did everyone work somewhere as a teenager that started out as a normal job and then slowly became their home, and they and the rest of their coworkers would stay there hours after clocking out. and it had super chill management but that’s ok cuz the teenagers ran things and it turned out mostly fine (the ceiling is literally being held together by bandaids and fishing line) and everyone there had mediocre to poor home life’s so they were each others found family. and after leaving, they compare every job to that one which is not a fair comparison whatsoever because it wasn’t a job it was a home. or is that just me
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Hey OUAT writers remember when you killed a beloved member of Storybrooke’s community and it had emotional consequences for our protagonists and made Henry believe good can’t win against evil and he needed to be “good” for Regina in order to “not upset [Regina] anymore” so people wouldn’t die??? So she wouldn’t kill more people? And how this death traumatized Emma and made her romantic issues/relationship fear even worse to the point where years later she’s afraid to completely enter into a new relationship with a man who loves and respects her? (And this is after the revelation that he gave up his literal home for her) And that his true cause of death was never discovered nor given retribution for? His last day he finally got his control back, to be his actual self, to make his own choice and be free from his abuser, and he dies because his abuser can’t stand not having power over him, and she dares to call her control “love.”
For one moment, one beautiful moment, he was free, but no one saw it. And then the next moment he was murdered, and he never got Justice. And now he’s buried and forgotten while the people who respected him, the same people who feared his abuser, call her “Good.”
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The only downside of rewriting world tour is that now I like Sierra. Love her even. But not canon Sierra, no no no. That Sierra sucks now and forever. The Sierra I love is specifically the version of Sierra I’ve written. The Sierra with depth and who faces consequences for her actions.
If I had a nickel for every time I’ve rewritten a story and grew to love a character I previously hated in the process, I’d have two nickels. Which isn’t a lot but it’s weird it happened twice!!
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I don’t have anything new to say right now I just want to say that school spirits is such a good show with an excellent cast a banging soundtrack a compelling mystery great world building & a fun mysterious atmosphere & I love it so much
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I’m not someone to complain about dubs cause I REALLY don’t care what people watch unless it’s a really inaccurate dub but there is something so infuriating about a dub that has a solid voice cast and direction but then you compare the sub and quality wise there on a similar level but then you see how they change lines, pause and go “what the fuck”
(I am talking about the casshern sins dub which- god damn it funanimation)
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I’m finally gonna do it tomorrow. I’m finally gonna watch “The Long Goodbye Job” and finish my Leverage rewatch so I can finally watch Redemption
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top gun maverick is re-releasing for two weeks at the theatre on my block and (like a court jester commuting to work at the king’s palace every morning) i am duty-bound to go
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