Been on a bit of a roll with posting my drawings lately, just getting rid of some backlog. Anyways, here's a funny doodle of the batkids bothering their big brother Nightwing on a date with Starfire. They're so annoying lmao.
Its kinda a sequel to this comic from way back. I say kinda because I meant to put with the comic itself but I was too lazy to do so. But I'm posting it now!
Speaking of that comic, I got an ask asking for a follow-up to it showcasing Dick and Starfire's kids getting some 'revenge' for them. Here's Mar'i (NightStar) and Jake Grayson popping in from the future! (btw I accidentally deleted the ask, feel bad esp considering how long it took to actually do art they wanted.)
They're all having so much fun! Look at little Jake, I actually wasn't sure if I should put him here since Mar'i is from Kingdom Come and Jake is from The New Order. Two different universes, the ask did ask for both of them so I did so. Also I forgot his eyes were green, aw well.
Speaking of Kingdom Come, I remember reading that in my middle school library along with some other DC/Batman comics. I was already a total weeb and loved manga so I decided to try out western comics too (since I did like the DCAU cartoons). Read them for a few weeks got bored, then picked up Akira and wouldn't read superhero comics again for more than a decade. Just weren't as easy to get into as manga, took some effort to try them again.
Anyways, here's an extra Mar'i as Nightstar:
I love her outfit, such a wonderful design. And its fun to play around with it too, its fun. But I'll probably take off those wings on her headband, they clutter the design I think. Gosh I love doing her hair its so fun.
Here's an extra Mar'i, with Jake included:
Would Mar'i be Robin as a kid? Or take on a different kid hero persona? How about Jake? Just played around with some costumes for them. Look at Jake clinging to Mar'i, think she'll be a good big sister?
Played around with Nightstar's outfit some more . Wanted to draw them longer so make it look like actual wings on her, and also like tassels on a performer's costumes.
Well this was fun to do, hope you like all this!
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I like to think the song 'I Love You, I'm Sorry' Specifically the Bridge of the song, is very Logan Howlett x Reader coded. And stick with me for a moment because I'll explain what I mean. It's early days, like truly early days in your relationship. So early that you don't even know if the feelings you feel are real or just lust-coated wishes.
I love you, I'm sorry
You were the best but you were the worst
As sick as it sounds, I loved you first
I was a dick, it is what it is
A habit to kick, the age-old curse
I tend to laugh whenever I'm sad
Stare at the crash, it actually works
Making amends, this shit never ends
I'm wrong again, wrong again
I feel like it would be the reader who has this shit on repeat in her little cafe. Just doing the ordering, or enjoying five minutes of peace that comes once in a blood moon when you run a cafe that's a vigilante's wet dream.
"You listen to this song an awful lot," Logan grumbled as he took a sip of his coffee. Black, nothing sweet, no milk, no cream. "It's like an unrelenting Groundhog Day of bad music." Deep down, Logan only says it because he knows your attention is on the books in front of you and not on him.
"If you'd pay attention to the lyrics, you old fart, then maybe you'd understand why I like it so much," You don't even look up from where you're writing down your next order of alternative milk. But smile nevertheless because you know Logan has no intention of admitting he'd ever be into the same music as you. "It's about you."
"Like fuck it's about me," Logan replies with a frown. "How is it about me?"
"Logan," You sigh as you finally look up across the table. You're slightly frustrated because you need to focus, but you can't be mad at the brooding oldie sitting across from you when he gives you that shit-eating grin you love so much. He wanted your attention, he got it. "I sometimes wish you had mind-reading capabilities because then you'd know when I'm tellin' you to piss off." Logan chuckles at your attempt to flirt. He can smell your arousal from here, but would never mention it. The two of you had never crossed that line...Yet. It's not the only thing he can smell. He can smell your perfume. The Black Plum and Vanilla one. He can smell your shampoo. The juniper and white lilly one. He can even smell your annoyance for the way he's tapping his knee against yours under the table. The gentle knocks keep breaking your concentration and it's making you more and more flustered.
"I'd only wanna read your lips anyway," Logan takes yet another sip of the coffee he loves endlessly but would never admit to your face that your coffee doesn't make him want to kill himself. "Come on, enlighten me a little here."
You just stare at Logan for a moment, really just drinking in his entire being. Fuck, you were really falling for his son of a bitch, weren't you?
