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#in a game where who's real and who's not is up for debate like every month
cyberdragoninfinity · 2 years
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so yesterday i got a new notification for the "thousand illusion" structure deck, and i forgot what it said exactly, but it was along the lines of "the new structure deck 'thousand illusion' is out! check out my monsters!" which implies that pegasus is the one that sent the notification, and not kaiba. so uh, weird things going on with the game i guess
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OH MY GOD idk why it never occurred to me that DL has push notifications (i only play the PC version) but holy SHIT. i went and opened the game to see if there was anything else said about this new structure deck Like That AND
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WELL. I'LL BE DAMNED
pegasus is DONE being contained by the narrative these are HIS duel monster cards AND HE WILL BE TELLING YOU ABOUT THEM!!!!! STEP ASIDE KAIBA-BOY!!!!!
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renthony · 5 months
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In Defense of Shitty Queer Art
Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.
So why, then, are queer spaces so viciously critical of queer art?
Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”
Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.
After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.
When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.
But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.
If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.
Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.
It’s the only way we’ll ever get more queer art.
_
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mesetacadre · 3 months
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There are very few things I find more sinister than liberalism's consistent refusal to acknowledge reality outside of the world of their ideals. We sometimes pass around the more egregious examples of this and ridicule the disconnect, but at its core it's something very unsettling.
To the reality of a normalized systematic violation of people's dignity and life, liberalism's only answer is to close its eyes, recite the 1949 declaration of human rights or whatever other document it finds more suitable, and declares those transgressions to be illegal. Where is the inalienability of the right to shelter or food when struggling workers are evicted and left homeless to die of exposure because the bank or the landlord did not get paid? Where is the equality of every human at birth when more than half of the earth's population was condemned at the moment of their birth to forever toil for a foreign or national capitalist extracting their land's wealth? Where is the right to equality under the law when each and every judicial system so clearly favors those who provide the courtroom's electricity? Where is the right to freedom of expression when the bourgeoisie's media conglomerates slander every organized member of our class and forever maintain the monopoly of debate? Where is the representation in electoral systems without any accountability measures beyond a choice every 4-5 years and which consistently defends the interests of a class foreign to our own?
You see, every single one of these examples is simply a glitch, a fault in the perfect liberal system. And it does not matter how permanent these supposedly incidental flaws are, because the system is supposed to work for everyone. Things really aren't that complicated, you unruly worker, you traitorous agent. Why don't you keep on producing value like a good little laborer and let our analysts and economists tell you how good your life really is?
Liberalism's school of thought requires disdain for the social majority, because it also requires a total indifference to the unrelenting pain and indignity our class suffers, especially in the imperliazed world. The way in which that indifference manifests is vile too. Not only does liberalism cause, protect, and worsen the exploitation on which it stands, it also cries crocodile tears at its own inhumanity. It offers a myriad of solutions, based on its nominal ideas of an incorporeal justice and freedom. But the same hand it offers us is the same hand with which it pushes us down further into the sea of injustice that it created.
And what happens when the subjects become tired and aware of this game? The patina of compassion and justice is scrubbed off, revealing the intricate structure of capital. It will use every resource avaliable to slander, sabotage, mutilate, rape, traumatize, torture, murder every single worker who dares to build a world for themselves. In spite of the sheer brutality deployed every time, sometimes it's not enough and we win. And it makes sure every other worker either forgets it ever happened, or creates an vilified image of it. Afterwards, of course, the mask of normalcy returns.
There is no endgame for liberalism, no ultimate real purpose. The normal affair of things will continue to function as they always have, the same interests will be defended, the same threats and punishments will be levied against the working class, the same things will continue to worsen, and capital will continue to reproduce. No one is less aware of what liberalism defends than liberals themselves. And at the same time, no one else has such a sharp intuition of exactly what they are supposed to defend. No common liberal will ever willingly tell you that they support the violence we suffer constantly, but oh will the hairs at the back of their necks stand up when you ever dare to question their status quo.
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emilybeemartin · 7 months
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A whopping, like, 2.6 people have expressed interest in my recent adventures in watching Bean films, which is all the encouragement I need to present to you:
An Incomplete Guide to Sean Bean Roles (Investigation Ongoing)
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Our guy has a vast filmography, and I'm not even close to being halfway through it, but I've watched a lot of his significant ones in the past few weeks thanks to a perfect storm of illness, injury, and lapses in client work. Crucially, I have created superlatives for a variety of them and present them here for your benefit. Disclaimer: many of these films are violent! Or have butts and/or tits! Some have dick! Some have dated bits that didn't age well! So, if you have triggers or are watching with young viewers, do your research first! Also, these are just the opinions of one solitary millennial! Nothing is objective! Nothing is real! I care not!
Okay, CYA done, let's begin. I'll get the two most obvious ones out of the way up front, otherwise they'll dominate half the categories:
ACT I
Greatest Bean: Fellowship of the Ring. I've said it before and I'll say it again, he achieved more pathos with Boromir than a lot of his other roles have allowed for, and every note he hits just sings. No debate.
Best Bean for Your Buck: Sharpe. For the best confluence of quantity, quality, physicality, emotion, humor, and action, you can't beat Richard Sharpe.
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Favorite Dramatic Bean: Time; he earned that BAFTA fr
Softest Bean: The first date scene in Stormy Monday, where Brendan shyly gets to know Kate, slow dances with her, lends her a shirt and strokes her back after she asks if they can just go to sleep instead of have sex.
Most Dashing Bean: Vronsky in Anna Karenina, that uniform cuts, damn
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Swooniest Bean: I know I'm supposed to say Chatterley, and he is undeniably sexy as Mellors, but there are parts where his character is actually kind of off-putting. I'll lay a good chunk of the blame on the weirdly ominous score, the very of-the-time depiction of dubious consent, and Joely Richardson's tendency to look like she's having the worst time of her life while shagging the hot gamekeeper. No, I'm giving this category to Stormy Monday again. He's just so gentle and genuine in this one, without some of the obligatory "heartthrob" overtones of his nineties stuff. He never raises his voice at Kate or manhandles her. He really does feel like some kid who just wants to be sweet to his girlfriend.
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Laddiest Bean: When Saturday Comes, specifically the strip club and bathtub scenes.
Favorite Sad Bean: As a collective, he has some great grief scenes in World on Fire, but! The railroad track scene in When Saturday Comes?! That was RAW.
Favorite Mad Bean: Black Death; there are plenty of movies where he doesn't smile at all, but unlike some others, his grimness and anger felt proportionate to the story, rather than just rage because he's good at rage.
Favorite Bad Bean: There are so many great Bean villains (Goldeneye, obvs), but I think my favorite is Patriot Games. Bonus points for all the different hairstyles he has in this film (long locks-shag-shag ponytail!-buzz-wet spiky buzz). Also HUGH FRASER AAAA
Favorite Dad Bean: Wolfwalkers, where Bill Goodfellowe literally turns his own convictions and beliefs upside-down in order to protect and support his daughter.
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INTERMISSION
A note on GoT: I haven't watched it. When season one was first coming out, it was during a time where I really couldn't handle watching any kind of sexual assault onscreen, and while I have a higher tolerance now, I just... don't want to. I like seeing gifs of Ned Stark and appreciate that it's one of his great roles, but I just can't make myself take the plunge.
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ilysm you grizzled dead wolf man
ACT II
Favorite Costumed Bean: Odysseus in Troy: curls, leather, thighs.
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Favorite Un-Costumed Bean: He strips in quite a lot of his films, so let's give it to Lady Chatterley for sheer screentime, exertion, and the bonus of being naked and wearing a flower crown. Honorable mention to When Saturday Comes for the totally not homoerotic amount of butts and also dick in the locker room bathtub scene.
Hurtin'est Bean: Bravo Two Zero. Oof, don't watch this one if you have an aversion to seeing pain, although---you're a Sean Bean fan, and we all know one of his MOs is being GREAT at pain. This one was directed by Tom Clegg, who directed Sharpe. Also lol at the sickle-shaped wound on his shoulder, which is covering his 100% Blade tattoo (he gets a lot of sickle-shaped wounds on his left shoulder).
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Best Inside References: The Frankenstein Chronicles, where he plays a former Peninsular soldier, and every reference to his service is a reference to Sharpe, including shots of his greenjacket, pistol, sword, and flogging scars. Honorable mention to The Martian for the Council of Elrond line.
Most Unsettling Bean: Cleanskin for moral grayness, The Frankenstein Chronicles for body horror
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Most Inefficient Use of Bean: Black Beauty. Despite getting high billing he's only onscreen for about two minutes and I'm convinced the long shots are a body double. Criminal.
Biggest Missed Opportunity: We were robbed of a Sean Bean Odyssey. R o b b e d
Funniest Bean: Deploying Bean for comedy is woefully underused, but he made full use of his ~15 seconds in The Vicar of Dibley ("Spring" episode). He's also hilarious in Wasted, though I haven't watched the show, only the clips he's in on YouTube, where he plays a mock version of himself serving as a spirit guide for a stoner. IMO, though, Sharpe gives him the most room for humor.
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Favorite Character Quirk: In World on Fire, when Douglas is having WWI flashbacks and really coming apart, he kept putting his hand to his mouth. My modern brain first read this as talking into a phantom radio, but of course that wasn't right, and then I realized--he was reaching for a phantom gas mask. CHILLS. AMAZING. (Honorable mentions to the Mouth Rub and the Tongue Thing [pictured above]).
Most Nostalgic Bean: National Treasure. The concept may be utter silliness, but you have to admit, this is a fun movie to watch.
Best Dismount from a Horse: Henry VIII, he goes pshwing out of the saddle
Best Swordplay: You may think there's no possible answer to this, but there is---two moments, specifically: the preparatory sword-spin he does at Balin's tomb just before the goblin attack in Moria, and the four lunges he does at 1:26:22 of Sharpe's Battle. It's just facts.
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Prettiest Bean Film: Wolfwalkers, hands downnnn
Favorite Bean Death: All right, you knew we had to eventually end here. It's Boromir, obviously--- nothing tops that. But if we're looking at other roles, I think Patriot Games is my favorite, followed by Goldeneye.
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So! That concludes this installment of Bean films, though I'll be continuing the labor, and I hope you will, too. What are your favorites?
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19burstraat · 7 months
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Random SOC Trivia I Gathered On My Reread
I'll be using this for fics, but it's fun just to read!
Jesper does not hold alcohol well (though this is according to Kaz, who is not exactly impartial)
Wijnstraat, Nemstraat, Havenstraat, Ammberstraat are all street names if you want em
Van Eck has been involved in trying to clean up the Barrel; pious. (Allegedly pious, I doubt he really is)
1/5 Van Eck (or general Kerch trading?) vessels are lost at sea
Kaz arrested three times at ten, twice at eleven, once at fourteen. Does stints in jail but it does not say prison (ppl assume he's been to Hellgate / another prison but I don't think so. He'd never have shut the fuck up about it if he had; I assume the Stadhall Jail)
Kaz's cane is lead-lined. I wasn't sure if this was canon or fanon
Kaz runs book on prize fights, horses, and chance games. Floor boss at crow club since fifteen-ish. Youngest to run a betting shop and has doubled the profits.
Gambling halls: Treasure Chest, Golden Bend, Weddell's Riverboat, Silver Garter
West Stave brothels: The Blue Iris, The Forge, The Obscura, the Willow Switch, the House of Snow
Van Aakster is the widow mercher who sees Nina to ease his grief
Inej likes orange cakes in white paper
Black Tips tattoo is a hand with first and second fingers cut at the knuckle, Razorgulls is 5 birds in wedge formation
Nina Jesper and Kaz definitely all have the crow and cup; the others don't
Jordie seems to like books
ridderspel and spijker are arcade games
Bilge, clams, and wet stone smell in the Barrel (per Retvenko)
Kaz definitely is partial to dogs; Smeet's hounds and the grey dog the Hertzoon household had, the windup dogs, the metaphors. He loves a dog metaphor sorry ur not real babycakes you'd have loved thematic web weaving posts
Geldspin is the cotton mill in Zierfoort, Firma Allerbest is a cannery. Both in Alys' name
Wylan was 8 when Marya 'died'
the black veil tomb is carved like an ancient cargo ship
3 flying fish on a grave: government. Palm trees and snakes: spices.
Inej's mother braids her hair with orange ribbons (colour of persimmons)
University a series of buildings built around the Boekcanal and joined by Speaker's Bridge (where people debate and/or drink). Boeksplein four libraries built around a central courtyard and the Scholar's Fountain
Shipping container at third harbour is a Liddie hideout; Jam Tart House is an old hotel near the slat that the Razorgulls use
Long scar across Kaz's right knuckle
Violating contracts and interfering with the market can get you hanged in Kerch; same sentences as for murder (this is. Insane)
Haskell holds court with his mates at the Fair Weather Inn every week
Belendt is the second oldest Kerch city and sits on the Droombeld River
Jesper was 7 when Aditi died
Inej has an uncle (who seems to have some sort of ringmaster role) and cousins; Hanzi and Asha
Kaz convinced a locksmith in Klokstraat that he was the son of a wealthy merchant who highly valued his collection of priceless snuffboxes, and that's how he knows what locks the rich are using
Hubrecht Mohren, Master Thief of Pijl, who Kaz doesn't appear to think much of; one of Haskell's old cronies
Martin Van Eck, Wylan's great great grandfather, was a ship's captain, brought back a big shipment of spices from Eames Chin and started the Van Eck fortune
Kaz and Jesper (+ other Dregs boys) taught Inej to fight
Kaz and Jordie are from a town near Lij, as per the 'Johannus Rietveld' exposition, but Lij is seemingly the closest major city/county so it's easier to just say they're from Lij lol
The last time the Council of Tides appeared in public was 25 years prior to CK
Kaz found Filip running a monte game on Kelstraat; he also got the clerks who turned over fake info, the fake attorney, the man who gave them free hot chocolate
The spelling of Zentzbridge lapses to Zentsbridge, not sure which is right or if they're actually separate bridges or if there's a lot of wrong quotes floating around lol
Dryden house symbol is the golden wheat sheaf bound with a blue ribbon; Van Eck is the red laurel but we knew that
Kaz taught himself finance and gambling hall rules
Church of Barter roof is copper and long has turned green
Church of Barter built around the First Forge / The Mortar, which is a flat lump of rock that's supposedly Ghezen's altar
Ghezendaal Hospital is. Idk. a hospital. Just thought ppl might want the name
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thankskenpenders · 10 months
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Help me out here: Why is there so much Ian Flynn hate going around lately? I thought everyone loved that he was contributing to the games. Now suddenly they aren't. I guess that's par for the course for this series but I don't get it. He isn't perfect but I like what he's done. Am I a weirdo?
Ian Flynn has always had a lot of fans, but any creator putting their work out there is going to have detractors as well. That's just the nature of being an artist. To some extent, it's no big deal. He's not a perfect writer. Nobody is! I consider myself a fan of his work, but I've criticized plenty of individual writing decisions from him on here.
But Ian doesn't just have critics. He has his own obsessive hatedom. And the specific nature of Ian's hatedom is... interesting.
A decade ago, Ian was only the guy writing for Archie Sonic, meaning any debates over his work were quarantined within that tiny niche of the larger Sonic fandom. Only people who kept up with the comics month to month had any real reason to have an opinion on the guy, which means we're talking about merely thousands of fans as opposed to millions.
Within that group, he had some haters. You had the people who were mad about story changes made during his run, particularly things like ancillary characters getting killed off (although over the years we've learned that most of those were editorial mandates from Mike Pellerito). You had the people mad that Ian didn't push their favorite ship, with feuding SonAmy and Sonally fans claiming that he was CLEARLY biased towards one or the other. You had the people who just really, really liked one of the previous writers way more - usually Penders, as hard as that may be to believe today. That sort of thing. Pretty normal comic fandom type stuff. Again, it comes with the territory.
Unfortunately, many of those haters only got worse over time, morphing into reactionaries who constantly try to incite Comicsgate type culture war bullshit.
There are people still mad at Ian for making Sally bi and pairing her with Nicole instead of Sonic in the later Archie comics. There have been elaborate MS Paint red string conspiracy boards explaining how people like Ian and Jon Gray have apparently been destroying the franchise from the inside for years by Making Sonic Woke. (Jon gets dragged into this because people are still mad about him drawing The Slap 20 years later. Yes, really!!) There was an unhinged change.org petition trying to get Ian fired, specifically from people who were mad that the Freedom Fighters aren't in the IDW comics. There was even a very sad little fan campaign from these people trying to get Sega to move the Sonic comic license away from IDW and over to Udon, because they thought Udon would bring Sally and Bunnie back and also make them sexy again. There's a lot of this.
(Unfortunately, Penders has also exacerbated this by gossiping about Ian on Twitter and giving these fans ammo, but that's a whole 'nother discussion.)
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The thing is, for years, people who only played the games or watched the cartoons had no reason to pay attention to any of this. Now, though, Ian isn't just writing for some weird spinoff comics that only the super nerds read. Now he's writing comics that are canon to the games, and ALSO some of the games themselves, and ALSO consulting on other tie-in media like Sonic Prime, and ALSO writing the official Sonic encyclopedia, and ALSO serving as part of the new Sonic Lore Team at Sega. And on top of all this, he's got an increasingly popular podcast where he fields questions about his work on all of these things, which serves as one of the fandom's main windows into creative decisions being made behind the scenes.
