#it's an adaptation...the drama writing was in-character for the drama characters

[llycaons]

I don't mind that the yin iron plot was kind of silly okay the boys hung out and had some shenanagins 🥰 I liked it

[whoa-where-did-the-pancakes-go]

I dont know what I'm doing but here you go

"Everyone here has a motive." Dallon groaned into his hands.

"I loved my husband!" Sarah declared, "I would never kill him!"

Ross eyed her darkly.

"Maybe he just killed himself?" Ryan suggested.

"Yeah, sure," Ross snapped, rolling his eyes, "just shot himself in the back of the head because that's perfectly physically possible."

Ryan crossed his arms, "Jesus, sorry."

"World famous opera singer Brendon Urie is found murdered and I'm sitting in a room with the killer." Dallon stared blankly at the wall.

"We don't know for certain if he's still here." Spencer patted Dallon on the back.

"Or she."

"Yes, Jon," Spencer sighed, "or she."

"Or they."

"We get it, Jon. The murderer could be of any gender."

"Really, there's an unlimited number of pronouns that the killer could use, there's neos and -"

"Jon."

"Sorry. I'll stop."

"There are ghosts here." Geraldine Way whispered from her smoke obscured armchair. Her brother whispered something back.

"Here, honey," Breezy smiled. She passed Dallon a glass, "have a drink. You'll feel better."

"Thanks," Dallon mumbled.

"Do I get a drink too?" Pete asked, grinning at Breezy.

"No." She sipped her glass of absinthe sophisticatedly, "make your own."

"Aww," Pete whined, draping himself dramatically over the bar. He quickly popped back up, "Hey, Mikeyway," Pete grinned, "make me a drink."

"That's Michael Way to you," Mikey pushed his glasses up his nose, "and you can make your own damn drink."

[sweetsuenos]

Been thinking about Summer Strike and honestly I wish it had been a standard 16 episode drama.

As it stands, its a healing drama that takes an unexpectedly dark turn towards the end. One that suddenly involves plot points we saw bits of, but that weren't at the forefront of the show.

If summer strike had 16 episodes, that aspect of the story could have been established more so that the turn it took at the end could feel more like a culmination? climax? instead of a cheap attempt to increase ratings, which is genuinely what it felt like in the moment.

Like it's possible to have healing dramas with dark subplots. It's Okay to Not Be Okay and When the Camelia Blooms both involve (serial) killer subplots and take place in a small seaside town and are largely about human relationships and healing from trauma. None of it feels out of place. All the wholesome moments feel just as genuine and relevant to the story as the scenes with death or suffering or stress.

Even the most classic romcom dramas can have a little murder, as a treat. Touch Your Heart is a romcom about an actress and a lawyer and it has murder and it doesn't feel cheap. The male lead is a lawyer so he defends someone accused of murder, totally understandable. Hometown Cha Cha Cha is another romcom that also takes place in a small seaside town and that also has heavy scenes involving death/grief but the story gives those deaths the respect they deserve. Unlike in Summer Strike..

In Summer Strike it just felt like a way to add an unnecessarily dark, high stakes conflict to a really peaceful slice of life drama. It was like they realized there wasn't many episodes left so they added one large conflict to quickly wrap up everything together in a way that would increase ratings.

I tried reading the webtoon to compare but 60 chapters are left untranslated and I can't find the original korean version (on any free site) so I can only compare up to chapter 86/140. Compared to the drama, the webtoon is much more stressful and more dramatic, and it stays that way for many chapters of the story, so much so that the wholesome moments are a breath of relief for readers, so if that murder happens later, (again, don't know for sure) it's not so out of place in the comic's version of events. A lot of plot points and characters are different in the webtoon (Jiyoung's character is literally 1000× more insufferable in the comic, if you can believe) so they really didn't have to remain faithful to the comic in the one instance where it didn't fit the drama's version of the story. Lots of webtoon based dramas have different plots, details, and endings compared to the comics, so even though I tried to see if it was an excuse for the sudden tonal shift, I don't think it is. The drama version of the story is really different and I 100% prefer it. (Unrelated but the comic's art style is also kind of plain and hideous. Genuinely not trying to be mean but its hard to feel sympathy for a character drawn like a 2012 rage comic...)

The ending is just disappointing because I really love Summer Strike. I kind of want to just pretend the last few episodes don't exist because for the most part it is such a beautiful drama. I just wish they had chosen one story (peaceful drama) or the other (stressful webcomic) to do since they couldn't properly develop a story with aspects of both. I will give them credit though, for creating a drama so lovely that I thought there must be some horrible mistake when I first found the comic. Like they really didn't have much inspiration to work with aesthetics wise, all the gorgeous shots were created solely through the efforts of the drama staff.

[shiegra]

Till the End of the Moon ep 16

well, having already read the book I wasn't prepared for how much actually seeing the Clam Tribe [spoiler] happen would upset me. I've been watching it with my mom and a friend on viki and we usually have pretty lively excited commentary during ad breaks but we were all teeth-clenched as hell during that one LMAO.

[rozmorris]

How to make a true-life account into a compelling story, or how to make Masters of Sex from Masters of Sex

I thoroughly enjoyed the Channel 4 series Masters of Sex, about Dr William Masters and Virginia Johnson, the pioneers of sexual research in the 1950s and 1960s. I then read the factual book it’s based on by Thomas Maier and was surprised by how different it is. While the drama feels very faithful to the facts, the scriptwriter, Michelle Ashford, has extensively reshaped the material to create a…

[physalian]

What No one Tells You about Writing Fantasy, #2!

I did this list about 7 annoyances about fantasy, but I write in this genre for a reason! Fantasy knows no bounds, it can encompass all other genres within it. You can write a fantastical murder mystery, fantasy horror, fantasy romance, political drama, slice-of-life, comedy, whatever you’d like!

Whether it’s urban or high fantasy, supernatural or scientific, here’s seven great benefits of writing in this genre:

1. No modern means of communication

Unless you’re writing a world with phones or phone-adjacent devices. Phones and instant communication seriously inhibits the plausibility of dramatic irony and tension when you have to keep coming up with reasons to keep your characters from calling or texting each other everything they know. It’s exhausting, I tell you, and such a relief when phones aren’t a factor.

