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#into instead of just reading the information and coming to their own conclusions from the detail
rassicas · 4 months
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Hello Rassicas.
I am working on a video about Nintendo’s lgbtq characters. Of course when it comes to splatoon, there’s a certain duo that comes to mind, off the hook.
The problem I’ve been having is that it seems a lot of the information, wether that be the English/japanese bits of dialogue, interviews and other bits of lore, seems to be completely scattered around.
Considering you describe yourself as the “CEO of splatoon lore” I was wondering if you could help me compile any bits and pieces of those two gay cephalopods.
(My apologies if this is moreso something I should be asking in dms instead)
i think the ask box is a good place for this, i'm not as hardcore of a shipper as other people are (more of a worldbuilding enjoyer), but i know there is so much and I don't wanna dig for all of it. I'll share a few off the top of my head. pearlina fans reading this, please feel free to share anything else in the replies/reblogs. 1. Pearl interview from Octotune: its on my mind since i just brought it up in a previous ask I think the artwork in this interview has the strongest implication that pearl and marina live together. Also the question: Q17: What is the best gift you have ever received? Pearl: The chance to meet Marina. 2. Marina's manga, "Dear Pearl". a manga that, in-universe, is drawn by marina.
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genuinely i think this is one of the gayest things there is in canon like theres hearts in that LOVE letter thats directed towards pearl COME ON (i consider it canon as its drawn by seita inoue, who handles splatoon's art direction and a lot of lore/worldbuilding). you can read it here
3. Marina's tagline on Splatoon Base calls her a 恋する乙女 "young lady in love". the word for 'to love' (恋する) is specifically romantic.
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4. Off the Hook didn't fight against each other in the s2 final splatfest like the Squid Sisters did because they're on such good terms with each other.
I’ve heard people saying that since the final fest for the last game was a showdown between the Squid Sisters, this time it was bound to be between Off the Hook.
Nogami: I think that’s probably the obvious conclusion, but the development team don’t actually want those two to attack one another. Since the Squid Sisters have their own talents and abilities, even though they are a duo they are also kind of rivals, so we thought we would pit them against each other. Off the Hook, though, are much more of a unit and on good terms with one another, so we didn’t want to force them to fight.
5. Marina has a photo of pearl as her desktop wallpaper. the framing of the photo very much looks romantic and intimate. there is no heterosexual explanation for this
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i'll stop here, there's definitely more and I don't wanna be here for hours. I haven't even touched on any in game dialogue. again guys feel free to make additions to this with sources. is there a pearlina masterdoc or something LOL i feel like thats something that deserves to exist (someone please make it because i wont)
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gotholdladywithadhd · 6 months
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Unpopular opinion, probably.
So I've read many metas, and thought a lot about it and have come to my own personal conclusion about the final 15.
I'm taking it at face value.
Because it was the most human Crowley and Aziraphale have probably ever been and I think that is at least part of the point. Love makes people stupid and they are navigating a very human thing in very unhuman circumstances, and it's hard enough to do as a human in human circumstances!
I think Aziraphale believed the Metatron about Crowley bc he was expecting the worst when TM mentioned Crowley but instead got the one thing he wanted most (him and Crowley together and safe, not Crowley being an angel. ) Crowley was absolutely the carrot here. (and no I do not think Crowley would have been safe or happy, but that's besides the point.) I can't tell you how many times I've believed patently ridiculous things because I wanted to believe them so badly even though if I was looking at the same situation objectively from an outside POV I would see how ridiculous it was, so I totally get it. This isn't to say I think Azi had a real choice to go to Heaven or not and I think he did understand that as well, but I get the temptation the Metatron threw out to him, I really do.
As for Aziraphale literally saying all the wrong things to try and get Crowley to come with him? Um yeah been there done that too, the nerves take over, the brain shuts off, the mouth goes into autopilot pulling stuff out its ass, and "WITAF did I just say?" happens.
Crowley not taking any of it well and only hearing what he expected to hear (I'm not good enough for you bc I'm a demon and you only really want me if I can be an angel) *and* also being more able to see through heavens bullshit bc he has lived it, and can see it from the outside, *and* all whilst being the most honest and vulnerable he has ever been with Aziraphale in 6,000 plus years (or in fact possibly to anyone, ever. the closest before this admitting he was lonely to Azi during the Job minisode,) *then* hearing what he took to be the same Heaven will save us line from Azi was enough to trigger a massive bout of RSD and a broken heart. Everything was supposed to "vavoom and sorted! " and instead the stupid awning broke and everything went wrong. I think I've said it before that at this point Crowley can't hear anything over the sound of his heart breaking into a million pieces.
That's a whole lot to pack into the brief moments before Azi has to leave with the Metatron (who let's be honest was rushing him before he could change his mind) esp when neither of them are used to discussing their relationship openly. They didn't have time to think, to ask questions, to share information, (like hey guess what really happened to Gabriel?) Crowley tried to communicate as much as he could about his feelings with the kiss but Azi didn't have the time to properly process all that and said the wrong thing again and Crowley was rejected (he thought) again and it all just went so very wrong. You can't fix a 6,000 year relationship in 15 minutes, you just can't no matter what the story books say.
It's about two people wanting the same thing but not being able to get it (yet) because of circumstances and personalities. All of S2 was about them seeming to be closer than ever (and in many ways they were) but really they were opposed at almost every turn. (in RL not the minisodes, those actually showed them working together and coming out okay mostly, if you don't count wee Morag or Crowley getting dragged to hell) The way they both handled the Gabriel situation, how they both worked to solve the mystery, even how they tried to make Nina and Maggie fall in love were all either done alone, or in opposite ways. I've said it before and I'll say it again, as it was pointed out right in ep1, their exactlies aren't the same and until they are, they aren't going to be able to be together. The one time they did work together in the season, they produced a 25 lazuri miracle. That is the point of the final 15, and the whole season 2 in my opinion.
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They'll get there in the end though!
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anamericangirl · 5 months
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Since I’ve been asked this a couple of times here are some tips on how to tell if the media you’re watching/reading is credible and which way their bias leans. These are tips I came across via Katherine Brodsky on X and, ironically, a publication from NowThis a few years back (which is an outlet guilty of a lot of tactics they were calling out. But still, the tips are good). Employing these tactics when you are unsure about the media you’re consuming can help you determine on your own how trustworthy that source is or is not.
1. In the immediate aftermath, news outlets will get it wrong.
2. Don’t trust anonymous sources.
3. Don’t trust sources that cite other news outlets as the source of the information.
4. Pay attention to the language the media uses.
“We are getting reports” could mean anything.
“We are seeking confirmation” means they don’t have it.
“[News Outlet] has learned” means they have a scoop or are going out on a limb.
“Experts say/believe” who are these experts? How many were asked? How were they chosen? What are their credentials as they relate to this specific topic? Is there really a consensus?
5. Does the image chosen accurately represent the story?
6. Watch out for conflation. Media outlets will often try to conflate two things that have nothing to do with each other to try and make it seem like a certain thing/person is responsible for a failure or success.
7. Leading language. Whether a publication uses words like pro-choice or pro-abortion, gun rights or gun control, riots or protests, migrants or illegals, birthing person or woman will tell you a lot. This is a tactic that can often go unnoticed by people that is designed to persuade you to subconsciously accept a judgment or opinion of the journalist instead of just presenting the facts and allowing you to come to your own conclusions.
8. Bias by omission. A journalist can present facts in a way that appears to be neutral but in reality they have chosen to include some facts and exclude others, which creates an inaccurate picture and narrative and limits our understanding of the reality.
9. Another type of omission that can be very telling is news outlets simply choosing not to report certain stories at all.
10. Story placement. What makes the front page? What gets buried?
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mj0702 · 3 months
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@helen-with-an-a ... I take your raise and go all in...
The whole Barca team was gathered in Mapís and Ingrids garden having a small get together before everyone left for their holidays – or charities as that's how Alexia likes to spend her time off. There where small groups standing together having small conversations amongst themselves while Lucy got suck with the task of grilling the meat wearing a “Don't kiss the cook”-apron which Mapí, Pina and you ignored and smooched your sister quiet theatrical before you all got smacked away with the tongs aggressively. It was a nice warm summer night in Barcelona and everyone was having a good time enjoying the time with their friends. Everyone? Oh no... not everyone.
“ARSENAL??????!!!!!!!!” your voice could be heard from inside the house and probably in the whole neighborhood
The whole team stopped talking and looked towards the living room door which connected the inside with the garden
“ARSENAL???!!!!” you screeched again as you appeared in the door looking with wide eyes at Keira
“What?” your sister shook her head at your actions “You finally lost your plot?”
“Why am I finding out ONLINE you're transferred to ARSENAL??!!” you ignored Lucy and just stared at Keira
“No one...” the blonde started knowing exactly what you meant carefully making her way towards you but you already took a step back “... Bitsy”
“No... no you don't get to call me that anymore you backstabbing B...” you started before your sister interrupted you
“Oy... watch your mouth!” Lucy said getting angry herself – still not knowing what was going on but she didn't raise you to talk to Keira of all people like that
“You know what... I don't care... you're dead to me” you looked Keira straight in the eye your voice full of venom
“Bitsy” the blonde tried again tears forming in her eyes but before she made it to the door you were already gone
“What's going on Kei??” Lucy asked lowly ushering her ex-girlfriend inside getting her away from all those questioning looks from their teammates
“Arsenal offered a LOT of money for me to transfer back home” Keira sniffed as her tears started to fall “Nothing is set in stone but obviously there where rumors...”
“Fuck me” your sister groaned loudly and Ona joined them since she became good friends with Keira before she even started dating Lucy
“What's going on?” the small spaniard asked worried looking around if she could spot you
“My sister is being a plonker again” Lucy said “... she read something online and she didn't come to talk to Kei instead she got to her own conclusions and OF COURSE they are wrong but she's gone now”
“We need to find her....” Keira suddenly stood up wiping her tears away marching towards the door you left through mere minutes ago
“Kei you know it's no use... we'll find her either if the Police picks her up or if she wants to be found.. Barcelona is too big to search it... even if we pull all hands on deck” your sister said after she caught up with her ex-girlfriend holding her back grabbing her wrist
“I need to do something Lucy” the blonde said and Lucy and Ona saw how it stressed the english woman not knowing about your whereabouts
“You need some alcohol in your system” Lucy said pulling Keira back signaling Ona to inform their capitan about what happened
“What if she...” Keira started trying to turn around again
“No what ifs... she'll be back at some point” your sister said firmly “... when did our roles reverse? Normally I'm the one panicking”
“Yeah well she didn't call you a backstabbing bitch and then ran off” the blonde deadpanned while she let Lucy pull her back outside and Ona immediately pushed a beer into the blondes hand
“I knew I would find you here...” you suddenly heard behind you scaring the absolute shit out of you
“Go away” you said harshly as you aggressively wiped away your tears
“No... my english might not be good but we talk” the dark haired spaniard said as she sat down next to you in the sand looking at the Ocean
“No offense but you ask people if they work” you said raising your eyebrow
“Yeah well she was at every game... I got... confundida” Aitana shrugged her shoulders
“You what?” you looked at her confused
“Confundida... ehrm.. I not know if she works” the dark haired looked at you and suddenly understood what she meant
“Confused... the word is confused” you smiled very lightly
“Sí... confused... but that's not the... punto...” Aitana said before she thought for a second “... point... that's not the point why I walked away from a great party”
“You can walk right back... I'm not stopping you” you said defensively
“I can't... you hurt mi hermanita” the spaniard said sternly and for the first time you saw the protective side of Aitana Bonmatí off the field
“Your what?” you tried to dodge the bullet – you knew very well what “hermanita” meant
“Stop it... you hurt Keira... I want to know why” Aitana said looking straight at you while you kept your eyes trained forward watching the Ocean
“You wouldn't understand” you said sadly laying your head on your knees hugging your legs
“Then try to understand me” the dark haired said a little softer as your body language told her you try to close yourself off and she needed to act quickly
“It's easier to hurt than get hurt... It's easier to end something then being ended... she's leaving... she's leaving not only Barcelona but me too... She left before – but she left to come here... I knew it got easier again to see Lucy AND Keira again... but now? I don't want to go back to England... I rather go to Germany... but I want me family in one Place... Luce and Ona are great... they're good for each other... but no one can take Keiras place... so I rather push her away and make her hate me than to see her go through Security here in Barcelona for the last time knowing she's not coming back” it suddenly broke out of you at some point your voice cracking and Aitana saw the tears rolling down your cheeks but let you talk “... I love Leah and Beth and Kyra and everyone at Arsenal... but it's not Keiras club... not her style... Her club is City.... it's the only Jersey that fits her except for the national one... Arsenal wouldn't even know what to do with someone as good as Kei...”
“So you thought spitting... names at her would work out in your favor?” Aitana asked lowly trying to get to the ground of your actions
“I didn't think... I just got so angry...” you cried silently “.. Lucy did the same you know.. when she left for Lyon... she didn't tell me... I found out online.... I never thought Kei would do the same”
“What's the real problem?” the spaniard pushed you slightly knowing that wouldn't be all
“She... she.... she...” you started to cry harder and even you were a part of the team now Aitana and you weren't super close but now the spaniard carefully pulled you into her side
“It's okay bebé... está bien bebé... déjalo salir... encontraremos una solución...” Aitana mumbled against your hair holding you closely while you sobbed heartbreakingly into her shirt
“She'll forget about me...” you sobbed out fisting Aitas shirt not knowing what else to do
“Y/n... we don't even know if she is leaving – yes, Arsenal offered money for her but Barca is not interested in letting her go... neither is Keira – she doesn't want to leave” the spaniard said softly
“She'll just forget about me” you sobbed not getting control over your emotions
“She would never” Aitana kept her soft tone “... you ARE her pequeño... even if she got hit in the head and doesn't remember her own name – she'll never olvidar tú”
“Why would she never olive? She hates olives” you calmed down a little bit but still couldn't stop the tears
“Olvidar... you speak catalan but not spanish?” Aitana chuckled at your confusion and started do wipe your tears away with her thumb “She'll never forget you bebé”
“I could never Bitsy... and whatever you throw at me I won't go away... you are to important to me to let you go or give up chasing after you” you heard Keiras voice behind you and before you even started thinking about it your body reacted and you pushed yourself off Aitana springing up running.
This time Keira knew what your reaction would be and reacted faster than you so you ran straight into her and before you knew what was happening Keira held you in a death grip against her.
“Calm Bits... it's okay... you're okay... sssshhh... calm down” the blonde whispered against your hair as you tried to fight her
“.... you're okay...” Keira repeated it over and over again until your fighting got less and she felt the tears against her neck and how you suddenly cling to her like your life depended on it
Keira looked up meeting Aitanas sorrowful look and mouthed a “Gracias” at her friend as she kept hold of you swaying you slightly from left to right trying to calm you down
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enthusiasticharry · 3 months
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the one where YN is no longer the governess to Harry's children, but she is his wife (part 2)
READ PART 1 HERE
author's note: part two of governess!yn (who is still my lil angel baby I cannot lie!) this took slightly longer than anticipated to get to you but i hope you will be happy with the final result! pls let me know what you think, and if there's anything else you'd like to see of these two (i'm certainly not ready to let them go just yet!)
word count: 14.1k of confusion, a lack of communication, friends to lovers, a meddling modiste who we all love, smut, pregnancy.
WARNINGS: discussion of death during childbirth, struggles with infertility (you have been warned)
let me know what you think of edelweiss here! mwah <3
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YEAR FIVE
YN’s life had changed in ways that she never could have expected when she became a wife.
YN had never had an example of what a good marriage looked like growing up, and whilst she had worked for couples in the past – nothing could prepare her for the reality. The fact that her life had changed drastically from zero to one hundred within a few days was something that nobody could have prepared her for. It had been a true shift in the motion of her life, and even though it pained her to say – she did not know whether or not this was a welcome addition to her life.
Their wedding day had been a year ago. It took place in early June, which seemed very apt to their relationship. The first time that YN had joined Harry and the children for meals had been in June, and the summer held a very special place in their friendship – relationship? In all honesty, she did not know whether or not their marriage at this point was one of convenience or one that truly meant that something was between them.
As YN did not have a mother to talk her through life as a married woman, she was thankful for the information that she had managed to retain on her own in her life. Miss Francis had sat her down the day before her wedding and attempted to explain what a wedding night included, but YN had put a stop to that conversation immediately and tried to continue to assure the older woman that she knew what was to happen.
Even though YN knew what was to occur on the wedding night, it did not necessarily mean that the act would occur on the said night.
Harry had never attempted to initiate anything of an intimate context between the two of them. The last and only time that they had ever kissed had been on their wedding day, a necessity to ensure that their marriage was fulfilled. Even once they had returned home, she had received no advancements from Harry at all – and had concluded pretty quickly that maybe he did not wish to share this with her. YN knew that this was not completely shocking, seeing as though she was Harry’s second wife, and he had already experienced this before.
There was also a part of her that knew that men had needs. She had come to this conclusion pretty quickly after the husband at the other house she worked at left every night without fail to meet with his mistress (or mistresses, as YN had no idea about the fine details) and yet she could state with full confidence that Harry had never done so. She knew this with such confidence because they spent every evening together (with a considerable amount of space between the two of them obviously) before they retired to bed.
YN would be lying if she said that she had hoped that her marriage to Harry would offer some clarification on what it was she was feeling. She had spent so long denying her wish for marriage, and she thought that once that wish had been fulfilled everything would be put into some sort of perspective for her. Instead, it had confused and worried her more than it had before. The overwhelming, thought-provoking idea that ran through her head most days was that Harry had married YN just to appease her, to be a good friend and that was it. It made her think that Harry (no matter how many times he verbally denied it to her) did not wish for this.
It was not as though Harry required an heir to his estate – he already had one. That normally looming requirement of marriage was gone for him. YN was three and thirty now, and that could offer little in security as to whether she could have children, and with that gone she could not understand why Harry wanted to marry her. If anything, the only reason a man in Harry’s standing would marry was to ease a loneliness he had.
At first, Noah and Honorah had been confused as to why YN was no longer their governess, and instead their mother. YN had assured both of the children immediately that she could never take away their mother from them, and if they wished to continue to call her Miss YN, they could do so without any worries at all. Noah, who stood at ten when they married had huffed and refused to speak to his father or YN for the first few weeks (something that was inherently a trait of Harry’s, but YN would never outwardly tell him that). Norah, however, had only been seven at the time and saw the whole spectacle as something so exciting and had welcomed the change with open arms. YN assumed that since she had never met her mother, YN had been the closest thing to one for her – and she assumed that would be something difficult for both Harry and Noah to accept.
Even though these questions of intimacy usually loomed in the back of YN’s mind most days, along with questions of how the children were faring with the change. But, thankfully, her ole had changed within the household, and she now had duties as Mrs Styles that often took her attention throughout most of the day. The most prevalent job that took up most of her time now involved the children, and more specifically – finding a new governess for them.
To the blind eye, the task on the surface seemed so simple – but in reality, it was not. In the past year, the children (predominantly Noah) had managed to run four governesses out of the door – with the longest of them lasting two and a half weeks.
That was how YN had found herself now – sitting in the drawing room with the fifth governess she had hired who had lasted all of three days.
“… I am sorry, Mrs Styles, but they are terrors. The little boy placed a frog not only on my chair but in every drawer of my desk! And the little girl, well, she listens to everything the boy says and responds to all of my questions by ribbiting like a frog! They are completely unteachable!” Miss Morris exclaims, and YN has to physically refrain herself from rolling her eyes.
“And yet I managed to do it for four years,” YN mumbled quietly whilst running her finger across her eyebrow.
Miss Morris leant forward slightly in her seat, turning her ear towards YN, “Sorry, what was that Mrs Styles?”
“Nothing,” YN shook her head, offering a small smile to Miss Morris, “I do just have to remind you, Miss Morris, that they are children. They are not going to be easy to work with. Mr Styles has raised gorgeous, inquisitive and at times mischievous children – but they are no worse than any you may find with another family.”
Miss Morris shook her head, rather violently at that, “You are only saying such as they are your children – you see them through rose-tinted glasses. They are nothing but terrors, unteachable terrors!”
YN sighed before standing up, nodding at Miss Morris to do the same, “Very well then, Miss Morris. If you had not already claimed that you could not teach the children, you would lose your employment just by calling them terrors. You may have the night to arrange your leave, but you shall not interact with the children.”
Miss Morris opened her mouth as though she was to speak but YN shook her head.
“I would not say anything else if I were you,” YN spoke with a nod.
Miss Morris took one last look at YN, nodded, and turned to leave the room. It was not until YN knew that she was in the all-clear that she sighed and dropped back down on the settee again, exhaling a breath that she did not know she had been holding.
The list of once four failed governesses had now turned to five. Somewhere deep down YN knew this would be the case. It was not that she was necessarily full of herself, but more so that she knew she was the best of the best in terms of governesses. No matter who she presented in front of the children, and whether or not they were good governesses or not – they would never be able to help the children in the way that she did. That was the dilemma that YN found herself in day after day.
The sound of footsteps walking towards the room, and subsequently entering knocked YN right out of her daydream, or potentially it was a crisis – she would never know.
“I think Miss Morris just grunted at me,” Harry spoke, pointing back at the door with a confused look on his face.
YN sighed once more, running a hand across her face, “She can grunt all she wants, Harry! She is out of this house by morning.”
“Oh,” Harry sighed, dropping down on the settee across from her, “She quit?”
YN shrugged her shoulders slightly, “And I fired her. She dared to call the children terrors. Terrors, Harry! I was a moment away from doing something so regrettable I probably would have been sent away!”
Harry laughed with a slight shake of his head, “I told you there was no use in trying to find a new governess.”
“The children still need to be taught, Harry,” YN pointed out, as though she was stating the obvious.
“And you can do it,” Harry shrugged, as though he was the one stating the most obvious thing in the world, “I know that is not necessarily the way that things are done, but when have we ever done things that way?”
A smile taunted on YN’s face, “You would not mind? Having a wife that does not follow the correct rules of society?”
Harry just laughed, “If I cared about the correct rules in society then you would not be my wife.”
YN finally smiled and nodded her head, “I will teach them – God knows that nobody will ever be as good as me.”
“That is certainly more like it,” Harry nodded his head and stood up, “I did have something to tell you before Miss Morris grunted at me. I am going out tonight, a friend of mine is back from a trip abroad. We are meeting at the tavern for a few drinks.”
“Oh,” YN’s heart pummelled to the pit of her stomach, “The tavern?”
Harry’s eyebrows furrowed, “Yes. Is that going to be a problem?”
“No,” YN assured quickly, trying her best to not make the twist in her stomach obvious to Harry, “I hope you have a lovely time.”
Harry nodded, the confused look returning to his features one last time before he offered her another smile and left the room. YN had seen the tavern but had never been inside. She had only ever seen it on her trips into the village. She also knew of its reputation, although she would not say that she wanted to. Those back rooms, and what they held were the thing that concerned her, she supposed.
More than anything, it turned her stomach so much she was unsure how she did not throw up. 
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No matter how much she tried, YN could not sleep a wink.
The children had gone to bed hours ago, and surprisingly (to YN’s relief) without any stress. Her body, however, could not accept that relief due to how stressed she was currently feeling.
YN had tried counting sheep, and she had tried running through everything she had planned for tomorrow in her head, but she just could not shake the thoughts out of her head.
She could not shake the thoughts out of her head of everything that Harry was getting up to during his visit to the tavern.
Before, when YN knew that Harry was inside the four walls of this house and could therefore not be doing the things that YN was imagining in her head – there was no cause for her to worry. It was all fine before because she knew that whilst he was not being intimate with her, he was not with anyone else.
YN could not say that now because she did not know if it was true.
It was something that the two of them never spoke about – they never mentioned it. They both danced around the subject as though it was an open flame, neither one of them attempting to get closer to it. YN was truly regretting that now. At least if they had the conversation, if she had forced them to discuss this then she would have some peace of mind at least. Then again, she cannot imagine knowing he was doing such things would offer her any piece of mind.
After failing to succumb to sleep, YN had ended up wrapping herself in a blanket in Harry’s study, one of his books pressed firmly in her hand. She would say that she was reading it, but she had read the last sentence around twenty times and still not managed to finish it.
Then the door opened.
Harry’s head was lulled forward, his posture slightly hunched and his movements sporadic. He was drunk. Without even thinking about it, her eyes danced around his body attempting to see if there were any creases in his clothes that had not been there before he left. 
There was not, and for the first time that entire evening her heart slowed down to a normal pace.
“I saw the light,” He offered her a boyish grin, “I wondered who was sneaking around at this time – I should have known it was you.”
YN sighed in relief, dropping the book closed in her lap, “You are drunk.”
Harry nodded, not even trying to attempt to hide it. His body stumbled towards the other end of the settee from where she was. YN lifted her hand to her head when she watched him nearly fall off, but he caught himself thankfully before there was any need for her to intervene.
“Have I ever told you that you just might be the smartest person I have ever known?” He raised his eyebrow at her, a teasing look on his face.
YN gasped, immediately picking up the book in her lap to smack him on the shoulder with, “I should have known you were such a tease whilst drunk.”
Harry began to laugh, and no matter how much YN tried to resist it she could not help but join in. YN thought that she had seen all the sides to Harry, and yet there were ones that she was learning about every day.
“How was reuniting with your friend?” YN asked, watching as his head lulled back against the settee, dropping to the side slightly so that he was looking at her, “I suppose that is possibly a silly question given the state you are currently in.”
Harry nodded his head, “It was very enjoyable, although I suppose his constant discussion of beaches across the world did need to be taken hand in hand with a drink the further into the night we were.”
YN laughed, “I cannot ever imagine you not being interested in a conversation, Harry.”
He shook his head, leaning towards her slightly, “I was interested! The first time! It was just my luck that every time William had a drink it was as though his memory was wiped and he did not know he had already told me all of it before!”
YN did end up in a fit of laughter at his words. There was an ounce or so of further relief that she felt in that laugh, knowing that the stress she had found herself in was for no reason. It was nice to know that he had not withheld the truth from her – even though she was damning herself for even thinking that he would lie to her.
“It sounds as though you had quite the eventful night, then,” YN leant forward to place the book on the table in front of them before standing up, “Are you able to get yourself to your bedchamber, or are you staying here for the night?”
Harry grunted slightly, his head rolling to the side slightly to look out of the window behind him.
“What was that?” YN pressed, inching a step closer towards him, “You will have to use your words, Harry, I do not speak in grunt.”
“I do not wish to go to bed,” Harry mumbled with a shake of his head, “I do not wish to go to bed because the bed will be cold, and empty and you will be down the hall.”
YN’s lips parted slightly in shock. She knew that Harry was drunk, and therefore his inhibitions were lowered but there must have still been an aspect to it that was the truth. There was a slight part of her that was slightly annoyed by his words. She was annoyed that it had taken him a year into their marriage, on a night when he was drunk to say anything of this sort to her.
YN shook her head, “Harry, you must go to bed and sleep this off.”
“No, we do not have to go to bed,” He reached out to grab her hands, pulling her closer to him, “We can stay here, and we can talk, and you can sit next to me.”
“We cannot,” YN shook her head, unable to stop the pull he had on her, “We must sleep, otherwise we will not get anything done tomorrow.”
“That is fine, YN, we can have a day.” Harry nodded his head, “We could… we could just… we could be together tonight and tomorrow, and it would not matter.”
YN sighs, and she attempts to take a step backwards, but Harry instead wraps his arm around her waist. He rests his head against her stomach, and she can feel the heat of his skin through the thin material of her nightgown. The feeling itself was like pinpricks across the expanse of her skin.
YN did not know what to do – she did not know what to think. Instead of trying to pull away from him (which was impossible due to how tightly he had wrapped himself around her), and against her better judgment – she gave in to him. This was the closest that they had physically been to each other since their wedding day, and she knew it was wrong but there was a part of her that did not want this to end just yet.
