#it’s clearly a thought he’s really spent time with

[artdcnaldson]

changeover || art donaldson x reader ; patrick zweig x reader

Rating: Explicit (18+)

Word Count: 7.2k

Warnings: SMUT (p in v sex x2, fingering, f!recieving oral), drinking, pining after people you can’t have, a dash of reader x tashi, sprinkles of patrick x art, porn WITH plot

Summary: your ‘casual’ fling with art isn’t working for you anymore, which sucks because you probably love the guy. enter a freshly heartbroken patrick to take your mind off of things.

FALL 2006

You knew exactly why Art Donaldson refused to acknowledge that you were an item. You could see it clearly across the room— the way you were cast to the shadows while he followed Tashi around like a lost puppy.  

It made sense, even if it made your chest ache. Tashi was gorgeous, and was acing her classes, and was going to go pro soon and become a beautiful, all-American sports icon. And you were just some girl he’d met because he needed help understanding the reading for class. 

You’d known each other for months by then— hooking up, going on dates that ‘weren’t dates,’ spending most of your time together. And you stayed firmly in the no-labels zone. But you weren’t bitter. It was totally fine, being treated like a girlfriend in all but name. 

Art laughed and leaned into Tashi. It was totally fine.

You were nursing a beer in a red solo cup and trying your best to look friendly and approachable. The only reason you were even at the party was because Art had brought you, so you should’ve felt grateful. You should’ve been having fun.

But just as soon as you’d arrived, he’d slipped away with a promise to be right back. It had been over an hour, so it seemed like you had very different definitions of right back.

“Looks like your boyfriend stole my girlfriend.” You turned to see Patrick, tanned from his time on tour. He was only going to be at Stanford for the weekend before taking off for a challenger a state over, which meant he needed to capitalize on any chance to spend time with Art and Tashi. 

Unfortunately, you’d both been ditched.

“Art isn’t my boyfriend,” you said pointedly, maybe a little too quickly. 

Patrick knew better. The last time he came to visit, he’d interrupted a pseudo date night between the two of you (which was a nice way of saying he walked in on the two of you in Art’s dorm while his best friend was was knuckles deep in you). The rest of that night wound up being spent passing around mixed drinks made with cheap vodka and whatever you could get from the nearest vending machine. You overheard the it’s casual, nothing serious conversation they’d had through the ajar door while you bought more Powerade and Red Bull in the hall. 

But you were being so understanding and cool about that. 

Patrick narrowed his eyes slightly. “Really?” The corner of his mouth tugged upwards for a moment before he wrapped his lips around a beer can. He tried to hide it, but you saw. 

You chewed on your lip, stomach twisting with nerves and curiosity. He was probably just messing with you, trying to get your thoughts all muddled up about Art because it was fun. Still, you couldn’t help but ask the burning question echoing through your mind. “Did Art say something to you? About us, I mean.”

The question felt pathetic. A stupid, desperate girl begging to know if the guy she liked felt the same way. 

Patrick shrugged, leaning against the wall bearing the portraits of the ghosts of frat brothers’ past. “Not directly. But you’re here together, right? And he’s still seeing you.”

“I guess,” you replied with a huff, embarrassment burning hot in your chest. 

“If you’re worried about Tashi, don’t be,” Patrick said, sparing a glance in her direction. When you looked towards Art, and the way he was smiling and laughing and looked so natural beside her, a frown turned your lips. Patrick nudged your arm and offered a smile. “Hey, I’m serious. Nothing’s gonna happen there. Trust me.”

It should’ve felt nice. A total reassurance from the person who knew Art best. But it did nothing to quell the turmoil twisting in the pit of your stomach. Because if he really did feel that way, why was he over there with her?

Tashi Duncan. So beautiful, radiant, and perfect that she had total control over two men. Your paths didn’t cross much, outside of Art, and that was rare since he liked to keep you two apart. 

But there was a part of you that knew that Tashi would’ve been able to make you melt with one look, one smile, one word. You wanted to experience what Art did. You wanted to know what Patrick knew, and what Art was jealous of. Or maybe you wanted something of your own too, something to keep Art out of. 

“I need another drink,” you said suddenly, meeting Patrick’s gaze. “Do you wanna come with me?” Patrick’s eyes flitted quickly towards Tashi, where she bantered with Art and the rest of the tennis team. 

There was something in his expression you found incredibly familiar. That pang of jealousy. The ache of not belonging just right. The look was gone quickly, replaced by a toothy smile. “Sure. I could use something stronger.”

——

An hour later, Tashi left with Patrick, and Art quickly decided to take you back to his own dorm. 

His lips were insistent against yours, kissing you hungrily, completely dissonant to the delicate way he tugged down the zipper of your dress. His fingers were warm where they brushed along the line of your spine. His tongue brushed against yours, tasting of beer and mint gum.

“What were you doing with him?” He murmured against your lips just as he peeled off the cheap, bodycon dress you’d gotten from Forever 21. It was tossed across the room, to be lost in the mess of practice duffles and empty water bottles and dirty laundry. The only time he parted his lips from you was to lift you onto his bed and slot himself between your thighs. 

His tongue licked into your mouth possessively, claiming you as his from the inside out. You gasped as one of his hands kneaded your breast, panting open-mouthed against his lips. “Who?” You managed weakly, your mind completely blank except for Art, Art, Art. And maybe a tiny voice in the back of your head that was still thinking about the Tashi of it all.

“Patrick.” His voice was soft against the tender skin of your jaw. “I saw you two talk, then you disappeared for, like, an hour.” His teeth nipped gently at your pulse point as he nuzzled against your throat, awaiting your answer. 

So he had been watching? He was with her, but he was still thinking about you. It made your heart flutter. You moaned softly as his hand slid between your thighs, teasing you through your panties. “Getting drinks,” you managed feebly. “Fuck, Art, I can’t concentrate while y—“

You gasped at the feeling of his fingers slipping beneath the band of your panties, teasing you with delicate touches. “Just drinks? For an hour?”

A strangled gasp escaped you as fingers slick with your arousal met your clit. When your eyes opened in surprise, you found Art staring right back. His touch was relentless, flooding your senses with pleasure as he demanded an answer. “We were in the living room,” you managed between soft pants and moans. “He was telling me about the— god— about the tour.”

Art’s expression flickered slightly— a tiny furrow forming between his brows. Was it doubt, or possessiveness, or anger? Before you could figure it out, his lips were against your throat, your panties were pushed to the side, and he was easing two fingers inside of your cunt.

“Fuck,” you cried out, grasping onto his shoulders. French manicured nails scratched at the pastel-colored polo he wore— why was he still wearing his clothes? Soft, keening moans slipped past your lips as he fucked you with his fingers. Every thought of him preferring Tashi or him leading you on slipped from the front of your mind as his thumb rubbed at your clit.

With a free hand, you palmed him over his pants, relishing in the way he panted against your warm skin. You made quick work of the button of his jeans— you knew your way around him like the back of your hand. He was warm, pulsing in your delicate grip when your hand slipped beneath the band of his briefs. Slick at his tip with need. 

He moaned against your pulse point, nuzzling against you as you began to jerk him off in time with each pump of his fingers. 

“You smell like him,” he groaned, nose pressed to the spot just beneath your ear as his hips bucked into your fist with a new sort of desperation. You didn’t have to ask who he meant. His tongue slipped out, lapping at you briefly before sucking a bruise into the delicate skin there. 

His fingers flexed so they brushed against the sweet spot within you. Your eyes rolled back and a sob of pleasure clawed its way from your throat. “Need you,” you pleaded, equal parts a thoughtless cry and a demand.

And who was he to deny either of you that? A pitiful whine escaped your lips when he slipped his fingers from within you and moved your hand from him. He stood to clumsily pull off the rest of his clothes at the same time that you quickly shimmied off your panties and tossed them to the side.

”You’re so fucking sexy,” he groaned as he joined you back on the bed, slotting himself between your legs. You were so pliant and sweet beneath him, looking up at him with adoring doe-eyes and a pretty smile on your spit-slick lips. He should’ve been perfectly content.

As he parted your thighs, stroking his dick as he lined himself up with your entrance, he wondered if Tashi and Patrick were doing the same exact thing at that same exact moment. He could imagine it clearly— Tashi, splayed out on her bed, and Patrick right at home between her thighs; sinking in, faces contorting with pleasure. Before he could stop himself, a soft moan slipped past his lips at the mental image. 

Your nails dug into his shoulder blades as he sheathed himself within you, and he buried his face into your neck. Fuck. You really did smell like Patrick. The shitty Axe body spray that was supposed to smell like chocolate, and the lingering scent of cigarettes. 

You moaned prettily, pussy squeezing him like a vise. Manicured nails scratched against his back, delicate enough that the marks would probably disappear by that time the next day. He was so used to Patrick lounging shirtless around their hotel rooms after tournaments— severe-looking scratch marks looking like angel wings against his pale skin. He always wore them like a badge of honor the night after he snuck off with some pretty girl he’d set his sights on. That’s how you know you’re doing it right. 

Why was he thinking about Patrick?

He tried to lose himself in you— in how pretty you were beneath him, the sweet words falling from your lips with each thrust. Feels so good, Art. ‘M so close already. Gonna make me cum. 

When he looked down at you, your mouth hung open, lips shiny with spit, begging to be kissed. His mouth met yours messily and you both moaned into the kiss. He moved a hand between your thighs, rubbing at your clit as he bullied his cock into your inviting cunt. 

You came with a string of moans and expletives that made the person next door bang on the wall out of annoyance. Art had to pull out as soon as he felt you start to squeeze around him. All it took was a few clumsy strokes and he was spilling onto your stomach with an almost embarrassing whine. 

You both lay there catching your breath and cursing the shitty air conditioning in the dorm. He wiped the mess of cum off of your stomach with an old tee shirt that was hanging off the side of his desk and tossed it to the side to be dealt with later.

“You’re so gross,” you mumbled with a tiny laugh, reaching down to grab your underwear from your floor. After you pulled them back on, you watched him dig through a pile of clothes in a papasan chair for a passable pair of pajama pants. An amused smile played on your lips at the sight. “Do I need to buy you a hamper?”

He held up a pair of pajama pants to examine them, shrugged, and pulled them on. “I have one, it’s just full.” A boyish grin spread across his lips as he crossed the room towards his dresser. He tossed a random tee shirt from the drawer in your direction and climbed on the bed, grinning down at you. “See? I have clean clothes.”

You laughed as you pulled the shirt over your head, then turned on your side to face him. His eyes flickered from your face, down to the shirt, then back. You wrinkled your face in confusion and peered down at the shirt. 

“What? What does it say?” You asked with a laugh.  You held it out, squinting to make sense of the graphic— faded and upside down. Finally, your eyes lit up in recognition. “Oh! I thought you were more of a Maroon 5 and Justin Timberlake guy. I’ve never even seen a Blink-182 CD in your stuff before.”

Art cleared his throat and shrugged, thumbing the bottom of the tee shirt absentmindedly. “I went with Patrick a few years back.”

A smile turned your lips. “It’s sweet that you two are such good friends.” You reached over, brushing his curls from his forehead. He turned, pressing a kiss to the delicate skin of your wrist. “Did you and Tashi have fun tonight?” The insecurity in your words was palpable.

Art shrugged. “A party’s a party, y’know?” He leaned into your touch, letting you play with his hair. “Just lost track of time. I won’t run off on you next time.”

You chewed your lip shyly. “I think it’d be nice for the three of us to hang out sometime,” you said, watching his expression to gauge his reaction. 

“C’mere,” he said with a tired smile, effectively avoiding your suggestion. When he pulled you against his side, he nuzzled his face into the junction of your neck and shoulder. His breath tickled with each exhale, which made you squirm, but every so often he’d place a chaste kiss on the skin there and you’d forget why you wanted to ask him to move.

In the morning, when you woke up to his alarm clock blaring a local radio station, you realized it was the first time he’d let you stay the night. 

SPRING 2007

After your second drink, you decided that Art Donaldson had hung you out to dry for the last time. Well, probably the last time. 

Most likely not the last time. 

Knowing yourself, you’d be clinging to his side like a lost puppy in a few weeks’ time, if you even had the dignity to give it that long. The second his attention turned to you again, you knew you’d be absolutely relishing in the special affection he always gave you when he was experiencing Tashi-related withdrawal.

You were so stupidly in love (or in lust, or in whatever) with him that you’d accept just about anything he could throw at you. 

No labels, just casual? Fine. Ignoring you all night then conveniently remembering you exist when he’s horny and ready to go back to his dorm? Whatever. You’re game. 

You’d gone to every match, watched a few practices. Helped him study for exams, let him borrow the notecards you’d painstakingly written over the course of the semester. Jesus, you even wrote a few essays for him when his schedule got crowded and he just couldn’t manage.

All you asked in return was a date to a stupid formal, and he ditched you last minute for Tashi. Again. And you couldn’t even get pissed about it without feeling guilty, because she’d fucking gotten injured and it wasn’t her fault that the guy you were into was carrying a torch for her instead.

“You’ve been staring down the Reese’s Pieces for the last five minutes.” The familiar voice startled you from your sulking. The world filtered back in suddenly— the blaring music, the smell of cigarettes and pot, the chatter of people wandering in and out of neighboring dorms. When you turned, Patrick Zweig was leaning against the vending machine beside you, carrying a large Tennis bag and backpack on both of his shoulders. “Do you need five bucks?”

“Shouldn’t you be with Tashi?” You asked, brows furrowed with confusion. “I heard about her match. I just figured that you’d…“ You trailed off as you noticed the thinly veiled kicked-puppy expression he wore. “Oh.”

He swallowed and nodded. “Yeah, that’s… it’s over. Did you want the Reese’s, or not?” 

“No,” you shook your head and laughed. “I just needed…” you trailed off. What was it you needed, again?

You needed Art. A date to the formal. You needed to feel desirable and cared for. You needed him to get his head out of his ass and just fucking commit. You needed to tell Art to fuck off and find another groupie. You needed…

“Another drink?” Patrick suggested.

You nodded eagerly like that’s what you’d been thinking all along. “Yes. Another drink.” You paused, glancing at his bags. “Do you want to drop your things in my room first? My roommate is in Iowa, or something. She won’t mind.”

Your dorm was decorated in shades of pink and green, with a ruffled bedspread and faux fur pillows and blankets. You bent down to retrieve two bottles of Smirnoff Ice from a mini fridge. Patrick did his best to look away like a gentleman would. 