With that said, without phones, you have complete freedom to design your own magical channels of supernatural FaceTime, as weird and zany as you want. But without instant connections? Your character who knew too much can’t pass on the intel before they die. Your hero team can’t call for backup in their darkest hour. Otherwise easily preventable tragedies and deadly miscommunications are now very real.

2. The Monster Allegory

Fantasy and sci-fi tend to overlap more than they’re set apart, and in that overlap sits the monster allegory. Everything from werewolves to vampires to witches, reapers, demons, angels, goblins, trolls, wraiths, fairies, mermaids, ghosts, to Eldritch horrors and your classic Hollywood cast of mummies, creatures from the black lagoon, and Frankenstein.

Most of the time, the monsters aren’t just monsters, they represent a monstrous aspect of society the author wants to challenge and caricaturize in a fun and entertaining way. Or, the monsters are the good guys and the humans are the real terrors. Or, you’ve got two kinds of monsters to allegory two human sides. Sometimes they represent metaphorical demons, like vampires often representing addiction and werewolves repressed identities.

What all of this boils down to is the hyperbolic nature of science fantasy that allows you to go over-the-top with your metaphor and allegory in a way that a book grounded in reality just can’t.

3. Magic Systems!

Do you love world building? Do you love filling pages upon pages with your cool and unique set of superpowers you want your characters to have? Do you dream about your fight scenes and dramatic slow-mo shots?

Then Fantasy is for you!

There are zero limits to how you want to define your magic system. You can go classic with the familiar archetypes of elemental magic, wizards, sorcerers, and witches. Or you can step off the beaten path and design a whole new funky system of power sets. Best part? Your readers will have an awesome time imagining themselves with those powers, and debating endlessly about how it works.

4. Real-World Politics, who?

Amazon’s Rings of Power was twice-doomed when they only got the rights to adapt the appendices of The Silmarillion and when they decided to inject current political problems into a timeless story written purposefully to be divorced from those politics. You *can* write about human politics, but in fantasy, you don’t have to. You *can* interpret Lord of the Rings to be an allegory about the World Wars, but no matter how hard you argue, it wasn’t written with that intent.

Which means: Even if your story is set in the reality-adjacent fantasy version of 1543, you are free from the following: Racism, homophobia, sexism, religious bigotry, mental health bigotry, gender norms, anti-feminism, toxic masculinity, and more. “But that’s how it was-”

Nope. This is fantasy. You built this world, you decided to keep in the discrimination. Or… You can fill your fantasy world with a rainbow of gays, POCs in power, women in power, men unafraid to be compassionate and caring, a religion that doesn’t foster hate and division, the list goes on. You. Are. Free.

5. Nothing is too “unrealistic”

Both that you will always have people whining about how X would never happen so write the book you want to read, but also because fantasy is fake. Fairies aren’t real. Mermaids aren’t real. There are no rules for how they must be written and that’s how we have so much variety with so much room for interpretation by so many creators. Twilight made how much money writing about vampires that sparkle like diamonds in sunlight and crack like marble?

This is fantasy, it’s supposed to be unrealistic. Yes, your plot should make sense, but don’t be afraid to get weird. Write at least some of your story dependant on those fantasy elements. Write a story that can’t just be told in the real world minus the spectacle. Don’t be afraid to be sincerely fantastical and weird. People love weird. People love loving weird.

6. You are in complete control

But you do still need to research, unfortunately. Unless this is urban fantasy that depends at least a little on the human world, yours is completely your own to govern like a god tweezing weeds from their garden. You get to design your own geography and weather patterns and seasons. Your own countries and kingdoms and politicians. Your epic pre-canon fantasy war and the stakes that it was fought over. Your species, races, and ethnicities.

It’s a shame that a movie like Avatar (2009) set out to be this wholly unique take on aliens with music completely divorced from earthly bonds, new languages and a visually and culturally distinct alien species… and ended up a largely generic blue Pocahontas in space. It forgot that it was fantasy and didn’t go weird enough. They have horses, monkeys, wolves, rhinos, and deer just re-skinned with some extra limbs and colors. It’s pretty but it’s so, so shallow.

It could have become a cult classic like many a positively *weird* 80s off-beat fantasies, and now it just… exists. It makes a whole lot of money but its impact on the cultural zeitgeist is negligible. I’m the only person I know that can name every major character in the movie, and I’m no Avatar obsessor. They had complete creative control, and this is what they did with it. Don’t be Avatar. Take your creative freedom and run.

7. Even if it has been done before, do it again

You can say this about any genre, particularly romance, but fantasy and sci-fi, by the gatekeep-y nature of their fans, can be a lot less forgiving when it comes to claims of “unoriginality”. No one hates Star Wars more than Star Wars fans. Fans of these genres can get… concerningly attached to their favorite stories (mostly because the people who like them had only their fictional heroes to protect them from very real bullies).

But Game of Thrones exists because the author likes Lord of the Rings and went “yes, but what if it was an R-rated parade of misery?” Dungeons and Dragons exists because people wanted to roleplay in an LotR-esque world. Legolas and Gimli single-handedly defined what a badass elf and dwarf looks like in high fantasy. And people still gobble up media ripping shamelessly, or even good-naturedly, from this one story.

So on my other list, I argued that the sum of your parts is still original, even if the components aren’t. On this list, I implore you this: It’s not stealing or appropriating to write another Legolas if you love Legolas. Everyone loves Legolas. How many generic buff action heroes do we have and love? How many Hallmark romances tread the same predictable path? Who gives a damn if it’s unoriginal? Just make it entertaining and have something fresh to say in the end (or don’t, that’s fine too), and people will read it.

And when people say “Oh, you mean like Legolas”, take it as a compliment, not an insult. Yes, exactly like Legolas. Here’s my new elf because I adore this other book, now watch him go on a new adventure that I wrote for him.

