#it’s so fucking good??? the art???? the music????

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[dollniu]

lets talk abt kinks ! — JJK MEN

SYNOPSIS — kinks i think jjk men secretly have…

PAIRINGS — toji x f!reader, sukuna x f!reader, gojo x f!reader, ino x f!reader, higuruma x f!reader

CONTENT — biting and hickeys, blood play, teasing, humiliation, overstimulation, 69, begging, orgasm control, masochism

OTHER — MNDI 🔞

TOJI — biting and marks

toji shows ZERO mercy when it comes to marking you as his own. while he’s fucking u, he loves biting on your neck and leaving trails of bite marks across your skin that don’t go away for at least a week. whether he’s fucking you from the back or the front, he’s sucking on some part of your body. he loves hearing the the soft moans you make when he bites you which only makes him bite harder, it’s like music to his ears. just using his mouth all over you while he’s throbbing inside you, licking and sucking and kissing, etc. he knows ALL of ur sensitive parts and loves sucking on your sweet spot while ur riding him and the reactions you make when he bites you only makes him go rougher. also the fact that literally everyone can see the work of art he’s made on your neck, bite marks and hickeys (even in places only you two can see 💋) “you’re fucking mine.”

SUKUNA — blood play

sukuna is a mf sadist. he absolutely loves it when you’re at his complete disposal and a little toy he can inflict his cruel desires onto. and there’s nothing he loves more than leaving cuts on your body that leak with sweet crimson liquid. scratching at ur thighs or stomach, anywhere he desires with his sharp nails and watching the blood drip from your tits to your stomach only for him to lick it all up, savoring the taste of you. and the way you arch your back in pain and pleasure drives him crazy, watching you bleed as he fucks you harder and rougher. and the thing he loves most is biting into your neck with his sharp fangs, drinking the blood while he’s pounding inside you. drinking the blood and hearing you squeal in pain from the sudden impact only makes him bite deeper. “your sweet blood is mine, doll. let me taste every last drop of you on my tongue.”

GOJO — teasing/humilation

no matter where you guys are, gojo always finds a way to tease you. whether it’s whispering in your ear how much he wants to be inside you or touching you in the places you’re most sensitive, he just loves seeing you squirm as your face turns beat red. especially at the worst times— at meetings he’ll playfully put his hand in ur inner thigh, inching towards your core just to see that delicious flushed look on your face. he can’t contain himself when he sees you like that, a horny squirming mess. and during sex it’s even better, he’d make you strip down in front of him with his eyes glued onto your body, licking his lips while staring at the flustered mess he created. gojo is the type of guy to make direct eye contact while he’s fucking you. you’ll turn away in embarrassment but he’ll just grab your humiliated face and force you to stare into his eyes while he’s pounding you. it drives him crazy when he sees you squirming underneath him, letting out loud moans that you try to hold in, covering your mouth. but in return, he fucks you harder, rougher, just to hear those sweet noises come out. “come on, you like being like this.. don’t you? my little slut.”

INO — overstimulation

whether it’s you or him, ino loves overstimulation. feeling everything at once, it’s too much to handle but it feels so good. he loves seeing you squirm as he fingers you, making your legs shake after coming for the third time. you tell him to stop, pushing ino away but he knows damn well you want more and he fucking loves it. but whether you’re riding him, giving him a blowjob, or a handjob, he’s gonna be begging for you to keep going. tears flow from his wet eyes, staring up at you bounce on his dick, begging to let him cum. orgasm after orgasm, he wants to come again and again. “p-please! oh fuck- please keep going baby- please l-let me cum!”

HIGURUMA — 69 (duh)

higuruma LOVES EATING PUSSY. this is a known fact, he loves tasting all of you and licking up your sweet juices. and of course, riding his nose is also a factor. you mentioned it once and he absolutely lit up to the idea, looking up and seeing you use him for your personal pleasure made him hard just thinking about it. so when you brought up the idea of 69, you do it every night. sucking his dick while pleasuring his girl was absolute heaven for him, eating you out to perfection while getting a blowjob was just what this overworked man needs after a long day at work! just eating your pussy is enough, but feeling you swallow his dick while he plays with ur clit with his tongue felt heavenly. “god.. you taste so fucking good.. please.. mphm.. keep going.”