Well, he did his best. It wasn’t exactly his fault that his options were to look at your tight jeans or the bulletin board above your desk that was essentially an Art Donaldson shrine. 

Pretty pink push pins held up a photo of the two of you after one of his matches, both beaming at the camera. Then there were little notes he’d written you in his boyish scrawl. Tickets to movies you’d gone to see and tickets to his matches. 

“Here,” you said, drawing his attention back to you, thankfully in an upright position. You’d already popped the bottle caps off the radioactive blue drink you handed him. You were chewing your lip shyly, sweetly. “It’s kind of pathetic, isn’t it?”

“What?” He took a drink and nearly grimaced at the sweetness. After he finished it, he’d need to go find something stronger.

You sighed and took a long drink yourself. “I dunno, the whole… thing. Art.” You absentmindedly toyed with the hem of your shirt. “I mean, what girl with any self-respect lets a guy just screw her for months with no commitment?”

“Maybe self-respect is overrated.” He laughed and stepped closer. “Full disclosure? I only came here hoping that I could fuck someone and spend the night in their dorm. Free booze was a plus.”

“We’re in the same boat then,” You said, gazing up at him through your lashes. “We’re both jilted lovers who need a distraction.”

You tilted the bottom of the bottle up, chugging down the contents. When you were done, you wiped your mouth with the back of your hand and rolled your neck out. “Bottoms up,” you said with a coy smile. “Let’s find something stronger.”

——

An hour later, something by the Pussycat Dolls was blaring through a set of speakers in a darkened common area. You were the fun kind of tipsy, where you started to care less about everyone else and just found yourself buzzed in that light, easy kind of way. You danced to the beat without a care in the world while Patrick sat on the arm of a couch and nursed his beer. 

His eyes were glued to your body as you moved, almost hypnotic beneath the red Christmas lights that had been stapled around the ceiling. Your shirt had ridden up, revealing a sliver of stomach that you either didn’t notice or didn’t care to cover up. 

The only thought running through his head? Art was a fucking idiot. 

You glanced over at him and nodded for him to join you. He didn’t move, so, not one to give up, you joined him over on the couch. When he went for a drink, you tipped up the bottom of the beer can and forced him to finish it, even as it spilled past his lips and down his chin. 

“Thanks,” he deadpanned, wiping at his mouth with the back of his hand. 

With a pleased smile, you grabbed his wrist and pulled him into the middle of the room to dance.

He shook his head as you tried to make him dance— your hands on his hips, pushing and pulling and trying and failing to make him move. “No, no. I don’t dance,” he explained, as firmly as he could stand to be.

“Because you can’t? Or because you think you’re too cool?” You asked, raising a brow. He rolled his eyes, a smile playing at his lips. “C’mon, if you dance, I’ll tell you a secret.”

That did make him laugh. “What are you, five?”

With a shrug, you took his hands into yours and moved them to your hips. There was a hesitance in his touch, at first. But then his fingers splayed against exposed skin, and you were so warm. Your hips began moving to the beat beneath his hands. “See? We’re dancing,” you said, peering up at him through long lashes.

You looked genuinely victorious when he finally started dancing… kind of. It was less of an action and more of an acceptance. It had been abundantly obvious since the moment he walked into your dorm room that you wanted to end the night with him. Maybe it was because you thought it would hurt Art, or maybe it was because he was there and he was feeling the exact same things you were.

He’d done his best to resist out of some lingering sense that he could repair things with Tashi, and the hope that maybe Art’s spite would fade and they’d be friends again.

Despite skipping the whole college thing, Patrick wasn’t an idiot. He knew better. The second Tashi fell on that court, both of those doors slammed in his face.

And you were so close to him that he could smell the liquor on your breath. And Victoria’s Secret body spray. Mostly the liquor, though. He was barely moving, but you— you were something else. Hips moving against the thigh he’d slotted between your legs, arms trailing up his chest so you could sling them around his neck, pulling yourself impossibly closer. Even though you were grinding against each other like two horny middle-schoolers at their first dance, he’d had enough to drink that he didn’t really give a fuck. When he moved his hands from your hips to grab your ass, you gasped and laughed like it was the best thing in the world.

Your body moved so effortlessly that anything he could have possibly done would’ve looked clunky and clumsy. He groaned when you brushed against him just right, and he could tell by your smug expression that you knew exactly how you were affecting him. 

You leaned in, chest to chest. “Can I tell you the secret now?” You whispered, lips brushing against the line of his jaw. He swallowed hard and nodded. “I think it’d be a bad idea for us to fuck. We’re both in a bad place.”

“Mhmm. Bad idea,” he echoed. He wanted to reach out and grab your jaw, to tilt your face up and kiss you. One of your hands had slipped beneath the hem of his (Tashi’s) shirt, just barely teasing the skin there. It made him shiver and lean into the heat of your touch.

“But I still want to.” You sounded so earnest, so needy. Like you’d take anything he’d give you and thank him for it. “We can use each other to feel better, right? Just a nice, warm body and a rush of dopamine.”

It was exactly what Patrick had come to the fucking dorm rager for. To feel wanted and desired. For someone to look at him like he wasn’t actively failing at the one thing he was supposed to be the best at. 

But he was good at other things.

You guided him through the crowded hallway, way more packed than they had been before you’d started dancing. It was getting later, more people were falling for the siren song of R&B and beer. You were a siren of a different making— with much more dangerous consequences than a hangover.

It almost felt wrong to be back in your innocent, frilly little dorm with the intention of fucking your brains out. But the looks you were giving him were enough proof that he wasn’t the only pervert. Before you could get too far, he pinned you up against the door, displacing a dry-erase calendar in the process. 

You glanced down, eyes flitting towards the hearts around tomorrow’s date, anticipating the formal that Art had flaked on. Without looking back, you kicked the dry-erase board out of the way, a problem for later. 

His lips met yours in a messy clash— teeth knocking slightly until you found a rhythm with each other. Patrick Zweig kissed like he’d been at war for fucking years and had just returned home. He kissed like he had crawled out of the desert and the only promise of water could be found on your tongue. 

You’d never been kissed with that level of need and desperation— that desire— and you fucking loved it. The taste of his tongue licking into your mouth, the rumble of a moan against your own lips.

His hands were moving beneath your shirt, pushing it up as he went. A pretty whine slipped past your spit-slick lips as he squeezed your tits over your bra. Your hands stayed busy undoing his jeans. He moaned into your mouth when your fingers barely brushed against the bulge through the denim. 

“That feel good?” You teased, practically breathing the words into his lungs as you slipped your hand into his boxers. He groaned in response as your hand wrapped around him and pumped slowly.  There was something addicting about his need— you relished in the pulse of him, warm and bucking into your grip. And you wanted more. You wanted to be the one to make him come undone. “Tell me what you want me to do.”

His head fell back slightly as you brushed your thumb along his tip, the movement accompanied by another soft groan. The way you peered up at him with an earnest need to please made hot desire thrum within him.

“You could start by taking these clothes off,” he said, fingers roaming to tug at the strap of your bra. You started to move, slipping your hand from his boxers. Then you stopped.

“You’re not gonna help?” You asked coyly, goosebumps forming where his fingers trailed along your side, teasing at the band of the bra. 

That made a tiny smirk turn at his lips. “Does Art help?” It shouldn’t have turned him on— that little flash of longing for Art in your eyes. But it did. You nodded, shifting slightly to encourage more of Patrick’s touch. “Lift your arms.”

As easy as anything, you obeyed. No banter, no push and pull for control. It was so different than what he had with Tashi (who he shouldn’t have been thinking about), and he couldn’t help but wonder if that’s how it always was for you and Art (who he shouldn’t have been thinking about either). 

He tossed your shirt to the side and moved a single hand to the clasp of your bra, undoing it with a quick movement that he’d perfected at sixteen. Painstakingly slow, he pushed each strap down your arms, until it fell at your feet and exposed your tits to the overzealous AC of the Stanford dorms. 

Your nipples pebbled in the cool air, and his mouth watered in a near-Pavlovian response to the sight. His hands moved back to your chest, so he could thumb over the sensitive buds and relish in the way you shivered.

The wood of the door was cold against your shoulders as you arched into his touch. Manicured nails fumbled with the button to your jeans— you twisted and shimmied them off before kicking them to the side.

Before you could react, he picked you up and carried you over to the bed. A grin played at your lips as he practically dropped you onto it, making a decorative pillow fall to the floor. 

“It was only, like, five steps,” you said with a laugh. Patrick shrugged and made quick work of his clothes. You sat up on your elbows to watch him shuck off his pants, then awkwardly hop on one foot at a time to remove his shoes and socks.

When he finally joined you on the bed, he was clad only in his boxers, which were sporting an almost comically large tent. He positioned himself over you, that shit-eating grin ever present on his face. “Can I go down on you?”

You laughed lightly in disbelief. “Are you serious right now?”

He nodded. “As a heart attack.” He nuzzled against your jaw teasingly. “C’mon, lemme make you feel good, okay? I live for this shit.”

You giggled, pushing his face away. “Yeah. Fuck. You can.”

He trailed his lips down your jaw, then your sternum. He stopped only briefly to suck each nipple into his mouth, making you squirm and arch into him. Your hand moved into his hair, and he moaned against your tit as you tugged slightly. 

You watched him kiss down your stomach and peel your panties down your legs with his teeth through half-lidded eyes. Your cunt clenched around nothing as he slowly kissed up one leg.

The sight made your stomach flip— the sheer desire of it all. Your mind flickered to Tashi, as it seemed to do more and more. Tashi got this same sight, felt the same lips on her skin, and heard the same groans and pants. You could’ve laughed at the sheer absurdity of it all. At that moment, with Patrick on top of you, you were closer to Tashi than Art could even dream of.

A tap on the inside of your thigh was his wordless way of telling you to open up for him, to get out of your head and come back to earth. Your tummy fluttered as you spread your legs more and he slotted himself there with an arm slung across your stomach. 

“Fuck,” he said lowly, peering up at you. “You get this wet from just kissing?”

Heat burned in your cheeks at his obvious amusement, but you could tell he loved how responsive you were. His tongue traced you from your hole to your clit, making you cry out and twist your fingers into his curls. Quick, teasing flicks against your clit made your thighs tremble and squeeze around his shoulders. You were so fucking sensitive that it made him want to tear you apart.

It was messy— a sloppy mix of his spit and your arousal as he made out with your pussy. His nose brushed against your clit as he nuzzled deeper into you, moaning as his fervor was rewarded with more of your juices spilling onto his tongue. 

There was no method or precision to it, even though you were quite sure he could’ve had you coming undone beneath his fingers in no time at all. Patrick relished in every tiny reaction— in feeling your thighs around his head and your fingers in his hair. Relished in the taste of you on his tongue and the feeling of your slick smeared across his face. 

Your back was arching off the bed, nails digging just shy of painfully into his scalp. 

He opened you up with one finger, then a second. Your cunt accepted the intrusion with ease, like you were made for it. For him. He crooked his fingers just so and you cried out pathetically. He pressed there, constant and firmly and your fingers tugged harder on his hair, moans increasing in pitch as your breaths came in pants. 

“I’m— I— fuck—“ words failed you as his lips formed a seal around your clit and he sucked, making spots dance across your vision. In the absence of words, all you could manage were fucked out sobs and pitiful little whines.

Slick walls fluttered around his fingers, and your clit pulsed against his tongue. You were so easy to get worked up— a toy for him to wind up and set into motion. You came with a moan that would’ve made a weaker man cum inside of his boxers, your cunt spasming around the intrusion of his fingers. 

When he sat back and cleaned his fingers in his mouth, you were watching through half-lidded, hazy eyes. Tiny pieces of hair were plastered to your face and forehead, and you gave a breathless giggle as you looked up at him. 

“Holy shit,” you said with a grin as he shucked off his boxers and kicked them off somewhere across the room. 

“Feel good?” He asked, and pressed a kiss to your hip bone. You nodded wordlessly, feeling dizzy with need. “Gonna give me another one?”

“Yeah,” you said breathlessly, peering up at him with wide eyes. The tip of his nose was shiny with your arousal, which made warmth spread across your cheeks. With a sheepish laugh, you reached up and wiped it away with your thumb. There wasn’t much you could do about the mess on his mouth and chin. “You’re all messy.”

He kissed you slow— leaving his tongue against yours, making you taste yourself mixed with his spit. It was less of a kiss than a series of slow laves of his tongue against yours. It felt dirty, and a little gross, but you couldn’t help but relish in it. You’d never kissed Art like that, would’ve never even dreamed of it. Patrick was an entirely different animal. 

You stayed like that for a while— just completely lost in the feel of him warm on top of you, grinding his cock against your cunt as he planted messy kisses to your lips. 

“Condom?” He mumbled the words against your lips when he finally grew impatient.

“Mhmm. Bedside table.”

He fumbled inside the drawer, grabbing glasses cleaning wipes two seperate times before he finally found a foil packet in the bottom of the drawer.  

He held it between two fingers, an amused smile playing on his lips. “You sure this’ll fit me? I’m bigger than Art.”

You rolled your eyes. “Not by that much.”

“Where it counts, though.” His smirk was smarmy as he tore open the foil with his teeth and rolled the condom down his length. He spat in his hand and stroked himself as he peered down at you, like he hadn’t quite decided how he wanted you yet. 

“Turn over,” he finally said with a pat to the meat of your thigh. You did as he said, almost hesitant as you turned over and settled onto your forearms, arching your back slightly. “Does Art ever fuck you like this?”

He held the head of his cock at your entrance, teasing you with the tiniest amount of pressure. You took in a shaky breath and shifted, eager for more that he wasn’t going to give you yet. “Do you have to bring him up right now?”

No. He knew he really didn’t, but he couldn’t help himself at the same time. The thought of his Art in this same bed with you made it all so much hotter for him. He wanted to know how Art had fucked you, he wanted every detail burned in his brain. He wanted to be better, or maybe just be there with the two of you. 

It had gotten close. Once. Art was definitely fingering you under a blanket while the three of you watched a movie on his laptop across the room. Patrick’s thigh was touching yours— he could feel the way your muscles tensed and shook as Art played with you. He was close enough to hear the hitch of your breath. 

And if that hadn’t been enough to give it away, Art’s stupid fucking smirk and the obvious way his arm was moving would have.

