about her is a lie. she even made up her last name, but she wont spill the beans on if her first name is fake too. and yes, "lyre" sounding like "liar" was very purposeful.
LyreBranch - THREE CHEERS FOR TOXIC YURI!!! they hate each other so much they want each other (dead. and sexually) so bad. they want nothing more than to kill each other and to be the ones To Kill the other (so no assassins or crewmates/guards doing it for them). i have some images that are very Them
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theyre obsessedddd which each other. jasmine's crew is verymuch sick of her shit. calypso's guards are concerned, but not enough to intervene (they think that if anything happens calypso will just kill jasmine). they daydream and dream about killing each other (and in weaker moments, about more suggestive situations). i usually talk mostly about how much jasmine flirts with and mocks calypso and how obsessed she is, but dont get the wrong idea. calypso is just as obsessed as she is. she just doesnt flirt or externalize it as much as jaz does, which gives it the appearance that jasmine is the one pursuing calypso and fighting her when in reality theyre both fucked up and toxic about it
ive got so, so much more about these two (both as individuals and together) but its almost 3am and ive got a headache, so i'll let that be a topic for tomorrow o7 hope you enjoy them!!! o/
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birdsquirrel · 2 months
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creature concepts for a minecraft pokemon-like mod
a while ago, i made a post about how there should be a creature collecting/battling mod for minecraft that has its own, minecraft-inspired creature designs, instead of pokemon.
i think this would be good both in terms of "fitting" into the game better AND keeping out of the attention of a famously litigious game company.
it also would be a chance to give the creatures uses in the game outside of battle.
here are a dozen ideas for creatures i've had:
a dirt themed doggy - somewhat inspired by a dachshund, though bigger and more front-heavy. outside of battle, it occasionally digs up items - things like plants, seeds, saplings, bones, and rotten flesh. rarely, it can dig up ores.
a panda guy that plays instruments, a banda - i'm imagining a different variant for each vanilla panda variant. outside of battle, it plays little tidbits of song. if there are multiple bandas around, they play together :)
cherry bee - a little pink bee with cherry blossom wings and green antenna. it bone meals crops when it flys over them.
a leaf sheep. a leef - it's a sheep that looks like it's made of wood, that grows leaves instead of wool. there's a variant for each vanilla tree, found according to which biome it generates in. you can shear it for its leaves, but you might not want to - the leaves allow it to tank the first hit it receives in battle.
a kelpie but it's nice :) - a horse with a kelp mane, found on beaches and in shallow oceans. it has a few color variants - black, dark grey, light grey, white, and bluish green. you can ride it and not only will it swim, it does so at a good pace and gives you water-breathing while you're mounted on it.
flying pig - come on, you gotta have a flying pig. it's tiny and round and gives you luck.
a giant rooster named buckawk - i'm gonna be real with you, this ones mostly so people can make immature jokes about having a huge cockerel. yeah, children play this game, but this is exactly the kind of humor 12 year olds love. he gives you feather falling.
an aurochs themed around ore. an ore-ox, if you will - has variants for all the vanilla ores, possibly with built-in support for common modded ore such as osmium, aluminum, and platinum. occasionally sheds raw ores.
an electric jackalope - this one comes from when i was thinking maybe you could craft the creatures, and he would've required a lightning rod. tbh i can't think of a use for him that would NOT result in players hitting themselves with lightning, but im still enamored with the idea. maybe he can just press buttons like a copper golem :)
salmon dragon - you know how the magikarp/gyrados line was inspired by the legend of carps jumping up a huge waterfall and turning into dragons? and you know how salmon migrate upriver and undergo a strange metamorphosis to be able to do so? yeah. salmon-dragon. idk what this one would do either, the concept just rocks.
lava llama. llava - it'd look cute and the pun is solid. you can ride it over lava like a more-easily controlled strider and it gives you fire resistance.
bottle axolotl. axobottl. - yeah i know axolotl wasn't originally supposed to be pronounced like that, but consider - a little guy that you can give a potion and then he gives you that potion effect for much longer than the potion itself would've.
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aftout · 1 year
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I will send a silly ask like you wanted! What are some of your favorite ships in media and why?
If you don't want to do romantic relationships, friendships or nemesis work too
OUGHHAAA I feel like I talk about my romantic ships a whole ton so im gonna shake it up and uhm. Uhm. Uhm. Platonic time …
Juliette’s Draft has an amalgamation of cross-media friendships stored away in it for safekeeping and a handful of them make me go crazy stupid style.
Wotton and Pesca are underrated faves of mine. It makes no sense based off of strictly the source material but by God do I think they’d make an insufferably comedic duo. Something about a guy who’s constantly trying to piss people off paired with a guy who’s constantly trying to cheer people up.
Elizabeth and Jekyll are also my 🫶 loves my lights. There’s something touching about the way they see themselves in each other. Idk man i think they’re the worst in-laws on planet earth and need to be contained but also given everything they could ever want. Enamored by their mutual hatred for big manmade structures.
Not JD related WHATSOEVER, but big fucking shout out to Armpit, Zigzag, Squid, Barfbag, and Kaira. If you know you know but the concept of that friendship group drove me fucking NUTS for the entirety of 2019 it was a great time to be silly. My Holes/Small Steps era was 👍💥
Wanga Maxwel . Ive made ten million postz about them but now you will hear about it again just for a tidbit. I need them to fight god
WOODLEGS AND WILBUR!?! LISTEN. THEY ARE BEST FRIENDS. Parrot? NO! Hyperintelligent monkey king found on a raft.
Back to jd again lol!! Robert Walton and Sibyl Vane <:)) they make me smile their friendship is so importants.
I cant think of any others rn lol help me but I LOVE IT WHEN PEOPLE ARE FRIENDS 🫶🫶🫶🫶🫶 LOVE LOVE LOVE
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actualbird · 3 years
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The Luke and Marius headcanons are going to drive me insane. I seriously can't anymore. They both are not in my head rent free. How do you come up with the most incredible stuff?
But I had a thought. What about Artem and Luke? 🤔 I can kinda see it, kinda not 🤔
🌺
hi, hibiscus!!! im SO GLAD ur enjoying my marlukes HAHA. they live in my head rent free so im making sure u all get them in ur heads as well
AND MAN OKAY. ARTEM/LUKE WAS ACTUALLY THE FIRST NXX BOY SHIP I THOUGHT ABOUT. heres my first ever tot hc post, twas me going crazy about artem/mc/luke. and wait, lemme bring up this ask in my drafts as well from custard flanon
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my case for artem/luke dynamics and lighthearted hcs towards the end
wc: 1.1k
in the beginning, i was enamored by artem/luke primarily bc artem and luke were my faves. but now, ive been enlightened.
artem/luke is fantastic to me because honestly, artem and luke are very similar and if neither of them change, theyre going to fuck each other up by virtue of strengthening each others' unhealthy habits. my ideal love for these two is seeing in the other not just a lover, but a mirror and a wake up call to get better. for the other person's sake and for their own
thats a lot, so lemme go thru this bit by bit. first off
artem and luke's dynamics irt characterization
in my nxx boy chart of tendencies, artem and luke are both in the i do not want to do bad things to others zone. both of them are, in my opinion, heavily motivated by their desire to be good (luke) or correct (artem) for others. put those two together, and kjfbgkd the MORALITY AND LOGIC OVERTHINKING OF IT ALL, LMAO. them entering a close friendship would be luke going "ah, i must sacrifice my life now for artem" and artem going "ah, i must work so so much to be exactly what luke needs" boys, get therapy
both luke and artem are prone to self flagellation but for different reasons. luke is motivated by a morality kind of shtick while artem is motivated by rules and the concept of earning. again, this colors the language i use to describe them. luke wants to be good, artem wants to be right. when they perceive themselves failing this, they punish themselves.
with the above, it is PRETTTTYYY obvious how like, if they get together and they dont improve themselves, itll cause a feedback loop of them just making each other worse. like, same coping mechanism! hell yeah! if they reinforce this kind of stuff in the other, theyre going to be very very miserable.
to bring up custard flanon's ask, yep yep yep. thats another danger. artem so desperately wants to be seen as human and luke has a horrid tendency of putting the people he loves onto a pedestal of perfection. this is not great for both of them, it causes more distance, it would rip them apart.
i do not like this because that is a sad story, so heres what has to happen for it to be a good one
their differences is what makes things get better.
luke is a very emotionally open person while artem is not. luke is open about his love and happiness towards others and seems quite naturally in tune with feelings while artem has difficulty, mostly because of his restrained personality and general shyness. i can very much see luke being able to bring artem out of his shell, help artem be more open.
