The BOLD THE FACTS tag with Imani
tagged for my choice of oc by @pralinesims and @raiiny-bay <3
The Rules are simple! Tag people and name a character you want to know more about! If you want to let the person you tagged decide who to showcase, then don’t name a character and they can pick somebody. Easy! The person who is tagged will then bold the remarks below which apply to their character and, if they want to, include a picture with their reply!
[ PERSONAL ]
$ Financial: wealthy / moderate / poor / in poverty / other
✚ Medical: fit / moderate / sickly / disabled / disadvantaged / non applicable
✪ Class or Caste: upper / middle / working / unsure / other
✔ Education: qualified / unqualified / studying / other
✖ Criminal Record: yes, for major crimes / yes, for minor crimes / no (despite his attempts matthias has never successfully roped her into any of his mess lmao) / has committed crimes, but hasn’t been caught / yes, but charges were dismissed
[ FAMILY ]
◒ Children: had a child or children / has no children / wants children
◑ Relationship with Family: close with sibling (but it's complicated... imani has real love for her baby brother but she's also aware of the difference in how her parents treat the two of them and it's definitely impacted their relationship) / not close with sibling(s) / has no siblings / sibling(s) is deceased
◔ Affiliation: orphaned / adopted / disowned / raised by birth parents / not applicable / other
[ TRAITS + TENDENCIES ]
♦ extroverted / introverted / in between
♦ disorganized / organized / in between
♦ close minded / open-minded / in between
♦ calm / anxious / in between
♦ disagreeable / agreeable / in between
♦ cautious / reckless / in between
♦ patient / impatient / in between
♦ outspoken / reserved / in between (she's more outspoken when she's just with romeo or matthias, but when she's around her parents she gets quiet)
♦ leader / follower / in between
♦ empathetic / vicious bastard / in between
♦ optimistic / pessimistic / in between
♦ traditional / modern / in between
♦ hard-working / lazy / in between
♦ cultured / uncultured / in between / unknown
♦ loyal / disloyal / unknown
♦ faithful / unfaithful / unknown
[ BELIEFS ]
★ Faith: monotheist / polytheist / atheist / agnostic
☆ Belief in Ghosts or Spirits: yes / no / don’t know / don’t care
✮ Belief in an Afterlife: yes / no / don’t know / don’t care
✯ Belief in Reincarnation: yes / no / don’t know / don’t care
❃ Belief in Aliens: yes / no /don’t know / don’t care
✧ Religious: orthodox / liberal / in between / not religious
❀ Philosophical: yes / no
[ SEXUALITY & ROMANTIC INCLINATION ]
❤ Sexuality: heterosexual / homosexual / bisexual / asexual / pansexual
❥ Sex: sex repulsed / sex neutral / sex favorable / naïve and clueless / other
♥ Romance: romance repulsed / romance neutral / romance favorable / naïve and clueless / romance suspicious
❣ Sexually: adventurous / experienced / naïve / inexperienced (she's had sex before but her experiences have been few and far in between) / curious
⚧ Potential Sexual Partners: male / female / agender / other / none / all
⚧ Potential Romantic Partners: male / female / agender / other / none / all
[ ABILITIES ]
☠ Combat Skills: excellent / good / moderate (she's taken a self-defense class before and matthias has taught her a couple nasty tricks in case she ever needs them) / poor / none
≡ Literacy Skills: excellent / good / moderate / poor / none
✍ Artistic Skills: excellent / good (she sketches while she's waiting around; she's often drawing her own designs, fairies, flowers, snakes, pointy scribbles, or spirals) / moderate / poor / none
✂ Technical Skills: excellent / good / moderate / poor / none
[ HABITS ]
☕ Drinking Alcohol: never / special occasions / sometimes / frequently / alcoholic
☁ Smoking: tried it (disliked the taste and the smell) / trying to quit / quit / never / rarely / sometimes / frequently / chain-smoker
✿ Recreational Drugs: never / special occasions / sometimes / frequently / addict
✌ Medicinal Drugs: never / no longer needs medication (used to take meds for an old ballet related injury but she's good now) / some medication needed / frequently / to excess
☻ Unhealthy Food: never / special occasions / sometimes / frequently / binge eater
$ Splurge Spending: never / sometimes / frequently / shopaholic
♣ Gambling: never (she's too disciplined for that) / rarely / sometimes / frequently / compulsive gambler
tagging @cowboycid for val, @helltrait for chris, and @tau1tvec for isa! and let me just rapid fire some of you who i think might have fun with this tag game!! @birdietrait, @wildmelon, @diwns, @fangs-trait, @deehya, @bunmou, and @spurgees
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What do think of a Milgram next generation au? Like an AU where the prisoners (excluding amane) have kids?