He didn’t do anything then, but maybe he should’ve. 

“I’ll take that as a no.” He was slow as he sank into you, inch by inch. It could’ve been the position, or maybe his cocky bravado was completely founded, but he did feel bigger than you were used to. A soft moan was punched from your lips when he was finally buried to the hilt— your breath came in soft pants as you adjusted to the feeling of him. 

With your face pressed into your pillows, each breath you took flooded your senses with the smell of Art’s cologne. You moaned softly, eyes fluttering shut as your thoughts were overwhelmed with him.

“Shit, you’re fuckin’ tight,” he groaned. His fingers dimpled your skin where he held onto you. He moved one hand to rub the base of your spine in a way that could probably have been tender, on another day. You moaned pathetically into the pillows. “What? You need something?” 

One shallow, teasing thrust made your toes curl. “More,” was all you could manage.

“Can you take it?” Patrick cooed, smugness was practically dripping from his tongue. “Because I can go slow if you need—“

“You’re such an asshole. Just fuck m—”

A rough snap of Patrick’s hips cut you off suddenly. You cried out, grasping onto the bedspread feebly as he began to fuck you in earnest. 

Each thrust made the cheap, university-provided bed frame slam against the wall. The decorations you had hung up rattled, threatening to tumble right onto the floor and shatter, but neither of you even noticed. The moans slipping past your lips were pornographic.

But the sounds escaping you were nothing compared to the noises Patrick was making. Art had made an off-handed comment, once, about how much of a slut Patrick could be. You hadn’t really seen why until you got to hear the desperate, debauched noises he could make.

You slipped a hand between your thighs to rub at your clit and the feeling stole the air from your lungs. Your eyes rolled back, ass jiggling in time with each thrust.

Through it all, the memory of Art in this bed clung to you. Art, burying himself in the soft, wet heat between your thighs, flushed down to his chest and panting softly. His hungry kisses, melting sweet on your tongue like cotton candy. The whines that slipped past his lips, better than the prettiest music you could imagine. 

With each brutal thrust of Patrick’s cock into you, he punched out soft ah, ah, ahs from your lips. In your head, you just heard Art, Art, Art. Maybe that’s what you meant to say. 

You were probably in love with him. You were fucking his best friend. And it wasn’t even that simple. Patrick and Art and Tashi and somewhere between it all, you lingered. It was a giant clusterfuck of feelings and lust that you’d somehow tangled yourself inside of. Wanting someone so much, you want whoever has them just as badly. 

Maybe everything would’ve been a lot cleaner if you’d just locked the four of you into a room and stayed until every bit of tension had been fucked out. The idea of it all made you moan softly into the pillows. 

Patrick pulled you up suddenly, back flush against his chest as he continued to fuck into you. One hand grabbed at your jaw, turning you so he could press his lips to yours again, and the other squeezed at your tits. His mouth did a perfect job of muffling your moans— Patrick relished in feeling your pretty whines vibrate against his lips. 

“You feel so fucking perfect.” His words made heat flutter through you. “Need t’ feel you cum again. You have it in you, yeah? I can feel it.”

You nodded, eager to please. Pleasure was lapping at every nerve, lightning-hot. Your fingers rubbed faster at your clit as he pounded up into you. The whines escaping you were pathetic as your body crawled closer and closer to the edge. 

“Close,” you gasped out. Patrick licked into your open mouth, kissing you sloppily as you set a punishing pace on your poor, oversensitive clit. “So close— f-fuck—“

Your orgasm hit you suddenly. You clawed at his arm with your free hand, desperately seeking purchase as euphoria pulsed through your veins. 

“That’s it,” he groaned, his breath hot against your jaw. “Fuck— squeezin’ me so tight I can barely move— god—“

Your eyes were half-lidded as he worked you through it, rhythm only just beginning to falter as his finish approached. He pushed you back onto your stomach, manhandling your hips so your back was arched just like he wanted. 

You were reduced to whimpers and whines by the time he finally came— buried as deep as he could get, grip bruising on your hips. A few shallow thrusts were all he could manage before he pulled out, collapsing on beside you. 

You were catching your breath while he disposed of the condom in the cute trash can beside your bed, filled with gummy snack wrappers and broken pencils and old class notes. It felt like sacrilege. He laid back down, and you pulled a throw blanket over the two of you. 

With his head against the pillows, you wondered if he could also sense the phantom of Art’s presence there in the bed. Somewhere between you, forcing distance.

“So, when do you leave for your next tournament?” You asked. Unconsciously, you reached out to play with his hair, the same way you did to Art in times like these. “Soon, I bet. You usually don’t stay long.”

“Trying to get rid of me?” He asked, a tiny smile playing at his lips. His chest was still heaving with exertion. 

You shook your head. “I don’t want to get rid of you, Patrick.” He melted into your touch, eyes fluttering shut. 

In the morning, you’d wake up squished against Patrick’s side with the taste of sugary alcohol on your tongue. When you picked up your phone to see three missed calls from Art, it was easier to pretend that you hadn’t seen them at all.

thanks for reading :) if you enjoyed, please lmk by sending an ask, or whatever you wanna do <3

[stillness-in-green]

Not-Really Chapter Thoughts BNHA 424

You know, I really think there should be a point at which Deku rushing in with no plan and doing whatever he thinks feels right should become Heroic Malpractice.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and try to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have.[2]

And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

1: Dabi surely would have preferred to fight Endeavor from the start, and it probably would have been the more "just" choice if it had to be one or the other, but Shouto is the nominal focal character between the three of them, so, critiques of the broader Hero-side decisions aside, Shouto's arc has to come first. This is one of those places where you can clearly see how much the decision to let Endeavor survive where Horikoshi originally planned for him to die hurts the shape of the later story.

2: Obviously ultimately if Dabi dies, it's going to be because his family and Team Hero made repeated choices to ignore and neglect him, culminating in the entire family swearing to deal with Touya together only to passively accept a battle plan that involved splitting them all and letting the kid who knows Touya the least be the one to fight him. But like, in the context of that fight, Shouto isn't the reason Dabi takes all that hurt.

Uraraka may or may not have had much of a plan, but at least the words she said to Toga reflected that she had been seriously thinking about Toga in the here and now, what Toga's told her, what Toga needs. If Toga dies, it will be because Toga chose to give Uraraka an unsupervised blood transfusion with no intention of stopping it. (With the same general caveats as in Footnote 2.)

But Deku? From the very beginning, Deku has been valorized by the manga for how much he doesn't plan. All Might tells him specifically that it's a sign of greatness shown by future "top Heroes" that, in some crisis situation, their bodies moved before they could think. Bakugou's Rising chapter is defined by him reaching that same state.

Deku claimed he wanted to save Shigaraki; he's sad in the latest chapter that he couldn't save Tenko's[3] life. But did he ever have a real plan to do that? With all the quirks he had at his disposal - both his own and those who would be in the flying coffin with him, or classmates whose presence he could specifically request - did he think hard and come up with a technique that would let him stop Shigaraki without harming him? Did he try to connect with the Shigaraki right in front of him by citing to the future?

3: And I have nothing but scorn for Deku's insistence on that name when "Tenko" goes out very pointedly calling himself Shigaraki Tomura.

Well, no. Deku obstinately yelled at the phantasms in Shigaraki's mindscape that he had no plan whatsoever. The only plans we saw him carry out were ones handed to him by the OFA collective that involved "breaking" Shigaraki's psyche; the only plans he came up with himself involved more efficiently breaking Shigaraki's body.

Way back in Chapter 130, Nighteye harshly scolded Deku by saying that his way of thinking was arrogant. He said, "Go after him haphazardly and he'll slip through our fingers. You're not so special as to be able to save who you want, when you want. (...) This world is not so accommodating that you can act the Hero because you feel like it."

It felt like something that Deku should have taken to heart, a lesson to be learned and applied later, but I never much got the feeling that he did. Nothing he did in that moment, in that arc, or anywhere else in the series afterward indicates that he thought Nighteye was right. He just chose not to talk back, and the arc ended with Nighteye dead and no longer around to pose objections to Deku's mode of heroism.

But Nighteye was right. Three hundred chapters later, Shigaraki is dead because Deku could not be arsed to plan for how he could stop Shigaraki without killing him. Because he let Gran Fucking Torino give him the intellectual out that killing someone could be a means of saving them. Because he followed his gut instincts of prioritizing the phantom Crying Child that he always saw as more valid and real than the human being standing in front of him.

Because he haphazardly acted the Hero and let his body move without thinking.

And he wants to act sad about it now? I hope Nighteye materializes in his bedroom to sneer at him every night for the rest of his life.

--

Incidentally, fuck All Might, seriously. "Wow, Deku and Bakugou, you two are the greatest Heroes ever. Fuck me and everyone else who fought tooth and nail, arm and leg, eye and earjack, life and death, to contribute to the pile of damage that was necessary to kill and/or save Shigaraki and All For One. You two got the last blows in, so you're the only ones who get the credit for it in my eyes. Hero Society is definitely going to be different and better with you two around."

[bylrlve]

Warning! Spoilers for Stranger Things 5 mentioned,

Rewatching episode 2, and I’m genuinely staggered by how many times Mike peeks at Will. It’s very clear his mind is on Will, in fact. I am also staggered by just how many small byler details are in here.

His whole face drops after no. 4 too, as @starbylers observed here.

I also want to include these @chirpsythismorning gifs from the roller rink scene, as they’re brilliant:

Mike watching Will get out of the van, and seemingly offering a hand to him.

Mike openly watching Will as they take their skates.

(X) (X)

These are very deliberate acting choices from Finn Wolfhard, and he was certainly doing it on instruction.

Some other notes on 402:

The transition from Mike and El being fake -> Murray looking up looking like he’s experiencing his Seeing Clearly -> Robin talking about Vickie laughing ‘and not like a cheap, fake laugh, but a real, genuine laugh’, right after we saw Mike hiding his genuine disgust at burritos for breakfast behind a tone of fake laughter.

Mike’s whole face just drops into an unhappy, spaced-out espression when it zooms in on El - this is after Will ignored his sock joke (video here by @buckybxarnes)

As many have observed, Mike and El look genuinely miserable when viewed from Angela’s perspective, as opposed to the shot of them skating with Will miserable behind them

It’s occurred to me that in s2, 3, and 4, the byler plot really takes off in episode 2. I’m wondering if that’s also the case with s5 - I’ve reconsidered my theory that the Mike + El rooftop scene takes place after the hospital plot in ep 2, as I’ve heard that the paparazzi at the filming site were told it was in episode 1.

The door slam/open transition between Joyce going to the bank to get the 40k random for Hopper, utterly singleminded, and Mike barging into the womens’ bathroom, being kicked out, and subsequently starting an argy-bargy with Will as opposed to continuing to prioritise El… well!

The disparity in time is so interesting. El counts off 185 days since she last saw Mike - which is roughly six months, as is canon within the show (Sept-Oct 1985-March 1986). And here Mike is, saying ‘you knew she was having trouble for, like, a year’ and Will saying ‘it’s been a year, Mike’ and, in 404, Mike saying ‘the last year has been weird.’ It’s pretty obvious the last one is Mike referring to their fight nine months earlier, plus the time prior that Mike had spent pulling away from the rest of the Party to focus on El. The second one is Will potentially referencing the time that elapsed since their fight - even if it’s moreso subtext from the writers. What, then, to make of Mike saying Will knew El was having trouble for, like, a year? What subtext could be meant by this? I’d love to hear your guys’ thoughts because u can’t quite deduce this.

Mike listing off everything Will did is so hilarious given the surveillance he carried out all day on the boy, and given the fact that poor El being humiliated publicly and assaulted with liquid before she skated off bawling did not, apparently, ruin the day. On second thoughts, I understand what Will meant… she’s in trouble having Mike’s gay ass for a boyfriend.

What’s striking me now is that this fight + El’s iconic roller skate moment, are the real emotional climaxes of this episode’s M/E/W plot. It could have been Mike finding El and comforting her before she lashed out at Angela. It could have been him talking to her afterwards. It could have been at the house - him following her up to her room and silently comforting her until she fell asleep. No, no. Mike and Will airing out their grievances (and Mike betraying which of the two truly emotionally affects him more) + El handling her own shit, while Mike thoroughly disapproves.

The way that Will just wants to be Mike’s friend, but it’s Mike making it so deeply weird.

The way, also, that they stick together at the rink even after the fight, and Mike openly is more preoccupied by Will in the van. I’ve seen it observed before: the parallel between El and Will staring out the same window in the van crying: Mike looks at Will in the shot. He does not look at El in the shot.

I think it’s hilarious that Mike ends the fight by feigning concern for El - he offered her no comfort whatsoever, actively stood away from her when she was waiting for Jonathan and Argyle to arrive, ignored her crying in the van, and of course:

She didn’t look fine.

Mike and Will are blocked together, not Mike and El

The sincerity of Mike’s concern over El juxtaposed with the rank falseness of ‘no, that’s…that’s not true, maybe I was a little upset in the moment’ etc really sticks out - the defensiveness is reminiscent of the tone he took with Will during the fight, but even then he was more sincere-sounding because he was more emotionally affected.

Bylers don’t talk enough about the insanity of ‘who… who said that I didn’t?’ In context, thinking logically, Mike is very likely referring to Will here (the bullies were shouting at her, he could hear what they were saying)- and why would his mind immediately go to ‘Will thinks I don’t love El, and has told her his suspicions?’ Why would he take a defensive tone?

Seriously, 402-403 M/W/E may well be the plot that (potentially) spells out byler endgame the most.

[tashacee]

I had a thought while reading the clock town murders fic, what if only 10 years had passed for Time since he last saw Warriors instead of 20?

So Time is in his mid twenties and around the same age as the other older members of the chain not the oldest?

Okay so not set in the Clocktown Mystery but I… wrote a thing

The Long Lost Brother

When wars was first reunited with his little brother, he didn’t recognise him. Mask had been a short, angry ten year old when they last met after all. This gangly man was well over six feet tall, with long hair in a braid down his back and was skinny as a rail despite eating twice his body weight in food every meal.

But… there was something about him. Yes, this man - still a boy, really, barely twenty - was tall and quiet. But there was something about those tattoos on his face that were horribly familiar. Something about his sullen silence that just… reminded him of something.