artem, while he has his moments of self deprecation, is more aligned with the concept of working to get over hurdles. luke is a more hopeless motherfucker, sometimes convinced that hes going to be a bad person forever regardless of what he does, but artem can help him see that no, no, it just takes work. and we can work on it together. hand in hand, side by side.
artem and luke are similar. but their differences matter so much because thats how they can learn from each other and improve as people.
theres a whole LOT of other stuff i could say here, but i'll cap it at this
lemme move onto some more lighthearted stuff HAHA
assorted bag of artem/luke headcanons
these guys are so SO SO BLUSHY FLUSTERED. THESE TWO ARE THE EASIEST TO FLUSTER, DEFFO. their courting is going to be excruciating but also disgustingly romantic. artem delivers a bouquet of flowers to time's antiquities and luke spends the whole day just scree-ing to peanut. luke gifts artem a fountain pen that is a gun, delivers it to themis law firm, and artem is touched and then accidentall fires a shot into the ceiling and celestine CACKLES. "OHHHH, ARTEM, U GOT A GOOD ONE, HERE. he got you a fountain pen that is also a weapon. it's so you." and artem goes into his office to melt into a blushy puddle. love goop
artem does not let luke cook. they tried to cook together, thats a romantic thing right? but the one time they did, artem nearly had a heartattack at how luke leaves the stove unattended always and holds knives as if hes going to stab the vegetables, not mince them. artem very lovingly tells luke to sit down at the kitchen counter and luke admits defeat bc like, he is NOT complaining at the chance to just sit there and watch artem wing be domestic and cook something delicious for him
(shhhh, dont tell artem this, but luke has been doing more studying on cooking like a sane person. he really does want to help out in the kitchen in a non-stressful manner and hes excited to surprise artem one day with a dish he'd cooked for him.)
CANNOT stress this enough, these two are disgustingly romantic but very specifically in the little ways. nothing grand like candlelit dinners or rose petals on the ground (....well. artem does try that for their anniversary, DONT LAUGH, HE SAW IT IN A ROMANCE DRAMA TV SHOW) more like. everytime they leave each other, theres always a quick kiss, they r holding hands whenever they can, face touch, nuzzle into hand, small kiss to the palm. anybody who sees these two is torn between "AWWWW <3" or "stop. stop youre making me feel so fucking SINGLE...."
i very very much see artem, if he uses terms of endearment, going for the ones like darling, love, angel. the first time artem says this is actually when hes half asleep and luke wakes up early for his morning jog and artem is like "gmorning have a nice jog, love" and luke goes so red and runs like a few extra laps to calm down HAHA.
luke, im starting to realize, is somebody i dont hc using terms of endearment at all, he always just uses the name of the person he loves. but the way he says the name is what makes it so special; savoring the letters, the sound. reverent and grateful. artem has never heard anybody say his name like that, as if he's a treasure.
artem, luke at his side and peanut on his shoulder: dont you ever talk to me or my boyfriend or my son ever again
thanks for these asks :DDD
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sineala · 3 years
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A Few Thoughts About Hurt/Comfort
I have been asked this month to make a post about hurt/comfort in Avengers comics. And I love h/c -- I actually have a massive number of WIPs right now that are h/c -- so I am very happy to talk about it! Anyway, this is not really all that planned out and this mostly turned into an excursus on Tony Stark's pain. I'm sure you're all surprised.
Like pretty much everyone else, I'm sure, I have found that everything lately has been... pretty tough. And the coping mechanism that really got me through last year and this year was reading and writing a lot of h/c, on the theory that, however lousy a day I'm having, I can absolutely make sure that Tony Stark has a worse one. And then I can make sure he gets hugs. Wish fulfillment? Why, yes. (Once at Hallmark I was trying to find a "get well soon" card, forgot what it was called, and described it to my wife as "a hurt/comfort card.") I think Marvel Comics -- the Avengers side, in particular -- is an interesting canon for h/c for a lot of reasons. Though, honestly, if you asked me to recommend you, a hurt/comfort fan, a new fandom, I would probably just hand you some Starsky & Hutch DVDs. Go watch "The Fix" and get back to me later. If you like that, there's way more where that came from. But there's still lots to love in Marvel! Superhero comics are really a goldmine as far as the hurt side of h/c. Because superheroes, and you probably have noticed this, get hurt a lot. They get hurt repeatedly, in fantastical ways that are probably impossible in real life both physically and emotionally (at least, I don't think anyone's invented mind control yet), and even the heroes without superhuman healing powers tend to get physically hurt a whole lot worse than actual people can take. Currently in Iron Man comics, Tony has a broken back and is dealing with this by locking himself into the armor as a backboard and injecting himself with massive doses of painkillers. He's busy! He's got stuff to do! He doesn't have time to lie around and heal! So, basically, if you name a kind of pain that you would like to see happen to a character, it's probably happened to superheroes. Multiple times. The downside, though, is that comics do not really deliver that well when it comes to the comfort part of h/c. They could. It's not inherent to the medium that they don't. But because of the serial nature of comics and also the fact the primary audience is dudes who want to read about people in spandex punching each other, a lot of the time they don't really feel the need to provide closure and write about people dealing with any of the hurt. (Raise your hand if you're still annoyed with the end of Hickman's Avengers run.) But at the same time, I think that's a quality that makes Avengers ripe for h/c fanfic. Because, generally speaking, fandom likes to provide the things that canon doesn't, and fandom is more than happy to provide the comfort. If you enjoy canonical h/c in comics, I think you really can't go wrong with Iron Man. One of the big innovations of modern Marvel Comics was the concept that heroes would also suffer from relatable human problems, and in practice what this means is that a lot of heroes start with a fully-loaded angst-ridden backstory and origin story, ripe for h/c. So Tony starts out by incurring a heart injury that he fully expects is going to kill him, which he responds to by vowing he won't get close to anyone so they won't be sad when he dies, and throughout the early Silver Age is constantly on the brink of death as his heart nearly gives out on him practically every issue. And then even after his heart gets (mostly) better, there are various plots involving his armor being detrimental to his health and him choosing to fight on anyway. It's hard for me to think of another superhero hitting that particular variety of h/c in exactly the same way. Sure, superheroes risk their lives constantly, because this is how superhero comics work, but Tony is the only one I can think of who is this constantly this badly off, physically. Like, think of all the other heroes who have had a continual solo presence as fan favorites across Marvel history -- Captain America, Thor, Spider-Man, Wolverine, maybe even Deadpool. You know what those guys all have? Healing factors! For the most part, they are not running around continually on the verge of death, and while there are certainly memorable arcs involving several of them being severely injured and/or dead, you really have to work at it. It's not their constant state of affairs, whereas Tony is the kind of superhero who shows up to a fight already bleeding out under his armor. Yeah, I know Extremis gave him a healing factor. But he didn't have it very long, and also he did some extremely dangerous things while he did have it; I'm pretty sure I've never seen Wolverine saying that he'll just solve a problem by cutting off his own foot. So, anyway, yeah, there are a bunch of good arcs involving h/c for Tony. If you're looking for physical injury, he has a whole bunch of heart problems over the years, gets several new hearts, then ruins his brain, et cetera. That level of hurt is basically the background pain of Tony's life; every so often, his heart will get damaged or he'll have to live in the armor or the armor will be killing him, et cetera. If you're looking for more unusual trauma, I am, as always, going to rec Manhunt, a relatively obscure arc in late v3 (IM v3 #65-69) in which Tony has an extremely bad week. His tech is stolen and used to bomb a building. Then he gets shot in the chest. Then while he's at the hospital a nurse tries and fails to poison him, and she then tries to beat him to death. Then he checks himself out of the hospital and a helicopter shoots missiles at him. Then he becomes a fugitive from justice. And then, oh, yeah, he has to fight the Mandarin. It is... a lot. (Volume 3 of Iron Man is pretty good as far as h/c possibilities. You've got a lot of physical pain, Carol's drinking arc, the Sentient Armor, both DreamVision arcs, and Manhunt. Manhunt is finally supposed to be out in trade this month, by the way.) There are of course the drinking arcs, which probably count as their own type of hurt. But if you haven't read the second drinking arc (IM #160-200), please do. Marvel likes to up the stakes on events (Fear Itself, Secret Empire) by making Tony drink, and it does work, I think. I feel like I've spoken at length about Tony's drinking elsewhere so I don't really want to rehash it all here. And then there's the emotional pain. Angst and drama is something that happens to a whole bunch of characters, yes, especially in comics, but somehow Tony seems to end up with possibly more than his fair share of it. Fandom likes to make a lot of Howard Stark's A+ Parenting, so much so that you might think, if you didn't know canon, that this was just fandom running with a throwaway mention of Tony's terrible childhood and making it worse. But, no, canon really does go