[cuubism]

last year I saw this 1989 Dreamling art by @webonchin, became extremely obsessed with it, pondered and mulled over it for much time, and now ten whole months later I have a fic

--

my kingdom for a kiss upon your shoulder

Chapters: 1/3 Fandom: The Sandman (TV 2022) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Dream of the Endless | Morpheus/Hob Gadling, Dream of the Endless/Hob Gadling Characters: Dream of the Endless | Morpheus, Hob Gadling Additional Tags: Alternate Universe - Human, 1989 Hob Gadling and Dream of the Endless | Morpheus Meeting, Musician Dream of the Endless, Stockbroker Hob Gadling, Love at First Sight, Getting Together, New York City, Alternate Universe - 1980s, Queer Themes, Disillusionment, Explicit Sexual Content, Blow Jobs, Anal Sex, Recreational Drug Use, Depression, tfw you meet someone who makes you want to change up your whole life Summary:

Despite Hob's success on Wall Street, life is starting to feel meaningless. Limitless sex, drugs, and money should be endlessly entertaining but instead he's bored, he feels empty, like something's missing.

Something, maybe, like the beautiful, tragic musician he meets at a party, who opens more than one new door in Hob's life--and reawakens the buried longing in his heart.

--

Hob lies on the couch of the crowded apartment he’s found himself in for the evening, head tipped back over the arm. Pounding music thumps distantly around him. Dim lights. Warm bodies moving in blurs. He ignores it all. Picks up his vodka soda from the coffee table and takes a swig. Half of it runs over the side of his mouth instead of into it.

He’s… bored. What’s wrong with him that he’s bored surrounded by as much drugs, sex, and general debauchery as he could possibly want?

But he is. All that climbing for so long and now… he doesn’t know where he is. Why he’s doing any of it. The climb, the growth, was fun for a while. Chasing hunger, chasing more, that was fun. But now he has all of it. Supposedly.

He sighs. Pours the rest of his drink inelegantly into his mouth. If he wants another one he’s going to have to get up. He doesn’t really feel like getting up. He feels like merging himself with the couch instead.

The party spins on around him, as it always does. Not everyone’s feeling as burnt out on sex, drugs, and debauchery as Hob is.

He could go track down some coke, he thinks hazily. Someone here’ll have some. Maybe it would kick his energy back up.

He just feels kind of tired at the thought.

It says something bad about the point he’s reached in life that even cocaine isn’t doing it for him anymore.

“This is very dull,” says a low voice, and a man slumps down beside him, sitting on the floor and leaning back against the couch. He tilts his head back, looking up at Hob. “Do you think so?”

“Yeah,” Hob says, and then does a double take as he catches a proper look at the man.

Christ but he’s gorgeous. Nothing like the men Hob would normally see at a thing like this—nothing like Hob himself—with their fashionable suits, slick hair, slicker smiles. This man is lithe and sprawling, like a wild predator, stark black and white lines, spiky hair, dark makeup, studs flowing down his ears like raindrops. Clever eyes. Long fingers clutching a cocktail that he doesn’t seem particularly interested in.

Hob is instantly fucked.

“I was promised good drugs and better sex and I’m bored on both counts,” the man continues. He takes a sip of his drink, and grimaces.

“That why you’ve come over here?” Hob asks. “Because I looked equally bored?”

“Exactly.” He offers the drink to Hob. “You should try this.”

Hob takes it. It’s… very blue. “What the hell is this?”

“There was a girl working the bar… very drunk. She said she would make me her ‘special potion.’”

That sounds… questionable. Hob takes a sip, and chokes. “Christ.”

“I witnessed her pour in vodka, Prosecco, and tequila. Blue Curaçao—for color, of course. And maraschino cherries.” He plucks one out of the glass by the stem—there are about seven of them total—and eats it.

“What the fuck.” The stuff’s revolting. Hob takes another sip. “That’s alcohol poisoning in a glass.”

“It’s been one of the better parts of the night,” the man says.

Hob returns the glass, and the man tosses more of the drink back, his throat working. Hob’s just drunk enough to not attempt to stop staring like a creep. He wants to ask him if he wants to get out of here, or even just to steal away into one of the many spare bedrooms—it wouldn’t be out of place at a party like this, hell, Hob could drag him into his lap on the fucking couch, everyone’s far too drunk to care—but propositioning this creature for a mere hookup feels like wearing an Italian suit to mud wrestle. What a waste of a perfectly-made thing.

How did something like this wind up at this party?

“Who’d you come in with?” he asks, as the man plucks another cherry from the glass and delicately bites it off the stem.

“Someone who gave me a rather mediocre blowjob after a show,” he says. “I suppose I thought I would find better here, but I was mistaken.”

“Fifty-fifty shot on that, I’d say,” Hob says. Based on personal experience. Sometimes mediocre is good enough. Sometimes sex, regardless of quality, is good enough. For a while it has been. He’s not so sure anymore.