"You always call yourself the worst Logan there is. The worst version of yourself across all the realities and different timelines," You explain as you pack up your things. "But to me, you're the best, and I loved you before I ever had any chance to see your flaws, for the many that you fucking have," You sit in silence for a moment, just at peace with the fact you'd told Logan that you loved him in a very unconditional, non-traditional way. "Do with that information what you will, I have work to do you."
Later that same evening, when Logan knocks on your front door, you glimpse the song he'd last been listening to on the little iPod you gave him that you found in an old junk drawer. You raise a single brow as you lean against the doorframe and smirk.
"Gracie Abrams, Huh?"
"Go fuck yourself."
Ilya
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itadori "wear what you want because I can fight" yuuji
he's not a violent person. well, most would claim he isn't. people tend to put him on a pedestal of fairness and morality due to his typical charm. the magnetism of his broad grins and upbeat compliments. always the comedic relief when situations escalated, and feelings were far from composed. and he'd agree that they weren't that far off with their assumptions. he views every individual as a holder of wills and dreams. the desire to strive for the value of life is enough motivation for him. he's a firm believer of sacrificing himself for the greater good– a selflessness that most couldn't fathom.
but by a rare stroke of luck, when the two of you began dating, yuuji noticed a drastic change in the perception he had of himself. he could be jealous. and in hindsight, it sounds silly because of course, there's nothing wrong with your partner being a bit insecure. it's human nature and happens to the best of us. but yuuji didn't lack self-esteem. no, he was just protective over you. guarded, vigilant, and careful about everything that involved you in some shape or form. and perhaps the inkling of keeping you all to himself has run through his mind more than once. these strong sentiments scared him, initially; rattled him enough to where he would ponder if it was normal. guilt was the typical consequence he dealt with and often confided in his mentors about it. conversed with them by using his large, expressive eyes and knitted brows. and when they hummed that his emotions were valid, well, it was like putting a soothing balm over an injury. he was as good as new.
so it isn't surprising when his nose crinkles at the abominable sight before him. he leaves for a minute, literally, to pick up the syrupy milkshake the two of you ordered beforehand. it's filled with candied toppings, a concoction that made your mouth drop in awe and caused him to immediately buy it to make you happy. and there's a bounce in his step when he waltzes over to your table. he's in pure bliss. just euphoric due to the fact that the both of you could spend the day together and it's been a dream come true. he'd taken you to the bowling alley, gotten some impressive strikes, and even snuck in a couple affectionate kisses. it's the equivalent of the cheesy romcoms that he watches when he misses you.
until it isn't.
because there's a guy chatting you up in yuuji's absence and okay, yuuji takes a deep breath and reasons that it's not a crime to talk to you while he's away. but cut him some slack, y'know. he almost feels bad when you catch his stare and a wave of relief washes over your features. emphasis on almost, however. his mouth twitches in response, plastering on a half-smile as he gets closer, until he has the misfortune of hearing what the stranger was adamantly uttering to you.
"you don't have to be coy, 'course you're dressing like that to get attention," the guy pointedly gestures to your outfit with a smirk, "you got mine, for sure."
and yuuji sees red. an intense burst of emotion that licks up into flames of animosity that drive him to the brink. it's instantaneous. scarily so, when yuuji's calloused hand seizes the stranger's before he can sleazily reach to pet at your clothes. because how dare this stranger feel the need to say that. yuuji recognizes the telltale sign of your brows drawing together, your self-confidence diminishing the more this situation goes on. so he snaps.
"what'd you just say to my girl, asshole?"
he doesn't even recognize the gruff, harsh voice that leaves his chapped lips. there's a huff of alarm from the sheer power of his grip on the stranger's wrist and you swear you hear an unnerving crack. you let out a distressed gasp. the blushy haired male doesn't verbalize the same sentiment, though. just blankly stares up through his brows, an ominous and haunting intent in his actions. and yuuji's a completely different person now. you note a muscle in his jaw that twitches. gone is your sweet, doting boyfriend. he's placed by a man with innate concentration and murderous intent to protect your honor– to defend you. the contrast is startling.