there with a reasonable amount of frequency. Howard's actual first appearance is in a flashback where he's ordering teenage Tony to break up with his girlfriend because she's the daughter of one of Howard's business rivals. And then we get into the verbal abuse, and the physical abuse, and the time Howard made Tony take his first drink, and the part where Howard was a demon in hell who Tony fought while he insulted him. And more! Currently, in canon, Howard is alive again and is in league with Mephisto for the express purpose of ruining Tony's life. Also when Tony was a baby, Howard tried to trade him to Dracula. I think you can make an argument that fandom is actually showing restraint when compared to canon. Tony also has a whole lot of Terrible Exes whose presence and/or former presence in Tony's life can be used for a lot of hurt. If you've read any amount of fanfic, you probably know that the exes who get the most play in fandom are Sunset Bain and Tiberius Stone -- not that Tony and Ty were ever canonically a couple, of course, but fandom is definitely enamored of this idea. Ty and Sunset both have relatively similar interactions with Tony in canon, in that they are both liars and emotional abusers, heavy on the gaslighting, with the purpose of becoming more successful than Tony. They both also attempt to murder Tony, although this is after he figures out they're evil, at least. (Yes, I know, this is not how either of them usually appear in AUs.) Tony also has a bunch of exes who also have just straight-up tried to murder or otherwise hurt him, sometimes while they are dating, and sometimes before Tony dates them: Whitney Frost, Indries Moomji, Kathy Dare, and Maya Hansen come to mind. There are probably more I'm not thinking of! But, yes, if you want to write about a guy in a series of terrible relationships, please consider Iron Man comics. If mind control is one of your favorite flavors of hurt, Tony's pretty good for that too. We all know about The Crossing. I suppose when I say "mind control" I mostly mean "armor control" because there are an awful lot of plots where someone else makes Tony's armor do whatever they want it to do and Tony is along for the ride -- Demon in a Bottle, Sentient Armor, and Execute Program are the first things that come to mind. There is also a fairly obscure What If that is What If Iron Man Lost The Armor Wars in which Justin Hammer apparently really wants Tony in a mind control collar to take off all his clothes and lounge around in his underwear. No, really. I think a lot of pain for Tony often revolves around his issues with control, generally -- his alcoholism comes into play here again. The entire aftermath of Civil War is also notable for its propensity to hurt Tony over and over and over. Is he stoically soldiering on through his grief after Steve dies? Hell, no! He cries, like, six separate times. He 100% blames himself for Steve's death. It's great. Everybody loves The Confession and the funeral in Fallen Son, but one of my personal favorites is Avengers/Invaders, in which Tony is confronted with a time-traveling Steve from WWII and in order not to screw up the timeline, he can't tell Steve he knows him. He is clearly not coping well. He shuts himself in a room with a giant wall of pictures of Steve! Also there's a part where he has to try to convince Steve he can trust him and he ends up having to tie Steve to a chair to talk to him, and Steve looks at him and asks, "Who did you kill to get where you are?" and I feel like that is probably one of the worst moments in Tony's life. No wonder he gave himself amnesia. So now we might want to ask, okay, but why is hurting Tony in fanfiction so much fun? I mean, I can tell you why I think it's fun. I can't speak for anyone else. One reason is that he is very emotional and very affected by everything he does. Sometimes you will see people complaining that the heroes of m/m fanfic cry too much and this is not realistic. This is not a problem if you're writing Tony! He can cry as much as you want and it's perfectly in character. I don't think it would be as fun to hurt him if he didn't express so much of his pain. But he does. He also feels guilty, and for me that's a very satisfying character element. If he were well-adjusted and didn't blame himself for so many things, it wouldn't be nearly as fun as watching him blame himself for everyone whose death he thinks he is responsible for, whether or not he is. And then he just keeps going, and it's, y'know, nice to watch him be resilient, too. So, I guess, I think hurting him is interesting because it's easy to hurt him, his weak points are pretty obvious, and he reacts a lot. Steve doesn't hurt quite as much as Tony does, in canon. It's certainly possible to hurt him -- I mean, they did actually kill him after Civil War, after all -- but I don't think the canonical patterns of hurting him are as numerous. Obviously deseruming Steve is a fairly popular go-to in terms of physical hurt; he's been deserumed at least three times that I know of. I think's easy to see the appeal there of taking a character who is fairly physically resilient and making him... much less so. Certainly Marvel seems to see the appeal. But other than that I don't think he has any other really common way to get physically injured. Unlike Tony, whose origin story is basically "oh no, I've acquired a disability," Steve's origin story is "I drank a serum that cured all my disabilities." Which, I mean, great wish fulfillment but there's not really as much there to poke at. Pretty much all of Steve's pain is emotional, but, unlike Tony, his pain isn't often specifically in response to someone directly, purposefully hurting him. Hickman's Avengers run is a big exception, yes. His pain seems to come up most often as a kind of situational angst. He feels like a man out of time. He feels out of touch with the modern era, with people his own age. He feels guilt because he feels responsible for Bucky's death. He feels like he can't trust the government and therefore he can't be Captain America. He worries that he doesn't know how to have a normal life. And, yes, these are deep and important worries but it's different than, like, Indries Moomji dumping Tony with the intent to make him sad enough to start drinking. Very few of Steve's villains want to personally ruin Steve's entire life the way Tony's villains do; mostly they just want to do things like bring back the Nazis. In terms of Steve's potential for h/c, I think Steve is harder to hurt than Tony is. Physically, he is definitely harder to hurt. You can deserum him, sure, but unless you want everything you write to be a deseruming fic you're probably not going to want to do that more than a couple of times. And if you want to hurt him physically while he has the serum, you have to hurt him hard. Usually past the point where a regular human would ever survive it. He's also harder to break, emotionally, than Tony is -- which means it's very satisfying when you can get him to break, but this is a guy who's only cried twice (that I remember) in canon. So if you want to get him to cry, you really, really have to wreck him, and he doesn't have as many obvious weak spots. He also doesn't generally sit around blaming himself for things that aren't his fault, and the whole "stewing in guilt" genre of plots for him basically came down to "he was sad that he thought Bucky's death was his fault," and that's really the biggest regret he seems to have, and also Bucky's not dead anymore. The Steve/Tony relationship itself, I would think, is also appealing to h/c fans because canon provides a lot of ways for them to hurt each other. Some people only ship pairings who would never, y'know, take turns beating each other half to death in major event comics. (And for a lot of Marvel Comics history, that was also Steve & Tony, so if you want them to be BFFs who have never fought, you can just set your fic earlier.) They have definitely hurt each other both physically and emotionally, so if you're looking for something easy and satisfying as a h/c fan, you can just read or write something where they... make up. What about Marvel characters other than Steve and Tony? Surely some of them are angsty, yes? Well, yes, but also it depends on the particular flavor of angst that you like. If you like the way Tony hurts, you may very well enjoy Doctor Strange comics, because they have a very similar attitude towards life -- they are both former alcoholics whose origin stories involve physical disabilities, who routinely make tactical decisions that negatively affect their continued existence and/or happiness a whole lot. It's very much an "I must suffer alone in the dark and no one will ever know what I am doing to save the world but it's the right thing to do" sort of vibe. Like, you can read comics where Strange is lying in hell with two broken legs, hallucinating that Clea has finally come to save him. Strange's biggest fear, akin to Tony's control issues, is basically that one day he's going to be an asshole again, so he's out there trying as hard as he can to do good. Also, if you like tentacles, he has all of them. I mean that. Carol also occasionally hits similar angst spots, and her drinking arc is great. A lot of people like Natasha, too; I have read zero Black Widow comics but I get the impression many people enjoy her brand of angst. The mutant metaphor is a little different in terms of overall vibe, but some people really like it as a source of angst -- the whole "protecting a world who hates and fears them" thing. It may not work for you, but if you like your hurt to include things like systemic oppression, go pick up some X-Men comics. Start with something like God Loves Man Kills. I feel like I liked this sort of thing a lot more as a teenager but that I kind of aged out of liking the mutants quite so much. It's also worth mentioning that not everything that hits the spot in one universe will be the same in the others, and I'm mentioning this because I feel like I have to say something about MCU Bucky. MCU fandom seems to get a lot of mileage out of Bucky's guilt about being the Winter Soldier, everything he was forced to do, et cetera. I have definitely read my share of those fics, and FATWS sure went right for that angst too. But as far as I can tell, he doesn't hit the same way at all in 616. And I like him a lot in 616; I'm always pleased when he shows up on a team. (He was so good in