#it’s just pointing out who WAS there which a lot of ppl seem to be forgetting

[mobblespsycho100]

which one’s toshiro and whys he autistic?

[ID: full body colored illustration of toshiro from the dungeon meshi manga. /End ID]

THIS FREAKIN GUY!!!! anyway

[ID: anonymous tumblr ask: "would def love to hear ur autistic shuro thoughts". /End ID]

awesome. rant under the cut because it will be long

So before we understand why Toshiro is the way he is we must first understand two things abt him:

1. his household situation is a very traditional clan of warriors type situation. his father is very strict and he left his homeland to go to the Island and explore the dungeon to train and become a warrior to be someone suited as the family head

2. Eastern and Western cultures of respect/propriety are different, and Ryoko Kui highlights it well even in her fantasy world.

With that in mind, heres some bullet point rapid fire thoughts that consume my current state of dunmeshi brain:

Toshiro has an avoidant personality. He fears upsetting others due to his upbringing, and rarely tells others how he feels not because he thinks they would simply understand him but because he doesn't want to seem rude and imposing / cause offense to others especially since he's not in his own homeland / hes a foreigner that should respect the land's customs, not his own wishes.

Setting boundaries is hard for everyone, but especially autistic (and some other ND, like those with Avoidant Personality Disorder) people. Those with ASD, at least in my experience, don't want to be isolated from others. So they mask.

They mask what? their desires. their true selves. their opinions. their discomfort. all for the sake of pleasing others (who are often neurotypical)

With that in mind, suddenly, what Maizuru said abt him as a child makes sense. Due to his strict upbringing, Toshiro had to more or less hide his preferences and force himself to adapt to the rigid constraints of his culture and the pressure to be the next family head, this responsibility is his burden to bear and he cannot be someone who expresses his selfish desires instead of focusing on being a strong warrior and leader

"Why did he say he hate Laios and that it should've been obvious that he disliked/found Laios' treatment of him uncomfortable??" BECAUSE IT SHOULD BE OBVIOUS. I'm not going to write off Laios' autism/autistic coding, but its baffling (note: definitely racism and bias for white autistic ppl) to me that a lot of ppl don't see Toshiro's perspective and straight up ignores it. This is a lack of wanting to be rude by speaking up that is based on culture difference on Toshiro's part, and straight up ignorant of his microagressions/racism and lack of self awareness on Laios' end. They were both right, they were both wrong too. This is a complicated conflict that cannot be boiled down to simple ableist/the NT vs ND divide. There's something called . intersectionality. Which brings me to the next point

Toshiro never actually hated Laios. He found him uncomfortable, yes. But he didn't /hate/ him, he was speaking out because he's had enough!!! he's done tolerating Laios' racist bullshit, and he's done following the arbitrary Eastern rules of respecting others and not being rude!!! He. Wants. Laios. To Understand. What. He. Was. Feeling. Because he just had enough!!!!! alright!!! he's at his limit hes at his breaking point, the one he loves is now probably beyond saving, and this is a good time as any to break the news to Laios that he thinks that Laios is impulsive and doesn't fully understand how his actions have consequences!!! Hes right abt this. His feelings on this is valid, just as valid as Laios'

General autistic traits I find from Toshiro: his admiration of Falin's indifference towards insects ("woah shes so brave and gentle!! just like me, fr!!!"), His lack of regard for his own needs and wants (needing to sleep and eat and drink) because he was super focused on saving Falin, His lack of like drastic expression changes, his discomfort with physical touch when it's initiated without consent (see: Laios hugging ppl extra bonus art by Ryoko Kui), his manner of like speaking short and concise, people pleasing tendencies, his like quick way of combat, rule upholder/routine following enjoyer, he seems distant from others even those he consider family not cuz of like any terrible reason but hes just. someone who enjoys his own time alone like. yeah

aannnnndd. thats abt it? i think.

Big part of this is definitely me relating to Shiro as an Asian (specifically chinese indonesian) person who is probably Autistic lmao. I hope this brings more insight on why Toshiro is actually one of the silliest and epiccest dunmeshi characters ever I love him

[clarabowmp3]

I’m sorry I genuinely cannotttttt understand how some ppl bash joe even in a joking manner. Like the poor guy did nothing wrong (that we know of) but so many ppl are making such snide remarks by comparing him to Travis which is not only condescending but actually kind of mean! HELLO did we listen to the same reputation album??? You can’t praise Travis for letting Taylor bejeweled and then rip joe to shreds in the same breath when joe was the one there for her in a clearly difficult and trying time in her life

[comradekatara]

responding to @levitatingbiscuits reply here because this post is already way too fucking long and I am not subjecting your dashboards to all that, but I do think this conversation is interesting enough to continue it (albeit under the cut):

I agree that roach work’s comment was annoying, and if you were responding to that, I get why you said what you said. this person regularly adds replies to my posts that are completely unrelated to the original point I was making, effectively derailing my argument and getting a bunch of reblogs from their followers who don’t have the common sense to ignore their pointless (and in this case, editorializing) additions. but everyone reblogging my post with your addition attacked me in the notes, as if I had said/implied all that you were arguing against, when I quite literally did not. and they said some quite nasty things, as if I couldn’t see their comments! I don’t go seeking out ppl saying shit about me ever, but if you do it in my house, we’re gonna have a problem.

as for your points...

I 100% agree that defending katara against people who unfairly vilified her, especially during the [vomits] atla renaissance (netflix you will rue the day...) is justified! I quite literally said aloud just last night, “anyone who hates katara can die,” and I fully fucking meant it. I don’t know why you seem to think we don’t agree here. maybe because I don’t think the solution to combatting idiotic, racist & misogynistic fans is by extolling katara to the point where you can’t appreciate her for her flaws. her flaws make her who she is as much as her virtues, and I would never negate the depth of her character just because I love her. I don’t “stan” katara, I appreciate her as a character who inspired me as a child for her strength and growth and brilliance, who is stunningly well-written and compelling.

meanwhile, the older I get, the more I’ve come to appreciate sokka. yes, I too was obsessed with katara the moment she came onscreen, especially when she showed the full depth of her anger over sokka’s misogynistic comment. I’d literally never even seen misogyny addressed before, let alone been given permission to be angry with it. katara knows her worth, and that makes her so fucking important!!! and yes, I know what it’s like to raise misogynistic brothers; it’s a thankless job!

katara was immediately inspiring to me, but appreciating sokka and the full depth of his character has been something earned with time. i think it's incredibly easy to misread him, dismiss his underlying motivations, and just generally discard him for the sake of the more exciting and shiny characters (in my case katara, azula, toph, iroh. truly appreciating aang has also been something i needed to grow older to do, but i think the more my maternal instincts develop, the more i want to pinch his baby cheeks and wrap him up in a big hug and kiss his forehead and put him in my pocket... i digress). i have come to forgive sokka for his sexism, and even excuse it. does that mean i think katara isn't in the right to challenge patriarchal ideas? of course she fucking is! just because sokka was deeply misguided in his gender essentialist views for logical reasons (before meeting suki, that is) it's not like katara should excuse him for it. katara has every right to get mad, every time she gets mad, and i love that her anger is treated as a virtue, because it is! her anger is righteous and sympathetic and revolutionary. she is so fucking important.

by "delicate touch" i didn't mean "sokka isn't acting like an airport dad" because i would never deny his grumpiness. sokka can be a massive cunt most of the time, and i love that about him. he is a miserable, neurotic, curmudgeonly little freak, and frankly, that rules. i think we need more teenage jewish grandpa representation always.