“I dislike betting,” says the man. Then stretches up a limp hand to shake Hob’s. “If we are to commiserate, perhaps names are in order. I am Morpheus.”

Morpheus. What kind of name. Though he had said at a show. A performer of some kind? “Hob,” says Hob, shaking his hand despite the awkward angle.

“Greetings,” says Morpheus solemnly. “You are the first man I’ve met tonight who has not tried to impress me with inanities. I am indebted to you.”

Hob tips his head back against the arm of the couch again with a sigh. “Too tired for bullshit. What’ve people been saying to you, then?”

“I have been taught much,” Morpheus says seriously. “Thrice I have been ‘educated’ on the great promise of ‘mortgage-backed securities.’ The reactions to my disinterest ranged from offense to outright concern for my sanity.”

“I think they were just trying to get in your pants,” Hob tells him.

Morpheus frowns. “The finance lecture was not helping their case. In fact, with each passing minute, I became more aggressively repelled.”

Hob laughs. “You’re on Wall Street, baby,” he says. It comes out kind of slurred. “Only thing more important than the size of a man’s dick is the size of his portfolio.”

Morpheus hums in consideration. “Neither of those has a direct correlation to talent.”

“Try telling them that,” Hob says.

Morpheus sits up straighter against the couch, leaning his head on his arm to study Hob. “I suppose I should ask about yours.”

“You’re too pretty for me to be tacky like that,” Hob says honestly. Maybe he’s a bit more drunk than he thought.

“Am I?” Morpheus seems pleased.

“So pretty.”

“Hmm.” Morpheus rests his cheek on the couch cushion. The tips of his hair brush Hob’s hip. His eyes are so liquid in this light. Hob wonders if he’s hallucinating his existence.

He reaches out, mesmerized, to touch Morpheus’s hair. Morpheus doesn’t stop him. He lets Hob pet him, eyes falling shut. His hair is tacky on the ends with hair spray, but soft underneath.

“I’ll tell you a secret,” Hob says, and Morpheus hums. “All those self-important stockbrokers trying to impress you with their convoluted financial instruments… they just want to hide that it’s all really a scam.”

“Is it now?” says Morpheus. “I was under the assumption it was legal.”

“Something can be a scam and technically legal. Oh, it’s all very clever. But it’s just building money on top of money with nothing real to support it. Kick out the base of the tower and it’ll all go into free fall.” He makes a whistling, falling sound, and Morpheus smirks.

“And I suppose you are better than all this.”

Hob chuckles. “Oh, no. I’m a money-grubbing little vermin, too. Just letting you in on the game. How it’s not so serious.”

“Hmm. I am a musician,” says Morpheus. As Hob figured, then. “I’m afraid it’s as serious as death.”

“Hence the all-black ensemble and the makeup,” Hob says.

“Indeed.”

Hob wants to hear Morpheus play. Or sing, or whatever it is he does. He bets he’d be exquisite. Divine. Hob can imagine those lips pressed to a microphone. Or those long fingers on guitar strings.

“Do you want something more interesting than alcohol?” says Morpheus.

“Why, you still bored?”

“Less and less so.” He pulls from his pocket a small bag of pills and hands it to Hob.

“You brought your own drugs to a party where you were promised drugs?”

“Promises cannot be counted on,” says Morpheus seriously.

“What is it?” Hob asks, then decides he doesn’t care, and takes a pill, chasing it with the watery last drops of his drink, which is a terrible idea, but then, he’s full of them.

“Ketamine,” says Morpheus. Oh, great, Hob thinks. Morpheus takes it back from him and takes a pill himself. “It occasionally makes me feel less like I am going to hurl myself from the balcony.”

He doesn’t seem to be joking. “Good for something, then,” Hob says. “Why do you want to jump off the balcony?” He still has his hand in Morpheus’s hair. He honestly can’t believe he hasn’t propositioned him yet. That’s not like him. These parties are usually only good for quick, casual sex. He even thinks Morpheus would probably agree, and yet.

“The state of things,” says Morpheus. He has such a deep, solemn voice. Hob wants to touch his mouth, or throat maybe. Okay, this is already not going so well. “And the state of my heart.”

Hob pets his hair again. Morpheus leans into the touch. “Writing songs about yearning and angst and stuff isn’t fixing it?” He can well enough guess what Morpheus’s music is probably like.

“No,” says Morpheus. He seems to really think about it. “I think it is making things worse. Perhaps I will try manipulating the financial markets instead. Is that giving you existential fulfillment?”

