under the skin w/ Neo??? 🥺🥺🥺
Damn, it took me a while, and yet I cannot say that I'm satisfied with it. But, here we go.
From the Prompts
Yandere Neo x Reader, and Reader x OC
Warnings: My poor understanding of the prompt 'Under the skin', forced feeding, impersonation, some changes in the matrix lore, Neo is very morally grey here, yandere behaviour.
The GIFs used here DO NOT belong to me. They belong to the respective owner. Unfortunately, I am unable to remember where I downloaded it from. I understand it takes time and effort to create such pieces and the GIF makers deserve all the credit. So, Kindly excuse me.
Unedited
Something is off about your boyfriend. You can feel it.
It’s not only the shift in the air around him, and the way he speaks. It is not only the new kind of detachment he sees to have developed for the reality, life and people around him. All except for you. It is not only how he seems to stand a bit taller, and larger when he is around you.
No, these are noticeable but can still be dismissed somehow.
What you can’t dismiss is the way he feels— his touch, his voice, his presence in general.
You feel it when you look into Ryan’s eyes, you feel it when you kiss him. You feel it when he touches you. No matter if it is only his hand on the small of his back or his fingers delving in and out of your pulsating womanhood. But you feel it. The...fingers feel bigger, the touches bloom from the passion you have not known before.
You feel a certain burn every time his lips mould with yours, like two pieces of puzzles fitting together to make the world make sense.
It should not make sense, it does not, in fact, make any sense. If you tell anybody that you feel that someone else is under your long-term boyfriend’s skin, they will deem you mad. Why wouldn’t they?
But how come nobody seems to notice this?
Ryan used to be far laid back, never questioned you about your whereabouts, never frowned at your male friends—if anything, he loved spending time with them. Ryan loved to play video games. Ryan never smoked. Ryan’s wardrobe was more colourful and varied. Ryan never had this…aura of superiority around him.
But this Ryan is proactive when it comes to knowing your whereabouts and about your friends. It’s…almost aggressive. You feel the change when his hold on you tightens while you interact with your male friends. You feel the change when he insists that you call him as soon as you reach your workplace and before you leave for home. Not text, but a call, and if you miss, even by a minute, he will be calling you.
You feel the change in his now apathy for any kind of video games, he speaks of them as if they are some kind of cruel joke on humanity itself. You do not understand most of it, but you know that he has read, and he has read deeply. The Ryan you know would never even bat an eye at philosophical texts. But this ‘Ryan’, possesses texts that are banned, and books you have never seen or heard of before.
This Ryan has an affinity towards greys, whites and blacks. The way he wears black overcoats, and brushes his hair back, he looks tenfold more attractive, but also unlike himself. Ryan’s hair used to be slightly curled, slightly brown. But now it's jet black and straight. His eyes had a certain mirth in them, now they are deep, dark and observant. Like they are piecing into your soul.
This Ryan is calmer. This Ryan speaks in a low, deep, assured tone that feels slightly different. This Ryan holds you tight when you sleep at night and is always awake before you, he notices the change in your breathing pattern, no twitch, no subtle change escapes his notice.
This man is not Ryan, your boyfriend of six years.
He might look exactly like Ryan, and sound like him too but this is not Ryan. You just know it. You know it in your bones, you feel it. You have known Ryan enough to notice the subtle changes, these are all glaring, neon-red warning signs.
Something is just so off about your boyfriend, it's unnerving. It frightens you how unfamiliar and good he feels when he is buried deep inside you. You see his eyes darken just slightly and the tinge of green in those irises. Ryan’s eyes are brown, a bit lighter shade of brown as opposed to the recent dark brown eyes he seems to have developed out of the blue, but the green?
You dismissed the first few times as a trick of light but then, you looked into his last night, even with the pleasure-induced high, you peered right into his eyes, and you saw it. The dots of green encircling his iris. Now when you think of it, he might have smirked at you.
A smirk so unlike Ryan that it gave you a whiplash just before his lips claimed yours, you were pushed past the edge once more and all was blissfully forgotten for a while.
Now, as you drive through the isolated roads, miles away from the city, away from ‘Ryan’, you can think clearly. Your conclusions will sound bizarre but the more you try to rationalise it, the more loopholes you get. They do not make sense. You cannot rationalise it.
How will people notice anyway? It has been months since Ryan has been to a proper gathering. Your phone rings and you know it is him. The stranger who looks and sounds like your boyfriend.
