#it feels like theirs

[psalm40speakstome]

🎶 Swear I feel you in my memory

I think I've seen you in my dreams

Maybe you and I have history

But I don't think you know me

Have we met before?

Maybe in another life I knew you

Maybe if I try I'll see right through you

And I'll remember who we were

Have we met before?

Maybe in another time I loved you 🎵

🎵Have We Met Before by Sarah Barrios with Eric Nam. 🎶

[blakbonnet]

actual scene from the show that was cut

[uncanny-tranny]

I think it's so relatable to see trans women and transfem and generally people who no longer have a testosterone-dominant system describing what it was like to have a testosterone-dominant system. I find that often, when they talk about being angry, depressed, irate, or just irritable, I relate because that was me before I went on testosterone. I was so fucking angry and irate and genuinely unpleasant to exist around because I didn't have testosterone.

See, I think instead of estrogen or testosterone being the "bad, angry" hormone, it's more like... of course trans people who need hormones are going to be unpleasant before getting hormones - both your body and your brain require that you have a certain level of hormone balance. Of course somebody like me was fucking furious all the time, the brain does weird shit when its needs aren't fulfilled!

This isn't about criticizing any one group of trans people, rather, I encourage people to remember that ascribing inherent qualities to certain traits (e.g., saying "estrogen is such a horrible hormone!") isn't necessarily good. It's absolutely fine to talk about personal experiences with pre-transition, I do that all the time! The only issue is bioessentializing hormones, in essence, ascribing inherentness to traits we often share.

[funsizedshark]

oda shouldn't have made it a point of zoro never calling sanji by his name once in the entire manga if he didn't want me to picture a scenario where zoro singlehandedly brings sanji back from the germa influence simply by calling out his name for the first time

[missycolorful]

Something really stood out to me during q!Philza's conversation with his eggs when they confronted him about being left behind at Etoiles' house. Because I realized a bit too late what the topic at hand was, and it made me realize why q!Phil was defensive and overexplaining his perspective in a situation where he made a mistake.

Because it's really all about what the situation was: Philza accidentally leaving them behind at Etoiles house. His kids, especially Tallulah, like to joke about being abandoned just for the sake of being dramatic. It's all jokes, yes! But they say as much here, and this time, it's a legitimate statement. He abandoned them, though accidentally. And they took that seriously. And abandon is kind of a scary word here. especially with Tallulah.

Philza knows she doesn't deal with the idea of abandonment well. She doesn't like being left behind, it makes her feel unloved. He doesn't want to do that to her. So when he did something stupid, he tries so hard to let them know that he didn't mean to, that he misunderstood and made a mistake. That he'd never abandon his kids, abandon Tallulah. He's a bit defensive because what they were saying, to him, sounded like they thought what he did was intentional, and that their hurt came from him doing it on purpose. So he overexplains himself so they understand that he wouldn't do that to them.

Of course, the problem is, he did, and even if it's accidental, it's still something that upset them and scared them. And incidental or otherwise, their feelings about the situation are still valid. Sure, nothing really wrong with explaining your perspective on the situation to clear the air, and it's easy to see why Philza would do that especially here. But yeah, q!Phil, you just had a birdbrain moment, you just gotta apologize and be more careful next time, that's all, man! Which, he did several times throughout the interaction, and to me, it seemed like afterward, he was being extra careful to keep an eye on them. So he's taking what came out of this situation fairly seriously!

But what I think is important to remember is that the Death family is so tightly-knit. They're all so important to each other, they rely on each other and they hold no secrets between one another. He never wants his children to think he'd leave them behind for any reason. It's just that he's a birdbrain sometimes, the dumbass <3

EDIT: hello, yes, yes, I talked a bit more about this scene and the implications of what was being discussed here! I even mention why this particular worry has manifested in Tallulah and Chayanne in particular as of recent!

[valc0]

Having SO MANY insistent thoughts on Tiefling tails and their social dynamics and uses...

[agentark]

trying to enjoy my silly little time traveling sci-fi show while clara and the doctor say the most devastating things to and about each other every other episode like my god

If the Doctor is still the Doctor, he will have my back.

Clara, I'm not your boyfriend. // I never thought you were. // I never said it was your mistake.

Please, just...Just see me.

Do you think I care for you so little that betraying me would make a difference?

Clara, I'm terribly sorry, but I'm exactly what you deserve.

There was one other man. But it would've never worked out. He was impossible.

When do I not see you?

Die with whoever comes after me, you do not leave me.

I don't care about your rules, or your bloody survivor's guilt. If you love me in any way, you'll come back.

Immortality isn't living forever, that's not what it feels like. Immortality is everybody else dying. She might meet someone she can't bear to lose. That happens, I believe.

I let Clara Oswald get inside my head, trust me, she doesn't leave.