Strikeforce. Everyone was so good in Strikeforce.) But the thing is, 616 Bucky is, basically, phenomenally well-adjusted, given everything he's gone through, and I'm including the time he wrestled a bear in a gulag. He gets over having been the Winter Soldier, and now he's just, y'know, a guy with a cool arm who likes to bring guns to every fight to horrify his teammates, and he snarks at Clint. If you're looking for that angst, that is really not him these days. He's all better. So pretty much all that is canon. So what do we do in fandom for h/c? Well, as far as I can tell, a decent amount of it is canon-based or very canon-close -- there are a whole lot of stories exploring the angst of Civil War or Hickman's Avengers run. Tony's drinking comes up a fair amount, and if one of Tony's Evil Exes comes back to haunt him, it's pretty much only Tiberius Stone. I don't think I've read a lot of fic with Steve getting deserumed; it doesn't seem as popular in fandom as in canon. When Steve gets hurt, he tends to just get physically whumped pretty hard, and there's a fair amount of that for Tony too, but of course Steve can take more. There's also a thriving, uh, subgenre of pain involving Hydra Steve doing terrible things to Tony, presumably the terrible things he would have wanted to do to Tony in canon if Tony had had a flesh body. There's the usual kinds of h/c setups that appear in basically every fandom as well -- sickfic, whump, dub-con/non-con. You get the idea. But since fandom in general likes to take specific inspiration from canon, there's a lot of fic where the hurt tends to resemble things that happen more in canon. Like, I feel like comics fic probably has more tentacle fic and more mind control than canons that don't come pre-stocked with those. Probably everybody has a whole lot of "tied up by bad guys," though. And then, of course, fandom brings the comfort that canon does not. This is true in pretty much every fandom -- I mean, you aren't going to find a lot of actual canons where Character A saves Character B from mortal peril and then there's gay sex -- but, like I was saying, comics don't provide a lot of closure before it's onto the next thing. Usually with a different creative team, who has no interest in wrapping up anything from the last team. Steve and Tony talked about the incursions exactly once after Secret Wars and nobody mentioned the part where Steve spent several months trying to hunt Tony down and kill him. Tony is never going to remember the events of Civil War. Hydra Steve died ignominiously in a fire and no one has ever talked about him again. Honestly, if you're looking for a way to get some comfort in your fanfic, picking an event, any event, and just having the characters talk about it will be way more than any of them get in canon. I feel like honestly that can often be a pretty satisfying to read. And even though comics canon physically hurts characters pretty often and pretty badly, they also often skip right past the recovery. Maybe you'll get one page of a character in a hospital bed at the end of the story arc. Maybe you won't. Demon in a Bottle has one splash page of Tony going through alcohol withdrawal and then he's all better. I think Manhunt skips to Tony getting out of the hospital at the end. That's just not a story that they want to tell very often. The second drinking arc is notable in that it devotes almost as many issues to Tony's recovery as it does to getting him to rock-bottom. Similarly, Steve is done with his Nomad angst way way faster than you probably think he is (though The Captain does go in for a fair number of issues). So one of the things we often want to do in fandom is focus on all the bits that canon skips over, both in the "why did no one ever mention this story arc ever again" way and the "wow, so how long are they in the hospital after that" way. That's really all I can think of about h/c! I'm off to write some more of it!
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lord-explosion-baku · 4 years
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Opia Night 2
Vampire!Shinsou x reader
Warnings: alcohol mentions, mentions of blood, dumb mc, campy vampire bullshit, swearing
A/N: ahhhhh. okay. so. this was a tough write. I think I got stuck because i started taking myself too seriously and then i just started throwing words out left and right. this is very back and forth, no-goal-reached, bullshit. I mean, getting from point A to point B is r o u g h, bro. Im SO SORRY. I was trying to make this natural and it just AINT. she’s messy today and it’s fine. Gotta just post what we can when we can lmfao. SOO! I’m aware that this chapter isn’t good, but I do hope that you find it entertaining regardless! I promise Night 3 will be better!
(PLEASE DO NOT REPOST MY WORK ANYWHERE WITHOUT MY PERMISSION)
Night One
Night Two
You woke up to your phone buzzing next to your head on your pillow. Once, twice, and the third double-vibration made you realize that you were not going to be going back to sleep any time soon. Blinking at your window, you groaned at the flecks of dust that were lit up by the golden remnants of twilight. You’d slept most of your Friday away after slaving away on your school work Monday through Thursday. You tried telling yourself that you deserved the rest, but sleeping through sunlight has become habitual to you when you had nothing else going on. When you woke up from your coma, you would usually sleep some more. Usually.
The phone on your bed was alight with three unread messages, all saying something different, but with the same invitation handed out:
Kirishima(7:02): hey :)
Sero(7:07): you busy?
Kaminari(7:15): babe! partaaay tonite!!!! come over!
Again, you groaned.
The last night you’d spent over at their house was a complete disaster. You totally embarrassed yourself by screaming out of nowhere. Or so it seemed to have come out of nowhere to everyone else who heard you; what you thought you had witnessed went completely unnoticed to everyone at the last party. But to you, it was so vivid.
Purple-haired-couch-kid. Fangs. Blood.
You completely freaked and locked yourself in the bathroom. It took both Kirishima and Sero to coax you out after you battled the idea of calling the cops to their house. When you came out, there was a swarm of kids eyeing you like you were crazy. You asked to see Kodai. She appeared. She was unharmed: no blood, no marks, no recollection of any handsome boy who took a bite out of her wrist. Kamianri’s garage-sale couch had been occupied by no extremely handsome man, and there were no purple-haired people to be seen at the party afterwards.
It wasn’t something you could have imagined unless your drink had been spiked, but you thought you were pretty careful when it came to open containers! And besides, who’d want to spike your drink with hallucinogens. Getting you high could have been a prank or someone thinking they were doing the rest of the party-goers a favor, but to what you could tell, nobody else was seeing shit. So maybe you were crazy. Maybe there was no alluring voice speaking to you in your head, and your psyche had suddenly broken out of the damn blue. In the psychology class you took freshman year, you learned a lot about different mental illnesses that cause hallucinations and paranoia. Maybe you had to get yourself checked out.
Your phone buzzed again.
Kaminari: Kiri is gonna be real bummed if you don’t come :”(
Well, that was on him. You couldn’t really imagine why you would receive such a welcome invitation to another one of their parties after the big fuss you made. After you realized Kodai wasn’t in trouble, you stormed home; you lived close enough, so it was fine to leave your car there. You didn’t speak to anyone about what happened afterwards, so you were sure you’d be snubbed by your friends for at least a little bit. You figured that… if they wanted something else from you, maybe the rule of party fouls would be ignored.
You sighed, knowing that even though Kirishima definitely had a crush on you, he was still your friend and a great guy. You couldn’t think bitterly of him just because he might’ve wanted to kiss you on several occasions when you were just hanging out. You did sleep with him once, back in the day, but you both agreed to just be friends afterward. You were… kinda wild back then and didn’t like the idea of having a boyfriend. Kirishima tried to be understanding, but every now and then, you’d see him look at you with those sad, puppy-dog eyes.
There was a bleep! and you saw that you got a Snapchat notification from Sero. You pursed your lips and opened it to see a video of Kaminari singing your name, pushing Kirishima’s shoulder, and a chorus of several people making gross kissing noises at the two of them. You rolled your eyes and were about to close the video, but something—no, someone—in the background caught your eye.
You replayed the snap. There was singing, gross kissing noises, and him—right at the end of the video. He was only there for the last two seconds of the video, but those mesmerizing indigo eyes leering at the phone camera seemed to grab you by the throat.
You didn’t fucking imagine him. You didn’t fucking imagine him.
Sliding the screen to show the front-facing camera, you grimaced at your face. You rubbed the sleep out of your eyes and snapped a quick photo with the tag, ‘who is all there rn?’
Kaminari’s reply came instantly. It was another video of people hooting in the kitchen taking shots. Sero was sniffing at a rough-looking pineapple and Kaminari was yelling.
“Who is all here right now?!” Kaminari called and cheers came as a response. Kaminari turned the camera to face his grinning self. Kirishima was in the background checking his hair in the mirror. When he saw that the camera was in him, he flexed his arm, the dork. Then, Kamimari threw his arm around somebody, and pulled him into frame. You actually gasped.
“Why, the whole word is here, babe! Come overrrr!” Kaminari sang at you, but you weren’t paying any attention to him. Purple-haired-couch-kid was side-eyeing your drunken friend, but when he looked into the camera, he appeared to be amused. He wasn’t as dressed up as he was two weeks ago; he just had on a plane black T-shirt with the same ropey necklaces. The camera didn’t do his likeness any justice. The shadows under his eyes seemed to be much darker, and his skin was straight-up pale. Still, his gorgeous lavender eyes had you captivated. He was all you could see.