“There’s only so much money you can make before it starts feeling stupid,” Hob says. Maybe he should just throw all his cash out the window and go live in the woods or something. Carve figurines out of fallen trees. Probably do more good for the world, not that that’s ever been a focus of his. “Maybe it was always stupid.”

“No solution has been found for us yet, then,” says Morpheus. “Would you care to go outside? I find that if you are high enough, the city lights look like stars.”

“You’re not going to jump off the balcony, are you?” Hob asks, suspicious.

“This is not the right locale for my dramatic end.”

Somehow, Hob actually believes him. Morpheus wouldn’t truly kill himself unless it could have the right effect.

Hob levers himself up from the couch. Oh Jesus, now the room is spinning. The pounding music is starting to feel louder, starting to thud through him. Feels good, though. Everything being bright and hazy.

He helps Morpheus to his feet. Leads him, hand in hand, out to the balcony. They lean against the stone wall, looking down at the street, dizzyingly far below, cars poking along like lines of luminescent ants, distant horns crying. Then up, out at the collision of skyscrapers.

Morpheus was right. The lights are spinning and twinkling, just like stars. It reminds Hob of the first time he’d come to New York, when he was looking for adventure, and to get a little rich—or a lot rich—and everything had seemed like it was glowing and buzzing and flying.

The air is clearer up here than down on street level, and Morpheus tips his head up, breathing it in. His throat is so long, his shoulders and collarbone so angular. He looks like he’s been starving. But the stud in his ear at least looks from afar like a real ruby. Intentional, then, to be skin and bones.

“I think I am tired,” he admits, still looking up at the sky. “Do you know that… all I had ever wanted was for someone to like my music. And now I have that and it has not fixed anything.”

Hob takes his arm and pulls him close. He’s feeling very touchy-feely now, which could be the drugs but could also just be Morpheus. He’s so pretty and he looks so sad, and his sadness is beautiful and all the more terrible for that.

“I could kiss it better,” he offers. It’s still not a real proposition. Hob’d just kiss his hand if that’s what he wanted. Or the sharp bone of his sternum under those hanging necklaces. Or kneel at his feet and kiss his thigh—

Christ. Hob’ll be lucky if he survives the night, at this rate.

Morpheus looks at him, eyebrow raised. But Hob must look serious about it, because he says, “Okay.”

So Hob leans in and kisses his cheek. And Morpheus smiles, a bright, truly happy smile, just for a moment.

“Do you wish to dance?” he says. “I do not usually, but I feel I may fall over if I move from this wall without something to hold onto.”

Yeah, the floor is kind of moving. And Hob will certainly not turn down having Morpheus in his arms. “You wanna dance to this shit?”

They’re playing some godawful thumping grating song over the speakers now, and Hob doesn’t think either of them is up to the kind of bouncing thrashing dance that would call for.

“I will sing something different in your ear,” Morpheus says.

So Hob draws him in, wraps his arms around his waist. Morpheus plasters himself to Hob’s body, mouth to the shell of Hob’s ear. He starts humming a low, melancholic song. Hob shivers at the brush of his voice.

They sway together with very little coordination. Eventually Morpheus starts singing, though Hob’s brain isn’t capable at the moment of taking in many of the lyrics. It’s something about longing, and losing things in a terrible fire. Hob presumes it’s one of his songs. Morpheus’s voice is gorgeous, low and hypnotic, and Hob closes his eyes as it rumbles straight through him.

“You’re beautiful,” he murmurs eventually, filled with a sudden tragic pain about it. “Please don’t throw yourself off the balcony.”

Morpheus chuckles. “Another time, perhaps.”

“Never,” Hob says vehemently, and clutches his warm body close. He might cry about it. Fucking drugs. “We should go get food. You’re so fucking bony I think might you die of an overdose if we don’t sop it up. You had that wretched drink, too. Christ.”

“You are worried for me?” says Morpheus, sounding touched.

“Incredibly. Come on.” Hob finally pulls away from him, with chagrin, and takes his hand. “This party’s shit. I’ll take you to get pizza.”

“Pizza,” Morpheus repeats, with a tiny smile. It’s gorgeous on his face. “Very well.”

--

One dollar pizza is one of New York’s greatest inventions, in Hob’s opinion. They find some hole-in-the-wall place barely a block from the apartment building, and stand outside the door, eating incredibly greasy pizza off of paper plates, and it’s fucking heaven. It might be the best pizza Hob’s ever had in his life—granted he’s still very high.