And then there was how he stared at Warriors. Like he recognised him. Like he knew who he was. He definitely looked familiar but… Mask had been a child. Hadn’t he? And surely if it was Mask, then he’d have said. Right? Sure the kid had been prone to moods, but he’d surely have greeted Wind and him.

It took a week for it all to come out. Time had been watching him and Warriors watched the man watch him until finally he decided that enough was enough. Time was Mask. He was sure of it. The marks were too familiar, he even had the small scars on his cheeks where he used to claw out of his masks.

So one quiet evening when they were relaxing by the fire, Warriors asked him if he wanted to take a walk and talk.

So they walked. Not so much the talking part, but they walked. Time was far taller than Warriors but he seemed to have shrunk in on himself, even quieter than usual. Warriors knew that he should say something but he couldn’t figure out what to say.

Then, finally, Time spoke.

“You-“ his voice was deep and rumbling, a far cry from the child Wars was used to. “You… remember me. Don’t you?”

Warriors stopped in his tracks and stared. Was… that why he hadn’t said anything? He thought Warriors had forgotten? His own brother?

He shook his head.

“Mask.” He croaked, his mouth dry. “I could never forget you. It took me a while to- but you’re so much older but- oh Mask, I never forgot you. Never!” Hylia, he wanted to hug him, but Time still hadn’t come any closer.

But Time finally offered a small smile. He ducked his head, looking away. “I… I wasn’t sure. People forget things but… I’m glad.”

Things were a bit easier after that. Warriors was unbelievably happy to finally have his brother back and Wind was over the moon. They both tried to get Time to open up about his life since the war, but he was as tight lipped as he had been as a child.

Warriors was worried. Yes, he was less angry than he’d been as a child, but he was less… everything. He barely spoke. He kept closed off. When the rest of the chain sat and chatted and joked he often sat silent, listening but not joining in. And everyone noticed. They all tried to draw him into conversation and sometimes it worked, but more often than not he gave a short answer and fell silent once again.

But… it was getting better.

Week by week, Time seemed to relax into their company. He opened up more. He talked. He let Wind climb all over him and he even sometimes initiated conversations.

Still Warriors worried. He worried what his brother’s life was like in his own era, if he had any support, was he on his own.

He worried right up until one evening Time came up and sat beside him, jittering with nerves. They’d spent the day in a town, shopping in the market and having a well earned break. They’d even splashed out on rooms in an inn, and Warriors was sitting in the tavern downstairs when his brother approached him.

And oh, he was clearly nervous. Warriors felt a surge of concern as he looked at his brother, white faced and picking at the skin around his fingernails and -

But he shouldn’t have been. Because Time had come to ask for advice, yes, but possibly for the best thing he could have said.

Because after all those weeks of worry, after how much Warriors had lain awake at night wondering if his brother was okay in his own era, it turned out he shouldn’t have been concerned.

Because Time had a girl back home. He had a girl and was living on her ranch and that day in town he had gone to a jeweller and bought a frankly absurd ring.

He wanted advice on how to propose.

Warriors couldn’t have been happier. When he got Time talking, it became clear that he adored this Malon and it sounded like she was good for him too. She sounded calm and cheerful and positive and Warriors wanted nothing more than to meet this woman who made his brother happy.

The two of them talked all night, and after that, Warriors worried less. His brother was going to be okay, he was sure. Everything would be alright.

-

Months later, when their journey was over, it was Warriors’ proudest moment to stand with Wind as groomsmen at Time and Malon’s wedding. The rest of the Chain were in attendance, teary eyed and grinning, and he had never seen Mask happier in his life.

He was right- everything was going to be alright.

[zuppizup]

Work in Progress Wednesday - A Dark Alternative

“Callum!”

He started upon hearing Claudia’s voice, very much not in the mood to talk to anyone right now. She hurried across the grounds, clearly excited to see him. “Hey Claudia,” he didn’t try to even disguise his mood, hoping she’d pick up on it and leave him alone.

“Hey!” She beamed at him. “How was your trip? Ez said you went out rock hunting or something.”

“It was good.” Callum continued in the direction of his room. “Long though, I’m pretty tired, actually.”

Claudia walked quickly with him, seeming intent on continuing the conversation. “What’s on your head?” She snorted, reaching forward.

Callum frowned, assuming he’d got leaves or cobwebs caught up there and immediately flushing with embarrassment when Claudia pulled the flower crown from his hair. “Oh, eh-”

“Cute!” Claudia examined the chain. “Where did you get this?”

“Em, a friend.” Callum didn’t really want to elaborate, thoughts of Rayla making his heart ache right now. He reached for the flower crown, frowning when Claudia seemed reluctant to give it up, though she eventually relented.

“Who’s your friend?” Claudia sounded a little suspicious, which probably made sense. They pretty much knew everyone in each other’s social circles.

“Someone I know from before I moved to Katolis.” He kept his responses short and to the point, not wanting to engage Claudia any more than he absolutely had to. The whole… plan to maybe rekindle their thing had sort of fizzled out when he started spending more time with Rayla. He probably should have said something to her really. He’d sort of forgotten about Claudia and the whole thing though. Which just went to show how much of a crush he had on Rayla. She was pretty much all her thought about now.

The thought of discussing her with Claudia made him uncomfortable for multiple reasons though. He could already feel himself blushing about the flower crown and he didn’t want Claudia noticing and teasing him about it, maybe figuring out he had a crush on Rayla. Ugh, what if she told her father? After that weird conversation with Viren, the last thing Callum wanted was him knowing he spent a day alone with an elf. An elf who’d made him a flower crown. Viren would read way more into that than was there. There was no way he’d accept he and Rayla were just friends. Or maybe he wouldn’t care either way and would try and manipulate the information to try and make Callum look stupid or something?

“Ooooh, yes, the elf.” Claudia continued along with him, appearing oblivious to his attempt to exit the conversation. “What sort of elf was it again?”

Callum frowned, not sure what it was that Claudia could be interested in and not knowing how to avoid telling. “Moonshadow.”

Her eyes went wide as they dart to the flower crown clutched delicately in his hand. “Reeeeallly.” She grinned widely. “What does that mean then?”

“Mean?” Callum stopped, frowning at her. “Why would it mean something?”

“Well, Moonshadows are all into cryptic messages and that, aren’t they? Always weaving illusions.” She shrugged, looking excited. “That’s got to mean something.”

“I… no, I don’t think so.” Callum glanced at the little string of flowers in his hand. “Rayla’s not really like that.” He bit his lip, mind a mess. “She’s not really into the whole Moonshadow thing.”

“An elf who’s not into being an elf?” Claudia waved her hand dismissively. “How’s that work?”

Callum took a breath, feeling more awkward now. He didn’t want to explain anything about Rayla and her situation to Claudia. In fact, he didn’t want to discuss Rayla with Claudia at all. Especially not after everything Viren implied about him and his apparent “tastes”. “Elves are just people, Claudia.” He turned back in the direction of his room. “They all different, you know. Someone of them just aren’t into the philosophy or cultural stuff, you know?”

———

As I approach the last chapter of Fuel the Pyre, the tail end of Purgatory and slowly chip away on the final chapter of Zoom-mates, I’m cleaning up the first ~20 chapters of my dark magic AU, A Dark Alternative.

Set in a world where humans and elves lives a lot more closely, Callum and Rayla, childhood friends rekindle that friendship in the midst of political and personal turmoil.

Ticking the childhood friends to strangers to lovers tropes, copious pining, idiots in love, along with map making, world building and pastry pondering.

Projecting ~60 chapters (lets not discuss my track record), 40 of which are in a decent state of finished. Hoping to start posting mid-June/July.

[blade-that-was-broken]

Clay wasn’t sure what held him back. Upon the evacuation of the Golf Course, he had taken the rear of the group and although he knew Viva had found some help to get them to some place of relative safety, he had no idea who they were. Or even where they were going. It wasn’t until everyone had gotten away from the course, hours later and the world getting darker, that he started to find out things. He helped his people get settled down for the night, creating makeshift tents and shelters for the night. Everyone was scared. Of course everyone was scared.

They had lost their home.

They had no idea where they were going, what was going to happen, how their future was going to change yet again. First the escape of the Troll Tree and now the evacuation of the Golf Course, everything and anything was uncertain.

Everyone was well settled into a well-defensible clearing. He had heard Viva let a few scouts go around the edges to make sure things were okay and keep an eye out. He eventually found Viva settling in next to a fire with a couple other trolls - both familiar and unfamiliar - huddled around on logs dragged from the forest. He took a breath and closed his eyes for a moment, trying to collect himself, letting the smell of the fire and the crackling of the flames fill his senses.

“And here we thought Johnny here was the last pop troll around,” one of their guides cackled. He had some sort of strange accent Clay couldn’t identify and he couldn’t quite make out the form of the troll from the shadows, despite the illumination of the fire.

He could see Viva rather clearly. She looked a little confused but also curious. “What do you mean?”

“Well… Johnny left home for a bit and when he came back? Everyone was destroyed,” the troll responded. Another troll draped in shadows tensed. It was all Clay could make out from him. “Some of us saw a bit of it… it was… yikes. And after what he told us about… those giants? He thought that everyone had been eaten.”

Viva looked nervous. “The tree looks that bad?”

There was a hesitation. Another troll, who hadn’t spoken yet, let out a quiet, low, “Yes.”

“It was rough there for a while,” the first troll said, continuing to speak. “For him, I mean. Spent years with the gray and you know what comes with that…”

“I do?” Viva echoed.

Grayness wasn’t exactly a very common phenomenon around Pop trolls. They were naturally optimistic and happy, easy to forgive and extremely adaptable. Not everyone knew much about grayness and it was hardly mentioned in school work. Clay knew a bit about it, with some of the sad novels he read, but even he didn’t quite understand it all. He supposed, he had never really quite tried either.

“Hopelessness,” the troll said. “It’s only in the last few years, he’s gotten some of his color back.”

If the subject of their conversation seemed to have any objection to being talked about - and his struggles - he didn’t say anything. Viva looked between the group, the other Putt Putt trolls exchanging uneasy glances. “How… long-?”

“Uh,” the second troll - Johnny, Clay thought he remembered him being called - trailed off, uncertainly. “Over ten years? Maybe thirteen?”

“That…” Viva frowned worriedly. “We escaped about 14 years ago.”

“I wasn’t gone long.”

“And you thought your family was dead this entire time?” One of the Putt Putt Trolls - Flora - looked something akin to horrified with a touch of understanding and empathy. No one was entirely sure if anyone else escaped. They all suspected but no one knew who had survived and who had not. And no one was quite brave enough to go out and try to find them.

“If… If you survived, perhaps my brothers did as well,” the voice was barely a whisper and had a flicker of hesitant hope. “But I don’t want to count on it.”

“Why not?”

“He doesn’t want to be struck down again,” the first troll answered for him, understanding. “False hope can be devastating.”

“Other pop trolls survived,” Viva said, strongly. “The escapees. We were caught by Bergens and then escaped. There are others but we just don’t know where they are.”

“If they’re out there, they are exceptionally difficult to find.”

****

Clay followed John into the woods, his big brother humming a slow, unfamiliar tune. It sounded almost sad but that didn’t make any sense. He had never known his brother to listen to any sad music. John just started piling sticks next to a tree.

He had waited, momentarily, when John left the fire. Viva had glanced at him, a little confused but she trusted him. They talked about John almost like he wasn’t even there and although they talked in abstract riddles, Clay tried to piece together some things. Like his brother came back to the tree - for them - and thought his entire family was dead. Had for well over a decade. Just the thought made Clay sick to his stomach.

“John Dory.”

His brother turned around but his face just fell into a disappointed but almost concerned frown. Okay, so Clay wasn’t sure what he was expecting but he wasn’t expecting that for sure. It was like John was unhappy to see him. Perhaps he just should have known better. They had separated on terrible terms and John had said goodbye forever. The talk around the fire made it seem like he wanted his brothers back, to be alive. The look on his face told a different story.

“Oh. I guess I should have seen this coming.”

That was really not what he was expecting. “What?”

“One mention of my dead brothers and my brain decides yeah, lets hallucinate again,” John’s chuckle was hollow and without humor and it made Clay’s stomach turn over at least a dozen times.

“What?”

John squinted at him, slightly confused. “You don’t have to sound so shocked. I know you know.”

“I know?” Clay echoed, far more confused.

“Well, get on with it.”

“Get on… with?”

“I'd rather you leave quickly so I don’t have to take hallucination medication again. It messes with my memory and I’d like to keep whatever memories I do have at this point.”

“Get on with what?”

John tilted his head. “You’ve never acted this way before.”

“In your hallucinations?” Clay asked for clarification. “How does it usually go?”

“Lots of yelling, upset remarks, blame anger, etc. Guilt. Not you but me, obviously.”

That wasn’t obvious to Clay.

“Then you usually spout out how much you hate me and I just laugh.”

Clay’s stomach dropped. “Laugh?”

“Of course.”

“Why would you laugh?”

“Because you could never hate me as much as I hate myself.”

Clay sucked in a breath. “I don’t hate you.”

John looked mildly surprised, like he wasn’t expecting that answer. Clay wondered how many times John’s mind had told him that, using Clay’s face.

“Do you miss me?”

John snorted again. “That is a dumb question.”

Clay tried not to look hurt. “You used to tell me there was no such thing as dumb questions.”

“There isn’t. Except for that one. Well… except another one too but you haven’t asked me that one. I’m grateful for that.”

“What is the other dumb question?”

“Asking if I love you.”

Clay blinked. He had never really thought to ask that. No matter how much answer and resentment he held onto, for no matter how long, that never crossed his mind. And he was grateful for that. “I don’t need to ask a question I already know the answer to.”

He was pretty sure John was holding his breath. He was scared.

“I know you love me.”

And he let it out. “I do. Although I am a little surprised my brain is trying to assure me of that. That you know.”

“Do you think you have enough sticks?”

“Are you sticking along? Sometimes Pete is an ass about it.”

“About what?”

“The hallucinations.”

Oh right. John didn’t know he was real. “I won’t be obnoxious.”

He sighed. “Well, I can’t get rid of my guilty conscious so whatever.”

[dr-futbol-blog]

The Defiant One, Pt. 2

They contact Atlantis. The fact that Sheppard and McKay are suddenly on the same page, suddenly of one mind, is underlined by the fact that they keep using the pronoun "we". Just a moment ago, they both were using the passive voice and "I" and "you", and suddenly it's "we". It's a noticeable, tangible change. And other characters notice it too.