[agnesmontague]

the goncharov stuff made me think of a really good potential improv exercise: two people pretend to be an interviewer and a film director whose new film has come out/come under controversy/won an oscar etc and they have to build the entire lore of the movie together from scratch

the exercise could come in several flavors:

new release: this is the easiest one potentially bc both the interviewer and the director can skirt around stuff they can't think up by going "but we don't want to spoil the audience", opportunity to go off-prompt a little by talking about the director's "other movies" or past achievements

oscar win: very good for film-savvy improv artists, great opp to bullshit about story-writing and the creative process as well as things like film score or design choices if they want

controversy: probably the most fun, esp if the interviewer can cook up a truly wild controversy that both of them can lean wholeheartedly into. things like screenplay leaks/on-set drama/adaptation of very risky material etc is all fair game. also the most ripe opp for the director to lean into a deliberately eccentric or odd character

[fandom]

Queer TV

This is a strange time to be writing an editorial on queer representation. While the past year has seen an incredible uptick in queer stories being told with humor and heart on the small screen, 2022 has seen a record high of 238 proposed anti-LGBTQIA+ bills in the US—nearly half of them targeting trans folks. Representation is important, though, and demand for more queer stories is growing (and, to some degree, being met), with a lot of good books and comics making it to our screens. With that in mind, think of this as your selective chronological tour of all the times we won in the TV landscape of the last year (October 2021–October 2022).

Our dataset year started off with the much-awaited adaptation of Robert Jordan’s fantasy epic, Wheel of Time. With such extensive source material (15 books if you count the prequel, which is where the seeds of the sapphic storyline in Rafe Judkins’ adaptation are to be found), the viewership, generally speaking, was divided into book fans and show-only fans, and both camps shitposted and meme’d and reviewed with abandon. 

The biggest queer-centric show we saw in the last year was the adaptation of @aliceoseman’s comic Heartstopper (@heartstoppercomic). Co-created by Alice Oseman themself, this adaptation was very sensitive to the much-loved source material. And, being native to Tumblr, these characters were bound to be welcomed with open arms when they hit the screen in an ebullient explosion of queer joy. 

A run-down of the past year would be incomplete without the incredible queerdos of the Revenge who swashbuckled their way into our hearts. We’re referring, of course, to Our Flag Means Death’s Gentleman Pirate and his merry band of (living-wage-paid, no less!) shipmates. Your favorites included genderqueer Jim ‘not-a-fucking-mermaid’ Jimenez and Oluwande, Lucius Sprigg and Black Peter, Frenchie who just hates cats, and The Swede, who keeps his heart but loses his teeth. Then, of course, we have Blackbeard himself, or simply Ed, who is struggling with his identity (villain or softboi).

Based on the story by @veschwab and produced by @belletristbooks, First Kill was another adaptation that fans of vampire stories got very excited about. Add to that the fact that this was very much a sapphic enemies-to-lovers scenario between hunter Calliope and young vampire Juliette, and the pre-show excitement was palpable. The post-season disappointment even more so as fans turned to their dashes to vent about the lack of good lesbian and wlw representation in 2022’s TV landscape.

Where the cancelation of First Kill left us reeling, the Rockford Peaches from A League of Our Own came in clutch and soothed our sapphic souls. You love the show which you affectionately shortened, in good old Tumblr fashion, to a silly little acronym: aloto. Whether you’re in it for the gal pal aesthetics, the butch energy, or Uncle Bert, or some good old fashioned baller drama, there truly was something for all of your wlw whimsies here. Let’s go, Peaches!

@neilgaiman’s The Sandman series finally came out to much acclaim, and came out so gay that armchair reviewers of the homophobic sort really struggled to wrap their minds around quite how gay it is. We got pansexual serial killing Corinthian! Pansexual, demon-hunting, women-kissing Johanna Constantine! Some very loaded moments between Morpheus and Hob Gadlin! This is what dreams are made of (sort of)!

This whole list would be nothing, nada, a crumb of zilch whizzing around a black hole, if it weren’t for the writers who created many of these stories in the first place. So thank you to them. And to you, Tumblr, for celebrating the good and standing up for each other through another year. Here’s to a kinder 2023. 

[eon-become-instant]

It's honestly annoying, all the ppl trying to write full length analyses on the RWRB movie as if it were some high calibre queer drama instead of a fucking light hearted romcom.

"It's unrealistic! It's cheesy! It looks low budget! It wasn't raunchy enough!" ohmygod please just stop.

I saw a post earlier from someone saying it was too 'sanitised' and that queer people don't want movies like this that are just like the millions of straight romcoms out there, but to me, that's such a braindead take because? Isn't this what we've wanted since forever? A level of equality in the film industry where we can have the same variety of movies centred around queer romance as those centred around straight relationships?

As a bi girlie, I want them all. The serious movies, the silly movies, the dramatic heart wrenching ones, and the ones that are so sweet and fluffy I end up with a toothache. I just want more of ALL of them!

If romcoms aren't for you, that's FINE. You do not NEED to like this film. But you can say that without disparaging it to the point where you come off sounding like some wanna-be high-brow film critic asshole who thinks movies like this aren't worth being made because they fucking ARE worth it. Some of us WANT something sappy and sweet every once in a while! Don't you fucking dare try to speak for the entire queer community by telling those large production companies that nobody wants movies like this because that is just plain untrue!

Now to be clear, I'm not talking about the people who aren't happy with the movie as an adaptation - however you feel about that, you're valid cause I know this book meant a hell of a lot to many people, and it sucks that so much of it had to be stripped away. Personally that aspect of it didn't bother me much cause I went into it knowing 2 hours was never gonna be enough to include all of those side characters.

Anyway, that's my rant. Let people enjoy the fluffy warm and cuddly comfort movie please and thank you ❤️

[rwrbficrecs]

We’ll Invite Something In by @smc-27 (book-verse)

@dot524: This is a fandom favorite and for good reason. In this canon divergence AU, Alex is President, Henry is out, and they never got together in their 20s. Instead, they encounter each other in their late 30s and a very different type of relationship ensues. They still hide it at first, but there’s a lot of living that they both have done and need to work through. I really enjoyed the character dynamics here and how the premise changed both Alex and Henry, making them bolder and more mature. Definitely read this one!

Eyes Blue, Like the Atlantic by bleedingballroomfloor (book-verse)

@dot524: A Titanic AU! Adapted by an excellent writer, this one has suspense, action, romance, and intrigue. There is a MCD (Main Character Death) in here and some other tags to be aware of, but also vibrant scenes with dancing, chasing, art, and formal wear. I really enjoyed it!