^ literally sokka

i think by delicate touch (again, i wrote this post like 3 years ago, i don't even remember writing it) i just meant that as much as he does kvetch, he also knows how to engage them in a way that gets them to do what he wants. when he makes them go to the library, he frames it in their terms, as if he's taking a vacation (frankly, taking a vacation to a library is something i've actually done, and it was awesome, but we all know how their library excursion turned out, so, yknow). or just how the only time he ever actually even reveals like a fraction of his insecurities is in "sokka's master," because as much as he complains, he never actually wants to burden them with his internal problems (which is not why aang bottles up his shit, and i think we all know that). as much as he complains, he also tries as hard as possible to preserve their innocence whenever he can, especially when it comes to aang. he could've been way less indulgent of aang's antics, but he isn't, because he knows how important it is for aang to be a kid despite the enormous loss he's suffered. anyway, since i know how hard it is to wrangle twelve year olds and try to convince them to do something when they'd rather do something else, sokka is fucking jesus on the cross for that, and you can't change my mind.

and by "de facto chief" i don't mean that sokka was the one taking care of the whole tribe. obviously kanna and the other adults were the ones in charge of making sure the community functioned smoothly, because again, sokka was like thirteen, and thirteen years olds are fucking useless. what i meant was that sokka took what hakoda said to heart, and thus considered himself the first and last line of defense should the fire nation ever return. it's not remotely a reach to think sokka was prepared to die for katara, because a) his mother literally did and b) his father all but told him to? maybe he was just trying to placate his kid, because i really doubt hakoda would actually be in favor of letting his son get himself killed, but it's clear that sokka took that to heart in the way in which he prioritizes katara over everything else. also, it's clear that hakoda does respect sokka a lot. he calls him a "great warrior" and a "genius," and it's not in vain, sokka is those things! hakoda sees his son better than he sees himself.

and i would never claim that katara talks about her issues for attention or sympathy from others. that's absurd. anyone who does so is plain wrong. but empathizing with others isn't emotional labor, it's healing for her, it's cathartic. when she talks to haru, jet, zuko, hama, aang, etc. about her trauma, she's doing so from a place of healthy emotion and vulnerability wherein she is exchanging empathy between them, receiving comfort and comforting in return. sokka doesn't know how to do that, which is a shortcoming to be sure, but the fact that katara is so open about her trauma does signify that she never felt a need to bottle it up the way sokka clearly does. (i would argue sokka's arc in the entire "swamp" episode is about the spirits all but taunting him for being so repressed about his trauma, but that's for another post.)

sokka wanted a bag to carry supplies in, not because it was fashionable. he enjoys that the bag matches the belt he got from the earth rumble tournament (he had no intention of purchasing such a belt), but katara is the one who shows an interest in fashion. and to be clear, i'm not saying that sokka would immediately know how and what to forage in unfamiliar terrain; foraging is fucking hard, and that's when you already have any kind of guide. katara is definitely the one buying the groceries, i won't argue that. whenever sokka is in the vicinity of a grocer while wearing blue, they tend to dismiss him with outright hostility, while being much more sympathetic to katara. it's a running joke that throughout the earth kingdom adults are far kinder to katara than to sokka. but this isn't actually an issue when they're hiding out in the fire nation and both disguised in red, curious! i wonder why adults fed imperialist rhetoric their whole life might internalize the idea that a young water tribe girl is harmless whereas a water tribe boy is a threat to be treated with hostility... but yknow, it could also just be vibes. katara does generally have a more pleasant attitude. it could just be that. who can say!

as for "jet," as i've already stated, i don't think the gaang has a leader. but katara does grow to trust sokka's instincts more and more over the course of the show. and sokka only tells katara not to trust jet once he has evidence! he tells her that he beat up a harmless old man, and katara still takes jet's side, even though he's obviously lying. as for aang, i really don't think sokka's instincts not to trust a person who for all intents and purposes should not currently exist and suddenly waltzes into their life while ignoring their current reality are that contrived. katara thinks she's in a story that she is the narrator and hero of (which, metatextually speaking, is true), but sokka thinks he's in a war and is thus suspicious of magical little manic pixie dream boys. and not for nothing, aang does set off the fire nation flare that alerts zuko to the location of their village, so sokka's instincts were actually correct here, even if aang is of course an angel.

and katara calms aang down from the avatar state, what, twice? and once she's literally just talking to him from behind a rock. her act in "the desert" is 100% a testament to her bravery and the unique bond she shares with aang, i'm not denying that whatsoever. sokka simultaneously shields toph in this moment, which granted is far less dangerous than what katara does with aang, but is also a subtle moment that demonstrates the nature of his bond with her (i don't really have a point here, i just love aang & katara and sokka & toph's relationships). i don't remember katara comforting aang for burning her, i just remember her reasonably telling him that he can't let his guilt get in the way of learning firebending, and showing him that she's healed to calm him down. and the comics are stupid, so i'm not even gonna address this point. anyway. sokka does come to trust her to fight her own battles as the show goes on and she gets demonstrably stronger, but he still worries about her whenever she's in trouble, and would do anything to protect her. he's still her big brother.

katara's idealism is inspiring & beautiful & heroic. but yes, it is also naive. that's not even a bad thing! katara fighting to preserve her childhood wonder and innocence in the face of incalculable loss is deeply moving to me. aang and katara show sokka and toph how to become more awe-inspired and vulnerable over the course of the show. sokka never would've suggested a beach party in "sozin's comet" if not for aang and katara's influence. that's growth. but that doesn't mean that katara was right to trust zuko in the crystal catacombs, or that she was right to trust jet, or aunt wu, or hama. i understand why she trusts these people (especially jet and especially hama), and it's hardly a bad thing to see the potential good in everyone, but zuko's betrayal hits her so hard because she had mistakenly put so much faith in him right before he turned around and helped azula kill aang. of course she sees potential in both aang and zuko, though. she's the heart of the show, and they're both mirrors to her character in significant ways. sokka is not a part of this central thematic triad, and he doesn't care that he's in a story, he just wants to make sure that his friends and family don't get murdered. they have different narrative priorities, but katara's are admittedly much prettier.

also, of course sokka wouldn't say he sees himself as a sacrificial lamb. even if he realized this about himself (which i also don't think he does), he wouldn't say it. saying it would negate the entire point. but i do think it's justified by the text. katara clearly carries the guilt of knowing kya died for her, and it's what inspires her to try and be her own mother for herself and her family, and to be the best waterbender in the world. sokka doesn't have that guilt. while katara feels it her duty to remember, to carry on her mother's legacy so that her sacrifice was not in vain, sokka feels it his duty to repress, to tamp down any shred of humanity that is not relevant to the war and to making sure his sister isn't killed for who she is. i don't think it's a reach for him to want to emulate his parents in this regard, since he clearly idealizes them and their bravery in defending their home, their culture, and their family.

no, i don't think sokka acts like a mom or a dad or even a wacky uncle (a grandpa, maybe). my point was to illustrate how neither of them are parents. they may try to emulate their parents in many regards, but they are still both very much kids, who happen have both seen far too much for their years. and katara mourns kya differently (more, as she claims, which i believe to be true) because her death was deeply personal to katara, in a way that it just wasn't for sokka. like i said, sokka represses his trauma. he claims that he thinks about yue all the time, and yet he barely ever talks about her. a defining moment in his life, which is hakoda leaving him behind, is only revealed to us in a flashback that occurs while he's sitting quietly by the fire watching over katara and aang as they sleep. katara's way of mourning kya was to try to become her in her guilt over her sacrifice. do you really think sokka doesn't understand the implications of this?

sure, he dismisses the domestic labor she does, which sucks of him for sure, though i'd argue it's just as much his cerebral stem bro attitude that prioritizes ideas and theory over those little manual tasks as it is straight up sexism. but yeah, it sucks. i know very few men who appreciate the work that goes into those "feminine chores," and it's absolutely because what is categorized as feminine is devalued by society. but yes, i think if the binary established is between "mom" and "servant", sokka sees katara as someone who is simply better at feminine labor, and that's not great of him, but katara does enjoy being feminine, so i understand why he'd make that assumption, seeing as the only thing she doesn't seem to enjoy is doing his laundry for him, which, yknow, checks out. do your own laundry, sokka.

again, katara has a more personal connection to the events surrounding kya's death. it's why her saying "you didn't love her the way i did" is both deeply hurtful, and something she clearly believes to be true. what she really means is, "you didn't grieve her the way i did," and it's because sokka doesn't feel like his very existence was responsible for her death. "the southern raiders" is a deeply personal episode for katara, and zuko is the one who understands her trauma, more intimately than sokka can, because kya did not sacrifice herself for him, but ursa did with zuko.

and yes, katara's seemingly throwaway line about how she's lost her childhood innocence hits really hard. it's why she's so immediately drawn to aang. because she wants to have fun again, but no one is there to encourage her, certainly not her depressed as fuck brother who only cares about being a better warrior. aang and katara inspire each other to preserve their innocence and they get to be kids together, which is what makes their friendship such a beautiful thing.

katara has a lot of skills and roles sokka doesn't. he can't midwife, he can't heal (obviously), he can't shop for groceries in the earth kingdom without being abused by vendors. he could probably cook and sew if he set his mind to it (we never actually see katara clean, but we do see sokka clean appa) but katara seems pretty confident in those areas, so why step on her toes. but sokka also has a lot of skills and roles katara does not. he reads maps, makes schedules, strategizes in battles, helps invent new technology, is able to fight without bending, is able to sense red flags that katara refuses to see, etc etc. they balance each other out, both emotionally and practically. considering that they basically raised each other, and didn't have parents to do things for them, it makes sense that they each have their own skillset, and function as a codependent team.