"she can wear whatever she wants, whenever she wants," yuuji moves to grasp onto the front of the stranger's shirt and forewarns him with a couple shakes, each word emphasized with the movement, "'cause she's with me."
and the blushy haired male rattles the other grown man like he was nothing. just a speck of dust that happened to get in yuuji's way. a nuisance that he'll willingly dispose of. naturally, the stranger is reduced to trembling and cowering in fear. the sleeves of yuuji's sweater are rolled up to showcase his solid forearms and rippling veins that are only more apparent in how tense he is. hysterical excuses leave the other male's mouth; mentions of who- or rather what- you were dating. how this wasn't right-minded or moral for him to be acting this way. this was just supposed to be a light-hearted 'joke.' but yuuji's not interested in listening. he casts a rather neutral glance to him, the kind where his brows drop in conviction. locked onto his prey and stopping any means of escape. his golden eyes are as sharp as daggers. a manifestation of the stranger's night terrors and much more. there's hostility evident in how yuuji shoves him to get lost and, as quick as the stranger appeared, he vanishes.
and after the whole ordeal, yuuji's busy scratching the back of his neck. the image of modesty and faultlessness being captured by how he tilts his head to the side while he watches the stranger retreat.
he even has the audacity to mumble an innocent, "gee. what was that guy's deal?" like the pink-haired male wasn't just playing violent mind games with him or how he wasn't just the sole embodiment of the harbinger of hell itself. all as an effort to protect you.
your heart skips. breathless, as you're engulfed in warmth that exposes your deepest desires. and you think that yuuji knows; well, with how he leans to press a tender kiss onto your forehead and eagerly takes your hand in his. how his casual display of strength melts you into a puddle. but when you're left flustered, heart pounding and mind racing, you realize that you're the one that's struck speechless on how effortlessly attractive he is. but it dawns on you that this is just how yuuji innately is. after all, he vowed to be yours; in every aspect there is. his commitment to you is unmatched. and it's the utter devotion that yuuji unveils to you in times like this that your love for him only grows with each passing day.
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Okay so I know I just hit you all with the controversial chestnut poll, but I have some new development in life that I want to complain about, and in order for me to complain about it, I need to give you the context.
I don't particularly want to give you the context. You're going to diagnose me with female socialization, and some of you will feel the urge to click the anonymous ask button and tell me off. Today I need you to fight that urge! I am feeling insecure, I am feeling lost, I'm not certain in my choices, I've acted without thinking, and got myself into a situation I can't control. So please don't be mean to me. I deserve to complain on the internet and not be called out, alright?
So this is the story of how I accidentally became a live-in caretaker for an injured, elderly woman. It's temporary! She'll get better, hopefully.
I worked for her occasionally, and she's always been kind to me. She would give me a little jar of jam sometimes, and I love little jars of jam, it's a way to win my heart. A few days ago, she called me in a panic, telling me she fell, and she needs my help. I came over, and found out she broke her arm in two places, and one of her rib is broken. She fell unconscious, after being dizzy all day, and fell on a big metal lantern, breaking it. She was now in so much pain she couldn't get up by herself, dress herself, or do any kind of household tasks. She went to the ER, got her arm wrapped up, and was trying to get a pain injection. I helped her get trough the day, and promised to come early next morning, to help her up from the bed.
Next day I found her in tears in her bed, unable to get up, desperate to go to the bathroom. It became clear she needed 24/7 assistance, and she asked me if I would move in until she got better. I said yes without thinking, because I was at this point, severely concerned, and wanted to do anything to help her out.
So this is all not so bad, right, I'm being normal, it's normal to offer help to an injured elderly woman who is nice, but there's a catch. She doesn't live alone. She lives with her older husband. Who is also disabled and can't help her at all. So in order to help her out.. I had to move into a place where a male lives. That is the worst part of this.
I'm still in the first few days of living like this, and my own life had to fall to the background. I can't go foraging for chestnuts every day, I can't go to my garden as much, I'm still going to work, just from her place. I'm overwhelmed and struggling to get used to the new situation. I'm not used to being around people at all, and now I'm forced to socialize almost all day. Caring for someone comes fairly natural! I'm already so in sync with her, she can just look in the certain direction and I know what she wants me to do. I've figured out where everything is in her kitchen, closet, and basement. She's pleased that I know how to do basic household tasks, and am willing to do it in her way. And she's nice, she's telling me things like 'thank you' and 'what would I do without you', which feels good. But I am very exhausted and sleep deprived, she wakes me up at 1am, and then 5am again, and I'm unable to fall back asleep in a room I lack familiarity with. I miss my room.
She and her husband said they were going to pay me, and in my natural ways, I said something like 'no you don't need to' which I feel like everyone will get mad at me for, but they did insist they would pay me anyway. I as usual lack the sense to care about money – someone's arm is broken, that's way more serious issue to me!
Alright so now to the part of the post I wanted to write, a fun poll where you guess, what has her awful husband done by this point :) go ahead and guess!
You have one day to guess! Which one of these scenarios happened in the first few days of his wife breaking three bones in her body. I'll tell you the correct option tomorrow!