Clean Slate by @smc-27 (book-verse)

@heysweetheart-writes: This was just so excellent. I devoured it in no time, couldn't put it down. I love the way Alex just slips into Henry's life like a silk glove even though Henry has his hesitations. There's abslutely no angst at all other than "you're too young for me" "no, next question" I love it. I love Henry finally feeling young for the first time. I think that is something that Henry generally feels after meeting Alex, like he's never been able to, no matter at what point in life he is. ANYWAY I'm talking about Henry way too much again for a rec. Read this.

Most People Exist by @sprigsofviolets (book-verse)

@na-dineee: Henry, 30, is a nurse on a cancer ward. From the very first moment he feels an intense connection and attraction to his newest patient, the one who has a brain tumor and is named Alexander Claremont-Diaz. - The tags say it all: "Falling in love, Slow Burn, Angst with a happy ending, Hurt/Comfort". After reading this story I am a whole new person. I laughed and cried, had butterflies in my stomach, I felt it all. Hands down one of the best fics I've ever read!

after hours by @dumbpeachjuice (book-verse)

@na-dineee: How much can happen in a few hours? stutteringpeach: Hold my beer. 😅🤝 Reading this was truly a roller coaster ride, my stomach was doing somersaults non-stop: On his last evening in New York, poet Henry meets bartender Alex and the two spend the night together - in true "Before Sunrise" style. To sum it all up: enchanting, sweet, phenomenal, iconic!

No. 1 (Royal Red and Blue) Oil on Canvas by @captainjunglegym (book-verse)

@zwiazdziarka: This fic is so twisted and surprising in the best way! The summary did not prepare me for all the action that comes after the initial relationship drama and I'd really like to fawn over it some more but I don't want to spoil the fun of figuring out what really is going on and what are characters' motivations. Just give it a try.

Meet the Parents (series) by @14carrotghoul (book-verse)

@dot524: I really enjoyed these thoughtful character studies of Ellen and Oscar. The two short stories are a series of canon vignettes from Oscar and Ellen’s POV. These glimpses of the Claremont-Diaz parents add heart and depth to the RWRB canon, giving insight about how Ellen and Oscar think about parenthood, power, family, and each other.

Leave The World Better Than You Found It: A BONES AU by @treluna4 (book/movie-verse)

@myheartalivewrites: I really enjoyed this FirstPrince meets procedural TV show fic! With Alex as Booth and Henry as Brennan, they learn to work together, solve crimes--and fall in love, of course. Plus take down a very satisfying book villain.

No Laughing Matter by @inexplicablymine (book-verse)

@suseagull04: This fic is absolutely hysterical- a must read if you need something to cheer you up! It's also very relatable for anyone who, like me, has said things they've regretted in all the best ways!

in summer air by @acdsbff (book-verse)

@na-dineee: I need a vacation and vitamin D - maybe that's why this series (both POVs are covered 🥰) captivated me so much?! It is set on a Greek island, where Alex, just cheated on by his boyfriend, meets hotel owner Henry. What follows is a whirlwind speedrun romance against a beautiful backdrop. Really therapeutic for the heart on dreary days!!

here is a map (with your name as a capital) by @alasse9 (book-verse)

@dot524: What an incredible surprise to have this entire 50k story drop at once. In this canon divergent story, Alex and Henry start getting to know each other in Rio, when Alex helps him recover from a panic attack. Their friendship, and later their relationship, is a delightful slow burn with funny moments, heartbreak, and steady support of each other. I thoroughly enjoyed this start to finish — the characterization of both Alex and Henry is on point and I really enjoyed how the writer changed some of the scenes from the book while keeping key callbacks. A delight.

Claremont 2008 by @happiness-of-the-pursuit (book-verse)

@suseagull04: This friends to lovers AU is done so well! Having Henry and Alex meet as kids means we get years of their friendship before they even start dating, and it gives every aspect of their relationship so much depth through this entire fic. It also gives some events only referenced in the novel a completely different perspective, which makes them even better!

keep me in the moment (don't it feel so real?) by @anincompletelist (book-verse)

@heysweetheart-writes: I absolutely love everything that comes out of Sarah's magic little fingers and this was no exception. Alex and Henry are best friends and pinning over eache other unknowingly and an accidental lil discovery turns their relationship upside-down (for the better) absolutely recommended. I honestly loved it so much.

you know i can't be found with you by @dumbpeachjuice (book-verse)

@heysweetheart-writes: This was SO much fun. Alex was RELENTLESS and I absolutely love an older Henry. It was also very fucking funny. 10/10

the great duck fiasco by @alexclaremont-diaz (book-verse)

@suseagull04: A spy AU, dating apps, and Alex's Texas roots combine in the funniest way possible- definitely read this if you want a good laugh!

[helpallthenamesaretakenblog]

Songs I Need to Hear in Future PJO Seasons (ft. me being very intense for no reason)

Angel with a Shotgun by the Cab - SEASON 👏 FIVE 👏 TRAILER 👏 it's literally about stepping up as a hero and fighting a war for what you love without caring what the gods would think, BANGER OF A SONG also so percy in tlo coded

Welcome to New York by Taylor Swift (Sad acoustic version) - Hear me out. It's a panoramic shot of New York during the war, and what the song describes as a city of new beginnings and dreams is now a city of the end of a lot of lives and crushed souls. And it won't ruin the sad vibe because it's a sad acoustic version

Labyrinth by Taylor Swift - Do I need to explain? S4, a slow-mo shot of annabeth staring numbly at the volcano exploding with tears down her face and her mouth opening to a scream as the lyrics "I'll be getting over you my whole life" echo, it's not a want, it's a need.

The Freaks by Jordan Clarke - The most camp half blood song to ever camp half blood, I need this song in an introductory shot of camp or at a campfire sing along scene

I Wanna Be Yours by The Arctic Monkeys - Okay, this is more of a vibe related song suggestion than a lyrics based song, but a scene with percy and annabeth pining over each other with this song in the background? would be chefs kiss. (also rick loves vintage songs in his books and this is a very vintage sounding song sooo)

Brutal by Olivia Rodrigo - Self explanatory, I just need the song, no matter what scene or character

literally any imagine dragons song

Riptide by Vance Joy (Cover) - the same song, the same cover except SON OF NEPTUNE TRAILER COME ON NOW

Not going to happen, but at least an instrumental of Good Kid when annabeth talks to piper in the lost hero season about how everybody had been searching for percy for weeks

The Prophecy by Taylor Swift - You know what a TLO adaptation means, right? It means a proper rewrite of the book to make it better, right? Which means we can write percy being actually depressed because of the prophecy, not just him ignoring it like how he did in the book, right? So imagine: when the whole "If I have to die, I have to die" dialogue comes around during the revealing of the prophecy, this song starts playing as percy storms out the room in anger and disbelief. He just goes to his rooms and buries his face in the pillow and starts sobbing with this song in the background. Also the 'just want someone who wants my company' lyric also expresses his feelings towards the rachel and annabeth drama.