As a fan of Ian's work, it's been really cool to see him rise in prominence. But the dark side of this is that his obsessive haters from the Archie days now have WAY more of a potential audience of their own. Now, every Sonic fan has to have an opinion on Ian. What this frequently means is that you'll have the Comicsgate types taking things Ian writes or says out of context, attempting to get more of the general fandom to yell at the guy.
Unfortunately, there are a wide variety of Sonic fans who take the bait:
You've got hardcore fans who disliked basically any recent piece of Sonic media and are looking for someone to blame.
You've got the people who are concerned about the sanctity of Sonic's canon, who shoot the messenger any time Ian mentions a new retcon from Sonic Team on the podcast - or any time he even mentions the THOUGHT of changing anything about the canon, as we saw recently with the Sol Dimension nonsense.
You've got people who romanticize some sort of mythical artistic vision that Sega of Japan supposedly has (or had) for the franchise. To many of these fans, American contributors like Ian just don't "get" the heart of the series and are trying to turn Sonic into something different. (This "heart of the series" tends to be some mix of Japanese instruction manual lore, the cinematics from Sonic CD, the OVA, and/or the games written by Shiro Maekawa, depending on what Sonic media the fan in question grew up with.)
You've got fans of specific characters or ships who pin the blame for how their faves are depicted entirely on Ian - most vocally fans of Shadow, even though the root problem is that Sonic Team hasn't known what to do with Shadow since 2006. At best this stops at regular old criticism, but at its worst this devolves into claims that Ian has an agenda against certain characters.
You've got fans annoyed by a perceived over-emphasis on comic-original characters in the IDW comics, ignoring the obvious facts that these characters exist because the game cast is so tightly controlled by Sega, and also, you know, that people just like the IDW characters and want more stories about them.
You've got a LOT of discourse over IDW's Sonic being a hero who tries to give his enemies second chances, as if half of Sonic's closest friends aren't already former villains and rivals. Honestly this is very transparently just reheated Steven Universe discourse lmao
You'll also see people who just think they could do Ian's job better. They can't believe that THIS GUY is the American fan working on all these Sonic projects, when clearly THEY understand the characters and lore and themes SO much better than this charlatan.
All it takes is for someone in one of these categories to be unhappy about some recent piece of Sonic media, and for them to come across an out of context quote or comic panel that rubs them the wrong way, and suddenly the leftist Zoomer Sonic fans will join the latest dogpile on Ian alongside the reactionary Comicsgate types who are mad at him for Making Sonic Woke.
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In general, when fandoms get upset, they tend to want a scapegoat. A person or two to point a finger at and go "THAT's who ruined the thing I love!" This tends to be based less on reality and more on which contributors are the most visible online. You'll sometimes see teenage and adult fans of children's cartoons single out a storyboarder who's particularly vocal on Twitter, blame them for every story decision they don't like, and harass them off the platform out of a sense of retribution for their favorite ship or whatever. Failing that, fans might choose to blame every nitpick, down to individual lines of dialogue and frames of animation, on a showrunner, just because that's the name they associate with the show. And unfortunately, when it comes to Sonic, Ian is now arguably the most prolific and outspoken contributor on the English speaking internet, and therefore a common scapegoat.
Some of the things I've seen Ian blamed for are truly wild. A lot of people have claimed for YEARS that he's just lying about the existence of creative guidelines and restrictions from Sega - or, as fans call them, The Mandates - even though they're just an inherent aspect of working on a licensed property. Others claim that The Mandates are real, but somehow Ian's fault. A vocal minority of fans have convinced themselves that Ian is the sole reason the Freedom Fighters don't exist in the IDW comics, even though Ian says he's been pushing to bring them back since day one.
Sometimes you'll see people say he ruined shit he didn't even work on. A few weeks ago on Twitter I saw someone claim that Ian had written a rejected script for Sonic Forces in which Tails died. I could not find a source for this for the life of me. As far as I can tell, the rumor seems to have been born from an alleged leaked script for Forces with margin notes from Aaron Webber that criticized the way Tails was written, and also an old tweet where Aaron joked that Tails would die in an upcoming episode of Sonic Mania Adventures. These merged into "Aaron Webber criticized a draft of the Forces script in which Tails died." How'd Ian get dragged into this? Who fucking knows!
It's all just a big game of telephone. All it takes is some asshole to make something up about Ian on Twitter or YouTube or a DeviantArt journal or some forum, and at least a couple people will believe it, and then it gets repeated as fact. Again, this used to be contained by the niche nature of the Archie Sonic fandom, but now there are WAY more people who are receptive to this shit.
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It's just sad to me that Ian tries to be so open and honest about his work, to try to explain the rationale for certain things, to keep fans looped in on the direction the franchise is headed, and this just gives the Flynnspiracy types more quotes to take out of context and try to paint him as the devil. If it sounds like I'm being overly defensive and dismissing his critics, man... some of the things I've seen people say directly to him are just unbelievable. People will send paragraphs-long angry screeds in to his podcast that completely tear him apart, and he has to sit there and be like "Well, that's your opinion, and you're entitled to it." People literally pay for special guest interview episodes where they just rapid fire complaints about his writing at him directly to his face. I don't know how he does it. I would snap.
All of this over Sonic the fucking Hedgehog of all things.
I don't know how to wrap this up. Engaging with fandoms online is very tiring, which is why I tend not to do it. Things like this are too common. I guess, just... remember that making art collaboratively is a complicated thing. The people involved are generally trying their best given the circumstances, but they're only human. They make mistakes. But please treat them like humans. Criticism and dogpiling are not the same thing.
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cxrdycxps · 2 months
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Cat and Mouse • Joel Miller
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Main Masterlist • Joel Miller Masterlist
☢️ sexual assault (past) • reader’s motto is gaslight gatekeep girlboss • cocky Joel (needs a warning) • slut Joel • smut • miscommunication ☢️
This was supposed to be one part. It got away from me. I have no regrets. Part two will be up tomorrowish
Joel had a nod. It was a respectful greeting he used for a very specific set of people. He used it exclusively to acknowledge women he had fucked. Tommy had lost count of the amount of women he offered the nod to.
How he was getting away with making his way through half the population of Jackson, Tommy would never know. His brother had given the nod to nearly every single woman of an acceptable age range in town.
“Are you gonna start again once you collect them all?” Tommy asked one evening. He was trying to share a drink with his brother but Joel was like a damn bobble head with all the nodding he was doing.
“Huh?” Joel asked and Tommy only sighed, shaking his head. He took a sip of the watered down whiskey and remembered a time it was him nodding his head at all the women in down town Austin. He had no idea how Joel was able to keep up now.
Tommy was happy to have Maria now, someone to come home to at the end of the day. Someone to share everything with. He could never go back to giving away parts of himself to different women every Friday night. It was made all the better by the fact that it was Maria who chose to love him for all his faults. He didn’t get complacent with her love, he worked for it every single day.
While Tommy was driven to distraction thinking of his wife Joel had found a new target. Tommy watched him lock eyes on you and shook his head, pulling his brother back down into his seat. “Not her.”
“Not her? Why not her?” Joel asked in confusion, his eyebrows furrowed. He looked back to you again and Tommy could see the allure. The tight jeans stole all the attention in the room, your laugh was like a sirens call. But Tommy couldn’t allow it.
“Not up for debate. You can fuck every single woman in town but her. She’s not an option. You’re not allowed.” Tommy didn’t explain his reasoning, only shook his head. Joel grinned at his brother and shook his hand off. “I’ll treat her real nice, promise.”
Tommy let him go. He thought it was personal, that you were a friend of Tommy’s or something. Tommy had never even gotten close and he wouldn’t dare to. You were the choice of most single men in Jackson and some not so single men. But Tommy had watched you chew every last one of them up and spit them all out.
You played with them like a bored barn cat and a field mouse. You let the run rings around you and just when they thought they’d won you deal the killing blow with one lazy swipe of a paw.
Tommy wanted to hate you. Maria had to deal with more than one bruised ego and tell them that no, embarrassing them and breaking up with them was not enough reason to kick you out of the commune.
The men knew better. You’d been doing it for the two years you’d been in Jackson, seeming to take sick pleasure in luring the men in and bringing them down a peg or two. Tommy could only thank the god above you never went near the married men or he knew there would be hell to pay from the possessive wives of Jackson.
You seemed to have some morals, atleast.
Well, that wasn’t exactly fair either. Tommy knew some of what happened to you before Jackson. How the men had treated you in your last camp. They had done much worse than a little embarrassment and ego checking.
Tommy watched you turn into the tap on your shoulder from Joel as he played the polite southern gentleman, just trying to squeeze by to get some drinks. You weren’t fooled, Tommy could tell, even if Joel couldn’t.
And so the game began.
///
“Pardon me, ma’am.” You looked over your shoulder to find Tommy Miller’s brother with an almost bashful look on his face, his hand retreating from where he had tapped your shoulder. “You mind if I squeeze in?”
You blinked at him before smiling demurely, moving a step back so he could reach the bar and gesture to Seth for a drink. You shared a look with Lou, your friend that you had been drinking with, over his shoulder and she shook her head with a laugh and turned away. “Thank you, ma’am.”
“Well with good southern manners like that and a Texan twang you can’t be anyone other than Tommy’s-” You paused to look him up and down slowly. “Big brother?”
“You’re gonna tell me Tommy’s got manners?” Joel asked with a laugh, accepting his drink from Seth and leaning an elbow on the bar.
“Nah but I’m sure one of you had to have them.” You told him, smiling when he laughed. You were jostled from behind by someone heading for the bar and you pressed against Joel before backing away slowly. “Sorry ‘bout that.”
“Don’t you worry, sweetheart.” He was laying the accent on thick and you smiled at him, looking up from under your eyelashes. You rested one hand on his arm for balance when you were jostled again. “I don’t think we got a proper introduction. I’m Joel, Joel Miller.”
You gave him your name and stepped back to extend your hand to him. He shook it slowly before lifting it and pressing a soft kiss to the back of your hand. You laughed in delight. “Oh you really are a gentleman. I thought those were extinct.”
“Endangered maybe, I don’t know about extinct.” He still held your hand, his thumb smoothing over your skin. You blinked slowly at him when a particularly rough jostle shoved you into his chest. His arm wrapped around your waist to steady you and you apologized when you caught yourself with both hands on his chest. “You wanna watch where you’re going, buddy?”
You turned in Joel’s embrace, his arm still tight around you, to find Nolan. You fought a wince knowing that this game could be over before it started if he decided to run his mouth. “It’s fine Joel.”
“It ain’t fine, he can apologize.” Joel insisted and you couldn’t quite tamp down the wince this time when Nolan looked up at you. “Right now.”
“She ain’t worth the breath of an apology.” Nolan scoffed and you bit back a laugh. You had really hurt his feelings and you hadn’t even been trying, not really. “Dirty whore.”
“Now I know you ain’t-” Joel’s chest swelled as he started to defend you and you let your laugh loose.
“Nolan, sweetie. I’m sorry that you and I didn’t work out but it ain’t my fault and I ain’t no whore.” You reminded him, your voice gentle. “I think you just had too much to drink.”
Nolan stared at you for a second, his jaw tense before he looked over your shoulder. “Yeah, that’s it. Sorry about that.”
A low whistle reminded you that you were still in Joel’s grip. He let you go when you twisted back to look at him and found his impressed smile. “Solved that a lot tamer than I woulda.” Joel told you honestly.
“Awh Nolan doesn’t mean any harm.” You told Joel and looked over your shoulder to find the man with his back to you. “Being truthful? Me and Nolan used to date. It’s hard when it doesn’t work out. Jackson is so small.”
“Yeah, I hear ya. Always bumpin’ into each other after the fact. Can’t be easy.” Joel allowed and you nodded, a small smile on your lips.
“You sound familiar with the feeling but I was under the impression that you don’t date.” You stole his glass to sip at his drink and he raised his eyebrows both at your comment and your cheek. “We women talk, Mr Miller.”
“Well, like you said. It gets messy. And I don’t like mess.” He admitted, waving at Seth for another drink. You smiled and tipped your head back, finishing his drink.
“I quite like messy.” You told him, catching Lou’s eye where she was lingering off to the side. “Pity you don’t. Cause I don’t do one night stands. Nice talking to you, Joel.”
“Wait, what?” Joel asked when you grabbed your purse from the bar stool. He looked from the empty glass you placed on the bar to your back as you walked away, arm linked with Lou.
Seth rested Joel’s drink on the counter and he took it, ignoring the chuckling bar man. He found his seat beside Tommy again and watched his brother try to hide his smile. “Count yourself lucky. That’s easier than the other men get off.”
“That’s the problem, Tommy.” Joel finished his drink in one swallow. “There wasn’t any getting off. But I’ll change that. She’s sweet, real sweet.”
“She’s gonna chew you up and spit you out, big brother.” Tommy assured him with a laugh. “But someone’s gotta bring you down a peg.”
///
You heard him before you saw him. The thin walls of the greenhouses held no secrets. A fact that a lot of people forgot when they wanted to go gossiping.
Joel Miller wasn’t gossiping though. He was looking for you, asking Betty where you might be found. He had gone as far to check up on your rotation to find you today. That seemed like someone who would play your game.
You didn’t look up when Betty sent him in your direction, picking the strawberries carefully. You were splitting them between baskets, trying to be fair with the size and number distributions. He paused on the threshold but you only hummed under your breath, turning away to grab several more baskets to fill. He cleared his throat and you made yourself jump a little, spinning around to face him.
“My God, Joel.” You huffed, a hand on your chest. He was grinning at you, proud to have caught you unaware. “I was in a world of my own. Make a little noise next time.”
“I’ll be sure to keep that in mind, sweetheart.” He leaned against the door frame with his arms crossed over his chest. “You’re not an easy woman to track down.”
“Is that so?” You asked him, turning to face him. You leaned back against the work bench, your hands behind your back. “What’s got you tracking me?”
“Can’t a man be neighborly?” He asked, an eyebrow raised and you laughed. He straightened up from the door way and you were in awe of his size, how his broad shoulders filled the space. “Making sure you’re doing alright after putting Nolan in his place the other night?”
“I ain’t worried about Nolan and we ain’t neighbors, Mr Miller.” You reminded him and he looked slightly abashed to have been called out so thoroughly. You wanted to cup his red cheeks and coo at his embarrassment. A big man like Joel, he’d hate that he liked you doing it too.
“If a man was looking to get a little messy, how’d he go about it?” Joel asked and you smiled brightly as his forwardness. “Asking for a friend, of course.”
“Oh well, you can tell your friend that I got a three date rule.” You told Joel, turning back to pick your strawberries. “I like to be wined and dined, not rushed out the back door the following morning.”
“And if he’s got a kid that can’t know. Can that wining and dining be discreet?” Joel asked and you shrugged, turning with a basket of strawberries in your hand.
“If your friend wants to come and cook me dinner in my home, away from prying eyes, I wouldn’t complain.” You told him, holding the strawberries out to him. “For your friend.”
“I’ll be sure to pass all’a that on to him.” Joel tipped his head at you, that infuriating nod he gave all the other women in town.
“Don’t nod at me like that. I ain’t a sure thing and I ain’t your conquest.” You huffed, annoyed you had already given him the strawberries. “You can tell your friend he better try harder than you do.”
“Yes ma’am.” Joel sounded properly chastised but you didn’t give him the satisfaction of looking up at him when he left with a muttered thanks for the strawberries.
You released a breath and smiled to yourself as you finished with the strawberries. He was such an adorable man for the sheer size of him. So quick to apologize when he was in the wrong too. It was endearing.
///
“Fancy seeing you here.” Joel looked up from the basket of blueberries he was examining closely. “Those blueberries hurt your feelings or somethin’?”
“Ellie doesn’t like them too soft.” He explained and you stepped closer to him, looking over the baskets of berries. You selected one and passed it to him. “Thank you.”
“I know how she feels. It’s kind of gross when they turn to mush.” You admitted, lifting a bundle of wild garlic and checking each leaf. “Friday evening. I finish work at seven, by the way.”
“Seven?” Joel asked, his interest moving from the open collar of your blouse to your face. He didn’t look embarrassed to be caught looking.
“If your friend is still looking to get messy.” You prompted and he blinked, nodding his head slowly. You reached for a red bell pepper and turned it over in your hand. “I mean, if he’s up for it.”
“Up for it?” Joel asked, reaching over you to pick a bell pepper of his own. He didn’t bother examining it, tossing it into his basket. You sighed and pulled it back out, tilting it over to show him where it had gone soft.
“Some men aren’t up to the challenge of having to actually get to know someone. Especially when there’s no promise, or even chance, of sex at the end of the night.” You explained while picking a separate pepper and handing it to him. He copied your inspection this time before placing it in his basket.
“I can hold a conversation. Just because I only usually spend one night, doesn’t mean it ain’t a damn good night. You won’t be the first woman I’ve wined and dined.” Joel huffed and you raised your eyebrows.
“You really know how to make a girl feel special.” You huffed, turning on your heel. You checked in with the stall owner and let them check off the food you were taking, ignoring Joel’s attempt to get your attention. The market was too crowded for him to navigate it as quickly as you had.