Ooh, what an interesting concept! I've never thought of that before (besides crying over Mahiru’s dream family she mentioned lol) so this was real fun to think about >:) I’m assuming the Milgram events all occur, but somehow everyone makes it out and tries to move on with their lives as best as they can. It'd be really cool story of all these kids meeting up and slowly uncovering their parents trauma/secrets...
For a lighter tone, it could be a very cute “kid detectives meeting up and making a little club to talk about mysteries of the past with their weird pet rabbit :)” But of course you could keep the darker canon tone, and have these ordinary children from wildly different walks of life discovering the bloody secrets that have haunted their family.
Either way, it'd be cool to set it up the same way we’re discovering the crimes: the children get pieces of information here and there as their parents let things slip, they check a story from an old news site, they catch details here and there from the locals. The group tries to put all the pieces together with limited snapshots and comments. There are no judgements -- it definitely leans into the mystery/story elements.
I'm sure their time in Milgram would drastically change the original prisoners, so some of their children would be shocked to find out what their parents were doing back in the day... I think a few of them would move far away, or want nothing to do with the others, so it takes their children a bit of digging to track down the other kids like them. Even if their parents are enemies, the children can all get close over their unique situation. I'm also a sucker for siblings who aren't close to find a better relationship through discovering the family secrets.
For an even darker tone, though, the original prisoners could have been wrongfully released or escaped back into the real world -- so years later, Milgram collects the children into the prison to judge them instead (sins of the father and all that). Instead of extracting mvs from them, the child and warden are forced to watch their parents’ videos and are interrogated about that. In this case, there'd be a weird dynamic in which they're learning to hate their parents (for the cruel things they did or for being the reason they're currently imprisoned) while also working really hard to defend them to the warden so that their family is forgiven. Similarly, there's an interesting relationship between them and the warden: these new prisoners criticize their decisions while also working together to solve the details of the parents' crimes.
I don't have a ton of specific headcanons on the cast, but a few roles in the group I can picture:
Kazui becomes much more honest after everything -- his children end up with leader roles because they have the most information on milgram/his crime.
Alongside them, Kotoko's kid would take after her mannerisms and become a leader as well. Out of Fuuta, Mahiru, and Mikoto's kids, half of them don't mind their parents' conflicts, while the other half act like they should carry on that legacy. I don't think Kotoko's kid themself feels the need to carry on her work, but will definitely defend her actions no matter what.
Shidou’s child would be put in a really weird spot, hearing how much he mourned those that came before. Feeling like a replacement, or not living up to the idea of his previous family, they act just as melancholy as him. Yuno's child also has a strange survivors guilt sort of thing going on.
In a normal-world setting, Fuuta's kid is the one to track the others down and get in touch with them. (But they're just as hotheaded as he was at that age, so another member has to do the actual recruiting lol)
Mahiru tries to move on from the events of Milgram, so her child is the most shocked that their mother was involved in a death and trial like this.
I think there'd be a solid mix of kids who are exactly like their parents, and the complete opposite. I like the idea of Haruka’s kid becoming the friendly, talkative one who really brings the group together <3
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How to give good feedback on art (from an artist)
I often see people talk about how they want to leave good comments on art, but don’t know how/don’t know what to say. As an artist, here’s what I often look for to have something to say to other people!
The composition of the art – how different elements of the piece guide your eye, how certain parts are brighter against darker backdrop/darker against a bright backdrop. What catches your attention? How have they put the piece together to make this happen?
The lighting/shading – how have they rendered the piece? Do you like how the lighting is bright, harsh lines, or how it’s gently blended in? Do the shadows add extra depth that makes the whole piece look more 3D? Did they use funky, unconventional colours to shade?
The lineart – is it smooth? Sketchy? Are the lines thick or thin? Do they use lines at all? Are they in a colour other than black? How does it add to the piece? Do they just outline a piece, or add texture with lineart as well?
The colours – have they used a pallet of complimentary colours? Do they remind you of something specific – perhaps to the fandom, or to a season, an aesthetic, etc? Do they only use one colour? Do they use unconventional colours? Do they have one pop of contrasting colours against a monochrome background?
The anatomy – do they stick to exact proportions? Do they lean towards a more cartoon sizing? Is it like Powerpuff Girls, or like Tim Burton? 90s anime, or modern day anime? Do they make things very angular, or really smooth? What about it do you like specifically?