"We figure the Ancient satellite shot the Wraith ship down in the final battle for Atlantis."

"The wealth of scientific and military knowledge we could acquire is invaluable."

"We have to go down and take a look."

"All the more reason we should have a look. We're already here."

I want to highlight the fact that they are both doing this, and they are taking turns doing it. They are speaking with one voice and one mind, here. And not only that, but Weir is treating them the same. As an item. She definitely noticed something going on between them in the previous episode, first in Rodney's lab watching them get just a little too excited, get a little bit too close to each other discussing... theories, and then definitely during the siege, watching McKay, hearing Sheppard. There, she wasn't a barrier between them, she was their go-between.

And they are not just using words to communicate. The whole call to Atlantis, they are talking to the city but they are having a conversation with each other using facial expressions, exchanging looks, nodding at each other, moving their bodies. It's a whole conversation that's happening outside of the words used.

I mentioned in connection with Home (S01E08) that we see several times that Rodney has managed to talk Sheppard into doing something he might not have originally intended or wanted to do. Usually, we only see the result, we see them on some mission on a random planet or station that McKay wanted to check out. Here, we actually see him do it:

He mouths the words "Help me!" to Sheppard. That's all Sheppard needs. He does it... automatically, like he doesn't even think about it, it's just his natural response. Sheppard looks helpless, like he would probably do anything for this man if he thought to ask (and, um, in the second season we see how far Rodney can push that, but let's get to that later).

The "our interest is purely professional" is not only extremely suggestive. He's obviously referring to the planet and the distress call, but he could just as well be saying that about himself and Sheppard in general and he would be lying. But also, he's speaking for the both of them here. He is. speaking. for the both. of them.

They both also look really miffed when Dr. Gaul tries to get in the way of their budding adventure, and the poor guy really did end up paying the ultimate price just for having been in the vicinity of fire and powder, which as they kiss consume.

It should also be pointed out that while McKay is clearly doing the instigating, Sheppard is the one who goes so far as to lie to Elizabeth. That is, he goes above and beyond for McKay. Also, Elizabeth clearly did not believe for one second that their interest was purely professional, whether regarding the planet or their interpersonal relationship. She has clearly given up trying to reign them in.

Once they're on the planet, we see McKay apply a chapstick to his lips and act like a real bitchy queen toward Dr. Gaul (and as he stands with his hands folded across his chest behind the title card, we're not left wondering who the 'Defiant One' of the episode is supposed to be; McKay is the defiant one in that he refuses to go by Sheppard's plan to keep him at arm's length). They start bickering, with very little gusto. Sheppard interjects with: "Alright, knock it off, guys. I've spent the last fifteen hours listening to you two."

First of all, Dr. Abrams might have a whole different characterization of what the past fifteen hours in the jumper had been like:

Second, Sheppard is both jealous of people Rodney gives attention to and uses projection as a psychological self-defense mechanism pretty much constantly.

There's a scene in First Strike (S03E20), where Sheppard seeks McKay out for no other purpose than to spend time with him (he was just out discussing comics with Ronan and Teyla, being completely useless) and he walks in on McKay and Zelenka arguing. He quips with "Why don't you guys just make out and get it over with?" (which just tells us that he a) wanted to make out with Rodney or b) had done so in the past, but we'll circle back to that later and c) he thinks that the best and possibly the only way to get McKay to stop bickering is to make out with him).

He wants to be the one bickering with Rodney. He does not like it when he gives that much attention to someone else, no sir. By what we saw of their interaction earlier, it doesn't seem like McKay had been talking to Dr. Gaul very much if at all on the jumper, having been engaged in learning how to steer it and focusing on trying to trying to find that straight line.

Sheppard manages to do two things, here: he stakes a claim on Rodney and he attempts to reclaim some modicum of distance between them because back in the jumper, he had just completely forgotten why he had started doing that in the first place. Now, in his fatigues and with his hand on his weapon, he remembers again.

He cloaks the jumper and tells the others to remember where they "parked it". It's a very fatherly thing to do. Like they're a family on a vacation. But are we to understand him as a dad with three toddlers he has to watch out for, or..?

The other scientists certainly act like toddlers. They're basically doing the "Are we there yet?" routine, wondering why they had to park so far. They have clearly never been out on a mission before, so Sheppard explains mission protocol to them; that there's a reason that he does things the way he does. By this time, McKay already understand this. Sure, he also whines about having to walk such a long way, but it's more to connect with Sheppard and to show the others that the two of them are on the same team: "Don't worry, Brendan. We weren't all built for fieldwork. Seriously, we're almost there, right?"

Yes, he's kind of tired because he isn't built for fieldwork (and Sheppard knew this perfectly well when he chose him for his team; and we have seen McKay try to learn how to work on the field). But he's also kidding, again trying to get close to Sheppard by pointing out that he has a special connection to the Major where Sheppard tries to keep a distance (emotionally, but he's also walking real close to Sheppard).

They happen across the planet's indigenous life, the shiny space bugs (and tell me Rodney's first instinct here isn't to grab Sheppard's arm), and have the following exchange:

McKay: Oh, what's that? Gaul: Is it a bug? Sheppard: A space bug. Abrams: It's giving off a pretty strong life-signs reading. McKay: OK, did I mention how allergic I was to bee stings? Sheppard: Maybe he smells the food. Gaul: Maybe he's just smelling the girlish fear.

Dude. Dude.

What Dr. Gaul says is not just offensive but a really stupid thing to say on an alien planet in a whole other galaxy. You have no idea what that thing is or what it's capable of. Dr. Gaul clearly never left the lab before. Not only is Rodney McKay braver than he could ever fathom, this man was just afraid of knowing the jumper was moving. Of motion.

Note also that where previously we have seen Sheppard exhibiting many classic signs of attraction, here we get one from McKay: wanting to share personal things, personal information. Over the seasons, we learn mostly through Sheppard bringing these factoids up that he has done this quite a lot. In Spoils of War (S04E12), we witness how Sheppard has both received and retained a lot of this kind of personal information about McKay (remembering details pertaining to someone? Also a sign of attraction), how he feels comfortable sharing what amount to rather embarrassing stories with the Major:

McKay: Don't worry, I've got an excellent sense of direction. Sheppard: Didn't you say you got lost in a garden maze once? McKay: I was ten. Plus, I was running from a bee.

This is really rather important, because this is juxtaposed to what takes place between McKay and Keller in Brain Storm (S05E16), when we are to understand that their relationship is starting to bud. McKay tells Keller: "When I was ten I ate a bowlful of strawberries and threw up. Haven't been able to stomach them since." We are explicitly shown that this is something he does when he is intending to bond with someone romantically. We've seen McKay overshare things about his childhood, as with Sam Carter in SG-1, with him literally telling us that he's doing it to bond with her. Only, he does this with Sheppard a lot. And unlike other characters, Sheppard not only remembers these things later but also returns to them, brings them up again and again to reinforce the bond between them.

It's really quite beautiful how here, Sheppard not only doesn't react to Dr. Gaul's words at all (which probably had the intended purpose of masculine bonding with the Major by picking on Rodney), but he actually soothes McKay's concern. Twice. First, he suggests that the bugs aren't out to get them but just smell the food, and then he uses a really gentle voice, smiles at Rodney and (seemingly punning) says "Well, let's leave it be(e) and it'll leave us be."

Not only is he not ridiculing McKay, he's showing that he's genuinely there for him, both against the space bugs and ignorant lab-rats who clearly don't realize what a hero Rodney really is for him (or what fear is. He knows what fear is).

(Also, returning to Hide and Seek, S01E03, where Sheppard himself calls fear unmanly; we later learn that that's his father talking; the part of his father he has internalized and that Rodney has actually unwittingly helped him combat from the start by showing him that fear and bravery aren't mutually exclusive).

Sheppard and McKay are a team. We see it later in the episode, but already here: they make each other stronger, and help each other overcome their weaknesses.

And Sheppard was never going to join in on mocking McKay.

In the jumper, it was he that actually sought out Rodney to mock Dr. Gaul and his unsuitability for fieldwork, reinforcing the bond between them. And I have to emphasize again how gentle he sounds here. He cares about Rodney and has no reason to pretend otherwise here because he neither cares nor values the opinion of these people. If anything, being able to stand strong for Rodney (for a change!) just makes him feel a sense of pride, being able to be useful to him brings him closer to Rodney.

Continued in Pt. 3

[uhbasicallyjustmilex]

“i believe in the idea that old bits of equipment have songs built into them already, like a ghost in the walls.”

[monty-glasses-roxy]

I thought of this before in passing but it's really just hit me that oh my god if any of the current animatronics knew Foxy well enough before everything that happened, and Roxy didn't know about that stuff, then a good chunk of them would have been lying to Roxy by omission this entire fucking time

[magentagalaxies]

went to toronto again for new years weekend and spent pretty much the entire time hanging out with paul bellini which included us rewatching a bunch of episodes from kith s4 during dinner on new years eve. and y'know the second best thing about watching kids in the hall with paul bellini is getting to hear a bunch of behind-the-scenes backstory about the inspiration for sketches, previous versions that never saw the light of day, , etc. but the actual best thing about watching kids in the hall with paul bellini is when an entire sketch will play without comment and at the very end he goes "the fuck was that?"

[dredshirtroberts]

listen. I know my family is bad at communication and acknowledgement of receipt of Thing but when the one thing that consistently happens semi-annually is that I get fussed at for not confirming I received something, it irks me a smidge.

Like if I'm expected to always confirm "Hey I got your [communication/gift]" then why aren't they doing it back? Especially considering the communication in this instance has really actually very important information they will want to know if they want to stay in contact with me.

Like????

Even if I'd just gotten a "K" in response, like. at least it would have let me know they got the damn thing. I sent this email TWO WEEKS AGO and only one person responded - and it was practically immediate too. Like... i know folks are busy, i know shit's going on. I get it. But it would help me feel so much less like I'm suddenly a pariah in the family out of nowhere if like one of the people I'd sent this to had just responded in some way shape or form.

I'd have answered a phone call - i wouldn't have liked it, but i'd have done it. A letter in the mail to my current address even. a message in a bottle probably wouldn't get to me because i'm pretty far from the beaches of the great lakes, and also they're even farther, but like. something right?

my sister at least confirmed she got it and just forgot to respond. i imagine that's what happened with everyone else because we have the same mental illnesses and look. i do it too. but also? also?? i was hounded to respond quickly to things, i was told off every time i wasn't responding within a half hour of any communication. I was asked instantly the next time they saw me if I'd gotten it, even if i hadn't had a chance to see the thing yet.

So forgive me, family, if I'm a little peeved off that all y'all are allowed to "forget to respond" for two whole fucking weeks and then a few extra days (because it's been 2 weeks, 3 days exactly) when i can't let something sit in the mailbox for 2 days because i couldn't get to my mailbox easily while living on my own without getting a phone call or text or email that there should be something waiting in there for me.

*enraged screeching*

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[risuola]

I — NOT YET // When a guy in the club tries to assault you, you ask a random stranger to pretend to be your boyfriend. Little that you know that out of all people, you chose a mob boss.

contents: smut, mafia!au, briefly mentioned assault and tiny bit of violence, Sukuna (yeah, I consider him a warning), reader discretion is advised — 2,7k words

a/n: mada... mada mada~ the very second I heard this menace toying with Panda, Kusakabe and the rest in Shibuya, not allowing them to move unless he say so - my head went straight to the idea of him playing the same game in bed.

ᴅᴇᴀᴅʟʏ ᴀᴛᴛʀᴀᴄᴛɪᴏɴ | masterlist

Sukuna never had to get used to being interrupted. Never. Anytime it happened in the past, all he had to do was to glance at the person and it usually got the message across. His gaze has enough power in it to quickly inform the intruder why invading his personal space or cutting him half-sentence is a damn bad idea. One look from him usually was enough to make anyone reconsider if they really want some problems. Sukuna had his eyes trained to be sharp and cold, his body strong and intimidating and his aura dangerous. He spent years building his reputation, earning a position in his world that now guaranteed him calm.

Now everyone and their mothers know that he’s not the one to cross paths with. He’s a VIP, he’s allowed everywhere and he has no qualms about killing someone. Ryomen Sukuna is a brand, he’s a threat, he’s untouchable, invincible. No one in the right mind would ever try to start anything with him at this point. That’s why, when he tried to relax in one of many clubs that he owns in Tokyo, he couldn’t believe someone had the guts to push onto him at the bar.

“Hey, sorry, can you please pretend to be my boyfriend for a second?”, he heard near his ear and following the sound and the soft tug on his elbow, he turned his head towards you. Lucky girl, he thought while quickly assessing the view. You were too god damn pretty to be killed, looking at him with those pleading eyes that glistened in the harsh artificial lights. You were visibly scared of something, or someone, and oddly enough it wasn’t him who brought you to the verge of tears.

“Your boyfriend, huh?”, he mused, allowing his eyes to trail down your figure. The dress you had on left little to imagination and yet he wished to tear it off to see more of you. It hugged the shapes of your body perfectly and the silky fabric betrayed the lack of bra underneath. You were attractive, but clearly not smart enough to think twice before approaching a stranger.

“Please, I beg you, this guy—“, you tried to explain, squeezing your perfectly manicured fingers around his veiny forearm, but your sentence was cut in half when a man grabbed you by the waist, pulling you away just a little and harshly pressing your back against the bar. Sukuna watched as you winced when your spine hit the edge of the wooden countertop, he watched for a moment how you tried to push the guy away. With no effect, you weren’t strong enough to stand against him, you were trapped between the unwanted body and the furniture behind you, fighting the hungry hands that were groping your figure.

“Naoya, get off of me—” you tried, pushing his face away from where he was trying to suck a spot onto your neck.

“Oh, shut up woman, I know you want it,” the blonde-ish idiot grinned, twisting your arm enough to make a space for himself. He wasn’t bothered in the least with the fact he was trying to get between your legs in the very center of a club. Sukuna’s club.

Ryomen zeroed the whisky in his glass and got up from the chair. Usually, he would ignore situations like this. Other people’s problems were none of his business and he had enough his own things to take care of, to bother himself with anything else, but you. You were a problem he was willing to explore.

“Zenin, huh?”, he asked, connecting the name he heard falling from your lips with the wannabe gangster he heard about many times before. There was a certain reputation tied to Naoya’s name, mostly regarding his treatment of women but as long as he wasn’t touching his women, Sukuna couldn’t care less about this trash of a man. You definitely were not his woman. Yet.