Joel was left staring after you feeling wrong footed again. He wasn’t sure how he managed to always mess it up with you. Saying the wrong thing at the wrong time, doing the wrong thing when things were going so good.
He sighed and returned to the stalls, looking over the produce in search of something inspirational enough for dinner with you on Friday. If he was even welcome at this point.
Joel didn’t avoid dating for the mess if it ended badly. He didn’t date cause he hadn’t dated anyone since he was sixteen. Fucking was easy. Dating was complicated.
He stared at the uninspired fruit and vegetables and shook his head, turning on his heel and leaving that decision for later in the week.
///
“Come now,” Tommy sighed, leaning back on your porch with a glass of lemonade in hand. He was regretting agreeing to be on landscaping duty this summer. He was getting too damn old for that old push lawnmower. “He’s not a bad guy. You could just cancel on him.”
“I ain’t cancelling on him.” You shook your head and Tommy sighed. “It ain’t really any of your business either. Joel and I are both consenting adults.”
“He doesn’t know what you’re like.” Tommy sighed and you blinked at him. He didn’t know you well enough for the way he was talking to you.
“What I’m like?” You asked, standing up from the porch swing. Tommy looked up from his spot on the porch steps. “Tell me, Tommy Miller, what am I like?”
“You treat it like a game.” Tommy sighed. You wondered if he was brave or just stupid. “You chew men up and spit ‘em out. You don’t care about hurtin’ them.”
Tommy was leaned with his head back, eyes closed to block out the sun. Like an idiot, he fell for the same complacent safety that everyone in Jackson did. You hadn’t quite gotten that lazy yet and so you could see Joel approach.
“God, Tommy.” You sighed, arms wrapped around yourself. You had yourself twisted away from the direction Joel was approaching from. “I didn’t realize you bought into all the rumors. I’m sorry, I’ll call it off with Joel if you want. I just wanted to get to know him.”
“You got no idea the things the men in this town say. I know it all.” Tommy sighed. “Just leave Joel out of it.”
“I’m sorry.” You repeated, mouth downturned. “He was nice to me, ain’t too many men been nice to me in my life. He was safe. He stood up to Nolan when he called me a whore the other day. No one ever stood up for me before.”
Tommy looked up when your voice turned thick, suspicious eyes cracked at you. Joel cleared his throat and Tommy knew instantly. You had to give it to Tommy, you liked him. He was loyal to his wife and he took no bullshit from anyone. But he wasn’t going to get in your way.
“Joel!” You put as much surprise into your voice as you could without over playing your part. “We gotta put a bell on you or somethin’.”
“Joel-” Tommy tried but his brother only shook his head, not listening.
“Listen Joel, I hate to do this but I don’t think I can have dinner on Friday.” You padded down the porch steps. You hadn’t put on actual clothes yet, enjoying a rare day off to lounge around in shorts and a camisole. You knew it was working in your favor when Joel smiled gently at you.
“You ain’t cancelling on me cause my brother is an idiot. I’m a big boy, I make my own decisions. I’ll be here Friday and you’ll eat dinner with me.” Joel insisted and you looked back at Tommy who had his jaw clenched.
“I don’t wanna cause any trouble.” You insisted, blinking up at Joel. He only shook his head, raising his hand to tuck some of your hair back. “Honestly Joel, Tommy is right. I got a bit of a reputation with the men in town. I don’t know why I can’t get it right.”
“Let me worry about Tommy.” Joel promised, a dark glance in the direction of his brother. “It’s just dinner, Sweetheart. I ain’t proposing.”
“If you’re sure? I’ll understand if you-”
“Aht. None of that. I’ll be here, with bells on if that’s what you want. Now if you don’t mind I’m gonna have some words with that brother of mine.” Joel leaned forward and kissed your cheek softly. You smiled up at him and had to shake yourself from the distraction of how gentle his lips felt against you.
“I’m working.” Tommy was sat up on the porch now, eyes narrowed at you both. You fought the urge to smirk at him, you didn’t actually want to come between the Miller men. “Got lawns to mow.”
“I’ll keep you company. Make sure you ain’t running your mouth.” You turned back to Joel with a small smile.
“You want some lemonade?” You asked him softly and he smiled down at you, nodding.
“Honey, if it’s you offerin’ I’d probably accept puddle water.” You laughed lightly, heading back for the porch where one very grouchy Tommy Miller was sitting. He narrowed his eyes at you while you passed him and only looked away when Joel cleared his throat.
You paused once you were out of sight and listened to the pair of brothers grumbling at each other.
“You mind your goddamn business. I’m a grown man, I think I’d know if I was being manipulated.” Joel snapped at Tommy who only sighed.
“You got no idea.”
///
“I gotta admit, I’m impressed.” You were sitting on the counter by your oven, watching Joel cook. Your bare heels were kicking off the cupboard doors under the counter, giving a rhythmic background noise to join the sound of bubbling from the pots. “Kind of expected you to be a microwave man.”
“I can be.” He admitted with a laugh and you smiled, staring down at the stir fry he had chosen to cook for you. He claimed it covered all the bases; light enough for the summer heat, filling if you were a vegetarian, and easy enough that getting distracted by talking to you wouldn’t ruin the meal. “Most nights I’ll have a baked potato done in the microwave.”
You wrinkled your nose at him but he only shrugged at you. “Don’t knock it ‘til you try it.”
“I’m gonna knock it. I don’t need to try it.” You laughed and hopped off the counter, heading for your drink cabinet. “Whiskey?”
“Mm, no. Check my bag there, brought you a little somethin’.” You smiled at him before ducking into the hallway where he had left his bag. Opening the zip and exposing the contents had you calling Joel’s name in delight.
You carried the bottles back into the kitchen and held them up. Joel laughed at your giddy smile when you placed one bottle down and moved to open the other one. “Where’d you find actual wine?”
“We had a patrol a couple of weeks ago into a new town. Found a couple of them.” He told you, watching as you swapped the whiskey glasses for wine ones.
“Would you like a glass now?” You offered and he nodded with a smile when you carried one over to him. “You really took me seriously.”
“Wined and dined, Sweetheart. I’m a man of my word.” You took your place alongside him again and watched him check that the noodles were cooked. He’d had to trade a day of labour in the stables for the noodles. He really had pulled out all the stops.
“Color me impressed.” You sipped at your wine and nudged his hip with your knee. “I should’ve never doubted your skills.”
“Ah, I owe you an apology for that. I ain’t treating you how I treat other women. I know this isn’t just one night.” Joel promised and you smiled softly. “I keep putting my foot in my mouth around you. Can’t think straight when it comes to you, I guess.”
“Charmer.” You rolled your eyes and hopped off the counter again. You stole both wine glasses and placed them on the table, bringing Joel the plates so he could serve up dinner.
You had set either side of the small dining room table but Joel only shook his head, moving his place setting so he was sitting at your right hand side, closer than you had put him. “How are we supposed to get to know each other from that far away?”
“It’s like a foot and a half?” You asked, eyebrows raised. He only shook his head again, settling himself in and taking a sip of his wine. You couldn’t help but laugh at him.
You hadn’t actually thought about the conversation during dinner and you had the sudden thought that it could be awkward. Joel didn’t share those sentiments, talking away about anything that entered his mind.
He was funny, which was surprising. Being hot and having a personality was a rare deal when it came to the men of Jackson. Everything about Joel surprised you. He kept your glass topped up and even washed the dishes when you both finished with the meal.
You found yourself checked up at the end of your sofa, facing Joel who was telling you about running into a giraffe living wild in Salt Lake City. You couldn’t believe him, expressing your jealousy.
“It was kind of surreal like everything I’ve seen in the last twenty five years and a giraffe is what seems the most unrealistic?” Joel laughed. You shifted against the couch cushion with a laugh and the wine in your glass spilled out and splashed your top making you gasp at the cool of it.
“Shit, sorry.” You leaned forward, pulling the fabric away from your chest and Joel held a hand out, taking your glass from you. “Gimme a second.”
You hurried up to your room, swapping your blouse for another. At the last second you paused in your doorway and swapped your blouse for a thin camisole. Another pause had you unhooking your bra and tossing it in the direction of your hamper. You admired yourself for a moment in the mirror before heading back to Joel.
He held your wine glass out to you with a gentle smile. You took the middle sofa cushion this time, moving you closer to Joel who let his eyes dip down just barely. “I’ve always been clumsy.”
“Is that right?” He asked and you nodded, finishing your glass of wine in one final swallow. “Maybe I should head out.”
“You could.” You nodded, placing your glass on your coffee table. “In fact you probably should. But I don’t want you to.”
“What do you want?” Joel asked you softly when you straightened up, inches between your faces. He was holding himself back, you could see it. Any of those other women he would’ve already pinned to the sofa and fucked them until they screamed.
“I don’t do this. I don’t do one nights.” You whispered quietly. His jaw clenched and you swallowed nervously. “It makes me feel cheap and dirty to be used like that and wake up alone in the morning.”
“What do you want? Do you want me to leave now? Because I’ll go, Sweetheart.” He promised you softly. “If you want me to stay and be here when you wake up tomorrow then I will. And I’ll come back for dinner too.”
“Awful presumptuous, Mr Miller.” You laughed, fingers twisting together in an attempt to gather your courage. “Stay?”
“Set the pace.” He whispered and his breath fanned against your lips. Your hand moved up to wrap around the back of his neck and pull him closer, your lips pressing to his.
You pressed against him, shifting so that you were straddling his lap, your tongue pressing into his mouth. He pulled you to grind against him, his big hands on your hips. You couldn’t help but moaning his name against his mouth. “Feel’s so good.”
“Tell me what you want.” He groaned when you shifted in his lap, rubbing right up against him.
“Take me to bed, Joel.”
///
You groaned against you pillow and squinted against the morning sun. You hadn’t bothered to pull your curtains last night, what with Joel fucking you into the mattress and all.
The man in question was wrapped around you from behind, still asleep it seemed. Well, most of him was asleep. He was making small aborted moves with his hips, rubbing up against the small of your back.
You shifted against him, turning in his grip to tap at his cheek gently. He shook his head and burrowed into your neck before freezing. You ran your fingers through his hair and scratched at his scalp. “Morning.”
He grunted something that sounded like a good morning and you slid your hand down between you both, circling him in your hand. He pulled his head back and blinked at you. “I think I might a little too sore for round two. But if this is okay?”
“More’n okay. You don’t need to though.” Joel promised and you smiled, pressing a kiss to his cheek, pumping your hand. The little movements he had been making had been enough to have his tip wet. You paused to lick the palm of your hand and resumed your movements. Joel groaned, head tipped back and tendons in his neck straining. “So fucking good.”
You wrapped one leg up on his hip and every time he bucked into your hand he pressed between your legs. You had no desire to let him push inside of you again but you couldn’t help the small moans Everytime he pushed through your wet slit, the head of his cock was kissing your clit.
He took control of the speed, deliberately moving so that you felt each slide of his cock, his own hand closing over yours and tightening your grip. “So wet for me, Sweetheart. Gotta treat that pussy good after all the abuse I gave it last night.”
You whined against his neck, your breath coming faster. He was hitting against you perfectly and you couldn’t remember ever feeling this good with another person before. Your free hand pressed against Joel’s chest, nails digging into his chest. “Fucking, right there, please. Please.”
“Cum for me. Come on. Cum for me.” Joel demanded and you wanted to scoff at him, the same words coming from the mouth of every man you slept with. But Joel wasn’t every man. Joel was better. You shuddered against him as your orgasm hit, your hand falling away from his cock. He took over, pumping himself through his own orgasm which splashed against your stomach.
“Fuck.” You pulled away from Joel, the heat and sweat making you grimace. You collapsed onto your back and he did the same, chest raising and falling quickly. “Good morning is right.”
“A very good morning.” He agreed with a grunt. You couldn’t help the giggles, pushing yourself out of the bed. “Where’re you going?”
“To shower while you’re making that breakfast you promised me.” You reminded him and his brow furrowed.
“I didn’t promise breakfast. In fact it’s time you make a meal.” Joel teased with a grin and you shook your head, pulling on your robe.
“You promised last night. I asked if you’d really stay the night and you said you’d make breakfast.” You reminded him and he scrunched up his face in an effort to remember and you smiled at him, leaning against your dresser.
He looked immaculate in the morning, so big and broad. His chest was covered in hair that tapered down to a trail on his stomach. He looked up and you laughed.
“You were right about to fuck me? Less than an inch away and I asked you if you would definitely be there when I woke.” You reminded him and he nodded.
“Ah yes, I would’ve promised anything to get into your pussy at that point.” He laughed and you froze in place, your smile slipping from your lips. You pulled your robe tighter around yourself and swallowed.
“Is that right?” You asked, your voice cold. “Anything to get your way, huh?”
He paused, arching his neck up to look at you again. At your expression he pushed up on his elbows and you narrowed your eyes at him. “Not like that. I didn’t mean that how it sounded.”
“I’d like you to leave. Now.” You knew what was happening. He had agreed to play the game but now he was changing the rules.
He scrambled up on the bed and got tangled in the blankets. A knock on your front door had him freezing in place. You paused too, wondering who in their right mind was at your door at this hour on a Saturday. You stared at Joel for a second before tying your robe and hurrying down the stairs.
The door swung open to find Ellie who appraised you, eyebrows raised. “Tommy said Joel would be here. I need him.”
“You can have him.” You promised her, turning to find Joel on the stairs, buttoning his shirt. “You’re needed.”
“Yeah, I heard. ” Joel said, his voice angry. Ellie looked between you both and shrugged.
“You didn’t come home. There’s a leak in the bathroom. Tommy said I’d find you here.” She explained and Joel looked at you and away again. Tommy had done enough home improvement for you to know one thing.
“Oh my god.” You looked between Ellie and Joel and felt physically sick. “You organized a bail out if you stayed the night.”
“It’s not with it looks like.” Joel promised and you scoffed, tossing his bag at him from the hallway floor.
“Get the fuck out of here. And don’t bother coming back.”
189 notes · View notes
wosoimagines · 10 months
Text
Alone - Arsenal W.F.C./Reader
prompt: R, one of the newest signings, is going to be alone for the holidays.
warnings: none
words: 2313
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(Y/N) POV
I tried not to pay attention as the rest of the team discussed their own holiday plans. I really did try to make sure that it didn’t get to me. I hadn’t celebrated any holidays in such a long time that it normally didn’t faze me.
Maybe it was because I was already starting to see the rest of the team as my own family. Or because I had grown so used to seeing some of my teammates every day and I knew that I wouldn’t get to see any of them during the holidays like I currently was able to.
“What about you, Yankee?”
I scowled at the nickname as I sent Katie a glare. It didn’t even make sense considering I wasn’t a Yankee fan or from the North.
“Thought I told you not to call me that.”
“Oh, come on, Yankee Doodle!”
Before I could say anything else, I felt someone nudge my shoulder.
“What are you doing for next week?” Lotte asked. I furrowed my brow because I wasn't entirely sure what she meant. “Don’t we have a game on Thanksgiving? I’m sure the team’s granted you a leave to go spend it with your family.”
“Why would they do that?” I asked.
It wouldn’t have made sense for the team to give me leave, especially when I didn’t ask for one.
“Next week would be when fall break is,” Alessia pointed out causing me to turn my head to where the blonde striker was sitting. I had honestly forgotten that Alessia and Lotte would both know when Thanksgiving was due to their time in America. “Don’t you want to go home and spend Thanksgiving with your parents?”
I only gave a small shrug. I’d much rather play on Thanksgiving Day than spend it with my family. I especially didn’t want to be ignored on a day that was supposed be enjoyed with your family.
“You don’t want to see your family?” Kyra asked as she tilted her head to the side. “I thought that was like the whole point of Thanksgiving?”
“Yeah, well, it’s not that fun when you’re the one who has to cook everything and then everyone wants to complain about it all being made wrong,” I said as I turned away from the team so that I could put my shoes up. “Even better is when everyone ignores you if they’re not complaining about your cooking.”
“(Y/N)…”
“Real great considering that last year I tried to tell everyone that I was gonna accept a scholarship to play with UNC only for everyone to ignore me and tell me to shut up,” I continued as if I hadn’t heard Beth. “Then turn around after everyone leaves and your parents explode on you telling you there’s no way you can go to college because you’re supposed to turn pro so that you can pay them back for everything they did to make sure you succeeded as if I didn’t have to fight them tooth and nail to get them to support me.”
“You were going to be a Tar Heel?”
My eyes met Alessia’s before I nodded.
Where I was looking at going to college had been heavily debated with my own national team. Everyone had their own opinions of where I should go except for Lindsey and Mal since they both had skipped college to turn pro immediately out of high school. But that wasn’t what I had wanted. I wanted to go to college so that I could get my degree because I knew that I wouldn’t be playing forever.
Thankfully, Arsenal had offered to support me through my studies. It wasn’t exactly what I had wanted, but it did give me the ability to get away from my family.
Still, I was upset that I hadn’t been able to go to the University of North Carolina at Chapel Hill like I had dreamed of. UNC had been my favorite college ever since I had discovered who Tobin Heath was and I had wanted to follow in her footsteps as well. So much so that I had even reached out to her when I joined the national team to make sure that she was okay with me wearing the number seventeen like she did.