"the desert" puts her in a new situation to show that she's the group's heart. not just the group's heart, but the show's heart. she is the narrative center. that's what i mean by "the desert" being a trial for katara. it's not that no one else will step up, it's that they can't. aang is in the first stages of experiencing an immense grief, toph is feeling guilty and scared and lost, and sokka's attempt to quench their thirst put him out of commission for the rest of the day (though granted, he was trying to be helpful). katara is always there. she will never give up on people who need her. that's a core tenet of her character, and it is what makes her not only so kind and giving, but also a revolutionary leader. it's why i think she should go on to be chief, because while sokka wants to be like hakoda, he's not actually a warrior at heart, but katara is an inspiration to many, and her connection with people and the way she sees the best in them is what makes her the pride and joy of her people, just as much as her waterbending skill.

toph and katara are both in the wrong in the chase. katara comes from a communal society where everyone pitches in, so she sees toph as a spoiled brat for not helping her. toph came from a family that acted as if she was useless and helpless, so she thinks by letting every member of the group carry their own weight, she is affording them the basic respect her parents did not afford to her. it's a classic miscommunication, which escalates because katara and toph are both very loud, assertive middle schoolers who don't enjoy compromising their beliefs. they eventually do, which we see illustrated in the spa episode. but katara clearly wants to go to the spa and enjoys every second of it, she's just taking toph with her because she thinks toph needs a shower. for the most part, they both have a good time, katara because she enjoys feminine activities and relaxing, toph because she likes mud and spending time with her friends, and both of them because they got to do violence to some mean girls.

aang also gets mad at toph because he's prone to take katara's side in arguments, and also she insults appa, which is the final straw for him, even though toph is fully right about appa's shedding being how azula tracks them. toph leaves because she thought she was joining people who would make her feel respected, but they don't. katara literally mocks toph for being blind. i also got bullied for being disabled when i was their age, and i don't blame toph for not taking that shit. it's downright cruel. iroh helps her adjust her perspective, but ultimately sokka is the one who makes her feel most welcomed and seen, and while she loves katara and aang, it's clear that sokka is her best friend. he's also the only one who doesn't interfere in their fight in "the chase" (because he knows there's no winning against two extremely stubborn, sleep-deprived powerhouses).

katara didn't sacrifice her childhood for the sake of her family, her childhood was robbed from her. there's a crucial difference. she doesn't sacrifice her own emotional needs to comfort others, she engages in fruitful dialogues. the only person she actually sacrifices anything for is aang, you're right, and i do think that's extremely important as an aspect of her character. she believes in the power of the avatar, and she loves aang deeply. it's why if aang is the soul of the show, she is the heart.

zuko isn't a dad to aang, that's just a ridiculous thing to say, sorry. i don't think sokka is a dad to aang either, if anything they're brothers. zuko acts as a brother to aang and katara too. he's their older, grumpy, kind of an airhead, kind of a jerk brother. sort of like sokka 2: electric boogaloo, except unlike sokka, he's a wide-eyed idealist just like they are! idk where i was going with this. my point is i love this trio. lol

you're right to criticize what roach works said, but you were wrong not to specify the target of your criticism. just because someone adds a dumbass comment on my post doesn't mean i endorse it. and just because i make a post appreciating sokka doesn't mean i don't love katara. i mean, i think it should be pretty obvious that i love her a lot. it seems like we grew up in fairly similar circumstances, and while i know what it's like to grow up with a cerebral math bro misogynist brother who gets far more credit for doing far less work and is utterly fucking useless at taking care of himself, that doesn't mean i resent sokka, a fictional character, for whatever commonalities they may share.

katara and sokka are both flawed, multi-dimensional, well-written fictional characters, and i've given a lot of thought to their motivations, nuances, and the unspoken symbolic undertones of their dynamic and its relation to the themes of the narrative. we don't have to agree on what every unspoken detail signifies, but i don't appreciate being misinterpreted, and i especially don't appreciate the implication that i don't love katara, because i absolutely fucking do, with my whole heart, and anyone can see that. she means a lot to me!!! her virtues, her strengths, her flaws, and her failures. she doesn't have to be perfect to be amazing. in fact, if she were perfect, i doubt she'd be amazing at all.

[yuribalisms]

Essentially what it is all boiling down to is I have fully realized I am bad at being a person, that will always be true, and I don’t know how to handle that

[soullessjack]

every day I remember that this fandom simply does not care about autistic people and, much like every other fucking thing I experience as an autistic person, the concept of it being a collective found family becomes increasingly alien to me. love this place.

[opens-up-4-nobody]

...

[mntcoronet]

*pause moment* hey why the fuck did I just realise that during high school, I felt like a fair number of my peers (from outside my friends group) treated me somewhat more "softly" or like a child than they would've done with other people. and why was that

[tyrannuspitch]

sometimes it really does feel like i'm undergoing some kind of second-hand queerplatonic experience simply by trying to engage with fandom while centring and prioritising a platonic relationship. i mean, no-one's actually being hostile to me or anything, but there is honestly a kind of pervasive feeling that i just Don't Fit. in my fandom, there are communities for romantic relationships, and there are communities for individual characters, but how do i find *my* people? if there ever was a way, it's long since died out, but honestly i suspect there wasn't. i think we've always been scattered. most ppl who engage are just dabbling, or vastly prefer one character over the other. this relationship is at least peripheral to the entire fandom's experience but ppl for whom it's actually the centre are. somehow. few and far between

[yelloworangesoda]

maxwell and sammy are all mine and i love them like my children but its pretty hard to divorce them from fnaf enough to make them straight up ocs. sammy especially bc hes technically not my oc, even if i made up every aspect about him except his name and dead twin sister

[astrxealis]

real life has been really fun ragghh anyway hi lol erm if i end up being part of performers committee for my school's fair next january i'm gna go crazy B) ✨

[ohbother2]

Hi! I don't know if you write for Adam, but this man has me in an unholy choke hold and I've literally read through all the Adam fics on this site already. I am begging, on my hands and knees, for you to please write an Adam x female reader smut oneshot. Literally anything you want.

I absolutely loved your Lucifer close proximity fic btw!! You're writing is literally insane and I just know you'd do Adam's character justice!

Thank youuuu

Thank you!! Sorry this is coming out so long after you sent it in, but hope you guys enjoy!

Also to other ppl reading this! I've seen your lovely messages in my inbox and I 100% intend on responding to them I'm just swamped with Uni work at the moment. But thank you all so much!!

This is literally pure smut btw, minors DNI!! Adam is very Adam in this. Lmk what you guys think I love to hear your thoughts! Especially because Adam is so hard to write!

Tag list - @xx-all-purpose-nerd-xx

Adam x f!reader - After a Shitty Meeting with the Blond Short-Stack

To put it bluntly, Adam had had a particularly shitty day, and that was saying a lot considering there were absolutely no bad days in heaven. This day, however, had seemed to drag on for an eternity, and by the end of it he felt like punching a whole through every window that he walked past on his way home from work, having to walk instead of fly because he was too furious to trust his wings not to give out on him if he became too lost in thought. 

To summarise, he had had to meet Lucifer today, the pompous, prideful, wife-stealing piece of short-blonde-shit that lorded about Hell as if he wasn’t banished there purposefully for his sins. The meeting wasn’t in person, with him attending from Heaven and Lucifer attending from Hell, but simply being within any sort of presence of the blond gnome had his blood boiling and his fingers itching to grab the nearest weapon and shove it through his chest. And today, well, Lucifer had gone too far.