Purple-haired-guy’s ivory arm wrapped around Kaminari’s shoulder. He grinned, the whites of his teeth gleaming dangerously at the camera, squeezed Kaminari against him, and the video ended. You were too enamored to even thinking of taking a screenshot and you couldn’t replay the snap.
You cursed and covered your eyes with your pillow. You really were planning on sleeping the rest of the night away—maybe put on some cheesy soaps you could snicker at before zonking out. But now, it seemed, you didn’t have any choice but to go to the party. You had to see him.
A shower and a quick trip to the liquor store later and you were showing up to your friends’ rented domain with a six pack in hand. You entered without knocking. They never had the door locked; it was a constant open-invitation to ‘Denki’s Dank Crib’ as Kaminari wished people would call it.
You were immediately slapped in the face with human musk and you were glad to be wearing something more light: a white, chiffon top over your sunflower skirt with yellow, scrappy heels. It wasn’t everyday that you wanted to dress nicely, but as ridiculous as the concept was, if you did see the purple-haired-couch-kid… you wanted to look nice.
“Hey, you! Glad you could make it!” Strong arms pulled you into Kirishima’s hard chest. He smelled like sweat and old spice. He held you for two seconds too long, going so far as to rest his nose on the top of your head, before you pulled away, offering him a friendly smile. “Your conditioner smells nice!”
“Hah… thanks.” You grimaced.
“Oh, I’m sorry! That was really creepy! I’m sorry!” A slow blush bloomed on Kirishima’s cheeks. “I wasn’t trying to be weird. I might’ve had a few drinks already and I just… uh…”
Lending him a saving grace, you lifted the six pack up. “Care for another?”
“D’aww, you didn’t have to grab beer!” Kirishima grabbed the six pack from you. “I do love this stuff though! Thank you!”
“I couldn’t come here empty handed. It’s the least that I can do after what happened last time.” You started walking towards the kitchen, keeping an eye out for the purple guy or Kaminari.
“What happened last time?”
“You know,” you said while Kirishima cracked open a bottle, “when I had a freak out?”
“Freak out?” He offered you the bottle, but you shook your head. “What do you mean?”
You scanned the kitchen and saw only a few kids you didn’t know and Sero messing around with some frothy, yellow liquid in a beat-up blender. Looking to your right, you saw that there was nobody occupying Kaminari’s old loveseat. It wasn’t like you were expecting to see him there with what—Kaminari on his lap?—but it didn’t hurt to check.
“Like when I screamed and locked myself in the bathroom,” you said. “Then I left without saying goodbye.”
Kirishima’s brows crinkled. “I don’t remember you screaming or anything like that. You did leave a little suddenly, and I was bummed for like a minute, but that’s yesterday’s news. You’re here tonight!”
“Kiri, I was standing right next to you when I threw a fit. You don’t remember? You got me out of the bathroom.”
Kirishima shook his head. “Are you sure that was me?”
You were positive. You were definitely leaning on him, talking about how you didn’t need any boys, and Kirishima was warm like he always was when you touched him. You turned to look back at the couch and then you saw that purple guy bite Yui Kodai! Everyone heard you!
“You’re here!”
Sero zoomed towards you with two large cups of something in-hand. He gave you a bright smile and offered you one of the cups. “As soon as I heard you were heading over, I started making these! Piña coladas!”
“Oh…” you took the drink and gazed into the glass. It was yellow and mushy. Thinking back on your original theory—being drugged—you gave him a tight, closed-mouth grin. “What’s in it?”
“Uhh… Pineapple, coconut rum, and ice?” Seeing the unsure look on your face, Sero hastily added, “the pineapple was close to expiring, but I tasted it, and it’s still fine! Promise.”
“Did you even blend it right?” Kirishima asked, peering into your cup. “It looks like it’s breathing.”
“It’s not my fault our blender is janky!” Sero shot back. “I’m not the one who’s always making weird, keto-friendly protein shakes with, like, kale and shit added in every morning like some sort of psychopath.”
“It’s not crazy to be looking after my body. In fact, you could learn something from me!” Kirishima poked Sero in the ribs. “Skinny.”
“I’m not skinny,” Sero argued, flinching away. He lifted up his shirt to reveal his tight, well-kept abdomen. “I’m lean.” Sero smirked when he caught you staring.
“Alright, well, our girl only deserves the best service, and this ain’t it, chief.” Kirishima reaches to take the atrocity out of your hand, but seeing Sero’s dejected face, you pulled away.
“This is fine,” you promised warily. Beside yourself, you took a sip of Sero’s sloshy creation. You got a big chunk of pineapple in your mouth and chewed the rum out. The parts that weren’t chunks were all watery, like you were drinking straight rum. You forced yourself to smile. “It… tastes good at least.”
Sero was ecstatic. “Lovin’ your look, by the way. Yellow heels look good on you.”
Kirishima rolled his eyes and placed a hand on your back. “C’mon, you don’t have to be nice to him. Lemme make you something good in the kitchen.”
“Oh, wait, Sero. I wanted to apologize to you too!”
Sero raised a brow. “Apologize?”
“Yeah...” You turned your head from Sero to Kirishima, hoping for any sign of recognition. “For freaking out. Screaming. Locking myself in the bathroom. All those good things.”
“Oh,” Sero said. “Yeah, well, you’re forgiven.”
“So you remember!” You beamed.
Sero’s hand went to the back of his neck. “To be honest, I don’t remember a lot about the last party. I think Denki broke a table—“
“You helped him break the table,” Kirishima interjected.
“—aaand someone stole my good bong? That’s it. I’m sorry you had a bad time, though. Hopefully you’ll have more fun tonight! Kaminari bought a karaoke set. It’s got all the shitty songs they’re playing on the radio right now.”
“Where is Denki,” you asked, looking around. Damn it, if nobody remembered you screaming, at least you could count on Kaminari possibly getting the name of the kid who he had his arms around in that video he sent you.
“Off somewhere being a dumbass.” Sero waved his hand absently at the crowd of kids in the living room. “You wanna smoke? I just got a new bong and it hits pretty smoothly. Or maybe you wanna try karaoke? Though you would probably wanna get a couple drinks in before that, huh?”
“Ah, maybe later. I just gotta find Denki.”
“Why?” Kirishima asked suspiciously.
“I just gotta ask him something…” you pulled out your phone and dialed his number. It rang three times before getting to his raunchy voicemail. You scoffed.
“He could be up in his room,” Kirishima suggested.
“With a chick?” Asked Sero, amused. You made a face and Sero quickly corrected himself, saying, “I mean… with a nice lady?”
“Who’s to say.” You took a sip of Sero’s special beverage. It was gross, but you were here, and probably getting a little annoyed. You came out, so you might as well try to enjoy yourself.
“I’m sure he’ll come down eventually. If he really is with a girl, he’ll be down soon, and he’ll be hungry,” said Kirishima. “Hey, I’m gonna be ordering a pizza. Any topping preference? I was gonna get a few and wanted to make sure—oh, hey!! Bakugou!”
Your eyes followed Kirishima’s to see some grouchy-looking blonde kid coming in from the front door. You took advantage of both Sero and Kirishima greeting the guy with high-fives and fist-bumps, and made your way into the dining room where kids were playing a drinking game on a broken table.
You chatted a bit with a few kids you hadn’t met before, a girl whose name you forgot from the biology class you took last semester, and some guy who was so drunk you couldn’t comprehend a single mumble that rolled off his tongue. Nobody seemed to know where Kaminari was. Nobody seemed to have seen any boy with purple hair and an angelic face...
You scooted past three boys who were playing some stupid slapping game and into the living room. You sat down on the couch and checked in on your phone messages. It’s been two hours since Kaminari last texted you to come over. You thought about shooting him a text now, but—
‘Do you realize that all of the air in the room goes out when you walk in?’
You choked on air, as embarrassing as that was, and looked up, expecting to see someone who spoke to you. Nobody was paying you any mind for Kaminari's shitty couch, but you knew you heard that titillating voice, and it wasn’t because you were crazy.
‘Such a pretty little thing to be left all alone at a party. Did you lose your fan club?’
“Actually, I chose to sit here by myself,” you said aloud, minding the few people who actually turned to see you talking to yourself. You shrunk back into the couch and pretended to be taking a video of yourself.
‘Well, I’m sure. It’s a comfortable couch, afterall—better when shared.’
Oh, so this voice was a dirty, little thot. You clicked your tongue and texted Kaminari. ‘Hey, I’m here. Where are you?’