Instead of pulling away, her fingers found their way through his hair until they were resting in the curls at the nape of his neck.
He sighed against her stomach, causing heat to rush over her skin that she had never experienced in her life. If this is what she was missing out on, she was cursing herself for not forcing them to have a conversation. She supposed that Harry’s behaviour tonight had made it so they had no choice in the matter.
“Harry,” YN whispered, bringing her hands from the nape of his neck towards his cheeks so that she could pull his face away from her and look at him, “Let us go to bed.”
“No,” He shook his head again, “I told you; I do not want to.”
“Harry,” YN sighed, running her finger across the skin of his cheekbone, “You are not listening to me – let us go to bed.”
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When YN woke up the next morning, everything felt different.
This was still her room. There were still her curtains hanging above the windows, her bed she was laid upon and still her books that rested upon every shelf in the room – but things were different.
YN often woke up when the light started to seep through the crack in her curtains, and today was no different. This time, however, she was not alone in doing so.
Her entire body felt warm. There was an excess of heat covering her from behind, an arm wrapped so tightly around her waist making it so even if she wanted to escape – there was no way in which she would be able to. Harry’s head pressed firmly into her neck, his steady breathing causing goosebumps to cover her entire body.
Last night, after Harry had finally registered the words that YN was saying – he had allowed her to direct him to her bedchamber. She had tried not to, but she had been unable to redirect her eyes when he had stripped off his jacket, shirt, and trousers before climbing into her bed. They did not talk, only looked at one another. They had settled into bed for the first time since their wedding day a year ago together, without a single conversation as to why between them. Harry had pulled YN’s body close to his, and they had fallen asleep – and that was it.  
YN knew that it was early in the morning, and Harry would probably need a few more hours or so to sleep off the remnants of last night – but there was no way that YN would manage to fall back asleep. YN tried to pull Harry’s arm off of her, but he grunted slightly, and his arm felt even tighter than it had done before.
YN sighed, unable to do anything but move slightly so that she was on her back and could face Harry. There was something so boyish about his features when he was asleep. It was as though all the stress of being an adult left him the second he was asleep, and YN felt a sort of privilege that she was able to witness him in this state.
It was this that caused YN to lift her hand and run her finger along the soft skin of his cheek – just in the way that she had done last night. Her body jumped slightly in his arms when his eyes opened. This was, in fact, the closest she had ever been to him – and the fact that she could see those green eyes of his looking so closely caused her stomach to somersault.
“It is too early,” He whispered hoarsely to her, “Go back to sleep.”
YN chuckled slightly, her fingers slipping back through his hair, “The children will be awake soon.”
“And we have a staff willing and ready to help with them,” He mumbled, dropping his head further into her neck, “Go back to sleep.”
YN lightly shook her head again, “Even if I tried, I highly doubt it would be possible. Even so, the children have missed out on so much learning these last few months – and I am excited to get them back into a classroom.”
“Another day is not going to harm them,” YN could feel Harry’s lips moving against her neck as he spoke, and then they closed, and he left the lightest of kisses on her skin.
“Harry…” YN whispered, her head pulling away from his slightly so that she could look into his eyes, “What are you doing?”
Harry sighed, his head lulling backwards so that he was laid on his back, just as she was. Whilst they needed to have this conversation, there was a part of her that wondered whether or not being laid in her bed, with Harry possibly having what YN would deem as a slightly delicate condition was the best place for this.
“I…” Harry sighed, lifting his hand to his forehead, “I do not know.”
YN’s breath caught slightly in her throat, “You do not know?”
“I do know, but I do not want to offend or upset you,” Harry sighs, turning his head so that he is looking at her again.
YN sighed, reaching out to grab Harry’s hand, “Whatever it is, you must tell me, Harry. I am your wife; you can tell me anything.”
Harry lifted their joint hands to his lips so that he could place a kiss on the back of her hand, “I understand that when we married, we did so for ease. It was the best thing for us both at that time, and I understand that you may not feel the same but…”
His words stopped, and his eyes dropped down to her lips, lingering for just a moment before they bounced back up to her eyes.
“I may not feel the same how, Harry?”
Harry hesitated for a second, “That I feel as though my affections for you have grown.”
“Harry…” YN whispered, shaking her head lightly, “You cannot… You cannot say such words to me if you do not mean it…”
“I do,” Harry nodded, “I do mean it. I have meant it for a while now, but I never dared to say so. It seemed that all I needed was some liquid courage, and I could not stop myself.”
YN chuckled, leaning forward to rest her forehead against his, “You should not have been scared to speak your mind, Harry.”
“What?” He whispered.
“You should not have been scared to speak your mind because then you would have found out that I feel the same.”
Harry’s face broke out into a smile, and it was quickly after that YN’s followed. He lifted his hand to her cheek, brushing her hair away from her face. It was then that her heart rate began to speed up – when his face started itching closer to hers. Just as she thought that Harry was going to place his lips against hers, the door to YN’s room burst open.
YN pulled her body away from Harry’s, lifting slightly to see Honorah bouncing towards them – still in her nightgown and having obviously just woken up.
“What is it, Norah?” YN smiled at the little girl, watching as she pulled herself up onto YN’s bed.
“I went to Papa’s room, but he was not there, so I came here to find you and I found Papa too!” The little girl smiled, crawling up the bed so that she could drop down between YN and Harry at the top.
“You found us,” Harry mumbled, pressing a kiss to the top of his little girl’s head as she cuddled up to him, “How did you sleep?”
Honorah nodded her head, “Very well. I dreamt of horses, and I have decided I quite like them.”
YN chuckled, “That sounds lovely, Norah. We shall have to take you to the stables at some point to visit the horses.”
“Really?” Her entire face broke out into a beaming smile, and she began to tell her father all about the horse in her dream.
As much as it had pained her to admit it before, this is exactly what YN had imagined mornings being married to Harry would be like. Lazing in bed with him, before being interrupted by the children and forcing them to begin their day sounding like complete and utter bliss. YN’s could not have been fuller than it was right now, but then she slowly realised that was not the case when the final part of the puzzle walked through the door.
“Good morning, Noah,” YN smiled, holding her hand out to the boy, “Norah was just telling us about her dream, do you wish to join us?”
The boy seemed to hesitate for a second before nodding, reaching out to grab YN’s hand and make his way onto the bed.
“Only for a little while, though,” He nodded with a shrug, “I am ready to break my fast.”
YN laughed, watching as Noah joined Harry and Norah in their conversation. To YN, it was at this moment that she truly felt as though she was a wife. That she was Harry’s wife.
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YEAR SIX
Just as YN thought that one part of the puzzle that was her life had been laid to rest, another part reared its head to her.
YN wished for children.
Just as it was with the idea of marriage, in the past, she had been fine with pushing that thought out of her head and coming to terms with the fact that it was just not her fate. When she thought she was to spend her days as nothing more than a governess, the mere thought of children of her own was laughable.
Now that she was a wife, it was no longer laughable – and she wanted more.
YN knew how children were conceived, and she knew that with the amount that YN and Harry had been doing that act, there was a chance that she could be pregnant, and yet (just as it had been before) neither one spoke of it. YN was beginning to be infuriated by it.
“You know,” Harry spoke from the side of her as they lay in his bed, “To read a book, you have to look at the words on the page.”
YN had not even noticed that she had stopped reading the book she had in her hand and instead was staring above the words and at the rest of the room. YN sighed and closed the book, dropping it down with a slight thud on the bedside table next to her.
“I guess I am just not in the mood to read,” YN sighed, slipping down so that her head was on the pillow, and she could bring the covers up and over her body.
“That is not like you,” Harry turned to face her, a slight smirk settling over his features, “Are you in the mood for something else?”  
YN rolled her eyes with a shake of her head, “Of course you would think that. No, Harry, I am just not in the mood to read.”  
“Since when can a book not capture your attention?” He reached over and placed a finger upon her cheek, lighting and tapping the skin so she would turn and face him, “Some may say I can read you like a book… what is wrong?”
YN turned upon her side, slipping her arm underneath her head as she stared at Harry, those eyes of his offering her an ounce of comfort at a time in which her mind was filled with different thoughts.
“Do you ever… do you ever think about having another child? With me?”
Harry went silent, his eyes squinting slightly before he turned away from YN. Her heart dropped and the comfort that had been there immediately disappeared the second that his eyes were not on her.
“I… I do not know,” Harry spoke after a second or so.
YN’s breath caught slightly, “You do not know?”
“I do not know,” Harry slightly tipped his head at her, “I have not ever thought about it.”
YN turned once more so that she was facing the ceiling, not wanting his face to be in her eyeline anymore. Whilst she had spent days, maybe even weeks or possibly months thinking upon this topic, imagining all of the possibilities of how this conversation would take place – she had never allowed herself to think upon this as one of them.
She supposed in part that was her fault – for allowing her thoughts to run away with her without any true evidence.
“I am sorry, I should not have brought the topic up,” YN spoke after a few minutes or so, before deciding that it was probably time to leave it altogether. She quickly pulled the covers off her, “I shall retire to my room tonight, I think.”  
“No,” Harry reached to grab her hand before she could stand up, “You do not have to do that.”
YN shook her head and pulled her hand out of his, “I just wish for a moment alone.”
YN stood up, reaching over for her gown to wrap around her body. She turned and saw Harry still lying in bed, this time with his hand over his face. It did not seem as though he was going to say anything, so she took that as her cue to leave the room.
Just as YN was about to reach for the door handle, Harry stopped her, “I cannot see you go through that.”
YN stopped her movements and turned to face him, “What?”
“I have witnessed first-hand what pregnancy can do to a woman,” Harry sat up, pulling the covers off his body, and moving towards the edge of the bed, “I cannot… I will not let you go through that.”
It all made sense to her now. The reason Harry had never even thought about it. She was ashamed of herself that she had not even thought of it. He had lost his first wife during childbirth, and he was afraid of the same for her.
“Harry…” YN took a step closer to him, watching as his slightly glassy eyes met hers.
“I know that you love the children, you truly do,” Harry spoke, “Are they not enough?”
YN was slightly taken aback by that question, and in turn, she ended up taking a step away from him, “I cannot believe you would say such a thing.”
Harry sighed, his head dropping forward slightly as he rested his hands upon his knees, “I am only saying what is the truth.”
“No, what you are saying is an excuse – what you are saying is nothing more than offensive,” YN shook her head, “I understand your worries, Harry, I truly do but what I cannot understand is you ever saying that Noah and Honorah are not enough for me!”
Harry sighed, his eyes failing to meet hers, “I apologise, YN, I should have never said such things.”
“No,” YN quickly retorted, “You should not have said such things, and yet you have! I only wished to discuss the topic with you Harry and I would never do a thing that you do not wish to do.”
Harry nodded, finally meeting her eyes again, “I understand, I apologise again.”
“We share the love of two beautiful children, Harry,” YN sighed, unable to comprehend why she was even having to explain the love she held for the children, “I apologise for wanting to just share our love in a child of our own.”
Harry gasped, and YN was shocked herself that those words had left her lips. Whilst YN had felt that feeling, love, for Harry for longer than she could put a timeline on – they had never said those words. If the conversation surrounding children had not caused animosity between the two of them, she worried if he did not return the favour that this certainly would. It was their cycle, one that no matter how much they attempted to change – YN feared they never would.
Harry did not say anything, and instead stood up and walked towards her. YN worried as to what it could be that he would say to her, or if he would indeed just walk past her altogether. Instead, he reached for her hands.
“Of course, I wish that we could share… share our love with a child but…” Harry shook his head, “I cannot lose you, YN. I love you too much. I need you too much. I fear, well, I would not be able to go on if anything were to happen to you.”
YN just sighed, taking a step forward to wrap her arms around his waist, her head falling upon his bare chest, “You will not lose me, Harry.”
“You do not know that,” He muttered against her hairline, “You cannot promise me that.”
“I know I cannot,” YN pulled away, looking up at those green eyes of his, “But… your fear, Harry, and whilst I am not diminishing it could also not be the case.”
Harry sighed, “I love you so much, YN.”
“Then, please,” YN rested her hand upon his cheek, “Think about it.”
Harry leaned down, placing the lightest of kisses upon her lips, “For you… I will.”
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After quite a struggle, YN had just managed to get the children down and in bed, both of them deciding today was the day that they did not need a bedtime – and that they were both, in fact, too grown up for a bedtime.
Once she had finally managed to wrangle them into their beds, she wanted nothing more than to drop into bed with her husband and sleep the day off. The only problem was when she walked into their bedchamber – he was nowhere to be found.  She set off throughout the house, looking at all of the different spots she usually found him in. It was not until she spotted a light coming from underneath the door to his study that a small smile crossed her face.
The door was slightly ajar, almost as though he had left it slightly open in hopes that she would find him. She stepped into the room and saw him sitting at his desk, with his books open on the desk in front of him. She knew that he had to be busy to still be working.
Harry had his eyes down, resting his head against his hands. He seemed stressed. YN leaned against the door, a small smile crossing her lips as she watched him. 
“If you continue to furrow your eyebrows like that they will stay that way,” YN joked, watching as his eyes lifted to her.
YN watched as the furrow in his eyebrow ceased, and his chest emptied the air that he had been holding in. It was as though all of the stress in his body had dissipated the second that he saw him in the room. She had not seen him all day, and whilst she had missed him – it was evident just by the look on his face now that he had missed her too.
“Forever jesting,” Harry smiled, leaning back in his chair.
YN shrugged, “You married me for a reason.”
“That I did,” Harry sighed. He held his hands out, beckoning her to come closer to him. YN walked towards him, placing her hands in his and accepting his invitation to sit on his lap, “How are the children?”
YN groaned, dropping her head back slightly, “They have decided that they do not need a bedtime anymore. That they are old enough to go to bed whenever they decide it is time.”
Harry’s body shook with laughter slightly, “I fear the older Noah gets, the more difficult he will become.”
“It certainly seems that way,” YN smiled, her fingers threading through those curls at the nape of his neck, “Are you coming to bed anytime soon?”
Harry sighed, pursing his lips slightly, “I can certainly be persuaded to come to bed.”
YN rolled her eyes, shaking her head at Harry’s words, “I should have known that was going to be your motive.”
Harry’s hands found their place on YN’s waist, his thumb itching ever so closer to the swell of her breast, “I do not know what you mean.”
“You have that glint in your eyes,” YN noted, pulling back from him slightly, “The one you have when you are scheming something.”
“No schemes here,” Harry shook his head, holding his arms up in surrender, “It is just if I am not mistaken… the best time of the month.”
YN could not help the pull of her cheeks that his words caused. It was one thing that YN had noticed very quickly about Harry, even more so when their relationship had turned into what it is now – he remembered everything. Everything that YN told him that was of some sort of importance, he remembered. Even if it was not of much importance, just a tiny, small thing that YN had mentioned in passing, he remembered. It was probably one of the things that YN found the most endearing about Harry. 
When YN and Harry had their conversation about children, it had taken him a few weeks to come to terms with her request. She had left him to think about it and assured her that if anything were to happen, he would be prepared. He would make sure the greatest doctors were at their beck and call the second that anything seemed wrong, and he would ensure her safety at every point. With these in mind, he had decided to oblige her request.
But, when YN saw Harry’s smug expression there was a part of her that knew that at this point, he had no qualms with what she had asked.
“Well, then,” YN smiled, “Since it is the best time of the month, shall we retire upstairs?”
“I was thinking that the best course of action was to shut the door,” YN bit her lip, attempting to suppress her smile but it was no use. She immediately clambered off his lap to shut the door to the room that they were in.
When YN turned back around from the door, Harry had moved so that he was leaning against the front of his desk. For a moment, she just stared at him. She was unable to control the wave of desire that rushed over her body just at the sight of him. It was crazy to believe that just over a year ago they had not slept in each other’s bed and that these feelings had not yet reached the surface. Now, YN could not sleep without Harry beside her.
YN attempted to not think of the past, and instead, she was to focus on the future.
YN took light steps towards him, not stopping until she was in between his open legs. It was then that he almost pounced on her. With such rigour, he dropped his lips down to hers so that their faces all but smashed together, but YN did not mind. Her hands grasped the lapels of his jacket, pulling him even closer to her if that was possible.
“YN,” Harry mumbled against her lips, wrapping his arms around her waist until they rested in the small of her back.
It was not long before their hands were pulling the clothes off their bodies piece by piece. Harry was especially skilled at unlacing a corset, something that made their recent penchant for these activities all the easier to complete. There was something about the comfortability with their movements, the ease, that YN had both longed for and never thought would be a possibility. It was now that they knew the ins and outs of each other, they knew what made each other tick more than anyone else in this world.
Their movements quickened in their speed, and Harry’s body fell back slightly. YN ignored the sound of the items that had once lined Harry’s desk falling to the floor. YN would be lying if she said that this had not happened once or twice in this room and that they did not know the logistics of it. She would be lying even more so if she said that they did not know the logistics of most of the rooms in the house.
Harry’s lips slipped from hers and across her cheek, placing light kisses until they reached her neck. Harry was completely, and utterly obsessed with her neck. He always put the most kisses on the skin between her neck and her collarbone, when they were in bed that was where his head was always placed. The one that excited YN the most was always when they were in public, and Harry pushed her hair off her neck. His fingertips would always linger there, and the touch was always ever so light that it would set her skin alight.
It was always tough work to get him off her neck once he was there, but a tug on the curls at the nape of his neck was always enough to pull him off her and elicit the lightest of moans from his lips. His hands moved down and came to rest at the seam of her chemise, pushing the lace up ever so slightly so that his fingers could rest on the skin of her thighs. His fingertips scratched her skin lightly, causing her to moan into his mouth.
YN pulled away from him slightly so that she could help him unfasten his trousers and pull them swiftly down his legs.
“Eager?” He mumbled against her lips again, his hands pushing her chemise up until they were resting upon her waist.
YN shook her head, “Not eager, just fed up with your constant teasing.”
Harry did not reply. Instead, he picked her up and switched their positions. She landed on the desk with a slight thud, eliciting a moan from her lips. Harry wasted no time in slipping his fingers underneath the thin strap of her chemise, allowing it to fall from her shoulder and expose her chest to him. As the material fell, Harry purposefully slowed his movements so that the soft material rubbed against her pert nipples. To her, it was truly as though he knew her exact strings to pull.  
“You are teasing again,” YN mumbled, pulling away from him slightly in hopes that he would stop the teasing. She should have known better.
His hands grasped at her waist, his fingers setting her skin on fire. He pulled her towards the edge of the desk so that his lips could attach to her nipple. YN gasped, her back arching towards Harry’s body.
He pulled away, his chin resting on the exposed skin of her chest, “You knew what I was like when you married me.”
YN shook her head, wrapping her legs around his body to pull him closer to her, “Not in this capacity I did not.”
Harry laughed, placing a kiss on her skin once more before his lips caught her nipple again. His hands ran up the exposed skin of her thigh once more, pushing it all the way up to her waist until she was exposed to him. His eyes locked with hers again, the slight darkness in them causing a shiver to run across YN’s body and pool in the pit of her stomach.
His assault moved downwards until he was face to face with her. He gripped the skin of her thighs, pulling his legs upwards until they were resting upon his shoulders. She bit her lip in an attempt to conceal the illicit sounds that threatened to escape them. There was nothing that could have helped her when his head lurched forward, his mouth attaching to her immediately.
“God, Harry…” Her body fell backwards, her chest rising up and down at a record speed as he continued his movements.
The mix of continuous flicks of his tongue against her clit, mixed with the suction his lips provided brought her closer and closer to the edge within minutes. YN also wondered if there was a part to play in that in how much she had thought about this throughout the day. It was as though she had been shown something, and now her entire thoughts were consumed by it day by day.
With each second she could feel herself getting closer, and her hands found themselves attached to his hair. Her breathing quickened, and her chest rose and fell at an exasperated rate.
Then it stopped.
YN could not help the moan that passed her lips at the loss of contact, tears brimming against her waterline. She watched as Harry wasted no time in lifting his body back up to her, his lips dropping against hers once more.
“You are cruel,” She mumbled against his lips, feeling the smirk that crossed his features, “You are cruel, and you are mean.”
“I am not cruel and mean,” He responded, his hand moving between them to pull himself out. He gave his cock a few strokes before lining himself up with her, “That is just not the purpose of the best time of the month, is it?”
“It could be, but you…” YN’s words were interrupted by Harry pushing himself into her. YN gasped, her nails digging into the skin of his exposed back, “Oh, god!”
The first time that they had sex was the night of the morning they had been interrupted. YN knew that if it was not for the children, it would have probably happened then. They had spent the entire day exchanging what can only be called longing and intoxicating looks at one another. In part, it felt like both pleasure and torture. YN had been slightly nervous, she would not lie, but Harry had made her feel like the most beautiful woman on this earth. He had not rushed her, he had made her feel comfortable the entire time and most importantly, he had reassured her time and time again that they were doing this together. That this was them showing their affection for each other, in a way that two people could.
All of their sex was not like this. More often than not it was sloppy, and it was rushed, and it was in the five minutes spare they had within the day when nobody from the estate or the children wanted them. If it was not rushed, it was often very slow and sleepy – but in a different remark still sloppy.
“Oh, Harry,” YN’s hands ran down his back towards the curve of his bum, where she pressed her hands against the flesh in hopes of pushing him deeper into her.
Harry groaned against her lips, “This is what you wanted, yes? You were wanting me to fill you up?”
“It was,” YN responded, gasping when he hit that particular spot inside of her that caused her to tighten around him. His hips never stopped their assault on her, and she did not want him to. The second that he slipped his hand between their bodies to rub his thumb against her clit, she was right back to where she had been minutes prior.
Harry’s head dropped into the nape of her neck, resting there whilst he continued to move his hips faster and faster against hers. YN had tried her best to match his pace, but she could not. It was as though she could not control her body when she was with him. He knew exactly what she needed, and he would be the one to get her there.
YN’s entire body went rigid, her mouth parting as a string of moans mixed with calls of Harry’s name left her lips as she orgasmed, Harry’s following just after hers. Their chest, pressed close to one another, were heaving in sync, their breaths ragged but smiles still dancing across both of their lips.
Harry pulled out of her gently and helped her clean herself up, pulling her chemise back on so it was not revealing her in such a promiscuous way. YN laughed, accepting a kiss from Harry when he offered her a hand to help her off the table.
“Do you think it worked this time?” YN asked, wrapping her arms around Harry’s neck.
“We can hope,” Harry nodded, pressing a kiss to her forehead, “But we will not be disheartened if it has not, yes?”
“Yes,” YN nodded, saying the words as though she was trying to convince herself that they were true.
“Let us go to bed,” Harry nodded, reaching his hand out for her.
YN laughed, “We must dress first, imagine if we are to pass any of the staff in this state!”
“They have seen much worse. Now…” Harry dropped down, wrapping his arm around her legs and hoisted her up into his arms, “Let us go to bed… we can tidy in the morning.”
YN just laughed, allowing him to carry her to their room.
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YN had been sitting on a blanket in the garden with Noah and Norah when it happened.
When she awoke that morning, she had certainly felt strange. YN had attempted to ignore it, to push the feeling so far down that it would not affect her day. There were things in life that YN could face head-on, with no worries about the consequences. This was something that she could not do. This broke her heart.
YN had smiled at the maid that was in the garden with them, giving her a look to instruct her to look after the children whilst she rushed inside.
She had stripped herself of her ruined clothes as quickly as she could, ordered a bath to be drawn and sunk into the water without a second thought.
They had tried and tried to conceive a child, but it seemed that no matter their efforts (which were frequent) it did not seem to stick. It was heartbreaking every time that this happened, and yet she could not control anything that happened. YN knew that she was older, but she had heard of women having children even older than her before. She just did not understand why nothing seemed to stick for her.
Her thoughts were interrupted by the door opening. Harry walked in with a smile on his face, “Miss Harding told me you were in here. It is not like you to have a midday bath.”
YN looked at Harry and at those kind eyes that were staring into hers, and she broke down. The sobs that left her lips were loud, and they shook her entire body. He immediately rushed over to her, kneeling by the tub so that he could wrap his arms around body, trying to soothe the sobs that were wracking through her body.
It was at that point that he noticed her discarded clothes, and the stain upon them told him everything that he needed to know.
“Oh, YN…” Harry’s lips skimmed the top of her head, the realisation and seeing her in such pain stabbed at his chest also, “I am so sorry.”
YN shook her head, leaning against his shoulder, “There is no need for you to apologise, Harry. It is not your fault… I just… I am finding it more and more difficult to deal with the disappointment time and time again.”
Harry sighed, his lips placing a light kiss on her hairline before he pulled away, “Move forward, slightly.”
YN nodded, bringing her legs closer to her chest, and moving forward slightly, She watched as Harry stripped from his clothes, dropping them on a pile by the end of the tub and allowed his body to slip into the water behind her. YN immediately relaxed into Harry’s arms, the feeling of his arms around her body offering the comfort that she needed at that time.
“I do not wish to offend you with this, my love, but…” YN dropped her head back on his shoulder, placing her hands upon his that sat on the soft skin of his thighs, “Do you think that we should stop our endeavours?”
YN pulled away to look at him, “You wish to stop having sex with me?”
“No!” Harry’s eyes immediately widened, “No, God no. I do not wish for that, at all. I just mean that… YN I cannot see you go through this month by month. I just thought that we could, stop putting such a pressure on our actions.”
YN let out a sigh of relief and dropped back down next to him, “Oh… I suppose you may be right.”
“I thought you should know by now that it is often not the case that I am not,” Harry jested from behind her, his nose nudging her cheek.
“I think you are mistaken by that,” YN retorted, shaking her head, “I am more often the one that is right, and you know it.”
“So I do,” Harry lifted his hand from the water to tap her cheek, turning her head so that their lips were inches away from each other, “I just think that if we possibly put a little less pressure on ourselves, then you would hurt less.”
As much as YN would hate to admit it again, Harry’s word did hold some truth. Whilst Harry had never put any sort of pressure upon her, she was unable to say that she did not do the same for herself. It was more often than not she found herself worrying if it was her that was the cause of the problems. Harry had two beautiful children already, and yet the only difference between then and now was YN – and that therefore meant that she had to be the problem which was occurring.
“I think that is the best course of action,” YN nodded, dropping her head forward so that her forehead rested against his.
It was not long before he leant forward and placed his lips against hers. The kiss was soft, and light and the only word that YN could use to describe it was loving. It was as though no matter what mood YN found herself in or what was possibly going on in her head – the only thing that ever brought her out of such was him.
Harry’s hand lifted to rest against her cheek, resting against the soft skin and in part brushing all of the worry out of her body. It was a shock to her at what his touch did to her. She never, ever wanted it to end. She was the one to pull away first, placing her head against his shoulder again.
“We shall take the pressure off,” YN nodded, “And wait to see what happens.” “It will happen when the time is right,” Harry placed his head against hers, “And we should not worry ourselves until that time.”
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YEAR SEVEN
From the last time that YN felt strange, this one was different.
The feeling itself was nothing that YN would say was significant – but it was there. She waited for the moment that her courses would come and prove to her that whatever she was feeling was just the prerequisite to that – and yet it never did.
YN tried not to worry herself, or to let her mind spiral but it was often difficult not to. It was as though there were some things that her mind just had to run free with. She did not tell Harry of her thoughts, as she did not want to worry him or to let him get his hopes up for something which could not be true just yet. That it could once again just be her mind playing tricks on her.
That was until, a month or so after her courses should have arrived that she started to feel waves of nausea race over her.
That was when her suspicions grew more into what she would deem to be facts. Her missed courses, the nausea, her constant state of fatigue and the fact that foods that she had once loved turned her stomach in ways that she could not express.
These feelings, which had been slight at first soon grew into something that she could not hide.
It was just a random Thursday that she had woken up and felt quite unwell, and whilst she had truly tried to get up and get herself ready for the day – she just could not.