“The fuck you want, I’m busy,” Zenin groaned, pulling his nasty mouth away from your shoulder for just a moment, only to shot a glare to the club owner.

“I can tell that you’re busy,” Ryomen grabbed one of Naoya’s wrists. It wasn’t looking like a hard grip, but the face of the blonde betrayed the sharp, bone-breaking pain he felt.

You felt some kind of relief when the stranger you just met stepped between you and your unwanted date. The large body of him towered above you completely, he was bigger than you thought when you approached his sitting form, but you couldn’t think about it for too long when he dealt with Naoya so easily. Once the blonde was gone, he turned to you.

Your heart skipped few beats once you took the image in. The man was huge, way taller than you and built like a greek god. The sharp outlines of his muscled torso beautifully showed through the dark graphite dress shirt. Looking up, you could finally see his face clearly. His features were attractive, dangerous with the black tattooed lines around them. He could easily be a gangster or something.

“T-thank you,” you spoke finally, snapping out from the initial impression of him. He was a red flag, you knew that. If not for the circumstance, you’d probably be the first to run away from him. He was hot. An absolute smokeshow, but he was certainly bad news.

“Was he your date?”, he asked, pulling a chair that he was sitting on previously and twisting it to position, before his large hands landed on your hips. There was no effort whatsoever when he lifted you and sat you down on the seat. He opted to stand next to you.

“No… I came here with a friend, but she left earlier. I was just about to leave as well, but this guy stopped me,” you sighed. “He wouldn’t let me go, I was afraid that he’ll just walk after me to my home. I’m sorry I interrupted you.”

“Don’t apologize,” he said, pushing a strand of your hair behind your ear. The gesture in itself was soft, but you shivered underneath his touch nonetheless. You couldn’t quite tell what made him so… scary. Was it his overwhelming frame? Or maybe the calm, distant demeanor? He had authority, he was expecting submission and when he was looking at you, you felt like a prey of him. Strangely, you were quite fine with that. You had no wish of doing anything with Naoya, but this man… he was different, he was interesting, he made you cross your legs just to feel any kind of pressure between your thighs. “Your name?”

“Y/n,” you replied.

“Y/n. Nice,” he gave it a soft nod and ordered two drinks. “Ryomen is my name. Sukuna Ryomen. Memorize it.”

“Sure…”

At this moment, you had no guts to ask why was it important to imprint the name he told you into your brain, but it all became clear just barely two hours later. You couldn’t exactly recall the moment Sukuna led you out of the club and into his car. There was something so enticing about his entire aura that made you lose your ability to think. He made you break every rule you ever had for yourself – to not talk with strangers, not go with them anywhere. Before that night you were doing exceptionally good in avoiding danger, you somehow slipped through your life up until that point without any major problems, but once you faced the problem, it was a big one.

The talk was good, it flowed easily and the menacing aura that Ryomen had all around him kept you interested. You had no idea that you’re attracted to bad boys, and maybe you were not exactly into school hooligans. Turned out, you’re aroused by the much worse kind – the kind that keeps a gun behind his belt, drinks pure whisky and makes people run away just by shooting them a glance. Yeah, that seems to be the kind of men you are into, because if there was any common sense left in you, you’d be out the door and running towards the safety of your dormitory. If there was any self-preservation instinct in you, you’d be probably anywhere else, rather than in here.

In the most luxurious house you’ve ever seen, not to mention been inside of; somewhere in the outskirts of Tokyo where you were not even sure how you can get back to your home from there. If you were just a little smarter, you’d for sure be in your own bed right now and not on the dark leather couch, with your silky dress scrunched up around your waist and your underwear torn to pieces and laying on the floor. If you had more braincells, maybe you wouldn’t be bouncing on that stranger’s dick right now, gripping onto his muscular shoulders as one of his large hands kept your hip in a dead grip, leading your moves up and down his girthy length and the other one tightly squeezed around the back of your neck, from where he was keeping his head close so he could kiss you so hungrily it took your breath away. But that’s just where you were. And you wouldn’t change a thing.

He felt so goddamn good, filling your tight hole to the very brim, stretching you to the point of delirium and he wasn’t even fully in yet. His moves were aggressive and yet sensual; he made you feel small even if it was you who was on top of him. You had no control, he made it clear with the way he was holding you and every time you tried to dominate him in any way, he quickly showed you your place back. Maybe later, he’ll let you have your way with him, but now, he was in charge.

“Think you can take all of me?” He asked against the delicate skin of your neck, now painted in red and purple marks he nibbed onto it. You could feel him grinning at the way you squeezed your little hands on his clothed biceps. He got you all exposed and yet he only allowed you to free his dick; his shirt was still buttoned up, his pants were still on his legs. There was a certain dominance shown in the way he got you all naked on top of his suit.

“N-no,” you breathed out, “too big.”

“Oh, I’m sure you can.” Sukuna doesn’t exactly accept no as an answer and he for sure gave you enough time to accommodate to his size. “You’ll take it and thank me for it, yeah?”

“Yes,” was all you could mumble, before both of his large hands landed on your hips. The iron grip, you were sure, was going to bruise you but now, it felt grounding in a way.

“Good girl,” he praised, his purr vibrated against your skin as he sucked yet another mark along your collarbone. It distracted you for a moment before he pushed your pelvis even lower, fully bottoming into you. Your clit made a contact with his lower belly, the harsh brush of his skin against the swollen bud making you moan louder than you were meaning to. You felt like all of your organs were moved out of the way just to make more space for his dick and Sukuna couldn’t be more satisfied by the way you took him in. “See? As if you were made to take this cock.”

Something incoherent left your mouth, a tear stained your cheek and the man was happy to lick it away, tasting the saltiness before he bucked his hips up, keeping yours in place. He took full control, thrusting into you with all the power he had in his muscular body and you held onto his shoulders with your little hands. The filthy, wet sounds were filling the interiors, bouncing off the walls and mixing with all of the whines and whimpers that were leaving your lips. Some grunts added to the melody, but you barely heard any of it, too consumed by the exploding pleasure between your legs.

Sukuna’s name was leaving your mouth like a prayer, you felt so close, you felt like falling and you had no intention to stop. The man grinned, licking a long stroke along your throat, his tongue curling upwards as it reached the tip of your chin. The taste of your skin felt intoxicating to him, he wanted to devour you whole, to keep all for himself.

“You wanna cum, huh?” His voice was taunting. “You’re clenching around me so fucking hard, you’re gonna milk me as well.”

“Yes, yes, please,” you near damn begged, chasing the bliss that you could almost taste on your tongue right now. It filled all of your body cells, rushed through your veins in ecstatic waves of lust.

“Not yet,” he ordered and it felt almost painful to force yourself back from the state of climax. You could tell he was playing with you, toying with his dominance, reminding you that it’s him who pulls the strings in here. And yet, he was still rutting into you, his movements completely different to what he was saying, he was fucking you like he wanted you to cum in that very moment. “Still not yet,” he teased, feeling your little fingers digging onto his shoulders, your manicured nails nearly making holes in his shirt as your eyes fell shut.

“Oh god, Ryomen, please,” you whined. Your thighs were shaking, your spine arching and the incredible tension below your stomach threatened to burst any second now.

“Now,” he ordered and just like that, all inside of you snapped. You came all over his dick, and you came hard. It felt like nothing you’ve ever experienced, like you were suddenly shot into another dimension and if not for the way he sped up his movements, you’d probably just get lost in the lustful feeling. Ryomen came just few moments after you, wrapping his arms around your waist and painting your walls white. You felt him throbbing, spasming inside of you, the hot seed gushed out of you as he was pumping it in, staining your thighs and the bottom of his black shirt. Then he pushed you down, fully onto his cock, plugging the way out for his cum.

You found his lips, swallowing his quickened breath as you kissed him with desire and he gave in, quickly dominating the kiss. You were tired, the muscles in your legs were burning from the intense exercise, but you couldn’t shake off the feeling of still wanting more. He made you hungry, he made you unsatiated and you were sure, you won’t be able to recognize yourself after you’re done with him. You were never such a greedy lover but frankly, you never had a chance to feel that good with anyone. The boys you’ve been with had no skills and if not for the orgasms you gave yourself with your fingers, no one else ever brought you over the edge like Sukuna.

“Can you undress?” You asked him, your lips brushing against his as you mouthed the question and he chased your kiss with his head, grabbing your lower lip between his teeth. There was a certain expression painted all over his dangerously handsome features, the menacing aura amplified as he took his sweet time before replying.

“I can undress,” he began, yet there was a but hanging in the air. He had conditions and you were open to hear them. “I’ll give you two options, little kitten. Wanna hear ‘em?”

“Yes.”

“I won’t undress. You can pull yourself together and I can drive you back to your home now. But I can also take the suit off, carry you to my bed. Then you’ll stay with me till morning, but don’t have any hopes for a calm sleep, no. The night will be as filthy as it can get. You’ll be sore tomorrow, most likely exhausted.”

You blinked hearing the options. It was clear as day, stop there or continue? You knew the answer already, your body decided for you even before he came up with an offer.

“Will you drive me home as well if I pick the second option?”

“Of course.”

“Then let’s get you naked.”

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[wheresarizona]

but I would die for you in secret

summary: The relationship you have with Joel Miller is… complicated, and you’re not entirely sure what to even call it. There’s the fact no one can know, so his kid doesn’t find out, and you’re pretty sure he’s ashamed of your age difference—he’s not your boyfriend, but you only fuck each other; this thing started months ago, and Joel does not like it when men give you attention, because he wants you all to himself. But again, he’s not your sexy, older boyfriend.

pairing: Joel Miller/f!reader

rating: E (18+!! No y/n, porn with some plot, explicit smut, Possessive Joel Miller, Joel being a lil dominant, age gap (unspecified, reader is an adult), secret relationship, sneaking around, accidental voyeurism, edging, orgasm denial, mutual masturbation, dirty talk (so much), oral sex (f receiving), unprotected p in v (wrap it up!), rough sex, explicit consent, creampie, spanking, spit as lube, love confession, Good Parent Joel Miller, Ellie giving Joel so much shit, TLOU AU where Joel doesn’t lie to Ellie and they’re good when they get back to Jackson)

word count: 7.1k+

a/n: Hey! I needed a break from my long fic that I’ve been writing nonstop for five months, and I was really missing Joel and Ellie, so here we are. I hope you enjoy! Thank you to @juletheghoul for betaing!

Thank you for reading! Comments and reblogs feed me. I’d love to know what you thought!

Next - Series Masterlist - Masterlist

The relationship you have with Joel Miller is… complicated.

To start with, there’s the age difference. It doesn’t bother you at all, and why should it? You’re both consenting adults who know what they want, but he’s got this idea in his head that he shouldn’t be chasing someone so much younger than him and that you should be with somebody your own age—he mentions this almost every single time you’re alone together, and you've learned a simple flash of your tits or a sudden kiss will make those thoughts disappear.

Then there's the fact he isn't your boyfriend, yet you only fuck each other. His days are spent working whatever job he’s assigned here in Jackson and he’s at your place most nights after his daughter goes to bed—however, that’s a secret; No one can know about you two, even though Joel’s a tiny bit possessive and doesn't take kindly to other men giving you attention; which you're not one to judge because you can't stand when women flirt with him, especially Sandra, his next-door neighbor who won't leave him the fuck alone after the many times he’s told her he’s not interested.

So, again, he's not your boyfriend, but neither of you wants to fuck anyone else; whatever this thing is between you has been going on for over eight months, and he doesn’t want people to know you’re together—yet, any time he catches a man being too friendly with you, there's a 100% chance a grumpier than usual Joel will show up at your house that night, and at some point, while he’s fucking your brains out, he'll let a 'Mine' slip out.

Clearly, you have some kind of relationship with him, and it borders somewhere between fuck buddies and him being your boyfriend; where it gets confusing is it's not all sex with him. If his kid is staying over at a friend's, he'll show up at yours earlier than normal, and usually, with a movie he hadn't seen since the world ended or a record he thought you'd enjoy that you both listen to all the way through for him to tell you facts and anecdotes that he could possibly be the only person on the entire planet who knows.

If you need anything fixed around your house, he'll do it, and sometimes you don't even have to ask. You'll mention something, and the next thing you know, he's at your front door with a toolbox—sometimes, he uses doing repairs as a ruse so people will see him arriving at your place with his tools when, in actuality, he’s there to spend the day with you.

You’re also probably the only person, unrelated to him, he has actual conversations with; there’s hardly any grumbling or muttering.

There is a reason he won't acknowledge you’re dating, and it's his sixteen-year-old daughter whom he doesn't want to know he has a love life—it's to where Joel's basically taken the role of the rebellious teenager, sneaking out of his own home in the middle of the night to ensure she's unaware he left.

It's an accumulation of factors why she can't know. The big two, you think, are your age, and you know for sure he doesn't want Ellie to think she'll be any less important to him or that he's abandoning her if he's seeing someone—he worries she won’t take it well, and from what you know she's been through, you can understand why he’s being so protective.

Do you wish you could openly be in a relationship with Joel? Sure, it'd make you happy to shove it in Sandra, his stupid neighbor's face that he's taken.

That isn't a possibility, though, and honestly, what the two of you have is good, so you're not going to make a fuss about labels.

It's been a few nights since Joel has snuck over to your place, and you know why he hasn't stopped by—Ellie—she's sick with a cold, and to put things mildly, her father is freaking the fuck out that it could turn into something worse, and he won't let her out of his sight.

Now, if a person didn't want their child to know they were dating anyone, they’d keep them separated, right? Well, you live across the street from them—that's how you met Joel; he saw someone had moved into the tiny one-bedroom, one-bath home across from his and came over to introduce himself—and since you live across the way from him, and Ellie, the two of you have this, 'Just being a good neighbor,’ act, where any interactions you have in public, are under the guise that you’re just friendly neighbors. So, Ellie has spoken to you many times and has even invited you to hang out and eat meals with them at their house or in the mess hall, where Joel always does his damndest to act indifferent.