Add on in the reblogs and comments of your ideas hehe😁

[mikkaeus]

house md hilson fic rec - medium to long fics (10k+)

Other house rec lists: short fics | episode tags | postcanon | infidelity trope (all of these are mutually exclusive apart from the infidelity one) // Edit: I added the longer postcanon fics to this reclist as well because this one got the most traction!

These are all House/Wilson unless otherwise stated. Before we get into the fics, here are some of my fave authors that have written several house fics.

fourteencandles: im literally in love with them . 10/10 writing no notes. also long fics?? hello???

ictus: this author has the range! from emotional to fluff to funny. very smooth writing. all of their fics have different vibes which was fun to read. they’re all very good. 

Transformatron: fics that are transcendent and porny, all featuring a d/s undertone or theme (wilson as the dom)

Namaste (livejournal / ff.net): Some short fics, some much longer ones. Mostly gen focussing on H&W friendship, with some fics on canon pairings. Interesting character studies and discerning prose.

In order of length. *faves, ***underrated faves

*Brain Damage by fourteencandles (8k) (Ok I know this isn’t over 10k but I wanted all of their fics on one post and it’s close enough so.) This was brilliant. Like a real episode of House, with Wilson as the unfortunate patient-of-the-week, with bonus House/Wilson. Characterisation was bang on, and the plot was original and engaging and had a satisfying conclusion. Love to see House taking care of Wilson.

Down to the Water + Bound for Home by blackmare (~10k) Aftermath of season 4. House and Wilson go on a road trip. Quiet and sad and fragile, with excellent writing. This fic appears to have been fairly well known in lj days but I don't think a lot of newer people know about it.

*A Smaller World by fourteencandles (10k) The thing between them works, if Wilson doesn't push for more. God I’m so soft. I have so many feelings!!! In love with this established relationship hilson, still a little precarious, but with Wilson adapting, and House willing to put in effort.

*What's Past by fourteencandles (10k) The guy who used to have Wilson's job comes back for a visit, and it turns out they have more in common than Wilson ever knew.

*Touch Therapy by nomad (10k) It's not that House needs the human contact. It's just that when you're sharing an apartment, these things happen sometimes. Light hearted and funny, canon divergence from when Wilson’s staying on House's couch in s2. This is pretty much the homosexual waters have started flowing in House's direction post. Excellent dialogue.

***not another medical drama series (10k) by captainharkness Retelling of season 1 with House and Wilson as an established relationship. Great slice of life stories! Ongoing. The first is H/W POV, the second is Cameron, and the third is Chase. My favourite is definitely the second one (someone else’s story). I adore seeing H/W through the ducklings’ eyes. 

Synchronicity by copperbadge (10k) Dead patients, car wrecks, drug overdoses, journalists, Comatose Charlie, and orange chicken. Must be love.

systemic by ictus (10k) Ever since Wilson moved in, House has presented with some inexplicable symptoms. Fortunately, he has a team of talented doctors to aid him with his diagnosis. Season 2 fic! This one is funny and sweet and overall a great read.

Rush Down Darkness by Starlingthefool (10k) House MD/World War Z crossover. Told mainly through interview dialogue from house’s pov. Engaging story. House/Wilson definitely takes a backseat to the plot — there’s no grand getting together or anything. That's not to say it's not about them though, because there were still lots of good moments (good in the sense that my heart hurts). More succinctly, it has the vibes of an established relationship fic., although it isn't technically one.

Defensive Strategies by Milkshake Butterfly (~10k) (lj) In which Wilson is tired of being asked out by women when he's not ready to date again, and naturally House proposes a simple solution: pretend to be together. An enjoyable read.

******Commonplace and True by celestialskiff (11k) It would be a simple story--House and Wilson meet at a medical conference, have sex, and enjoy each other's company--but nothing is ever easy, or simple. Explores Wilson's relationship with House, with women, and with himself. House and Wilson throughout the years — with the version of canon where Wilson has cheated on every wife and girlfriend with House. When I tell you I am FROTHING!!! Pining while fucking?? The way it’s never the right time?? The greed of wanting to have your cake and eat it too? (That one’s specifically for Wilson, our beloved three-wives guy.) The vibes are immaculate. The prose is elegant verging on poetic. I’m eating this fic whole and it will be on my mind always. It is THE hilson fic for me. It is criminal that this fic has been up since 2012 and it only has 200 kudos. Go read it immediately & give the author some love.

***Declarations of Independence by Namaste (ff.net, also on livejournal) (11k) House and winter, throughout the years. I really enjoyed this. Excellent writing. Copy pasting a part of a comment by bedawyn which articulates why this fic is unique better than I can: “So far, I've seen a lot of focus in the fanfic (and the eps) on the pain and the Vicodin, but very little awareness of the practical aspects of limited mobility and the emotional impact of those even apart from the pain. So this was a very nice change.”

***Rule of Three by Transformatron (11k) (House/Wilson/Foreman) Foreman sees something he shouldn't have. And, maybe, wants something he shouldn't have, too. This was well written and super hot, with fun dialogue and descriptions that do justice to the excellent writing of the show itself. Foreman is faithfully characterised in a way that made me sympathetic. Also H/W outsider perspective as a third is such a treat to read. Lower me into my grave!!!!

*Warning Signs by out_there (12k) Excerpt: House looked to the left, staring down at the open box. Wilson knew that expression on his face: House was torn between denying it all and gleefully acknowledging his schemes. Normally, his ego won out and, like a comic super villain, he'd explain all. Wilson just needed to stay quiet and wait. This fic was fantastic. I am disgustingly fond. Superb characterisation. Light hearted and funny.

The Oncologist Trap by zulu (13k) (2007) House subtly seduces Wilson. Somehow.