The only way in which YN’s stomach did not churn uncontrollably was if she was laid down. That is how she found herself, on a lounger by the window in the drawing room. Her arm was covering her eyes, and she was focusing on nothing but her breathing – that was the only way in which to settle her stomach.
Even when she heard the door open, and Harry walked into the room – YN could not muster the energy to lift her arm and greet him. She could hear him talking to her, and yet her ears could not focus on the words that he was saying.
It was not until he dropped himself on the edge of the lounger she was laid on was it that she finally turned to greet him, but it was certainly not the greeting he was possibly expecting.
“Why do you smell like that?”
Harry chuckled, “Did you not hear me saying that I had just returned from my morning ride?”
“No,” YN shook her head, her features grimacing, “If I had, I would not be asking you why you smell like that.”  
“It is nice to know that you listen to me,” Harry jested, leaning forward to place either one of his arms around her body. He leant forward in hopes that she would return the favour, and yet she did not. She placed her hand on his chest and pushed him away from her.
“You… The smell…” YN placed her hand over her mouth, pushing Harry out of the way so that she could reach the chamber pot she had left at the side of her on the lounger.
Harry dropped down next to her, pulling her hair back from around her face. He was confused, and even more so when he reached out to wrap his arm around her body and she pushed him away once again.
“Do not come near me,” She held her hand out, instructing him to stay where he was, “You smell horrid.”
“Are you ill?” Harry ignored her orders, “Do I need to fetch a doctor?”
YN shook her head, leaning back against the lounger, “That is not necessary.”
“YN, you must tell me if you are ill,” YN sighed at his words, her annoyance growing by the second, “I cannot bear to see you in pain.”
YN raised her hand to cover her eyes once more, “I am not ill in the way that you think.”
“Then what is it?”
YN tried to swallow the feeling that was bubbling within her, but she could not, “Is there no way that you could change, or maybe even wash before we have this conversation?”
Harry furrowed his eyebrows, “YN tell me what it is right now.”
YN sighed, turning to meet his eyes despite her stomach’s protests, “I have… evidence to believe that I am with child.”
Harry’s eyes widened as he looked upon her, “What?”
“Did you not hear me?” YN did not mean to snap, but she could not lie and say that her patience was not wearing thin with him, “I said that I believe I am with child.”
“I heard what you said, I just…” Then, his face broke out into a smile, “It is just that I am slightly in shock, but I cannot say not overjoyed by the news – and possibly a little apprehensive.”
Harry attempted to move closer to her, but she pushed him back once more.
“Harry, I wish nothing more than to hug you and kiss you right now to celebrate but I fear if you come any closer to me you might receive something else entirely.”
Harry finally understood what it was that she was saying to him. He stood up and immediately started to unbutton his coat and his shirt. He removed his suspenders, and his trousers came next until he was stood in nothing but his underwear in front of her.
“Would this suffice?” He held his arms open in front of her.
YN laughed, “You will have to come closer for me to make my decision.”
Harry laughed as he dropped back down beside her, wrapping his arms around his wife. He lifted her with such care and ease until she was upon his lap. She smiled and wrapped her arms around his neck.
“We are having a baby?” He smiled, immediately leaning forward to capture her lips with his, “I cannot quite believe it.”
“Well, I cannot say for certain, but I do think that it is highly likely,” YN nodded, accepting the light kisses he was giving her through her words.
Sighing, YN pursed her lips in an attempt to keep her feelings down. Without his clothes on was certainly much better, but the smell was still lingering around him, and going straight towards her stomach.  
“Harry, I am sorry, but you need to bathe,” YN pushed herself up and off his lap, “I cannot be around you until you do.”
“I thought you vowed to love me – smell and all?” He pouted, still making no movements to stand up.
YN shook her head, “That was before such a smell did this to me. Please, freshen up and then we can continue our conversation.”
Harry just nodded, pushing himself up until he was standing, “I shall wash straight away.”
“I need to leave this room,” YN shook her head, walking towards the door, “Can you open the windows before you leave to air it out?”
Harry laughed but did as his wife wished. His wife that was indeed carrying their child.
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“I must say, it’s been too long since you have been in my shop, YN,” Miss Francis spoke, passing her friend who sat on the settee in her shop a cup of tea, “I might have to come and have words with that husband of yours to let you free every once in a while.”
YN chuckled, “You should have seen him this morning. I said that I needed to come and see you and he was readying himself to join us.”
Miss Francis gasped and shook her head, dropping down on the settee with her cup of tea in her hand also.
As much as YN hated to admit it – she had slightly neglected Miss Francis and her friendship since she was married. She, of course, saw her whenever she needed a dressmaking or something altered – but they both knew that was not good enough. Miss Francis had been there with her through thick and thin, and she hated that it had let it get this bad.  
“Well, if I was worried about whether or not he loved you – I’m certainly not worried about that now,” Miss Francis offered the younger girl a smile, but that dropped once she saw the expression on YN’s face, “What is that face for? Are you… is everything okay?”
YN offered Miss Francis a small smile and placed the cup down on the table in front of them. She turned and reached over to grab the older woman’s hand.
“I need to apologise to you, Miss Francis,” YN spoke, squeezing Miss Francis’ hand.
Miss Francis furrowed her eyebrows, placing her cup down, “Whatever for, my dear?”
YN sighed, “For getting married, and not coming to visit you as often. It was despicable of me, and I cannot tell you how sorry I am.”
Miss Francis laughed with a shake of her head, “You do not need to apologise to me, silly girl. You were a newlywed; I am just your modiste – there is no reason to apologise for not coming to see me without a need for it.”
“No,” YN shook her head, “Miss Francis, you are not just a modiste to me. You are my friend I would say that you are my best friend. You encouraged me to marry, you held my hand the morning of my wedding. You gave me your family’s jewels to wear at the ball. And I… well I handled the changes in my life poorly when it came to you. I therefore need to apologise to you.”
When YN looked back up at Miss Francis, her heart broke at the sight of her watery eyes. She had never felt disappointment in herself like this before, and she was angry. She was angry at herself for abandoning this woman.
“YN,” Miss Francis shook her head, “All of that does not matter to me. I was happy just knowing that you were happy.”
“I am happy,” YN nodded, “And I promise you that I will never let it get to this again. I will come to see you as much as I can until… well…”
Miss Francis furrowed her eyebrows, reaching forward to pick up a biscuit, “Until what?”
YN pursed her lips in an attempt to hold back her smile, and yet she could not do it. This had been the real reason that YN had wanted to come and make amends for the guilt that she had been feeling. When she had finally come to terms with the fact that she was pregnant a few days ago, the first person (besides Harry) that she had wanted to tell was Miss Francis. She had wanted to tell her straight away, but it had taken her a few days for the nausea to not be so bad, and in fact for her to be able to get up and ready and even contemplate leaving the house. Harry had not left her alone these past few days, doing everything that he could to make her comfortable. That was why when she had felt fine this morning and had asked Harry to make sure the carriage was ready to take her into town – Harry had tried and tried to get her to allow him to come with her.
It had taken YN explaining to Harry the reason behind the visit, and how she needed to do this on her own for Harry to finally let her go without him. It was under the stipulation that she would go there and come straight back, and if she started to feel ill at any point she had to return immediately. YN, not wanting to upset him anymore nodded and accepted the stipulations with a light kiss to his lips. Any of the turning in her stomach that she felt today was more the nerves of the conversation she was going to have – rather than a cause of the baby.
“Let us just say that… life might be turned around once more in eight months.”
Miss Francis gasped, dropping the biscuit she had in her hand onto her lap and leaning over to wrap her arms around the younger woman. YN laughed, swaying with Miss Francis as they embraced.
“Oh, YN,” Miss Francis pulled away, the tears in her waterline now ones of joy, “I am so happy for you, darling.”
YN had her own tears that were threatening to spill down her cheeks. Another part of this which she had not expected to experience as well as the nausea was the up and down of her emotions. Harry, who probably had prior knowledge of this, had taken her constant changes of mood like a champ thankfully. YN, however, was struggling slightly with the changes.
“I wanted to tell you,” YN nodded, “I needed to tell you. I need you to be with me throughout this.”
“Of course, I will, darling,” Miss Francis smiled, running her hand across YN’s cheek, “I will be here for anything that you need.”
“Thank you,” YN nodded.
It was then that Miss Francis sprung up into action, walking over to the trunk where YN had brought some of her dresses with her. YN knew better than to interrupt Miss Francis when she was working, so instead she stood up and allowed the older woman to boss her around the way she needed her to.
“I did wonder when you showed up with the trunk what was happening,” Miss Francis spoke pulling the dresses out, “I should have known.”
“It is just the ones that I think with a bit of altering should have some give,” YN nodded, allowing the older woman to hold the dress up to her body, “Harry said I should have some new ones made but I do not see the need.”
“You might have to, YN,” Miss Francis explains, “Depending on how much altering I can do to these dresses.”
“Well,” YN offers Miss Francis a smile, “You have never been one to turn down a challenge.”
“That I have not,” Miss Francis laughs, “Now, you have to tell me everything. How did you tell Mr Styles?
“It is not quite the story you imagine it to be, I am afraid,” Then the two women broke out into a fit of giggles and it was as though nothing had happened between them at all.
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Nathaniel Styles entered the world a mere eight months later.
Eight months of what some might conclude as torture, but others may count as bliss. YN had realised that her pregnancy would be a mixture of the two. She possibly should have realised when the first few months of her pregnancy were torture that she was not necessarily going to have the easiest pregnancy. It had been easy to realise that this experience was beautiful, and YN would not have changed it for the world – it was also difficult for her.
It had also taken a toll on Harry. He had already been particularly attentive before her pregnancy, but it seemed as though it was even more so when she got pregnant. She should have known the way that he acted when she had first told him that she was pregnant and that he was going to be that way. If she thought that Harry was bad before, the closer they were to welcoming their bundle of joy into the world – the more that he would not leave her alone at all. He was there, always in the room with her and ready to be there if anything happened. YN, whilst she may not have said so during time, was thankful for him.
By the time that YN had realised she was in labour, there had been no time to do anything. If Harry had not devoted himself to being close to her at all times (especially during the latter part of the pregnancy) then she would have worried about him missing the birth.
It was slightly scary the speed at which her labour progressed, there was not even any time to call for a doctor, or even Harry’s mother or Miss Francis. She had to rely upon Harry and the maids that were at hand in the house.
Whilst Harry had tried his very hardest to not make it obvious that he was worried, YN knew him too well and knew that he was. The speed at which her labour was progressing was the thing that worried him more than anything. It was as though he had kept worrying about something going wrong, and yet nothing ever seemed to.
It was in the mid-afternoon when their baby boy made his way into the world, making their two other children siblings once more.
Harry had not put Nathaniel down since he had made his entrance into the world. One of the first things that caused YN to fall in love with Harry was the love and care that he had for his children, and now that they had one of their own – that had certainly not changed. YN had been resting in the bed, unable to take her eyes off her husband sitting on the lounger next to the window, with their baby boy placed on his chest. Nathaniel was sleeping soundly against his father’s chest, obviously finding the comfort he needed in the skin-to-skin contact.
There was not a single sound in the room apart from a babble from Nathaniel now and then, until there was a knock at the door. YN’s face broke into a smile when she saw Anne, Harry’s mother peering her head into the room.
Anne held a similar smile on her face, “Are you up for any visitors?”
“Of course, I am,” YN beamed, any ounce of fatigue immediately dissipating from her body. She watched as Noah and Norah walked into the room, both of them rushing around the bed and towards her.
“Is that him? My baby brother?” Noah pointed to the baby bundled against Harry’s chest, his face beaming out into a smile.
“It is,” YN smiled, her head dropping against her shoulder as she watched the two older children walk closer to their new sibling.
It was not often that YN would say that she saw the two of them nervous. They were such confident children; it was so out of character for them. There was nothing in this world that scared them, and yet for some reason, they both seemed that way about meeting their new brother. As the children inched closer to their father, YN felt the bed dip at the side of her. She smiled as she saw Anne sitting there, immediately reaching out to grab YN’s hand.
“How are you feeling?” Anne asked, pushing some of YN’s hair out of her face slightly.
YN smiled, accepting the woman’s comforting touch, “Tired, but I am well. It all seemed to happen very quickly.”
“Harry’s birth was just the same,” Anne smiled, “If you need anything, do not be afraid to ask.”
YN smiled, “Thank you.”
Both of the women’s attention immediately turned to Harry, who was instructing Noah on how best to sit to hold his brother in his arms. The eldest boy’s eyes were wide, and he was listening to every word from his father’s mouth as he spoke.
“Keep your arms together, just like that,” Noah nodded, watching as his father moved Nathaniel from his arms and placed him down in his sons. His face broke into a smile once the little boy was safe and secure in his arms.
“He’s so small,” Noah commented, his eyes wide as he looked up to YN for just a second until they dropped back down to his brother.
“Well,” Harry sighed, reaching over to run the back of his finger across the expanse of Nathaniel’s small cheek, “You both were once this small.”
“Really?” Norah’s eyes lit up, “But you always say that I am your big girl.”
Harry nodded, suppressing a chuckle slightly before he reached his arm out to wrap around his daughter’s body, pulling her into the side of him, “You are my big girl, but you were once my small girl too, but you will always be my baby.”
Norah smiled, accepting the kiss that Harry placed on her cheek. It was very quickly that (just as her brother’s) Norah’s attention was placed upon her little brother, who had interrupted his sleep once again to let out a small whine before falling straight back into a slumber.
“Look at that,” YN smiled, “He feels safe with his big brother.”
Noah smiled once more before it was replaced with one of concern when Nathaniel broke out into tears, his little face turning red and his eyebrows furrowing. Noah’s eyes widened, looking between Harry and YN with a panic-stricken face.
“It is okay, bud,” Harry chuckled slightly, an amused glint in his eyes as they met YN’s, “He must be hungry.”
YN and Anne both chuckled from their place on the bed, watching as Noah angled his arms towards Harry slightly so that he could take his brother off him.
“I think that is our cue to leave,” Anne smiled, squeezing YN’s hand one last before climbing off the bed, “I am sure that there’s some trouble that we can get up to.”
YN smiled, opening her arms wide so that both Noah and Norah could come and hug her and kiss her before they left. Norah had a pouting face as she came over to YN. The older woman attempted to wipe it off her face, but she could not.
“And what is with that face, Norah?” YN teased, running her finger across the girl’s cheek lightly.
She pouted one more time, “I did not get to hold Nathaniel.”
YN smiled, placing a kiss on the younger girl’s cheek, “Your time will come, Norah, I promise. But he’s small now and needs me to feed him but I promise that once he has a full stomach – you will be the first to hold him.”
Norah sighed but alas nodded her head, “I suppose I can live with that.”
“I suppose you can,” YN smiled, “Now go, I’m sure Nana has plenty of things planned for you in the meantime.”
The children both nodded, accepting their Nana’s outstretched hands and walked out of the room. Both Harry and YN watched as the door closed behind them, a smile passing between them as it did. YN pulled herself up slightly so that she was in a sitting position, and smiled as Harry dropped down next to her, passing her Nathaniel as he did.
YN smiled at Nathaniel, and even though his little face was still red and scrunched with tears, YN would not change it for the world. Harry helped in pulling her nightgown down of herself, the act itself being sort of difficult with little Nathaniel in her arms. She sighed slightly as Nathaniel attached to her nipple, her body falling into Harry’s embrace as he wrapped his arm around YN’s shoulder, her head dropping down to his.
It was as though the second that Nathaniel had latched on, his face relaxed and peace was restored throughout his body. His eyes were wide, never leaving his parents faces as he began to eat. It was a beautiful moment, a moment that YN would never forget.
Harry sighed, lifting his free hand up to run his finger across Nathaniel’s cheek again, “He’s got your nose.”
YN chuckled slightly, trying her hardest not to shake too much and disturb the little boy pressed against her chest, “He does… it is no wonder I had so much heartburn with all of that hair – that’s certainly taking after you.”
Harry is the one who chuckles this time, leaning down to press a kiss to the top of YN’s head, “I hope he has your eyes.”
YN shook her head, turning so that she was facing Harry, “I want him to have your eyes.”
Harry smiled, leaning forward to place his forehead against YN’s. Harry’s eyes were one of the first things that YN noticed about him, and they will always be one of her favourite things about him. People always say that home is not a house, and instead can be found in a person. That was more obvious to her when she met Harry, and even more so when she looked into those green eyes of his. Those eyes, especially when they looked at her made her feel more at home than anything in this world. They were her comfort, her love, and more importantly, her home.
“Are you sure that you want him to have my eyes?” Harry questioned, pulling away slightly to look at her, “Because we both know we will not be able to say no to him.”
YN laughs before shaking her head, “I have no trouble saying no to you.”
“That is true,” Harry nods, “I suppose it shall be me that struggles to say no. I will compromise with the next one having your eyes.”
YN chuckled, “The next one?”
“Of course,” Harry sighed, “If you would want that.”
After sharing a slight chuckle between the two of them, they both turned to look at their son, who was becoming drowsier by the second. They decided that now was probably the best time to burp and place him down for a nap. Harry placed a cloth over his shoulder and carefully removed Nathaniel out of YN’s arms again, picking him up and placing him upon his shoulder.
YN watched with a smile as Harry started to walk around the room, gently rubbing Nathaniel’s back in hopes that it would coax a burp out of him. There was something so beautiful about the sight in front of her The fact that seven years ago YN had thought that marriage was out of the picture for her, and here she was now with a husband she could not love any more than she did and three beautiful children.
It was not long before Nathaniel let out the perfect burp, and his eyes began to close once more. He, so far, was the perfect baby. YN could not be luckier, and she also could not be luckier with the man she was raising him with.
“That’s it, baby boy,” YN watched as Harry swaddled the baby with a blanket, dropping him down lightly in the bassinet at the side of the bed.
There was a sigh from Nathaniel, and then not a single peep from him. Harry sighed, dropping back down on the bed next to YN, pulling her closer to him so she was resting her head on his chest. YN sighed into his body, dropping her hand upon his chest.
“Thank you,” YN mumbled, lifting her hand so that she was looking at him, “For everything.”
“No,” Harry shook his head, “Thank you.”
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drchucktingle · 8 months
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Good day Dr. Tingle. I haven't read your stories, but I've known about you from afar in this website for a while. Your recent post about separating Ideas and Message is very similar to how I teach a class. I wanted to ask you, if you could share some of your Messages, in whichever structure/length/complexity you think about them before writing, to have some real world examples to show in class.
Personally I tend to simplify and shorten my messages as much as possible, like "everyone deserves forgiveness" for example, so that I can permeate it throughout the story, and so that anyone experiencing the story can come to a similarish conclusion.
I'm curious as to how your Messages look like inside your head, during the creative process. Not the refined versions used for marketing and sales and stuff.
Thank you!
sure buckaroo.
high concept idea of the book STRAIGHT was this: zombie apocalypse story but the rage only effects straight cis people (there is also a second high concept idea in there which is: what if zombie plague only happened one day a year? how would culture handle this politically and otherwise?)
so i had this idea that i thought was good, but before i can write it i think 'well what do i want to SAY about this? what am i FEELING?'
and i realized that i was a little torn about how to write this story because of the one day a year thing. when is it okay to fight back? can you hurt a zombie if it turns back into a person the next day? is that right or wrong? and WHEN is it right or wrong? what situations?
then i realized that with the metaphor of this story what i was really asking was something bigger: why is it up to the victims (in this case queer buckaroos) to be forced to make these decisions? marginalized groups have TWO kinds of violations done to them, the first is the obvious act of violation, but the second is that they are forced to use their time and mental space and emotional tolerance to learn how to HANDLE the first violation in an 'acceptable way'
so THAT became my message. if you want to know how i feel about these questions you can read STRAIGHT and find out.
CAMP DAMASCUS high concept idea was (SPOILERS IF YOU HAVE NOT READ CAMP DAMASCUS STOP READING HERE) what if the church really DID decide the ends justify the means and instead of stopping demonic possession they were inflicting demonic possession to counter sinful acts.
but that is not the message of the book. that is just the idea. if i just had that idea i would not write it, but as things evolved i realized WHAT i wanted to say with this story
in this situation WHO is the force of 'evil'? would it be the demons? would it be the possessed? or would it be the SYSTEM AND MENTALITY that was creating this situation in the first place? so the book sets out the answer this question and express the conclusion that ive made for myself
i also noticed that many churches who are anti gay have a sort of infantilizing trot with how they handle their young buckaroos. this idea that gay feelings will just go away if they are ignored and that they can almost keep young queer buckaroos from ever aging into fully realized adults. obviously i think this is WRONG and so fighting back against this mentality became part of the message as well, and that informed most of the metaphor and symbolism in the book.
it is important to keep in mind that sometimes the message can change. as the book trots along i am LEARNING myself, working out these thoughts on the page and coming to a conclusion of my own. this is actually VERY true of BURY YOUR GAYS, which is probably most autobiographical thing i have written. i will save talking about that MESSAGE and HIGH CONCEPT for after book is out though
EDIT FOR CLARITY OF MY WAY:
when i say i write MESSAGE FIRST that does not mean i think of the message first in TIME (although that does happen sometimes) it means the message is the most important thing over plot or characters or anything like that (although those are important too). it means that i write with message as my north star, which is rare, but it is how i make art
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tslittlecaesars · 1 month
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RE: Homestuck Discourse, Media Literacy, Fandom Entitlement, & The Puppet Theory
an essay by yours truly
content warning: discussions of child abuse, CSA, & child neglect
so many discourses and debates surrounding homestuck boil down to lacking basic media literacy. so instead of making a petulant rant, i’ll attempt writing a productive essay, but forgive me if my annoyance seeps into parts of this post due to the subject matter. let’s start with dave, since he’s one of the most contentious characters (also because he’s my blorbo, sorry not sorry), and move on from there!
i constantly see people say something along the lines of “davekat happening in the retcon timeline makes no sense why would terezi ignore dave and gamzee yada yada yada”, like there’s not a whole scene that explains this! and it’s one of the most plot relevant scenes in the comic!! if you don’t know what the blood scarf even is, your opinion on this irrelevant, since you didn’t read/remember the text. rule number one of media literacy is properly consuming the media.
“dave being abused and the gay stuff came out of nowhere” this is definitively not true. one of the first things we learn about dave is that he has to hide food in his room so he doesn’t starve, and that this is an intentional choice by his brother. oh, and then his brother actually beats the shit out of him on screen, while not letting him abscond, right after we see john and rose strife their parents in a healthy way no less. (take note of bro using cal, and dave trying to abscond from him. more on that later.)
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and re: dave’s sexuality, rose immediately points out that dave is probably gay during their first on screen interaction, and it’s her first line of dialogue to him.
TT: In some cultures the persistent refusal of a lady's invitation to play a game with her would be a sign wanton disrespect.
TT: Either that, or flagrant homosexuality.
moving on, later that same day, dave outright admits he loves john:
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in these scenes, rose would be considered a mouthpiece! author’s use mouthpieces to get across information to the audience, that the character(s) themsel(ves) don’t know. in this case, that character is dave.
so now let’s address the elephant in the room, you probably thought these messages were just jokes, and that’s okay! that’s for three reasons:
first, your worldviews and perspectives shift the way you perceive the world, and more specifically art in this instance. that’s a fundamental part of the human experience. having your own personal biases based on your life experiences isn’t inherently a bad thing! for example, if you finish my essay, you can learn more about compulsive heterosexuality, or the effects of child abuse, see all of the signs, all without having to deal with it first hand. which is great! that’s the point of art and storytelling.
secondly, you probably still thought dave was straight while reading this narration. that’s because homestuck is written in deep pov, or as you would probably call it, unreliable narration. these are technically two separate things, but i don’t feel like breaking down all of those pedantics. all you need to know is: deep pov is when a character’s worldviews and perspective shift the narrative, rather than a story being told objectively. think junie b jones, the percy jackson series, or uh, catcher in the rye, if you’re into that sort of thing. that means that all the dialogue and narration within homestuck will always have some level of subtext, aka the non-literal explanation for text. homestuck is made by adults for adults, so it’s created on the basis we can analyze the text, and come to our own conclusions, unlike YA and children’s media.
a lot of people assume homestuck is supposed to be YA series, but that’s not the case. homestuck’s themes are about exploring the effects of child abuse and neglect, which you need to be an adult to fully understand. and unlike cinderella, homestuck shows child abuse on screen, and as we’ll discuss later, tackles subject matter about CSA, or child s*x*al *ss*lt. that inherently makes it a 18+ story, no matter the ages of any characters involved. just because most of us read homestuck as kids doesn’t really have any impact on that.
“well there’s no explicitly 18+ content in homestuck!!! they’re all 13!!!!” please take one look at equius’s room, or translate damara’s dialogue, and tell me if you still feel that way. oh, and read the epilogues too. also do you not remember the sheer amount of bloodshed, sex jokes, and cursing shown without a single censor??? even the official homestuck twitter said this:
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finally, it’s also worth mentioning the time homestuck was made, because art can’t be removed from it’s historical context. so in 2009, gay representation was still virtually non-existent, especially in children’s and teen media. in the 2000s there was an extremely prevalent trope, “queer people are funny”, where the whole joke is that a character doing something that could be perceived as gay, or transgender, is funny. this problem was especially rampant in media for men. the most infamous example of this is family guy this was s8e18 of family guy, “quagmire’s dad”, where the whole joke is that brian slept with a trans woman, and everyone single joke comes at the expense of the trans woman, who’s relegated to a background role, while the narrative focuses on quagmire and brian’s emotions, the two cis men. so what homestuck is doing is called a deconstruction of this trope! deconstruction is where you break something down to critically analyze the philosophy behind it. we’ll leave a pin in john for now (just you wait), but it’s made extremely clear that dave is struggling with internalized homophobia, thus deconstructing why he makes these jokes in the first place. by the end of homestuck, dave says:
DAVE: but ive had a fuck ton of time on my hands to think about stuff. about stuff ive said and done in the past why i said and did them. a lot of things i once would have insisted were like part of my brand and helped me come across cool and smartassy, but now im not so sure. we used rip on each other all the time for being gay even though we knew we werent which of course is what made it "funny" remember?
with this quote, and the knowledge that dave goes onto date a man, i don’t think anyone is denying the internalized homophobia now, so let’s move onto reading this:
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i’m sure all of us are thinking “there’s no heterosexual explanation for this, he doesn’t even like ben stiller!” OR “maybe dave’s just too embarrassed to admit he likes shitty movies? is it really more than that??” either way, that’s because hussie utilitized the rule of three to make you subconsciously notice dave’s obsession with irony! the rule of three is used to set patterns in a story, either to establish a fact, or to subvert the viewer’s expectations. for example, let’s analyze this joke:
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notice how terezi’s third response is the funny one?by setting up the pattern, both you and john are expecting her to keep laughing in response, so when terezi flips the script on him, it’s hilarious. that’s called payoff, or in this instance, comedic payoff. now we can compare that to dave’s irony, where it was mentioned three times on one panel. no subversions of expectations here! that’s because hussie wants to establish dave’s obsession with irony, and they did so by creating a pattern you would notice subconsciously. this is how the rule of three works! psychology is cool, right?
so now that we can all agree that the subtext here is related to the irony, we have a new problem: we’ve only gotten dave and rose’s perspectives. we still need one more to complete the rule of three. fuck. thank god i can skip ahead!
using my whimsical ability to read ahead analyze text, i find out what john said to dave, and leave out the unimportant bullshit for everyone’s sake (mostly mine though):
dear dave, happy birthday!!! (…) i got you these. they're totally authentic! they actually touched ben stiller's weird, sort of gaunt face at some point. i'm sure you'll dig them because i know you lolled so hard at that movie. ok so for real, this is sort of a shitty present, but it is an ironic present because i know you wouldn't have it any other way. maybe you can wear them ironically some time. they MIGHT even be more ironic than you and your bro's dumb pointy anime shades.
now we have three characters’ perspectives on dave’s behavior. you’re probably able to put together the pieces i’m putting down, but for those who aren’t getting it: when you compare john’s letter, with dave’s actions, and rose’s messages, you realize that: dave is keeping these glasses because he loves john, not because he likes ben stiller, but he can’t admit that to himself, hence why his narration overcompensates with the usage of irony! it’s worth noting that all of these examples are from dave’s pov, because switching to rose or john’s pov would no longer make them mouthpieces!