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Re: "Ursa could have done" -- there is no version of this story where Ursa saves her children from Ozai. That was never going to happen. No matter what clever plan we think up, no matter what alternatives we imagine, the story was never going to end with Ursa, Zuko, and Azula safe from Ozai. I think there are limits to the principle that whatever is necessary for the narrative has to happen (if the story only happens if everyone is an idiot, that's a bad story), but the writers do not need to explain exhaustively why Ursa could not rescue her children in order for her to be a good mother who did everything she could in the awful situation she was in.
Yep, and, as I said, that's part of the reason I hate the mother of faces plotline. My defense of Ursa is not a defense of that plotline. Because the writers should not need a magical explanation for why Ursa could not save her children. Even after the end of the war, Ursa has no guarantee that it's safe for her to return. She might think her children won't even remember her, or that Ozai was successful in making them mini versions of himself. Imagine Ursa seeing her son with that scar, and the incredible guilt she would feel imagining what her husband did to him, and then imagine what she might think of what her sweet son had become after Ozai had total control of him, of what he was already turning Azula into before she left. Maybe she's heard some things about Zuko, about his quest for the Avatar or about how he burned Kyoshi village. Maybe she's afraid of being afraid of her own son. Maybe she's afraid that the man she's built a life with where she feels safe might suddenly turn on her if she were to express interest in another man's children. That assumes Ursa has the resources to leave. There are so many different stories that are interesting to explore, but none of those reflect on Ursa as a mother because she is not the reason she couldn't be a mother to her children.
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Also, this may be a controversial opinion, but I love Wan's mom now.
Now, before y'all come for me! Give me a chance to explain! I still think she's a bad person and mother, but episode 3 had made me a lot more sympathetic to her and had fleshed her out far more. Before, she came across as "generic evil mother in Thai GL" but episode 3 portrayed her as the lesser of two evil parental figures.
We don't know what the full story of Wan's parents are, but Wan was born on the day of their wedding, and it clearly isn't a happy marriage. And I think the fact that Wi is still married to this man and had no support system outside of him and Pleng's parents, her employers, speaks volumes of what her background is like and what her own parents were presumably like.
Wi is awful to her daughter and thinks poorly of her, but it's also clear that the reason she pushes Wan to find a "good husband," is likely because her own regret of her choice of husband—not that she'd ever voice that as she seems to have very traditional values in that regard. She likely married him out of a sense that she needs to and remains permanently indebted to him.
She doesn't want that life for Wan.
She's also someone who has had a difficult and harsh life, so she approaches things far more directly, pragmatically, and harshly. I know some people after episode 3 were bashing Wi for how she treated Pleng, and I agree that she was awful, but I saw it as an example of some genuine "tough" love from Wi.
Because I do think Wi genuinely cares for Pleng. She doesn't want to kick her out, that's what her husband desires and she can't go against him, but she does want Pleng to get better and she wants her to be strong enough to survive it because she knows life is going to be harsh and difficult.
That was my sense of her after episode 3 and episode 4 really solidified that for me especially when Wi refused to take the money and in fact stood up against her husband—the FIRST time we have seen her do that—and really pushed for Pleng to take the money.
Wi absolutely knows that Pleng is likely not going to stay with her aunt, so she isn't going to allow Pleng to leave the house penniless which to me demonstrates the fact that she does genuinely care for Pleng.
But Wi is someone who feels like she has to constantly make sacrifices and compromises. Because life is a competition in a sense.
Wan hid her success because she was afraid of competing with Pleng. And where does she get that impression? Why would she think that her own success would ruin her relationship with Pleng? Because of her mother. Because Wi has an extremely competitive mindset because that is the mindset she has had to develop in order to survive in this world and it is a mindset that she continues to cling to for better and worst.
She's an awful person, but I feel like she's a character who is a lot more nuanced than she initially appears, and I really appreciated that.
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poolverine+21 pretty please with dom logan 🥺
21- You think a brat can get a reward without begging?
Being tied up by Logan was always good. It usually meant that Logan wanted to have his way with him, letting out all of that feral energy on a helpless (well... as much as he could be. Wade wasn't good at being totally helpless) victim.
Those times were always good. So were the times Logan tied him up and stabbed the shit out of him. He always deserved that, and the tender sex afterwards would be to die for, if that was a thing either of them were really capable of doing.
But for the life of him, he couldn't figure out what the fuck the point of tying him up, gagging him, and leaving him on the bed. For fuck's sake, he wasn't even naked!