Kaminari(11:02): side yard.
Hopping up, you headed for the sliding patio door.
‘Eager to see your babe, babe?’
“Oh, shut up!” You hissed while walking outside and a girl watching a beer pong game frowned at you. You weren’t sure, you thought that you could hear a chuckle in the very far back-end of your head.
Kaminari was in the side yard, thank god. He was leaning against the house, staring absently at the side gate. He was alone, not on his phone or anything to keep him busy. He was just standing there.
“Hey, Kami!”
Kaminari barely turned his head towards you when he said, “hey...”
“I’ve been looking everywhere for you! What are you doing hiding away in the side yard?”
“‘m just chillin’. Waitin’ for my friend…”
“A friend?” You asked. “Kaminari, are you okay?”
“Of course,” Kaminari said, still staring at the side gate. “I’ve never been better… it’s a nice night…”
You stepped out in front of him. Kaminari didn’t meet your gaze; his yellow eyes were hazy and blank. You waved your hand in front of his face and he didn’t even react.
“Kami…”
“It’s a real nice night,” he repeated dreamily. “I‘m waiting for a friend...”
“What friend, Kami? Who are you waiting for?”
“Uhh… Dunno. He just left…”
“What does he look like?” You asked, growing impatient. Kaminari wasn’t the brightest, but he was never really this slow. There was something wrong with him.
“Hmmm… like the moon…”
“Denki.”
“...”
“I saw you near a kid with purple hair and a lot of jewelry in some of the snaps you sent, Kaminari. Do you know where I might be able to find him? He was at the last party too.”
“Yeah... That’s my friend…”
Thank god, thank god someone else knew who the hell you were talking about. “Do you know where he went?”
“To get a snack…” At that, Kaminari cracked a grin.
Fangs and blood flashed in your mind. You clenched your teeth together. If you remembered correctly, perhaps purple-haired-couch-kid’s idea of a snack wasn’t suitable for this party. You grabbed his wrist. “C’mon, let's go back inside. You need some water.”
But when you turned back to your house, you bumped right into what felt like a brick wall. But it wasn’t a brick wall. This barrier was a person whose ivory skin practically glowed an eerie white under the moonlight. This barrier was a person whose indigo eyes scanned you like a marauder finding his treasure. This barrier was a person whose flushed lips tugged up into a smirk when you shrieked.
Your stomach sank when he laughed at you after you leapt back and against Kaminari’s chest. Kaminari placed a gentle hand on your shoulder, as if he was trying to be reassuring, but his touch was too light and vacant to do much to calm you.
Goosebumps crawled up your skin when you took in couch-kid’s sudden appearance. You were mad at yourself for thinking that even though he was frightening in the dark, his sharp jawline was practically begging to be nibbled on.
Jesus, what the fuck was wrong with you?! You couldn’t be thinking about hooking up with strangers that bite while Denki was high and everyone else was forgetting shit! You shook your head and scowled.
“Sorry about that… didn’t mean to scare you.” Your heart did a little jump at hearing his voice for the first time. At least, you were pretty sure this was the first time you’d heard it. It did sound oddly familiar, but you couldn’t quite place it.  
Couch-kid held out his hand. For a second, you thought he was going to shake your hand, but then you saw that he was holding a wrapped cereal bar. Froot Loops. “Here you go, Denki.”
Kaminari’s arm snaked through the opening between your arm and waist to grab the treat. Your body nearly vibrated from being only just a couple inches away from Couch-kid’s finger tips. His arms were nice—white and long, but strong, with a few prominent veins running up them. Did he drink weird, keto-friendly protein shakes with kale and shit added in them like Kirishima? Why did you care?
“Oh man, thanks Shinsou. I was starting to get dizzy,” Kaminari said, unwrapping the sweet treat. You heard him crunching from behind you, and you don’t know why, but you were suddenly very irritated with his presence. You shouldn’t have been. There was obviously something going on with him and you should’ve been wanting to help him out, but then, you really wanted to be alone with Couch-kid. The thought just made you more agitated.
“Not a problem,” Couch-kid—Shinsou—purred. He didn’t look at Kaminari when he spoke; he was eyeing you.
“Shinsou,” you said, pulling at the hem of your skirt. Did he remember you? Did he think you were dumb for staring at him without saying anything for so long back at the last party?
“That’s me.” Shinsou grinned. This time, he took your hand, rather than offering his, and kissed the back of your wrist. You honestly would have swooned if you didn’t see him do the exact same thing to Yui Kodai just a short while ago. Still, his cool lips making contact with your skin made tiny electric currents shoot up from your arm, to your neck. You shuddered. “I don’t think we’ve officially met. It’s a pleasure to make your acquaintance.”
“The, uh… pleasure’s all mine?” That was what they said in the movies, right? Cheesy soaps, whomst? What a weird thing to say, anyways. Even still, as silly as that old-time greeting was, he could’ve easily said something as ridiculous as, ‘charmed, I’m sure,’ and you still wouldn’t have been able to muster out a bark of laughter like you would with literally anywhere else.
“Denki, didn’t you say you wanted to go sing some karaoke?” Shinsou asked, his eyes still on you.
“I did say that,” Kaminari said, taking another bite out of his cereal bar. “Karaoke sounds nice…” And without any ceremony, he started walking. Sliding past you, he made his way down the side of the house. Just like that?! He was going to leave you with a stranger?
You called, “wait! Kaminari... are you really okay? You were acting a little funky just a minute ago.”
“Mmm, yeah, I’m fine. I just really wanted cereal.” Kaminari wiggled the now empty bar wrapper in the air. “But Shinsou took very good care of me…” That faraway look returned to his eyes when he said, “I’ll catch you later, babe.” With that, he was gone, leaving you alone with a guy who simultaneously made the hair on the back of your neck stand up and your heart melt with a quirk of his brow.
Shinsou’s eyes scanned over you, up from where your hand was bunched up in your skirt, to your torso, your collar bones, your lips, then back down to your neck. Unease settled over you when his eyes finally met yours and you had to quickly look away. You wished that  you were anywhere else in the world. You also wished you could think of something, anything, to say to him, but asking about Kodai seemed to be so wrong to you, at the moment, and the last time either of you had interacted, you were about to hop into his lap!
Finally, you mustered, “do you know if he smoked anything? He really wasn’t acting like his usual self. I’m worried something might be wrong…”
“Not to my knowledge. He might’ve had a couple drinks though,” Shinsou said. There was another long pause, and you fought your brain to come up up a normal conversational topic, but Shinsou beat you to to the punch. “Is he your boyfriend?”  
“What? No!” You still couldn’t look him in the eye as you answered. You hoped that it was dark enough to be able to hide your flushing face. “He’s really just a friend.”
“He calls you ‘babe’, though.”
“Yeah, well, if you put a skirt on, I’m sure he’d call you babe too.” You shrugged. “He’s just a flirt.”
“You weren’t wearing a skirt at that last party,” Shinsou mused, which gave you a little rush. He remembered you. “And he still called you babe.”
You pressed your lips together to keep from smiling, but your humor rang out in your voice when you asked, “are you interested in him or something? Because I can go get him back for you, if you want. I’m pretty sure he dated a guy our sophomore year.”
Shinsou clicked his tongue, amused. “It’s not him I’m interested in. Not really my type.”
“Right, right,” you laughed, gaining more confidence. “Well, I haven’t seen Kodai here tonight, but I think I have her number saved. Would you like me to give her a ring? It’s the least I can do for you taking care of my poor, dumb not-boyfriend while I was away.”
You reached inside your purse to grab your phone. You really would have called her, but before you could even touch your phone, Shinsou’s fingers were wrapped around your wrist. You almost yelped. Shinsou’s fingers were much cooler than his lips were and it surprised you.
“I knew you were jealous,” he remarked darkly. Immediately, you yanked your arm free, but that only prompted him to grab your wrist from a newer angle. You narrowed in on him, ready to bite—he was someone you didn’t know grabbing you, so obviously you had every right to—but as soon as you gazed into his eyes, you were lost.
His pupils were abyssal; so dark that they appeared white. Looking at him, your body felt cool—numb almost. Beyond any control, your body relaxed which made you lose your tight grip of Sero’s shitty piña colada. You didn’t even care about the cold, sloshy mess splattering over your heels.
Shinsou backed you into the wall, his stare intense, his lips parted and amused. He planted his free hand on your arm and took his time running it up to your shoulder, your neck. The tips of his fingers lightly danced across your jugular, the pad of his thumb slowly running up and down the pulsing vein. He scrutinized you dangerously, daring you to move, to run, to scream for help. Not knowing whether you were scared or aroused, you let him touch you, though ‘let’ didn’t seem like the appropriate word. It was like you had no other choice. He wanted to study you, so he would, and you would not object. So naturally, when Shinsou slid his hand to the nape of your neck, you turned to grant him access to what you knew what he really wanted.