“Hey, (Y/N), you know you can talk to us about anything that’s going on, right?” Viv started to say as she moved closer to me. “You don’t have to shut –“
“What I would like is for you all to drop it. I’m a big girl. I don’t need any of you to coddle me like I’m some child.”
I pushed past Viv as I headed out of the locker room. I knew it was harsh and that I’d have to apologize later, but I just didn’t want to deal with it right now.
~~~~~~~~~~~~~~~~
“I’m sorry.”
Viv looked over her shoulder at me. I had been avoiding her since we got into it late last week. It hadn’t been too hard to avoid the Dutch striker since she gave me my space.
“You were just trying to help me, and I was a bitch.”
“We shouldn’t have tried pushing you so hard.” Viv shrugged before turning around to actually face me rather than just look over her shoulder at me. “We aren’t trying to coddle you. But it’s hard being your age and being away from the only support system you’ve ever known. We just want to make sure that you know we’re all here for you.”
“I really do appreciate it,” I admitted. Viv sent me a soft smile. “I guess it’s just weird since I’ve never had a support system. My parents got me into soccer to keep me busy after school ended so that they didn’t have to pick me up as early in the afternoon. And it wasn’t like either of them were actually happy to make sure that I did as good as I could with soccer until I got called up to the national team.”
“First off, it’s football. That’s the first thing we’re going to have to fix,” Viv corrected causing me to let out a laugh. It had been an argument we often had during training as I had yet to start calling it anything other than soccer. “Second off, I’m always going to be here for you. It won’t ever matter if you leave Arsenal or if I do. I’ll always have your back. Got it?”
“Got it,” I saluted Viv, “Dad.”
Viv rolled her eyes at that. I had been hanging around Laura lately.
“And third off, you stop hanging around Laura so much.”
“Oh, come on,” I said as I followed behind Viv as we both moved to get back into the line that was warming up. “You and Beth are totally parents to Laura now. And you’re definitely the dad.”
“How do you figure that?”
“You just have Dad Vibes.”
I wasn’t sure how to explain it, but Viv really did have all the Dad Vibes. It just made sense once you hung around Beth and Viv long enough.
“So, are you coming tomorrow?”
I furrowed my brow as Beth joined the two of us. I wasn’t sure what she was talking about.
“I hadn’t asked yet.”
My eyes darted between Viv and Beth. I wasn’t sure what either of them were talking about.
“If you really want to make it up to me,” Viv started as Beth grinned at me, “you’ll come over tomorrow for lunch.”
“For lunch?”
“Yeah, for lunch.”
I shrugged at that. I didn’t really have any plans for tomorrow, but I wasn’t sure that I would actually want to do something. Especially with it being so close to Thanksgiving.
“I don’t know.”
“None of that,” Viv said as she shook her head. I sighed as my shoulders slumped forward. There was no way that I was going to get out of this. “Lunch tomorrow at mine and Beth’s.”
“Fine. Lunch at your place tomorrow.”
Beth grinned before she ruffled my hair and took off to join some of the others. Viv only smiled as she threw an arm around my shoulder and pulled me along the line we were in.
~~~~~~~~~~~~~~~
“Has Viv started to Dad you yet?” Laura asked as she took a seat next to me on the couch. Both of us looked over to where Viv was cooking in the kitchen with Beth watching. “Or has Beth been able to Mom you yet?”
“They keep trying,” I admitted. Neither Viv or Beth would let me help them cook. Viv wasn’t even letting Beth help. “Beth asked me today if I was eating enough.”
“Yeah, they’ll grow on you.”
The two of us fell into silence as we turned our attention back to the game that was playing on the tv.
“What are they even cooking?” I asked causing Laura to look at me. “They wouldn’t tell me, and Viv has forbidden me from going into the kitchen.”
“I’ve been sworn to secrecy,” Laura said before she pretended to zip her mouth shut. I frowned as I gave her a shove. “Mom! (Y/N)’s being mean to me.”
“Am not!”
“Are too!”
“Can we put them up for adoption?”
Both Laura and I whipped our heads around to look at Beth as we cried out in complaint. Beth only stuck her tongue out at us as we both grumbled. Neither of us had any real time to respond though as there was a knock at the door.
I furrowed my brow at that. Laura being here wasn’t too surprising considering that Viv and Beth had taken young defender in when she tore her ACL. But no one had told me that others would be coming over.
“Get the door?”
“Why me? You’re their kid.”
“You are too! And you’re not injured.”
I rolled my eyes at that. I was hardly Viv and Beth’s kid. I couldn’t wait for Laura to get back to training with the rest of this so that she wouldn’t be able to use her injury as an excuse. I got up though and got the door.
“Happy Thanksgiving,” Alessia said as soon as I opened the door. I tilted my head in confusion at that. Thanksgiving had definitely been yesterday, but I also had no idea why she was here. “The others aren’t that far behind me.”
I hadn’t even realized that it seemed like the rest of the team was either behind Alessia or getting out of their own cars or pulling down the road. Alessia pushed past me as she ruffled my hair. It wasn’t until a few more of our teammates made their way inside that I finally left where I was standing at the door to move further inside.
“What’s going on?”
Viv and Beth grinned at me before Viv bent down to pull something out of the oven.
“Thanksgiving lunch,” Beth announced once I could see the turkey that Viv had pulled from the oven.
I shook my head with a small chuckle, but I moved to help Viv get everything plated up and presented as she pulled a ham out of the oven as well.
“What all did you make?” Katie asked as she was the last one who came inside.
“All of the traditional foods for Thanksgiving,” Viv said as she motioned to everything. “At least according to Google.”
“You did a pretty good job,” I told her as I looked at everything we had out. “Oh! I call dibs on the wishbone!”
“The what?”
“You don’t know what a wishbone is?” I asked as I turned to look at Kyra. She shook her head and I huffed. “Every turkey has a wishbone. We’ll find it when we carve the turkey. Once the meal is done, two of us will make a wish and we’ll break the wishbone. Whoever has the bigger piece will have their wish come true and good luck for the next year.”
“And how many of your wishes have ever come true?” Kyra asked as she nudged my shoulder before she reached and tried to steal some of the stuffing only for Viv to slap her hand away.
“I’ve never gotten to break the wishbone before,” I admitted. It was usually my cousins who got to break the wishbone.
“Can I break it with (Y/N) since Dad cooked?” Laura asked.
“Stop calling me that.”
“Yeah, whatever, Dad.”
I snorted at Viv’s scowl. My attention was drawn away as I was quick to catch the football that had been tossed my way.
“Hey! Not near the food!”
Viv’s scowl had turned from Laura to Lotte who was guilty of tossing the football.
“You brought a football?” I asked her.
Lotte shrugged as she threw an arm around Alessia’s shoulders. I knew that they were both probably the most familiar with Thanksgiving and the traditions we had with the holiday since they were the two who had actually gone to college in the States.
“Figured you could show us how to throw it since the big football game was on yesterday,” Lotte explained.
“And then we can make plans for Christmas,” Alessia added. I furrowed my brow at that. I knew that we would be having some kind of party for the team, but we still had time to plan it. “Cause Mum already told me that I have to bring you with me.”
“Wait, what?”
“Well, I was telling Mum how you weren’t going to spend the holidays with your family cause they were assholes and she told me that I have to bring you,” Alessia explained. Alessia’s mom wanted me to join them for Christmas. “And before you try to say no, Mum has already told me that you are not weaseling your way out of it. So, you will be coming to the Russo Family Christmas.”
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Text
Emperor | Yandere Qin Shi Huang
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Yandere Pantheon College AU (4/7) | Master List
“Mao Mantai!”
The Chinese club supervisor and professor for advanced languages was quite the character
Oddly enough slamming through the shoddy facilities he’s allowed to have classes in
That is when he doesn’t find a neglected classroom on the elite side to teach his kids or hold club activities in 
“Mr. Huang you cannot teach your classes in here!”
“Ha! As the emperor of the Chinese club, I see no reason I should leave. In fact, I think you should leave on the account that you’re irritating me. Students!”
“Yes sir!”
Because of his…emperor complex(?) he’s the hardest person to reign in when it comes to the average teachers attempting to ‘unionize’ 
Not that he doesn’t believe in the cause
He’s just so set on just existing where and with what he wants because he can
He’s not one for all the legalese
At least that’s before you petition him
“Uh Qin are you in here? I was told the club gained some new exploits….”
“Qīn'ài de rén! Glad you finally decided to come by you’re just in time for your fitting!”
He’d stolen one of the elite lounges for himself 
filled with all the luxuries they shared lounges or just the average lounge in general
Coffee maker, shaved ice maker, half a kitchen, 
nice furniture–courtesy of those dedicated club members
He was quick to make sure it screamed Chinese royalty in here
Shooing off the students and some teachers who were always at his beck and call 
You make your case
“Qin I think it’s great that you got this room but I heard that you beat up the guidance counselor and that one teacher that came to confront you—we really can’t have you—”
“Red or green, Bǎobao?”
“You really set the group behind because we–wait what?”
“Red or green for your hanfu! Now that I think about it maybe I should just have you match mine!”
“...why does this matter?”
“Every emperor needs his empress!”
“What?! But I’m a–”
“As an emperor, the path is where I lead!”
Honestly, he’ll have you eat, play board games with you, and have you sit in his lap before hearing you out
It’s a real negotiation when he’s being serious
As an emperor, he doesn’t feel the need to go through paperwork or intimidate the elite side into respect because he’s more than prepared to do whatever he feels like to get what he wants
You might have to just back up Brunhilde and have her debate with him 
And through much deliberation
He’ll finally agree
…with some conditions
After all, they were all fighting the same foe
“Hǎo! Now let’s talk about my conditions!”
“Whatever you want we can do it. It’s a pleasure to officially be working with you.”
His first manner of business is making sure you wear some article of Chinese fashion that matches his
“Do I have to wear this? Some of these are just so…out of my style.”
“It’s either that or I could cover you in another mark of mine…that actually might be better…”
“Ah! On second thought I’ll let you overhaul my closet.”
The second demand is that when you’re on break you’re doing your work on his lap
Wherever that might be
Third, should anything happen to you average or elite he better be told, and he’ll deal with it himself
“I think these are reasonable terms.”
“I agree thank you for being merciful, Emperor Qin!”
“I’ll say! Brunhilde don’t play up to his weird fantasies!”
“Oh Huánghòu, you’re anger makes me want to ravish you!”
“N-n-not here!”
“The path is where I lead!”
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12triceratops · 5 months
Text
Where the rubber meets the road.
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These two didn't just have a relationship, they had a (soul)utionship. "The Prophecy" Hand on the throttle Thought I caught lightning in a bottle...
What these two had was magical. There is no debate that Karlie Kloss and Taylor Swift were electric: (I am using past tense for the moment, I will refer to them in present tense a bit later in the post)
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Fast forward a decade later to Fortnight. This record did not hit me immediately the way "Folklore" and "Evermore" did, It has almost been a week since its release and I hadn't been fully onboard with TTPD. I was expecting something different, something not familiar and I had quite literally thought maybe Jack Antinoff and Taylor Swift had reached their limit together as collaborators. The music produced by Aaron Dressner had flavors and connections to "Folklore" and "Evermore," while parts of the album was reminiscent of "1989." My next thought that maybe the three of them had done all they could do.
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And then the Matty Healy conversation exploded across the net (le sigh), and I just about gave up on the record.
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I damn near had a sanguinary struggle within myself over The Tortured Poets Department (I know, that is very dramatic lol), and then I finally got it. The brilliance of this woman is unmatched.
The last song "The Manuscript." Now and then she rereads the manuscript Of the entire torrid affair
"The entire torrid affair" meaning the last decade (probably longer, but I am sticking with 2014-2024). The title isn't lost on me and many others - The Man-U-Script.
The last segment of the song
The only thing that's left is the manuscript One last souvenir from my trip to your shores Now and then I reread the manuscript But the story isn't mine anymore
She is closing the chapter on all of it. It's over, the countless theories, the stories we all have created about her. They're our stories now, we built them into a formidable, monstrous entity that took on a life of its own. "The last souvenir" are her words to us on this album. From the Swifities, to the Gaylors/Kaylors, to the haters, critics, industry, fans, media. She won't play this game anymore. Taylor gave enough clues on this album to make EVERYONE'S theory plausible (Karlie, Joe, Matty, Travis, Harry, Kim etc). She connected threads to come full circle, which brings us back to "1989," that 1980s syth-pop (hello! "I Can Do It With A Broken Heart"). This is why she and Jack Antonoff brought us back to where it all began, Karlie Kloss and #Kissgate (Dianna Agron, too, who can forget "Wonderland). Aaron Dressner summons moments within this records of the two albums that fractured my soul, F & E. That folky-pop melody that gets into your skin to change the DNA. No joke, I sobbed listening to "Folklore" and "Evermore."
With TTPD, Taylor comes in like a thrashing, tumultuous storm; at times seething and others admonishing. She is singing to herself, for herself and without need of approval from the mainstream radio (or anyone else). TTPD is messy, too much, not enough, vulnerable, real, relatable and she is tired of our collective shit.
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Back to "The Manuscript" This Era has come to an end and she is leaving us with the ruins, the aftermath of what she went through: being forced to hide who she really is, having to placate the rabid fans who believe the stories of every boy she has ever dated. She has had zero privacy and the only safe place Taylor has ever had was her music, she is the ONLY one who knows to whom she sings. Does she love her fans, of course, but Mother is tired and done. She is ready to come clean and live the life she has crafted to keep in secret in order to protect the innocent.
The beards, NDAs, slight of hand, she is smashing all that we know. It's not her reflection she seeks to shatter, it's the illusions. In "Fortnight" the nurse, a woman (cannot convince me that it's not Karlie. A doorframe is 6'8" and that nurse is about 5" shorter that frame, which would make that person 6'3" :), comes to save her, gives her the key to set her free. The men in the video are the ones who are torturing her. Like the last 10 years, The poet has been tortured by the department of men: Joe, John, Conner, Jake, Harry, Calvin, Tom, Joe, Matty, Travis, Scooter, Scott, and the list goes on.
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It's "Robin" that has got a choke-hold on me.
Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness
She is singing to a child, a kid, and I am going to say a little boy. Is this song about Levi? I am going to say yes. Hands down the gem of the album, and our cue to realize she is telling us what is next, her family, the loves of her life: Karlie and the kids. That is what she wants and that will be her next chapter. We struggle to interpret the Taylor that is always ten steps ahead of us. Her Eras Tour, this will be the last one for a while. Once it has wrapped, I wouldn't be surprised if she disappeared for a spell. Will she produce more work, sure. Perform, probably, but this last decade has taken a toll, and this tour has been a herculean effort. Hence, its wild success. Could she retire (FLORIDA)? It's possible, but she would never tell us, we would have to figure that out for ourselves.
I have more to say, but it's late and I am sleepy. As I get lost in the piano of "The Manuscript" I am reminded of the book "The Seven Husbands of Evelyn Hugo"
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Not sure if anyone is going to see or read this, but I needed a place to write my thoughts about this extraordinary album that I almost let slip through my fingers. Good night and sleep well everyone <3
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gay-dorito-dust · 8 months
Note
Okay, since you’re rereading the books and your up for this request, can I request headcanons with the same hades reader you wrote earlier where she meets Nico di angolo when he arrives to camp and from the moment they met, they hit it of instantly and Nico clings to the reader his entire time there, and even hangs out with Luke cause Luke is the readers bf?
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This was long as shit as I got carried away…oops. Not so much on Luke and Nico spending time together but more so reader and Luke talking about Nico.
The moment Nico was brought to camp, a wide eyed boy who was so full of awe and wonder and excitement, you just knew how special he was and you couldn’t help but feel a familial sense when it came to the boy.
Almost as if you knew him your entire life when in reality this was your first ever meeting the boy, but something deep down told you that you would do anything to keep this boy safe and happy for as long as possible before it would be taken away from him; after all life as a Demi-god wasn’t all glory and valour and you all had to learn that rather ruthless lesson one way or another…oftentimes prematurely.
Then again, you chalked this feeling down to you being protective towards the younger Demi-gods that entered camp but this feeling was a lot stronger then that, a hell of a lot in the sense that a older sibling would fret over their younger siblings…but Nico wasn’t your sibling…well not that you were aware of seeing as he was still unclaimed but you guessed being a child of the big three had made you envious of what children of other gods had; family. You were alone and have been alone for quite a while…
Luke, your beloved boyfriend, was able to fill that void for a while, but sooner or later the realisation of just how lonesome you have been would come to consume your every thought.
Mythomagic. You hadn’t heard of that game for quite some time but you had a deck of Mythomagic cards locked within a box, underneath one of the floorboards inside your windowless cabin. Why? They had become so severely damaged and worn with time that you were scared that if you were to pick one up, it would crumple to dust within your palm. Plus it was a sentimental gift from your mother before she…never mind.
The memory was still too painful for you to recollect.
So when you saw Nico fiddling with a Dionysus card -the weakest card in the card game- between his fingers out of nervous habit, you almost didn’t recognise yourself speaking until Nico’s dark eyes looked directly at you with excitement.
‘A Dionysus card, haven’t met anyone who played Mythomagic that genuinely liked that card, you like Mythomagic kid?’ You had asked.
‘Do you?!’ Nico exclaimed as his smile matched his dark obsidian eyes in how brightly they shined.