You have no idea what you are to do, but you do not feel safe in your house anymore. It’s stupid, running away. But you are desperate at this point, you have no idea what you are dealing with.
Who is it anyway?
You do not want to know, all you want is to be safe and safety means being far, far away from him—the man who pretends to be your boyfriend.
But where is Ryan?
You have no idea but you know that to find out, you need to be alive first. This man terrifies and entices you simultaneously. Disturbing.
Your phone has not stopped ringing and you are doing your best to ignore it while speeding towards…You don’t know where you are headed, but your car needs refuelling and you need to rest somewhere.
If you were paying attention, you would have noticed the eerily empty highway. But you realise this now, looking at the gas station without a single person, or even being in sight. It is eerie initially, and then utterly unsettling when you realise that not a single car has passed by you on your way, or even the gas station.
“I don’t like this.” You whisper to yourself before quickly moving to refuel your car. The faster, the better.
Your phone does not stop ringing though. The repeated sound is now hitting a nerve. Hissing curses under your breath, you flip it open.
Of course, the name of your boyfriend pops up. This time, you foolishly cut the call and switch the device off.
You pay more attention to the roads this time and change your mind. No more staying at any motel in the middle of nowhere. You cannot risk that. Instead, you head towards the nearest city or town—anything with civilisation in sight. The highway looks like a scene straight out of some eerie video game.
But how can that be?
Thankfully, you reach a town by the wee hours. There are cars parked, houses, and a few people loitering here and there—even a police car.
This makes you breathe in relief. Maybe you have been overthinking, maybe it was all your panicked mind playing tricks on you, or some cars passed by you but you never noticed.
With such thoughts, you park your car near a hotel and make your way inside. You sigh in relief at the sight of a sleepy receptionist.
Yes, you must have been thinking too much.
—-----
The bed is comfortable, the temperature is just right. The room does not smell. And yet you toss and turn. Giving up attempts to lull yourself into sleep, you stare at the ceiling. Here, all you can think of is…Ryan…Or the person with his skin. It’s difficult to decipher because he has Ryan’s birthmark, his teeth, his everything. It is like someone is wearing Ryna’s flesh. But you know that he is not your boyfriend.
Sitting up, you feel a certain unease filling your chest. Your eyes are heavy but your mind is running, thinking too much, too fast to actually fall asleep. Perhaps some fresh air in the room will help you. Getting off the bed, you move towards the window unlock it when you see a figure by your parked car. Dressed in a black overcoat, the figure turns more familiar the longer you stare at it.
And then he turns. He turns and looks up. He is wearing a pair of black glasses. He looks exactly like Ryan but the way he stares back at you from below before marching in, you know this isn’t him. It can’t be. Ryan never scared you, this man scares you to the point that you scramble to get out of the room, tripping on your way. You head for the elevator, but the digital screen already displays an upward arrow from the ground floor.
Good.
You’re fucked.
You should have made your way downstairs, it’s probably him on his way up. But your brain short-circuits and you find yourself huffing as you climb two stairs at a time, going for the terrace. You realise your mistake after you have already climbed two floors. It’s too late anyway. He is coming after you now.
You do find your way to the terrace. It should have been closed, but who would bother in this sleepy town?
You walk towards the edge, trying to find any possible escape route or even a place to hide. The building is not high enough to kill you if you jump, but it is high enough to break your bones and make sure that you become bed-ridden for weeks if you are stupid enough to—
“(Y/N)?”
You freeze but do not turn around immediately. It's Ryan’s voice and you are, for the first time, terrified of his voice. This isn’t the tone, or depth he ever uses. It’s like his voice is subtly changing.
“What are you even doing here (Y/N)?”
You turn around finally, assessing him with your panicked eyes. His presence has never felt more different—like this isn’t even trying to hide behind your boyfriend’s skin anymore. He simply is keeping a mask as a mockery.
“H–How did you find me?” You press yourself to the railing, trying to remember any exit point other than the entrance to escape.
“(Y/N), what’s wrong? Calm down it's just me. Your Boyfriend, Ryan”
You think you imagine this, but there is a hint of cruel amusement in his tone.
"No you’re not—you’re not Ryan. Look at you…Where is Ryan?”
‘Ryan’ chuckles “What do you mean, I am Ryan.”
You blink.
Is that—Is that like–something like a glitching screen you are seeing?
This can’t be real. This isn’t real. It has to be some trick of the light or something. Is this some long nightmare? You wonder while digging your nails into your skin.