Longest month of my life. // It could only have been five minutes. // I'll be the judge of time.

I will die, and no one else here or anywhere will suffer. // What about me?

Everything you're about to say, I already know. don't do it now, we've already had enough bad timing.

Don't run. Stay with me.

I was lost a long time ago, she was saving you.

If you think because she is dead I'm weak, then you understand very little. If you were any part of killing her and you're not afraid, then you understand nothing at all.

The day you lose someone isn't the worst...it's all the days they stay dead.

I'd know you anywhere.

What were you bargaining for? // What do you think? You.

If she says so.

I had a duty of care.

People like me and you, we should say things to one another.

Look how far I went, for fear of losing you.

You said "memories become stories when we forget them." Maybe some of them become songs.

hand in unlovable hand

[littledead-ridinghood]

It’s not that Jason came back to a changed family where he didn’t fit into the gap he left behind anymore. It’s the fact that his family never scooted over to make more space for him once he returned.

[a-dauntless-daffodil]

remember how charlie started dating her gf back when she thought vaggie was a sinner who'd earned a place in hell, and then she found out the gf used to be a murder angel and got angry / hurt bc SHE tells vaggie everything so why didn't vaggie trust her with the angel thing??? does vaggie not really LOVE her????? oh yeah and murder bad too whatever- OH WAIT SO VAGGIE /DOES/ LOVE HER!? fuck yeah who cares about murder! the angel gf's wings are hot and charlie Will Hug Her

what im saying is... charlie doesn't just TALK about the fluffy vague idea of redemption

she's been living it this whole time

we see her CHOOSE to stay with vaggie even after having the exact terrible bad things vaggie did shoved in her face. there's no "she's just naive" excuse here

she knows. her kindness and hope doesn't come from a LACK of knowing how bad things or people can be

but that was vaggie's past. charlie talks about a breach of trust, of vaggie not trusting her with the truth, of the fear that other things between them hadn't been true too- Those are all PRESENT vaggie issues. they're all questions about the woman vaggie is NOW, and what kind of relationship charlie has with her, today

even charlie's line wondering if vaggie would've told her about an angel's weakness- it's not, "oh you're still one of them", it's "now i know there was something else important that you didn't tell me"

it's so quiet. that kind of, amazing moment. where charlie just unravels the whole idea of sin and flicks it away, like a speck of dust

being reminded of how many ways vaggie SHOWS who she is and who CHARLIE is to her, that settles charlie, answers all her worries and questions (she can trust vaggie) (vaggie is in this with her no matter what)- because none of them, those fears and pains, were about what vaggie had been

that's how the hotel can work. it's built on something REALLY strong- it's built on charlie honestly meaning what she says, and vaggie truly actively being her partner in it

we can't SEE that happening without looking at THEM

(we see people not taking them, or charlie, seriously- and getting fucked up when they Find Out)

them being and staying together is proof that the hotel can work, that angels can sin and seek redemption, that people- even sinners- can change

and when they change there'll be at least one place where they can BE that new person

at the hazbin hotel

[utilitycaster]

You know what's interesting to me? For all people keep claiming at every juncture that perhaps Bells Hells will come around on the gods and see the harm they do (which, as discussed extensively, is, half the time, simply not intervening) not only have they never done so, but also they never quite cross the line into saying the party should join the Ruby Vanguard or aid them - and indeed, they defend against it - so what does this achieve? It feels like they're asking for a story in which the party stands idly by, which isn't much of a story nor, if I may connect this briefly to the real world, a political stance anyone should be proud of.

That's honestly the frustration with the gods and the "what if the Vanguard has a point" conversations in-game. What do we do then? Do we allow the organization that will murder anyone for pretty much any reason that loosely ties into their goals run rampant? The group that (perhaps unwittingly, but then again, Otohan's blades had that poison) disrupted magic world-wide, and caused people who had the misfortune to live at nexus points to be teleported (most, as commoners, without means of return). While also fomenting worldwide unrest?

Those were the arguments before the trip to Ruidus; with the reveal of the Vanguard's goals to invade Exandria, the situation becomes even more dire. Do you let the Imperium take over the planet?

And do the arguments against the gods even hold up? If Ludinus is so angry at them for the Calamity, what does it say that he destroyed Western Wildemount's first post-Calamity society for entirely selfish means? (What does it say about the validity of vengeance as a motivator?) What does it say that Laudna told Imogen she could always just live in a cottage quietly without issue before the solstice even happened? (Would this still be true if the Imperium controls the world?) What does it say that when faced with a furious, grieving party and the daughter she keeps telling herself was her reason for all of this, Liliana can't provide an answer to the question of what the gods have done other than that their followers will retaliate...for, you know, the Vanguard's endless list of murders. (That is how the Vanguard and Imperium tend to think, huh? "How dare your face get in the way of my boot; how dare you hit me back when I strike you.") She can't even provide a positive answer - why is Predathos better - other than "I feel it", even though Imogen and Fearne know firsthand that Predathos can provide artificial feelings of elation. Given all the harm Ludinus has done in pursuit, why isn't the conclusion "the gods should have crashed Aeor in such a way that the tech was unrecoverable?"