Sure, Adam may have started it with some comment about Lucifer’s daughters failing redemption-business, and how the timer was ticking until the upcoming extermination, but really, who was Lucifer to dare let your name spill from his lips? In a mockery of your and Adam’s relationship no less. 

That self-entitled little shit-eating smirk had graced Lucifer’s ridiculously rosy cheeks, and he had dared insinuate he could steal you right from under Adam’s nose the next time you went down to Hell, just like his two previous wives. He was thankful for his mask which had concealed the utter shock-horror that had overtaken his features at the insult, but he also wished Lucifer would have seen his absolute unbridled hatred once he had rebounded from the insult: if looks could have killed, Lucifer would have been incinerated on the spot. The comment had riled Adam up so much that Lute had had to step in to steer the meeting back on track, and it had taken all of his self-control, and Lute’s, to stop him from immediately teleporting down to Hell and blasting Lucifer to whatever the fuck came after Hell. He grumbles to himself angrily, hand rubbing at his temples as he finally reaches his front door. God, he just wanted to have a drink and go to bed, where hopefully he would dream about murdering Lucifer and lording it up with you above his grave. Maybe you guys could make out right next to his grave, that would really prove a point. 

He slams the front door shut harsher than he should have, and immediately storms through the house, desperate to just see you in one of the rooms – he’d even break into the bathroom even if you were mid-shit if he had to, he just had to see you. 

“Babe?” He calls, wings tucked tightly against his back as he prowls the corridor, poking his masked head into each room he came across, finally relaxing when he saw you relaxing with a book curled up in the loveseat in the living room. 

“Adam!” You grin over at him, and the tension in his shoulders shifts at the sight, releasing a tight breath as you perk up as he approaches, tucking your bookmark back into place and waiting for him expectantly. Of course you would be here, he reprimands himself, furious that Lucifer could get to him in such a way; where else would you be? “How was your day? You had that meeting right? Did it go well?” You rapid-fire your questions, and you suddenly frown as he approaches. “You’ve still got your mask on, it didn’t go well.”

“Yes, hello sugar, it’s nice to see you too, damn.” He mutters, frustrated at himself for being so easy to read, and frustrated at you for reading him so easily, finally coming to a stop before you. “Can’t a man just wear his cool-ass mask? I just forgot, okay?” 

“You can do anything you please, I’m just worried.” You look up at him sympathetically, and he immediately knew his tough-guy act was immediately lost on you. Who was he kidding? Today had been particularly shit, and he just wanted to be with you. Not to ease his worries, no, no, he was secure in his relationship, confident in his charm (he was fucking Adam, who could compare?) but just… because he wanted to be with you.

He wasn’t even convincing himself. 

“Want to talk about it?” You ask softly, watching as he tugs the mask from his face and places it against the coffee table. His hair was a mess, and you could see the way his brows pinched into a light frown as he attempted to hide his frustration. 

“Fuck no.” He shakes his head. “You’re right, the meeting went shitty. That pompous little prick-“ He cuts himself off, pursing his lips lightly as he stares down at you. He didn’t want to tell you what Lucifer had said. He knew you wouldn’t suddenly act on what he had said, but still, he daren’t even breathe the possibility into existence. “I just want to be home, with you.” 

“I think I can help with that.” You grin, shuffling over on the love seat and staring up at him expectantly, an absolutely lovely smile on your rosy lips.

"What would I do without you?" Adam questions, sitting down next to you heavily and leaning in for a proper kiss. One of his large hands falls to your waist as he leans in closer, your back leaning against the arm of the armrest as he approaches, slender fingers weaving into the locks at the nape of his neck to hold him closer. He pulls away for a moment, pressing heavy kisses against your jawline, eyes closed to the world and enjoying the feeling of your fingertips against the nape of his neck. 

"Is there anything else I could help with?" You utter softly, head tilting back to expose your neck. A sudden grin takes over your features. You were about to play with fire, but you couldn't help yourself. "Perhaps give Lucifer a talking to?" 

"Why," he growls, pressing one last kiss beneath your ear before he pulls back, both hands falling to your twisted hips. "would you mention that old fucks name when I have my lips against you." 

"Just trying to help." You bats your eyelashes playfully, a laugh escaping you at his furrowed expression. 

"I seem to recall you saying 'anything I please' not only five minutes ago." He leans closer, a hand grasping the armrest you leant against, caging you in with a devilish grin. "This is how you can help. Distract me." 

"Adam!" You mock, palms sliding up his biceps and resting against his chest as you lean further back, further from his lips. His eyes narrow in frustration. "I fear you have misunderstood-"

"You know exactly what you were doing, babe." 

A flash of pearly white teeth as you laugh again, fingers pulling at his lapels to drag him closer. "I'm afraid I don't."

His lips cover yours as a hand slides beneath you, a hand grasping firmly at your ass as he sucks all air from your lungs, a moan rewarding his efforts. Adam moans as a hand tugs at his locks, pulling your waist closer as he bores down, a knee sliding up your skirt and forcing your legs to part, falling freely without encouragement. Your red silk skirt bunches up around your waist, guided by his hands to expose your milky thighs to the cool air. You gasp against him.

"You going to be good for me?" He mumbles against your lips, large hands guiding your hips, thigh rubbing at your heat through the thin layer of your underwear. "You going to be a good girl and distract me?" 

You hum in response, vocalising your pleasure as his tongue slides into your mouth, not even bothering to put up a fight as Adam hungrily licks into your mouth, grip forcing your hips to shift against his own as you grasp at his biceps. 

"You’re such a fucking tease." He moans between kisses to your skin, hands tugging fabric from your collarbone as he kisses lower. "If I wasn’t as generous, I’d make you do all the work tonight." He presses another deep kiss to your lips, caging you between his arms and nestling between your parted thighs. "Lucky for you I’m fucking pissed." 

"Adam." You groan quietly, eyes fluttering as he licks his way down the column of your throat, teeth grazing your hot skin as he yanks your top down your shoulders. He doesn’t bother unhooking your bra, splitting it down the middle with a grin and ignoring your complaints with a harsh bite into the skin of your breast. Adam grins against your reddening skin as his free hand comes up to grip your other breast, rolling the bud tightly between his fingers as he sucks and bites around the swell of your breast. He groans at the feeling of your hands gripping his broad shoulders, fingers edging closer and closer to his wings, hips rolling forward and cock twitching in his garments. He delves forward, warm mouth wrapping around a pert nipple without warning, Adam pays you no mind when you gasp at a particularly hard nip, suckling hungrily as his left-hand travels lower to press your hips up and against him. Your head lolls back as he groans around your bud, thrusting his hips against your clothed core. He continues, on and on, until the pained groans turn into pleasured whines, your thighs quivering around his hips and hands carding through his locks.

He pulls away for air, pressing sloppy kisses along the wet skin at your chest. "Look at you, I’ve not even touched you and you’re whining like a bitch." He groans, pressing a kiss to the swollen nipple pinched between his fingers. "I know I’m good, but this is pitiful babe. Fucking desperate.”

You had half a mind to remind him that he was the one that had stormed into your living room and practically demanded you attention after a shitty day, but with his mouth against you and hands gripping your thighs like his life depended on it, you were happy to remain silent, breathing airily as he sucked harshly at your skin. 

“I’d be a pretty shitty husband if I just left my wife like this, huh?"

“Adam-“ You go to warn at his mockingly coy tone, him having played this hard-to-get game before and leaving you wanting until it was actually you desperate for his touch, and not the other way around. This time, however, he didn’t have the patience for such games, your voice dying with a hitch of breath as he latches onto your other nipple, free hand travelling beneath your skirt to the damp spot growing against your underwear. He circles the damp fabric, feather-light and teasing, not yet touching the place you craved the most. 

"Adam, baby," You breath heavily, chest heaving as he continues to lavish a pert nipple with his tongue, hands tugging at his robe and sliding down the smooth skin of his chest. "Adam, please."

With a harsh nip he unlatches from your chest, peering down at you with dark eyes, the gold barely glinting in the dim light of the room, breathing heavy. A smirk tugs at his lips, brunet locks falling in front of his eyes as you continue to work yourself against his thigh, wide eyes shining and whining pathetically. 

