#into those womans houses

[ferdieinceladoncity]

the epic highs [detour] and the epic lows [post-modern prometheus] of the x files :) Like fr though. 'What if there was a rapist but hear me out!! What if he was kind of like a funny guy? Like a silly guy?" dude this plot was barely salvageable the FIRST time you did it (small potatoes) let's not DO that again

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[bluerosefox]

A Sibling Sacrifice

The JL were having a normal, for them at least, meeting when suddenly a portal rips opens and spits out a young teen with snow white hair and glowing green eyes and he's carrying a bundle as he's stumbles out and lands on his knees in the meeting room.

The two main odd things about this kid was floating above the kid's head was a crown made of stars, ice, and the colors shifting like a aurora borealis and the bundle in his arms was strangely made of stars somehow, almost like a blanket of galaxies plucked out of the cosmos.

Before anyone of them could say or do anything, the kid turns around and screams towards the portal as he scrambles for it.

"JAZZ NO DON'T DO THIS! I CAN STILL FIGHT THEM! NONONONO!" but before he could reach the portal it snaps close.

The kid lands again onto the floor when he doesn't reach it in time, pleading for the damn thing to open again, and the bundle in his arms begins to cry from the jolting and noise.

The baby crying was the only thing that stopped the kid from pleading and instead focused his attention on the bundle in his arms.

"I'm sorry, I'm so damn sorry Ellie. I should had gotten us out of there sooner, I should had saved you bef- I'm sorry. I'm sorry for everything..."

Those were the rushed, raw words the kid said down to the bundle. The kid curled inwards a bit, to both shield the baby, who was calming down somewhat into tiny cry hiccups, and for himself.

Those with advanced hearing could tell the kid was still whispering apologizes under his breath as he held the baby close.

"I'm sorry everyone, I'm so sorry. I tried, I tried so hard to save everyone but in the end... I'm sorry- everyone's gone... I'm sorry."

-x-x-

[Pssst, read the tags, they clear everything up]

[copypastus]

Nothing gave me more whiplash IN MY LIFE than going from acowar to acofas.

Remember when Feyre closed the chapter on her relationship with Tamlin and wished him well? Coz the Inner Circle sure keeps forgetting.

[thatrandomblogsays]

Cannot believe Daemon got roofied at Harrenhal, he wouldn’t eat peas out of fear of poison but accepts the most suspicious drink ever??? Asdfghjkl

[ride-thedragon]

Nettles and Race.

George is great at both analysing and subverting genre tropes. We see this with his portrayal of the Targaryens as bad white blonde powerful elf like people. Or his understanding consistently in his works that beauty doesn't equal morality. This is surface level, and he does have his shortcomings (how he portrays the Dothraki in a lot of aspects, etc) but I find it really interesting the amount of tropes and conventions he addresses and subverts with Nettles specifically in such a short span of the book. George uses specific racial imagery with Nettles that we don't see often from him, in short. Here's a list:

Implementation and Subversion

1. The most unlikely is, the most unlikely:

Oftentimes, in fantasy stories, the least likely is a white disenfranchised person. The majority of the time, it's because they are poor or treated poorly. Nettles is a black girl who is poor, orphaned, and marked for thieving, and none of that hinders her own feat of claiming a dragon or the accepting initially that she does. She's unlikely, extremely unlikely, the most unlikely choice.

2. Black girls are allowed to feel:

Nettles cries and grieves. Of all the dragonseeds, she's the only one positioned to feel remorse and loss after the Battle of Driftmark. She is foul-mouthed (though not written into the narrative) and fearless. Often times their is a need for black women to be strong (not have access to their emotions) or angry (the only emotion they're allowed because they're "loud"). Nettles is crass and sensitive. She's multifaceted.

3. White people don't center black narratives:

Typically, black characters in fantasy are centred around white protagonists. Nettles distinctly isn't when you focus on her. This is different from being impacted. To be impacted means you're a part of the plot. To have someone be centred in your narrative would be for your existence in the narrative to entirely depend on your relationship with them. You don't exist outside of them. Nettles does. She has an entire life up until she claims Sheepstealer without any intervention from the Targs, and after she leaves the main narrative of Fire and Blood, she has a life. This is even in a Targaryen history book.

4. Black girls deserve to be protected and loved:

Nettles is protected by the men around her in the narrative. Oftentimes, this is something not afforded to black characters, far less for black women in fantasy narratives, but she is protected. Not just by Daemon, who is someone who has extreme emotional stakes with her but by the men of Maidenpool and Lord Corlys. All of whom are white in the books. Nettles is protected by men unquestioningly. They may decide how to do it or have a bigger motive, but protecting her is never a question.

5. Promiscuity questioned:

Nettles is never shown to be a promiscuous character through an unbiased lens. Every time a person brings up Nettles' sex, it's through the lens of necessity or heavily implied to be a dramatic assumption. The two biggest cases, "her raising her skirts for sheep" by Septon Eustace is counteracted by the fact that she's marked as a thief and claims a dragon called Sheepstealer who she's likened to in the narrative and by Rhaenyra who is disproven from her "she seduced the prince with spells" theory by both the men of Maidenpool who don't believe her and Daemon who let's Nettles go. Anytime her promiscuity is presented, it's immediately questioned by who we are told she is.