Morpheus is scarfing his down like all pizza on earth is about to be chucked into space. Poor bony thing. Hob just wants to feed him up until he stops looking like a skeletal waif that’s about to drop dead at a cold breeze.

And wants to fuck him, too. Yeah, that’s still there, even with Morpheus licking grease off his fingertips. It’s actually getting worse because of that.

“Told you,” Hob says. “Needed some bread to soak up the fifteen shots in that drink.”

“I think I may throw up,” Morpheus says, with the careful articulation of someone who very well might. “But I am enjoying it nonetheless.”

“Let me know and I’ll find you a bin,” Hob says. He’s had worse nights than puking on the street corner.

“Now I owe you sexual favors in return for this generous meal,” says Morpheus, folding the empty paper plate with surprising precision, considering his enduring level of intoxication, and sliding it into a nearby trash bin.

It says something about Hob’s own level of intoxication that he barely responds to this statement. “Oh, yeah, the whole four dollars of it. What does that get me?”

Morpheus scrunches his nose in thought. “Two kisses,” he decides.

“We’ll save it for after you’ve decided if you’re going to throw up.”

Morpheus giggles. He’s so cute.

Hob tosses his own plate, and takes Morpheus by the arm. “Come on. You can come back with me. I don’t live that far.”

“Ah, now the proposition,” says Morpheus, but doesn’t sound unhappy about it.

“The ‘make sure my new friend doesn’t get hit by a cab effort’, more like, but sure.” He feels kind of responsible for Morpheus now. If Morpheus actually threw himself off a balcony Hob would never forgive himself.

“Friend,” repeats Morpheus, sounding pleased.

“See, isn’t this better?” Hob says.

“Better?”

“You got to eat pizza and didn’t even puke yet, isn’t that better than killing yourself?”

Morpheus huffs. “Quite a dichotomy. If you recall you too stated that you felt your efforts becoming meaningless.”

“Yeah, but I’m not gonna jump out a window about it.”

“Fortitude,” Morpheus says, and it sounds mocking but Hob doesn’t really mind. Maybe it is fortitude, he doesn’t know. Maybe to Morpheus fortitude is gullibility, continuing to play the game when it’s long lost its spark and its reward. Hob likes the game, though.

“What will you do about it, then?” Morpheus asks.

“Dunno.” It’s the first time Hob’s really thought about it. Up until now, it’s been about chasing. Always wanting more. But now— now he’s basically at the top. Where he wanted to be. And... there’s really nothing there at all. “Leave New York, maybe.”

The words surprise him, even as he says them. Midtown is so bright, even at four a.m. It’s something Hob once loved about the area. About the city. But now he’s staring into Morpheus’s darkness. Into the ink stain of his hair against the glowing storefront lights, the sway of his body, graceful even while swimming in dissociation. And everything feels different.

“To go where?” says Morpheus.

“Back to London, maybe.” He has enough money to go anywhere. And yet, it’s hard to feel a particular point to anywhere. Where’d his sense of adventure go? His ambition? Somewhere it all slipped, in the glut of the present.

“I grew up in London,” Morpheus says. “It is too personal there, now.”

So he’s chasing something too. Or running away.

“Tokyo, then,” Hob says, as if Morpheus coming with him is a key part of the decision. “Is’at the furthest city from New York? Gotta be close.”

“It’s Perth,” says Morpheus.

“You’ve looked it up?”

Morpheus nods solemnly. “And from London: Wellington.”

“It’s settled, then,” says Hob.

“I am coming with you?” says Morpheus.

“Course.” Hob’s not going across the world by himself. Not anymore. He bumps his shoulder with Morpheus’s, squeezes his arm where they’re leaning together. “You’re coming with me.”

“We should go further, then,” says Morpheus.

“Antarctica?”

“Mars.”

Hob finds himself giggling, mirth rising in him like champagne bubbles. Morpheus giggles, too. It’s truly a ridiculous sound in his deep voice.

“They don’t have cool jackets on Mars,” Hob says, poking at Morpheus’s studded blazer.

“Ah.” Morpheus frowns. “Maybe not, then.”

That only makes Hob laugh louder, leaning on Morpheus’s arm, and Morpheus sighs, irritated to be made fun of, but doesn’t push him away.

“Come on, I’m here,” Hob says, steering Morpheus into his apartment building as it comes up. They make their way across the lobby and to the elevator bank, only a little unsteady, and then slump against the wall once the elevator doors close.

“I think I am very sleepy,” Morpheus says, tipping his head back against the mirrored wall as they go up, up, up the insanely tall skyscraper Hob’s for some reason chosen to live in.