“okay but isn’t dave’s perspective not reliable either??” yes! that’s why we’re using his actions as textual evidence, not his statements. the fact dave kept these glasses, and hung up a picture of an actor he doesn’t even like, is the proof he loves john, not him saying outright that he loves him. like i said earlier, this is a comic intended for adults, so characters aren’t going to outright say themes or how they feel. that’s more for peppa pig, hannah montana, and riverdale, you feel me? just like in real life, talk is fucking cheap here.
so now we’re left with a new question: why does dave feel comfortable admitting his love for john to rose, but not john himself? i’m sure the answer is becoming obvious! putting all this together we can gather the following: hussie wants us to know that dave possibly has a crush on john, but definitely loves him.
wait a minute… possibly?!? that’s because we still need textual evidence dave likes men. luckily, like i mentioned earlier, we can skip ahead to the epilogues, where him and karkat get together in the meat timeline, thus proving dave has liked men this whole time. boom! that’s payoff!!!
now we can OFFICIALLY put together that dave had a crush on john. once again, notice how we’re using dave’s actions to prove this, and not just quotes! either way, now we have officially used media analysis to deduce that dave had a childhood crush on john! huzzah! pat yourself on the back my loyal reader.
and for those who still aren’t convinced of dave’s crush on john, this masterpost has way more evidence than i ever could fit in this post.
(trigger warning: csa)
so now with everything we’ve learned about media analysis, i present you with my own analysis: the puppets are a symbolism for abuse, and the sex puppets specifically are an allegory for CSA, or child s*xual ass*ult. symbolism is where you use a certain object to represent ideas or qualities. the best example of this is the iconic green house logo we see throughout the comic. in comparison, an allegory is when a certain object or plot device is used to get a point across, without directly stating the point itself, aka, a hidden meaning. for instance, hussie has said their game “pyscholonials” is an allegory for how they feel about their gender identity!
so now, let’s start finding textual evidence to back up my claims about the puppet allegory, through looking for textual evidence of dave’s symptoms, aka analyzing character psychology:
dave’s anxiety manifests in the way he types. according to healthline “rambling or excessive talking [is a sign of] social anxiety. you fear saying the wrong thing or being judged by others, but you end up talking more (…) in an effort to help make up for your anxiety, and help quiet the worries revolving around what others think of you”. this is basically dave’s whole personality, but more specifically, you can see him doing this around the puppets in this scene, he rambles to himself non stop when returning to his childhood bedroom, and he’s still doing so on the meteor when he can’t find terezi to do “some stuff”. by the end of the comic, dave even acknowledges this himself by saying: “DAVE: yo im hardly one to talk here since i am a goddamn geyser of hilariously self-pulverizing freudian bloopers”. it’s also worth mentioning that, generally speaking, dave also spams his friends a lot until he gets a response, implying he gets anxious when people don’t respond quick enough to him, which is a normal reaction after being neglected as a child. that’s called a trauma response! all of these bullet points are trauma responses that happen to people who had to deal with CSA. in this case, the trauma response would be dave’s anxiety in general, and not him spamming his friends specifically. moving along…
dave’s hypersexuality manifests in a pretty in a pretty straightforward way, hence him constantly making s*xual jokes, and him drawing dicks on stuff on the meteor, much to the annoyance of everyone else. terezi even points this out herself while dave is failing to grieve bro:
TG: im sorry you are so flustered by the mere mention of glittering mythical cryptodick it honestly makes me think youre not ready for the truth
GC: D4V3 YOUR P3RPL3XING 3UPH3MISMS INVOLVING WHAT I PR3SUM3 TO B3 L3WD 4ND VAGU3LY INTRIGUING PORTIONS OF HUMAN 4N4TOMY 1 THINK 4R3 NOT 4S HILARIOUS 4S YOU PROBABLY B3L13V3
his dissociation is also pretty straightforward. he constantly talks about himself in the third person, and treats himself like he’s a character in a story, rather than a person who has wants and needs. for reference, dave immediately pulls meta shenanigans when you meet him, foreshadowing his dissociation. you can tell it’s built up to an already toxic level when we meet him, because on the same day, he has almost no reaction to seeing his own corpse, and immediately disposes of it “for jade’s sake”, rather than his own. and to make matters worse, he immediately “moves on” as if nothing happened. deep pov, remember? he also couldn’t properly process bro’s death. once again, terezi tries to point this out to dave, and he’s still not getting the message. put a pin in this section for now.
near the end of the comic, davepetasprite outright says that davesprite was depressed, regularly talked about how he wanted to off himself, and implies he might of attempted it. this is a grey area since davesprite is technically a separate character, and grieving the death of everyone from his original timeline, but it feels weird to just ignore it. to each their own on this point, but i would assume davepetasprite was referring to dave’s whole life when they talked about him being depressed based on wording, and his terrible childhood, but the s**cidal stuff could go either way. again, the proof here is dave/davesprite’s actions, not davepetasprite’s quote itself.
he displays regressive behavior 24/7 by wearing his shades to avoid eye contact, refusing to participate in common social cues (i.e.: constant dick jokes), and the few times we see him get upset, he shuts down rather than feeling his emotions. not so fun fact, the only time dave cries in all of homestuck is because of onions being cut in front of him. there’s an allegory in this scene, can you find it? (hint: the dragons forced dave into the soup, but he refuses to get out of it) also, in his most emotional scene, he still tries his damndest to not talk about emotional stuff with dirk, and still doesn’t cry when they hug, despite discussing bro’s death, and his thoughts on his own abuse in detail:
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the lack of self esteem is pretty apparent. he constantly over compensates at the beginning of the comic, as seen below. he always talks about himself as if he’s a famous important guy, despite that all of his friends know he’s lying, and regularly say it to his face, but he’s still adamant that they’re wrong, or commits to the bit without actually admitting the truth. i wanna note that dave’s humor is always more of a commit to the bit and keep it going sort of thing, for better… or usually worse. not full on sarcasm. this is opposed to rose and john’s teenaged douchebaggery mixed with flagrant sarcasm. also, in the aforementioned scene above, davepetasprite still refers to davesprite as a piece of garbage, showing this is something dave struggles with even while being combined with nepeta. again, we’re using the action of putting himself down, not the quote itself. (also, sorry for the image quality, i’m on mobile)
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in the long term, it’s basically impossible for him to form long lasting, fulfilling, and romantic relationships. first, it’s his crush on john, but that’s just kids being kids stuff. there’s also the fact dave and rose had some sort of failed relationship in davesprite’s timeline, due to them not learning they’re siblings. then we see the serious problems arise with terezi, who he dates pre-retcon mostly just cause she’s there, and his weird definitely not gay rivalry with karkat, which leads to her being unfulfilled in their relationship, and starting a kismesistude with gamzee. obviously the jade stuff is a big wooooof (pun NOT intended), both with davesprite, and the candy timeline. ultimately, both times, dave only dates jade because he feels bad for not liking her back, which leads to the relationship falling apart both times. remember the pin in dissociation? that’s what he’s doing here. karkat would be the opposite of jade. dave doesn’t let himself date karkat because dave hates himself, and more specifically, his attraction to men, which i’ll elaborate on later. this is what we call a character foil, aka two characters who have similarities so you can contrast their differences. think naruto and sasuke, or uh, deku and bakugo i guess? how do you do fellow kids? actually yeah! cause jade is green, and karkat is red blooded, which would symbolize how dave sees karkat as the “wrong” choice, while jade is the “right” one. the colors green and red are opposites, but jade and karkat are both of dave’s love interests in the epilogues. see? character foils! symbolism! personally, i refer to this as “star wars logic”, cause the good guys have green lightsabers, and the bad guys have red ones. this is definitely intentional, seeing as homestuck is littered with star wars references, like how HIC is basically just darth vader. meenah is also definitely a reference to darth maul, just look at her double sided weapon, or how they both die before getting to their respective thrones. i could keep going but it’s not really relevant to the discussion.
so right now you might be thinking “well you still didn’t explain how dave got assaulted tho”, and that’s fair. however, i wanna remind you that showing children porn against their will is 100% a form of CSA, same with sex paraphernalia, and especially forcing sex paraphernalia onto them. to do that to a child non-stop, in an environment they can’t escape, would have horrid effects psychologically, and dave displays almost every one of them, as you saw with the textual evidence above. so when dave can’t admit to himself that he he hates bro’s puppets, and more specifically the sex ones, it’s because doing so would force him to admit: a) what bro did to him was wrong & b) that he enjoyed it in some aspect. john even points out how weird bro’s affinity for puppets is weird and definitively not cool, which causes dave to immediately shut him down hardcore (more allegory).
speaking from experience, one of the worst parts of CSA is that you have no clue what’s going on. victims of assault often blame themselves, or feel guilty of what happened, and children lack the ability to tell what’s fully going on in the first place, due to their brains being underdeveloped, thus amplifying the guilt and blame. people often worry so much about the “man tricking kids with candy” because it’s the most pervasive p****ph*le you see in media (god i hate true crime culture), that people forget that 84% of csa happens in the home, 50% of the time it’s someone the child trusts, and 40% of time it’s family members specifically. even if 99% of your experience is terrible, you’ll still find a way to blame yourself for the 1% until you can properly process that you didn’t do anything wrong. this is what’s referred to as the “the myth of the perfect victim”.
i know this is “personal speculation”, but to me, it seems very apparent that dave is gay, and can’t come to terms with it because of his CSA trauma, hence his inability to just admit to himself he has a crush on john. every girl he dates in the main comic is quite literally the ONLY dateable girl in front of him, or usually the only girl in front of him at all, and all three girls have crushes on him/flirt with him WAY before he starts their relationships. and once again, he only dates jade in the epilogues due to his own guilt and dissociation, combined with her doing everything short of forcing herself onto him. compulsive heterosexuality is a major part of homestuck. for instance, hussie has confirmed via author’s notes that rose had a crush on dave when they were kids, and that something happened between them when they never learned they were siblings on davesprite’s timeline, yet hussie has also said that rose is a full on lesbian. that’s comphet, and it’s very intentional!
i also wanna take a moment to acknowledge that dave and rose are 100% nods to luke skywalker and princess leia, who also kiss before finding out they’re related. notice how dave fights with swords, like a lightsaber, and has the same hair as luke. meanwhile, rose’s seer of light powers are basically the same as leia’s force powers, and she uses most of her weapons as blasters, just like leia. i don’t think hussie was trying to be weird or add this stuff in for any unsavory reasons, like some people imply. there’s a reason all of this extremely vague, and not shown on screen. put a pin in that.
so in the same way the katanas in dave’s fridge symbolize bro prioritizing preparing dave for battle over what he actually needs (food and shelter), that’s how the puppets symbolize dave’s CSA. now, if you read dave and rose’s conversation about the sex puppets with that knowledge, it starts to paint the harrowing picture (again, allegory). it’s important to remember that rose had a canonically had a crush on dave at the time during this conversation, so she was probably just negging him the same way she negs her mom. she was upset because she knew that dave liked john, and probably was just gay in general, so he was never going to like her back. she’s definitely projecting her gayness (and love of puppets) onto dave too. again, all of this is definitely comphet lesbian behavior. all that’s to say, i’m not claiming she’s intentionally victim blaming him or anything during this scene. she’s just as much of a child as he is. put a pin in that too! i got sited sources coming, but i can only put so many goddamn words and images in a single post.
so, i see the sentiment shared a lot that hussie just tacked on the abuse stuff at the end, and that the beginning of homestuck “was just a silly comic at the beginning it’s not that deep”. that is an objectively ill informed take, and now you know why! the entirety of homestuck’s themes are exploring the effects of child abuse and neglect, hence the name, home stuck. there’s a reason the protagonist who is able to save everyone, also has a seemingly perfect home life. notably, the only other character who’s a completely well adjusted nice person is nepeta. she’s also the only character who’s able to free roam as she pleases, has a loving lusus, and ironically, is the only character without a home/hive to begin with. once she makes into the game, her land is quite literally her cup of tea as well. these definitely aren’t coincidences. i hope your allegory alarms are going off right now!
the only reason homestuck is sillier in the beginning is solely because it was a fan lead project for the first few acts. back in the day, there were forums dedicated for audience input to decide what happens next in the story. fun fact: this is how a lot the characters names were decided as well! so there’s a reoccurring bit where (insert beta kid) does (something stupid) and then the plot just moves on (i.e. john’s HILARIOUS antics). those were the silly suggestions sent in by the fan community! that was back when the homestuck community was still pretty small, all things considered. this explains the wonky pacing in the first few acts, and the more comedic tone.
moving on, the reason the puppets and the katana fridge are used as symbols, is because yeah, the tone would be way too dark if they played that straight. however, there’s another reason that’s way more important. remember how homestuck is written with a deep pov, aka unreliable narration? (please don’t kill me pedantics police!!!) hussie uses deep pov to display how homestuck chacters see their parents/lusii, in order to convey the themes of the story. stick around a bit longer and i’ll explain the theme of homestuck! just let me explain something real quick, so you get the big picture.
bro is shown in a positive zany light because that’s how dave sees him. to dave, bro is his whacky older brother, and sure he’s a little out there, but ninja battles and puppets are sick as fuck, right? well we as the audience know that’s NOT the case. again, dave is literally starved on screen, and gets the shit beaten out of him, also on screen. this parallels rose’s relationship with her mom, who gives her everything she could ever want and need, but doesn’t fulfill rose’s emotional needs, so rose sees her as a some sort of spiteful cartoon villain. dave even calls this out the second he sees all the wizard stuff rose got from her mom.
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meanwhile, you can see rose admit to liking the puppets here, and she says she’s a fan of bro’s pornbot websites as well.
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ultimately, they both want what each other has, but aren’t really able to fully grasp why their own parents did what they did, much less each other’s parents, which leads to them both envying the toxic part of each other’s households. i’m sure you’re starting to see the big picture with the puppets now, so to send the point home, remember that image i showed you during dave and bro’s strife? well, bro is attacking dave with a puppet, and dave wants to abscond, but can’t, perfectly paralleling dave’s abuse to a puppet. furthermore, that’s why he’s surrounded by sex puppets specifically, and they’re all throughout his apartment. it’s all symbolism for how dave is trapped in home dealing with CSA.
this is the purpose of allegory, telling you something without directly showing it. i doubt any of us think homestuck would be better if this stuff was depicted literally, for all the obvious reasons. i’ll close out with this dialogue since it shows what i mean better than i ever could myself:
DAVE: why did i get such a raw cut of the asshole deck? and why did it take me so long to figure that out? and like hes dead now so thats that. so all thats left to do is look back and try to put the pieces together of my first 13 years, and all i can think is what the fuck WAS that?!
DAVE: i dont come away with the impression i used to try convincing myself of, that he was like "mysterious" or "stern" or "aloof". the only feeling left is this insane impression that i was raised by somebody who fuckin HATED me, and the whole act of even "raising a child" was some totally fucked up game to him.
DIRK: What… did he do?
DAVE: i dont want to get out the laundry list, but for reference laundry wasnt one of those things. that was just one of the many little domestic things i just had to sort of FIGURE OUT. sorta like i eventually had to learn what the REAL purpose of a refridgerator was from movies.
DIRK: Wait. What???
DAVE: i dunno theres too much to even get into. just- i dont remember the atmosphere ever not being nerve wracking. all havin to sneak around and... ugh my shitty childhood spider senses are tinglin just thinking about it.
DAVE: it was "training" you know?
DAVE: but you know what it really was, it was some vicious shit that was bad and sucked and i hated it
DAVE: it didnt make me stronger
DAVE: it did the opposite
DAVE: it made me never want to fight
DAVE: it made me never want to see blood or be near danger or hear metal sounds
DAVE: it made me hate the idea of being a hero cause he was a hero and he ruined the idea of heroism
(…)
DAVE: i know how it sounds but i am NOT joking and there is NO shred of doubt in my mind that he loved all those puppets more than me
so uh, this essay is already long enough, and you definitely want me to just say the theme by now, so let’s explain the rest of this allegory in optional bullet points that you should definitely still read.
rose liking the puppets is symbolism for how emotionally neglected children often end up subconsciously “wanting” terrible things to them, like abuse or self harm, so they can justify their own unhappiness with their lives, due to them not understanding that their emotional needs aren’t being fufilled. again, the myth of the perfect victim, starting during childhood specifically. rose does this by convincing herself that her mom hates her, rather than seeing that her mom is trying her best to parent, and failing miserably. rose is also unaware of her mother’s alcoholism, which symbolizes how she doesn’t understand that her mother is emotionally neglecting her. this parallels how dave is seemingly caught off guard by dirk’s sexuality, and thus bro’s sexuality, due to dave not processing that his abuse is sexual in nature.
jade’s love of plushies parallels dave’s love, and eventual hatred, for puppets. (once again, notice the red vs green. character foils!) this is because her neglect causes her to become extremely immature. when she’s a kid, this mostly just manifests as her liking children’s toys, and speaking with a childish affectation. however, this immaturity goes unchecked, leading to the epilogues, where she completely ruins dave and karkat’s relationship for her own sexual desires (paraphrasing). you could say the same for her secretly getting rose pregnant in hs^2, knowing kanaya will be upset when she finds out. basically, she has a huge emotional disregard for everyone around her, which stems from her almost complete isolation for most of her childhood. once again, emotional neglect leading to regression, more specifically maturity regression in her case, which makes sense when you remember she grew up raised by an actual dog. and interestingly, dogs have low emotional intelligence compared to other animals. jade herself becomes part dog while going godtier, right as she has to go into further isolation during the three year journey. dogtier symbolism! jadesprite also throws a tantrum when she’s created, right after being combined with a dog. more symbolism!
dirk loving cal is an allegory how he can’t let go of his own self abuse, which becomes extremely literal when he cuts his head off. something something symbolism. this is also foreshadowing his eventual role as the villain of the story once he achieves his ultimate self, and begins thrusting abuse onto others. after going ult, dirk ends up pushing jane into presidency, thus allowing a troll genocide to happen. it’s also worth mentioning jane r*pes jake in the epilogues, and while knowing this, dirk still supports her because he believes “the ends justify the means” during all of this. now he’s officially just as bad as bro at this point. i also wanna point out that this, once again, this makes dirk a huge foil to dave, with both of them helping their respective presidential picks to win the election. i believe this is hinting that dave will eventually be the one to defeat dirk, thus finally not letting his bro have power over him, or anyone else for that matter. remember how dave is a reference to luke skywalker? well the main villain of homestuck^2 is his father figure from another timeline/universe, so at this point, it seems like dave will have to be the one to do the killing blow on dirk, the same way luke did to vader. only time will tell. pun intended bitch. also, dirk’s shade of orange is right in between dave’s, and the yellow bloods, possibly symbolizing how dirk is doomed by the narrative just like sollux, mituna, and the Ψiioniic, combined with his own self abuse.
roxy has seemingly no affinity or hatred for puppets, dolls, or plushes, foreshadowing her failed assassination attempt on the batterwitch, and her short lived alcoholism. however, she does still have a pile of cat and wizard plushes in her room. roxy is probably the third most well adjusted character in all of homestuck, and had a pretty nice childhood all things considered! obviously it wasn’t perfect though, hence the short bout of alcoholism. all that fits into my puppet theory pretty well, implying that roxy made it to the end of her game due to her lack of alcoholism, unlike her alpha self, but just like rose. her shade of pink being the middle ground of dave and rose’s makes sense as well.
on davesprite’s timeline, his sprite prototypes with cal, and one of the birds who never left his apartment, symbolizing how he was unable to escape the trauma of his abuse and homelife. also another easter egg! crows are the smartest bird, and one of the smartest animals in the animal kingdom. this is symbolizing how dave is actually the smartest member of his session, which makes sense due to the sheer amount of math he does for his sylladex, despite bro not bothering with his homeschooling. this is why davesprite’s wings are clipped, to symbolize how his neglect and abuse ultimately made him worse off, rather than “being the air beneath his wings”. actual dave notably fights with a clipped sword, can you guess what that symbolizes? (hint: bro clipped the sword)
john interestingly fits into this as well, due to him receiving a harlequin doll for his birthday, and it later prototyping his kernelsprite. john hates clowns, and is the main character, which interestingly foils gamzee, who loves all things clown, and is relegated to a joke background character. let’s just put another pin in john and gamzee for now! i promise it will pay off.
but most importantly, lord english is the referred to as “the 8ig 8ad” by vriska (not a coincidence! think about spidermom!!!), and lil cal himself is referred to as the “most important character in homestuck”. notably, lord english is also the mind behind lil cal. this symbolizes how abuse is a central theme of homestuck, and the last trial the characters must overcome. that’s why rose stops drinking after the retcon, and why dave starts… doing something with karkat?
so there’s a huge elephant in the room! if we’re discussing davekat, we have to to mention the contentious reveal scene, don’t we? forgive me, but we have to address all the little nuances of this. so uh, remember dave’s anxious speaking habit we’ve established? well he starts blabbering when karkat immediately brings up his old black feelings for john, most likely implying he’s a little jealous/insecure about that. this is pretty normal, cause he’s still teenager at the end of the day. you can see it specifically in these two lines:
DAVE: so are you SURE you still dont have these unreconciled blackrom feelings about john
DAVE: i say we air this out before it ferments into some rank and hella unexamined feeling sauce
see? remember what i said about dave having trauma responses? this is it. he’s just anxious karkat might still like john, thus ruining their relationship, or uh, situationship at the time. he also might be projecting his romantic attraction to john onto karkat as well. then, he rambles a bunch of incoherent bullshit when john asks what his sexuality is. karkat is extremely embarrassed by this part of the conversation, yet he was able to calmly discuss his old crush on john. so this all comes to a head with the following dialogue:
JOHN: did you... like, date any boys?
DAVE: uh
JOHN: but there weren't even that many boys on the meteor? well, there's the clown guy, but i don't really see you and him... that really only leaves... um, were you and karkat... ARE you and karkat, like. hmm.
this makes karkat officially loses it due to embarrassment, but i’ll spare you from that huge wall of text. next dialogue reads:
JOHN: dave, i'm pretty sure we're making karkat uncomfortable now.
DAVE: yeah maybe we should drop this
JOHN: ok.
so lets think. they aren’t dating, but they definitely did something kinda gay. notably, this parallels the “things” dave did with terezi pre-retcon, while still being tastefully vague. the idea that dave did some gay teenager shenanigans actually does make sense for his character arc, because it implies he’s comfortable enough now to try something like that now. though i do wanna emphasize that i’m not try to explicitly say they had sex, i’m just saying dave explored his sexuality. come to the conclusions you’re comfortable with here! hussie goes out of their way to not display or mention characters doing any sex acts while they are minors, and this is the closest we ever get to anything like that. there’s only one instance of making out even happening in homestuck, and it’s just jake making out with his avatar poster. well, unless you wanna count this i guess? considering everything we’ve gone over in this post, this is most definitely intentional.
through john’s retcons, the butterfly effect forces the dave and rose to address their respective childhood traumas, which leads to them being able to beat the game. same with davepetasprite finally giving jade the closure she needed right before she woke up. same with terezi fixing her relationship with vriska. karkat runs for president later, proving he’s got over his leadership trauma as well. that’s how you win sburb. john saving everyone with that retcon shows the central theme of homestuck: you can change at any point, and get through any hard times, as long as you have people in your life to help and support you. the retcon is great because it shows you how a timeline is doomed, so that way you can understand why they won.
EB: well to be honest, i never really believed any of your guys's doom and gloom nonsense. not because i think you are lying... i just feel like there must still be a way to win! (…) also, there is always hope for someone who has good friends to count on!
so when dave and karkat start getting together, and do “stuff” on the meteor, that’s all the tasteful way of saying: dave was able to process things, and become more comfortable with himself. again, this totally could’ve just been making out, come to the conclusions you want. the vagueness is intentional.
notably, vriska, dirk, jake, gamzee, and jane are the only surviving characters to not address their trauma at all by the ending, which leads into their current arcs in homestuck^2 (or lack thereof in gamzee’s case). there’s also one more character, who we’ve carefully left pins in until now….
it’s time to address june egbert. spare the torches and pitchforks please! i’ve done a ridiculous amount of research, and there still doesn’t seem to be a proper explanation for june egbert from either a homestuck fan or a creator behind homestuck, so i’ll bare the cross of this explanation. from here on out, i’ll still say both names interchangeably for pedantic reasons, but that’s solely because this is still in a weird state of schrödinger’s canon, and hs^2 is pretty much it’s own thing in itself. but i’m a trans woman so w/e. once again, spare the pitchforks! please!
the reason why her being trans works is because john/june spent the whole series so focused on saving everyone else, that she never focused on herself, or thought too deeply about anything. that’s kind of her thing, taking everything at face value, and not thinking too deeply about herself (i wonder why… ♾️). this is even pointed out by dave himself during The Davekat Scene™:
DAVE: ok i guess what im saying is… i dont think its all as simple as you think it is, or maybe not like ACTIVELY think it is but continue to assume it is on account of NOT thinkin about it much, due to a lot of junk about the subject that gets shoved into our brains from movies and stuff while we were just dumb kids
JOHN: i,
JOHN: hm.
so you see the set up here right? the character who i was referring to, who still hadn’t processed their childhood? it’s important to realize that june/john has never actually had a character arc herself, because her story is told via the hero’s journey structure, not a typical three act story structure like almost every other character receives in their arcs. ever notice how homestuck is constantly compared to the odyssey or the iliad? that’s why! this all means, june/john is a plot motivated character, rather than a self motivated one, again, like almost the rest of the entire cast. it makes sense for her to have to start self introspection once the game is over, she never really had the chance to while saving everyone else. interestingly, vriska’s arc is told in the format of the hero’s journey as well. dave/davebot’s arc in the epilogues and hs^2 is also told in the format of the hero’s journey. he seems to be in between “woman as the temptress” (aka jade) and the “atonement” stage, which would most definitely be finally seeing karkat again, something hs^2 is still building up to. this makes sense for all three characters, seeing as being a “hero” plays huge parts of all of their respective storylines.
i also wanna bring up the clown stuff again, and more specifically, gamzee. even more specifically, this amazing analysis by @abcq2:
before murderstuck, gamzee has no idea that he is a clown. sure, he anoints his face with greasepaint, rides a unicycle, and juggles, but these are serious religious sacraments to him. and, sure, sometimes he trips on his giant floppy shoes and lands face first in a pie, but that's just being blessed with a miracle, because he was just thinking about pie. and, sure, sometimes his friends say things like "HEY ASSHOLE. CLOWN ASSHOLE. YOU WORSHIP A CLOWN RELIGXON. FOR CLOWNS." to him, but he's too zonked on sopor slime to extract any meaning from it. when gamzee sees the ICP miracles video, he's too sober to dismiss it as a mere coincidence; for once, he gets the joke, and realises that he was the butt of the joke the whole time. he understands that every time he fell face first in a pie, it was the work of an unsen riddler. he grasps that he is, in a cosmic sense, a clown, and hates it. (…) when the murder spree is over, gamzee's beatific grin returns; no longer a look of blank ignorance, but a knowing smirk. he's successfully ruined his character forever - no one wants to see him and no one thinks he's funny. hussie seems to say: jesus you are such a shitty clown. and gamzee's impassive face seems to say: i know. gamzee refuses to clown out of spite, and hussie refuses to remove gamzee from the story out of spite. it's a committed relationship of reciprocal, mutual antagonism. what i'm saying is that hussie and gamzee ar-
once again, all credit for this gamzee analysis goes to @abcq2, please check them out!!!
so i’ll cut straight to the chase, mostly due to me getting close to tumblr’s character limit. the clowns are an allegory/symbol of being transgender. it’s impossible to ignore. remember that game i told you about? psycholonials? if you’ve ever played it, you’d know that clowns and transgenderism are tied up together in one big scene. i won’t spoil the game, it’s really good! check it out! this parallels homestuck, where june has always been associated clowns. not a coincidence. once you fit gamzee into this equation, it’s clear that gamzee’s “clown” dysphoria is a stand in for gender dysphoria. read the analysis above one last time and tell me i’m wrong. hussie themself has only posted themself in clown makeup since 2020, this started exactly half a year before they unofficially came out as non-binary via a homestuck announcement. they also tweeted that they use any pronouns shortly afterwards, on a private (?) twitter account. it’s also worth mentioning that one of the few of photos of hussie that we have, they were in ICP/juggalo stuff just like gamzee, and this photo was taken in october of 2010, mere months after gamzee’s introduction, and possibly a month or less after act 5 act 1 was finished. if you know anything about this image, or tumblr user @dead12234352356456775, please message me! this blog is the earliest place the picture can be tracked to, and i’d love to ask OP if they know anything about this image. hussie has notably referred to themselves “clown gender” as well. it’s unclear to me whether hussie actually likes icp, or if this is one huge coming out ARG, but either way, clowns = trans, got it?
so when john/june have a clown sprite following her around, it’s an allegory for how the trans stuff is literally in her face, but she can’t understand it!