Wake up, wake up!
“You’re not Ryan. Where is Ryan?”
You involuntarily push yourself up, sitting on the railing, in a desperate attempt to get away from the advancing man. His unhurried, calculated steps make him seem more foreboding. He seems…Taller.
“What do you mean, look at me (Y/N), I am your lovely boyfriend.”
His voice sounds different now, a deep and delicious but it also makes your stomach twist. You realise how close he is when his voice lowers and she notices the subtle differences.
“You cannot fool me. Not anymore. You’re not Ryan.” Your voice cracks as you blink away the panicked tears gathering in your eyes.
You want to sob out when he smirks. Its cold all over, and chills cascade down your spine.
“Aren’t you smart?”
You heart sinks into your stomach as ‘Ryan’ nears you. It happens too soon. One moment, you are leaning away, desperate to escape and the next, you are slipping and falling offYour the building.
Your eyes initially screwed shut open as you feel yourself free-falling. And you scream
This is not Ryan.
This is someone else.
But you get barely a moment to think before you are grabbed roughly and pulled upwards. This…man…flies. Flies?
Fucking flies back to the terrace with you in his grasp. To say you are frozen in fear is an understatement. Because you are wide-eyed with lips parted and shivering and your throat is parched.
You realise that you have never known true fear until this moment. This moment when you are flying. Fucking flying back into the terrace and staring at the man who has finally dropped his mask. This isn’t Ryan, clearly, and the realisation makes you take several steps back. He is a man you have never seen before with an aura of superiority that is both intimidating and magnetic.
He exudes power and the moment he removes the dark glasses to reveal his deep, dark eyes, you know you are done for. They glare at you before he reaches you with a couple of long strides, the air around him is thick—almost buzzing with electricity when you feel his hand grab your arm.
“ WHAT'S WRONG WITH YOU, WOMAN? You could have—-” He stops and looks away.
A cold, calm version of him is sinister, yes. But this…it makes you want to just run and never turn back.
“Don’t you ever do that again.” He hisses.
This. Is this what it is like to be frightened with just a warning? You do not care if you feel like a child scared of the monster under your bed but you shiver under this looming man’s hold. And in your panicked state, spew out whatever comes in your mind.
“You–you’re not real you can’t be….” Your voice is quivering and the certain gleam in his eyes makes your stomach flip.
Then he smiles. He has a beautiful smile, but to you it seems cold and sharp. As if he is sharpening his knives.
“Oh, I am very much real, Baby.” The endearment comes as a mockery. Ryan calls you that, and he knows. This man knows what he is doing. “This, however…” He points his forefinger downwards, “This world…Isn’t real, honey. Neither was your stupid little boyfriend. You felt it too, didn’t you? feel How a real human’s touch feels, how the connection feels?”
“Wh–what? Wh–who are you even?” Your voice shakes like your heart. The more he speaks, the more unnerved you feel.
It’s a lie. It’s a lie lie lie
You never felt the strange flutter, the deep longing and sadness with him You always had Ryan so...
Why do you feel it then?
Like something beautiful is fleeting. It’s sublime even. You are awestruck but cannot comprehend it. You feel in this man’s presence.
But this has to be some trick, this cannot be real. You have been with Ryan. Six years. You have given this relationship six years! How can this be?
“I am Neo, and you will have all the answers when you wake up.”
He produces what seems like a tiny red pill. It has a glow to it, drawing you in. Your hand almost raises to pick it up, but then rationality slips back in.
Okay, now you know who he is. A psycho. Maybe he wore a mask or something, you don’t know but he does not seem to be in his right mind.
“Y–you fucking crackhead what did you do to Ryan?”
You are probably digging your own grave, you are fucked in the head for finding this man attractive. Noticing how big and warm his hands are. But you do care about Ryan.
His smile fades away and there is something so deliciously dark swirling in his eyes. They flash dangerously and you gulp. You are going to die, aren’t you?
But then, he sighs and looks away, shaking his head as if he had expected it. “Thought this would happen,” he whispers to himself.
You frown and frantically look around. Will anyone come to your rescue if you scre—
The sudden pinch on your nose is painful. But the gasp comes more with the shock of your nose being pinched than the loss of air. Your mouth opens as a reflex, that is all he needs. Ou vaguely see a tiny flash of red before his fingers slide themselves into your mouth. Your teeth come clamping around it in defence. But he simply pinches your nose harder with a chiding ‘tch’. You gag at the feeling of his fingers forcing the pill in. But you cannot keep your teeth clamped for long, you need to breathe after all. As soon as your mouth opens again, though, his fingers retreat. You take a deep breath when he frees your nose. You would just spit the—
Your stomach plummets at the feeling of an empty mouth. You look up to him, holding your neck, wide-eyed as everything begins to appear in waves, the colours outlining, each figure, even him.