The texture – in the frame of digital art especially, have they used a specific brush to create a certain effect? Do you like how sketchy it all looks, or how they’ve blended the colours together? Does it look like watercolours bleeding, or a stamp/print made over the entire piece? Is it all rough, or super smooth?
The details – talk about how you love the tiny pattern on a blanket, or the multiple earrings in the characters ear. Talk about how you like how they’ve done the hair, or the little glint of light against a ring. Talk about the celtic patterns in the body, or the crooked teeth in their smile. Little things that jump out to you.
How it makes you feel – anything at all, but try to explain what in the piece evokes it strongest. Are you hit with isolation by the lonely figure in a wind-swept hill? Or joy, does that bright smile make your heart swell? Try and pick something out and babble about that.
Any meaning you can pick out – a little more tricky and often quite personal, but if you can pick something out that you think you can interpret, talk about it! I don’t think people ever get offended, even if you’re wrong – it’s interesting to see how other peoples brains work, and what they take away from something you’ve made.
Anything that stands out to you as a signature of Their Art – typically for artists you’ve followed for a long time – when you look at a piece, do you think ‘oh, this is by X’. How do you know? Is it how they draw the mouths? How they shade? The anatomy? The details? The colours? The composition? The expressions? Tell them!
I try to mix and match a few of these, focusing on things specific to the piece. Talking in depth about a piece helps an artist to know you haven’t just glanced it over and gone ‘oo cool!’ and moved on. If you want Tumblr to continue having a thriving art community, it’s beneficial to engage in and spread art around, as well as letting the artist know their work was seen and appreciated. They put the work out there for you to see for free! What can take you a few minutes of your day can make their entire week. Go support your artist friends!
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Happy birthday Mushitarou!
The sad silly green man is one of the absolute best and also one of the most criminally underrated characters in all of BSD. I don’t have any fics or anything for him today (EVENTUALLY... eventually....), but I’ll share some headcanons for him (+others) that I have 💚 (part headcanons/part analysis tbh)
Under the cut cause uhhhh this got a lot longer than I expected it would ahaha, smh:
While I don’t think he had any particular falling-out with his family, I think Mushi is naturally isolated from them, and only became more closed off after his father died, someone whom he was especially close to and who shaped him into the good person that he is. He was lonely growing up in school, and Yokomizo was as well, even though it didn’t seem that way on the surface due to the latter being much more outgoing and extroverted; neither of them had anyone who truly understood and engaged with their interests (especially not Mushi after the loss of his father). Yokomizo was also estranged from his relatives, even more so after he became obsessed with writing, so he and Mushi became as close as family after enough time had passed – they really were all each other had, in so many ways.
Mushi already visited Yokomizo frequently enough as it is, without much else to do in his life, but began coming to see him even more often after he was told about Yokomizo’s terminal illness/given the request to kill him. Despite Yokomizo’s desire to finish his novel before his health deteriorated enough to be noticeable, he was unable to do so, and as time wore on, Mushi began to worry that something would happen to Yokomizo without anyone there to help, and took it upon himself to take care of him. Yokomizo’s urgency to finish his writing became more desperate, yet Mushi tried to keep him from pushing himself, which somewhat worked – there was an unspoken understanding that both were trying to put off the inevitable; for Mushi, it was out of utter denial of losing him and of what he’d have to do, and for Yokomizo, it was out of a sorrowful desire to spend as much time with Mushi as he still could, and guilt for the tremendously selfish and cruel thing he was ultimately asking of him, even as both of these emotions fought with his stubborn desire to go out the way he wanted to.
Mushi’s façade of hatred towards Yokomizo after killing him, although mostly a coping mechanism to distance himself from him and his grief, is not entirely without basis: a small part of him did want to genuinely hate Yokomizo for forcing this upon him, though ultimately a much larger part of him simply hated himself for doing something so unspeakable to the person he called his friend, even if it was asked of him.
Yokomizo, however, wanted Mushi to hate him over all, even if he never said this outright. The months leading up to his death were filled with worry for his friend, for the person who was essentially like a younger family member to him (not exactly a little brother, but… something akin to that. Although they’re probably around the same age, I feel like Yokomizo was more mature (not in every way though of course), and was protective over Mushi in a lot of ways); he knew Mushi very well, and he knew that Mushi would not cope well with his death at all, let alone what he was asking of him – he already wasn’t coping well.