Even as early as the first real discussion on what the party should do, the fandom always stopped short of saying "no, Imogen's right, they should join up with the people who killed half the party," it was always "no, she didn't really mean it, she just was trying to connect with her mother." Well, she's connected with her mother, and at this point the party doesn't even care about the gods particularly (their only divinely-connected party member having died to prevent the Vanguard from killing all of them). So they will stop the Vanguard; as Ashton says, the means are unforgiveable. As Laudna says, it's not safe to bet on Predathos's apathy. As Imogen says, she's done running; the voice that she used to think of as a lifeline belongs to someone she doesn't trust. So I guess my question is: if they're stopping the people who are trying to kill the gods (and defense of the gods isn't remotely their personal motivation)...do you think the next phase of the campaign is Bells Hells personally killing the gods? Reconstructing the Aeor tech and hoping none of their allies notice? How does this end? Does your ideology ever get enacted? Or is this entirely moot and pointless and the story ends with Bells Hells saying "well, I'm really glad we stopped the people who [insert list of Vanguard atrocities from above]; none of us follow the gods or plan to, but honestly, the status quo we return to is preferable to whatever nightmare Ludinus had concocted in his violent quest for power and revenge"?

[dirtytransmasc]

Spider and Tuk being the bestest siblings ever and spider being the mvp big brother we all know he is hc's (modern + adopted spi au addition):

Before he could drive he would wait at Tuk's bus stop to get her off the bus. He insisted on doing it to "ease the workload on his parents" (since with Jake and Neytiri's work schedule, Tuk would have to go to an afterschool program and someone would have to pick her up) which it does, but it was really cause he liked to have the quality time with Tuk.

On their walk home he would ask her about school. He asks about what she did, if she brought anything home she wanted to show him (normally stuff from art class), if she did anything special or fun, that sort of stuff. He also stays up to date on her school gossip and makes sure no one's bothering his baby sis.

They hold hands the whole walk home, and more often than not he ends up carrying her or her bag for her.

Once he gets his license he picks her up from school and fills the 45 minute-ish time she would have normally spent on the bus and walking home at the park or getting ice cream or something else of the like.

When they get home he makes sure to look at anything she brought home. All the cool stuff first; art, school work she's proud of, a pretty pebble, or the occasional half wilted flower from the recess field. He makes sure to give all the praise and compliments possible, especially to the art and school work, cause he's supporting those skills early. Then he makes sure he gets all the homework, permission slips, things like that.

When his siblings ask why he does it, he says, "Who's gonna ask her to see what she drew during recess? Who's gonna ask if she did anything fun with her best friend? Who's gonna make sure she's not left out of the loop? We're a busy family, I don't want her getting left out just cause she's little, I'll ask, I like doing it anyway" he knows his family's busy, he knows Tuk tends to fall to the background cause she's the youngest, and that Jake and Neytiri are busy trying to keep them all afloat, so he takes care of Tuk.

He helps her with her homework and never raises his voice or gets frustrated. He sits next to her and they figure it out together.

He's always proud of her, even for the little things, so he's always giving her hugs and kissing her hair and other classic big brother things.

More often than not, Spider puts Tuk to bed. Either Jake and Neytiri give up trying to tame the "cranky banshee" (what Spider call her when she's tired) of a child and call Spider in, or she asks for him. He'll lay down next to her and pull her close and tell her stories until she gets sleepy and cuddled into him. Only then does he pull out the "put'em to sleep" combo, as he calls it; he hum to her (he hums "a la nanita na", like his mama used to hum to him, fight me) while rubbing her back with one hand and plays with her braids with the other. She's out like a light in a few minutes every time.

He often refers to her as a little banshee whenever she's being feisty or especially energetic.

There was an almost 2 month streak where Tuk would only sleep if Spider stayed in her room for the night or if she was in Spider's bed (which she preferred cause it was bigger and cozier). Spider didn't mind so he gave in almost immediately. Best sleep he got in years, even with the bony knees and elbows poking him.