6. White women tears:

Historically and in fiction, the tears of a white woman are enough to derail any existence of a black character permanently or are at least meant to. Black people, fictional or real, are consistently tormented with the notion of white woman tears or emotional outbursts. Their actions cause a major consequence with white women. With Rhaenyra, this would be Nettle slowing her head for her suspicions. Nettles does not and gets away from. The narrative. This is unheard of. In fantasy doesn't occur because most times, the black woman would be punished, but in fandom, this idea is also reflected in the call for Nettles to be replaced.

7. Relationship with the lead man:

Daemon, for better or worse, is the lead man of the dance. Nettles finds herself attached to him in a relationship that seems, for lack of a better word loving. They seem comfortable, happy, and he's doting towards her. They spend all their time together, and it's paralleled with his other 'living' relationships as well. She's portrayed as his last great love and in the universe, the singers say as much. Issues aside, this is rare. (Martha Jones, I'm sorry I wasn't your writer)

8. Power and Worship:

Nettles is worshipped and seems to become a Goddess in her own right at the end of her narrative departure. Nettles is viewed as a deity because of the power she claimed by herself. Revolutionary. Also it isn't some blink and you can avoid it thing. It ties into the main story of Game of Thrones and her clan, the Burned men helping Tyrion Lannister.

9. Mammy, Sapphire Jezabel ext:

Mammy: Maternal black woman. Lives to serve white people and nothing else.

Sapphire: Rude, loud, stubborn, malicious, 'dumb' black women, nothing else.

Jezabel: raw, sexual, can barely restrain their sexuality and live to tempt (white) men. Nothing else.

Not once does Nettles tie into any of these tropes without it being questioned in the narrative or simply ignored in her story. So many representations of black women, especially in fantasy, fall into the first two or friend not lover trope, help mate trope, etc. anything that justifies their existence by tying them to white characters with no other outlook. Nettles subverts this.

10. Season of the Witch:

Black witches and their history save me. Black witches and their history save. This aligns itself with African spiritually and the otherness assigned to enslaved women who practised both 'witchcraft' and medicinal herbology for lack of a better word.

Witchcraft is also often tied to the imagery of the irresistible black woman as it's almost inhuman to be that attracted to black women when white women are available.

So when it's said that Nettles is a witch, imagery similar to the justifications of white women during slavery are being invoked but not followed through because no one believes her.

11. Disposable Black Love interest

This is also a big issue across genres with black chapters. It happens with Laena in the show as well. When the plot calls for it (or in a lot of cases fans) you dispose of the black love interest in place of a white one. Nettles removal from the narrative immediately calls for both Daemon's and Aemond's removal from the narrative. She isn't disposable. She's a linchpin. Also, Daemon does not go back to Rhaenyra after Nettles leaves. He just dies.

12. Nothing Special:

Magical black negros that helps the protagonist, welcome to your tape.

The magical black negros trope is this convention within fantasy where a black character will appear only to be an aid to a white character by their use of magic. They don't exist or have a life outside this purpose. Nettles could've fallen into this trap.

The idea that she isn't Valyrian could have easily been tied with the spells angle outside Rhaenyra’s bias. Instead of that, however, we get the idea that Nettles is just smart and interesting. She's allowed to be smart and interesting. The narrative defends her being smart and interesting.

She might not be Valyrian. She might not be a witch or seductress. She might be just a really clever girl who defies the odds and conventions.

Conclusion

I think Nettles was both an active effort on George's part to defy conventions and subevert stereotypes and tropes as well as a way to question his reader's bias. Nettles is often reduced to trivial, replaceable, and minor when she's not. You just have to want to pay attention to her.

[corneliushickey]

angela carter’s analysis of the marquis de sade’s justine in the sadeian woman | young alicent hightower in house of the dragon season 1 (2022)

[accidentally-drank-paintwater]

Boop

Tumblr eats quality sorry 😢

Haven’t made proper art in awhile but I like how this one turned out :)

This is part of my Spiderverse au so if you want to find more of this just go to the tag #ADPW Spiderverse AU

PLEASE REBLOG!

more version under cut

[silver-dragonborn]

Draft: Right Hook

please do not repost or reblog

This is just a little something I concocted because I wanted to write Rhaenyra going absolutely feral and snapping. I'll probably have the final version done by next week.

Rhaenyra did not hesitate under the shadow of the dagger and punched Alicent on an instinct with her right hand (just like how Daemon taught her), gasped as her knuckles jarred against the Queen's delicately soft cheek, and sent a jolt of pain to her shoulder. Chaos erupted as Alicent collapsed in a heap of green skirts with a squeal, dagger clattering, and hair twisting across her cheek now bloodied by the full set of rings on Rhaenyra's fingers. Alicent looked up at Rhaenyra in a daze, blood leaking from her nose and her split lip, and for an instant, she had this strange expression. Hurt, yes. Angry, of course. But more afraid than either one. Like the look Rhaenyra had herself, maybe, when that horrid woman had commanded that Joffrey be brought to her.