"Please, what?" He shifts, clothed cock pressing harshly against your groin, rutting once, twice. "Fuck you? Make you feel good? Feel better than anyone else ever could?” He rolls his hips again, you whimper. "Or, please stop? Leave you in this state? Return to my duties?"

"No, no- please," your breath hitches as he bites at the soft mound of flesh below your right nipple, a trail of red and purple left behind as he nips lower. "Please, fuck me." Your hands finally dig into his wings, close to where they joined at his back, fingertips digging into the feathers and tugging lightly. You can feel the way his hands tighten either side of your ribcage, and you can see the way his pupils dilate as a red hue creeps up his neck and flushes the skin of his cheeks.

"Fuck," he moans, cock twitching in his breaches. His thumbs dig into your abdomen as his hands clench against your hips, stopping you from moving against him. God, this was exactly what he needed after this shitty day. You must have been some sort of Saint in disguise. "You fucking tease, fucking hands in my-“ He has to stop when you tug again, and he glowers down at you as your nails scratch their way down the centre of his golden wings, the tips twitching as he tries to remain in control. 

“Oh yeah, baby? That's how you want to do this?" His voice had deepened to the familiar gravelling husk that you loved so dearly, and you can do nothing but nod fervently, the sound going straight to your core. You knew exactly what you were doing toying with his wings, and he knew just as well as you what that meant. Adam takes in the sight before him; the heaving chest, the perfect slender column of your exposed throat, the exposed milky-white of your spread thighs, the wide glossy eyes just pleading for him to move. He breathes deeply at the way your skirt bunches around your waist, your whole body on show except from a pathetic soaking pair of underwear. "Fucking perfect."

A rough hand suddenly against your throat has you falling boneless against the armrest, eyes rolling as Adam’s fist tightens, his wings twitching upwards as your hands fall to noncommittally pry at his fingers around your neck. 

"Hng, please-" You rasp, spreading your legs as far as the backrest of the loveseat would allow, hands clenching into the fabric of the sofa beneath you. 

"You'll get fucked," Adam whispers harshly against your ear, free hand sliding your ruined pants down your thighs. "but not until I'm done with you."

"Adam-"

"It’s been a fucking shitty day," he begins, a singular finger sliding between your folds and gathering the wetness that had gathered. You whine, straining against his hold on your neck. "and the one thing that’s gotten me through it is knowing I get to come home to this perfect piece of ass." He grins, feeling your pussy clench at the tip of his finger. "So I’m taking my fucking time with you."

A singular finger finally enters your swollen, aching, core, mouth falling open in a silent moan at the contact, finally. The sounds that echo around the room are obscene, wet and thick as his fingers curl, digging against that sweet spot inside of you. 

"You hear that, sweety?" Adam murmurs mockingly against your lips, the pet-name dripping with irony as he kisses down harshly, a kiss you could only hope to keep pace with, never mind reciprocate. "You fucking filthy girl." A second enters, easily, coated in your slick within seconds as he draws moans from your lungs. He leans back, watching you flush and gasp beneath his hands, fingers pulling non-comically at the fist he had around your neck. A third finger enters, and this time, he feels the stretch. 

"God, Adam-" You squeal, hips raising from the loveseat as he continues, the sinful sounds only getting louder and louder. You moan with every thrust of his fingers, hands gripping at the material of your shirts beneath you. You groans at the fiery pain in your walls, but your eyes roll at the pleasure that had started to build. 

"So fucking wet, and all it took was the thought of being with me. At least you know how lucky you are babe, fuck-" His grip tightens around your neck, a fourth finger entering, and you scream, or would have if you had the oxygen to. A pathetic choking wail comes from your throat, and you clench tighter around his digits, hips chasing his hand with every thrust. 

"I'm- I'm going to-" You sob as he picks up his pace, the sounds omitting from you downright sinful. Your thighs shake as your body goes rigid, mouth falling open in a silent scream.

Adam doesn't stop, eyes trained on his wife's face as you come undone beneath his fingers, hips jerking wildly as he thrusts and curls inside of you. It is only when your eyes flutter and legs fall slack that he stops, pulling his hand out from between your thighs with a sickening pop, fluid coating his hand and your inner thighs. 

You blink heavily, gasping for breath as you finally return to your surroundings, feeling devastatingly empty but more than satisfied. Adam barely gives you a moment before he’s kissing you deeply, teeth tugging at your swollen lips and a hand winding into your hair to tug your head exactly where he wanted you. He doesn’t break the kiss as he scoops you into his arms, your hands grasp at his neck and shoulders as he carries you towards the bedroom.

He throws you down roughly on the edge of the side of the bed, shucking off his robe, trousers and pants quickly, hard and weeping cock springing free, red and painful at the neglect, balls heavy and painfully sensitive. You wiggle out of your red skirt, kicking it onto the floor as Adam clambers over you, knees pressed against the mattress. He slides his hand along your inner thighs, which part without question, gathering the wetness that coated them. He pumps his cock lazily, once, twice, abs clenching as he breathes deeply. 

"I'm gonna fuck you so good you forget that cunts name.” He mutters more to himself, and it takes you a moment to realise who he was talking about. Ah, he hadn’t taken your comment about Lucifer earlier well. He never did. You can’t help but feel excited, as exhausted as you already were, Adam always got so competitive after a comment like that, and you always left the situation just as smug and satisfied as Adam felt. “Hope you haven’t got any important shit tomorrow, babe,” He comments, leaning over you and shrouding your smaller form with his large body, grinning down at you with a wickedness better suited to hell than heaven. “because it’ll be a miracle if you can walk.”

"You’re talking an awful lot." You comment, but your panting doesn’t give it the mocking you were hoping for. His wings flatten when your comment registers, and the golden feathers bristle as you continue. “You’ve yet to actually fuck me, I wonder if Lu-“

Without warning he thrusts forward, groaning hotly against your throat as his wings raise. You whine at the stretch, and your hands quickly burrow back into his wings as he bullies his way into you, forcing himself down to the hilt and not allowing you time to adjust. “Don’t you fucking dare say his name.” He hisses against your throat, biting at the skin harshly. He draws back, tip resting just inside your opening, and then surges forward, burying himself to the hilt, setting a brutal, staggering pace. You whimper in pain and pleasure at the abrupt pace, but fall into it as he thrusts, legs winding around his hips and anchoring him in place. 

Adam groans into your skin with every thrust, unabashed and unashamed, the wet warmth between your thighs melting away his worries. His fingers dig painfully into the divots of your hips.

"You're my girl, no one else’s, my fucking girl." He groans, balls slapping against your ass as he thrusts, seizing your thighs and pushing them up towards your chest, folding you in half and giving you no choice but to breath and take it. "Clearly I’ve not been doing my job if you’ve had time to think about him, don't worry baby, I'll fix that."

"Adam," You moan at the new angle, his cock hitting that special spot inside with every thrust, legs shaking with every thrust. "please, please, please, I don’t-"

"Fucking slut, begging for my cock." He punctuates his sentence with a particularly hard thrust that has you keening, back arching from the crumpled bedsheets. 

Suddenly, without warning, he pulls out completely and your high dissipates violently as you gasp and shoot upright, trying to tug him back down by his wings. "No, no, please-"

Large rough hands grab at your body as you are flipped around, hands scrambling for purchase and legs like jelly as you’re repositioned, locks falling into your face as Adam thrusts back in, hands gripping your hips as he pounds. 

"You wanna act like a slut?" He drills his cock into you from behind, large hand pushing at your tail bone to force your back to arch. You comply easily, and you’re rewarded with a fist grabbing at the globe of your ass and slamming you back towards him with painful force. "I'll fuck you like a slut."

A tender hand runs up the column of your spine and you shiver, gasping into a moan as he gathers your hair in one tight fist and yanks. 

"Oh! Oh Adam-"

Every slap of your ass with his hips has your head lurching back with the grip he has on your hair, eyes rolling into the back of your head as he thrusts, the harsh sound of slapping skin filling the room. 

"Adam, ‘s too much," Your moans cut your sentence short, fists gripping the bed sheets as he pounds relentlessly, scalp stinging and pussy aching at the unforgiving stretch. "Please, I can't-"

"You fucking can." He growls, releasing your hair and shoving your head forward with a hand at the back of your neck, leaning forward to place wet kisses at the centre of your spine as he thrusts down. "I’m not done with you, so you're gonna fucking take it."