“but there’s no textual evidence of john wanting to be a girl!!” see, we’ve officially waded deep all the way into the murkey grey waters of nuance. so if you don’t know, june is the embodiment of what us trans women refer to as the “pre-egg crack”, aka, the phase before you realize you’re trans. this phrase applies to all trans people, but trans women use/identify with it the most, just cause we usually come out way later, usually around say, 20-23, like john/june is by the end of homestuck! huh, what a coincidence. in all seriousness, this is because most trans women start their transitions when they first live on their own. john/june’s also a computer scientist by hobby, something a lot of trans women do. this is because trans women are one of the smallest minority groups, so we usually have to go resort to online communities to talk to each other. this is also necessary for a lot of us, due to research on hrt not really being as advanced as it should be, and the fact transitioning is still illegal/hard to access in a lot of areas. trans women are also likely to stay inside on our computers cause yknow… dysphoria. plus computer jobs often have decent pay, low barrier to entry, and require little to no interaction with other people in person, making them perfect to both medically and socially transition. sure, june never outright says “i want to wear a dress” or laments about dysphoria, but again, homestuck is by adults for adults. the story shouldn’t have to explain something like this to you. the only reason you had the impression that there’s no evidence of john being trans is because you weren’t educated on the subject matter, but now you are!
“you’re just projecting onto this character!!!” and you are too! again, that’s how everyone engages with art. to think you don’t do the same yourself is foolish. utter poppycock even! however, i really despise this sentiment. the fact i’m a trans woman makes me the most qualified to speak on this subject, not the other way around. who are you to speak on the experiences of trans women? exactly. i’m tired of us trans women being berated for headcanoning characters as trans women, even when it’s extremely obvious why we do as such. it’s always the boils back down to the same bullshit in response: “well actually YOU’RE the transphobic one for saying all trans women look/act the same!!!” *sigh* that is literally the definition of an identity. you sound dumb, and are speaking over actual trans women, whose opinions are infinitely more important than yours when it comes to this subject. this is literally just the “what is a woman” debate repackaged with the guise of liberalism. it’s annoying.
“all this june stuff came out of nowhere!!!” this headcanon became prevalent during the pandemic, where tons of trans people were able to start their transitions! i did this myself, and so did hussie. doesn’t seem so random now, does it?
“hussie is just doing this for woke/fandom points!!!” uh, and what would they be gaining by making john trans? if this was about making money, wouldn’t the merch link on the official website work? hussie makes visual novels now, and has removed themselves from homestuck as much as feasibly possible, while still maintaining their ownership of the IP. not exactly the most lucrative career path. and if you’re implying hussie is adding any element to homestuck simply to please fans (yes, that includes davekat), you obviously know nothing about hussie. go on reddit, read ANY responses to the epilogues, or the plot of homestuck^2, and tell me when you find the tons of people happy with their contents. oh, and see how homestuck fans feel about kankri and cronus while you’re at it. i’ll wait.
“okay but the toblerone stuff is dumb!!!” at no point before the june wish did hussie say that finding a toblerone would give the finder the power to make a canon-altering wish. as you can see here, all of the wishes weren’t even granted, some of which have no impact on canon at all. if hussie wanted to, they were well within their rights to go “yeah no, this is dumb, sorry” when the wish for june egbert was sent in. this means that june egbert already fit into hussie’s idea of canon, and as i’ve already pointed out, june egbert has properly been foreshadowed, so this all adds up. the idea that hussie “turned john transgender because of a toblerone” is an exaggeration of events perpetuated by losers misguided and ill informed fans. hussie has been sent an insurmountable amount of headcanons over the years, and aysha u farah, who has had major involvement for multiple homestuck projects over the years, has said “the only headcanon i've ever seen andrew get excited about is june egbert” on a now defunct podcast called perfectly generic podcast. (forgive me, but any links to the specific episode i’m finding no longer work due to their official website no longer working. i’m not listening to hundreds of hours of an archived podcast for this minuscule of a clip. be my guest if you want to take that on! once again, message me, and i’ll update this section.)
either way, based on everything we know, june egbert is canon because hussie wanted this prior to the toblerone wish, because if the wish contradicted or retconned canon, it wouldn’t have been granted in the first place. simply put, june egbert is canon because it’s want hussie wanted to begin with, and the wish came after that. once again, the sheer amount of foreshadowing here should be more than enough proof, and if you want more even more proof of june egbert foreshadowing, check out this blog post! it’s great!
“well it’s dumbledore logic!!!!!!!!!” is it though? j.k. rowling is a transphobic bigot, who’s works cost money to access, who confirmed dumbledore was gay only after he died, and then she still straight-washed him in future harry potter media. hussie is an actual trans person, running an indie project, who wrote one of the longest literary works in the entire english language, made it all free to access, supports all fan archives, and hasn’t even ended homestuck^2, where john/june is very much alive. and once again, the wishes were to add something to post canon content specifically, without shifting the canon of the main series. homestuck^2 is still updating, and as far as we know now, more projects are on the way, like the completion of hs^2 and hiveswap. these situations have almost nothing in common aside from deriving from twitter. if you’re mad about this, were you mad when jake was confirmed to be brazilian in a youtube livestream comment? or when gamzee’s red crush on tavros was confirmed via a dubiously canon comic? probably not. eh, maybe you were actually, i don’t know you. either way, feel how you wanna feel about jake being brazilian, i don’t care, but you can’t say there was “nothing building up to june egbert” now that you’ve read this essay. the dumbledore comparison is dumb as hell.
“well i’m trans and i don’t feel represented by june!!!” if you’re “feeling unrepresented” by june, it’s probably just because you’re not a trans woman obsessed with computer science. that’s just you not relating to the character. it’s really not much deeper than that. and on that point…
“well i just don’t like this!!!” with all due respect, you seriously need to put thought into why that is. i can’t think of a single non-transphobic to be upset about a character transitioning in a story. and again, homestuck is one of the longest literary works in the entire language, and is completely free to access. in all of homestuck history, not a single product was sold under the guise that “john will be cisgender forever” or “dave will not end up with karkat” or “jake will never be brazilian”. hussie doesn’t owe anyone any part of their story’s canon. it’s their story, full stop, and if you’re mad about that, you’re entitled to something that was never yours to begin with. not all art is made purely for your consumption, and free art is especially not made for your consumption. can you critique it? absolutely. there’s a big difference between criticism and bashing though. if you don’t like any part of homestuck, write a fan fiction, make some fanart, or write an oddly soapboxy essay about your personal fan theories and headcanons. turn that negative energy to make something positive! i’m being serious! hussie themself encourages this!!!
“okay but it’s still lame the davekat stuff happened off screen” i can agree to a certain extent, but dave and karkat’s relationship plays a major part in the epilogues, as well as homestuck^2, and that’s not even unpacking their weird borderline black rom dynamics pre-retcon. to act as though their romance starts and stops during one intermission really downplays how seriously their relationship is taken throughout the homestuck series.
“okay but isn’t a lot of that stuff dubiously canon?” baby, everything is canon. hussie has said so themself. there are infinite possibilities for what could have happened during homestuck, so maybe we should just focus on the fact it’s taken seriously at all? honestly, the line between dubiously canon and actual canon is paper thin. homestuck^2’s entire plot is currently deconstructing what canon even means. if you wanna only see the main series as canon, be my guest, but the accusations of homophobia and queerbaiting over the davekat reveal are a little ridiculous. their relationship plays a major part in all homestuck content for years now. also, big reminder that, with the reveal of june egbert, there’s now only one canonically straight character from the main series, and she’s a villain now, so…
“well you’re just strawmanning me now!!!” my loyal reader, i understand you are a human being with infinite nuances i will never be able to understand, cause quite frankly, i have no clue who you are to begin with. i don’t think everyone who hates davekat or june egbert is some anti-lgbt bigot. i’m just here to set the record straight, and provide context for people who are willing to listen. a lot of this shit is confusing, and there’s misinformation a plenty out there. most people who are participating in this discussion clearly haven’t bothered reading homestuck for years at this point, possibly even a decade. and that’s fair, most of us read it as kids, and probably stopped by the final update, if not sooner. honestly, i think the main issue here is that people are playing the telephone game via fandom discourse. that’s how we went from “hussie supports june egbert” to “hussie made john being transgender canon cause of a candy bar” in the first place. if you’re participating in this discussion, maybe try rereading homestuck before you let your vague memories of reading the comic years ago define your current day opinions? besides, i’m not delusional enough to think any bigots are going to read this post and be convinced, but i’m sure i can open up the minds and eyes of people who are willing to listen! give homestuck a reread, imagine how much more foreshadowing has gone unnoticed over the years!
i feel the need to be so thorough, bust out so many references, break down every bit of nuance, and speak from my own experiences, because inevitably, a small group of people are gonna read this post and still go “it’s not that deep! they’re just puppets! june egbert is a bunch of sjw malarkey!!!”, and to those people, i hope you stop making fandom spaces miserable because you didn’t wanna pay attention in english class. media analysis is a necessary tool, and i’m sorry our education system here in america failed both you and i. (or maybe your a non-american country has english classes as terrible as ours? idk.)
honestly, i think i read like five or six books in throughout of all high school. i failed english my freshman year, and dropped out by my senior year. there’s always room to grow though! look at how i’m able to write this essay now! all you have to do is just watch some video essays that break down your favorite movies, tv shows, books, and more!!! there’s tons of jackasses like me who will lament about their hyperfixations. plus, now you already know what symbolism, the rule of three, and allegories are! before you know it YOU’LL be the one noticing all of the easter eggs in the media you enjoy, just like us the rest of us pretentious media analysis fuckheads.
i’m sure all of us are old enough to remember how exciting it was when rosemary was first confirmed, or when the dirkjake kiss happened, or all the recent stuff with davekat. and guess what, june egbert is going to be that lots of young trans women! after reading all of this, is hating june egbert the hill you’re gonna die on?
you know, hussie practically uses homestuck as their personal diary. i don’t think anyone’s denying that. it shouldn’t take a rocket scientist to understand why they want their main character to be trans, or why they wanted dave to end up with karkat. maybe you’re just not willing to understand it? if we’re allowed to project on to these characters, then why won’t you let hussie?
if you got to the bottom of this post, thanks for reading! i might turn this into a video essay if i’m being honest, but if you wanna repost this, or make your own response, please just credit me! also check out my homestuck fanworks if you like this post, i’m sure you’ll like them too!!! i don’t really have anything else to promote so uh…. if you’re on the homestuck^2 team and read this…pleasefortheloveofgodiwouldkilltoworkonanofficialhomestuckprojectidontevencarewhowhenwhenwhereorhowbutillsettleforanytjingpLEdareplelaplwlalsplelallaldle
in all seriousness, thanks for reading! i doubt this post will take off simply due to how long it is. i’d love to hear other people’s thoughts and opinions on this, or possibly make mutuals to yap with even! dear lord i miss having friends to talk about homestuck with. also sorry for the censors, normally i wouldn’t bother with something like that, but i’ve been working on this non-stop for the past few days, so i don’t wanna risk it being taken down.
anyways….. THAT’S why i have the bro strider tag muted 😭
(EDIT ON 9/15/24: added a new source i found and fixed some minor grammatical errors)
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blueepink07 · 2 months
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Short analysis of Muu's honeybee appearance in her MV
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First of all, forgive me if some of the ideas presented were already discussed in the past. I, for one, haven't seen much discussion around this topic so I decided to bring this up!
The dresses that the girls wear in the bee form, seem to be made from flower petals. After some research, I have come to the conclusion that Muu's dress might be made from one of the petals of a yellow Iris (Iris pseudacorus).
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Tracing back through history, the Yellow Iris has been a royal favorite. It's been woven into the very fabric of empires, from the fleurs-de-lis in French monarchy to the ornate decorations in Ancient Egyptian palaces. This flower isn't just a pretty face; it's a historical heavyweight with a knack for elegance and power.
Before going further, about the fleurs-de-lis:
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It’s even debated whether the symbol is actually a lily, the flower the emblem is named after, or an iris, which more closely resembles the design and typical yellow color. One 18th-century historian even speculated that the name instead comes from the river Leie, where yellow irises are common and the Franks once lived. Another theory connecting the fleur-de-lis with an iris comes from the German word for a yellow iris in the Middle Ages—either “liesch” or “lies.”
With each use, the fleur-de-lis holds unique symbolism. In a religious context, it may denote purity. French monarchs used the symbol to denote the divine right to rule.
It's no wonder that Fleur De Lis has a connection with Muu's character, considering that she is half french, and is portrayed in the MV as the Queen Bee, such the association with royalty.
Moreover, Fleur de lis' sturdy stem represents the ever-present God who is our strength and our source of sustenance.
"God gave me everything, everything is as I wish"
Also, yellow irises are known for denoting strong bonds and warmth, ideal for demonstrating devoted friendship and happiness. Basically, it is a constant reminder of one of Muu's most beloved wishes to have a deep connection with her friends.
The other girls seem to wear, if we follow the same pattern, white irises' petals.
Something that was already noted is that the longer the dresses are, the closer the girls that wear them are to Muu. This idea is also reinforced by the hair color.
In this picture it can be clearly seen that the three girls who were shown bullying Muu in the first MV, and were the closest to her, have brighter hair.
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Honey bees are most attracted to blue, purple, violet, white and yellow. Considering that they themselves are honey bees, this may symbolize the "likeness" or the "popularity" these classmates have in school.
The hair color that they have in their bee form is more exaggerated than the one in real life. It's a more saturated and brighter version, but it still resembles the original one.
The other classmates who are not as close to Muu, have their natural hair color, which looks dull compared to Muu and her friends. Like their presence is deemed unimportant, they fade/ disappear next to Muu's friend group.
However, Muu is an exception. Why bother drawing her hair purple? It has no ties with her strawberry blonde hair in real life.
I kept asking myself this question, until I found this information:
"But it seems that bees, especially honeybees, are born attracted to the colour purple. Which is really clever of them, as flowers in the violet-blue range produce the highest volumes of nectar."
Muu is the Queen Bee, having purple hair she attracts all of her subjects to be around her. It's like she is the embodiment of beauty even in her bee form, having traits which can be easily envied.
Like Es tells her:
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That's all! Feel free to add your own ideas! Thank you for reading!
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lenaariewrld · 3 months
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C.21 — digging a grave (w)
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ON THE AIR — childe x reader smau
| SYNOPSIS;; Teyvat University’s popular radio personality, Y/n L/n, has only one gripe with her life. Her classmate, neighbour, and all-around nuisance in her life, Tartaglia. Their rivalry extends just past academics and, to her horror, into her work. He becomes the music director and co-host for her radio show, working alongside her most nights and forcing himself even deeper into her life. But is he really trying to just be friends, or is there an ulterior motive to his actions?
| WC; 5.8k
previous! ~ masterlist ! ~ next!
You felt a strange pit in your stomach the rest of the day after your conversation with Childe. Feeling… strangely guilty, for some reason. You didn’t know why. It wasn’t like you had been too incredibly harsh in the groupchat with everyone, you were just ribbing like you usually did and he didn’t seem to mind in the moment!
… Even as you told yourself this, you knew it was because of what you’d said when he’d texted just you.
Gods, it felt so stupid worrying about a boy like this… Who even were you right now? Anxiously pacing around Keqing’s apartment while she hunched over her cramped dining room table? You took a deep breath, stilling yourself for a moment. Keqing had been silent since you came over less than an hour ago, too busy cramming for some long and arduous assignment she’d been given by her professor to question you. That was until your fifteenth lap around her living room, your hands clasped in front of your face.
“Y/n, can you please sit down or something?” She speaks up, setting down her pen. She doesn’t look at you, instead grabbing a bright blue highlighter and running through her text again.
You stop pacing and sigh. Pulling out a chair at her cluttered table, you seat yourself and balance your elbows delicately on any exposed surface, careful not to touch her textbooks and other studying material. She continues her work, not pressing the issue. You appreciate her sometimes. She doesn’t force you to speak up, or try to weasel information out of you, though she may be concerned. She lets you take your time and come to conclusions yourself. It’s something you sometimes need.
You push yourself out of your seat and get to work, being as quiet as you can as you start picking up the little bits of trash or laundry on the floor. You figured you might as well put your energy somewhere other than pacing, so you do. In fact, you spend another couple hours at her apartment, cleaning up her kitchen or her living room, or organizing her closet while she studies. Keqing wasn’t a mess, per se, but when she got into the throes of her major, it was hard for her to maintain the cleanliness she liked.
You always offered to help her.
Body doubling, essentially, as she studied and you helped her apartment become less cluttered. When the time comes for you to start getting ready, you make sure she takes a break to eat before leaving. You head over to your own apartment.
A part of you hopes you can run into Childe before he leaves and talk to him, wanting to clear up what you’d said. You had been kind of a shitty friend to him and wrongfully accused him of something he likely didn’t think or feel. And you wanted to make sure he wasn’t upset. For some strange reason…
Unfortunately, you don’t get the chance.
When you arrive, his apartment is noticeably quiet and dead inside, a sign he likely left before you arrived. You also spot a sticky note on your door, written by Childe, telling you the location for the venue and what to say to the volunteers who were checking the tickets. You push aside the pang of disappointment you feel reading the note. It was probably fine! You could just clear it up with him later that night. Unlocking your door, you set the sticky note on top of your keys so you won’t forget it, stepping further into your apartment.
Cyno came by fifteen minutes later to help you pick out an outfit, distracting you from the weird feeling you had by hyping you up and suggesting accessories to elevate your clothing options. You put on a playlist of music similar to Childe’s– a ritual you and your friend had for every concert you attended. The both of you giggle and dance around your apartment as you both get dressed, the white-haired man stealing hair accessories and belts to add to his own clothes. Cyno holds up a pair of platform boots and asks to borrow them while you fix your hair into a ponytail.
“I guess soo,” You teasingly reply, scrunching your nose when Cyno rolls his eyes and kicks off his slippers. He searches around your closet for your basket with his clothes he’d forgotten, finding a fresh pair of socks before he puts on your shoes. You go back to your hair.
With that fixed and your hair styled to fit the vibe of the outfit you’d landed on, you move on. You help him with his makeup, pushing him to sit statue-still on your toilet seat while you messily apply dark eyeliner and a little shimmery purple shadow. A pop of red under his eyes and you turn to your own look. You both decide to match a little in the end.
“We look hot,” Cyno nods as he surveys himself in the mirror. His dark skin was really well complimented with the flecks of glitter on his eyes and cheeks, and you nod in satisfaction at your makeup artist skills. “I seriously had my doubts with you,” He teases you with a satisfied smirk, chuckling when you slap his arm.
“It’s artistic when my makeup is messy,” You defend, snatching a bracelet and escaping from your bathroom to apply your last finishing touches.
It takes only a little bit longer for the both of you to finish up and make your way to Cyno’s car, the man dutifully driving to the venue you recite from Childe’s note. You arrive after finding a parking spot and notice the long line already starting to form outside the little building. Though the concert was definitely one the smallest venues you’d ever been in, it was still nicely packed and there were a decent amount of people acting as security. You knew, from what Childe had told you, that a few of them were volunteers from the newspaper team, who had also helped a little with the funds.
You both make your way to the front of the line and you tell the volunteers about your supposed ‘VIP tickets’, feeling like a stupid groupie when you explain you don’t have physical tickets and just a sticky note. Anxiety claws up your throat as one of the volunteers gets up to call someone else, your little yellow note clutched in their hand. You wonder if the tickets Childe had promised were even still valid, or if he’d decide to embarrass you and force you and Cyno to pay because he was pissed at you.
Thankfully, that doesn’t happen. Instead, one of the newspaper staff you recognize, Yelan, comes up to you both. She smiles cooly as she waves you both over. “Well, well, you two’re sneaking into this group’s shit now? I wouldn’t have thought that of you,” She’s teasing, and you can tell by the smile tugging at one side of her face, but her smooth voice and the confidence she says it in makes you doubt it for a second.
“Nah, we got freebies,” Cyno shrugs, fist-bumping the older woman. She was only three years biologically older than you– and one year academically –but she felt leagues above you. She had her shit together.
“I know, the band told me,” She laughs and motions for you two to follow her, cutting around the forming crowd and directing you two to a nice pocket towards the front of the stage. “Enjoy, and tell me how this piece comes out,” Yelan glances knowingly at the camera around Cyno’s neck, winks, and walks off in the span of two seconds, leaving you mesmerized as she’s whisked into some other duty.
Cyno shakes his head fondly at the woman’s words.
Before the concert starts, he hands you his notepad and asks you to write down the songs that play and anything they say between songs. When they come out onto the small stage and introduce themselves, you clap along with the crowd. As it goes on, your friend snaps his pictures peacefully. You enjoy the music, and even hum along to the few you recognise.
During the set, you lock eyes with Childe, and because you felt incredibly awkward for his attention to be on you like that, you gave him two thumbs up. He cracks a small smile and faces more of the crowd. That small moment helped undo some of the terrible knot in your stomach, and you felt a little lighter.
You focus on enjoying the rest of the concert with your friend, bopping along to the songs when you weren’t taking notes. You cheer and clap when it comes to an end and everyone does their encore, handing Cyno his things back and just chatting with him while people begin to clear out. A few minutes pass before Kaeya finds you, bringing the both of you back to the dressing room. “How’d you like it?” he asks the question lightheartedly, talking to you and Cyno as you walk. He also asks about your day, what Cyno’s classes were like, and whatnot.
Cyno asks his own questions as well, talking about the band. However, Kaeya seems less interested in talking about them and moreso himself and his other accomplishments. You glance at each other as Kaeya turns a corner, confused about his whole attitude. Didn’t he co-lead this band? Shouldn’t he care?
You shake that thought off as you make it to the dressing room, greeting the only other person you know in there, Thoma. The room was small and most of the guys were on folding chairs relaxing, loosening the tight parts of their stage outfits, or chugging water. You notice a peculiar lack of ginger hair and boisterous laughter when you enter. Cyno finds himself a seat and talks to Thoma, so you excuse yourself to ‘find a drink’. Really, you were looking for Childe.
You find him and knock on the door of the changing room he’s in to announce your presence. He pulled his shirt down over his head and looks at you, his eyes widening slightly. “Hey,” He greets, fluffing the shirt and pulling it into place. “What’s up?”
You fiddle with the hem of your crop top, losing your words all of a sudden. You close your eyes and sigh. “Listen, I’m sorry for earlier,”
“Don’t apologise,” Childe runs his hands through his hair. “I was just not in a great mood earlier and I took your words to more heart than I should’ve,” He shrugs, but he clearly isn’t telling the truth. You’ve learned his little tells in the time you’ve spent together.
“I was still a shitty friend,” You reply.
“You were being yourself, and it wasn’t shitty. It’s your style,” He retorts, not letting you speak again before he adds, “It wasn’t a big deal, It was just me overreacting,” He promises. You press your lips together. You had been all worried and anxious for no reason. He wasn’t upset at you, he wasn’t going to treat you like shit all of a sudden.
“Well, I’m sorry still, so just accept it,” You tell him, cracking a small smile when he chuckles.
“Sure, I accept it,” He taps your forehead as he steps past you and back towards the back dressing room. The both of you seem to wordlessly agree to set the little spat aside, the knot in your stomach completely gone by the time you rejoin the others. You’re surprised to find them already getting up and packing their errant items into duffel bags.
Kaeya and Ayato lead the group towards a nearby hotel, going right past the lobby and towards a specific room. When you splutter incredulously, glancing towards the receptionist (who doesn’t even bat an eye at the trailing college kids making their way towards the elevators), Childe leans slightly as he walks beside you. “Ayato and his family have a long running membership with the hotel, so all the staff don’t say anything about who he brings in and out, especially not when he told them in advance,” He whispers to you, nodding when your mouth falls slack in shock.
Rich bastards!
He slows down his step to talk to Scaramouche while you hurry to catch up to Cyno and Thoma. You arrive at the hotel room to find quite a few people already there. Friends of the band members and… probably a few girls just trying to have any fun they can find. There’s music playing and bottles sitting out for anyone to take. The people you don’t recognise cheer as the band step across the threshold, welcoming them in and falling into conversation with everyone.
You snatch a bottle of soju to nurse and find a seat on the couch while Cyno departs to interview some other band member or something. He checks in before leaving your side, patting your shoulder. More people shuffle around the suite, which is more of a stay-in apartment than just a hotel room, finding seats or whatnot. The atmosphere is chill but still lively. It seems like everyone knows way more people here than you do. You can’t help but watch the different conversations.
Someone sits next to you on the couch and it takes you a minute to realise it’s Scara. He’s scrolling on his phone, disinterested in the chaos around him as Kaeya and Ayato urge everyone to imbibe. Across from you in the two arm chairs, Thoma is busy talking to a girl. You give him a pitying look, able to tell the girl is clearly just nodding along to what the blonde says because she finds him attractive, not paying attention to the rather boring things he’s talking about. You don’t blame her.
It takes a few sips for you to relax into the cushions, losing track of time as you chat with anyone who comes up to you. You giggle and laugh at stories or jokes, share your own bits, and exchange your number with a few of the people there. Eventually, Scara turns off his phone, leaning his head against his hand. “You’re Childe’s girl, right?” He asks with a quirk of his brows.
“W-what? I... no! I’m just his friend! We.. work together,” You quickly defend, spluttering as your brain fights between swallowing your drink and rushing to speak.
Scara raises his brow again, humming in contemplation. “I just meant you’re the one he invited, yeah?” The dark-haired man chuckles, and you can’t help but feel there’s a slight malicious intent behind his words and actions. You press your lips together, unsure how to respond. The man tilts his head to look at something else in the room. “I don’t know how you put up with him.. He’s been soo..” Scara trails off as he drags out the ‘o’, thinking about an apt word for his bandmate. “Annoying, lately,” He settles on.
“Annoying?” You perk up slightly, tilting your head. He’d been amicable to you, sometimes even downright groveling in exchange for your forgiveness (or the now frequent trysts between you both). Annoying, maybe a little bit, but maybe he’d been different with others?
Thoma leans forward in his seat from where he’d just been observing. The girl from earlier seems to have disappeared, finally losing interest in him by now. “He’s just cheery and less… all over the place. Has been since you guys started working together, really. Scara just hates that Childe isn’t being a complainer anymore,” Thoma chuckles, sending a playfully scrutinizing look at the brooding man across from him. Scara flips him off, pulling out his phone again.
“He just likes the attention,” You comment with a shrug. You don’t want to assume anything, especially not from the biases of his friends. It couldn’t have been anything you did that caused that change, right?