‘Does Hades have 4000 attack power, 5000 if the opponent attacks first?’ You quickly corrected your self as Nico moved to sit next to you under the tree. ‘Who’s your favourite?’ You added, wanting the lad to feel at ease with you despite what everyone else might’ve told him about you in terms of unapproachableness.
‘Dionysus obviously!’ Nico replied, showing you his card as if to emphasise his point. ‘People think he’s not all that good but I think his powers are pretty cool and to find out that he’s real?! Even cooler!’ He adds on as he looks down at the card as if he was debating whether or not he was going to ask Mr D to sign it. However if Nico was the type of player that you assumed him to be, he wouldn’t dare tempt the idea. ‘Who’s yours?’
‘Hades.’ You said point blankly before continuing, ‘and it’s not because he’s my father.’
‘Hades is your father?!’ - Nico near enough shouted to ear you both the eyes of a couple of campers but you shot them a deadpan glare and they were quick to go back to whatever it was that they were doing beforehand. You softened your face as you looked back at Nico and answered his question. ‘Yeah, he is. He’s not as bad as people make him out to be, he doesn’t get in other people’s business like some gods and goddesses, considering he’s got his own dealings that take presidency but he’s more accommodating then most seeing as I’ve visited him on multiple occasions.’ You finished, shrugging your shoulders, you didn’t want to add on the fact that he had even gifted you Dvir, a hellhound, just yet. In due time you would but, some people would consider that too much.
‘Wow, you’re so cool.’ Right then and there you decided that you would have Nico’s back no matter what, for he was the only one besides Luke that didn’t fear you for your father and by god was it the most reliving thing ever!
You became someone Nico felt comfortable being his true self with, and would even try to sneak into the Hades cabin whenever he needed you to give him comfort and reassure him that you wouldn’t leave him for the Hunters Of Artemis like Bianca did; despite it being against the rules and all but it’s not like you didn’t do the exact same thing with Luke whenever you needed his presence to sooth and put your mind at ease.
He even tried to sit next to you during dinner time at the pavilion, another camp rule he had broken in order to be by your side, but no one dared to speak up upon it and instead bite their tongues, seeing as you and Luke were equally challenging anyone to speak about this to Mr D or Chiron but, nobody dared to do so. Meanwhile Nico was completely obvious to it all and was showing you all of his Mythomagic figures, Mythomagic expansion packs and bestowing every last drop of his knowledge of the card game onto you, all the while you were storing it within your own head as though it was something you were going to have to use later on.
No matter where you went, Nico wasn’t far behind following you like a lost puppy. Needless to say that whenever anyone saw Nico on his own, they knew better then to try anything for you were often lurking within the shadows nearby, watching over the boy with such a fierce protectiveness whilst giving him his freedom to better aquatint himself with camp. When it came to Nico, it seemed as though you became a complete different person, you didn’t know why but all you knew was that you weren’t going to let anything harm Nico while you were able to do something about it.
‘Doesn’t it bother you? Having him cling onto you all the time?’ One brave camper asked once and in all honesty? You didn’t care that he clung to you do suffocatingly. If anything you were glad that he choice you to be the one he relies on for anything and everything, it made you feel an whole assortment of things, the main one being happy knowing that someone openly sought you out because they viewed you as someone who’s opinions are worth listening and taking head to.
Nico felt safer with you than he ever did elsewhere, which was saying something considering he was within a camp built to protect people like him but he felt his most safest with you; Someone whom he quickly began to form an attachment towards and would oftentimes find himself clinging to your side like a second shadow. So much so that Luke would playfully tease you about it whenever he saw you both.
When in actuality Luke loved the fact that Nico was so attached to you. He wasn’t stupid, he knew that even with him by your side you still felt like you were alone, and could only hope that Nico would be the one to fill in that void within your heart completely. He was also happy for Nico for having you to fall back on because there was no one in camp that he would have to watch his back then yourself.
‘He’s asleep.’ You mused, looking at Nico, who fell asleep against Luke’s shoulder and was snoring softly.
‘He’s a good kid.’ Luke replied, ruffling Nico’s dark hair as a smile appeared on the younger boys face as he readjusted himself before falling still. Still like the dead Luke once playfully commented.
‘He really is.’ You said aloud, grasping Nico’s hand upon watching it reach out for you, squeezing it in hopes of showing him that you were with him. Luke pressed a kiss to your forehead as he saw the variety of emotions that flashed through your eyes as you kept watch over the sleeping boy. ‘You’re a good influence on him babe, don’t doubt yourself, the boy practically idolises you.’ He tried reassuring you but still the thoughts wouldn’t let up.
‘What if there’ll be a time where I can’t reach him, where I can’t save him from himself and he’ll resent me for it.’ You asked, needing Luke’s guidance more than ever in your time of uncertainty. Luke pondered this for a bit before finally responding. ‘There won’t be a time where Nico would ever resent you and even if that did ever happen, I just know that he would hate himself even more for pushing the one person who had his back and cared for him like their own flesh and blood.’ He then squeezed your thigh reassuringly. ‘That and you’d dive into the depths of the labyrinth to bring him back no matter what and he knows that better than anybody that you’d endanger yourself just to save him, even from himself.’
He was right. You knew he was right. You would wholeheartedly throw yourself into harms way if it meant Nico came out unscathed and that terrified you and Luke could see this. ‘So don’t doubt yourself because if you doubt yourself then Nico will doubt himself by extension. For if the person he admires doubts themself then he would feel like he should too.’ Luke then rests his forehead against yours, his eyes staring deeply into yours. ‘I know you can guide him down the right path, be the kind of person you needed when you were in his situation, be the person you know you’d feel safe with, be his protector because I know you can. He needs you.’ He finished.
You looked down at the peacefully sleeping Nico before looking back up at Luke with a look of determination. ‘I promise to protect him and help him in whatever he may need.’
Like smirks. ‘That’s my baby.’
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daycourtofficial · 8 days
Text
How the kingdom lights shined just for me and you
Pairing: Eris x Rhysand’s sister!reader | WC: 3.2k | warnings: depictions of violence
Summary: Eris tells his sons a story, letting them know how a strong knight defeated an evil dragon and saved the kingdom.
Note: this is a part of my gingerfucker series and mentions events that are detailed in ‘Cold was the steel of my axe to grind’. This is also anplay on the ‘retellings’ prompt for today - thought it’d be fun to have Eris sanitize how Beron died as a fairytale story @erisweekofficial
“Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.” - G.K. Chesterton
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The sound of wood clashing rang through the room before being immediately followed by a trio of giggles. Eris stood outside the door, arms crossed debating what to do, listening as the children inside pretended to be knights defeating an evil king. Or was it a dragon they were fighting and they were Peregryn warriors? It was impossible to keep track of Atlas, Nyx, and Leif’s antics. Their interests changed so quickly, it was impossible to keep track of what was the thing to be during their playtimes.
Their games of make believe often took elements of Eris’s life and formed a hodgepodge of stories where most of the time they are brave warriors seeking to defend their lands.
The boys enjoyed it. Eris’s back didn’t whenever he was deemed the bad guy, their small swords leaving bruises that seemed to last for a week.
Early fights between the boys had led to many tears - they all wanted to be the hero, the good guy. They did not know the males their fathers had been before, the males who had done unspeakable things to survive.
Before he could make the decision himself, Leif had made it for him by appearing in the door way and holding onto Eris’s trouser leg. Eris ran his fingers through Leif’s red locks, forcing his son to look up at him.
Leif was incredibly sensitive - an empath like his mother, Leif often became overwhelmed incredibly quickly. Fat tears would begin rolling down his cheeks before anyone could realize what went wrong. Nyx and Atlas, both a few years older than Leif, often became too rambunctious for the smallest Vanserra.
But Leif’s eyes were bright and full of joy, not a hint of upset on his small face.
You and the Archerons had gone to spend the evening in a cabin a few miles away. You weren’t far from the Forest House or from Eris’s mind, but you insisted you needed a weekend before this next babe came to be yourself. Three kids under five was going to be a lot and the two of you wanted to soak up every moment possible before having a newborn again.
Unfortunately, Leif took the separation from his mother much harder than Atlas did, but seemed to be doing surprisingly well. Eris crouched down, getting down to Leif’s level to ask, “are you alright?”
The small boy nodded before a yawn escaped his mouth, betraying his real feelings.
“Are you tired?”
Leif’s nod at that question was more pitiful, as if a full nod were too taxing for the small boy. Eris opened his arms, allowing Leif to wrap his arms around Eris’s neck before he stood back up, walking into the playroom, finding it impossible to find the floor from the toys scattered across it. He got peeks at the green rug beneath, but various plushies and toy armor littered the floor hiding it.
Eris whistled, the two whirlwinds slowing down enough to take form as small boys, their swords going lax at their sides.
“Is this a playroom or a graveyard for lost toys for all of Prythian?”
The two looked to each other as they fell into a mess of giggles, the cousins looking completely unrelated. Atlas so far had inherited no features from his mother, the little boy pale and freckly much like his father, his cheeks often pink from how hot he ran.
Nyx on the other hand was quite tan, a byproduct of the time he spent in the sun this summer. His small wings fluttered in excitement, not quite strong enough to launch him from the ground but enough to produce a decent wind.
Eris had gotten all three of them washed up an hour ago, allowing them to work out the last of their energy in the playroom where he knew they wouldn’t get dirty again. He figured Lucien had crept off to his own rooms to change, his clothes dripping with water after Atlas snuck his hound, Pumpkin, into their bath and Lucien had to chase down the wet beast.
Eris was so amused at the sight he didn’t tell his brother he could simply call for the dog, instead letting him slip and slide across the floors in an attempt to get to him.
The boys stood in their pajamas, all looking up at Eris. He moved his head toward the door, motioning for Atlas and Nyx to follow him.
“Come on. Time for bed.”
The two small boys groaned, but Leif merely nuzzled into Eris’s neck as he carried him into the room down the hall.
Despite the size of the Forest House, Atlas and Leif did much better when sharing a room. The two had been kept separate when Leif was born, until Leif was around eight months old and Atlas woke up just about every night and dragged Leif into his bedroom.
Most mornings Eris found Leif in Pumpkin’s dog bed in the corner of Atlas’s room, curled up with his older brother, Pumpkin sleeping peacefully on his son’s bed.
The first morning it happened caused Eris to spiral. Finding Leif’s crib empty sent him on a hunt throughout the house, waking up everybody in the process until he went to check on Atlas, finding the small babe in his brother’s arms.
It has been several years and the boys fight on occasion, but overall are quite happy to share a room. For tonight they get to have Nyx share their room too.
To prepare for their cousin, the boys grabbed their mattresses, pushing them together on the floor and putting pillows and blankets all over the floor so all three of them could lay together.
Nyx’s wings were still quite small - not big enough to support his weight, they barely stuck out around his shoulders. The sight of Nyx’s wings still sent a twinge of guilt through Eris.
It had been centuries since your wings were taken from you, but Eris still remembers the venom he had spat at you right before you lost them and how incredibly small you looked when Tamlin had showed up with you, your back a bloody mess.
You had made peace with it long ago, but every so often whenever he finds himself with an Illyrian nearby, he wishes you could have those wings back, even if for just a moment. To watch you glide in the air, the winds of Autumn that had pushed him so far holding you up.
Eris lit the candles in the room, dusk casting the room in darkness. Leif’s fingers gripped his collar tighter as he crouched down, failing to put him on the floor.
“Can you tell us a story?”
Atlas perked up at Leif’s sleepy voice, practically vibrating in excitement. “The one with the dragon, please daddy?”
Atlas clutched his hands together in pleading, bouncing up as Eris agreed. He knew what Leif’s question was for - the small boy didn’t want to be set down yet, too content in his father’s arms to be left alone. If only Beron were alive to watch him cave to the demands of toddlers - his heart would stop beating in anger.
Eris stood back up, all attempts of removing Leif forgotten as he moved to the rocking chair in the corner, sitting with Leif curled up to his chest just like he had done hundreds of times before. Atlas and Nyx followed, sitting right in front of Eris on the mattresses that lay across the floor. He rocked for a moment - both to gather his bearings, deciding where to start the story, and because the anticipation killed the little boys before him.
“A long, long time ago, there once lived a knight.”
“What’s his name?”
Atlas was quick to shush his cousin, annoyed at his interruption no matter how many times he had heard the story. Leif began tapping on Eris’s chest, wanting him to keep talking, the sound of his voice soothing.
“We’ll just call him the knight. The knight lived a long time ago in a kingdom that doesn’t exist anymore.”
“Why not?”
Eris had no idea where Nyx’s inquisitive nature came from - his father certainly didn’t look too hard at the world outside of his dim perspective. The boy probably spent too much time with Azriel - anytime the spymaster was seen by either of his kids, they both ran rampant with questions of “why” and “how”, partly because Azriel would answer every single one of their questions, and because in their presence, he would also ask why and how and who questions.
“You’ll find out.”
Nyx opened his mouth, but Atlas moved his hand over his cousin’s mouth. “Stop.”
Eris continued with his story. “The knight lived in a land ruled by an evil dragon. He breathed fire at anyone who dared try to overthrow him.”
Nyx’s eyes grew large, excitement filling them as Eris pretended to breathe out fire.
“He was a big, nasty beast. His fangs are the size of a door. He had big red scales that covered his entire body, shielding him.”
Maybe he began embellishing these stories a bit.
“The handsome knight-”
“When’d he become handsome?”
Atlas slapped his hand onto his forehead in aggravation and Eris had to bite his tongue from laughing. The little boy hardly ever stopped talking and to watch his frustrations at his cousin doing the same was very amusing.
“He was always handsome.”
Eris had slowly been telling Atlas and Leif stories of his life in a much more palatable manner. Replacing their grandfather with a dragon, making Amarantha a dragon, making Rhys an evil king who hated him. He’d never admit it to anyone, but it was quite fun.
In one story he made Lucien a donkey just because it amused him. Lucien had been less than thrilled at his fictional depictions, even going so far as to try to tell his own stories to the boys. They didn’t like Lucien’s storytelling, so much so they begged him not to tell any stories.
“The incredibly good looking knight decided he needed to make a plan to kill the dragon,” giggles accompanied his words. “The knight had one issue: he was in love with a princess from a different kingdom.”
Leif gasped as if this were a new story to him - he enjoyed all aspects of Eris’s stories, but Leif was always happiest to hear about the princess. Whether or not Leif knew the princess was his mother, Eris wasn’t sure.
“And her king wouldn’t let her live in the kingdom of the dragon.”
“Why not?”
“Because dragons love the taste of princesses!” Nyx shrieked a little, and for good measure he added, “and the taste of little boys.”
Eris enjoyed riling his brothers up when they were young - one of the traits the centuries haven’t worn down. Once they both stopped screaming, Eris continued his story.
“So, the knight began planning with the other knights of the kingdom. They spent months making a plan to get rid of the dragon. He was killing their crops, even eating some of the people, and hoarding all of the kingdom’s gold. No one had any money or food. They devised a plan and set a date to take down the dragon. On the night before, the knight slipped away to see his princess one last time, to catch a glimpse of her before going to battle.
“She was as beautiful as he remembered, their last meeting was months ago and he thought of it often. Her king didn’t approve of their relationship, but they met secretly without him knowing. She invited him up into her chambers, where he told her the plans for the next day. He wanted to say goodbye, wanted to see her one last time. He gave her a kiss farewell-” giggles filled the room. “And then the knight left once more. It was the hardest thing for him to do.”
“What was?”
“Saying goodbye to his princess.”
The boys were enraptured in the story, paying close attention to every word from Eris.
“Why?”
Atlas didn’t admonish Nyx for his question, wanting to know the answer himself.
“Because he loved her very much.”
He rubbed Leif’s back softly, rocking the chair gently as he continued.
“The knight left the princess’s tower, heading to find a secret weapon.” Nyx’s wings fluttered, the wind brushing over Eris and Leif. “He walked through the kingdom to find a special, magical sword. It had been hidden centuries before, waiting for the rightful person to come find it.”
Atlas pretended to wave a sword in his hand, making sounds that somewhat resembles clashing as he and Nyx pretended to be fighting with swords.
“The knight rode in on his horse, meeting the other knights as they rode in and fought the dragon head on.”
“Did the horses fight?”
“No, they stayed far away as the knights used their swords to pierce and stab the dragon over and over again, but he remained unharmed.”
Atlas and Nyx began acting out the story, Atlas grabbing a pillow and pretending it was the dragon.
“The dragon paid special attention to our knight, his teeth sharp as he kept scratching and biting the knight. He was injured, but he kept fighting on with his magical sword. The dragon hit him with his tail, causing the sword to go flying through the air.”
Eris’s voice rose and fell with the story, his words glossing over the atrocities of the day. He could not figure out a nice way to add in how their mother poisoned at minimum twenty-five of Beron’s closest advisors.
Their mouths were wide open now, desperate to know how the tale ends, Nyx allowing his inquisitive nature to take a backseat to Eris’s storytelling.
“The knight thought it would be over as the dragon snarled at him, opening his mouth so the knight could see his big, nasty teeth. He could even see some of the spinach he had eaten for dinner.”
The boys erupted in giggles, softs echoes of “ewwwww” littered the room.