Mushi always had walls up and pretended to be arrogant, pretended to be selfish and not care about anyone but himself, but Yokomizo was the one person he was comfortable around, and he had long since practically become home for him: although their time together was never anything extravagant, he was able to bring him out of his shell, and force him to do and think about things he never would have otherwise, giving them both a happiness they each would have never otherwise known for so many years. But then that fragile peace they had together, that safety net, was being cruelly ripped away from them both, and the thought that Mushi would go back to being lonely, closed-off, and isolated after he was gone, drowning in his grief and with no one else to support him anymore, was more devastating to Yokomizo than even the fact that he was dying. As cruel and selfish as asking Mushi to kill him for his perfect crime was, I think a part of him felt it would be even crueler to force Mushi to watch him slowly wither away from illness (and he, too, dreaded and was terrified of having to go out like that, after so much drawn-out pain), and he selfishly hoped that Mushi’s hatred of him for forcing this upon him would overcome his grief, and the inevitable self-loathing he would have – yes, Mushi could hate him, needed to hate him, anything to keep him from hating himself. Of course, Yokomizo knew that wouldn’t happen, because Mushi was far too kind, far too caring, and far too selfless – anyone who would do so much for him for so many years as he had, especially after he became ill, and would willingly agree to go as far as to essentially euthanize him for his selfish final dream, no matter how much all of it hurt him, was truly the greatest friend anyone could ask for. Mushi was and is a beautifully selfless person, but he himself could never see it – only Yokomizo could, and so he knew exactly how he would respond, and worried about him immensely because of it. And that worry made him want to try to distance himself from Mushi as much as possible, to die as soon as possible, even, so it wouldn’t be even harder on him than it already would be… but in the end what won over that was his desire to make as many happy memories with him as possible in those final months, so they could somehow try to forget about what was coming, if only briefly; so that Yokomizo could, maybe, somehow, in some small way, believe that Mushi would be okay in the end after he was gone. :’ )
Continuing this, as part of those memories, I headcanon Yokomizo liked to dance with Mushi a lot, since there’s some art of them doing that 💚 Mushi also took Yokomizo out to various quiet place, like to see fireworks or the beach. He canonically doesn’t like the smell of the salty sea air (why? I have no clue), but I hc Yokomizo loved the sea, so Mushi went with him there at least once oops my Yokomizo Oda similarity headcanons are showing-
Yokomizo wanted Mushi to be happy, but it also worried him that his friend clearly bottled everything up and never allowed himself to cry, either. So seeing him cry in his last moments was a huge weight off his shoulders, and was somehow what ultimately convinced him that Mushi would one day be okay again. :’ )
At some point, probably multiple times, Mushi and Yokomizo had a discussion where Mushi tried to make sure that Yokomizo truly, sincerely wanted him to do what he was asking of him. Around and around, trying to talk him out of it, insisting that he hadn’t truly thought it through, but Yokomizo was always gently steadfast. After they settled on strangulation (poison, aside from being ruled out for the sake of the reader, was not what Yokomizo preferred when his body was already painfully killing itself from the inside), Mushi tried to suggest that he be given a strong sleeping pill/sedative before being killed so that he wouldn’t feel it, but Yokomizo insisted against it, as it would imply sympathy on the part of the killer, which couldn’t happen. His sickly state, although it wasn’t yet public while he was still alive, would already suggest a mercy killing and was putting the plan/general reception at risk enough as it was. </3
After killing Yokomizo, Mushi handled his body ever-so-delicately, tenderly, almost reverently, just as he had many times before while carrying him, as he strung him up the way he was instructed, and even as he cut off his ears. He took his time doing it, wanting to hold his friend close and memorize what he looked like for as long as he possibly could in these final moments, even though he felt like his hands didn’t have the right to touch him anymore. Then, after everything was in place and he’d fled the premises with the manuscript, he promptly threw up somewhere. :’ )
Yokomizo was the second person to give him the nickname “Mushi”, after Mushi’s father. No one else ever calls him that now; it’s a name reserved only for them.
Mushi struggles while trying to write at Poe’s mansion out of a feeling of inferiority compared to Yokomizo; writing and mysteries were never his passion, they were Yokomizo’s, and he was just indulging the latter’s hobbies. He has no right to claim the role of writer for himself, not now that he’s gone and when he was only ever in it for Yokomizo to begin with… and there’s no possible way he can ever create anything good or original, when they’d already talked at length about how everything in the mystery genre had already been done, and Yokomizo himself created the ultimate mystery that no one could ever possible top, least of all him.