Logan had tied his arms behind his back, while his legs were tied so that they were spread open, thighs and calves bound together. His protests were almost entirely muffled by the fabric gag in his mouth.
All in all, not the most fun situation. And girls do just want to have fun. And by girls, of course he meant brats. (He always did prefer Bratz to Barbies. Maybe they should make a new movie about them instead.)
So, as quietly as he could, he squirmed closer to the bedside table, where of course he hadn't put away the cute little vibrator he'd been using last night. So convenient. With a well-aimed nudge, the vibrator feel from the table directly into his lap. Dislocating a hip in order to press the button with his knee was no big deal; the pain would just make the reward all the sweeter.
And then- oh, fuck yes. Ordinarily, a small vibe through his pants wouldn't feel particularly incredible. But, as a reward after being unfairly bound and left to simmer? It was the best thing his dick had ever felt.
But all good things must come to an end, and so it didn't come as a surprise that Logan noticed almost immediately. It was easy to forget how good his senses were at times, but the buzzing of the tiny vibrator must have been like an alarm bell for him.
In just a few strides, Logan was in front of him, tossing the still-buzzing toy carelessly to the side (where it promptly ceased moving, most likely permanently), then placing a hand on his chest to pin him down.
"You think a brat can get a reward without begging?" Logan hissed, claws digging just hard enough into Wade's throat to draw blood. Wade made a muffled noise through the gag, and Logan dug his claws in deeper. "You're such a fucking brat, Wade, you can't even go twenty minutes without trying to get off. That's how long you were gonna be tied up. Twenty minutes. Y’know how long you lasted?"
Wade shook his head, so Logan leaned in close, whispering harshly into his ear. "Five fucking minutes, Wade. So, how about, for every minute you couldn't be fucking patient, you get edged? How's that sound, you insufferable goddamn brat?"
And fuck. That sounded awful. It sounded so horrible, and fuck yes, he wanted it so so bad. (Punishments, as Logan was still learning, never really worked as punishments for Wade.)
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I keep seeing people claiming things that straight-up contradict canon about America and Canada's dynamic, so I'm going to clarify a couple of points.
What's canon: Canada makes America cry after insulting him at length during an argument. Once. (The other time, we don't get to see America's reaction, even though we can certainly surmise he doesn't take it well.)
What's NOT canon: Canada constantly bullies (or even abuses!) America, treats him horribly and believes to be above him.
As I have already stressed, Canada makes America cry at most two times in canon.
Now, this obviously isn't okay and I'm not claiming Canada's actions were right. However, people just love to dismiss the context. First of all, this isn't Canada just insulting America out of nowhere without a justification, they're in the middle of arguments. Not to mention, both times, America is the one who starts insulting Canada. (This is another thing people conveniently never mention.) Then, Canada answers and, with the spirits running so high, he definitely goes too far. Even so, there is a context that, without justifying it, does explain why he lashed out so.
Moreover, Canada insulting America definitely isn't their everyday dynamic. They're depicted at ease around each other numerous times, doing activities and spending time together. All instances in which both of them are nice and friendly, clearly enjoying what they're doing. To make this even clearer, in most of their interactions, Canada shows no hostility towards America and is, instead, very kind to him.
Lastly, regarding the assumption that Canada feels superior to America... that one is explicitly denied in canon. Canada does have some issues with America's behaviour, this much is true. However, he believes himself to be overall inferior to America, not superior. He explicitly says so.
With all this, I'm not trying to claim that Canada is perfect or that he never does anything wrong. Just like every person, he has his limits and flaws and even though he's generally nice and accommodating, he can reach the breaking point when put under a lot of stress and then, make mistakes. But not being perfect all the time doesn't make him a bad person either. Not when that faulty behaviour is so different from his normal one.
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I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
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"I can't hear you over the sound of the eight billion glasses and plates clinking, and the very high possibility that I'm going to lose my job, and the fact that everyone at this charity dinner hates me but we have to act nice to each other, and the weird lighting in this room, and these fucking Spanx!"
- Katherine Hastings, probably
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girl who is not going to be okay (i need to phone the gp to chase up a missing prescription)
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Sometimes things bother me
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by pure evil accident taob zuko's current mental state is the exact same as the one ive been stuck in for the past few weeks and that's a bit funny to me. like i started writing this chapter months ago and knew what i was doing with it even longer ago and suddenly ive manifested it into reality. we are both facing the horrors rn
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if you befriend me you’re opening yourself up to incoherent messages about how I’d personally write mlp
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...
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