“The knight had accepted his fate. He knew it was over, and all he could think about was how grateful he was he got to see his princess one last time. He had closed his eyes, preparing to die, but the dragon stopped breathing his nasty breath in the knight’s face.
“The dragon had turned, only to find one of the other knights, Sir Flint, had come from behind. He had picked up the magical sword and slashed the dragon’s neck!”
Tiny gasps came from his audience, but he continued to his favorite part of the story.
“Blood poured out of the dragon as he fell, his big body making a big thunk as he fell. Some say it even caused an earthquake because he was so heavy.”
Eris couldn’t tell them about the extent of Flint’s sacrifice - not yet anyway. But he would make sure they knew his name, even if he were merely a fairytale hero.
“Once the dragon was slain, the knight removed his armor to show that he was secretly a prince the whole time!”
The boys screeched in excitement, jumping up and searching for their swords to start fighting again, disappointed to remember they were left in the playroom. Once they settled back down, Eris continued.
“The other knights gave the prince a crown, making him king of the kingdom. His first act was to go find his princess and bring her to his kingdom, making her the queen.
“The end. Now, I think it’s time for bed.”
The boys groaned in protest, but complied. Grabbing their blankets and settling onto the beds all over the floor. Atlas and Nyx nestled in, hiding themselves amongst the blankets and pillows. Eris stood, Leif’s body having grown heavy with sleep, his steps careful to navigate the various pillows, trying to find a spot for his son.
Leif groaned at the stirring, but Eris was quick to hum softly, soothing something in Leif.
“What happened to the prince?” Nyx’s wings fluttered with anticipation, the blankets moving with his joy, wanting to know what happened to such a brave male.
Eris leaned in conspiratorially, the boys leaning into him as if he were going to tell them a secret.
“His kingdom is long gone, but he’s still alive. He wanders the lands of Prythian. He was last seen in Winter a few years ago. They say he hunts for little boys who stay up past their bedtimes.”
Their small shrieks made Eris want to laugh, but he kept a straight face despite himself. He looked to Leif, his youngest son much more susceptible to these tall tales, only to find him asleep once more. His eyes were closed, his round cheeks pressed into his chest making the freckles on his face scrunch together.
Atlas and Nyx had quickly thrown the blankets over themselves, their voices quiet telling the other to stop talking. He was able to find a spot for Leif next to Atlas, gently moving his head to a new pillow, draping a blanket over him.
“Good night.”
They echoed his sentiment, their voices muffled through the fabric of their blankets. Eris shut the door behind himself, listening to the two cousins bicker back and forth, their voices getting quieter as the dark lulled them to sleep. He started walking down the hallway, only to find Lucien walking his way. His brother changed his stride to walk with Eris, following him through the halls.
Eris and Lucien had agreed to keep the kids for the first night you were gone, and Rhysand would pick them up in the morning and keep them all day and night. His brother in law had been incredibly confident he could handle the three boys on his own, perhaps from some well-placed snark from Eris at how his one child was much different from two, let alone a third.
Eris didn’t have to manipulate people anymore, he could live as he wished to, showing whatever image of himself he wanted. But he’d be damned if he ever stopped tricking the High Lord of the Night Court for his own amusement.
“I was thinking about tomorrow.”
Eris hummed as Lucien spoke, the two moving toward Eris’s sitting room, both in desperate need of alcohol and to not have someone clinging to them.
“I heard from Nesta that Rhys was so smug he could handle the three boys by himself that Azriel and Cassian are going to some sporting event.”
“Hm, wonder where he’d get such ridiculous notions of himself, as if he had something to prove.”
Lucien’s laugh was barking, but he continued. “I think we should give the kids a bunch of sugar before they go to Night. It’ll drive Rhysand up a wall. He may never want to see your kids again, though.”
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Divider by @tsunami-of-tears
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Eris taglist: @magicstrengthandcourage @book-obsessed124
Thanks for reading❣️
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lnfours · 1 year
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bad idea, right? | c.l16
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summary -> and i told my friends i was asleep, but i never said where or in whose sheets
wc -> 2k
warnings -> me not knowing french (feel free to correct me pls 🫶🏻), making out, drinking, hooking up with your situationship, secretly pining for one another, fluff towards the end. unedited and shitty writing. for the charles girls who listen to olivia rodrigo <3
masterlist | ask box | listen
₊‧°𐐪♡𐑂°‧₊
if there was one thing lando norris didn’t understand the meaning of, it was subtle.
the music from the living room was booming off the walls, people littered in every open space of the house. red plastic cups were littered on every flat surface, the party lights lighting up everyone’s faces as they laughed, sang and danced.
you were sitting on the couch with the guys who had turned up, a fake smile plastered on your face as they all shared the same stories about one another you had heard 100 times. it wasn’t because you didn’t care, it was because of the lack of presence by a certain someone.
you had thrown on one of your best dresses, secretly hoping that it would catch charles’ attention tonight. however, much to your dismay, he didn’t show. as lando said, he ‘wasn’t feeling well’.
you knew it was a cop out of an excuse to come, but then again you couldn’t really blame him. you two were rocky, and there was no hiding it. everyone knew that the two of you were always back and forth, and at this point even you weren’t really sure what was going on. it was always one step forward and then three steps back, neither one of you wanting to fully jump in head first into something that had such real feelings. a little too real, no matter how hard you tried to deny it.
you were pulled away from the conversation as your phone buzzed in your hand, the screen lighting up your face as you read the notification.
instagram:
charles_leclerc replied to your story: you look beautiful, chérie. where are you off to?
you hesitated for a moment before clicking onto the notification, the dms opening as you read his comment underneath the photo you had posted to your story a mere 20 minutes ago. you were posing in the mirror, showing off your dress as you smiled.
did you post it for him specifically to see? maybe, but no one had to know that. your fingers tapped against the keyboard quickly.
lando’s, which seems to be lacking your presence
the ‘read’ popped up at the bottom of your message almost immediately after you had sent it. you swallowed thickly as the bubbles appeared on his side of the chat, taking what felt like years for it to turn into a sentence.
were you counting on me to show?
you bit down on your lower lip, locking your phone as soon as you pressed the ‘send’ button.
perhaps. i don’t wear red often, you know
the sound of your name brought you back down to earth. your head snapped to the man next to you, smiling softly, “hmm?”
“you okay?” lewis asked, concern lining his voice. you nodded back at the driver, waving him off.
“just a little tired, s’all.”
the damn buzz sucked you back in as you read the words appearing on your lockscreen.
if i had known you had worn this for me, i definitely would’ve made an appearance
another buzz.
and please, we both know you look ravishing in red. you should wear it more often, amour. it suits you
you double tapped the second message, fingers hovering over the keyboard as you silently debated sending what you were thinking.
fuck it, it’s fine.
are you actually ‘not feeling well’ or was that just an excuse to be a homebody?
i had plans with this girl named ‘netflix’, but for you i can rearrange
you smiled softly to yourself. why are you giving into this? you’re just going to catch feelings and keep going around and around with him in this stupid game-
pick me up, charles?
don’t have to ask twice. see you in 20
you liked his message, locking your phone as you went back to the ongoing conversation between the boys in front of you. lando was slurring slightly as he was telling the story of how he had first met you to daniel, having mutual friends.
and somehow, charles’ name had gotten brought up.
“so are you and him…?” daniel asked, eyebrows pinched together. you shrugged, taking a sip of your drink. play it cool. they can’t know.
“no, i’m not seeing him,” you lied, “sick of going around and around with him in endless circles.”
everyone nodded, a few of them saying ‘good for you’s and ‘rightfully so’s. if only they actually knew where you were going to be the rest of the night.
your phone buzzed in your lap.
parked a few houses down
planning my escape route now
this time, he double tapped your message, a small heart appearing on the bottom corner of it. you took in a breath, softly sighing as you went to stand.
“sorry to leave so early, boys, but i’m starting to get tired.”
you were reciprocated with ‘boo’s and ‘cmon, stay a little longer’s, but you laughed and shook your head.
“sorry, stass is already outside waiting for me.” you hated lying to them, but it was the only way.
stass, your roommate, would kill you if she really knew who was waiting for you outside and where you really were going.
you said your goodbyes, making your way through the sea of people as you headed out the front door. you looked to the right, spotting charles leaning against the hood of the red ferrari sitting underneath the streetlight a few houses down. you made your way over, smiling softly as you watched his eyes shift from your head to your heels. you were standing in front of him now as he looked at you with soft eyes, a smile on his face.
“as i suspected,” he smiled, “that dress is even better in person.”
you smiled back, pointing to the side of your lips, “you’ve got a bit of drool there, char.”
you both snickered as he placed his hand on the small of your back, leading you towards the passenger side door, “fermez-la.”
he opened the door, letting you climb in before he shut it after making sure your feet were all the way in. you watched as he walked around the front of the car, opening his own door before sliding inside.
he looked over at you, eyes taking in your figure again, “tu es belle,”
you smiled again, your heart pounding as he reached out and brushed a strand of hair from your face. you fought back the urge to nuzzle into his palm, his green eyes searching yours. you weren’t sure who leaned in first, but in what felt like a matter of seconds, you were leaning over the console as he kissed you passionately.
your fingers found the back of his neck, carding them through the strands on the back of his head. his had cupped your cheek, and everything about it seemed so right.
you found yourself shifting in your seat, slipping your heels off as you climbed over the console and straddled his lap. his hands gripped at your waist as you wrapped your own around his neck. his pupils were blown, lips puffy from kissing, hair fluffy from you running your fingers through it, and everything about him right now just looked so so good.
you leaned back down and met his lips, his soon traveling to the corner of your mouth, your jaw and eventually your neck. you sighed contently, leaning your head the opposite direction to give him more room. you went to shift your weight to get more comfortable, but you had accidentally grinded down on his hips. he groaned against your skin, sending shivers down your spine as his teeth grazed against the skin on your collarbone.
“my place?” he breathed out, leaving wet, open mouth kisses against your skin. his accent was getting thicker with each passing second your hands were on him, a sign that he was on the same page as you.
you nodded, “stass would kill me and you if you walked through the door.”
he chuckled softly, “yeah, i’d like to make it to see 26,”
you laughed softly, climbing back into your own seat and clicking in the seatbelt as he started the car. the rest of the drive was relatively quiet, except for charles’ playlist playing softly through the radio. his right hand found its place on your leg, his thumb moving slowly up and down the skin absentmindedly. you smiled out of the window, sure morally this wasn’t the best idea, but he makes every wrong decision feel so right.
once you arrived at his building and parked the car in the underground structure, the two of you made your way up to his apartment. he fished for the keys out of his pocket, you leaning your head on his shoulder, basking in the smell of his expensive cologne and the smell of his shampoo, the same scent that would linger for days whenever he’d sleep on your pillows. a smell you could never get enough of, the smell of home no matter how hard you tried to deny it.
once the door was opened and he placed his things by the door, the two of you were kicking off your shoes. you squealed as his arms wrapped around you, picking you up off the hardwood floor as he carried you down the hallway.
“charles!” you laughed. you could hear his chuckles as they echoed off the walls, his bedroom door opening as he placed you down softly on his sheets.
“i love it when you say my name,” his smirk sent shivers down your spine, his eyes scanning over your features for maybe the hundredth time tonight, “say it again.”
“charles,” you smiled back, his own smile lighting up his face, dimples making themselves prominent.
“again,” he urged and you laughed, shaking your head.
“no, i’m not saying it again.”
“please,” he pouted, “it sounds so good coming from you.”
you rolled your eyes playfully, giving in, because who could say no to him?
“charles,” you said it dramatically this time, “there. happy?”
“je t’aime.” he didn’t mean to say it, it kind of just spilled out of his mouth without a second thought. you blinked at him, waiting for him to mumble a ‘i take it back’ or ‘i wasn’t supposed to say that’, but his green eyes searched yours, a small smile on his lips.
was it worth going around and around in circles with him just to hear him say it? maybe, just a little bit.
okay, maybe a lot.
“char,” you whispered, he shook his head.
“i know you’re not ready, i’m not asking you to say it back right now, i just really needed to get it off my chest.”
the thing was, you loved him, too. you weren’t sure how to say it, but it physically hurt how much you loved him. it was like you were starved of oxygen before you met him, like he was your sun and you were beaming and glowing whenever he was around. you’d follow him anywhere, as long as he was yours.
sure, admitting it out loud was scary, but it was something you had already come to terms with. no one knew you like he did, and no one knew him like you did.
“i love you, too.” your arms linked around his neck as he smiled back down at you, a genuine smile. a smile so warm and bright that it made your heart beat a little bit faster.
“sois à moi,” he mumbled softly, “for real this time. no more 2am texts, no more circles, no more complications or sneaking around, just us. together, like how it should’ve been in the first place.”
“i’ve always been yours, charles.” it was true, wether he knew it or not.
“let me take you out,” he said, “a proper dinner, something you deserve.”
“only if you take me to that restaurant in the city,” you said, “the one with the fancy candles on the table.”
“anywhere you want, chérie,” he said, “as long as you wear this dress again.”
you smiled, “i suppose i can make that work.”
he leaned down and slowly kissed your lips, “so we have a deal?”
you nodded, your nose bumping his, “deal.”
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Hey, you!
Yeah, you!
Do you crave more ✨canon queer stories✨ in your fandom experience? Are you begging for more major character representation that you don’t have to headcanon for yourself?
Then have I got the kickstarter for you!
The Tin Can Bros (a comedy trio and makers of live theatre, digital sketches, webseries, you name it! You might know them from all the work they’ve done with Starkid—founding Tin Can Brothers Joey and Brian played Ron and Quirrell in A Very Potter Musical) are launching a brand new season of projects, most of which contain QUEER MAJOR CHARACTERS AND THEMES. These guys have got gays, they’ve got lesbians, they’ve got trans and gnc characters, they’ve got wholesome first love and Hannigram levels of fucked-up toxicity. It’s a whole cornucopia!! They’re planning to produce work in Los Angeles, NYC, London, Edinburgh, and Adelaide, but there will be digital tickets so you can watch where ever you are!
We’ve got:
-Two Rocky Horror-style concerts of the cult-hit, spy-movie parody musical Spies Are Forever. Gay protagonist who will sear himself into your heart! Seriously, his relationship with fellow spy Owen will emotionally destroy you for at least seven years.
-A concert of the developing musical This Could Be on Broadway, which follows a group of high school kids putting on a production of The Matrix: The Musical (not a show in real life) in their theatre department. A bunch of the central kids are canonically some flavor of queer, and there’s a central, very sweet lesbian romance that includes a trans character. She’s played trans actress Esther Fallick, who also worked with TCB as a consultant to make the character and show as authentic as possible. Seriously, if you want to see a trans teen thriving in their own skin, this is the show for you.
-An Edinburgh Fringe Fest production of The Solve It Squad Returns, a Scooby-Doo parody that follows the parodic versions of the Scooby Gang when they reunite as fucked-up adults to finally confront the almost-twenty-years-past traumatic murder of their dog Cluebert. I promise it’s funnier than it sounds. Esther, the Velma-esque super genius, is gender non-conforming and identifies with they/them pronouns. They also have a girlfriend WITH a boyfriend!
-A workshop reading of the QUEER SCI-FI TELEVISION COMEDY PILOT Intelligent Life. Unlike the other projects I’ve mentioned, this one is new to the TCB fans, but will follow a pair of ex-boyfriends forced to survive together in an extra-terrestrial colony. From the sound of it, there will be plenty of queer supporting characters as well. This frankly sounds like it could be tumblr’s dream show, and it’d be great to support its development.
-The Great Debate—a live comedy game show where comedians debate silly things. While this obviously won’t have narrative gay rep like the other projects, it will showcase gay talent (at the very least, Tin Can Brother Corey will participate in every show) and may include debates involving queer topics.
-Gross Prophets, in which three wannabe gurus/cult leaders lead a seminar on the path to enlightenment. This is a completely new stage musical so I honestly don’t know if it will contain any queer characters or themes. But the TCB queer track record is pretty good!
Guys, I’m so genuinely so excited by this season. But all this awesome queer art won’t happen unless we get their kickstarter funded. And they need our help! So let’s get fundraising!!
TLDR; Comedy group Tin Can Bros are attempting to fund a season positively filled with queer stories and characters, and they need help! If you want to support the creation of queer theatre and the development of queer TV, consider checking them out and giving to the kickstarter!
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mrfartpowered · 3 months
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you don’t hate Howard, you hate fatphobic tropes
Here at Mr Fart Powered Dot Com, I’m a long-time hater of the “fat best friend” trope and a long-time lover of jerkass characters, so I think I’m uniquely qualified to comment on this LOL
The biggest critiques I see of Howard are as follows: he’s gross, he’s stupid, he’s selfish, he’s lazy. Below the cut, I deconstruct each of these four criticisms not as faults of Howard, but faults of the writing, largely as a result of fatphobia.
These are all traits associated with the fat idiot trope, popularized by Homer Simpson and Peter Griffin. Think about any other character who possess all of the above characteristics. Far more often than not, they’re a fat character. Plenty of non-fat characters possess any of those traits individually — selfishness, stupidity, laziness, and grossness are not exclusive to fat characters. Nor do they inherently make a character 'bad,' irredeemable, or otherwise unlikeable! But all too often, especially in dated media, we see this flimsy, weak writing apply to the fat villain...or the fat comic relief...or the fat best friend.