The Line of Thought by tevinterimperium (13k) House and Wilson pretend to be together to play a prank on the ducklings, which is an extremely plausible scenario. From the perspective of the ducklings. Set sometime after 3x15: Half-Wit.

hail mary by ictus (13k) A post-canon fix it! In the weeks since finishing the show and reading this fic there are times I forgot that this wasn’t canon. It’s such a believable (and well-researched) alternate ending that feels like an actual episode.

Son of Mine by simoneallen (14k) Sherlock is House’s long-lost kid. Usually I’m not a fan of cross-over fics but I enjoyed this one. Established relationship on the johnlock side, getting together on the hilson side.

***hearts turn red by ictus (14k) In my head this is the counterpoint to Commonplace and True. When I found it after reading that one it really was a holy shit two fucking cakes?? moment. The delicious infidelity vibes are similar, but the vibes of the writing are pretty different -- whereas the above fic has a more quiet, subdued atmosphere, this one has more snappy prose and it’s more light-hearted with funny moments as well as emotional ones. It’s not just the infidelity theme that makes me crazy about both of them though; it’s how they play on the great tragedy of House and Wilson. In the author’s own words: In a way they do feel a little bit doomed to never quite be on the same page with each other until the very end of the series and by then it's too late. Of course, in these fics, they’re rescued earlier than the end, but the wretched vibes remain. Also, I’m obsessed with this line: By Wilson’s read, House is somehow simultaneously joking and sincere: Schrödinger’s sexual advance. That is the entire fucking show.

An Inconvenient Truth by annathaema (15k) Wilson helps out Cuddy and reveals something about himself in the process. House freaks out accordingly. Also features banana-colored babies, the men's room, and Skee-Ball.

*at the rind by ShanaStoryteller (19k) An AU where Wilson experiences all the near death moments House has in the show as a series of nightmares. Set between 1.19 and 2.05, but spoilers for the whole show. Protective Wilson!! We love to see it. I also like Wilson’s characterisation here - you can very much see how not-normal he is. We love unhealthy co-dependency.

***Esopus Creek by shaycat (24k) An eighty-year-old widower by the name of Eugene Skinner ventures out one September day in upstate New York for his usual morning activity - fly fishing. His leisurely hobby is interrupted by a bickering pair nearby in the river. That chance encounter with Greg House and James Wilson changes the course of his life. Told from the perspective of the last friend the boys make on their final road trip. This was the perfect post season 8, Wilson-still-dies fic. A sad fic but not a depressing one. It’s quiet and heartwarming, in a bittersweet way. Highly recommend. It has great use of outsider POV — I’m always a sucker for it but it worked particularly well in this case to have the angst but not be drowning in it. Also I just really liked the OC.

***Howler Tone by baffledbear (25k) The calls always happen late at night, and they're extremely sporadic, with weeks, sometimes months bridging between them. They talk on the phone otherwise, of course; about patients, or dinner plans, or carpooling. Typical stuff. But the calls that always end a certain way always start a certain way. Wilson is so repressed but so attracted to House. House is taking as much as he can get while still remaining in relative safety. Together they push a platonic relationship to the absolute limits of plausible deniability. Overall totally realistic within the canon of the show — the natural step up from the gay chicken already depicted. It’s just such a perfect scenario for them! That combined with silky smooth prose, faithful characterisation and accurate dialogue makes this fic is a definite hilson favourite and also a hilson-thesis fic.

*The Open Road by Pun (25k) A fandom classic. Road trip fic set in the earlier seasons. It's good; read it.

*He Won't Tell You That He Loves You by hellshandbasket (25k) [In which Nolan pulls at the Wilson thread, and House can't stop it all from unraveling. Repression is a hell of a drug.] Early s6. Another fandom classic that is worth its salt.

no need to worry (making up your mind) by scribespirare (25k) House makes the mistake of telling his mother he can't join her for Christmas because of his new boyfriend. Somehow, this becomes Wilson's problem. Cute and fun. I put off reading fake-dating fics because I was worried about them being OOC but this one definitely wasn’t!

***Sticks and Stones by Transformatron (25k) (WIP) House has an innovative new idea for managing his chronic pain. Wilson’s not sure he approves - but when has House ever asked for permission? This is such a great concept I am climbing the walls!!! D/s with House as the sub. The story is currently still at pre-relationship stage, with House experimenting with BDSM and Wilson being unhappy with the proceedings (for some unknown reason /s). Also the writing is nice and snappy with some great figurative language that manages to incorporate medical themes impressively well. 

Fresh Feeling by justkeeptrekkin (30k) House is tricked into going on a team-building trip with his colleagues. He does far more bonding with Wilson than anyone else. Funny and well written. The team interactions are very cute.

***Tracking Time by Namaste (37k) (ff.net) A look at House and Wilson's friendship over the years and how it has changed from their meeting through the end of the first season. I don’t usually read long genfics but this one was exceptional. I like Namaste’s take on House and Wilson’s characters. And they are a very good storyteller — one thing that you don’t tend to see as much of in fanfiction is the old adage of ‘show not tell’. The writing in this fic is careful and subtle, and lets you read between the lines, making it so that no part of the 37k words is a drag to read.

*The Body Found by fourteencandles (46k) Wilson's missing. When I tell you I cried... Premium angst & hurt/comfort. Excellent dialogue with some alternating POV (House mainly, but you also get the three ducklings & Cuddy).

You Already Know How This Will End by fourteencandles (46k) What if House had gone to rehab right after/around "Merry Little Christmas"? (3.10) This fic was interesting. It’s told in a series of short vignettes with a variety of different perspectives. It’s not really a hilson fic (or a fic for any ship). It just explores the characters. I did wish for more hilson but it’s a good read (I mean, it’s fourteencandles). The one hilson scene near the end where they hire a hooker in Atlantic City lives in my head rent free. Warning that the ending is rather abrupt and I didn’t find it satisfying, but I think it works for this kind of story, in a way. Messy people and their complicated relationships, with a lot of loose ends left untied, because that’s just what life is. 