Before you can ponder it for much longer, Childe finds you, alerting you to his presence with a hand on your shoulder. “What are you guys talkin’ about?” He asks as he leans his hip on the back of the couch right by you, temporarily planting himself.
“How awful you are,” Scara supplies.
“Hardy-har,” Childe sarcastically laughs, grabbing your hand and nodding his head for you to follow him. “Spreading lies about me, I see. If you don’t mind, I’m gonna steal your entertainment, though,” He says. You wordlessly stand and set your bottle down, nodding when Thoma reaches for it.
“Go ahead,” The dark-haired brood mumbles. He waves his hand dismissively.
“Don’t let him abduct you too far,” Thoma jokes. He laughs when you send him a playful salute over your shoulder, walking away with Childe. The amount of people just lingering around the room was astonishing to you, watching a few people as they entertained themselves with drugs and alcohol if there was no conversation to be had. Loud bouts of laughter erupted from different parts of the room, drifting with the two hosts who seemed to feed off of the energy of getting people fucked up.
The ginger leads you to the ‘bedroom’ and past that to a balcony outside, sliding the door closed behind the both of you. It gets significantly quieter without the loud chatter and music right in your ears. He leans against the railing and looks out at the streets sprawling below. The sounds of the city serve as quiet white noise while you catch your breath, a cool breeze cooling your heated face. Childe flicks his wrist and produces a cigarette, cupping his hand to protect the flame of his lighter from the wind. You can’t help but stare the entire time.
“I’m sorry,” You apologise again, unsure why you’re even sorry this time.
“Don’t be,” The man says softly as he exhales the smoke from his lungs. “Scaramouche is just like that… and you don’t have anything to be sorry for,” he says, bouncing his brows at you. You chuckle softly, tucking loose strands of hair from your face and leaning against the railing beside him. Cars honk and drive past down below.
He holds out his cigarette for you after taking another hit and you gratefully accept, rolling it between your fingers. You inhale deeply, letting your heartbeat calm you down. It’s quiet as the two of you share the vice, exchanging between giggly breaths. The cool evening air whisks away your smoke and laughter until it’s a distant memory.
“You know, I’ve always kind of admired you,” Childe breaks the comfortable silence, looking at the sky as if he’s trying to catch a glimpse of the stars through the lights of the city.
You tilt your head. “Why?”
“You’re so…” Childe presses his lips together as he thinks, passing the cig to you. He folds his hands together. “Sure of yourself.” He says. “I remember towards the end of second year when I saw you again… You didn’t let anyone tell you who you were or where you belonged if you wanted to be something or somewhere. You still don’t. It’s… admirable,”
You contemplate his words, your brows furrowing slightly. “And you do? I find that hard to believe,”
“Well, believe it, sweetheart,” He laughs. Childe takes the cigarette from you easily, flicking off the ashes and taking a deep drag. He can taste your flavored gloss mixing with the nicotine. Maybe that’s why he likes the taste of cigarettes now when before he’d found them too bitter. Sharing them with you made it… sweet. “I just pretend to be sure of myself, but I don’t try anything new and I only go to places people expect me to go…” You lean your chin in your hand as he speaks. “I’m just too… unsure if I can do anything new myself,”
A hum sounds from you, your gaze following the fluttering ashes as they drift away on the breeze, unrecognizable specks disappearing from your eyesight. “I get that…”
“How do you do it?”
You shrug at the man ‘s question. “I just… don’t let anyone get to me.��� You scratch at your cheek. “It’s hard, because I do doubt myself sometimes and feel like I shouldn’t belong where I am, but I know that I wouldn’t have gotten there if I didn’t actually belong, and if I didn’t try I’d never know.” You look at him when you speak next. “Besides, life is too short for me to worry all the time about being worthy,”
He smiles a little, a twinkle in his eyes as he stares right back at you. He bites the inside of his cheek and looks away again, thinking about what you said. “Being worthy is all that matters to me,” He says, quiet like he’s confessing a deep sin.
You blink at the surprising vulnerability from the ginger. He’s silent after that, watching cars pass by in silence. You stare at his profile, the slope of his nose, the curve of his cheeks, the dark lashes that frame his deep blue eyes. You can practically see the emotions swirling around inside him. Tentatively, you slide a little closer, your shoulders brushing slightly. “What are you trying to be worthy for?” You ask quietly.
“I don’t know,” Childe answers after a second. “My family? Myself? It’s… hard to figure that part out..” He shakes his head and takes another drag. The burning of the cigarette highlights his face with a faint yellow-orange. You watch his features change, softening slightly. You reach out and take the cigarette from him, bumping your shoulder with his in a silent attempt at comforting whatever worry was in his head. “I can’t even be sure of myself in my music… I can’t run this band by myself,” he sighs.
“Well, I think you’re doing an alright job,”
“Yeah, well, Kaeya did a lot of the work too… He just doesn’t seem to care like I do, and sometimes I question if I shouldn’t care as much either… Maybe I’m not supposed to be the ‘leader’,” He uses air quotes as he says this. You take a hit of the cigarette while you watch him, inhaling through your teeth and letting the air cool before bringing it into your lungs.
When you exhale, you shake your head. “You’re a good leader, and you don’t need to be worthy to do that,” You tell him. You glance behind you as you hear a chorus of loud cheers from somewhere inside the hotel room. Then you turn your attention back to the man. He pressed his lips together, lost in thought. His eyebrows furrowed in concentration. You don’t know what he’s thinking, but you can tell his expressions don’t mean anything good. With a quiet hum, you lean your head on his shoulder, offering slightly more comfort than your words seem to give.
“I don’t think I deserve it even when I get the chance,”
“Why not?” You speak, “You have a passion for the music and you want to express yourself and the others,” As you finish, you look up at him, silently questioning but not pushing for an answer.
And all of a sudden, Childe feels like his throat is constricting when you blink up at him. Suddenly, the thoughts in his head are reduced to mush, and that rearing monster of guilt that he feels in his stomach whenever you get too close makes him freeze. He’s tense, staring at your wide, honest eyes. How could he tell you the whole reason he felt he didn’t deserve it was because of what he had to do to get that? He had wanted control for good reasons, but he had to get you involved to do it… Because he was too much of a coward to just ask for it from Kaeya.
It was easy, at first, to push aside any guilt when you hated each other. Back when he swore that you would never weasel your way into his good graces because of how you treated him, that even if you were nice, he’d still remember that you’d hate him… Now, that was shaky reasoning at best.
You were a good friend. You had been honest, and even when you were acting like a royal bitch to him, it wasn’t anything he didn’t deserve with his own shitty behaviour. And you set aside the actual malice and vitriol when he apologised. All he’d done to you, “for” you, was for a goal that seemed so childish now. He’d lied through his teeth from the beginning, and even now, he still found himself lying to you. He withheld parts about his deeds to keep you close to him. To hold you while he still had the time.
Because Childe knew, without a doubt, that you’d eventually find out. And he knew no matter how well he treated you (or how genuinely he might’ve meant it) that you’d want nothing to do with him when you did. No matter how close you’d gotten or how much he’d come to enjoy your company and your laugh and your humor and you personality.
He knew this bliss wouldn’t last.
He knew.
And yet he couldn’t keep himself from crawling to you, texting and calling and knocking on your door.
Childe knew he was never going to be enough to make up for what he’d done. He was digging a grave too deep for his own good.
“You’re getting quiet,” You told him. “Whatever’s worrying you can’t be that bad, can it?” You knocked your shoulder against his with a playful smile. He chuckles, and you can tell by the way he swallows that he’s never going to tell you the thoughts bouncing around his brain. You can’t help but feel a little saddened by that.
“Yeah,” Childe leans his head against yours, kissing the crown of your head. You giggle and cup his cheeks, meeting his lips in a sweet kiss. A short moment shared between just the both of you.
“Feeling better?” You joke as you pull away, your noses still bumping.
He sighs and caresses your cheekbones with his thumbs. “A little bit,” he said honestly, though his tone was joking. You rolled your eyes in faux exasperation, pulling away and lightly flicking his nose with an infectious giggle.
“Okay, Romeo, let’s get back inside before your friends set that room on fire,” You put out the cigarette butt and toss it in a small bin. Childe laughs at your apt assumptions about his friends, sliding open the door for you. You thank him quietly, skipping inside first. When you return to the same couch you’d occupied earlier, you find Cyno in the middle of questioning Scaramouche. He’s scribbling in his notes as you approach from behind, leaning over the back of the arm chair and reading over your friend’s shoulder. You notice the excessive amount of angry face doodles he had around the page, looking eerily similar to the dark-haired singer, causing you to snort unceremoniously.
“Hey! Don’t read over my shoulder!” Cyno squawks, pretending to be offended as he ‘hides’ the notebook. You cover your eyes with your hands and turn away dramatically at the accusation. The man laughs and relaxes again after a couple seconds of your antics pass. You wait for him to finish his questions before sliding into the seat beside your friend, throwing your legs over his. He chats with you mindlessly or the others around, and you occupy your hands by braiding sections of his hair.
The rest of the night is spent chatting with everyone or playing a couple games in order to drink, though you monitor the amount of liquor in your system so you don’t get too drunk. Cyno doesn’t drink either, revising his notes whenever he didn’t want to talk to anyone or just nursing the same soda bottle throughout the night. Somehow, in the time you spend there, you also end up hitting it off with Kaeya and, you think, Scara. You got the shorter man to laugh at a few of your jokes and he didn’t seem to glare at your presence, so that was… something?
By the time the clock hits two in the morning, you find yourself starting to drift off, cuddling next to your white-haired friend on the couch. His arms are around you protectively as he converses quietly with Thoma, the both of them remaining hushed as you doze. Your eyes are closed, but you hum and use thumbs ups (or downs) to show that you are still alive and aware of the current situation.
“Here, I can take her home,” Childe offers, his car keys already in hand as he approaches Cyno. Your friend narrows his eyes, hesitant to just let you go with the ginger. You shift slightly as his arms readjust around you, the man still not letting up.
“She rode with me,” Cyno says.
“And we live next to each other, so it’s just easier… I’m already heading out and she’s falling asleep,” The ginger points out, tapping your thigh to wake you up without too much disturbance. You lift your head and blink blearily. You look an awful lot like a tired cat as you scrunch your brows and fight off a yawn, stretching out over the couch and waking yourself up.
“What’s up? More games?” You ask.
“No, I’m taking you home,” The ginger says, a smile already pulling at his lips. He has to resist the urge to pinch your cheeks, instead holding out his hand so he can help you up.
“I can take her,” Cyno again insists, already moving to get up. He stills as you pat his shoulder, smiling calmly.
“No, you don’t have to leave because of me.. Stay and catch up, have fun,” You shrug, standing up. Your friend glances between you and Childe, his mouth pressed into a line. He looks like he wants to say something. “It’ll be fine. I think we can make it through a fifteen minute drive,” You assure, ruffling his hair. Cyno groans and fixes the messy tresses on his head, waving you away.
“Okay, okay, fine.. Text me when you get home, please,” He tells you. You nod dutifully and head out with Childe, leading the ginger lead the way.
It’s comfortably silent again as he drives. You just listen to the radio and watch the road, letting the wind blow through your hair and along your hand. Childe doesn’t speak the entire ride, nor as he parks, or as he walks you to your apartment. It isn’t until you walk up to your door that he finally speaks. “Thank you for coming,”
You chuckle. “Well… Thank you for inviting me. It was actually kind of fun,” You admit, tilting your head this way and that while you unlock your door in a ‘so-so’ motion. The man laughs softly, stumbling back as he slaps his hand over his chest like he was just hit and was soooo hurt. You can’t help but smile at his antics.
He turns to his own door, but you whistle to get his attention. He raises his brows as you push open your door, motioning inside. “Do you want to just come in? We can watch a movie..” You suggest.
He agrees.
The both of you step into your apartment, and it’s innocent and sweet the way you both set down your things. You kick off your shoes and he unties his sneakers to set them next to your boots. You both know the routine for sleepovers by this point, wordlessly working around each other to change and get ready for bed. Childe braids your hair back before you remove your makeup, and makes himself comfortable on your bed while he waits.
Finally, you pull up a movie on your laptop and hand the device over to him. He fixes it on his legs so you both can see, lifting an arm wordlessly for you to snuggle into his chest. In fact, the entire exchange is quiet, calm and peaceful even as you both find yourselves tangled together under your covers, watching the studio ghibli movie you had selected. The man plays with your hair while he watches the screen and you run your hands absently over his collarbones.
He turns his head slightly to watch you. You look up at him, brows jumping just slightly as you catch his gaze. He chuckles, smiling as you lean forward to kiss him softly. He kisses you back, gently cradling your head even as you sit up a little. When your hand travels lower onto his stomach, pulling at his t-shirt slightly, he grabs your hand. “Y/n..”
“I’m sorry,” you immediately say against his lips, pulling away from the kiss and putting some distance between you both. Childe tugs you close again, still holding your hand. “I thought–”
“It’s late, baby,” He speaks softly, just above a whisper as he coaxes you to lay next to him again, bringing you into his arms. You’re tense, suddenly aware of how close he physically is to you. He smooths his hand over the side of your face. “We can just hang out without doing anything,” He shrugs. “And you’re practically falling asleep, sweetheart,” His voice is slightly teasing as he twirls some hair around his finger. Your cheeks flush slightly, your body relaxing against the man.
“Okay…” You say. Childe hums approvingly, his thumb rubbing circles against your wrist. He brings your hand up to his face, kissing your palm sweetly. 
“Just relax..” He whispers. You do your best to do so, focusing on the movie and the warmth of his body against your chilly sheets. The ginger continues to stroke your hand and play with your hair, pulling you even closer until your ear is pressed against his chest. His ministrations and the steady breathing reverberating in his chest starts to lull you further into sleep, the awkward moment fading from your mind. The sweet music from the movie fills your head, and you manage to hum something akin to a ‘goodnight’ before sleep claims you fully, your eyes too heavy for you to keep them open much longer.
Childe finishes the movie until he’s assured that you’re really asleep, shifting a little to set your laptop aside and turn off the lamp once he is. The apartment baths in darkness, moonlight peeking barely peeking through the closed blinds. Childe listens to your breathing while you sleep, staring at your form in the darkness. He pulls the covers over you both once his own eyes begin to feel heavy. “I’m sorry,” He whispers into your hair, his arms wrapped tightly around you.
For now, he could cherish what he had of you, right..?
———
A/Ns: whoo this one was a doozy! ehehe, i hope y'all enjoy the slight angst of this and brief glimpse into childe's inner thoughts,,, as always, likes/reblogs/comments are srsly always appreciated, and obviously don't forget to eat something yummy <33
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lilytii · 11 months
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My thoughts on Ascended vs. Non Ascended Astarion
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HEAVY Spoiler Warnings ahead. If you've not completed the game, or if you do not want spoilers, do not read on!
Honestly, I was never planning on making a post like this, and generally I thought most people understood the differences between them. However, I’m seeing a bunch of people twist what both of these mean and are adamantly standing with these twisted meanings, which I feel does them both an injustice. This argument is addressing the romance with Astarion. If you’re just his ally/friend/colleague, most of this won’t matter much.
First and foremost, let me say this: If you like either of these endings, that’s great! I think they’re both tragic in their own right and indeed well written. I do not think anyone should be judged because of what they enjoy, from a fictitious game. I do not think that those who like Ascended need therapy, nor should they be shamed or judged in current relationships. I also do not believe that those who like non ascended route are weak hearted people who cannot handle a hot, evil romance. These are all personal preferences and you shouldn’t feel ashamed.
That being said, I think there are people who are misunderstanding, or refusing to accept what some of these endings mean for the character. I’m going to break things down, piece by piece and come to you with my conclusion. For this I’ll use a few different abbreviations to make things easier.
A.Astarion - Ascended Astarion
S.Astarion - Spawn Astarion
U/A- Unascended
Hopefully this will make things easier to understand and follow. Alright, let’s get into it, and apologies if this is long, this took me days to write and look over all the information I could culminate. I’ve seen many of the same points brought up over and over again, and some who argue various versions of the same argument. Instead of writing long winded responses to one response, I figure I’d write out all of my thoughts in one post and be done with it. There may be points that I miss, forget to address, and I apologize, there’s a lot of ground to cover.
First, let’s go over a few things about What we know about BG3 vampires, the Ascension ritual, and what all of this means.
I think it’s common that everyone knows BG3 is set in Faerun, which is a world setting for the game D&D. The game is running off 5E rules and guidelines, though there are many things that are changed to better suit a video game setting rather than table top. (i.e. short rests are instant, long rests are the only way time and events progress, etc.) That being said, 5e has a set of rules that exist more as guidelines. At the end of the day, everything is up to DM discretion. If the book says “ X works in X way” and the DM says “I don’t like that ruling, so I’m going to change it to work differently for my campaign,” that’s valid as long as everyone agrees and it remains consistent throughout.
That’s the beauty of this game, is everyone runs it a little differently, with their own set of understanding and rules. BG3 works the same, and as the player, you accept and acknowledge that and play to how it is. 
The Vampires seem to be mostly following the lore and rule sets, but there are a few differences here and there. Mostly, the moment you turn into a spawn/vampire, you’re inherently evil. That’s it, end of story, alignment changed. It doesn’t seem to be the case in BG3 though, as you can see some of those who were spawns and recently changed, don’t seem to be fully evil. Astarion tells us of his past and it seemed he wasn’t entirely subscribed to the sudden alignment change. (Not to say that he doesn’t have evil tendencies, he’s very morally gray.) Even Cazador and the notes you find, in his earliest moments as a spawn, seemed to hold an ounce of who he was before he became a full fledged vampire. It seems that from what we see, the corruption is a slow burn, but inevitable, and Vampire spawns seem to have their souls. How do we know they have souls?
Astarion says that he might as well sell ‘what’s left of his soul’ to a devil, than to let Cazador have him again. The Ascension doesn’t just sacrifice these 7000 bodies, they don’t seem to be just ‘animated dead’, oddly enough they have souls that when they’re sacrificed, those souls go to hell to the demon that made the pact. Mephistopheles.
Raphael tells us all about it, and states it’s a rather grim tale, even for his tastes. This ritual is so foul, so diabolical, it has never been performed. The right of profane Ascension .Astarion’s soul, would be sacrificed.  I Think, damning 7000 souls to hell in exchange for power, there’s no coming back from that. I mean, hell, Bhaal himself must be impressed, probably salivating at the amount of death and carnage in one go.
The Ascension gives Astarion a taste of power, he gets some boosts in combat, but the taint on him is already done. He was a pretty gray character before, now? Not so much. That ritual changes him deeply, and it is evident in how he presents himself and how he behaves. He is truly lost, and not a shadow of himself remains.
“He wants this, and he Approves when you let him ascend.”
Ah, Approval, the way to win the man’s heart! Yes, he approves in both scenarios, and he thanks you in both as well, however, context is Everything here.
Astarion, in that moment, is enticed by power and by the promise of safety. He acknowledges he was blinded by it, just as Cazador was. If you are romancing him, you must succeed a persuasion check that’s relatively low depending on your rating with him, and if he’s romanced.
A lot of people dismiss this and say the fact we have to talk him out of it, shows he did not want to stay a spawn and wanted to Ascend. He admits that he was blinded by his want in the moment. He may have wanted to ascend in that moment, because it promised him a life in which the world would bow to him. After all he’s been through, it’s not crazy to say that sure, he was blinded by the promise of now, not thinking of the consequences. How many times have you made an impulse decision because you wanted something now, because all you could see was the promise of a good time, without thinking of any repercussions? It’s human.
He goes on to say:
 “But you saw something else in me- Someone else I could be. Someone who could break the cycle of power and terror that started centuries ago. You saved me back there. I may not have appreciated it at the time, but I do now. Thank you.”
I want to point out his body language. When Astarion is being serious, when he’s lowering the walls and the barriers to who he is, his movements are small. He smiles, his eyes soften, and he makes eye contact. When he says “but I do now,” he nods, affirming that he truly understands and appreciates what you did, stopping him from ascending. And then he gives a humble bow of his head saying ‘Thank you’.
“But Astarion thanks you on both occasions for giving him everything.”
As it was stated above, context is key. Yes, When he is turning you into a vampire spawn, A. Astarion does say “You’ve given me everything I ever wanted. Thank you.” I can see the case people would make to say this is what he wanted, and so he is sincerely thankful that we gave it to him. In either case, he’s happy.
I can understand the logic, but allow me to put it into a different perspective, if I may.
A drug addict is going through withdrawl and you have the drug they want. They crave it, they’re only focused on that drug and need the high to get through another day. They don’t address their addiction, they just need to score, so plead for you to give it to them. You cave in, give them their drug and they take it. They tell you “Thank you, this is what I wanted.” Is it sincere? Sure, they are really thankful for it, but did you help them? Was this really what was good for them?
Instead, when they beg you for the drug, you tell them ‘No, this is not the life you would be proud of and I want you to be proud of yourself.” Instead, you take them to rehab, they get clean and stay sober. They’re on the path to turning their lives around and say “You know what, I didn’t appreciate it at the time, but, you helped me. You saved me from going down a horrible path. Thank you.”
That thanks, is also sincere, but the outcomes are vastly different.
A.Astarion thanks you for giving him what he wants. S.Astarion thanks you for giving him what he needs.
 Even in his graveyard scene, he says he’s not giving up, just “Reassessing what I want. What I really want.” And when you ask him later, at the graveyard what he wants, he says “you. I want you”  I emphasize ‘really’ here because he does. This is Astarion being honest and telling you what he really wants.
He does not NEED power over others, he does not NEED to ascend, he needs to believe in himself, to choose a life he can be proud of, to do what he wants without being a slave to all the power that stood before him. 
This is evident if you say “You saved yourself, I just gave you a push.” 
And he responds with:
 “You did more than that. You believed in me- believed I was enough just the way I am. When I look at my future, anything and everything feels possible now. And I get to share it with you, as a partner. An equal. You saved me from myself and let me walk a new path where I can be free. TRULY, HONESTLY, FREE. This is a gift, you know. Thank you. I won’t forget it.”
There’s so much that this speaks to, and it’s so self explanatory, but so many people overlook that to say:
“S.Astarion is weak and is still unable to walk in the sunlight. At least Ascending him he’s free.”
I’ll agree and say his ending with him running away from the sun is tragic and painful, but I think that was the point. It’s gut wrenching. The worst part is honestly, most of the companion dialogue who treat him like ‘Oh well, fuck him I guess.” That, I think we can all be on board saying he did not deserve that. Turning away from power, helping you save the world, and all the companions say is like “welp, it was nice knowing you.” That was dirty.
It feels like so many people think giving up one's soul to walk in the sun is the best decision ever and so worth it. The point of his story feels like “Power, but at what cost?” Sure, he can have all these added benefits, if he just gives away his soul, does the most horrific, dastardly thing possible, and completes the ritual. He no longer is himself, and becomes a slave to power. Power will always be something he chases, so that he will never be used again. You basically tell him he’s weak the way he is and to steal the power he is owed. 
Meanwhile in the U/A route, you tell him that he would not be proud of this life, that you want him to live a life he would be truly proud of. And he says “You’re right, I can be better than him.” But he is NOT above enjoying being the one to deal his death. We don’t even STOP him from Killing Cazador, we know he is owed that, he deserves that. 
S.Astarion says he is free to walk a new path, whatever that path is. In his graveyard scene, he says he’s been dead in the ground long enough, it’s time to start living again. S.Astarion’s story is about finding his autonomy, finding his inner strength, accepting himself and making a new path for himself. Whatever this world has to offer, he’s going to take it and have fun.
When you Ascend him, and tell him that you miss the man he was, he seems actually taken back and says:
 “What do you mean, I was pathetic back then, why would you say that?” 
He sounds hurt. He sounds like maybe the tiniest bit, he regrets losing that man, like he can’t understand why someone would love who he was before he ascended.
He hasn’t gotten the affirmation that he’s enough, in fact, he’s more affirmed that he was weak, pathetic, and that power is what will make him strong. He is perfect now because he’s powerful. That’s such a tragic way of looking at him. By choosing this, he doesn’t accept how strong and capable he is as a spawn, he doesn’t heal and regain control of his life, he’s seen as lesser, as someone who needs an outside power to be strong. Love, belief in himself, it wasn’t enough to save him.
“There is no Equality in S.Astarion xTav/Durge. You have the upper hand, he does not. You will die of old age, he will not. That’s not a good romance at all.”
This complaint is one I see a lot, a LOT on people’s videos, blogs, reddit, etc. Just because he is back to being a spawn and does not have insane vampiric powers gifted by an evil, hellish ritual, does not make you his superior. It’s the way you two treat each other, the way you two view each other, that is what makes you an equal. 
If you look at how A.Astarion talks to you, he talks down to you, looking down his nose, he believes you are beneath him. If he makes you a spawn, you are kept nicely under his thumb. 
If you keep him as a spawn, he does not look at you as if you are his ruler, his master, you are his equal, his lover, his companion. He doesn’t look down at you, but eye to eye. Just because one has different abilities and strength does not mean inequality. Just because one has a longer/shorter life span, does not mean inequality. Look at Shadowheart’s parents, one is an elf, the other, human. Does that negate their love because of their lifespan? Are they doomed and have a terrible love story?
I’m sorry, but this argument doesn’t hold water to me. 
A.Astarion fans love that they can choose to live with him in eternity, as his slave. So many people believe that is better than S. Astarion living his days freely with someone he loves, truly loves, as long as he can. I’ve seen people headcanon their Tav/Durge find a means to either cure Astarion of his Vampirism, or find ways to extend their lives. In one of my D&D games, we had collars that kept us from aging and dying prematurely. Granted, we had to agree to give up spell slots every year or so to a powerful mage so he can create magic items, but it pretty much allowed us to live forever. If Gale can ascend to godhood, I’m sure you can find a way to fix these small power issues.
“A.Astarion is the real Astarion, he goes back to his Act 1 self.”
I’ve seen this argument made to why people like A.Astarion, because they love the man he was in Act 1, and feels like this is who he is. There’s so many talking points here, so much to break down, and many arguments made to ‘affirm’ that this is the real Astarion, and this is where he is most himself. I’m going to break this down as best I can and do my best to be clear and easy to follow. There’s so much to go over and I don’t want to sound like I’m all over the place.
I gotta admit, I half agree with this. He does go back to his Act 1 self, but that's not the ‘true’ Astarion. Act 1. Astarion is the man who manipulated your feelings, who was playing an act. It isn’t until Act 2 that Astarion starts to come to terms with himself and becomes honest with you. Yes, he fell in love with you sometime between those moments, but after you ascend him, you can see that he goes back to those theatrics.  All of the progress he made, all of the growth he made, when he ascends, that’s it, it just hard stops and reverses back to the start. He regresses so hard that he loses himself and becomes a shadow of the man he was, an echo of that man who manipulated his way to get what he wants.
Astarion admits in several ways in different dialogue options that the Ascension would have changed him, it would have made him lose himself, it would have made him different.
Tav: “The ritual would have changed you, I’m glad you resisted it.
S. Astarion: So am I. Fun as all that power would have been…this feels more me.
Tav: “Do you regret turning down all that power?”
S.Astarion: “Perhaps. It would have been terrible fun. But then again, I could feel something slipping away. I came so close to losing myself-to losing everything I’d learned since meeting you.”
He speaks so much about his growth, about his development thus far and if he ascended, he’d lose it all. This speaks volumes to his character and to how he holds himself now. We see Astarion start to believe in himself, knowing his worth, and his U/A route shows that he’s starting to understand that he can do the right thing.
“Astarion says he’s not happy.”
S.Astarion “I am- well, not happy. But this feels right.”
(Graveyard scene,)
Tav: “regretting your choice?”
S.Astarion: “No, I made the right choice. Although I do regret the options I had.”
Tav: “You did the right thing, stopping the Black mass.”
S.Astarion: “I know, that doesn’t mean it stings any less”
 Tav: (when referring to never seeing the sun as the price of freedom) “Do you think you can live with that?”