“You think you are?”

Morpheus squints at the infinite tunnel being created by the opposing mirrors on the walls. It’s dizzying, more so now, when they aren’t exactly sober. He shudders and closes his eyes. “I would have to be connected to my physical form to know for sure.”

Yeah, Hob’s feeling that too. The walls are kind of tipping in at him, which is particularly uncomfortable when they’re mirrored. “I’ll put you to bed, sweetie.” He still really, really wants to bed him, more specifically, but he might also be about to fall over. He’ll rue the missed opportunity in the morning, but it can’t be helped.

“Sweetie,” Morpheus echoes, with vague distaste, and tips his head against Hob’s shoulder.

The doors slide open, and they stumble out into the hall. Hob somehow manages to get his keys in the door and get them inside without dropping Morpheus, who’s now using him to support almost his entire weight, and then gets them into the bedroom.

What follows is a dreamlike whirlwind of undressing, where the floor keeps tipping under him, where he tries to hold Morpheus up as he slips out of his boots and his bloody complicated jacket, his skintight jeans and even tighter shirt, helps take each ring off his slim fingers to leave carefully on the nightstand, and the pendants too, and gives him a t-shirt to sleep in, and Morpheus says, “Wait— I must—” and flees to Hob’s adjoining bathroom to strip off his makeup with some makeup wipes scavenged from Hob’s cabinet, undoubtedly left behind by a prior hookup. The silly thing talks about killing himself but still puts effort into skincare. Hob just shakes his head, then regrets it as it makes the room spin.

He strips down to boxers and undershirt and climbs into bed, because he is actually about to fall over, and soon enough Morpheus stumbles back out and collapses into the sheets beside him. For a moment they just gaze at each other in the dark. Hob means to do something, to kiss him, maybe, claim one of the ones that was promised. But exhaustion claims him first. 

[grimsonandclover]

Blurb expanding on this idea. Not proofread, written in an hour tops.

Nsfw

College!Artrick in the modern day instead of 2006/7. They're bored, Art's finished his assignments and Patrick's procrastinating so they decide to go to a party someone is throwing near campus that they've heard people talking about. Patrick wants to get laid, Art wants to talk to someone other than Patrick (he loves his friend but they've been around eachother 24/7 for days now).

Art's the first to come across you at the party. Platform pleather boots with metal buckles up the sides, a black, lace trimmed miniskirt with ripped fishnets underneath. A large black knit sweater with small holes at the collar, and Art's wondering to himself if it came like that or not. Like moths got to it. A large silver cross on your chest with layers of necklaces stacked with it, the fingers gripping a red solo cup clad with chunky rings and long acrylics.

Your head is turned away from him initially, so he only gets a look at your clothes at first. He approaches because he wants to ask about the sweater (he's never been good with icebreakers). When you turn to look at him, he thinks his heart stops.

Your lips are painted a dark red, almost black, and the first thing he thinks of is if it would transfer to his lips if you made out. Because fuck, he wants to kiss those lips.

"It came like this" you explain, and then he realizes that you're answering his question. "Why?"

You shrug. "I don't know. Cause it's cute, I guess."

Art couldn't explain it, but he believed you could make anything look cute. So he shrugged, agreeing. It's when you introduce yourself by name that Patrick finds Art again, and it's his turn to oogle at you.

He's never been a picky guy, barely has a solid type unless saying his type was "hot" was a valid answer. But seeing you... you're his type. Just you. Patrick's shoulder to shoulder with Art in an instant, leaning in to introduce himself loud enough so you can hear him over the shitty party music.

When he gets your name, he smiles over his solo cup as he repeats it. Art gives his best friend a look. Oh great, he's into you, too.

"I like your makeup." Patrick points to your face like you don't know where it is. "I didn't know emos could look so hot."

That makes you laugh. "I'm not an emo, but thanks, I guess."

Art nudges Pateick in the ribs before speaking up again. "And your jewelery, too. How long does it take to put on?"

The rest of the night is spent with the two friends competing for your attention, flirting with you the best they can. You know what's going on, and you let them if not for your own amusement.

You start noticing the two more on campus, and when they see you (which isn't hard to do) they awake sure to strike up conversation. It isn't long before you can call them friends.

Neither of them want that, though. They wanna see if your panties are as black as the bra peaking from your tank top when the sun's threatening to turn the school into melted goo. You wore a sweater at the party when you met so they couldn't yell, but this tanktop showed off the absolute rack you owned. They wanted your tits in their drooling faces. They wanted your glossy lipstick smeared over their cocks. They wanted to hear you scream their name as you bounced on top of them, feel you cum around them.