Howard falls victim to these ugly, annoying 'fat guy' tropes whenever the writing is in need of a cheap laugh, or when they need to make Randy look extra good. Howard does have unique, interesting traits, but they are painfully underutilized in exchange for role fulfillment as the comic relief.
Stupidity
Contrary to what the show wants us to believe, Howard is not a complete idiot. His intelligence may not be of the academic variety (and even this is debatable), but I would argue he is more clever than Randy. Of the two of them, Howard's got more common sense. Randy misinterprets almost every lesson the Nomicon gives him, while H quickly understands each riddle he gets the chance to know about. (See “a ninja’s choice must be chosen by his own choosing,” “don’t go in someone else’s house,” “when facing an unfamiliar foe, seek an unlikely ally.”)
You could argue against this point in Shloomp! There It Is, where he literally gets to see the lesson as it is presented in the nomicon and doesn’t get it. But I’d argue that this was  purposeful mischaracterization in order to further the plot, a point which will unfortunately recur in this essay. The writers care more about Howard as a tool than as a character, but instead of using the capabilities they build within him, they default to stereotypes.
Where conventional academics are concerned, we have one concrete example of his abilities: Howard is incredible at chess. It’s the iconic nerd game; it requires strategy, careful thinking, and the ability to predict your opponent’s moves. Who cares that he doesn't know the pieces' names? Who cares that he doesn’t abide by typical strategies? He can kick artificially-intelligent ass at the game, not to mention follow someone else's plays the way most people follow a football game.
And he's got street smarts that save Randy's ass on multiple occasions. He's more sociable, a better liar, and a quick thinker in stressful situations. Much of this particular point is pulled from @cunningweiner ‘s brain, who pointed out that Howard is really well-received by crowds (Heidi’s MeCast, the talent show, the Tummynator). Another interesting instance of this is Howard’s time as the Ninja — both the fake monster drill ninja, and the actual Ninja. He may not have accomplished his duties as a hero, but the onlookers Absolutely Ate Up his crowd work. He’s not the most physically willing guy around, but he knows how to appeal to an audience. His major flaw in remaining a well-liked public figure is that his ego gets real damn big, real damn fast. But he’s 15! If you blame a teenager for having empathy and esteem issues, I don’t know what to tell you.
Despite his emotional immaturity, Howard is wise beyond his years as a businessman. Before we move forward, I need to tell you: look at this section purely from a business standpoint. You have to forget morals, you have to forget standards, this is Disney XD meta and we are analyzing a man named Weiner, okay?
Okay. Howard embarks on a total of three business endeavors throughout this show, and each one is highly successful. Ninja Agent, weapon reseller, and McFist-o-plex manager. He embodied “work smarter, not harder” every time. Being an agent takes social skill and smooth talking, and clearly he appealed to a wide range of clients (not to mention earned their trust! What would you say if someone called you up and said “yeah, I manage Superman. Want him to appear in a commercial for you?”). Being a manager requires delegation skills and good memory. Reselling Ninja weapons is honestly just genius and I can’t believe he’s the first guy to do it.
Everyone around Howard, and Big H himself, views him as a dumbass. But time and time again, the episodes show us his mental capabilities! Imagine how much fun the writers could’ve had if they’d leaned on a lazy genius trope instead of a fat idiot.
Grossness
I don’t know about you guys, but I can’t think of a single thin character who relies on gross-out humor. Take, for example, Total Drama, a franchise with a bodily diverse cast and a heavy emphasis on gross-out humor. I mean, there’s an entire episode in the original season where every single character pukes onscreen. TD overall utilizes irreverent humor, but while grossness is a major player, it is not the only source of comedy.
And then you’ve got Owen, the only fat character in the original cast. His whole shtick is being fat, greedy, and nasty. Other characters will fart and burp and overeat — all things that Owen does frequently — but they also have other gags. Maybe they’re bitchy, or they’re geeky, or they’re a literal convict. Owen does not enjoy the luxury of character depth. He is only good for grossing out the audience. (Side tangent: Owen has notably made me laugh out loud a handful of times over the course of the four seasons he featured in. But guess what! Every single one of those laughs was begotten from a rare moment when, instead of farting or burping or eating something he shouldn’t, the writers stepped outside the ‘Owen zone’ and gave him a joke unrelated to his fatness. Fatphobic humor is truly a plague.)
I know I’m being a bit heavy-handed, but I want to emphasize how similar that is to RC9GN! Randy does schnasty shit too sometimes, but he gets to be funny in other ways. Grossness is Howard’s primary mode of comedy. During my first watch-through of the show, I remember being outraged at Howard’s tendency to eat Randy’s food, which, of course, was followed by digestion noises or farts. I was too angry to write down which episodes, but I counted four separate instances where they used that exact convention specifically to get Randy angry at Howard, thus catalyzing the episode’s storyline. (At some point I will have to go back and fact-check that, but we’re 900 words deep at this point and this has been in my drafts for over a month, so we move forward for now okay!!)
 We do get to see flashes of other humor from Howard, especially into Season 2! His cleverness and apathy make for hilarious setups. But even these instances are undercut by something foul. An example that comes to mind is Fear Factor, a perfectly fine episode — one that I love quite a lot — except for the very last gag. Really? Howard gets to be normal-funny the entire episode, until the last minute? The idea that his biggest fear is running out of food literally only works because he is fat. Had this joke been given to any other character, it probably wouldn’t have even made it to storyboards. Even worse, if Howard had not been fat, this joke would never have been conceptualized in the first place. It is almost as if the writers are trying to hit a quota of gross-out jokes for Howard. At a certain point, my anger morphed to pure disappointment. That’s how disheartening it is to see.
Selfishness
Okay, Howard Weinerman is selfish. I'll give you that. But just because he's self-centered does not make him a bad person. May I bring to mind Gumball Watterson, Marcy Wu, Louise Belcher? All are textbook examples of selfish characters, and frequently act in their own best interest, but are ultimately good people. I mention them as proof that characters can have negative defining traits without sacrificing the audience’s sympathy. 
Here's where I really get frustrated with RC9GN’s writing... They want to portray Howard as a jerk with a heart of gold — such as in Debbie Meddle — but they always undercut his few selfless moments with a gross-out gag, or a rude offhand comment, usually directed at Randy. Sometimes, Randy will reciprocate, in which case I give it a pass. There, the grossness or general assholery showcases their friendship, instead of putting Howard down for a stale laugh. 
But like I said, that’s the ‘sometimes.’ The ‘often’ is every time we see him almost embody the ‘heart of gold’ part of his attempted archetype, only to be thrown out the window for a lame gag. A specific example is in “Bro Money Bro Problems,” where Howard has cash to spare for once. He immediately opts to spend it on Randy!….until Randy shloomps into the nomicon, then comes out to find that Howard spent everything he had on the Food Hole’s dinner menu. Sure, this was used to set the rest of the episode in motion. They run out of money, but they need more, so they go out and sell ninja weapons. But here’s the thing: for the rest of the episode, Howard spends his money on both him and Randy, rather than just himself, effectively making that dinner menu joke inconsistent with his characterization.
“Well how else would they set the episode in motion?” They could spend it all on arcade games. Or they spend it all at the boardwalk both times. OR, they are just excitable teenagers who realize, hey, this shit is lucrative! Let’s go get rich! Boom. Fixed your episode, fixed your Howard, fixed your fatphobia.
Laziness
Over and over again, the show tries to tell us that Howard is a lazy piece of shit. Other characters regard him as such, and honestly, so does Howard himself. But I would argue that he is no lazier than your average teenager — not to mention, no lazier than Randy! The difference is that for Howard, the writers intertwine his laziness with his alleged stupidity. They try to convince the audience that Howard is too stupid to care what’s going on.
However, this trait is unique from the other three, because I think this one manages to give him depth. Or at least, in my heart of hearts, it has the potential to do so. This characteristic lends to Howard’s most clever jokes, I think, because ultimately:
Howard is capable, but apathetic.
From the earliest episodes, it is established that he aims for minimum effort, maximum benefit. There’s the bit where Randy asks Howard to come up with the plan for once, and they both laugh at the idea of Howard doing the heavy lifting. Or even all the way into “Mort-al Kombat,” he says people are ‘really handing him the answers today’ when Randy puts in the work to get Howard ungrounded.
But just because Howard prefers not to do any work, doesn’t mean he won’t! And when he does put in effort, the results show that he is damn good at what he does. His time as Le Beret more than proves this point: from his ability to work under the radar, to the plans he forms, to the knowledge he has about Mort’s job & McFist Industries that allows him to get all the cool equipment he uses. We also see his skills and capability in “Debbie Meddle” (the ninja dummy), “Viva El Nomicon” (learning Spanish quickly), “Secret Stache” (commitment to the bit), “The Ninja Identity/Supremacy,” and more.
He very much operates under the mindset of ‘work smarter, not harder.’ He’ll get the job done if he has to. He’ll excel at the job if it benefits him. This is a really interesting character mechanic that would have been so much fun to explore. Like I said so many times above, though, the writers most often choose to undercut his abilities in favor of comedic expense.
Conclusion
Howard, in comparison to Randy, is obviously a lot harder to root for. Overall, Randy is a more conventional character with conventional flaws. Like most duos in media, the sidekick juxtaposes the hero — I would even argue that Howard, in some ways, is Randy in reverse. Randy is highly moral, but still has a lot of learning to do skill-wise; Howard is already extremely capable, but also very amoral. Because of this, the narrative places Randy at a higher value than Howard — which, yknow, fair enough! He is the protag, and that’s a great setup for a protagonist. But simply by virtue of being fat, Howard is not treated with the same level of respect as other sidekick/best friend characters.
For all his quirks and flaws, Howard is not a supremely unique character. His basic core aligns with so many other characters. But because the writers lean on his fatness, instead of leaning into his potential and his complexities, it is much harder to root for him — and it strips him of originality. I love this show with all my heart, but I would be lying if I said I didn’t mind the way it treated Howard. He had so much potential, even as the show was airing, and I will forever be upset that the crew squandered it on fatphobic tropes.
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momentomori24 · 2 months
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Keiji is a character that I'm pretty sure every one of us can recognize is an absolute weirdo (ok maybe some are too hard on copium for the "weirdo" part) and sketchy as hell, but thinking about everything he's done it really feels like he's so much shady and ruthless than we give him credit for. So here's me bulletpointing some the moments that I haven't seen too many talk about, a little theory throwing his status into question and addressing the massive elephant in the room that almost everyone refuses to acknowledge. If there's something else you feel I missed or wanted to evaluate on, do leave it in the comments.
[Also, disclaimer: I will be discussing Keiji and Sara in a romantic light near the end of this post, so if that makes you uncomfortable please proceed with caution or skip entirely. This should go without saying but for my own sake I will say it anyway-- No, I do not condone their relationship in real life. No, this is not meant to be "shippy" or endorsement of any kind. This will simply be pointing out their dynamic as another example to prove the whole point of this rant. But if someone else does ship them that's totally fine. Fiction doesn't equal reality and if you harass a real person over fictional characters you will not see the light of heaven. Be civil, please and thank you. My block button is rated E for Everyone and if anyone decides to ignore the warnings and be an asshole I won't hesitate to use it. Thanks for listening. Disclaimer over.]
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*Being a murderer.
I feel like I should start with the most obvious and undeniable. I don't think this is debatable to anyone here. Mr. Policeman may have been an accident and kinda confirmed by Midori to have been set up, but he still shot and killed an unarmed man in a moment of panic and recklessness. Even putting that aside, there's no denying that he killed Megumi in cold blood to get out of his debt to her and covered it up to the group to preserve his credibility. Regardless of what you think of Megumi, he has no excuse here. Not only is he one more kill away from being a serial killer, he's the only participant in our group that has actually killed people directly aside from Alice. Another reason why I bring this up is cuz something that completely flew over my head is this:
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At the start of the game he had the audacity to complain about not having a partner or someone he knows with him like Sara does as if he didn't literally let Megumi get ripped apart by chains probably not even an hour ago Keiji what the hell--
*Throwing Kanna under the bus repeatedly.
Despite positioning himself as a protector and someone to rely on, he's far from above putting their youngest members in danger. Next to voting for the fourteen year old girl to die, he had the great idea of letting said fourteen year old be the one to babysit their biggest liability. Up to the point where they would stay in the same room both day and night. While I absolutely 100% trust that Sou would never EVER do anything to her, Keiji had no guarantee of that when he send her off. Hell, he literally just got done accusing Sou of setting Joe up to die (which I don't believe almost solely based on the fact that he said it, more on that another time maybe). He knew Sou was bad news, and openly acknowledges how adults can be terrifying, but he did it anyway. The dubiety of throwing the already traumatised little girl to keep watch on what they thought to be the most dangerous adult that had manipulated her once before is not lost on me, and that he didn't take any responsibility for her afterwards isn't lost on me either. To be fair, the Sou and Kanna thing doesn't just fall on him, it falls on everybody (Alice gets a pass because he actually swapped out with Kanna to watch Sou for her), but he was the one with the final say on the matter and who encouraged her to take the role despite Reko's rightful protests. The fact that he also voted for her to die in the Main Game, and is the only adult to do so, doesn’t help his case.
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*Attempting to frame Sou knowing Reko was actually responsible.
While you could argue he was trying to cover for her since he knew why she did what she did, trying to pin this act on Sou to cast more doubt on his is extremely shitty. Never mind the blatant corruption and the irony of a supposed man of the law abusing his power to knowingly frame an innocent person (in this situation at least), and him sowing more seeds of confusion and resentment within an already rattled group, and giving Sou legitimate reason to be suspicious of him (and by extension Sara)-- this makes it so difficult to trust him after realising he's done this. Literally every time he accuses someone of being or doing something suspicious (mostly Sou), I always have to think in the back of my head if he’s telling the truth or just telling a blatant lie. He's shown that he's willing to not only lie to cover for himself, but to lie to delegitimize someone else. And Sara never caught onto it (Sou and maybe even Nao likely did tho). She never openly acknowledged it-- No one did. The complete lack of mention of what he did here makes this action quite missable. Hell, I didn't even catch it the first time. Has he done this before? Who else has he lied about? Who else would he lie about? Who else would he knowingly pit against the group? You don't have to wait for that answer, because I will provide an example later. And with "later", I mean now.
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*Casting suspicion on Gin before the vote while hiding the fact that he killed Megumi.
While it's not as blatant as with Kanna, there are two instances where Keiji shows a readiness to either put or leave Gin in harm's way. The biggest one for me is in the Main Game. Like, how dare you. That is a furry child, sir. This kid’s like TWELVE. Even though he makes a valid point about calling out suspicious actions to clear them up so we can all trust each other, casting doubt on Gin of all people right there feels pretty screwed to me. This was before the preliminary vote. His words could’ve very well gotten Gin voted for if he couldn’t disclose why he did what he did for whatever reason and therefore being unable to clear himself from suspicion. It’s even more fucked when you realise that Keiji has literally murdered his partner and is currently planning to get Sou killed while giving this whole spiel about doubting others so that we can believe them and pointing the finger at a little kid to make an example to the group. But when Nao, Sou and Sara call him out on his suspicious actions that could rightfully damage his credibility, he tries to shut them down completely. My brother in Christ, you brought it on FIRST (don’t get me wrong I’m very much aware he didn’t really mean the whole “trusting each other” bit but come on dude)--
Speaking about not meaning what he says:
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*Letting the group think he’s Ok to vote for knowing he’s the Keymaster.
This kinda got to me because I thought this was Keiji actually being… vulnerable? Accepting the consequences of his actions and allowing them to vote for him in their distrust without protest even tho it could cost him his life, maybe. Correct me if I’m wrong, but I can’t remember a lot of times-- or any times, really-- where Keiji has willing put himself into the line of fire, at this point at least. He always finds a way to keep himself safe, give himself insurance, and I thought that this would be the one time he doesn’t do that. But this feels so ominous looking back knowing that he was the Keymaster the whole time. That our distrust and betrayal and his resignation to it all didn’t matter because he was going to be safe no matter what. That he knowingly allowed us to assume that he was a safe vote because he didn’t want his plan to kill Sou to be ruined, which narrowed down choice of people we can safely vote for even further. That this action is ultimately the reason why Sou and Kanna were our only options to kill off in the end. If he had admitted it there, we could’ve found someone else to vote for so our final options could consist of three people, not two. But he didn’t, and the rest is history. There’s a lot of things he’s done I can’t get over. This one ranks pretty high. The second Main Game is already a huge sore spot for me for obvious reasons; knowing that a lot of the things that happened were due to his inaction where it truly mattered and activity in all the wrong places doesn’t make me fee any better. He didn't say he was a safe vote-- he didn't lie-- but his words carefully omit that voting for him means a total party death, something he should've stated then (and before this, really).
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*Leaving Sara with the sacrifice card.