But Poe knows that what he writes doesn’t need to be perfect or even good; Mushi only needs to do it as a form of therapy for himself, because it will bring him closer to his deceased friend, since mysteries are what they enjoyed most when he was alive. (and I honestly think Poe would understand and empathize Mushi very well, having been so isolated and lonely in the past himself before Ranpo essentially saved him just as Yokomizo did for him) Once he’s able to convey that to him, it gradually comes more naturally to Mushi and becomes comforting for him as Poe intended. 💚
Mushi forms a reluctant friendship with Karl over the course of his stay with Poe (inspired by this person’s art series of them together 🥹). It starts with Karl trying to help the first time Mushi has a nightmare there, and after that he starts bothering him/trying to get his attention in general, until Mushi slowly gives in, becoming begrudgingly fond of the little creature. Whenever he’s having a hard time, whether it be a nightmare or a panic attack or just listlessness, Karl is usually there for him, as his own personal therapy raccoon. 💚
To add to that, Mushi canonically dislikes thunder; I headcanon that when they were together during storms, Yokomizo always made sure to be even more chatty than usual, to distract Mushi from his fear of the noise. Once he’s at Poe’s mansion, when it storms, he suddenly realizes how much louder and scarier the thunder feels now… but of course he doesn’t let it show. Karl, however, notices his discomfort, and is there for him during storms now. :’ )
Post-series, in general, Mushi always brings treats for Karl whenever he meets up with Poe again. 💚
A headcanon plenty of people have, but Ango is absolutely crucial to Mushi’s journey of healing. Post-series, they have quite a few talks about their respective situations, and Ango is the one person Mushi ultimately (after enough time, of course) bears the most of his soul and his pain to, because Ango can empathize with him and understand his guilt/self-loathing/sorrow in a way none of the others can. Earlier on, Ango checks on Mushi the most (Ranpo and Poe do too though) to make sure that he’s taking care of himself, just like he occasionally does/did with Dazai.
Mushi starts wearing traditional clothes more often after Yokomizo’s death, including a few old things that used to belong to him, that are comforting to Mushi.
There aren’t many public photos of Yokomizo, since he was a rather private author. There is, however, only one single personal photo of him, one he roped a grumpy Mushi into taking with him once, his own expression being as sunshine-y and exuberant as always in contrast. Mushi cherishes it now :’ ) oops the buraiha trio vibes strike again
Because of his period of dealing with Yokomizo’s terminal illness, Mushi has some medical-related knowledge that the average person probably wouldn’t. It isn’t the kind of thing he wants to dwell on after Yokomizo’s death, and he can’t stand being around hospitals, for obvious reasons, but regardless, whether he’s consciously aware of it or not, he is especially compassionate/understanding towards those who are sick and disabled that he encounters. His time with Yokomizo has given him perspectives and philosophies about life that he wouldn’t otherwise have, and when he’s not trying to write strictly mysteries, it’s the sort of things that are evident in his writing. In a way, writing about it in general is healing for him, separate from mysteries being comforting to him solely because they’re associated with Yokomizo.
At some point, Mushi starts visiting Yokomizo’s grave together with Ango, Poe, and Ranpo, or sometimes just Ango. Similarly, he, Poe and Ranpo join Ango in visiting Oda’s grave. He and Ango each tell stories about their respective lost loved ones, so that more people will learn about and remember who they once were. 💚
With his ability, Ango is able to read the memories within the room Yokomizo was living in (or perhaps in objects Mushi owns), and see numerous happy memories he had with Mushi, long before his illness and death. With what he sees and conveys, Poe is able to write a small story of the memory, which he then gives to Mushi, allowing him to go into the story and relive the memory and see Yokomizo again for the first time in years. It’s not the real Yokomizo, and Mushi knows this – he’s long since stopped seeing the hallucination of him, because he’s healed enough by this point. But even so, just knowing that the book is there, that he can see his friend moving and talking again whenever he wishes – a version of Yokomizo that is just as happy and bright and energetic as he always remembered, without suffering from illness – is the greatest gift and kindness he could ever imagine receiving, and from his new friends no less, and it’s enough to make him cry, from how loved he truly is :’ ) 💚
I love Mushitarou sooooo much, and I truly hope he gets more attention in the future (can’t wait for tomorrow’s episode!!), because his story is so touching and his character so relatable and comforting 🥹 and I sincerely hope he finds his ultimate happiness in the manga one day. Happy birthday, you sweet, sentimental, pathetic (affectionate), goofy little gremlin man 💚
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