Instead, they settled on the long game. While hanging out, you'd mention the music you liked, what album you were listening to, what band you went to see over the weekend. The moment classes end and you all leave to your respective dorms, the two tennis players are both removing Drake and Carseat Headrest from their ques and playing whatever song you last mentioned to them. They do it just so they can tlak over eachother the next time they see you about the songs on the album they both suddenly know. Patrick finds himself unexpectedly loving Seether, especially, and he didn't even think he'd leave the experience liking the music for real.

You really start liking Art and Patrick, which you didn't expect. Sure, they were cute, attentive, and incredibly hot, but they weren't exactly the type of guys who normally approached you. Guys like them actually tended to be intimidated by anyone in alternative styles or genres. And they listened to you. Would let you talk about your interests for hours if you wanted. It made you like them even more.

They were surprised, too. Like I said, Patrick doesn't really have a type, just hot people, but most girls he's been with aesthetically have been pretty "mainstream" all things considered. There's nothing wrong with that, of course, but it made you stand out to him in his fantasies. Both your style and your tits. He really liked staring at your boobs every chance he got. His top fantasy lately when he jerks off involves him smothering himself in your tits while he fucks you. He comes hard to the idea, making bigger messes over his fist and chest than usual.

Art usually got with "clean girls" or girls adjacent to that aesthetic, so hes confused by the complete 180 his tastes seemed to have taken since meeting you. You're all he could think about now. He wanted to wake up next to you in the mornings and see you fresh faced before your daily beat, watch your ritual of doing your hair and picking out your clothes and jewelry. He wanted to witness the whole process. And he wanted to motorboat you, but that's a side thought. He's also gotten off to the idea of being with you, but he's always so ashamed. He doesn't want to sexualize you like that, it doesn't seem fair or nice. Does that stop him? No. He's still scrolling through your Instagram, painting his fist and the corner of his phone white with cum to your latest thirst trap selfie, imagining that it's your hand around him instead, your acrylics wrapped around his needy cock when he whimpers your name into his pillow. It's hard to look you in the eyes afterward.

[abnomi]

random assorted headcanons for Turbo because I like thinking and having fun !!!! 🎉

Read More to Find Out...or are you too scared?... i bet ur too scared ahaha youre too scared Lol! Hahaahaaa!!!

The steering wheel of his kart is covered in bite marks, similar to how one would bite their favorite pencil. he bites things to mark his territory because Nobody is gonna touch that unless they want all of his diseases (150+).

i just know he was fighting to restrain himself not to chew on any of the candy civilians

when it comes to music, he doesn't see the point of listening to it. he doesn't have enough patience to really take it in; to him, it's just a thing that exists and not much more than that ¯⁠\⁠_⁠(⁠ ∵⁠ )⁠_⁠/⁠¯

adding onto that point, this guy listens to metal clanking sounds and loud engine roaring for entertainment because he likes things that would overstimulate any normal person. turbo is incredibly sensory-seeking and will do anything for The Sensations

someone should take him to a heavy rock concert i think it would change him a little. keep that thang on a leash

related to being sensory-seeking, i think he would absolutely love running his hands over random textures. if anyone has run their hands along a wall while walking alongside it...He does that...If u know u know... he is SO stimmy its unbelievable. Unreal.

very pain-tolerant. he'll whine and complain about it for attention, but physical hurt really doesnt bother him much until it gets in the way of what he wants to do.

funnily enough, he is very picky when it comes to temperature. he can handle getting ran over but if its 1° too hot or cold he'll start nagging and nagging for it to go back to normal. turbo really needs his own enclosure i think it'd do him a lot of good

this is a more popular headcanon and its canon-leaning, but he's an artist :-] he usually sticks to graffiti art because its generally considered more "rebellious and cool" but he also sketches cars, design decals, and other stuff when hes alone!

i would love to see his process of character designing king candy because i dont think he really knew what he was doing

he was just like "ok what does a generic king look like. uhhhhh.... 1, old and jolly like santa claus.... 2.... uhh crown..... 3......... purple.... FUCK YEAH im so good at this!!!!🔥🔥🔥"

i just noticed how his design has like 0 actual candy motifs aside from his bow being a candy wrapper and his shoes having those little gumdrop end pieces. what was he THINKING

while King Candy has a lisp, i think it's a coverup for his actual voice because of how goofy and recognizable it is. Overall its the same as his regular voice, he just gets silly with it. i noticed that he still does retain some of his lisp when hes screaming his lungs out at Vanellope, however, so maybe he genuinely does have a lisp that makes itself known when furious :3

another thing i noticed is how he hisses his S's. very cool very cool the reptilian