You moan pathetically into the bed sheets, fingers curling into the fabric either side of your head as your pussy throbs, a familiar searing heat coiling in your abdomen and tingling along your spine.

"We’re not done until you get that you’re mine, my bitch, and no one else can give you this, understand?" His large hands anchor themselves at your waist as he thrusts impossibly harder, sweat beginning to bead down his chest and stomach. No doubt bruises would be left behind, the thought of your perfect flesh, your perfect ivory skin, marred by his fingerprints only drives him further, his balls beginning to tighten.

"I'm- I'm - wait!" Adam doesn't listen to his wife's pleas, supporting your shaking hips with his large hands as he fucks you into the mattress, grinning past his exertion at seeing your thighs begin to quiver. 

Your cracked voice mewls into the bedsheets as your second orgasm builds, panting pathetically as you brace yourself, tears of pleasure beginning to stream down your cheeks. 

"Good fucking girl." Adam groans, feeling his own orgasm build, cock twitching within your walls. "Does my bitch finally get it? Huh?” Your lack of response doesn’t please him, and one of his large hands slaps the globe of your ass painfully as he continues his brutal pace. ‘'you gonna take it?"

"Please!" You finally wail, pussy clenching at the sheer anger in his voice, and beneath all the brovado, the desperation to know he’s doing a good job. And by God he was doing a phenomenal job. "So fuckin’ good Adam. I’m yours- yours.” You choke into the mattress when you feel his grip tighten against your hips, his hips stuttering at the praise. “Don’t stop. Adam, please, please-"

You wail pathetically, second orgasm crashing over you as you convulses beneath Adam’s cock, toes curling, legs only propped up with his large hands as you cry. “So, f-fuck– good.”

"Fuck." Adam groans as his own orgasm hits, balls tightening as he thrusts again and again, jerking uncontrollably as he empties inside of you, pumping his hips desperately. You can feel the air around you shift as his wings twitch, flapping powerfully with the concentration he pours into his final few thrusts, impossibly deep and hard as his arms flex against your lax figure. "Ah." He grunts, thrusting once, twice, collapsing on top of his shaking wife, cock buried to the hilt. His sweaty forehead presses between your shoulder blades, breathing hotly against your damp skin as you breathes shakily beneath him, catching your own breath as the aftershocks of your orgasm course through you.

"Fuckin’ perfect." Adam mutters gruffly against your skin, kissing tenderly as he straightens, hands landing on the globe of your red ass, slowly pulling his cock from you with a hiss. He watches with dark eyes as his cum gathers at your entrance, pushing a small trickle back in with a slick finger, causing you to gasp in surprise. 

Large hands, far gentler than they had been mere moments ago, grasp your waist and manoeuvre you around, laying your panting frame back onto the edge of the bed. Adam leans down to kiss you sweetly, rough hands grabbing a thigh each and pulling them up towards your chest as he leans, tongue slipping into your mouth and licking into your cavern as he repositions, a soft sigh falling from your lips and your hands dangling leisurely from his broad shoulders. 

He pulls back from the kiss, and you watch him with hooded eyes, unaware of the position you had found herself in until a thick cock-head presses at your weeping entrance once again. You look up, still panting, and Adam cannot help but feel utterly devoted to the sight in front of him, cock twitching back to full capacity; your cheeks shining from the tears that had spilled, lips puckered and swollen and invitingly red from the way he had nipped at them, the smattering of bruises that decorated your neck and chest. You were truly a vision, not a holy one, but absolutely divine to him.

"Adam, wait - I can't." You whimper breathily, hips pulling away from his cock. Too sensitive, too raw. Despite your reservations, Adam can see the way you breathe in suspense, the way your fingers flex against the bedsheets in anticipation. Hell, you weren’t even trying to close your legs in his grasp. You really shouldn’t have mentioned Lucifer’s name if you didn’t want this. He was nowhere near done.

"No?" He questions sarcastically, hands still pinning your thighs to your chest, golden eyes staring deeply into your own. "Looks to me like you can still talk back, that won’t do babe." Hands still grasping your milky thighs, Adam leans down, grinning before pressing a soft kiss right against your clit. You jerk, a cry falling from your lips. "Come on, sugar, you’re really tapping out so soon?" He rubs his cock against your folds, his cum coating his own flared tip, and your pussy flutters around him; you hiss out a whine. "What a shitty husband I’d be if I left you wanting, and from the look of you, I know you’re not done." He rubs his cock against you again, balls gathering the cum that had dribbled from your opening. You look up at him fervently, and you can see the determination in his heated gaze, and oh how that look had your core tightening as he leant impossibly closer. "Is my wife really done? I think she can take one more, one more, for me." 

You groan as he enters again, slowly, cock dragging against your slicked walls, and a squelch emitting from your conjoined bodies as he finally bottoms out again. Your legs twitch in his hold, and he grinds his hips, fighting the urge to thrust. 

Your mouth hangs open silently, eyes fluttering at the stretch to your over-sensitive core. Your nails tear at his shoulders uselessly, trying to distract yourself from the all-consuming pleasure, and the delightful sting has Adam clenching his jaw as he tries to remain composed. You can hear the shuddering breath he takes as he fights his instincts, pulling back just as slowly as he had entered, until the weight of his cock presses just inside your opening, and then thrusts back in, setting a slow, steady, hard pace. 

He recaptures your lips in a searing kiss, biting at your lip until you allow him to snake his way inside, sucking the little air from your lungs as he pants into you, brows furrowed in concentration as he fucks into you with his hips and licks into your mouth hungrily. This time, he allows your hands to dig into his wings from the start, his own hands remaining perched on your thighs and pinning you down to take his harsh thrusts. He grunts when your fingertips delve back into the ruffled feathers, stretching them out beneath your touch and covering your body possessively beneath his larger frame. 

"S-Shit babe.” He groans between thrusts, pace increasing silently. You can do nothing but moan pathetically, pussy aching and throbbing as your fingers dig deeper into his wings, and his shoulders tense at the intense pleasure that sparks all along his spine. "Fucking careful.” He tries to battle back his control that had begun to slip, and decides insulting you would mask the way your simplest of touches nearly had him finishing then and there. “F-fucking whore." 

You simply groan, eyes rolled into the back of your head and hands blinding searching for purchase as that tight coil begins to wind in your abdomen, hips beginning to shift against his quickening thrusts. Your voice pitches and cracks as he pummels that special spot inside of you, and your hands clench into fists in his wings. "Oh God- Adam, right there, fuck – so fucking good."

“I know baby, I’m fucking good, I know.” He grits through clenched teeth, ever the egoist. Despite his parroting of the compliments as if they were simple facts, the compliments go straight to his head and his cock, and something in his chest tightens at the way you continue to babble his praises. 

A particularly hard thrust has you gasping. "Adam, you’re so- so-" You couldn’t finish the sentence, but he got the message, and nearly cums with his next thrust, biting into your collarbone to distract himself from the praise.

Adam groans, balls already beginning to tighten. He yanks you closer as you continue to beg, forcing you in half as he pounds into you, cum spilling from around his cock as he thrusts again and again, your thighs slick with it. 

"Adam, please." You pant, all air forced from your lungs as he drills into you over and over again, pussy struggling as Adam’s cum is forced from inside you to make room for his cock. "I'm all yours."

"Fuck, baby." He groans, balls slapping against your ass with every thrust. He releases your right thigh, free thumb pressing into your swollen clit and rubbing hard. "Cum for me, I know you've got one more. One more and I'll fucking fill you, one more."

You shriek at the pressure on your clit, head thrown back as your legs shake. Chanting 'yes, yes, Adam, fuck.' between wails.

"You can take it, 'fuckin' take it."

He swallows your scream with a kiss when you finally tip over the edge, your hips shaking against his own as your stomach erupts in a fiery jolt of pleasure that travels from the tips of your toes to your fingertips, back arching from the bedsheets. Adam swears against your lips, nails almost breaking the skin of your thighs as he cums, shoulders and wings tense as he humps tightly, burying himself to the hilt and pressing as much of his weight onto you as he could. 

"Fuck, there you go." He groans, thrusting lazily, pressing you into the bedsheets, all of his weight forced onto your hips. "There you go."

