#in like epISODE TWO

[tanjir0se]

So I got really really high the other night and decided it would be a good idea to start Naruto because apparently everyone in the world thinks it’s like the gold standard of anime or some shit

Naruto fans….what the fuck is wrong with y’all

[astearisms]

catalysts, protectors

[hwashitape]

lungs, kidney, heart

[scruffylookingpiratecaptain]

I think people have truly lost any ability to be patient with storytelling.

‘I don’t understand this’ They’ll explain it if you wait.

‘I don’t like how this episode left things hanging’ There’s a continuation next week.

‘This character is flat’ Wait for them to be fleshed out.

So many of the complaints I see about shows lately are people being confused by things THAT THE SHOW WANTS YOU TO BE CONFUSED BY THATS THE FUN OF MYSTERY AND FORESHADOWING YOU ABSOLUTE GOBLINS THE MAIN CHARACTER IS ALSO CONFUSED AND THEYRE GONNA DO A BIG REVEAL AND EXPLANATION LATER IF YOU WOULD JUST FUCKING WAIT

[chloesimaginationthings]

Vanny mixed up FNAF Help wanted with Digital circus,,

[mo-mode]

I don’t think anybody’s made this comparison yet but someone just DM’d me about how riptides are known for sweeping up, grabbing someone, and pulling them underneath the current by surprise, and then there’s Percy holding up riptide to grab Annabeth and pull her down into the stairwell by surprise. Hello???? The parallels are PARALLELING

[aroacegundamalex]

I mostly think this poll is hilarious (and some people are taking it way, way too seriously) but it’s starting to get really weird how often people on the opposite side are dismissing Gundam — a giant of science fiction that remade a genre in its image — and quite literally lying about Suletta and Miorine. I’ve seen people claim they were canonically married to men, people claim the show’s ending was rewritten by interns, claim they never hugged, and other claims regarding them not being canon.

While Bandai and Kadokawa did censor one interview, and Bandai released an “open to interpretation” statement, these no longer hold true. Official material has henceforth referred to them as married. One instance of censorship and a statement they’ve clearly walked back on does not erase the fact that the show itself heavily emphasizes their wedding rings, refers to Miorine as Eri’s sister-in-law, and makes it abundantly clear that they are married.

“I knew I was going to make an epilogue, but it was a while before I decided upon the exact number of years that should pass in-between. The ending itself follows “The Tempest,” and depicts Suletta and Miorine getting married and becoming partners.”

- Hiroshi Kobayashi

They are completely and unambiguously canon, and arguably were never decanonized to begin with given the literal text of the show.

An addendum to this: I’ve also seen a strange dismissal of the history that G-Witch pulls from.

The original Gundam inspired Revolutionary Girl Utena, with Lalah Sune in particular (the creator of an iconic Gundam archetype) serving as the inspiration for Anthy Himemiya. Gundam has had a queer fanbase for decades, and has had gay characters (with Yoshiyuki Tomino himself confirming this) since the 1990s.

G-Witch draws from Gundam’s extensive, genre-shaking history, classics like Utena and Rose of Versailles, and Shakespeare’s The Tempest. It brings Gundam and Utena’s connection full circle, and is in conversation with every Gundam series that came before it.

It’s unfair to dismiss it as just some random show, or — as I’ve seen some do — credit its open queerness to the influence of completely unrelated American media, as if Japan is utterly devoid of gay people.

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[not-roboto]

The Gang (20 cm x 20 cm, oil on paper) a series of small paintings I made of the backs of the gang.

[mobius-m-mobius]

Lokius in Loki 2x01 - "Ouroboros"

[ewwww-what]

You are not a coward. You have a goddamn medical condition, alright?

[floweroflaurelin]

For 400 years I looked up at the moon. Not a bad place to go….

—

can you spot the wolf? 🐺🌙

—

NOT TO LIVEBLOG THIS EPISODE BUT AHHHHH

[noodles-and-tea]

👀

[yashley]

Then why are you here? What is it you want? I want to free you.

[beets]

baby, bi bi bi

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.