S.Astarion: “I’ll have to, doesn’t mean I have to like it.”
All the arguments I’ve seen for those who prefer A.Astarion use this to say he’s not happy, that he admits that he would have had more fun if he had power, and that’s what he wanted. He’s lamenting his lack of power and the fact that he’ll belong to the shadows, for sure, but he knows and understands that the decision he made was for the best. This is honestly such a relatable, and real emotion and thought. How many times do we as flawed humans know that doing the right thing, whether it’s for our own benefit or someone else’s, isn’t always the ‘fun’ option. He’s been on a quest for power, saw an ideal in his head, and now understands that going that route wasn’t the best for him, no matter how much fun it might have been in theory.
Astarion knew he made the best choice for him, the best choice to regain control, to be himself, his true self. His options were ‘sell your soul, lose yourself to have power and walk in the sun,  or keep your soul, remain true to yourself and better your life, but be reserved to the life of a spawn, living in the shadows and with hunger.” There was no good options, but there was a good choice.  
I want you to think about who Astarion is, what he’s been telling us this whole time.In the love test, we can choose silly, fun answers to gain his approval and keep things lighthearted, but the real answers exist, and he doesn’t exactly enjoy them being shared.
Astarion is afraid of being someone’s slave, he’s afraid of being helpless and not being able to keep his freedom. This whole time, 200 years he’s been shown that there’s no heroes, gods do not care for anyone, and the strong are the only ones who survive in this world. He’s afraid, he’s terrified but puts on this air of assertion. He stands behind those who are stronger than him and rides their coat tails till he can snatch power for himself. He’s not above backstabbing and manipulation if it gets him what he wants.
Astarion plays with power, as long as it doesn’t threaten to change him. He’s fine with abusing the tadpoles powers, but the moment he realizes that greater power can be unlocked by becoming a half illithid, he wants nothing to do with it. You can peer into his mind and use his fear against him to force him to do this, but thats manipulative in it’s own right. You don’t respect him or his want at that point, all in the name and sake of power.
Astarion’s first line to us is his disgust at the thought of being turned into a mindflayer. He laughs bitterly and says “Of course it would turn me into a monster…what else did I expect?” Power is good if it offers safety and protection, but not at the risk of his own skin. This is said so much throughout and is emphasized by him saying, he knows finishing the right would have ruined him, who he was, and everything he’s learned up to this point.
However, if throughout this game, you show him that there’s strength in one’s self, that there’s power to be had deep within, he starts to understand that and starts to see that he can be the break in the chain. He can be the difference he needs, alongside you.
This power hungry Astarion is the result of 200 years of abuse and suffering. Astarion starts to understand that there’s consequences to one’s actions, he starts to take responsibility for those actions and understands the difference between running away from it, and meeting them head on.
I’d say that’s a strength in it’s own. He’s finding himself and tackling the hardest things in his life that he turned a blind eye to. A.Astarion does not get that. He doesn’t care about anyone, anything, consequences be damned.
“Tav gaslights Astarion to change himself. Tav ‘knows what’s better’ and choosing not to ascend him not only makes him weak, but shows you don’t think he’s strong enough.” Tav forces Astarion to change.
This is paraphrased from a comment from a prominent A.Astarion fan. The entire comment was such a hot take, that they said, and I quote: Cazador did not inspire him that sex is power. Cazador didn't need sex to control people, he had other power. 
I don’t know if they understand what Astartion was trying to say when he said that Cazador made Astarion use his body to lure things for him. That Cazador had full control over him and made him perform acts of sex against Astarion’s will, otherwise he’d get TORTURED. I could go ON about how disgusting the take is, but I won’t get into that. I’ll address their point and continue.
I believe I’m one of many who don’t like the option of “You don’t need to worry, I’ll protect you.” And Astarion’s own answer of “thanks, that’s sweet, but I don’t want to have to always rely on you.” (or something to that nature.) I refuse to choose it, I understand the sentiment, but that option didn’t feel good. 
Still, despite that line, Astarion doesn’t get the all power he wanted, but that doesn’t make him weak. Tav shows that Astarion is weak in the ways of inner strength, the strength to take off his chains and be himself! He has the strength to choose his own destiny and take it by the hands. So many people look at ‘physical’ strength and weigh that higher over inner strength. Astarion in game, is not a weak fighter. I can tell you, rogues are fucking CRAZY strong! In many of my battles, he’d be the last one standing and has to sometimes be the one to save others. 
Believing that there’s more to Astarion than power, revenge, and sex is NOT gaslighting him at all! Gaslighting someone is forcing another to believe that they’re wrong, despite the fact that they aren’t. It’s projecting onto them your wants and making them feel terrible for not seeing things your way.  
You can gaslight Astarion, want to know how? By forcing him to have sex with you despite him saying it’s uncomfortable for him. By saying “You should enjoy it, and enjoy it with me.” And do you know what happens when you choose that? He ends things, and stands up for himself!
We aren’t manipulating him, changing him, forcing him to be someone he isn’t. He admits to it many times over after  that we believed in him, we saved him and pulled him away from a path that would ruin him. To say that’s changing him, to say it’s gaslighting is absolutely bonkers! In fact, telling him to ascend is affirming that power is better than anything, even if it costs your soul. I don’t know why people refuse to believe that S.Astarion IS the REAL Astarion. And while he isn’t all powerful, he’s fully free to live his life the way he wants to, and intends on it.
“A.Astarion still loves us. Sure it’s not the ‘kind’ love you get with S.Astarion, but it is love and he does care for us. It’s perfect for an evil route”
This is the most common argument for what I’ve seen people saying they like A.Astarion. It’s a different kind of romance, a different kind of love that still has caring, but it isn’t ‘nice’. There’s so many different takes on this that usually accumulate to “He does care, he does love us! It’s a crazy toxic love, but it is still love.”
I get it, I totally understand why so many people are drawn to A.Astarion. The sex scene is spicy, he calls you pet names, and says “You’re mine” and things like “I’ll protect you” “Lovers forever”. At it’s core, it sounds like a crazy, possessive romance perfect for an evil Tav/Durge, especially a Bahhl accepting Durge. I can see the appeal, and really, for an evil character, ruling the world with the lord of vampires sounds amazing! Hell, even for a morally ambiguous or amoral character, this would be fun!
I know there are people who appreciate it for what it is, people who understand that they are A.Astarion’s favorite thing, they are his obedient pet who does his will. Some in their Durge games understand they are using each other, and it’s not a romantic relationship, but that of an evil companionship. “We are awful for each other and do awful things for each other!”
That being said, many people seem to be under the impression that A.Astarion truly cares about you, that he loves you.
“It’s a possessive love, but even then, that’s just a form of love.”
Look, I’ll be honest and be the first to say that a person, especially a hot vampire who calls me “MINE” with such virility, would instantly make me weak in the knees. I love me a strong lover who is a bit selfish in wanting me, there’s nothing wrong with that. I mean, who doesn’t want to feel coveted like that? (Ok, I know there are people out there who aren’t cool with that, I’m just saying for those of us who are thirsty! lol)
Still, I can’t say that this context is of that capacity. You’re his object, his favorite and obedient spawn, slave. He pretties it up and calls you consort, which makes you think some form of equal footing, that of a spouse. (Understandably, not all marriages have spouses who view their spouse as an ‘equal’. This is very much like that.) If you’re his spawn, you are surely his slave.
“He calls us Pet, my treasure, consort, lover. He stands up for us against Araj, he does indeed care for us.”
Pet names are cute, and he has used ‘pet’ for us before he ascended. The way he says “Yes my treasure?” Is very baby sweet talk, he even does the elaborate swinging of his shoulders. I don’t think Astarion’s descent to madness is immediate. I think there are still parts of him that is haunted by his trauma, but instead of being able to deal with it, he does the same things he’s always done. He disassociates, he falls back to bad patterns. 
When meeting Araj again, both S. Astarion and A. Astarion have similar dialogues between each other, but also, there are some interesting differences as well. A. Astarion makes a note of ‘Who belongs to who this time’ referring back when she thought Astarion was your subordinate, your ‘obstinate charge’ and you could stick up for him and say he is his own person. Now, he means to correct that and explain that you belong to him, not in a romantic way, but in the way that you are under his charge, you are his spawn/slave.
I get that in that conversation he says “And don’t worry, if anything happens, I’ll protect you.” Can be sweet, if you look at that completely out of context, hell I’d think it’s sweet too. He does say this in a bit of a condescending way though. It’s not the “I love you and I’ll protect you,” it’s the “This is my thing, and I’ll protect it from getting being damaged.” The care that A. Astarion has for you isn’t one of honest love, it isn’t born of concern.
You can see that because S. Astarion has a dialogue that says “Say no, the only thing she is offering is pain, and…I don’t want to see you hurt.” 
Astarion isn’t someone who knows how to express his true feelings, he’s expressed his inability to know how to truly be with someone, but he’s opening up. At this point, this is beyond his graveyard scene, so you’re seeing a man who is awkward when expressing his true feelings. Again, his body language says so much here. He gives a sigh right before saying he doesn’t want to see you hurt, he shies away from you just slightly and his expression grows softer. He’s being vulnerable and sincere, he truly does not want to see you hurt. Not because you’re an item of his that he doesn’t want damaged, but because he truly doesn’t want his lover to be hurt, that would pain him. There’s a lot of dialogue that’s similar for both, so, there’s not much to differentiate between them at that time.
Astarion’s trauma is still trauma, in both iterations. His understanding of consent seems to resonate with both versions at this point. So many people are taking that ‘consent’ is him caring. Just because he understands consent, and still asks you, that doesn’t quite mean a level of caring. Yes you can choose to be his spawn, or not. If you break up with him not as a spawn, he insults you and lets you be. Choose to be his spawn, and there is no getting out of it, you have no consent anymore. You’re his slave. Yes, he calls you his ‘consort’ because he wanted to dress up the word “spawn”. A slave is still a slave, no matter what other pretty title you want to give it. You have consent up until he turns you, then that’s out the window, you can’t leave ever. Hell, he even has a line that says “I should have turned you into a spawn, just to prove that I could.” Yeah, let that sink in.
“A.Astarion says ‘I love you, I’d never hurt you.’ He tells us he loves us on multiple occasions. Once more, he’s got a beating heart now, so he is fully capable of love.”
 =/
A beating heart, a living organ =/= love. I mean, if you break up with him he says “You brought my dead heart back to life, it will keep beating” That is metaphorical, it didn’t mean that he will be brought back to life. So no, having a living, beating heart does not make him more capable of love. He felt real love as a spawn, he sincerely fell for you.
Let’s also talk about Astarion saying “I love you.” He does say it at both routes, but the way he says it, and again, body language says it all.
I’ve seen this video going around about how he says he loves Tav/Durge, and how people claim this is love, that this is proof he cares. https://www.youtube.com/shorts/Bov4CwHLukc
Let’s talk about these, shall we?
First of all, notice how Astarion is acting here. This is back to theatrics, the wide arm movements, the flowery words and the poetic gestures. Does this look familiar? Ah yes, this looks very similar to when he used all his ‘favorite lines’ at us. Even when he says “I love you” it feels so practiced, so forced. He even looks down at you afterwards. But people are so convinced that this is romantic love. They are convinced he means this.
I am reminded back to that, force Astarion to sleep with you scene. You tell him “You seemed like you enjoyed it,” and he says he knows that song and dance better than anyone, it was an act. This? This is an act as well. But S.Astarion? Go look at the graveyard scene, go watch how he tells you he loves you.
He looks you directly in the eyes, taking your hand in his, and he’s smiling. That’s no forced smile, when does he ever smile that genuine and at peace? He looks down in thought for a moment and returns to your eyes and says “he loves ‘this’, and he wants it all, with you.” Look at those two “I love yous” side to side and tell me which one really, truly looks sincere. Which looks real.
In act 2, he says that he manipulated you into an alliance, so you’d never hurt him. He used sex to get you to love him so you won’t turn on him, but says you deserve something real, that he wants to be real with you. In his graveyard scene, he’s ready to be fully real with you. And if you do have sex with him, the dev. Notes says “Had_sex_as_equals. You are his equal, and he is yours. Whatever your powers and abilities are doesn’t matter, it’s how you treat each other, as equals.
Astarion’s first line in the video says he was offering you power, offer you to live as his spawn so he can own you, what’s that, if not love? Then says, if that’s not an offer, if you want more, perhaps this isn’t for you.
I’ve seen so many people say “A.Astarion is not for the weak hearted, his kind of love is intense, possessive and hot, not for those goody goodies! He says it himself.”
Nah, he’s telling you that love is a transaction. You gave me power, I’ll give you a bit of it. You become my spawn that will be obedient to me, who will bow to my every whim, and I’ll offer you protection. There, love. This is a man who used his body, who used everything as a transaction. If you get high approval before the party and allowed him to bite you, he offers you sex as thanks. It’s a transaction. 
A.Astarion says “I did try with you, you know. In the only way I know how.” By using a transaction of offering you life of being a spawn. 
And of course, how can we forget the famous line. “Of course I know about *love* (said with absolute disgust by the way) I know how to use it, manipulate it, and I can’t help playing the hand I know. I would have used your love, abused your trust until you were nothing.”
Every argument here says “You hurt his pride, he’s angry! He doesn’t mean that. He was upset and said a lie.” And I can say, ok, I hear you. There’s been times when people break up and say really hurtful things because they were hurt. Things they may not even mean. I’d be fully inclined to believe that if… well, if that were true. Instead, I fully, TRULY believe Astarion is being sincere with us here. I think he knows that we were smart enough to see through his BS, to see that in this state, he’s gone.
They also cut out parts where Astarion says “Oh that was completely different, I’d never hurt you, I love you.” Right after, in the same breath, he says “That’s what you’ve been waiting to hear, isn’t it?”  Like, this man is telling you what you want to hear, it’s not the truth, it’s all a lie. He’s telling you to your face “I’m telling you what you want to hear.”
 He doesn’t know what real love is, he is incapable of love, to him it’s just a game. You can tell this by the insight check you do before he turns you.
“The insight check really means that he doesn’t think highly of himself, that he values Tav/Durge’s opinion and thinks he’s not good enough to be with”
I can understand how this could be one interpretation, and I’d agree with you if this was Act 2. Astarion. I’d fully believe that’s how he thinks a continued romance would be with him, but that’s not what’s going on here.
A.Astarion thinks he’s all powerful and amazing. He’s not the weak man he was back then, he’s better. Knowing you want to be a slave to him, you’re degrading yourself to becoming his slave, his spawn, but…maybe you’re into that. Maybe you want to be his slave, to worship him and be manipulated. Hell, you’ve gone this far for him, he doesn’t seem to have to beg you, you’re willing to do what he wants.
That’s the implication here. Not that he’s not good enough for you, but that you no longer care about yourself, that you want to be stepped on by him. 
A lot of people understand this concept as “Yeah, I made him worse, and I’m willing to throw everything in the trash to be with him! He can pull me by my leash and I will follow!” And then others misunderstand it to mean “Awww my poor boy thinks he’s not good enough for us and thinks we’re degrading ourselves to be his lover.” It’s definitely the former, not the later.
But this is a Sub/Dom relationship!
At the very base core of what that is, he is dominant over you, and you are serving him. To call this a sub/dom relationship is such a disservice to those real relationships out there that exist though!
I know someone close to me, who has been in a sub/dom relationship for 10+ years. She wears a collar with her partner’s name on it and he calls her pet names. This is something they do in their private time, and after all of it, there’s so much after care and tenderness involved to remind them both that they are partners who are equal. They are in a safe place, they have real, romantic love and understand if at any time there’s something they aren’t comfortable with, they can speak up.
A.Astarion just owns you. He doesn’t care, you are his property and that’s that. That’s like calling Cazador Astarion’s lover! The man favored Astarion, and when he disobeyed, he punished him. Granted, I’ll say that Astarion and his spawn’s relationship isn’t violent yet, but I don’t think it wouldn’t get to that point. He says he doesn’t have to, you’ll be wonderfully obedient.
…but what if you aren’t? Do you really think he’ll stand there and listen? If you push back, do you think he will understand? If you speak up and speak your mind, will he just lovingly accept your words? I’m afraid not. To those who think they can ‘change’ him or ‘keep him in line’, the time for that has passed and he’s not going back. I’m sorry.
The writer who spoke up is wrong about A.Astarion and is just one writer, not even the MAIN one! Take their words with a grain of salt.
The amount of people taking the salt out of what the writer said is crazy! I saw the reddit post and people were losing their minds, saying that this writer should have never said anything, that they stole the joy out of their A. Astarion romance, and that all is doomed!
Let me just say this. The writer, other people, no one can take your agency of enjoying a game. Take it for what it is, enjoy it. If you don’t agree, that’s fine, but it does not make the writer wrong. 
The writer is one of many who worked and wrote for Astarion. Just as what happens with every character, what happens with comics, movies, games, etc. You have teams who all work on one part to make it a cohesive whole. Animators have writers, directors, lineart work, flat colors, shaders, sketchers, background artists, all of these different people work on different parts of the same product and at the end, you have a whole piece. They all have to be in sync with each other and understand the source material to make it all work here.
The writer who spoke out may have been one of many, but that does not mean their words were invalid. In fact, after taking their words into consideration and looking back at how the sex scene for A.Astarion and S.Astartion play out, I honestly sat back and thought “...wow, I actually completely understand what you mean!”
First of all, they call it a bad ending. That speaks enough to what has been said and stated over and over again. Astarion does not progress, he does not heal, he gives up his soul for power, losing himself, and becomes a slave to it. Secondly, they said that you failed to see him as anything more than a kink, and reduce your relationship to that. That explains his actions, the way he is back to manipulating you with pretty words of adoration. And so many people are literally falling for it all over again.
In the scene he makes you a spawn, it’s overly provocative (I’ll admit, it’s fucking hot! I mean, from an objective view at least. Knowing what I know, it’s sad, but taking out context and what I know, it’s a very sexy scene) it’s meant to be. This is what you wanted, this is what you think of him. The camera mod that allows you to see different angles is a GODSEND here! You can look into his eyes and they are devoid of life, of feeling. He’s going through the motions, but he’s not even there. He’s not looking at you, he’s looking away, his body is performing, and Tav/Durge is just moaning and enjoying themselves. You wanted this, you got it, and in the end, he delivers.
Vs. the graveyard. It’s so much more chaste since you have clothes on. He’s not biting you, but this is his most honest form. It’s pure love, this isn’t lust, this isn’t him ‘fucking’ you, but being one with you. He’s reclaiming what sex means to him. It’s not a means to an end, it’s not an exchange, it’s not forced, he wants to give you a night of passion because he loves you. This is him connecting sex to love, and not as an act of manipulation.
Again, the camera mod is everything!! He looks into your eyes, his features are genuine. He cups the side of your cheek and kisses you. Then, he pushes you down, and climbs over you, looking into your eyes before sinking into the kiss in a much deeper, passionate way. 
I admit, I’m a degenerate. I can accept that Astarion is hot! I thought his turning scene was erotic, steamy, and I just couldn’t stop watching it. But knowing what I know, I can understand how, if what you’re looking for is real love, a real romantic relationship, that’s not the way to go. I think the camera angles of his graveyard scene show so much more to how passionate and hot that kiss is! Once I understood that this was Astarion, truly himself, taking back sex for himself and pushing Tav/Durge down in that swoop of a kiss, I completely did a 180 and preferred that! 
That kiss is HOT! And it means so much more, which makes it all the more intense. This is Astarion, throwing down his walls, opening up to us, body, soul and heart. And seeing as the dev notes says they had sex, it leaves it to your imagination how that went down, but I am one to believe, it was incredible, earth shatteringly so.
Final thoughts
If you made it this far, Oh my GOD I’m so sorry! Honestly, I appreciate it and thank you all for the time and patience to read my ramblings. I’ve just been sitting here replying to so many others and said “Fuck it, I’ll make a post about my feelings.”
There’s so much I haven’t touched on, so many points that can still be made, and I’m sure I missed over some other parts. Because I’m a maladaptive daydreamer, these thoughts literally assaulted me every chance they got! I couldn’t cook, clean, or even shower without another full stream of ideas that invaded my brain. I had to stop now because I’ve been working on this for 4 days and if I kept going, this would be 30+ pages long and NO ONE wants that.
That being said, look, if you like Ascended, go for it! If you want your character to be degraded and live in that fantasy, that’s ok and you shouldn’t be shamed for it. You shouldn’t be bullied by anyone to think you’re real life relationships are awful, or that you need therapy. Please, have fun and remember to take some time away from it all every now and then.
If you like Spawn, that’s great too! You shouldn’t be made to feel like you’re weak, or you only think Astarion is some good boy. You shouldn’t be told that you’re gaslighting, or anything else that I’ve seen out there.
At the end of the day, these are games, escapism from reality. I encourage you all to write, or maybe play the character in a game, or do what you want to do as long as it brings joy to you.
The point of this post is not to shame anyone or to cause drama. The point of this was to show that the writers did an AMAZING job illustrating these character’s stories. They showed us how gray and lifelike they were, they made their flaws something relatable, but also showed us that there’s always two very different ways things can go.
I wanted to highlight the differences in Astarion’s endings.  In his Ascended ending, he loses himself for the price of power. He fails to see that there’s more to himself than what power can give him. He fails to heal from his trauma, and instead, masks it behind power and control. He continues the cycle of abuse and becomes an entirely new monster. He fails to experience a true, romantic love that he never had and instead returns to using ‘love’ as a form of manipulation. He is deluding himself into what he thinks is happiness, and one day, will have nothing left inside of him. It’s so tragic and yet painfully, beautifully written.
In his spawn ending, he gets healing, he gets to choose his own way through life and live it being free. I wanted to show that while power was enticing, he learns that he’s enough the way he is, even if he won’t have the power of profane ascension (no matter how much terrible fun it would have been). And hey, if you want to play him in a solo campaign (that’s what I’m doing) and find ways for him to gain power without losing who he is, I’m sure that would be awesome! To see Astarion grow, and continue to take responsibility, to see him take back his sexuality, his honor, his autonomy is beautiful, even if it means he had to let go of the thing he thought he wanted, to take hold of the thing he truly wants.
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david-talks-sw · 2 years
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Why do a lot of SW fans dislike the Prequel Jedi?
This was going to be the conclusion to this answer about "why a lot of people dislike Mace"... but it's just too long, so I decided to make it a post in its own right.
So why is Mace-- scratch that, why are the Prequel Jedi considered to be "unlikable" by a big chunk of the fandom? Especially when compared to Anakin "I killed a group of children twice" Skywalker.
Overall... I'd say it's three things.
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1) Some fans had different expectations.
I touched on this in a recent post: older fans, who are now at least in their 40s, grew up seeing Luke as the ultimate Jedi.
He's Campbell's Hero With A Thousand Faces, up there with King Arthur and Superman. He's, for lack of a better term, the chosen one.
So when the Prequels were announced and they knew they'd get to see the Jedi Knights in their heyday, they expected to see something like the Knights of the Round Table.
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A collective of errant warriors who go on exciting adventures, providing aid from place to place. Like Luke Skywalker.
Instead, they got this:
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"A bunch of monk/diplomats who sit around talking about taxations and trading routes and measure the Force based on cell organisms."
"They're nothing like Luke Skywalker! What the hell?" (I address why this is inaccurate here)
Then the second film comes out:
"Wait, Jedi can't get married now? So were all those EU books about Luke and Mara Jade bullshit?" (also addressed in above link)
Then the third film comes out:
"Palpatine is right there, why can't they sense him or read his mind? They're Jedi!" (explanation why here)
Also Luke is no longer the Chosen One apparently? Anakin is? How does that work?
Plus, the way they speak, their jargon, is waaaaay too formal, gone are the OT characters talking informal English with American accents and quips. Even the way these new characters speak - and not just the Jedi, the Queen too - seems detached from reality and makes them harder to relate to. (but we're talking about diplomats and royalty, so how else would they be talking?)
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2) How adult audiences perceive "morally pure" characters.
Even if one didn't have the pre-concieved notions about the Jedi... they don't seem to impact the adult viewers the right way.
Then again... neither does Barney the Dinosaur.
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Many are the conspiracy theories and negative discourse surrounding him (there's even an upcoming documentary about it). You know why? Because he's not meant to be a character for adults, who have outgrown morally black or white characters and are unable to relate to them... his target demographic is children.
They see him and go "I love you, you love me". We see him and go "What the fuck is this guy hiding? What darkness lies beneath that mask of optimism and joy?"
Same goes for the Jedi.
So I'd say what we have, here, is a similar situation as the one in the recent Rick and Morty episode, "Juricksic Mort".
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In the episode, a bunch of dinosaurs return to Earth and it turns out they're incredibly selfless, diplomatic, moral and spiritually advanced (kinda like the Jedi!)
Rick's reaction is - you guessed it - "what the fuck are they hiding?"
The dinosaurs turn Earth into a utopia, ending all wars, removing all conflict, bringing about world peace and giving everyone the chance to go on vacation... and everybody hates them for it and eventually wants to see them fail and step down from their pedestal.
The writing emphasizes their superior virtue so much that they actually come across as uptight and patronizing. This is done intentionally, so that it's difficult to find them likeable out-of-universe, and we relate to the earthlings in-universe who react the same way.
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Why do the audience and the characters react this way to characters who - again - are good and moral?
Because as Moriarty says in Sherlock Holmes: A Game of Shadows... hidden within the unconscious is an insatiable desire for conflict.
It's why the presence of conflict is so crucial in storytelling.
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It's why every scene in good movies presents some form of internal, external or philosophical conflict.
It's why protagonists need flaws to be interesting and relatable. Because we're flawed as well.
Also, the protagonist will eventually have overcome their flaws through an arc.
More importantly, the basis of all conflict, in storytelling, comes from something being out of balance.
And the Jedi are trained to not be that :D !
So on the one hand we have Anakin, a flawed, conflicted character who struggles with his inner balance, and on the other we have the Jedi, who are essentially presented as flawless and balanced.
What will a chunk of the audience do? They:
Won't like the Jedi.
Will project a flaw onto them (more on that in the next section).
Side with Anakin, the one that's as imperfect as the audience is.
Sometimes all of the above.
But the thing is, though... the Jedi we see in the Prequels are not flawless or perfect.
They are, for the most part, characters who have already completed their character arcs, characters who have already confronted their own inner flaws and overcome them.
And whenever these flaws resurface? Well, they've conquered them once, and they have the training, so they do it again.
Example, here's Yoda confronting and overcoming his hubris and inner fears:
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Has he done it before, in his almost 900 years? Probably, yeah. But it's not a one-and-done sort of thing.
But the Prequels are not their movies. They're about Anakin.
He's meant to be the more interesting character. And they're meant to be the ones with less flaws, because they're mentor archetypes and the Prequels show an interesting situation wherein the protagonist fails to listen to the mentors and fails to overcome his own flaws, which leads him to - instead - be doomed by them.
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3) Issues with the writing.
So, for the people who didn't like the changes but want to like the Prequels, there's a headcanon that seemingly fixes everything:
"The Prequel Jedi... are intentionally written as arrogant, hypocritical moralists. They are meant to come across as dispassionate. I mean, isn’t that what being a Jedi is, apparently? You purge yourself of attachments aka emotions, and act only logically (which was typically-encouraged behavior for a long time, in the US). They've become too systemic and lost their way." And guess what? With this interpretation, "Luke is special again! He's like Qui-Gon in that he found a middle ground between the unfeeling Jedi and the Sith, who have become slaves to their emotions. Like, sure, Anakin can be THE Chosen One, whatever, but Luke? Luke has found the balance, he succeeded where Obi-Wan, Yoda (who wanted Vader dead instead of believing he could be redeemed) and the other Jedi failed. So that's what the Prequels are about: the Jedi's failure."
The issue is, though... it doesn't align with what George intended. (as explained here and here).
