#individual wear

[military1st]

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[secretly-a-catamount]

tim drake would rather die than kill innocent people and tim drake killed hundreds of supervillain henchpeople with long-range detonation explosives that one time are two separate headcanons that, contrary to what the fandom discourse would have you believe, can actually coexist at the same time.

there’s even a psychologist term for it.

it’s called compartmentalization!

[404-art-found]

guardian of the masquerade

[canisalbus]

I come bearing an offer of the littlest most looking teddy bear doggy ive ever seen this Monday morning

Im awful at descriptions but!! Here you go, little fellow

.

[springypaws]

@jonmartinweek day 3, Nightmare | Hair Care

Do not question me and my overuse of these particular types of color palettes 💞

[turtleblogatlast]

I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

[sciderman]

Without spoilers (unless you DM the answer, then spoiler away, i don't care) why is Deadpool 3 the worst one?

in a movie, things happen

in a good movie, things happen for a reason

I’m not saying this has to be the case in every movie - but I mean. It is a pretty good starting point I think. so I think maybe when a movie solely consists with distractions to lead you off the scent that this movie does not actually have a storyline or reason to exist then maybe it’s not really a movie. but rather, 7000 cameos in a trench coat

[robobee]

if trc was a visual medium and I was a tiktoker i would go insane talking about quiet luxury and how Declan and Adam both fall into this position of people with OBJECTIVELY less money compared to their peers and how both of them are trying to replicate luxury (ie: clothing=persona/identity) to varying levels of success. adam wears old gifts from the ganseys and declan is very clearly called out by other characters to be overcompensating. neither are fully seamless and even though thats not an overt plot point it is DEFINITELY very significant since plenty of their story beats echo each other down to their relationship with ronan, who is a different fashion debate (eg. how punk can you get off of a bank account you dont need to look at and a shaved head which needs to be constantly maintained and a BMW you stole w no repurcussion). again I DO think stief implies fascinating plot points that she doesn't focus on but her display of class and economic variation is very very cool & obviously people w more context of specific USAmerican culture can have this debate better than I can

editing to link the video that finally helped me put this thought into words

[zorbs64]

[Replika Known Issues, Vicsek Project]

- CLASSIFIED INFORMATION  - Commander Eyes Only –

Previous experience with this Replika model has given us insight into irregularities in their behaviour that stem from the original neural pattern used for this unit. Due to the sensitive nature of this information, this document should be destroyed after reading.

MUNR

Muninn units have been chosen for this project due to their skills with patients and their ability to probe in a private setting, granted to them via a prototype bioresonance module. Their main purpose in a facility is to help Gestalt workers in need, maintain Replikas stable and to gather information vital to the facility itself. The original neural pattern used for these units was a therapist and is therefore complex and intricate especially when engaged in sessions with patients.

Persona degradation is common for Muninns and generally it is advised that no more than one is stationed in a facility in case their bioresonance influences the other units. To minimize degradation risks Muninns are never to be given any bracelets or other wearable accessories and they must be given a private room where their work can be done. It is imperative that the sessions are never interrupted or else the unit will risk using mental processes that are not inherent to the task at hand.

To maintain stabilization it is mandatory for Muninns to wear ‘work clothes’ to both interact with Gestalts (and eventual Replikas) and to create a natural shift in attitude when working with patients. Additionally it is highly encouraged to pair these units with another bioresonant unit as a form of control, to help in stabilization and to extract information in case of malfunction.

[gornackeaterofworlds]

Rise turtles in Bay style

Screenshot below

[nina-scribbles]

I like to think that being a Black wasn’t all bad.

I like to think that they loved each-other, once.

[horsemeatluvr23]

sashwammyvoid !!!! with alcohol marker and fineliners in my sketchbook :D i'm so so pleased w how this turned out n i had so much fun drawing all the little details

[eight-pointed-star]

[kingsandbastardz]

Tumblr ate the anon ask I was responding to so I'm gonna paraphrase it here:

what do mean llh gave di feisheng to fang duobing? the letter totally said something else

Yes, it did - but I didn't feel I could comment too deeply on it when it's been retranslated and people who are far more literate than I am have analyzed the contents already. -- The letter itself seems pretty straight forward.

However, what I wanted to focus on was analyzing unspoken social dynamics - so I'm gonna get in depth into my reasoning for my interpretation. And admittedly in previous posts I was playing fast and glib with my responses (they were just insomnia-fueled thoughts I typed real fast) so I wasn't really in depth or anything. Anyway~~~ That means it's time for me to get long winded.

So! First thing - this is the scene: The letter was written from Li Xiangyi and addressed in its entirety to Di Feisheng. However, when it was delivered the fisherman asked for both DFS and FDB. It was then read outloud by either the fisherman or FDB -- I assume read out loud, and loudly, because DFS never left his position by the rocks and emoted his distress at the contents. That means everyone there also was privy to the letter contents.