***For Every Closed Door by starlingthefool (around 50k?) (lj) Overview of the chapters (14 with 4 interludes and an epilogue) is on the author’s lj (scroll down).  House MD/Dead Like Me crossover.  I love this fic a lot! It’s canon divergence from Season 3. House gets killed in a freak accident and becomes a reaper, remaining in the mortal world to harvest souls, able to interact with people but not be recognisable to those that know him. As the author says, this is an Afterlife!Fic and therefore a deathfic. They also said it’s not depressing — which is true, because it’s more plotty than an angstfest, and there are lots of light-hearted parts, but it is definitely heartbreaking at points. I literally cried all the way through the last chapter. Happy ending though!!! Don’t worry about the cross-over aspects. I haven’t seen Dead Like Me, and as far as I can tell, it just takes the premise of the show. I’m glad I found this fic whilst trawling 2000s livejournal because it’s really a hidden gem. Great plot, dialogue, compelling OCs — the whole package! I got so emotionally invested in the story. I think there were maybe a few parts that were a little unpolished but just keep reading. It’s really worth it. 

*A Modest Proposal and Involuntary Commitment series by ignaz (98k) The one where House and Wilson get married so Wilson can’t testify against House in the Tritter arc.  I have an unfortunate habit of downloading fics and then forgetting to bookmark & comment once I’m done, so I don’t have anything detailed to say about this one, but it’s a classic and a favourite of mine.

Twenty Years of Stealing My Food by hwshipper (100k) A backstory taking place over twenty years, from how House and Wilson met all the way to canon. A reimagining of their fucked up, magnetic relationship, with a straightforward writing style. They get together nearly as soon as they meet and maintain a steady open relationship whilst cheating on their various girlfriends and wives throughout the years. 

[jbaileyfansite]

The Wall Street Journal Interview (2024)

The 36-year-old English actor Jonathan Bailey is one of Hollywood’s newest heartthrobs. From Shonda Rhimes's Regency-era courtship dramas of “Bridgerton” to the decades-long romantic-political saga of “Fellow Travelers” to the Met Gala red carpet, he has earned admirers with his goofy charm and deep looks of longing.“

Being acknowledged as a heartthrob is incredibly flattering,” Bailey said. “It’s a big compliment, not just to you as an actor but everything around you.”

It has been a life-changing few years for Bailey, a stage actor turned screen darling. After “Bridgerton” launched him to global fame, he wrote up a document with tips to help prepare his younger castmates for the attention their on-screen romances would earn. “I think it’s about how to approach the work in a way that allows you to feel yourself and grounded,” he said.

Bailey, who’s been acting since he was a child in the Royal Shakespeare Company, reprises the role of Anthony in the third season of “Bridgerton” this month. Later this year, he’ll appear as Fiyero in the film adaptation of “Wicked” with Ariana Grande and Cynthia Erivo. He lives outside of London. Here, he talks about his favorite tea, doing gymnastics and the advice he got from Sir Ian McKellen.

What time do you get up on Mondays, and what’s the first thing you do after waking up?

I try to get up between 7 and 8. Then I try to not look at my phone, which sometimes works and sometimes doesn’t. If it’s a good day, I drink loads of water, have a bath and then just get out because I need to get outside. I’ll go for a walk, always with my headphones. If I feel a bit excited or my brain’s sort of alive, I’ll listen to a podcast because that keeps me quite calm. If not, I’ll listen to some drums and bass. 

How do you like your coffee? 

I love tea. Earl Grey tea for me. I love coffee as well.

What do you do for exercise?

I’m currently training for a half marathon. Then I do gymnastics at a local gym with loads of lovely, brilliant people. I’m part of that community, which I’m very proud of. I do handstands.

How long can you hold a handstand for?

I’ve gotten up to a minute. 

Do you meditate or journal or otherwise practice mindfulness?

Walking outside is meditation to me. There was a Buddhist center I loved when I was living in London, and I’d go there regularly to learn the practice of meditation. I believe in taking bits and bobs that work for you. I do write stuff down in a book that I carry with me, lessen the load in the brain when I can. 

Do you have any hobbies or habits that might surprise your fans? 

Probably playing loud music and dancing around naked. 

“Fellow Travelers” follows your character, Tim, as he falls for Matt Bomer’s Hawk over the course of several decades, from 1950s McCarthyism to the AIDS crisis in the 1980s. How did you get into character? 

With Tim, I felt like there was so much understanding that was in my bones already just from being me. Understanding the character who you’re playing opposite is also really good. Me and Matt, we didn’t really talk about it but we had that understanding of the experience of what these queer, gay people were experiencing.

Beyond that, I think about my forefathers and what an incredible opportunity it was to an academic, hands-on research of gay life in America. As a Brit, there was so much to learn, so the preparation was kind of nerdy in that respect. In another, it was incredibly emotional and spiritual. 

You’ve become very famous for the looks of longing that you’ve perfected. Do you practice them in the mirror?

No, unfortunately, I probably practiced them in real life all the way through my childhood. It’s funny, isn’t it? I can totally understand why people say that, but I think maybe what fascinates me most about humans is there’s always a distance between what you want and what you have and who you are and who you want to be. I mean, if I’m still longing and 92 years old, then I’m going to be very happy. 

How did you prepare to model swimwear for Orlebar Brown? Was there any part of you that was nervous? 

I had been doing gymnastics, so the swimsuit-model aspect of it required a couple of weeks of doing more handstandy stuff. But no, I was excited. 

There were some cute photos of you and Ariana Grande released from the set of “Wicked.” Do you have any favorite memories from filming? 

I went to CinemaCon and it was the launch of all of us together. I watched the trailer for the first time, I’m so glad I waited to see it in the big cinema. I just watched Cynthia [Erivo] and I was, like, God, Cynthia’s just going to blow everyone’s mind. You care so much about her in it. And Ari redefines Glinda in a really fun way, it just expands. 

There’s so much love for the original material. It was really fun and silly and great. Jon M. Chu [the director] just mines the emotion and is quite sincere about the truth of what’s going on with the characters.

What’s your most prized possession?

My headphones. If I lose them, I feel crazy. But also in 2017—I saved up and it felt incredibly frivolous—I started collecting the Yves Saint Laurent love prints, the original prints of the years that my sisters were born because there are four of us. Annoying actually, one of my sisters was born in 1982, and I don’t think there is a print for that year, so I might have to do a stickman or something. 

What’s one piece of advice you’ve gotten that’s guided you? 

Always do theater. That was actually from Ian McKellen. It’s in my bones anyway.