Joel left a simple note three days ago stating Ellie was feeling under the weather on your front door. The next day, you stopped by, as the good neighbor you are, to drop off some chicken soup you convinced the kitchen at the mess hall to make. Joel had let you in with a ‘Thanks’ and took the large bowl from you to the kitchen, and you followed the sounds of sniffles to the living room, where you found the teenager wrapped in a blanket on the couch, her stuffed-up voice exclaiming when she saw you in relief you were there so she’d have someone other than her dad to look at or talk to; obviously, she was tired of him, and with how he was hovering, and fussing over her like a mother hen, you would’ve been tired of him, too.

The man had bags under his worried eyes and looked like he hadn’t slept since she’d gotten sick. After he served her some soup and saw she was eating it, Ellie and you convinced him to take a nap while you hung out with his kid—the kid you’ve had a suspicion for a while knows there’s something up between you and her father, simply because every time the two of you are alone, she grills you about your love life.

The thing is, she always fishes for information you won’t give her, but she never seems bothered by the prospect of Joel dating; frankly, she’s supportive and wants him to be happy. However, that wasn’t something you could tell him because he’d probably end things with you immediately, so you’d have to wait for them to eventually have a heart-to-heart for him to find out—which, you’re not holding your breath with how bad they both are at talking to each other about their feelings.

And now it’s been over three days since you last got laid, and after having great sex regularly, the horniness is hitting you hard tonight, and you need to come.

It might be the dead of winter, but you’ve pushed the blankets to the end of your queen-sized bed, the old sheets not as soft as you imagined they’d once been when they were new, your bare, heated skin pressing into them. You’re lying in the middle of the mattress, your head cushioned by a pillow that’d lost its firmness long ago, your naked legs spread while your fingers rub at your swollen clit just right, the others pinching at your pebbled nipple to have the pleasure welling up inside you. You’ve been biting your bottom lip so much it’s sore, your breaths panting from your lungs, the wood stove in the living room keeping your house warm, and that, combined with your arousal, has a thin layer of sweat coating your body.

Sure, you can get yourself off, but the orgasm will be nowhere near as good as what Joel coaxes from you; it’ll take the edge off, at least, so you’ll feel a little better.

For the last hour, you’ve been building yourself up, almost hitting your peak, and stopping, edging yourself over and over again to try to make yourself come as hard as you can by your own hand to assuage some of your need—the sheets are wet under your ass where you’ve dripped onto them.

Your heart is pounding in your chest, thinking about that one night Joel saw some guy about your age at the bar laying it on thick to get you to leave with him, and how after you turned him down and left, a familiar presence followed you along the dark streets. You had to keep quiet when those big, gun-calloused hands you knew all too well pulled you into the stable that had nobody in it except the horses—Joel fucked you from behind against a wall, having to brace yourself with your arms on it. You remembered his palm over your mouth to muffle your sounds and him blanketing himself over your back to have his lips at your ear while he pounded into you hard and fast, quietly grunting about how you were his and that no one could make you feel as good as he did. There was no forgetting how his cock stretched open your cunt, or how before he sheathed himself inside you, you heard him spit on his fingers to slick himself up; the way he made you come around him while he circled your clit with those same digits. The memory of how he’d worked himself up so much he’d forgotten to pull out and spilled deep in your pussy, has you so close to coming by your hand you moan loudly, “Joel.”

“Stop,” the familiar gruff voice makes your eyes snap open as you gasp, immediately sitting up on your elbows.

There at the foot of the bed is the man on your mind—he must’ve taken off his winter jacket in the living room—his green flannel shirt is gaping from most of the buttons being undone, revealing his chest, his grey waves of hair looking to be slightly damp from melted snowflakes. What steals your attention is the fact his jeans are unbuttoned and open, and he’s slowly stroking his hard dick; from how the tip is angry red, leaking precum, and his shaft shines, he’s been watching and jerking off for some time.

“Joel,” his name comes out as a whisper, and your eyes flick up to his, finding them dark and staring hungrily between your legs at your glistening cunt.

You’re so happy to see him you’re not even mad he ruined your orgasm, knowing he’ll make it up to you.

“How many times have you made yourself come while I’ve been busy?” he asks, finally meeting your gaze, his expression grumpy.

“No-none,” you stammer.

His eyebrow lifts. “You lyin’ to me, sweetheart?”

“No.” You shook your head. “Are you mad at me…?”

His face pinches in confusion. “What? No. I’m not mad at you, baby. I’m mad at myself for leavin’ you hangin’.” He undoes the last two buttons on his shirt and shrugs it off for it to fall to the floor, pushing down his pants to step out of them, now standing before you completely naked.

His body is a tapestry of littered scars that tell of his fight to survive this long, some from injuries you’re sure should’ve killed him. Yet, somehow, if by spite or the grace of God, he managed to stay alive—your fingers have traced many of them, mapping the silvery and pink lines in the quiet of the night with only the glow of a bedside lamp. With what people have to do in order to keep living these days, they rarely like to share the stories behind their close calls to death. Still, there’s a jagged scar low on the right side of his stomach lesser men would have died from, you noticed the first time he took his shirt off, and you always wanted to know the story of. Surprisingly, he told you how he got it a few months into this not-not relationship when you asked.

Excitement pools in your belly, your pussy throbbing needily, watching as he climbs onto the bed to kneel in front of you, between your legs, down by your ankles.

“Touch yourself,” he orders and takes himself in hand again, languidly pumping his cock. “I wanna watch you make yourself come; then I’m gonna show you how I’m better than everyone, includin’ you, at gettin’ you off.”

Your cunt clenches because he is better, and the promise has you doing as he said, sliding your hand down to the apex of your thighs to rub your clit the way you like while you watch him fist his shaft. This isn’t the first time he’s watched you touch yourself, and you’re sure if it was anyone else, you’d feel embarrassed, but with how the desire is clear as he stares at what you’re doing, it spurs you on.

Having been so close to coming when he told you to stop, and now, it’s turning you on so much that he’s jacking off to what you’re doing, all of it is building you back up quickly, the familiar heat growing at the base of your spine.

“Just like that, baby,” he rasps and wets his bottom lip. “Keep rubbin’ that pretty pussy—did you miss me?”

“Yes.”

He hums in the back of his throat. “Missed how good I make you feel—how I stretch open that perfect cunt with my cock? Do I fuck you so good, you were thinkin’ about me to make yourself come?”

The strokes of his hand sound wetter, your arousal drooling onto the bedding while the muscles in your belly begin to tighten.

“Yes,” you gasp.

“That’s right, you were. So fuckin’ pretty spread out like this for me—I wanna taste you, shove my face in your pussy, and drown in it; just look at how you’re drippin’ for me.”

“Joel,” you moan. You’re so close it’s not going to take much more.

“God, I fuckin’ missed that sound; I missed hearin’ your voice and how good you smell, how soft your skin is, and the few hours I get to sleep next to you—come for me, baby. Come all over your fingers, and I’ll give you my dick—I’ll make those gorgeous eyes roll back in your head and give it to you so good, I ruin you for anyone else.”

He’s already ruined you for anyone else, and you doubt there’s another who’d fuck you as good as him.

It’s the thought that he’s yours and no one else can have him like this that sends you over the edge, your body seizing up as you come, pleasure erupting from your center as you moan his name.

He doesn’t give you a chance to recover, batting away your hand to dive in and bury his face in your wet heat. He shoves his tongue inside your soaked hole, groaning loudly as he laps at your come, your body trembling when he drags the flat of it up through your folds to suck your clit between his lips. Your fingers press into his hair, soft sounds leaving your throat at how good it feels.

The one orgasm isn’t enough—you need more, his mouth igniting arousal to burn hot in your belly, making you feel achingly empty. He’s licking up every bit of your need, coating your sex, moving to flick his tongue against your sensitive bundle of nerves. You’re feeling greedy; what he’s doing isn’t enough, and you want, no, need him inside you.

You pull at his hair as you tell him in a somewhat whiny tone, “Fuck me, Joel—stop making me wait.”

His chuckle vibrates into your sensitive skin before he rises to kneel with a groan. “Impatient.” He smacks your thigh. “Flip, ass up.” And it’s not a suggestion, his hands on your waist helping you to roll over, pulling your backside up into the air while your torso is against the sheets. Your knees are sinking into the bed and spread a little, putting yourself on display for him, the mattress jostling when he shuffles forward, feeling his body heat behind you. His palm lands on your asscheek hard, the sharp sting making you moan. “Now, ask me nicely to fuck you.”

You should’ve known he wouldn’t care for your lack of manners.

Your head is resting on your crossed arms in front of you.

“Joel, will you please fuck me?” you ask as sweetly as possible.

“Yes.”

The sound of him spitting on his fingers meets your ears, and you know he’s slicking himself up. One of his hands holds your hip, the other guiding his cock through the lips of your pussy to wet it even more, nudging your clit—it doesn’t seem like he’s in a mood to tease too much. Your eyes slip shut when he notches himself at your entrance and starts slowly feeding himself into you, your tight, velvety walls expanding to take the considerable girth of him, whining as he fills you. He slides all the way home, your cunt throbbing around him.

“Fuck, that’s good,” he groans. “Is this what your needy little pussy wanted?”

“Yes,” you moan.

He’s as deep as he can go and pulls out until just the tip remains, and slams back into you hard enough to knock the air from your lungs—oh, this is going to be one of those times where he fucks you to the point your legs are too shaky to walk on afterward. The pace he sets is deliciously brutal and has your eyes rolling back, all thoughts leaving your brain, unable to think with how he’s pressing into so many heavenly spots, his grip tight on your waist.

The sounds in the room are obscene—the springs beneath you are squeaking, and there’s the noisy slap of his hips colliding with your ass, Joel grunting with each dull smack of his skin to yours, while you gasp out moans.

He’s fucking you so good, your orgasm is already taking shape, its fiery tendrils tightening in your core with each stroke.

“You feel so fuckin’ good,” he says through gritted teeth. “You’re so fuckin’ wet—I could live in this perfect pussy.”

His hand slaps your ass hard enough the crack echoes amongst the four walls, the sweet pain making you clench around him and press back into his thrusts, crying out his name.

“Does it feel good, baby?” he asks. “Did you miss getting fucked like this? You love this—this pussy is mine, isn’t it? You’re mine.”

He’s not wrong; you are his, and all you can do is mewl in reply, waves of your arousal seeping down his shaft to catch on his balls.

His gun-calloused hands adjust on your hips to get a better grip, pulling you back each time his dick impales you, fucking you harder and faster, hearing him panting behind you—the wet sounds of him working himself in and out of your drenched cunt, are loud, and lewd.

You’re so close; you’re just needing—

Joel leans forward to get his hand under your body to the swollen pearl of your clit, circling it how he knows you like it.

“Come on, sweetheart,” he grits out. “Let me have it—soak my cock with your come. Let me feel you—I know you’re almost there.”

That’s it—the knot in your belly winds tighter and tighter until the tension snaps, and you fall over the edge with a silent cry, your pussy clamping down on him hard enough that it slows his rhythm almost to a stop. Joel groans loudly while euphoria explodes out from your center, feeling it spread to your fingers and toes. Your brain goes blissfully blank, and your legs tremble under you like a leaf in the wind.

A gasp leaves you when he suddenly pulls out and flips you onto your back, taking his place between your spread thighs. He puts your legs high on his ribs, holding his weight on one arm while his other hand sheaths himself back inside you.

It’s not surprising that you’ve found yourself under his hulking frame with his hips snapping in and out of you—when you open your eyes, his are closed, his expression looking pained, and it’s his broad shoulders and head that take up your vision. This is how Joel wanted to fuck you from the start, but he’s a gentleman and did your preferred position first.

Your fingernails end up digging into the skin of his shoulder blades for something to hold on to, and he kisses over your chest to duck his head, wrapping his lips around a stiff nipple and sucking on it, the shock of pleasure causing a moan to slip from your throat. His breaths are heavy, and you know he won’t last much longer.

Your voice is hoarse when you speak, telling him what you know he needs to hear, “I missed you, Joel.” He whines. “I want you to come for me.”

His mouth leaves your breast to crash against yours, and you’d been wondering how long he’d go without kissing you—something about kissing while he fucks makes him come faster; maybe it’s the intimacy?

He’s told you the last woman he was with back in Boston wouldn’t kiss him because sex between them was just scratching an itch, and she wasn’t looking for anyone to replace her dead husband.

All you know is Joel loves kissing and touching—he’s admitted that he sleeps best with you snuggled against his back as the big spoon, which, you’ll never tell him, you think is adorable with how he scares people enough, they move out of his way when he walks down the street.

His kisses are fervent, and you give just as good as you get, welcoming his tongue when it presses between your lips, his pace speeding up. You love having him inside you, the way he fits all nice and snug to fill you completely. This is what you’ve been needing, and it’s perfect.

When his rhythm gets uneven, you expect him to pull out at any second to spill his release on your belly. What he does next, you’re not expecting.

Joel shoves his face into the crook of your neck, his facial hair scratching your skin, feeling his hot breaths.

He says something that’s too muffled to make out, so you pull on his hair to make him lift his head, finding his eyes dark and glazed over, looking totally and completely wrecked. His pace slows to him rocking in and out of you.

“What did you say?” you ask.

“Can I—” he pants. “Fuck, can I come inside you?”

The question has your tight walls constricting around him.

“Fuck,” Joel hisses, his eyes closing. “Please, can I?” he asks again.

The answer that immediately pops into your brain is ‘yes,’ but thinking about how the only times this man has finished inside you in the past were all accidents, you’re worrying he’s just pussy drunk and not thinking straight; that if you fell pregnant, something you didn’t mind, he’ll regret it.

“Are you sure?” you ask.

He looks at you and nods. “Yes, I know—” The consequences, he leaves unsaid. “—please.”

“Then yes, come for me, Joel—fill me up.”

He raggedly moans, his face falling into your neck again. His thrusts speed up and become frantic as he pounds into you, your heels digging into his ass, feeling the muscles flex. He works himself up until he presses into you one last time as deep as possible and comes with a guttural groan—his dick jerks inside you, and the hot spurts of his spend gush into your depths, filling you up. Electricity zips down your spine as you moan, your tight walls throbbing around him while he grinds his hips, fucking his come deeper.

The weight of his body is welcome when he eventually slumps onto you, and instinctively, your fingers slide into his hair, scratching your nails lovingly against his scalp, the man practically purring on top of you.

For the first time in three days, you feel happy and finally sated, loving how he’s stuffed you full of his cock, and come. There’s no talking as your heartbeats slow together and your breathing evens out, basking in each other’s presence. Your eyes are closed, and you’re choosing to ignore your shaky limbs.