But it does use most of the ingredients the films give us. Which - short of unleashing a barrage of George Lucas quotes, interviews and videos - makes it hard to disprove.
Because - seeing as the films aren't about the Jedi, they're about Anakin and his own inner demons - we don't see enough of the Jedi's culture and lifestyle and day-to-day unless it directly relates to Anakin.
So George's very clear idea of how awesome the Jedi are is never truly conveyed or fleshed out and as a result they feel like a group of people who always say "no" to the protagonist. The flawed, passionate and more relatable (by contrast) protagonist.
We get glimpses of it in The Clone Wars, but then it's tarnished by the fact that the Jedi are at war.
Then there's the reads that could easily be disproved... had George been more explicit about what he was going for.
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"The Jedi Council bully a 9-year-old." This read could've been avoided had the scene ended with the Jedi telling Anakin that being afraid is normal, but his fear must be conquered otherwise it'll lead to the Dark Side. Which, they do, but in a vague way rather one with a kind empathetic smile.
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"Obi-Wan is always berating Anakin, their relationship is tense." The whole movie partially features an arc where their relationship is on the rocks, so removing the tension isn't an option. However, the interpretation that it's been like this for a decade (rather than recently because Anakin reunited with Padmé) could've been avoided if, instead of just a minute-long elevator scene, we maybe saw a set-piece of them on a mission, maybe showing them working in tandem and joking as they escape that nest of gundarks.
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More could've been done to frame the Jedi in the positive light thy were meant to be seen under. But again: the movies aren't meant to be about the Jedi.
Though it seems that a lot of people wanted them to be. And maybe that explains the hate re: the Jedi.
Older audiences wanted to see Campbell's Hero they grew up with again, they had a preconceived notion that the Jedi would be wandering, exciting adventurers... instead they got a bunch of "stale" diplomats whose whole job is to avoid conflict and adventure.
So instead of taking the story for what it was - a movie for kids - they projected a "morally gray" narrative that said these characters were flawed and weren't how they were supposed to be in-universe, when the truth is they weren't happy with the characters they witnessed out-of-universe.
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monratarot · 3 months
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Tarot tips and tricks - Breakup indicators
Please like and reblog if you find this information useful! 🌸🎀💕
//don’t claim it as your own and/or repost it on other platforms//
There are times we are asked about break ups in a tarot reading. It is handy to look at the cards in this context as you are learning their meaning. To see all the cards that have elements of a breakup. So here are all the cards I think of when it comes to a breakup. T
he real story here is that no one single card can tell the whole story when you pull multiple cards. It is how they inter-relate and if you look at the reversals or not.
These are just a few examples of cards that may indicate a breakup in a tarot reading. It's important to remember that the interpretation of these cards can vary depending on the surrounding cards and the overall context of the reading. Trust your intuition and allow the cards to guide you in understanding the situation at hand.
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The Hermit
The Hermit, in its solitude, paints a picture of a period where you might find yourself stepping back from social circles and embracing some quality “me time.” It’s like having a chance to focus on your personal and spiritual aspirations while flying solo. So, even though it’s not exactly a “break-up” card, it hints at a phase of self-reflection and enjoying your own company.
Tower
Wow, the Tower card sure doesn’t hold back on the drama! Lightning strikes, flames engulf the building, and people are jumping out of windows. This card paints a vivid picture of significant upheaval or a major shake-up that’s pushing you to see the world from a whole new perspective. It’s like life threw a curveball just when you thought you were cruising in a cozy relationship.
Death
The Death card symbolizes profound change and transformation, marking the conclusion of one phase and the commencement of another. Your relationship may have completed its current cycle and reached its termination point. Consequently, it is imperative to release the past and welcome forthcoming transformations. In many instances, this might entail the impending dissolution of the relationship.
Two of Cups – Reversed
When reversed, the Two of Cups suggests the conclusion of a relationship, often within the framework of a consensual decision to part ways. Both parties have arrived at the mutual understanding that separation is the most suitable course of action, necessitating the dissolution of the once-shared bond.
Three of Swords
In the Three of Swords, we come face to face with a heart pierced by three swords, symbolizing grief, heartbreak, and sorrow. This card might show up when you’ve experienced the end of a relatively new relationship. The silver lining here is the sun peeking through the clouds, reminding us that this heartache is fleeting, and brighter days are on the horizon. You’ll be moving on to greener pastures before you know it.
Five of Swords
The Five of Swords tells a story of a tough battle that didn’t quite end in victory. Maybe you’ve been stuck in a cycle of disagreements and squabbles with your partner, and now you’ve reached the point of parting ways. Even though the arguing has stopped, you might not have that satisfying closure or the last word you hoped for. Instead of dwelling on it, it’s a good moment to release and move forward.
Ten of Pentacles – Reversed
In its upright orientation, the Ten of Pentacles signifies a well-established relationship, potentially indicative of a long-term marriage and the presence of an extensive family network. In contrast, when reversed, this card may imply that the marriage is approaching its conclusion, necessitating the division of family assets and the separation of finances as part of the dissolution process. Additionally, your family and home life may experience significant impacts during this period of change.
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aphrodisiac-siren · 1 year
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Coffee and Cigarettes~
Modern!Aemond X Reader
Summary: When Aemond's date doesn’t go as planned, one of his feisty classmates comes to his aid and manages to catch his eye, and not by her beauty, but mostly by her bold personality.
~my wifey @its-actually-minicika helped with the plot points and she gets loads of kissies for it mwaahh~
Also I'm sorry I went on a small break oops maybe the next chapter will be spicy?👀
Part 1, Part 2
Part 3
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"What do you mean you don't see it?"
Aemond scrunched his nose as Y/N brought her hands up to cup his face, squishing his cheeks as she tiled his face to the side for Aegon to see as if his own brother hadn’t any memory of what he looked like.
"Tell me he doesn’t look like Alucard" she asked the older boy, still holding Aemond's face while he tried to wiggle out of her grasp. He wrapped his larger hand around her smaller wrists and she obliged and let go of his reddening face but let her hands drop onto his lap; a subtle gesture that didn’t go unnoticed by Aemond.
"That vampire dude from Castlevania?" Aegon asked as he cocked a brow "I mean I would say yes, when my twat of a brother had his hair all grown out. But I still find it offensive you'd compare this monkey to him"
Aemond only rolled his eye, not too keen on arguing with his brother of all people, but Y/N was quick to respond.
"That's so mean, Aemond is hot"
Aegon chortled at this while Aemond gave her a sly smile, as if he didn’t believe a single word from the sentence that left her lips. And even though she sounded genuine, there was no fucking way she believed what she herself uttered.
Flattery at its finest, he thought.
He picked up his book once again, the one he had been reading before the entire debate of him and Alucard being lookalikes commenced. It was this old book he'd found in a bookstore, dusty and on the 'sale' rack and he wondered how anyone could pass by a book like this one and not want to pick it up and glance through it.
"Put that book down will you?" Aegon rolled his eyes from behind the kitchen counter as he fixed himself a cup of coffee "your obsession with dragons is getting weird now"
"I'm not obsessed" Aemond nonchalantly replied, not bothering to look up from the pages that bore the most interesting information in his opinion. He was well aware his boyish fancy with the mythical creatures would come across as odd and childish to most people but he didn’t really care much about Aegon's opinion and in the few weeks that he'd spent with Y/N, he came to a conclusion that she was not really one to judge someone for things as such.
Either she was too nice or just didn’t care.
"Dragons huh" She leaned closer and Aemond was expecting for her glance into the book but she instead rested her head in his lap as she examined the cover of the book he held from underneath "what's your favourite kind?"
"Oh god, don’t tell me you’re just as much of a nerd as he is" Aegon called out and Y/N simply rolled her eyes in response as she flipped him off to which Aegon responded to by sticking out his tongue "they're all the same. Large lizards with wings"
"Not exactly" Both Aemond and Y/N said at the same time and while the younger Targaryen brother took a moment to ponder over their perfectly synchronised response, Y/N continued to talk, as if their chorus of an answer did not fascinate her.
"There are European dragons, wyverns and Asian dragons" she spoke aloud as she traced the cover of the book, hoping that Aemond had a good grip on the book or else it would fall right onto her face "each one differs from the next. Did you know that-"
Aegon let out a dramatic groan as he plugged his ears shut like a child throwing a tantrum.
"You like dragons?" Aemond asked even though the answer was pretty obvious. He just never thought she of all people would be interested in something like this that most would term as nerdy.
"Duh" Y/N replied, now rather eager and enthusiastic about the conversation taking place "I had this one book when I was a kid by Earnest Drake and-"
"Not another word or I'll change my opinion of you being one of the cool kids"
"I am, regardless of what you say" the girl instantly retorted "dragons are pretty cool"
Aemond grinned at this, as if it was a compliment directed straight at him and not the bloody dragons that he was reading about. Furthermore, he was rather impressed and surprised in equal measure, that she of all people would have any remote knowledge about dragons.
The boy all of a sudden felt himself smiling even wider and he wanted more than anything to go on a whole-ass rant but he kept his composure so as to not frighten her off with his enthusiasm for the winged beasts.
He simply shut the book, after placing his bookmark amidst the pages, and gently booped her nosed with the spine of the book.
"Hey" Y/N giggled as she scrunched her nose, fondly looking up at the boy who was gazing down at her with the same level of fondness "what was that for"
"I didn’t do anything" Aemond snidely said as he shrugged, leaning slightly to his right to keep the book back onto the little table by the couch.
All of a sudden he couldn’t care any less about the book. He was far more curious to figure out the pretty girl who's head rested in his lap. What other interests did she have? Did she like literature too? Would she find ancient languages fascinating? Did she like Aemond? What would her lipgloss taste like? Would she moan or whimper if he-
What-
Aemond's eye widened at his own thoughts. Why the fuck would he even think of-
Stop it Aemond, He scolded himself inwardly she's your friend.
"What" she asked again with a smile as she looked up at Aemond who had momentarily zoned out and then tried to play it off by clearing his throat in a completely not-an-awkward way.
"I mh- nothing, just zoned out" Aemond said in his monotone voice that Y/N was slowly starting to find adorable rather than daunting.
"Just zoned out" she repeated and for a moment Aemond was willing to bet she had read his thoughts despite how ridiculous and impossible the probability of that happening was.
To his contentment, all she did was hum and get comfortable in his lap.
"Movie?" she asked aloud and Aegon shot her a thumbs up as Aemond nodded in agreement.
The silence that accompanied them as they scrolled through Netflix lasted only about a few seconds before each one tried to argue and pick the film they liked best. It was like a classroom full of toddlers who had gotten into a heated debate over who their favourite superhero was.
"We're not watching some shitty ass rom-com" Aegon blew a raspberry "we're going to watch a class-A horror movie"
"Absolutely not" Y/N snapped "you didn’t even hear me out to see which movie I picked"
"I think Hacksaw Ridge is the best pick" Aemond snatched the remote before Y/N could, which resulted in the girl pouting just to see if it would make Aemond submit to her.
It didn’t.
"Nice try" He chuckled which then only made the girl more irritable. She continued to stare at him, her gaze almost burning into his soul as she inched closer and closer until her chest was borderline pressed against his, her nose barely touching his and Aemond knew for a fact that one little move and her lips would collide into his and judging by the mischievous smirk dancing on her lips, she was well aware of it as well.
His heart almost leaped out of his chest when he felt her brush her bottom lip against his own and for those few milliseconds his brain short-circuited. He was about to have a full-blown heart attack but she pulled back and waved the remote proudly in his face that he was holding on to only a few moments ago; which he had absolutely no idea of when she snatched it out of his grasp.
Aemond heard his brother mumble an 'ew' under his breath but he decided not to comment nor give either of them a reaction even though his heart was beating faster. When she turned around to continue her argument with Aegon about the movie, Aemond discreetly swiped his tongue over his bottom lip- right where she'd brushed her own lips.
He softly hummed to himself when he tasted the faintest hint of her cherry lipgloss that she'd left behind in those few seconds of contact and he had to once again scold himself when he caught his brain thinking about wanting to taste more of it.
In the end, Aegon agreed to watch Y/N's choice of movie after they'd watched the horror movie he'd suggested.
Not having any more energy to argue, Y/N and Aemond just agreed.
"Don't worry Aems" she whispered into his ear as they got comfortable under the blankets on the couch "we both can watch your movie after Aeg drifts off to sleep. Or maybe spend the rest of the night in a different way, if you know what I mean"
Aemond's cheeks turned red and he was thankful that the lights were turned off. Y/N didn’t bother waiting for an answer nor did she bother clarifying if she was joking or being serious.
"Cig?" Aegon asked Aemond as he picked one from the pack for himself. The younger brother swiftly took the lone cig from his hand and then the pack which made Aegon sit upright in retaliation "yo what the fu-"
"Not right now" Aemond said sternly as he placed the cigarettes aside and away from Aegon, shooting his thumb in the direction where Y/N was sitting "she doesn’t like it"
Y/N bit the insides of her cheeks to stop herself from smiling; for some reason, she found the gesture cute.
"Simp" Aegon mumbled.
"Shut up" Aemond snapped.
And just to annoy him, Aegon repeated it again, emphasising the 'p' sound at the end that had Aemond groan and Y/N chuckle at their antics.
The excitement that Y/N had when starting the horror movie quickly died down since the movie Aegon picked did not live upto her expectations. The plot was cliché and the jump scares were poorly executed.
"Remind me why we're watching this again?" she asked as she made a face at the pathetic acting.
"Cause the leading actress is hot" Aegon smirked "nice tits"
Y/N rolled her eyes but then again, she wasn’t really surprised by his answer.
"I was more interested in our talks about those books" she whispered in Aemond's ear, making sure to brush her lips against his hot skin "dragons are pretty fascinating eh? Maybe you can show me yours"
Aemond's eye widened and he immediately turned to face her.
"Books" she said with a straight face, inwardly enjoying his abashed reaction to her cheeky statement "I meant you can show me your books on dragons that you have"
"Right" Aemond cleared his throat, quickly looking away from her and back toward the T.V. screen "books, of course"
Aemond wasn’t stupid. He knew exactly what she meant and he knew she wasn’t one to shy away from even doing whatever was on her mind- be it something as innocent as a kiss or something too sinful to even say aloud. The only thing that he found odd was that if he ever found himself in a situation that fell into either of the two categories, he did not seem to mind as long as it was with her.
What caused this sudden change? He couldn’t tell. Perhaps it was her feistiness from that day at the cafe or that underneath all of her ferociousness was a girl who was just as much of a geek as him and didn’t give two fucks about it.
Was he starting to like her? Probably.
Should he allow himself to like her? Probably not.
He was well aware he never had much luck when it came to dating and he wasn’t going to allow himself to get his hopes up only for it all to get shattered right to the ground.
But then again, she barely gave him any reason to feel insecure. That was a good sign, right?
Right?
Taglist: @melsunshine @yentroucnagol @alexa4040 @boofy1998 @rorawinters @fan-goddess @howdoichangemynameto
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This is reviews and ratings for the narrative/ fiction podcasts I have/ am listening to. This is mostly for me but if you want to use this as a recommendation go for it but be warned I'm not talking about plot or giving a description, there's no mentions of potentially triggering material so do your own research first if that's something your concerned about.
Welcome to Night Vale
-Night Vale owns my entire ass, no one does it better. I've been listening since the beginning and while I do think the quality has dipped a bit in the last few years its still really good. 9/10
The Magnus Archives
-Nearly perfect. Holds up and even improves with subsequent listens. The final season drags a bit imo but worth it in the end. 9/10
Old Gods of Appalachia
-really good story, gives you a lot to keep track of character wise but is written well enough that its not too hard and you can still follow the story if you forget some. 8/10
Moonbase Theta Out
-I can't wait for this to be over. Unfortunately, the storyline has a chokehold on me, and i need to know how it ends. Otherwise, i wouldn't be listening anymore. While there are several pretty good voice actors, there's enough bad ones that it's hard to listen to. Took the idea that characters should be flawed a little too far and made nearly every character completely insufferable. Nearly everytime a character is being given critical and emotional information it cuts away, in what I assume is an attempt to save the audience from listening to the same information over and over again, but instead it deprives the audience that look at how the character reacts to the information, which could go a long way in making them seem more fleshed out, instead you only see them emote in angry outbursts or melodramatic soliloquies (which is not helped by the subpar acting). 2/10
Death By Dying
-pretty funny but I don't think there's been enough episodes to make a educated review or rating
Hello from the Hallowoods
- very good overall. Good story, heartfelt and well written. Percy's story hits close to home for me, which sometimes makes me mad because he comes across as very weak and insecure and it gets on my nerves. But honestly that's less of a problem with the Percy or the writing and more of a problem of him being one of the very very few trans masc characters in existence so its extra disappointing when i find him irritating. Polly owns my ass, I would die for him. 8/10
Where the Stars Fell
-I binge listened up to the current season which I feel wasn't the way to go but it's still pretty enjoyable. 6/10
Midnight Burger
-Very funny. I love the characters and their dynamic and just the idea of a time a space traveling diner, it's beautiful. The beginning of this new arc confused me a bit but it's starting to come together. 7/10
We Fix Space Junk
- Very funny but with the underlying terror of what's going on with automnicon. Looking forward to new episodes. 6/10
The Sheridan Tapes
-started really strong but has been spending too much time on the characters agnst and not enough time actually progressing the story. At this point I'm just looking forward to a conclusion. 4/10
Camp Here and There
- it was pretty good, nothing exceptional but not bad but then I took a single glance at what was going on in the fandom and it was so obnoxious that it immediately ruined it for me. I feel bad lowering the rating due to the fandom but like, yikes. 2/10
SCP Readings
-very entertaining, easy to follow even if you don't have any prior knowledge about scp, which I do not. 7/10
The Amelia Project
-I think I'm to early in this one to make a solid judgement but I enjoy it so far. Venerio haunts me.
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camprell-art · 3 months
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Hii! Really love your art! Your designs for the mario characters are super lovely. I was wondering tho, what drives your dimentio? Why does he, like, destroy nearly every kingdom he comes across? Why does he want to become king of all worlds when he doesn't seem to mind the 'subservient' role?
Hope you're having a wonderful day!
Okay so, this probably will get extremely long ksajhd
Dimentio is unconsciously reenacting what the Pixl Queen, or his sister Shadoo, did. After getting driven to madness by being resurrected in a vessel with the Dark Prognosticus, she brainwashed every Pixl, formed an army and tried to destroy the Ancients for their selfishness and supposed egocentrism, so she is technically destroying a kingdom.
I never worked much in the time-line of events, but before all of that happened, Dimentio and his mother Illuminata died, because Merloo, the father and great magician, was researching the Dark Prognosticus and one day he tries a spell and everything goes wrong.
A recurring theme in the family story is how everyone of them had a tragedy, the father gets obsessed with the Dark Prognosticus and kills both his wife and son in an accident, the mother dies protecting the son, the son is cursed with immortality by being bound to the book, and the sister gets ill because of the dark energy the house had, dies, is brought back, dies again, now by her brother's own hands, gets cursed and also locked away in the Pits.
You can say that Shadoo and Dimentio are the ones who suffered the most, and depending on how you see it, yeah they are, but imagine living the rest of your life thinking that you ruined everything, like, EVERYTHING, because a book was "that" important. That's why Merloo ends up helping with the Light Prognosticus, but also completely alone, as if you see in the game, he's the only sage who, apparently, has no descendants.
Before I forget, Pixl Queen Shadoo had the DP, when Dimentio "kills" her, he takes it, tries to protect it from evil, but reads it in morbid curiosity of what is written there, people steal it from him and then he starts getting insane, just like Bleck. ^v^
In conclusion, Dimentio is traumatized, but instead of having a chance to really think about his past and not commit any crimes, he has the DP talking in his head and leaving every other memory to the side, which is why he has kind of an amnesia and why he knows roughly where the thing is. In other words, the book makes you go crazy, and after living so many years and so many deaths I think that the person is very likely to just go apeshit after some point.
Ah, and about the thing with being a servant and wanting to be king at the same time, I don't take what he said in that part too literally, because I do believe that his motivation was to make a perfect world without all the rotten evil people in it, that would explain why he doesn't like the Count, Dimentio may know he's bad too, but he's being bad for a greater or purer reason. The role of servant is mostly just a strategy to be seen as someone who is vulnerable and eager to please, a perfect lie to hide the strings he's holding.
I hope this is a good answer to your question! As always I think that I gave more useless information than a direct response. akjsdh
Have a nice day, or night, wherever you are! :)
Edit: Thank you so much for all the compliments!!! Dumb Camprell was so focused on trying to explain the shitshow that is his fanlore that he forgot completely about what you said first!! But know that it's always one of the best things to see in an ask! :3
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euphreana · 3 months
Text
The Shape of Truth - Chapter 6: Papered Over
Masterpost
-
Arms & Hammer had just opened for the day when Ambrosius and Dog-Nimona arrived. Despite not being in armor, the clerk in the foyer complied when Ambrosius said he was there on ‘official business’. She told him the workshop had gotten several orders for replicas of Ballister's sword over the last few months, but she couldn't pinpoint any exact days. It would be up to him to dig through the invoices in the back office to find the order he was looking for.
Ambrosius closed the office door after the clerk left, letting Nimona go back to human form unnoticed. It would be easier to sort through filing cabinets with thumbs, after all.
“Ugh, why are they still using paper for everything?” Nimona whined as she poked through one of the cabinets.
“Paper is cheaper?” Ambrosius offered, pulling out a thick folder from another drawer.
“Paper takes up more space! And you can't ‘search all’ paper!”
Ambrosius couldn't argue with that.
Working with actual paper was a rare experience for him. He’d worked with the mercy forms the day before, but before then it had been years since he’d even touched the stuff. Everything that’d had to do with his training as a knight had been read or written on a screen of some kind. He wondered if he’d be using it more now that he’d graduated.
“Found one!” Nimona announced after several minutes, holding up a sheet of text.
Ambrosius scanned the invoice. It was indeed an order for the right kind of sword, but…
“That's too cheap for something as detailed as the blaster-sword was.” He pointed out.
Nimona huffed and resumed paging through the folder.
“Being a sidekick wasn’t supposed to involve paper.”
“You know you can always leave if you want.”
“I don’t want.”
Ambrosius remembered the question that had been in the back of his head since he’d learned Nimona was real.
“About that… Why are you helping me?”
Nimona shrugged.
“I told you - I want to see who’s behind all this.”
“Why? So you can join them?”
“Why not?”
Ambrosius picked up a new sheaf of papers from the to-search stack on the desk.
“You know you just said that to a knight. I could turn you in for treason.”
“But you won’t!” Nimona said cheerfully, dropping another sheaf of searchable papers on top of the stack. “You want to know who’s behind this just as much as I do.”
Ambrosius wasn’t amused.
“What makes you think I won’t report you afterward?”
“Uh, the fact that The Institute hung your buddy?”
“That doesn’t make them bad. They were… just following the laws.”
“And who made those laws?”
“I don’t see what—”
“And that’s your problem - you trust them too much. You’re like their gold puppet!”
That struck a nerve with Ambrosius. Of course he trusted The Institute. The Institute was Good - he’d come to that conclusion on his own. People who disagreed were just blind to the truth. Nobody was pulling his strings.
“I’m no puppet.” he glared, slamming his sheaf of papers onto the desk, “I can think for myself.”
Nimona turned. Her elbow knocked over the to-search stack.
“That’s what they want you to think. That’s why they’re the ones feeding you your information.”
“The Institute is good!”
“And who told you that?!”
The handle to the office door rattled briefly. In an instant, Ambrosius’s foot shot out and kicked Nimona’s feet out from under her, and she fell out of sight behind the desk just as the door opened.
“Everything okay in here?” The clerk asked, glancing around the small room. “Is someone bothering you?”
Ambrosius put on a fake smile and waved a sheaf of papers.
“All good! Just talking to someone on speakerphone.” He hoped the clerk wouldn’t notice his phone was nowhere to be seen.
“Okay…” The clerk left, closing the door behind her.
Ambrosius gave a sigh of relief. He glanced down at Nimona, expecting to see a furry ball of irritation. Instead, she looked remarkably chill, reading through one of the papers that had fallen on the floor.
“Hey… I think I found it!”
She held the paper out excitedly. Ambrosius’s eyes skimmed over it. Sure enough, the invoice listed a hollow sword capable of disassembly, as well as the extra costs of being a top-tier replica. It had been sold to a ‘MB’, and delivered to an address across town.
Ambrosius stared at the name on the paper. MB - was this the person who was responsible for his grief? Or were they just another pawn in this game?
“We should take this to the justice department.” Ambrosius said quickly, “Tell them what we’ve found. They can take care of it from here.”
Nimona smirked.
“What are you going to tell them? That you got here by breaking into the archives?”
Ambrosius froze. Oh no. Nimona was going to use that to blackmail him from here on out, wasn’t she? He knew sneaking in had been a bad idea - he should have just let The Institute handle everything. They would have figured it out themselves!
Before he could react, Nimona’s foot slammed into his ankles, toppling him to the floor next to her. She gave him a sly grin.
“Looks like you’re stuck with me!”
~ ~ ~
“Well, that’s disappointing.” Nimona stated flatly.
She and Ambrosius stood in front of the husk of a small burned-out building. The sky had just started to drizzle, washing bits of ash off the charred beams and twisted metal piled in heaps in the lot. The fire had been recent - this was the first rain since it had burned.
Ambrosius tugged his hood forward to cover his face more as the rain picked up. Then he noticed someone entering a nearby office.
“Hey, what happened here?” he called and pointed to the remains of the burnt building.
The person barely paused to look at him as he approached.
“Fire. Obviously.”
“Yeah, but- when? What happened?”
“Right before the knighting. Everyone inside died. Tragic.” The person closed the door in his face.
The pink dog next to Ambrosius piped up.
“Hey, maybe take the hood off next time. You look shady.”
Ambrosius ignored the advice and went back to the ruins, stepping over the caution tape strung around it. This was too convenient. Someone had to have been covering their tracks. Usually he’d leave this to the experts, but now he didn’t have that luxury. He’d need to do all the heavy lifting alone. Alone… Before all this, he’d always had Bal or his parents backing him up. Now he was alone…
His hands shook as he sifted through a pile of wet ash. He’d never planned for this. Being alone… He’d found out young that everyone always wanted some favor or the other in return for being his friend - Ballister had been the only person who’d asked nothing in return. And now the man was gone, leaving him alone.
Nimona’s voice broke in.
“What… exactly are you looking for?”
“I don’t know. Something… Anything…” He wasn’t going to give up just yet. Gloreth help him, he was going to get to the bottom of this. “This place was a business - there was a lobby right here. Then there had to have been an office over here. Maybe…” he shoved a blackened beam out of his way, “Maybe there’s a clue somewhere.”
Nimona pawed at a pile of rubble.
“A clue to what? You heard the guy; the perps are dead.”
“There has to be someone else - if Bal didn’t trigger the sword to go off, somebody else must have done it remotely. And if the fire was before the knighting, they had to keep the sword somewhere else till then.”
“Maybe they kept it at someone's house?”
“Would YOU keep an unstable weapon like that in your house?”
“Yeah?”
“Well MOST people wouldn't. They had to have had a hideout or something. Maybe there’s… I don’t know, an address tag or something in here.”
Nimona squinted, thinking.
“Well it's not like we have any other leads.” She joined the search.
There wasn’t much to find - only hardware from the building and some charred electronics hadn’t burned or melted from the heat. Then Nimona found something else - a warped, metal filing cabinet buried in rubble.
Ambrosius dug it free and yanked one of the bent drawers open. Ash. He tried the next drawer. More ash. The bottom drawer had ash too, but there was something else buried underneath it all…
He reached in and pulled out a metal key with a tag hanging from it. The plastic tag had warped and bubbled from heat, but the label on it was still readable.
“Knightly Storage, Unit 531.” he read aloud.
“A clue?”
Ambrosius smiled as he pocketed the key. “It’s worth checking out!”
Chapter 7
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