Source

[insanityclause]

The Night Manager will be returning for two more seasons with Tom Hiddleston at the helm once again, it has been reported.

The renewal of the hit adaptation of John le Carré’s 1993 novel, which aired to great fanfare eight years ago, has been greenlit by Amazon Prime and the BBC, according to Deadline.

It is understood that the new seasons about the hotel-manager-turned-spy will be filmed later this year in London and South America.

According to reports, David Farr – who wrote the original series – has been brought back to write season two.

The first series, which won two Emmys and three Golden Globes, featured an impressive cast including Olivia Colman, Elizabeth Debicki, Tom Hollander and David Harewood.

It followed Hiddleston as Jonathan Pine, the former British soldier who is recruited by the manager of a Foreign Office taskforce to infiltrate an arms dealer’s inner circle while he is the night manager of a luxury Cairo hotel.

The series quickly became one of the top-rated UK dramas of 2016 and spawned a number of subsequent le Carré adaptations from The Ink Factory, the production company run by le Carré’s sons Simon and Stephen Cornwell.

The new adaptation will be set in the present day, according to Deadline, and will follow Hiddleston’s Pine facing a new and more deadly challenge after being informed that arms dealer Richard Roper – played by Hugh Laurie – is dead.

Laurie, Colman and Hiddleston all won Golden Globes for their performances in the 2016 spy thriller, which became an international success and even led to rumours at the time that Hiddleston, 43, could be the next James Bond.

While the Bond rumours may have been put to bed, it remains to be seen where the plot may take Pine, seeing as Le Carré‘s novel has no sequel.

When Laurie was asked in 2016 whether the series would return, he said: “It’s based on a novel, we’ve got to the end of the novel and John le Carré has yet to write another novel. So in cold practical terms, no, we’re done.”

Le Carré, who died in 2020, took a very hands-off approach to the first series, but was said to be pleasantly surprised by the alterations Farr made to his novel for the script.

Charlotte Moore, the BBC TV chief, told The Telegraph in 2017 that “Le Carré is very involved” in discussions about the next series, saying: “We wouldn’t be talking with them if he didn’t think it was a good idea.”

Announcing the new series, Ms Moore said: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”

“Of course he wants to take part in it, it’s his work. He will definitely be involved in what we do next,” she added.

The Telegraph has contacted Le Carré’s estate for comment on the announcement of the new seasons.

Previously, Susanne Bier, who won an Emmy for directing the first series, revealed that scripts for a second instalment were “slowly being developed”, but she said writers were wary about being able to create the same hit again.

Elizabeth Debicki, Tom Hiddleston, Susanne Bier and Hugh Laurie at the premiere of the first season

Elizabeth Debicki, Tom Hiddleston, Susanne Bier and Hugh Laurie at the premiere of the first season Credit: Michael Tran/FilmMagic

Farr agreed with this sentiment at the time, telling Variety in 2016 that he was “not keen” to do a second series, adding: “I liked the fact that the story ended where the story ended.

“But that’s entirely personal. Given the characters, there is a potential for something more to happen, and I’m sure someone could find the right idea. But for me it’s done. My simple feeling is that I wouldn’t be able to make the next one as good.”

Hiddleston, 43, will be returning to executive produce the new seasons as well as play Pine.

The British actor said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”

Simon and Stephen Cornwell said season one proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining”.

“Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David [Farr] has for their next chapter were irresistible,” they added.

Vernon Sanders, the Amazon MGM Studios head of television, added: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers.

“The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”

[ethicstownpod]

Audio drama ask meme

For creators and fans! Twitter’s dying, let’s get to know some fine tumblr folk!

1. What’s the first audio drama you ever listened to?

2. What’s a song you associate really strongly with a specific show?

3. State some things you’d like to hear in the next show you listen to and let your follower recommend things to you.

4. What’s your favourite completed show?

5. Name a trope you like that’s specific to audio drama.

6. What’s your favourite audio drama ship?

7. What’s your favourite piece of music from any show?

8. If you could have a crossover between any two shows which would it be?

9. What’s your favourite character dynamic to write/listen to?

10. Recommend a show!

11. What are you currently listening to?

12. If you could adapt any public domain work into an audio drama what would it be?

13. [ASKER CHOOSES PODCAST] TV show fan cast (funny or serious).

14. Which audio drama world would you most want to live in?

15. Uno reverse! What’s a question YOU want to ask everyone else about audio drama?

16. What’s a role you heard an actor you know in, but almost didn’t recognise them?

17. Top five [ASKED CHOOSES TOPIC] in audio drama?

18. Design an outfit for [ASKER CHOOSES CHARACTER]

19. Which podcast do you think would make a great TTRPG book?

20. Which podcast character do you think would have their own podcast in an AU?

21. Favourite audio drama sphere meme?

22. Which episode of any audio drama do you think you’ve listened to most?

23. Why do you like audio drama as a medium?

24. What show are you most looking forward to that isn’t out yet?

25. (sorry, this one’s a creator-special) Where did you get the idea for your show from and what made you want to create it?

As always, you don’t need to send asks to reblog! Please do share this around!

[lurkingshan]

Unknown (2024)

A Plug and a Content Warning

I have watched the first two episodes of this drama and this is, hands down, the best bl I have seen out of Taiwan in years. The creators have a firm grasp on the story they are telling, the characters are extremely well drawn, the relationships are compelling, and the production is strong enough to support the narrative. The show is based on a novel by Priest, and the confidence in the writing is evident.

That said, I cannot give a blanket recommendation for folks to pick this show up. For one, it’s centered on a romance between (essentially) adoptive brothers. So right out of the gate, if that trope is a no go for you, you will not like this. The family bond is very real and I expect it to be a very real complication.

On top of that, this show is quite dark. Our little family have survived some very rough childhoods. CWs for the first two episodes alone: child abuse, including CSA, child abandonment, homelessness, poverty, gang violence, blood, PTSD. If you decide to watch, please know that some of the content is truly upsetting. Please take care and know your limits.

Priest has a pretty strong track record with writing complex trauma and nuanced family dynamics so I am inclined to believe this has a strong chance of holding up, assuming the adaptation remains solid. All caveats above aside, I’m excited to have another strong Taiwanese drama to sink my teeth into.