You moan pitifully as his cock fully burrows itself to its hilt, both hands coming up to cradle the back of Adam’s head and shoulders as he allows his full weight to rest on top of you, face pressed against the crook of your neck, soft lips gently mouthing against a blossoming hickey, hips finally ceasing their aborted thrusts. You wrap your legs loosely around his hips as his hands curl beneath you, resting flat against your spine and securing you in his embrace. You sigh at the new angle, finally able to breath fully, and relaxes into the sticky sheets below, allowing Adam to lick at the bruises covering your neck and chest.

"You okay, baby?" Adam mutters softly, voice still unusually deep and gravelly as he comes down from his high, warm palms sliding against your sticky skin in some semblance of comfort, blunt nails scratching a light comforting pattern against your skin. He lifts himself up lightly, still burrowed within, sweaty brunet locks falling across his face and tickling your forehead. 

"Never better." You grin, exhausted and blissed-out, a familiar ache beginning to settle deep within, but uncaring for the discomfort after seeing the poorly-masked worried devotion in your husband's eyes. "You’re amazing, you know."

"I know.” He hums cockily, and you swat at his arm playfully as he grins. “I supposed you aren’t half bad, too.” 

Your head tilts in mock-offence, but the exhaustion and complete and utter satisfaction cloaking your eyes has you looking seconds away from passing out, and he chuckles at the sight. He studies you for a moment, mapping the flush to your cheeks and chest, the fraying of your elegant hairdo, the wet streams on your cheeks and the puffiness of your lips. His eyes travel lower, following a stream of bruises that caress your ivory skin all the way down to where your bodies conjoin. His eyes flicker back up and he grins cheekily, unapologetic and somewhat proud. 

With a comforting pat to your thighs, Adam leans down for a far more tender kiss, grunting against you as he removes himself from you, dick falling free as he clambers up the bed and carefully tugs your spent body along with him, nestling you tightly into his side as his wings drape off both edges of the bed. He grunts, tugging you further onto his chest, and you giggle as you swing your arms around his chest and neck, cheek pressed against his shoulder and his own pressed against the top of your head, strong arms encircling your waist and pinning you close.

“I should rant to you more about my shitty days if you’re willing to cheer me up like this.” He grumbles to himself, eyes closed as he breathes deeply, and you feel the rumble of his chest beneath you. “I can feel you looking at me. Shut your mouth and enjoy the moment unless you want to piss me off again.” 

“I didn’t even piss you off in the first place,“ You defend, rolling your eyes playfully at him. “but if you fuck me like that when you’re angry I’ll have to get you angry more often.”

“You want to go again?” Adam questions deftly, the exhausted surprise yet underlying giddiness in his voice almost making you laugh, if not for the fact that you were utterly and completely spent. 

“No, no, I’m more than happy. I was going to say we should shower.” 

He ‘humphs’ like a child, heavy arms not moving as you try to wriggle away from his grasp to begin running the shower. “What’s the rush? Give me ten minutes.”

“We’re disgusting.”

“Five minutes.” He mutters, rightening his hold on your waist. “You never know, in those five minutes you might want to go again, and then we’d save having to wash ourselves again, save the water bill and all that shit, y’know?”

“You’re disgusting.” 

“You married me.” He backhands childishly, pulling you in closer to his chest. “So that we can be disgusting together. Now shush and stop talking, I was enjoying the moment.”

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[drenched-in-sunlight]

since I’m drawing more of them, here is a bit of background for my x2 Prowler PunkFlower AU (mix of comic and animated canon and my own delulu):

- Hobart started out in a life of crime because he felt trapped by his circumstances (this follows the comic canon, he is the youngest of 9 siblings, but his dad left early, mom was an alcoholic, and eventually even his big brother left. Even though he was a tech genius, he struggled to make a living). Then after his right hand was injured after a job for Kingpin, he was saved by Peter (let’s say in Earth 42 Peter is not Spiderman, instead he runs a company.. which is also comic canon at one point).

Parker Industry gave him a prosthetic and provided a healthier environment for Hobart to grow, they sponsor him to be a kind of vigilante to keep the city safe (again, this is a bit based on the comic canon, but in the comics he was paralyzed from the waist down for a while, he also worked for Parker Industry for some time).

- For Miles G. after his father died, there was a time when he lost his direction in life. He was haunted by the fact that he could not protect Jeff. Earth 42 is already chaotic, he doesn’t know how to protect his mother (since Uncle Aaron also has his own business and can’t stay with them all the time).

- One night when he was walking back home, Miles was stopped by a robber, normally he could protect himself, but that day his mind was spiraling so badly and before he knew it, he was cornered. That's when Prowler saved him.

- Hobart was just on duty, the alley was dark so he couldn't see the other boy very well, he just turned his back to tie up the robber and told Miles to go home, it's very dangerous here.

- At that time, the Prowler symbol on the back of Hobart’s jacket seemed to engrave itself in the back of Miles’ eyelids - a call to fight, a call to protect. He made a decision then.

- Miles immediately ran to Uncle Aaron and told him of his intention to be a vigilante. Aaron was hesitant at first, but Miles said that if he didn't train him, he would go find the Prowler himself and ask him for help. Aaron was worried that Miles would be taken advantage of by others, so he accepted to train and help him create tech.

- After a while, the two of them started blowing things up left and right in Brooklyn with Miles as the new Prowler, that was when Hobart realized that there was another guy running around in his symbol (there is a whole theme in the comics where Hobie’s Prowler gears keep being stolen by other ppl to impersonate him 😭)

- He thought about telling the boy to stop, but seeing Miles punching criminals, confronting villains who are many times bigger than him yet was still not afraid, Hobart became… curious? Want to know who that person is, why do they do this.

- Of course, when they meet, Hobart still asked Miles to not to carry his logo around, but Miles stubbornly argued that anyone can be a symbol, and he would not dishonour this one.

- In general, Hobart was impressed with Miles, but it took some time for both of them to gradually trust each other. After more than half a year, Hobart took the initiative to tell Miles his true identity, Miles then also took him to meet his uncle.

- After the two became closer, Miles began to help Hobart repair and maintain his prosthetic. Hobart also began to doubt his future in Parker Industry. He had never liked to be confined to a system, and although Peter helped him a lot, he still wanted to be his own person, fought for his own ideals. So as soon as Miles and Hobart were able to fix his prosthetic on their own, Hobart left Parker Industry and moved in with Miles.

- They started dating after 2 years of knowing each other (Aaron thanked heaven and earth that his nephew finally stopped blue-ball that Hobart boy, his head hurt every time he has to witness their awkward flirting 😭😭), when Miles G. met Miles 1610, he and Hobart had been officially dating for a few months.

So basic timeline: first meeting Miles G. was 13 / Hobart was 15 -> worked together as Prowlers team at 14 / 16 -> Hobart left Parker Industry / they started dating when Miles is 15 and Hobart is 17 -> meet Miles 1610.

Well that’s all for now, so when I draw that AU it’s based on that groundwork. Cheers!

[galedekarios]

this is a personal vent post so please let me just get it all out without trying to come at me lol:

so many ppl saying they respect larian's decision to peace out and not deal with hasbro/wotc, but i have to be honest, i don't respect them at all.

they are leaving a game behind that is unfinished and a narrative mess.

they leave a game behind where everyone paid the same amount of money for it, yet depending on which character you prefer, you get less content.

the disparity between everyone else and their writer's pet ast*rion is insane. he has a half to a third more content depending on which character you compare him to.

they leave behind a sparse act 2, which is already so barren compared to act 1 and all it had to offer. act 3 is a narrative mess and lacks structure.

they leave a game behind where they made promises a handful of weeks before release where they ought to have known that they, in fact, will not be delivering said promises: access to the upper city, consequences for playing certain races across the acts (playing a drow is going to be different in act 1 and gives you advantages vs act 3 where it would give you understandable disadvantages), etc etc etc.

they leave behind a game where content was cut from the companions to make it seem like the origins have something to offer when that system is barely able to compare what origin playthroughs offered in dos2 and it hurts the game and the experience (like tara being cut for companion gale).