"RHAENYRA!" Viserys was roaring now, face red, eyes bulging with outrage, but Rhaenyra was miles away, eyes never leaving Alicent's, she bent down and slowly picked up the dagger, fingers curling around the hilt. Hard. "No, father," she said, her tone an eerie calmness that cut through the chaos. "She attacked me, your heir, with a knife and I was given no choice, but to defend myself and my sons." Alicent was trembling now, the bloody smear Rhaenyra's rings left behind now fully bleeding. 'It will scar,' she thought distantly feeling a curl of satisfaction in her gut. 'Was this how Alicent felt when she insulted me again, and again within the walls of my own home?'

Rhaenyra's eyes slowly slid across the stunned faces of her father's Kingsguard, taking note of their reactions before stopping on Aegon himself, face pale and trembling. It was time to put an end to this. "You have a choice, brother. Family," she pointed to herself, "Or treason," Rhaenyra pointed the blade's tip at the fallen Queen who was still too stunned to scream and demand punishment. They were Ladies of King Viserys' court and Ladies did not fly at each other with knives or throw punches like brawling soldiers, but it would seem Driftmark had unpeeled the hidden layers of the Hightower's savagery and Rhaenyra's carefully hidden fire.

"Viserys, please, our children," Alicent bleated, but Rhaenyra would not be swayed by her tears. Even the most pitiable posed a threat and her old friend had proven time and time again that she would not stop until House Targaryen was torn apart.

"Family or Treason. Choose now, little brother."

"I-I.."

"CHOOSE!!"

Whether it was the realization that his mother had gone too far or the unnatural fire in his sister's eyes, Aegon practically scrambled to Rhaenyra's side and pointed a finger at Alicent, shrieking, "It was her! She spread the rumors! She and Ser Criston! It was them! It was them! They wanted to make me King! Her and Grandfather! They committed treason! It was them!"

Visery's cane clattered, Otto swayed and Alicent wailed.

It would be a long night indeed.

[black-queen-rising]

Me desperately trying to find this so-called "bias" it often feels like a solid two thirds of this fandom claim that the HotD producers/writers have towards Rhaenyra when literally every single change to other characters has fundamentally come from minimizing/obfuscating/or otherwise reducing her narrative and overall characterization and character.

Yes, I'm sure this woman who they have invented continual bad decisions, internalized misogyny, blatant disregard for the people closest to her, ineptitude, blindspots, and blatant, borderline unbelievable public disdain for in their adaptation of her character; who's background as a victim of child abuse, of continual misogynistic psychological and eventual physical violence, who's love of both other women and her own womanhood, infamy in her charm and popularity and continual attempts (and yes, often failures) to rise above the positions she was forced into they have also ERASED...is actually someone they're going out of their way to portray sympathetically?

Oh, but they favor her because...idk they haven't shown her being violently raped or repeatedly physically abused? Because you believe they actually think that making her seem like an idiot who never knows or thinks about what she's doing is somehow favorable?? Because it seems like ANY of these changes have actually endeared her to the fandom much less the show's general audience??? I literally cannot explain it most of the time, it baffles me.

I know I shouldn't be because why should any of us ever be shocked by misogyny in media anymore? By the portrayal of a woman for a mass-media (and heavily desired male) audience that's reductive and hollow?? But it's simply unreal to see how so many people somehow believe that this was done out of some sort of benevolence or favoritism. That so many people believe any of the changes made in the opposite direction of, and often active opposition to Rhaenyra's portrayal in Fire and Blood, were made out of some sort of desire to make her a tangibly more sympathetic or broadly understandable character, is something I'm not sure I'll ever be able to fully understand.

Except, of course, in the view that I really hope not everyone who says this sort of thing actually believes; that a self-confident woman who exercises her own agency is such an affront that even an unsympathetic, inconsistent, reductive, and idiotic cardboard cutout of a character is still a more respectable alternative.

[nyxi-pixie]

nyxi slutposting take 2

[superhell]

day one of working for house you get a brief that is a photo of wilson along with his pager and cell numbers and the instructions that you MUST tell this guy anything house does. you have GOT to keep him notified. and everyones like ‘thats ridiculous’ right up until 2 hours in when they watch wilson talk house down from doing something TRULY reckless. and then they never ever forget. tell wilson. its in the hospital handbook

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[fictionadventurer]

I didn't realize just how much Little Town on the Prairie meant to me as a book. I've barely started and every bit feels iconic. This one and Little House on the Prairie feel more like home than most of the other books do.

[webgottism]

reading the gen kill book and its interesting to see what lines they pulled straight from the text into the show but the fact they were like we need line for line bar for bar brad telling nate sir not to get homoerotic about this but i could kiss ya

[cambion-companion]

Friendly reminder this is not the face of a man who is turned on or happily remembering his first experience in a brothel.

If it helps, block out his lips in the first image with a finger.