Spider will sacrifice himself when she gets sick, opting to be the one to go comfort her, knowing he'll be sick soon after. He has spent many nights holding her on the bathroom floor and wiping snotty noses. (he always gets it and gets it *worse* but it's worth it for his baby sis)

Tuk always does he best to take care of him after. She'll sit in bed with him and pet his hair or bring him snacks/water. When she was little, she'd bring out all her Doc McStuffin's toys (cause she'd love Doc McStuffin's, again, fight me) and try and 'make him better'

Spider has the strongest cuteness aggression ever for Tuk, like, he wants to squish her and bite her and squeeze her and shake her, with all of the love in the world. He satiates himself by snatching her, flopping on the floor, and bear hugging her as tight as he can, with his legs too, and just rolling back and forth till she's giggling so hard she can't breathe.

He is deeply invested in multiple children's shows because of how often he watches them with her. (His favorite is Wild Kratts, Paw Patrol, and Ninja Turtles)

(this one next one is so random but Spi and Tuk have pastina lover vibes, again, I dare you to fight me on this)

Spider spent time in the system and fending for himself, meaning he picked up a lot of easy recipes, one of which, was pastina with butter, broth, and cheese. He passed this on to Tuk, who has now decided this is the best snack ever and asks him to make it all the time.

Spider works out, just so he can carry her around forever and ever.

He always make sure that he and his older little siblings always give time to Tuk and involve her in their play.

They go on day trips after he gets his license, sometimes just the two of them, other times with all the Sully kids. They go to museums and science centers and such. He again holds her hand most of the time, or makes sure that she doesn't get lost while playing.

Worries over her constantly.

They trade art all the time. He'll make her a knew piece of jewelry and she'll give him a new painting to keep in his room.

He has a picture of her in his wallet.

He takes so many photos of her, he's like a facebook mom. Lo'ak makes fun of him.

He's teaching her how to skateboard, cause she thinks he's the coolest ever cause he knows how to skateboard. He got her a pretty skateboard and hot pink gear (in which he went overboard in buying considering her basically bought her a hot pink suit of armor) and helped her decorate it. He also makes sure she's not picked on when they go to the skate park.

He kisses every boo boo.

He makes and (never ever breaks) lots of pinky promises.

they have a special handshake.

When the Sully's go out anywhere, you can tell when Tuk wants to go home, because she'll be in Spi's arms, cause he'd never turn down an opportunity to hold his baby sister.

They match hair beads. Spi will always have at least one that matches with hers at all times, and Tuk will have one of his on the braid behind her ear so she can fiddle with it.

Tuk always double and triple checks that Spider has his inhaler (he doesn't know how she remembers better than he can)

She wears his shirts to bed a lot. They're big and soft and who could blame her?

should I do more of these (maybe one for each sibling?)

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.

[nevarroes]

can i be honest i never understood artists getting so mad or hurt about breaking mutuals or whatevr. like unfollowing without soft blocking or actually blocking

[henbeaka]

just let me know but like. who do YOU think has the best hair in the show

[genderkoolaid]

okay something ive been curious about is how people feel about their self harm scars. because mine are really important to me and I honestly feel love for them, and i enjoy when they are visible.

also this includes people who have any kind of permenant mark from self harm. and tbh if you have only self harmed in a way that leaves temporary marks then feel free to answer this too, or if you used to have some but now they aren't visible

[martyrbat]

perpetual mourning – batman black and white (1996) #1

[ID: a black and white panel sequence of Bruce Wayne as Batman investigating a murder. He performed an examination of the victim's body and found DNA evidence to convict her killer and then performed an autopsy to examine her stomach contents — which led him to a little 24/7 diner. He walks in, disrupting the cozy scene with his presence.

Bruce internally reflects, ‘People think i'm a knight. A savior. But in truth, I'm only a vessel to hold the memories of those who've passed on. Those who've no shell left to store them. They must think I revel in my victories. It must seem like I never lose a fight. I lose plenty. The ones I couldn't get to. The ones I couldn't save in time. Those are the ones I carry around inside of me. Those are the ones I'll mourn forever.’

He shows the only waitress a photo of the victim's face and asks, “Excuse me. Do any of you know this woman?” The waitress gasps and holds her hand to her head in shocked distress. She stammers, “That's Chelsea, she comes in here all the time. Sits in the same booth, the same time, reads the same book... um, what was the title...? She, uh, left here only a couple of... Why do you... Oh, god. No. Dear girl...”

Back at the morgue, Bruce solemnly gazes down at the woman as she lays in an unzipped body bag. He thinks, ‘Luckily, you hadn't digested your last meal, Chelsea. There're only a few places in the neighborhood where you were found that serve blueberry pie at this hour of the morning.’ He carefully zips the body bag entirely. The identification label states she was a thirty year old caucasian female. The name ‘Jane Doe’ has been scribbled out to now be replaced with ‘Chelsea Rain’. Bruce continues to ruminate, ‘You only have your thoughts and dreams ahead of you. You're someone. You mean something. I'll remember. You're within me now. Forever.’ END ID]