He first pressed his nose up against your skin and inhaled deeply. You shivered as he groaned, “I’ve been waiting for you for too damn long. My sanguine.”
When Shinsou’s lips pressed against your flesh, you melted. Every nerve-ending in your body set aflame; you were no closer to fleeing the scene than you were indulging in the sweet sensation that his kiss had to offer. His cool tongue traveled up your neck, sending waves of jubilant shivers down your spine. His fingers hooked around your shoulder as he deepened the kiss. You felt a tingling sensation warming up between your legs that was only a tiny bit eased when he lodged his knee between you. His hand slid down your back where he pulled you on to him more comfortably; held up by his thigh, his arm, and nothing more.
“Nhhh-“ you tried to object, like you should, like you knew you wanted to, but a carnal urge pulled at the strings of your willpower. Whether he kissed you, or killed you, you wouldn’t be able to deny him his satisfaction. You would give him, Shinsou, a stranger, anything he wanted at any given moment.
But when you heard your name called from inside, the spell was broken.  
You tensed. Shinsou’s lips froze against your skin. You felt his hands tighten around you protectively, possessively, and you knew you were in deep shit.
“Kiri,” you whispered despite wanting nothing more than to say another man’s name. Kirishima was looking for you and yet, here you were, in his side yard, with another boy. Perhaps you hadn’t changed as much as you originally thought you had.
“Don’t-!” Shinsou hissed when you tried to pull away. There was urgency in his voice, something unexpected from him. His eyes were desperate and hungry. Terrifying. It felt good knowing that he wanted to keep you, and that thought was more frightening than what you thought was his original intentions. Fingers slid their way to your waist, and Shinsou bowed his head, dipping in to kiss your lips, but before he could, your hand fell on his face.
It wasn’t a slap, no. You literally put your entire ass palm on his face to save yourself from a kiss you actually wanted.
“O-oh god!” You stuttered out. Beyond any responsible control, you shoved his head back. “I’m sorry!”
Finally freed, you bolted a good five feet away from him, back towards the house. Your assaulter gazed at you with surprise, sleepy eyes rounded in a sort of sincere, pitiful way, but you couldn’t let his dejection get to you. You swallowed harshly as you backed away from him and the wall, going against every fiber in your body telling you to stay put, to stay at his side, to let him satiate any and all needs that he had.
The thing is, you would have. Despite not being able to bark out the half-dozen questions you had for him (why do you bite people? Why can’t anybody remember you? Why do I think I can hear your voice in my head? Why the sudden smooches? What the fuck?) you would have stayed with him there, had you not heard your name called a second time.
“Leaving so soon?” Shinsou asked, gaining some composure, though as lax as he tried to make himself seem, there was an imperative note in his tone. “Don’t want to let your fan club down, I guess.” His voice was a shrug. “And here I thought you were going around asking about me.”
That was so excruciatingly embarrassing; being caught showing interest. Did he know how many people you spoke to? You wished you could wither up and blow away right then and there.
You glanced through the glass door to see Kirishima holding his phone up to your ear. A second later, your phone started buzzing. You ignored it.
“I guess I just wanted to know who you were, is all,” you said, a perfectly normal response. That was you: calm, cool, and collected—totally not willing to makeout with extremely hot strangers out of nowhere. “I haven’t seen you around before that last party…” which would be a perfectly fine segue into asking him why he bit Yui Kodai, if only you could will your body to ask!
“So you’re satisfied?”
“Uh-huh!” Not at all. Not at all. But that didn’t stop you from turning back towards the house.
‘Liar.’
Your body went cold. The voice rang too clearly to have been said aloud, but it was definitely his. In. Your. Head.
“What did you say?” You asked, turning back, trying to keep your tone steady. You didn’t know why, but you thought it would be bad if he heard your voice crack or squeak.
“I asked if you were satisfied. We barely got to converse and yet, you’re skittering away after making such a fuss about finding me. Why is that?”
“I’m not skittering away and—hey!” You put your hands on your hips. “You called me a liar just now, didn’t you?”
Shinsou placed his hands in his hips, mocking you. “I said no such thing!”
“Well, no, maybe you didn’t say it with your mouth…”
“What else would I have said it with? My hips?” He smirked. “Are you sure it wasn’t your own conscience calling you out?”
You scoffed. You couldn’t believe he was teasing you!” And what about your conscience?! Do you just go around attacking people’s necks out of nowhere like that as a hobby?!”
“Interesting choice of words,” he chuckled. “No, I wouldn’t say attacking people is a hobby, but more of a necessity. And I don’t usually go for the neck, either. I save that intimacy for victims who are a little more willing…”
‘Really, I wouldn’t want a single drop of you to run down your arms, anyways.’
“Willing?!” You started, incredulous. You pointed a shaking finger at him and continued with, “you really have a thing or two to learn about cons-!”
“Hey!” Kirishima was sliding the door to patio open. “I was looking for you! The pizza’s almost gone, but I saved you a couple slices.” He looked at you and registered the expression on your face. His eyes narrowed as he approached you. “Who are you talking to?”
But when Kirishima looked down the side yard, there was nobody there—just the slushy remains of your piña colada. He bent down to pick the cup up to see you shaken, wordless. “What happened?”
You could only shake your head. Because you didn’t know what happened—you didn’t know anything! Shinsou was there and now he wasn’t, and the more you tried to say anything on the matter, the more the words got stuck at the back of your throat.
“Hey,” Kirishima said, full of concern. He grabbed both of your trembling hands and wound his fingers through yours. That was intimate. Something sweet. Something that was supposed to be reassuring. What in the hell was supposed to be intimate about a guy you barely met narrowing in on your neck like that.
You sighed and allowed your head to fall against Kirishima’s chest. He wrapped his arms around you and held you close while that angry blonde kid, Bakugou, appeared at the doorway, munching on a slice of pizza (probably the last one.) He took one look at you, rolled his eyes, and walked away. Kirishima asked you what happened once more. You said, “I’d just really like to get home.”
“Let me walk with you,” Kirishima whispered. That would be pulling him away from his own party, but he didn’t seem to care about that. The world really needed more Kirishimas.
“Okay.”
Making your way through the house, you saw Kaminari in the living room slurring the lyrics to a lame song, Sero cheering him on while simultaneously recording every word, and Bakugou glaring out the front window. Kirishima quickly told Sero where the two of you were headed which made Sero form a tight line with his mouth. After seeing the stricken expression on your face, Sero seemed to ease up a bit.
Kirishima held your hand while he walked with you. He tried to make light conversation, attempting to get your mind off of whatever happened when you were alone in his side yard, but you couldn’t entertain him with idle chit chat. The entire walk home, you thought you felt somebody’s watchful gaze on you.
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lovelyirony · 4 years
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hi! so. a while back (like, a good while back) I found a fanfic for you and you said something about a story/short thing in return? I said I'd take you up on it, but then took an extended leave of absence from Tumblr and never did. anyways, im feeling things about gay dads and also Peter Parker and I was wondering if you could do something with iron husbands and tony's many adopted children, both bots and otherwise? idk. you're amazing.
The first kid that gets adopted, in a sense, is Dum-E. He’s the product of a lot of “you can’t do this” energy. 
People really do think that Tony and Rhodey aren’t capable of creating an Artificial Intelligence unit that can think for itself. 
The final nail in the coffin is when Rhodey is visiting the Stark family home and Obadiah Stane treats their goal dismissively. 
When they get back to their home in Boston, Rhodey sets his jaw. 
“We’re making that fucking system, Tones. I don’t care what happens.” 
“So what you’re saying is that we’re disregarding our previous agreement about limiting lab rules?” 
“Yes. Null and void until we bring this fruition.” 
This is a very important rule. Despite what most would think, Rhodey and Tony are capable of setting limits and following them. But if there is no physical reminder of that rule, then they can ignore it. 
(This is actually just the excuse that they make up so that they can make Machiavellian machines.) 
Dum-E spins around and ruins at least three pairs of socks that Rhodey leaves on the floor. 
“At least you finally stopped that habit,” Tony says. Rhodey rolls his eyes, watching as Dum-E finally realizes that he cannot possibly open the door to the porch and will stop bumping up against the glass. 
"He’s an idiot,” Tony says fondly. 
“Took after his mama,” Rhodey jokes. Tony slaps his arm. 
“Hey!” 