they leave behind a game where they promised to much variety and proclaimed in panels from hell how they struggled to show the width and depth of the game, but really? it's about as deep as a puddle. a lot of the choices do not matter. kill ethel? nah, she's alive and well in the city. no sister hags to be angry here. give karlach no infernal iron and never talk to her at all? doesn't matter, she'll survive until the end of act 3 and will still call you her bff. dissuade gale to use the orb? we'll make sure he'll still offer 3 more times just in case. send yenna away from camp bc you don't want her there? doesn't matter, she'll stay. and yes, i'm aware these are all small things, but they are part of a larger problem. almost nothing you do truly matters to the point of where i just skip most things in act 1 and 2 now.

they leave behind a game that they promise to still patch, but some things have been broken since early access / release to the point of where i'm like i'm sorry, but your word that you will continue to patch things means about as much to me as all the other empty promises. the dialogue about morena dekarios is still broken and it's been over half a year now. the astral sea scene has low-res body textures for months. i know from mutuals who love minthara that her romance is still broken. and i could go on and on.

and what gets me the most about this is all is that they have learned nothing at all from dos2: act 3 of that game was so bugged and all over the place that i couldn't muster up the motivation to finish it the first time i played. they neglected a character to the point of where he could have been removed from the game or made a general hireling (beast).

those issues were at least attempted to be fixed in the definitive edition.

with swen saying that there will be no new content anymore and stating that both bg3 and its characters are now property of wotc/hasbro, it seems unlikely we'll even get an attempt of a fix.

so what this boils down to to me is just another game company not delivering on their promises after overselling their product and more or less abandoning it after a year to move onto the next big thing.

i don't think i can respect that ngl.

[an-exasperated-hades-kid]

So I've been seeing a lot of will solace hate, and I'm here to defend my son.

First of all, he's not a toxic person at all he's a human who can mess up at times and be unintentionally rude, like in that one scene boo where he says

‘Oh, please.’ Will sounded unusually angry. ‘Nobody at Camp Half-Blood ever pushed you away. You have friends – or at least people who would like to be your friend. You pushed yourself away. If you’d get your head out of that brooding cloud of yours for once –

^ that is rude but he didn't have bad intentions because according to him nico wasn't scary and the people that he hung out with - Lou Ellen and Cecil- didn't think that nico was scary either as they were both friendly towards him when they met him at the Roman camping area outside chb so while his delivery wasn't good he meant no harm and he also helped nico realize that not everyone hates him and then there are a few jokes that he made that people consider toxic or offensive but nico was never offended or sad about these jokes he only rolled his eyes and acted exasperated so he knew will meant no harm .

Will is canonically described as a laid-back and calm person, but he is also stubborn when it comes to certain things like medical related things which is understandable since he can feel everything physically wrong with a person by just touching them and is persistent that they don't die and Take care of themselves which is understandable since he saw majority of his siblings die and doesn't want more ppl to die .

Will is actually quite a complex character he's calm and laid back but he's stubborn and strict when he needs to be he's supportive and loving to nico but since he's a kid he struggles with being understanding sometimes hence why he asks persephone for advice on how to be there for nico properly showing that he's mature enough to ask for help . He's also someone represses his emotions because he thinks that as head counselor, he has to be a perfect example, and he told this apollo in the 1st toa book. He's also pretty insecure about his abilities, as shown in boo

Evidence:

You did,’ confirmed Nico. ‘But it was the way you did it. You made it clear that you wanted me around. You said you wanted me to come to the infirmary and help, because … because you could use a “friendly face”.’

‘It was true. And you did help.’

‘You brought me closer instead of rejecting me,’ Nico said, his voice cracking. ‘I’d never been called a friendly face. Ever. You made me rethink everything – my place in camp, my crush on Percy, my future. It took you scolding me like you were the camp director to make me realize that I was … wanted.

___

But with Nico … It’s hard, Persephone. I want the best for him, and he seems to disappear into his darkness, like he’s hiding in a place where he doesn’t want my light.’

‘Then why not offer him your darkness

_____

Nico sighed in exasperation. He hated working with other people. They were always cramping his style, making him uncomfortable. And Will Solace … Nico revised his impression of the son of Apollo. He’d always thought of Will as easygoing and laid back. Apparently, he could also be stubborn and aggravating

_______________________________________

In conclusion will isn't toxic and he isn't perfect and if I'm wrong about something please point it out cause I haven't read the books in a while and if I missed something please point it out and I'm sorry for the typos I wrote this without wearing my glasses as 3 am after studying for a test

[naneun-no]

From my drafts so it’s late but:

Today’s delulu thought is that Standing Next to You has too many lyrical coincidences to not be about Jimin.

🫣 I SAID IT WAS DELUSIONAL OKAY

You are free to disagree. You probably should 🤣

I mean we know it wasn’t written by Jung Kook but obviously the version he recorded was arranged with and for JK, and “leave your body golden” can’t be a coincidence right? Like it’s the whole ass album name, plus a word that carries connotations of JK himself, which the ppl who worked with him on Seven must have known.

So if that wasn’t a coincidence… then what about:

1. “How we left and right is something we control” — a callback to both Left and Right by CP feat JK, but also a nod to Butter, a massive BTS hit and a song that he performs alongside his boyfie bestie JM.

2. “When it’s deep like DNA, something they can’t take away” — a callback to another massive BTS hit, interesting. And *delulu warning* also reminds me of JM and JK’s extreme similarities that they themselves have referred to before?? They’re wired the same, they have the same sense of humor, they live and breathe for the same shit and even though they have some very key differences, they really do seem like twin flames (even if you just see it as platonic). They are similar in ways that seem braided into the fibers of their being. Like, in their DNA 🧬 some may say. *delulu warning #2* I’m also reminded of Jimin’s Letter lyrics: “After all this time has passed will we still be the same? Just like we were when we first met.”

Also, “something they can’t take away” is an interesting turn of phrase… more on that later.

3. Okay the real meaty part:

Screaming I’ll testify that we'll survive the test of time, they can't deny our love. They can't divide us, we'll survive the test of time I promise I'll be right here

[I seriously can’t believe how closeted-couple-coded this song is]

First off, again with the Letter lyrics mirrored here with the “test of time.” Then it’s got all this drama about being ripped apart and how it won’t happen and how they’ll be next to each other no matter what and that they have “something they can’t take away.”

Not only does all that line up with other Letter lyrics, but it is so goddamn dramatic and for what?

Be for real, what straight couple in this day and age would have this much working against them?? The only possible explanations are: 1) within the fantasy world of a song I suppose this could be some sort of Romeo and Juliet/West Side Story motif, and to be fair the music video did have a kind of rival gang/crime family look to it? Sort of? With the men fighting below the stage? Idk. Or it could be 2) the fact that idols do in fact often have to hide even their straight relationships, which is wild to me. But I know it’s a thing, so. I suppose there’s that. JK doesn’t seem the type though honestly. I think he’d be even more open about it than V.

On the other hand, the lyrics seem SO fit for a couple who are a) queer, b) closeted, c) currently in/about to be in a legislatively homophobic military and country (am I saying that right? Lol) and d) internationally famous pop idols in the SAME BAND who are both widely regarded as heterosexual sex symbols and would be shunned by many people in their homeland AND internationally if their queerness were to be revealed, much less if they were truly an item and THAT news broke.

Whew. That was a lot but like… that would be a real example of a relationship that would be VERY threatened by outside forces plotting against them and trying to separate them. Not JK and a hot blonde model, not him and a Korean actress, not basically any other scenario but a queer relationship.

Idk I know he didn’t write it but like ??? What the hell is that theme? I’m dying to get inside the mind of the people who DID write it, because are they or are they jikookers at this point like?!

4. Just for fun I’ll also point out the “leave your body golden like the sun and moon” 😏 like. Okay. At this point the songwriters are watching Jikook compilations, drooling over @slaaverin edits like convince me they’re not. CONVINCE ME.

5. “Deeper than the rain”?! “The pain”?! Alright I’m not even serious at this point but ??? Rainy day fight 🌧️?!?! 🤣🤣

6. “Standing next to you” oh you mean like… for 18 months? In a companion enlistment program? Like that?

Alright alright I’m done but you get my point. What even is this song if not an anthem of jikookery?! It’s more on-the-nose than Letter, more sneaky than Still With You. It wasn’t written by JK but at this point I’m calling that the songwriters are as delulu as me.

Hope y’all are well. If you made it to the end of this thank you for donning your tinfoil hat with me and I hope you at least got a giggle.

✌️