It’s hard to imagine a life without Joel, which is odd since up until this point, most of it had been spent without him, or anyone really. What you actually mean is you don’t want to imagine a life without Joel and Ellie—you think she’s a great kid, and you have a soft spot for her; plus, she and her dad are a package deal. Then there’s Joel, who you’re absolutely and completely in love with, and it bothers you that you don’t know what this relationship between you is or if he even feels the same as you.

Minutes pass, the old, wooden bones of your house creaking as the winter wind gusts outside.

“Joel?” you break the silence.

“Mhmm?” he hums, nuzzling into your throat.

“What are we?”

“Huh?”

“What are we? Like, what is this thing that we’re doing?”

His head lifts, and he pulls out, rolling off you to lie beside you on his back, pressing his hands to his face.

“Somethin’ I shouldn’t be doin’ in the first place,” he finally answers.

You turn on your side toward him, propping your head up on your arm. “Take my age out of the equation.”

His palms lift, and he looks at you confused. “What do you mean?”

“For some fucking reason, you are stuck on my age—take it out of the equation; if that wasn’t a factor, would you openly date me?”

“Well, there’s Ellie—”

“—let’s pretend she doesn’t give a fuck about your love life,” you cut him off, “and actually wants you to be happy, and my age doesn’t matter—would you openly date me?”

“Yes.”

“So, you have feelings for me?”

“Of course.”

“Do you love me…?”

“Yes,” he whispers, covering his face again.

One word has your heart picking up in speed.

“I love you, too.”

His head whips in your direction with an expression of bewilderment.

“What?” he asks.

“I’m in love with you—have been for a while, and I’m fine with doing what we’ve been doing if that’s the only way I can be with you, but I kinda, sorta, would like it if you thought of us as a couple, and weren’t ashamed of me…”

A secret relationship? You’re fine with that. But Joel being ashamed of you? It fucking hurts.

“I’m not ashamed of you,” he says too quickly.

“Joel, if Ellie were okay with you having a love life, you wouldn’t openly date me because of how old I am—I’d just continue being your dirty little secret that one other person knows about.”

His eyes dart away, and the sigh he lets out is long and weary.

“I’m not ashamed of you,” he says. “I’m ashamed of myself for fallin’ for you and not bein’ able to give you the future you deserve. I just felt like I was stringin’ you along when you could be with someone who can offer you more, but I’m so fuckin’ selfish.” He looks at you. “I want you, and I don’t want anyone else to have you—I can’t let you go, even though I should cut you free.”

Your fingers brush back the sweat-soaked hair on his forehead. “I don't want anyone else, Joel—I want you, and you’re not stringing me along. I’m happy with you and any future I can have with you and Ellie.”

He’s frowning. “If only it were that simple,” he sighs.

This is a conversation you thought might make him end things with you, but maybe giving him a slight nudge will be okay—at least, you hope it will.

“It is that simple,” you tell him. “I’m gonna tell you something that if you can work up the nerve to talk to her about, she'll confirm it.”

His eyebrows furrow. “What?”

“Ellie doesn’t care if you date. She’s told me she wishes you weren’t such an asshole ‘cause then the only negative thing about you is how ugly you are, and people love ugly things all the time, and if someone loves you, then you won’t die alone, plus it’d hopefully make you happy, and she really wants you to be happy—that’s pretty much what she said word-for-word.”

His eyes close, and the sigh that leaves him is that of a father who’s real tired of their child’s shit, and you smile.

“That’s Ellie,” he says, scrubbing a hand over his face. “I’m not even sure how I should be feelin’ right now.”

“I hoped you’d be relieved at least, possibly even happy.”

He looks at you. “Yeah, I’m relieved and happy but also a little ticked at her embarrassin’ me like that.”

Scooting closer to him, you lay half on top of him with your arms folded on his chest, resting your chin on them to stare at his pretty face.

“Don’t be embarrassed. It was said out of love—she loves you.”

He sighs again, wrapping his arms around your bare back.

“I guess she does, even if she’s mean. Jesus, I can’t believe I just needed to talk to her sooner.”

“That’s usually how things work—it’s called communication, and you should talk to her.”

His eyes narrowed, and he smacked your ass, making you giggle. “There’s no need for the sass, sweetheart, and I was plannin’ on bitin’ the bullet and tellin’ her about us in the next couple of days.”

Your eyes widened. “You were? What?”

“Yeah, uh, I had a hard time with Ellie bein’ sick, and when you came over, I didn’t feel like I was goin’ insane with worry. Havin’ you there made it better, and I missed you.” His lips dip in a frown.

“I missed you, too—you were really gonna tell her?”

“I was.” He nods. “With how happy she was to see you, I thought maybe she’d be okay with it.” He shrugs.

You smile. “I think you’re right,” you reply, giving him a quick kiss. Meeting his gaze, you ask, “Is she feeling better?”

“Yeah, and thank Christ, she is.” He looks visibly relieved. “I think it was that soup you brought over—thank you for that and for givin’ me a chance to sleep.” He pecks you on the lips.

“It was no problem. I would’ve been there the entire time had it not been suspicious.”

He smiles. “I know.”

“Good. Sooo, I’m wondering, what are we now?”

“A couple,” he answers. “I’ve thought that for a while, but I’m too fuckin’ old to be callin’ myself your boyfriend.”

“I quite like having a sexy, older boyfriend.”

You squeak in surprise when he rolls you onto your back, your legs automatically opening for him to nestle his hips between. He’s holding himself up with his arms beside your head while yours loop around his neck, his lips pressing to the side of your throat, kissing the taut skin.

“You like havin’ a sexy, older boyfriend, huh?” His question is muffled, and you swallow hard when he sucks on your pulse point.

“I do,” you reply.

“I like havin’ you.” He’s kissing and nibbling along your jaw.

“‘Cause no one else can?”

He nips your chin, then hovers his head over yours to look you in the eyes.

His expression is serious. “Yes,” he says, “and I love you—if Ellie really doesn’t give a shit about me datin’, then every fuckin’ person in town is gonna know you’re mine.”

And something about that declaration thrills you.

“I’d like that.”

He gives you a small smile and kisses you for a moment before a thought comes to him, and he pulls back to meet your gaze.

“Maybe that neighbor, the annoyin’ one who doesn’t seem to know the meanin’ of no, will finally get it through her head, I’m not fuckin’ interested.”

You glare off into the distance. “Fucking Sandra,” you seethe.

The first time he met you, Joel knew he was fucked.

All he wanted to do was be polite and introduce himself to his new neighbor, then you opened the door, and his brain stopped working because you were so beautiful. It didn’t help when you blatantly checked him out, clearly undressing him with your eyes before looking entirely too pleased with what you were seeing.

If he’d been a stronger, honorable man, he wouldn’t have accepted your offer to come inside for a drink; he wouldn’t have kissed you back or laid you down on the couch to eat your pussy; he wouldn’t have let you choke on his dick or crawl into his lap and ride him; he wouldn’t have gotten so lost in being buried in your wet, warm, perfect cunt and your lips on his that he forgot to pull out when he came; he wouldn’t have gotten addicted and returned to you almost every night after.

If he’d been a stronger, honorable man, he would’ve ended things before it went too far and definitely before he fell in love with you.

From the beginning, he knew he was way too old for you, and he didn’t understand why you wanted him or kept letting him into your house. He had nothing to offer you, yet even when the opportunities arose for you to go home with men your own age, you rejected them and welcomed him into your bed instead. It made little sense that someone as young and beautiful as you would give someone like him all of your attention.

He’s lost count of how many times he’s told you that you’d be better off with somebody younger than him. It’s usually when he remembers your age or when you don’t know what he’s talking about when he brings up certain things from how life was before it all went to hell. He says the words out loud, practically a reflex at this point when the guilt gets to him, and as quickly as the feeling comes, it goes because, as he told you, he’s selfish; he doesn’t want you with someone else; he wants you all to himself. When you tell him there isn’t anyone you’d rather be with than him, it feeds something deep inside of him that won’t let you go, and hearing you say you love him has only made it stronger—you have his total devotion.

Ellie being sick messed up his head enough that in the moments when you came to mind, he was plagued with the thought that you probably found someone new. The only time he felt a modicum of peace was when you stopped by, and with that and how much his kid loved you being there, and in general, he came to the conclusion he couldn’t lose you:

It was time for him to tell Ellie.

Joel isn’t delusional; you’d grow tired of only getting his nights and the occasional day, eventually, and he needed to give you more of himself, which required his daughter to know about your relationship.

If Ellie knew, then he could give you more.

He’s ashamed of himself for hiding your relationship and, in turn, not having much to offer in terms of a future. It bothers him so much that he hasn’t been able to be with you out in the open because you deserve better than being his dirty little secret, as you call yourself.

He hates that.

He wants everyone to know you’re his and that he is yours.

When he realized he was going to tell Ellie, he started imagining how your relationship would change. You could finally have a life together, and it had him thinking about things he never would’ve considered before you and actively tried to prevent in the past, but you didn’t mind the idea of bringing a new life into the world, and he thought that might not be so bad; Jackson’s safe, and he has no doubt you’ll be a great mother—and it’s a future he’s pretty sure you want since your reactions have always been positive when he accidentally finishes inside you. That’s why tonight he decided to say fuck it and asked if he could; he wasn’t worried about the consequences anymore.

He’s kicking himself in the ass for not talking to Ellie sooner.

The only reason he hasn’t broached the subject with her is after what happened in Colorado, Joel’s treated her like she’s a fragile piece of glass that he doesn’t want to risk getting broken again—the way she lost her spark after that resort town killed him; and what happened at the hospital? If he had the chance, he’d murder every one of those Fireflies again for how fucked up she was when he told her their plans to kill her without knowing for sure if they could make a cure or not and that her life meant nothing to them.

It took a lot of time for him to put her back together again, and being in Jackson helped a lot with her making friends and having some semblance of normalcy. But he’s worried any major changes will mess her up, and add in her biggest fear of ending up alone, Joel dating seems like a recipe for disaster—Ellie will always be his top priority, even if it’s at the expense of his happiness.

It’s early morning, and he’s got another thirty minutes before the sun will begin its ascent on the horizon, fresh snow coating the ground, the temperature freezing. Joel is skulking home from your place to be there before Ellie wakes up.

His point of entry is the back door that leads into their kitchen, which doesn’t make as much noise as the front and can be locked when he leaves. He’s staying close to the side of the house, heading toward the backyard, and peeks around the corner to check the vicinity—his heart pounds when he sees a dark figure trying to get into the door, Joel pulling the knife, he walks around with, off of his belt, keeping his steps light, silently approaching them.

“Why the fuck don’t we have a light back here?” he hears them quietly mutter.

“Ellie?” Joel says at regular volume.

“Ahhh!” she screams, turning in his direction. Her hand is over her winter coat-covered chest. “Jesus Christ, Joel! Way to give me a fucking heart attack!”

He walks closer, sheathing his knife, as he says, “What the hell are you doin’ out here?”

“What the hell are you doing out here?”

His hands perch on his hips. “Doesn’t matter—you, on the other hand, just got over bein’ sick and shouldn’t be out in this cold. Move, I’m gettin’ your ass inside.”

She stepped aside, and he walked over, quickly unlocking and opening the door; he grabbed her by the shoulder and firmly guided her inside. He flicked on the room’s light once they were inside, and the door was closed and locked, Joel crossing his arms over his chest.

“Now, where the fuck have you been?” he asks.

She’s unzipping her coat. “Where the fuck have you been?”

“I asked you first.”

She shrugs off her jacket and tosses it onto the kitchen table. Joel sighs, walking over to pick it up—he’ll hang it alongside his by the front door before he goes up to his room.

“I was at the same place you were.”

He keeps his face neutral, but his heart is thudding, and he’s pretty fucking sure she wasn’t at your house.

He meets her eyes. “And that is?”

She smirks. “My secret girlfriend’s.”

“Goddammit.” His fingers press to his forehead as he closes his eyes. “You fuckin’ know—how the fuck do you know?”

“Let’s see, she’s literally the only person in town aside from me and Tommy’s family you like. You stare at her with, I don’t know what to call them, googly eyes? It’s that look the dudes have when they see the love of their life, or whatever, in those shitty romantic movies we like to make fun of. I’ve heard you call her ‘sweetheart’—” She fake gags, and Joel sighs. “—you’ve gone over to her house to fix so much shit that, at this point, it’s gotta be a whole new house. You sneak over there every fucking night. Oh, and when she sees the lady next door, the crazy one who’s got a real hard-on for you—gross by the way—when she sees ‘you can call me, Sandy,’ flirt with you—double-gross—I’m pretty sure she’s plotting murder; you’re definitely plotting murder when guys hit on your girlfriend—which, I don’t get why the two of you pretend like you aren’t together; is she embarrassed that you’re so fucking old and ugly, or something?” His teeth clench, and he glares at her. “God, don’t give me the murder eyes, Joel! I was kidding!” She playfully punches his arm. “Kind of… I mean, I’m happy you found someone who loves you even though you’re a grumpy asshole and look like that.” She points at his face.

“You done?”

“Telling you you’re old and ugly? Sure. For now. But I have one more thing that gave you guys away.”

His eyebrow lifts. “What is it?”

“When she came over the other day while I was sick as balls and hung out with me, you slept. Joel, you do not fucking sleep if there’s anyone else here besides me, which is why if I wanna have a sleepover with my friends, I have to go to their houses.”

“Were we really that obvious?”

“Oh, yeah.”

“Why didn’t you tell me you knew?”

She’s clearly confused. “I thought we were avoiding the topic.”

“What topic?”

“Like, relationships—you never said anything to me, so I figured it was something we don’t talk about.”

He cringes. “I wasn’t sure how you’d feel…”

She smiles. “I don’t give a fuck if you date, Joel—if you’re happy, I’m happy.”

He matches her look. “I’m pretty fuckin’ happy. Are you happy with your uh, girlfriend? Have I met her?”

“Yeah,” she nods, grinning. “It’s Cat!”

His eyes round—he was under the impression Cat is her best friend, and he has met the other girl many times.

“Well, I’ll be damned,” he chuckles, shaking his head. “You’re way better at this secret girlfriend stuff than I am. I had no clue. I like Cat; she’s got all those neat tattoos.”

“She does!” she replies with a grin. “And I’m getting one!”

“You’re what?!”

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