The letter itself is straight forward. It's addressed from LXY telling DFS that he regretfully can't make the duel and that he respects him both as a martial artist and as a person, and if he wishes, he can go to FDB who has inherited his skills and shows great promise, etc.

The thing IS - I firmly believe that this is not a message meant just for DFS.

Both LLH and DFS code switch between their non-leader selves vs Li-Menzhu and Di-Mengzhu. It's easiest to see based on what they're wearing. Li Xiangyi when he's dressed in the Sigu Sect uniform. Or the Styx flower hand-off scene where he calls him Di-mengzhu (not Lao Di or A-Fei or whatever else) likely as a reaction to his official regalia/red uniform which means DFS was showing up in an official capacity. Both of them know very well the importance of a certain.... how to say.... drama? They're both leaders and they were also very performative in their roles as leaders. They both expected that massive peanut gallery that showed up to witness the fight - the one filled with members of various sects, including Sigu Sect leadership -- because dfs was likely the one announcing it.

Imo - aside from the need to express the full weight of what he felt, part of the reason LLH was so formal in his letter is expectation that there would be other people there - influential people. The very people DFS and FDB would have to deal with in the future alone. FDB would be ok but he's largely unknown to the rest of jianghu and therefore his story is still malleable. DFS is known, but infamous and his narrative is as much of a trap as LXY's was. And now he no longer has the benefit of a sect to act as a buffer.

LLH's last act as LXY was not to save Yun Biqiu but to carve a new path open in the world for DFS and FDB:

Expresses that he bears deep emotion and the greatest and deepest respect for DFS despite a reputation of them being enemies

Informs everyone that DFS is not seeking dominion or 'the throne' but rather, is going the fighter-scholar path of studying and testing martial skill -- aka, this is message from one sect leader to all the others present. Spread the word, this man is NOT gunning for your power. None of you have reason to take him down.

Establishes FDB as his one and only successor - while also stating clearly it's entirely up to FDB to decide whether to continue down this path or not

Creates a pathway for DFS and FDB to maintain their connection with each other - and in fact lets everyone else know that there is a pre-established, legacy relationship between DFS and LLH that FDB will be inheriting.

Gently asks DFS to keep an eye on FDB's development - iterating that if dfs is the one asking, then FDB may make the decision to continue to train - aka help him see his full potential whatever his decision is.

At the same time, he silently wishes FDB to maintain connections with/keep an eye on DFS. In another reply I kinda went on about this: imagine a scenario where your friend's mom pulls both of you in front of her. And the whole time is telling your friend that they need to do, expectations, a list of goals, etc. The entire time she's only focused on your friend - but there is this silent implication that you, as the witness, is expected to act a reminder or even an enforcer if your friend isn't listening. If things go wrong, you're expected to go in there and help them to do the thing they were asked to do. This is the unspoken message I'm getting for FDB. Even though his name wasn't mentioned in the letter, it was explicitly delivered to both him and dfs. He's standing right there while an imaginary LLH talks to DFS. So if after all this, dfs disappears without another word = fdb can feel emboldened to go after him, knocking on doors until he answers. Should he decide to do so.

Entreaty - "These are LXY's (my) last wishes. Please respect my memory after my death."

Conclusion: LLH's last actions were to create a space where both DFS and FDB can make their own decision on their path in the world, without the weight of all those other people in jianghu influencing them.

Note: I also believe that on dfs' side, his clothing choices point toward his plans to publicly step down and leave the martial path with Li Lianhua. But llh sucker-punched him and left him standing on some rocks like a widow waiting for her husband who's lost at sea. They were technically on the same page, but it somehow went wrong because... well. Unfortunately that's DFS' narrative. He never quite reaches his goal without the hero either hindering or helping him. The entire drama was LLH being that karma busting fulcrum for him. But now, should he wish it, it'll be FDB's turn to step up and do the same.

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[floweryred]

In all seriousness, the Bad Boys are probably my favorite alliance in the whole series. I’m not sure why, but it could be because they’re having so much fun.

Also, people actually took to calling them the bad boys? Like Joel said “They call me the bad boy of the server.” Jimmy said “Yeah they do.” And it transformed in to their actual name and theme throughout the whole series. Even though nobody took it seriously, it just stuck. That’s hilarious.

Also Grian goes from being fighting against them to going with them and encouraging their silly schemes.

And there were no betrayals or anything? Jimmy and Grian each killed the other and after saying “Is this the end of The Bad Boys?” It wasn’t. It could be because Jimmy went out first (obviously) and Joel went third so they didn’t have the time to betray each other. Still, they feel so close.

And they have matching leather jackets! And they call each other babe! And they have a horrible base! And they had no chance of winning! And they are SILLY! THEY ARE SILLY YOUR HONOR!!!!!!