Despite making a big show about “always being by her side” and being her “reliable policeman”, he chose to look away when she was in real danger. He attached himself to her as her right hand man, made her shoulder the responsibility of being the leader, constantly manipulated and flattered her to win her trust and gain her favour-- but when she needed him the most, he basically left her for dead because it was the most beneficial to him. Keep in mind that not only did he know about her getting the sacrifice (he was also the sage so he'd have seen the trade happen), but he had the tokens to help her get rid of it. But those tokens weren’t for her life. They were for his. He used them instead to give himself the Keymaster as insurance for the Main Game (the Keymaster he stole from Sou/Kanna most likely to buy Sara’s trust btw). His desperation for survival outweighed his sense of obligation to keep her safe, and that’s the most subtle yet transparent he’s been about his selfishness. What makes this so much worse is that Keiji is our support character. He’s an ally, and our closest one at that, to the point where Sara burned her hands in a futile attempt to rescue him and signed her life away to save his. And yet his loyalty and protectiveness pale in comparison to other characters. Compare his actions to Sou’s: one of their many parallels and similarities is that both their girls get hit with the sacrifice card. As we’ve established, Keiji was fully aware of Sara being send the sacrifice by Sou, had 50 tokens ready to go and chose to secure his own survival than save her life. Kanna ended up doing it instead, attempting to trade the card off Sara with Sou realising what happened immediately. And what does Sou do? Completely bend over backwards trying to keep her alive. He lied about being the Sacrifice so the others wouldn’t suspect Kanna of having that role, meaning he could try gathering vote for her without anyone seeing his true intentions. He tried to stop her about coming out with the truth of what she had done so she doesn’t sentence herself to death. After everything he did to survive-- after how much he lied, how much he schemed, how much he hurt, and how he had thrown himself away to replace everything that made him Shin with the man that had traumatised him years before the game began to scrape together even the tiniest chance to survive-- he threw it all to the wind and was willing to let it all be in vain if it meant she got to make it out of the Main Game alive. The worst part is that Sou had never intended to make it through that Main Game. He confessed to already knowing that Kanna would choose Sara over him if she truly had the Sacrifice card. Yet he still did what he did all in the hopes that she could win. Because it was all about her survival first, not about them surviving together.
It also gives a different context to Sou's panic and him stumbling over his words trying to come up with any argument to get them to stop. At first I thought that Sou was afraid for his life. Which would make sense-- Keiji and Q-taro set him up to die and seemed pretty adamant on having everyone voting for him to get it all over with. But he was already prepared to die the minute he realised Kanna traded with Sara. So it means it wasn’t his life he was fearing for here-- it was hers. To him, if they voted for him there, it wouldn’t have just been his end but hers too. But we know that Kanna isn’t the one who has the sacrifice. It’s Nao, and considering how the Main Game can end either or both of them dead, I wonder if he regrets not having given up there, not letting Keiji get away with that shitty stunt he pulled knowing it would’ve at least guaranteed her safety than leave her fate in hands of a girl with enough reason to kill her. Ignoring the sounds of my heart shattering into pieces for the 100th time thinking about the Greenblings, it’s so fascinating that our biggest rival and most distrusted member has a greater sense of loyalty and responsibility for his ally than Keiji has for his own. Sou can be a liar and manipulative and selfish, but for how unpredictable he is something I can always trust is his love for those he holds dear (Kanna) and general desire to protect our most vulnerable (Gin). Sou loves Kanna, and so he’s fine with protecting her even if it comes at a price he never wanted to pay. Keiji surely cares about Sara, but unfortunately that is something I can’t say about him-- at least at that time (also the fact that Sou ended up taking more care and responsibility for Kanna despite Keiji having been the one to throw her on him in the first is so ironic).
*Continuously pushing Sara to take on the role of leader.
I think one of Keiji's biggest failures in the game come from his treatment of Sara despite positioning himself as her most reliable ally and her partner. From the very get-go, he was very adamant of making Sara be the one to shoulder the responsibility of the group. He, along with Joe (he didn't do anything wrong here), pushed Sara to be the Challenger during the Russian Roulette, despite Q-taro and Kai being readily available. He made Sara be the one to interrogate the suspicious convict while distancing himself from the situation. And he encourages her to lead them through the Main Game, lets her make the choices that steer them all forward and as a consequence take the fall for them as well. Rather than take on the role himself, or let another adult take it, he places his full trust in her and makes her shoulder everyone's weight so he doesn't have to. And he can see the effect it has on her: having horrific hallucinations due to the immense guilt she feels. But having Sara as their leader gives him a greater shot at survival and helps his credibility, so even though he tries to provide her comfort he still continues to keep her in that role. Again, the high schooler taking responsibility for the adults falls on a lot of the older people here, but Keiji was the one who kickstarted it rather than just go along with it like everyone else had. Gin, Nao, Kanna, Reko and even fucking Sou to an extent all have moments where they take the burden off her and relieve her of that pain she shoulders all the time (or at least try to). I need Keiji to take more responsibility for both the group and for her.
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*Pitting Sara and Joe against each other.
This is just another example of the previous point. This isn't as bad, and I could give him the benefit of the doubt that this might have not been intentional, but it's something I want to bring up regardless. I'll be the first to say that Keiji wasn't wrong here. Prying into everyone's votes is a very bad move, especially since no one knew that Mishima would actually die (it was introduced as a practice round, after all). I agree with him, Joe was being rash, but instead of leaving the conversation there, he decided to throw Sara into it to pick a side. Which is... not good. He already won the argument and already had Reko on his side. Bringing in Sara could not only make Joe feel worse and potentially strain their relationship (especially if she rightfully chooses Keiji's side like he was expecting and hoping for), but just puts Sara in the spotlight during something she doesn't want to be part of. While there's a chance he might've done this because he know Joe is more likely to listen to her than him, he should've known better than that. It again makes her take the responsibility of giving the final verdict that would've otherwise gone to him.
*Asking Sara to take responsibility for his life
I've got nothing other that the grown adult swearing his life to the grieving, unstable teenager to take responsibility for while asking her if she'd die along with him is weird as heck. Keiji's said weirder things prior to this, but this one is a different weird. I think Beanieman's post mostly echoes my thoughts on this on, so I'll link it here for this point. This part kinda bothers me:
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He shouldn't be encouraging her taking on anymore responsibility than she already is. He knows that the deaths that happened under her leadership haunt her. He knows that she's very much unstable enough already, to the point where he takes baby-steps to avoid triggering her trauma over Joe. He positioned himself as her reliable partner, her rock to lean on (quite literally sometimes). We see first hand how emotionally dependent she is on him. If he died, it would destroy her-- she'd destroy herself over it. He knows this (or should) but he still does it. His disappointment and dismissiveness when she understandably rejects him makes it worse. The guilt of potentially not living up to his expectations is not what she needs.
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*Potentially working for Asunaro
This is more ambiguous than everything else here and more a theory than anything but it's been on my mind for a long time that Ranmaru might actually be onto something here. We know that Asunaro has a strong hold on the police. Midori was able to infiltrate the force, and they were able to get rid of Mr. Policeman for looking into the corruption going on, first having Megumi fire him and secondly getting Keiji to kill him by planting false info about the suspect having a gun. Megumi was also able to get Keiji off the hook for murder, which I believe Asunaro had a hand in too (I theorize this might've been her wish). There's also Alice, who was arrested and sent to prison despite the fact that he (legally) didn't kill anyone since Midori was a doll. The police are connected to Asunaro-- by extension Megumi and extending further potentially Keiji.
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Something I've seen someone rightfully point out is that neither of the options you're given to say in response to the accusation... actually deny it? Both choices dance around answering directly, which is suspect as fuck. If Keiji truly wasn't with Asunaro, why not shut that theory down immediately? There's no benefit to answering anything but "no" when he's innocent, and he's lied straight to people's faces for less. So why not just debunk it? I think it's cuz there might be some truth to what Ranmaru was saying here. The biggest reason I think this is because despite the fact that Keiji quit the force, he and Megumi were still associating with each other years later. They were kidnapped together and partnered up for their first trial. One missable piece of dialogue is Keiji admitting that he was with his partner-- or rather a "coworker"-- before getting knocked out.
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That slip of the tongue and backtracking makes me believe this part to be true. Him switching from "my partner" to "a coworker", which is a lot more distant and impersonal, makes me think it's got to be Megumi. However, I don't believe that Keiji would wanna keep in touch with her after what happened willingly, so I can only imagine that it's due to that debt he has to her. My little game theory here is that after the shooting, the debt he owed her was a forced recruitment into Asunaro. It's the only thing I can imagine he meant by "the worst kind of debt", a debt he'd literally let her die for to get out of. And if this is true, then it could also explain away his instant attachment to Sara, since he'd know beforehand that she's someone he can depend on due to her having the highest chance at survival. Maybe he already knew about her beforehand, one way or the other. We know Hayasaka did (which I think we as a fandom moved on from way too fast btw). Kai and Sou did too. There's always a chance. And unlike Sou's victory rate and Midori's favourite number, it's not zero. One person made a comic about this idea I recommend checking it out, it's tastefully unsettling. But still very much unsetling and uncomfortale. Be warned that it's also Keisara-centred, so if that makes you even more uncomfortable they did the job right you can ignore it. Proceed with caution or don't read if you don't like.
*Being a predator
I have been waiting so long for this one XD For context: a while ago I made a longpost discussing the sanitisation of soushin and this kind of toxic attitudes in fandoms regarding "problematic content" (ships, characters, shows, you name it). In it, I mentioned that it's not only soushin that receives this treatment but a certain other dynamic too. It's not a rainy day, however this has been way overdue and if I don't get this done now I never will.
Something I've seen a lot, and I mean a LOT-LOT is this notion that Keiji acts "like a father" to Sara and that their relationship is a completely platonic father-daughter bond and that he's the resident dad of the group? Like, it's cute, but that's not at all what their relationship is. At all. Not even a little bit. We called Sou and Kanna siblings before the Greenblings reveal. The difference is that not only does half the fandom think this man is gay, but he's only ever been protective and caring and loving without any romantic intentions towards Kanna ever. His title as her brother was deserved, based on the genuine affection and platonic protectiveness similar to that of Alice's. Keiji has made advances tho, on many occasions, and his flirting is repeatedly acknowledged by other characters. Namely Sou and Reko.
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(Sou grills him for being a creep every chance he gets I love him XD) But yeah, these are not the type of reactions and comments you receive when being a "father-figure" to the teenager. You get all this when you hit on the teenager. Which he does all the time by calling her "cute" every time she asks something and his "cute little detective", swearing himself to her by saying that "he's always on her side" or something like that, asking her if she'd die alongside him, repeatedly claiming or insinuating that they're on a date, or ""having a moment"" and going to ""take the next step"" when in private (*cough* groomer *cough*)-- you name it, he likely said it. He's a walking-talking ladykiller machine and teenage girls aren't safe, apparently.
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(Quick note: The dialogue for the Russian Roulette one is a tad different now. In the new translation he says "cause you're so darn cute" now. I dunno if that makes it sound any less weird, but I felt like putting that out there. What I'm also putting out there is that according to the trivia he calls her cute 8 times throughout the game so. Yeah. *Cough* groomer *COUGH COUGH*)
Like, who tf says this?? Especially that last part 💀 Even if you wanna die on the hill that these are supposed to be "jokes" not to be taken seriously, we should all be able to agree that the (ex)police officer in his late 20s jokingly hitting on the high schooler he follows around is still weirdo behaviour at best and down right despicable at worst. The fandom seeing lowkey predatory/inappropriate behaviour from a figure of authority persistent for almost three entire chapters and dismissing it as "fatherly" and "platonic" is, well, concerning. It's very concerning. If your dad acts like Keiji, you should probably call the police. Unfortunately for Sara, Keiji is the police. And considering this guy got away with manslaughter, I don't think said police would do anything anywho. But yeah-- he uses flattery and flirting to distract her from prodding to much at him while simultaneously aiming to gain favour in her eyes. He showers her with reassurance of his loyalty and affirmation of his deeper attachment towards her and her alone every chance he gets to cement his position as her closest and most trustworthy ally. He insinuates a romantic partnership between them to others to mostly keep her to himself or the two of them alone (he always does that when they're investigating or going to investigate by themselves). There's such an obvious romantic undertone to their relationship and his actions that it going almost completely ignored in the fandom feels weird to me.
I want to make clear that there's nothing wrong with headcanoning Keiji as a father figure to Sara. It's cute. Keiji didn't have a dad himself, and the closest thing to a father figure he had was the man he shot dead. He's a damaged and hardened guy. But Sara's dad is involved with Asunaro and Gin's is an alcoholic, and in a situation where they both need guidence and protection he tries his best to grow and change, fumbling to become that decent father none of them got to have. It's nice, and a wholesome dynamic for our "characters with memorandum counterparts and only non-determined deaths" trio. But that's obviously not what their dynamic is. There's a difference between headcanoning something and erasing canon and the Yttd fandom leans heavily into the latter. Keiji's a creep, he always has been, yet 90% of people I see always portray him as a Mr. Dad Guy or completely sanitise him to hell when him being creepy and unnerving to be around is what made him such a fascinating character. Just like I said with Soushin, the sanitisation to make canon more digestible is one thing: harassing or insulting the people that explore canon is another. I'm gonna take a bullet, derail this rant and say it-- Keisara shippers get so much shit for literally being right it's so infuriating. Keiji does hit on Sara, a lot. He's creepy and weird like that. Him flirting with her isn't a "mistranslation" or a joke or anything like that; his dubious wording and antics are very much intentional. Yet the only people I see actually addressing and acknowledging that without adding fluff is keisara shippers and other ""proshippers"" only for them to get fucking sniped for it I cannot 💀💀 I have yet to meet a single eastern fan who calls this cop "fatherly". This really feels like such a western issue cuz the majority of the japanese fandom agrees that this man's a predator (correct me if i'm wrong but keisara is the most popular ship in the japanese side of the fandom, right?). Then again, eastern fandoms are more chill over there when it comes to separating fiction and reality in general anywho.
*Yeah, I think I'm done with the Keiji slander. Yay. Time to unceremoniously end this.
There's more to say about that, but this is a Keiji post, not another shipping discourse post (although it's hard discussing Keiji's predatory behaviour without bringing it up too). Before I do spiral from the original point, I'm going to try and reach some sort of conclusion here. While I did spent the majority of this post just reading Keiji to filth, and am very salty towards him in particular, this was not just to rake him through mud for my own sanity (tho it's part of it XD). Keiji's character is that he started off as someone who wanted to do the right thing, someone who wanted to be good and moral and protect others by joining the force only to kill all the progress he made along with the person who inspired him to become an officer in the first place. It heavily contrasts the Keiji we have now, a sleazy, unreliable and corrupt ex detective who flirts with underage girls and is willing to resort to the most bankrupt of decisions to save himself. A man that has long lost hope of his wounds healing that he lets them fester and his rot spread onto others. And while I headcanon Keiji to just inherently be a piece of shit, his former self tried his best to be genuinely good before he became so convinced he can never be better that he made peace with his shittiness in the end.
With all this I wanted to highlight some the shadier and bankrupt things he's done that I haven't seen much discussion around and refresh myself on them before the final part. Both so no matter how emotionally dependent and therefore rose-tinted Sara is about the man I don't forget what he's actually like and what he's done while also being able to appreciate how much he's changed for the better. Some of my favourite examples about how he's changed are these:
Before the second Main Game Keiji was willing to let Sara and Kanna die because it was the most beneficial option for him, but in Chapter 3 he takes the on the role of "it" from Kanna and refuses to tag Sara when he thought he was gonna die after failing to beat Midori.
Actually showing more sympathy towards Sou after the Main Game. He was very mean about dismantling his pretence of a cold front to Kanna's death, don't get me wrong, but he showed a lot more consideration and understanding for Sou's feelings and acknowledgement about his active role in it than he ever had beforehand.
He was genuinely fighting for everyone to survive the game, not just himself. While Keiji would prefer everyone making it out safely, he has a tendency to guarantee his own survival first through any means necessary. His plan to corner Midori in the banquet could've cost him his life if it weren't for Q-taro's final stunt, yet he still reassured Sara to save Gin even tho it could've resulted in his execution from Meister potentially finding him guilty of violating the rules.
Him hugging Mai and trying to be more cheerful was cute as heck. I'm sorry but him showing more vulnerability around his allies and being less closed off in a way he hasn't been before is something I'm very head empty about. That he was hugging and interacting with Mai without making any unwanted advances or ladykiller jokes and generally just having a more friendly vibe was nice. It makes his creeping on Sara more unfortunate, but I'll take what I can for now. The bar is in hell.
And that's it, I think. Overall, I hope they do address some of his actions here in the final part or make them have an impact on his and Sara's relationship. Especially that Asunaro part. The person who wished for Sara to join the death game is still unknown and so is Keiji's consent form wish (same goes for the Dummies, Hinako and Megumi), so I'm curious if they're related or not. If he's going to go down an even darker path or redeem himself as much as he can we'll see when the final part drops. He has the potential to go both ways. This is going to be kinda awkward if the next part reveals him to have been a decent guy all along, so hopefully that doesn't happen. Please be morally bankrupt, man. This post didn't end up the way I wanted it to, nor bring up as many points as I would've liked, but I know I won't finish it if I went full perfectionist on it (I already spent months on this writer's block do be a bitch) and it's looking kinda long already. Hopefully it's still decent enough as is right now. I'd like to say that this is my apology for the last longpost I made, but I brought up one of the most controversial and hated ships and traits of Keiji's character and defended them, so maybe I shouldn't 🙃 Anywho, hope you enjoyed and cheerio.
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