@/tasticturbo made a post abt how he has tinnitus from the constant noise in his game and i couldnt agree more

AND THE PRESCRIPTION GLASSES. where did he get those...he needs to See

side note, the aforementioned account has made so many interesting analyses on turbo and theyre all so insightful. i recommend u check them out

i think he gets migraines from stress. constant buzzing or pain flood his head but hes like "IDGAF i need to DO something at ALL TIMES no matter what"

hes like a shark in that way. if hes not moving he'll die instantly. idk a lot about sharks or if thats how it works srry but im going off of what the Worms are saying to me and i dont have much to work with

i think a really big contributer as to why he lacks in the self care department is because he fails to notice that something in his body is wrong. hes far too distracted on something he thinks is more important than remembering to Eat Food or Drink Water or Wash Himself or

he's like "WHY DO I FEEL LIKE SHIT ALL OF THE TIME!!! I HATE MY LIFE" and he hasn't slept in 4 days

hes so me. Sorry.

i dont think turbo is necessarily suicidal, but the way he behaves shows a clear disregard for his own safety and wellbeing. he thinks that he knows what he needs but he really doesnt :-[ i think he has some kind of immortality complex, feeling untouchable and like nothing could get to him. as scared as he was when ralph was about to turn him into sloppy mush, he didnt take the threat very seriously. like it was some kind of joke

his kart regenerates every time his game starts up, so what if he smashed it into buildings for fun. He's the number one fan of car accidents. he is all about that shit

i think his living space would literally be a garage btw. its a place to sleep and a space for his car all in one!! he thinks its very convenient and awesome but i think he is coping. he has some old dingy stained sheetless mattress that he has never washed in his life and its covered in dirt and smoke particles. no wonder he has such heavy eye bags Dude Please

the turbo twins have a garage used in a similar way, and while its still pretty shitty, they still at least TRY to maintain it. they just fight a lot over who has to care of it. nobody taught them how to take turns ever

but this aint about them. maybe another day

i think that turbo would find comfort in garbage and keeping it around because its familiar to him. a big clean empty space would make him so mad and if anyone moves even an inch of scrap off to the side he will throw a fit. he generally doesnt pay attention to his surroundings but when its his personal space he is 1093 times more neurotic

i think the big empty castle he stole wouldve been a big transition for him. maybe it helped him clear his mind a little more to practice his tricky schemes...it helped him get more subtle

thats all i have for nowww ty for reading ^_^ if anyone else has any wacky ideas pleeeease tell me i would love to hear them!!

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[smooth-noob]

[xvs9000]

!MURDER DRONES EP 8 SPOILERS!

decided to draw my fav scene from the finale

two besties, falling into the earths mantle, staring lovingly into each other's eyes as they plummet to their doom cross posted from twitter here

[lazycranberrydoodles]

1 of 3 of my megan studies. —> HISS music video🐍 <—

[the-meme-monarch]

i love extrapolating on implied interactions to the point where it is thoroughly made up

if you ship scc go away please 👍

[ricky-mortis]

This is my first impression of them after the first broadcast- Dakkar, Ahlaam, and Addison are everything to me already.

[starryluminary]

Don’t know if I can deny

A Sudden Desire

Alternates

[pebblefroot]

watched the ace attorney musical with my friend recently and had some thoughts

[ignatiusteto]

i think sacred music in the kryn dynasty would be very cyclical and repetitive in form to symbolize the idea that life is a continuous thing (at least those who are consecuted right right) and is a cycle across lifetimes and yeah

[doodle-girl]

Keep forgetting to post this one! This took me genuine hours and I guarantee you that at minimum a quarter of the time spent there was on the damn teeth ✌️ Really proud of how this whole thing turned out, tho!!! (Also click for better quality because it’s tumblr)

[spenglerstwinkie]

Morioh would’ve been way more bizarre if they had Kendrick Lamar

Insp + background vv😭😭

Literally only this photo of Kendrick prompted me to make like a screencap of him if he was in the crazy noisy bizarre town op... Sorry if its mid its pretty rushed. Also i love Kendrick

the background was so fun to do omg😭😭 took me ages and i had to make the paint splatter brushes myself (i love procreate) (if you can tell they were low quality. No you cant.) Its a rip of the background in Okuyasu’s screencap but… shhh

Is it frowned upon to have insanely long captions plus a lot of tags… if so mb i dont use tumblr like at all and i love to yap