“Perfect.”
That is the last thing you hear before the ground below you melts.
****
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This post now has an expanded, better researched version! Check it out!
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Things I watch out for when considering if a Roman history blog/community/media might have fascist leanings:
"Ironic" jokes that demean groups of people. These are often a cover for normalizing real prejudice against those groups.
Various dogwhistles and hate symbols. Also, check out the early warning signs of fascism.
Glorification of the military or the empire's size. It's one thing to be interested in a subject, but fascists tend to ignore the many problems of Rome's military and government, like corruption, mistreatment of veterans, abuse toward non-Roman people, and the occasional genocide.
Justifying historical oppression or abuse. This is different from merely explaining or trying to understand something. In case someone simply worded something poorly, I look at their additional posts or ask for clarification. If there's a pattern of downplaying/excusing oppression, that's a bad sign.
Power fantasies. Does a person (or community) seem to identify with the conquerors and overlords, because of their power? A person making jokes about Cicero's shitty poetry, or Augustus wearing platform shoes, is probably here for a different reason than someone talking about "putting the barbarians in their place."
Ignoring women's experiences, queer history, slaves and working-class experiences, and cultural diversity. At best this could just be a newbie who hasn't gotten around to those topics yet, which is fine. Learning takes time. But if a community, historian, or professionally published work makes Rome look like it's composed solely of rich white cishet guys...there is a problem.
Flattening history into Romans vs. outsiders. "Us vs. them" themes, also seen as "civilization vs. barbarians," or "virtue vs. moral decline/degeneracy," is endemic to bigoted worldviews. Not only is it demeaning toward other cultures, it also erases how multicultural and changeable Roman identity was over time.
Also, any modern person who seriously attributes Rome's fall to "moral decline" or "degeneracy" is either deeply ignorant or using a dogwhistle for homophobia, antisemitism and racism. Also, using "barbarian" or "savage" unironically.
Be extra alert for antisemitism. Shit like justifying Hadrian's actions, bringing up Jews when discussing Roman debt problems, or idolizing Vespasian or Titus. The Romans did a lot of bad shit in Judaea, and sometimes those stories attract antisemites today.
Use of the past to justify present-day harm or anger. Fascists and racists tend to get attached to "tradition" or "the good old ways" - or what they think is tradition - believing that this makes their bigotry more "normal" instead of "bizarre, hateful and reactionary." But just because something was common in the ancient world doesn't mean it's a good idea today.
There's a lot of anger and bitterness in fascist communities in general, in fact. Many people fall into the "alt-right pipeline" because their personal lives are deeply troubled, and those places give them someone to blame and feel superior to. If hanging out in a community seems to be making you angrier, more suspicious, or looking down on certain kinds of people, think carefully about whether this is a good community to be in.
And finally...fascists aren't all that interested in history. They care about their myth of good guys vs. evil outsiders, and they warp history to fit into that narrative. They might like the aesthetics, or symbols, or idolize a few famous dudes or battles. But rarely do they know, or care, about how Roman society worked, or how it changed over time, or anything less "glorious." Rarely do they actually want to learn or put in effort. My favorite example of "fascist laziness" is Mussolini's terrible film about Scipio Africanus, in which you can see telephone wires and the extras wearing wristwatches.
Feel free to add to this list. I am not an expert at spotting this stuff, and I probably missed some things. But I figured this might be a good starting point for others, too. Don't use this list to make "callouts" or harass people - it's usually more effective to block, avoid, and report extremists than to give them more visibility.
Conversely, a great way to protect yourself from falling into the alt-right pipeline is to learn more about how diverse the Roman world was! Check out studies of ancient women, disabilities, queer people, and decolonizing the classics! Not only will they broaden your horizons, they're also fascinating in their own right.
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There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me. Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?
In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of.
From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.
There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.
Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.
As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating. On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole. Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?
From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.”
Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.
So, I mean, lack of complexity where? Does a character need to be an asshole in order to be deep or compelling? And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity? If a character is “less vocal” compared to other characters, does that mean they lack interiority?
Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people. Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members. You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?
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