The second and third are twins. Kind of. Both of them absolutely insist that they are not twins because they are very different. After all, U likes alternative pop, which Butterfingers finds simply unforgivable. 
Rhodey and Tony didn’t know that the other was making a robot. Dum-E was lonely, and their anniversary was coming up. 
They both decided to make Dum-E a sibling and laughed as U and Butterfingers basically rolled up to each other and immediately tried to fight. 
“So...who’s first?” Tony asks. 
“Hm...U, I think.” 
Butterfingers sulks. She’s youngest by one day, and U will never let her hear the end of it. 
“I know baby girl,” Tony coos. “But you look so pretty. Look at how nice your dad painted your display!” 
It is rather pretty. It’s all cool with yellows and blues. Dum-E is a jealous. 
Jarvis is more Tony’s than anything. Made after a lonely Christmas. Not the one that most people think. 
Edwin Jarvis died in late November. 
Tony didn’t rest until it was done. 
They sob together as Jarvis states the weather in a crisp, accented tone that sounds so much like the original. 
The siblings all get along like a house on fire, although Rhodey swears that Jarvis loves to instigate drama when Tony doesn’t need it. 
This is how Dum-E and Butterfingers get into a week-long feud about whose turn it is to close the fridge door. This is a Very Important Job. 
Jarvis makes it worse. 
“You are trying to kill me,” Rhodey says, scowling. “You know your brother and sister would fight.” 
“I am a learning program, Colonel Rhodes.” 
“Don’t call me that. Call me anything but that.” 
“Confirmed, Private Rhodes.” 
“I hate you.” 
“You wouldn’t visit my creator so much if you truly meant that.” 
Rhodey gives him the bird, and Jarvis almost huffs. 
He’s an amazing kid, really. 
The next kid isn’t for a while longer. It’s not until a year after the actual event, that Rhodey wasn’t there for. 
So he went by Iron Patriot for a while. Didn’t stick. He’s kind of glad it didn’t. 
This one didn’t even know about Rhodey, which is a travesty. 
It’s a snot-nosed little tween who says he’s not a tween, and his name is Harley Keener. 
“Tony Stark and I are connected,” he says stubbornly. Rhodey let him into the house, not like he’s going to just make this kid stay outside. 
“Like what, through an email chain? Texting?” 
“Life experience,” Tony says. “Hey kiddo. Who the hell let you take a bus all the way here?” 
“Bus drivers.” 
“Ha ha. Where’s your mom?” 
Harley tenses. 
His mother got a new boyfriend. New boyfriend didn’t like Harley or his little sister. Little sister is living with an aunt, and Harley didn’t want to live there. So here he is, in New York. 
“You don’t have to take me in, but I won’t stop bothering you,” Harley says. 
Tony sighs. 
“Come on in, kid. Like I’d let you do anything else.” 
It’s complicated. Rhodey realizes he’s dealing with another Tony with a bit more stubbornness to him and blistering genius. 
He calls his boss. 
“I need to put in my two weeks.” 
“You can’t be serious.” 
“I am.” 
“Why?” 
“Let’s just say I got preoccupied by surprise.” 
“Don’t tell me your guy brought home another bouncing baby robot.” 
“Well...not really. This one’s human.” 
“Christ.” 
Harley loves New York. He manages to navigate far easier than Tony ever could, and he grew up there half his life. Harley learns which bodegas are good, and what food trucks he needs to watch out for. 
He also adjusts to school far easier than expected, although the environment is much better. He’s being challenged, and he has people that can follow him. 
This is when Tony and Rhodey look into Midtown and discover a kid with a lot of promise. 
Spider-Man, technically, isn’t confirmed to go to Midtown. 
But Harley’s a bright kid and realizes that Peter Parker is Spidey. 
It also helps that the makeshift suit is hanging out of his backpack in a back alley. 
Peter gets an internship, and Rhodey laughs as Tony groans. 
“Oh my god, how do kids have so much energy. How.” 
“We were like that.” 
“No we weren’t.” 
“Do you forget we created Dum-E in, like, a week because we ignored the concept of time?” 
“Hm. I choose to forget that. It didn’t happen.” 
Rhodey laughs. 
They all have family nights. The bots are particularly enamored with movies, and drag Harley and Peter out of the lab to watch them. 
It’s Butterfingers’ turn, and she always chooses a soft movie. This time, it’s an old silent film. 
Dum-E likes action movies, so this is not the favorite. 
“Hush, you got to choose last time honey,” Rhodey scolds. “Don’t make me cut off your turn.” 
Dum-E goes silent as Peter snickers, flicking a piece of popcorn at U, who is currently trying to rearrange the furniture. 
(He’s decided he wants to watch videos about interior design this month. He’s very invested in Manifesting His Vision.) 
Tony smiles at Rhodey across the way. Harley had said he wasn’t tired, and now his head is on Rhodey’s leg, and he’s out of the world. Peter’s getting there, yawning into the pillow he’s decided is his. 
U has gone to “charge” although he says he’s Fine, No Charging for Him! 
(Jarvis has to laugh.) 
It’s not the typical family lifestyle. But Tony and Rhodey want anything but typical. 
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y4mmyb0y · 3 years
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Anime conventions are just so fucking mystetious to me. If i could study like social psyvhological patterns of attendants i would do it for years. I think i understsnd the core of why people love them. If you are genuinely obsessed with something its the best place for it, especially if you dont have friends into it. You can go to the kuroshitsuji panel and probably make at least temporary friends if you truly cant get enough ofthat shit. People love to dress up and conventions and cosplay provide an outlet for that and the kind of social benefit of someone liking you or being interested in you purely based off your image is probably intoxicating for them. I think it also gives sheltered people the chance to get into things, like i bet its so easy to get alcohol there underage. Its also just a massive gathering so theres a pretty major sex thing going on there too. Its still harrowing for me to be there and id like to become more integrated to gleam more insight. I think the feeling that 1. Im a 21 year old man and i feel like im surrounded by teenage girls, i am quite out of place. 2. I realize im terribly outclassed by these people. These like soul eater or omestuck cosplayers at the omegaverse panel didnt hesitate to shout out like "alphas have huge dicks" or anything that came to mind. This doesnt convey it fully but im thoroughly less enamored and kind of manic i guess than these people which facilitates the im a 21 year old man feeling further. Id like to add that despite my conceptions most of these people are my age. Maybe its purely cultural? Maybe i might as well be 25, i dont know.
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aetherknit · 4 years
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so opinions on the new chapter ? i’m totally not utterly wrecked from the last line ,, what are you talking about i’m fineeee...
(i’m not fine) - 🦁
UUUUUUUUUUU i have so much to say about it im chucking it in a read more
george saying “i know honesty is important to you” to represent the blending of george in dream’s head/dreams to the very real george, but instead of dream’s response to that being to take action as he did in the original dream (”and if i kissed you right now...”), he steps back and lets george take control of the situation -- something that has been a major source of contention between them and shows their growth. dream is finally recognizing their relationship is between the both of them, not just him and his own impressions of george (like the one in his fantasies).
i cannot get over how enamored i am with the entire axe imagery. george has been shown to always have weaponry when other people are dreaming of him, something kota has stated to represent the fact that george is guarded, defensive. but although george always has a weapon, he never uses it to defend himself from dream -- to sever the tension between them -- until now. dream goes too far, and george has to defend; dream doesn’t fight back, not like he does against himself. he lets it happen, finally recognizing george’s own agency, though it might be too late. and the fact that it’s dream’s weapon specifically? george has taken the place of dream’s worst enemy -- himself. more projecting.
i havent seen many people talk about the “and you looked right through me” line yet but it was one of the biggest hitters for me in this chapter. it’s -- it just feels so immensely real. there’s this whole theme of reaching and losing in heat waves, and the right people, wrong times concept that kota conveys hits so so hard right here. to george, he wanted dream in every way for so long, and now that he’s finally -- finally almost out, dream drags him back selfishly. and dream is selfish; he’s selfish a lot in heat waves, it’s arguably one of his biggest flaws. he’s self-involved, caring about his wants in the moment and leaving george to think about consequences, to defend by himself. dream loves george in a way that’s isolating -- coming up with his own idea of him, concerning himself with his own desires. he leaves it george’s responsibility to stop it when it’s to much. to be the breaking rain to dream’s unrelenting, burning heat.
(also have to say, i just loved the line, “I held you at arm’s length, but then you learned how to spin me.” something about it just perfectly encapsulates that emotion. love it.)
this is getting a little long but just let me say real quick that i’m such a sucker for greek myth, so i’m helplessly in love with all the allusions happening in h/w. i cannot wait to see more of it
anyway, in short anon: i am also not fine
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