#it's fiction whatever

[catofthecanals289]

ooh i’m curious about the age gap one 👀

ooh yes that was an attempted gift for my lovely bestie @lilyrizzy that i gave up on

He is seventeen when Daniel first meets him. Seventeen and a terrible liar. Seventeen and claiming to be eighteen, like Daniel or anyone else in this room could be fooled. His delivery is terrible too, tongue stumbling over the number, cheeks flushed, shoulders squared. 

“Is that so?” Daniel says and doesn’t call the kid out because if Max Verstappen wants to pretend to be of age, that’s his business.

“Yeah,” Max says, and the beer in his hand is proof that he fooled at least one person this evening.

Either that or the bartender decided to not give a fuck too. Or maybe Max promised an autograph, a photo, something. Not Daniel’s problem.

“And what brings you to Melbourne?” Daniel asks, just for the hell of it, just because he’s curious what other unconvincing lies the kid will come up with. He takes a sip from his whiskey, raising his eyebrows at him.

He doesn’t disappoint.

“Just- With friends. A trip, you know,” he says, and he gives Daniel a smile, that’s certainly something.

“Oh yeah?” Daniel snorts. “And where are your friends?”

Like he doesn’t know that Max is here for the Australian Grand Prix –to drive for ToroRosso, to drive his first ever Formula 1 race.

He’s not surprised that Max doesn’t know him. There is no reason why he’d know a random RedBull mechanic. Then again, there’s no reason why he should be talking to Daniel in the first place, and yet he came up to Daniel, all awkward but seemingly determined and Daniel finds him intriguing. Or –well. Amusing maybe. He isn’t quite sure yet.

“They went home already. The hotel, I mean,” Max answers and this time it’s almost believable, the way he keeps eye contact, and doesn’t waver. He only seems to have to think about it for a second, almost deserving of a pat on the back.

Daniel hums a little in response, takes another sip from his glass, chases the taste of his lips with his tongue.

He doesn’t miss the way Max’s eyes flicker down to follow the movement.

So that’s why he’s talking to Daniel.

That’s why he came over after hovering around on the sidelines for a while, looking painfully out of place. Daniel is under no illusions that he is the only one in this dive bar who has spotted and recognized the kid, but so far he’s been left alone. Which probably won’t last and if Daniel was a good guy, a responsible adult, he’d be sending him back to the paddock right now, wouldn’t let this go on, but Max looks up at him and introduces himself as fucking Julian, asking for Daniel’s name, and Daniel decides to play along some more.

“It’s Daniel,” he says truthfully.

“And you are, like. From around here?” Max asks, passing his beer from his left to his right hand and back. He looks at Daniel hopefully, what he’s wishing for, Daniel doesn’t know.

“I’m from Perth, originally,” he answers and of course Max doesn’t show any kind of recognition in his eyes so Daniel concedes: “Western Australia.”

“Oh, that’s cool,” Max says and Daniel bites his tongue on asking why that’s cool, on teasing Max for his attempts at making conversation. “Are you here with your friends too?”

His commitment to the lie is commendable, Daniel will give him that. Still, he snorts.

“I’m 37, mate,” he says. “All my friends are married with kids.”

[aesethewitch]

When I was a kid, we moved into a house that had a huge lilac tree out front. It was mostly rotten, and it needed to be taken down before it fell. It took a while, but eventually, it was gone.

Mostly. A couple years later, little lilac babies popped out of the ground in its place. My mom was determined to get rid of them, because she'd planted a beautiful flower garden there, and the lilac trees would overshadow and kill the whole garden. I insisted on saving at least a few saplings. She said fine, but I had to dig them out and put them in pots myself.

So, I did. I spent days digging little lilac bushes out of the ground and putting them into pots. Some couldn't be saved, but some could. When all was said and done, I had five brand-new lilac saplings. Seven or eight years old, and it was my absolute pride and joy.

Three died due to sun scorching, severe drought that no amount of watering could save, and perhaps just being moved from their place in the ground. But two survived, and I was awfully proud of them! I'd go out and talk to them every single day. I watered them by hand and made sure they were fertilized properly. I learned all about their favored environments, and I was determined to make sure they lived.

One of my mom's friends saw what I was doing with the lilacs. She asked if she could have one to put in her backyard, and I agreed on the condition that she take very, very good care of it.

It's now fucking enormous. I'm talking ten feet tall and bursting with beautiful purple flowers every spring. My mom still gets updates each year as they start to bloom, which she forwards to me. And all I can think is, "That's my friend! Thriving some twenty years on, there it is."

The other tree nearly died, too. It lived in a pot for far, far too long. I wanted to plant it somewhere in my parents' yard, but my mom was reluctant. Eventually, we agreed to put it in the far back garden. It grew okay for many years, despite the shade, but in all these years, it's never bloomed.

Last year, the massive tree casting massive shadows over the lilac and the garden cracked in half and fell. It tumbled into the garden, crushing part of the nearby shed and destroying a few plants beneath it.

It missed my lilac by inches.

The clean-up is long done. The rest of the tree has been cut down, and my lilac has full sunlight for the first time in fifteen years. It won't bloom this year, I know. But it's got new shoots up. It's taller than ever. I spent half an hour a few weeks ago praising it for surviving all this time, dreaming about its future and telling it how I believe it'll become the tall beauty it's always been meant to be.

I think next year, I'll see flowers.

[collgeruledzebra]

the thing about trying to recommend fiction podcasts to someone who isn't familiar with them is that not only are so so many genres represented but also the level of production can fall anywhere from "basically an audiobook" to "major motion picture minus the pictures"

[bloominglegumes]

i love normal guys doomed by the narrative

[bivampir]

must representation be “good”? is it not enough to watch two men destroy each other's lives

[wombywoo]

retired 🩶

[yrsonpurpose]

"I didn't ever want to keep you from the King, but the King from you."

[gatoburr0]

As someone who’s always been raised by a lesbian mother this happens more often than I thought.

[ryllen]

🌾 . 🍚

[screwpinecaprice]

Just a silly guy, with silly silly thoughts.

@glowweek Day 2

Casual | Surprise

A casual surprise?😬😬😬

[daddiesdrarryy]

"Hear me out he didn't do anything wrong" No! Stop erasing my man's flaws. He did everything wrong and that's why I love him, for all the bad and the worst parts of him

[talon-dragonbeast]

you can behave like other species even if you dont identify as them, you know.

you can howl even if youre not a wolf. you can climb trees even if youre not arboreal. you can wear a collar even if youre not domestic. you can do quads even if youre bipedal. you can nest and chirp even if youre not a bird. you can bark even if youre not a dog. you can purr and make biscuits even if youre not a cat. you can do vocals even if your species is silent. heck, you can even make yourself a yarn tail even if youre not a mammal.

there's no alterhuman police, no one is gonna come and tell you that you cant have fun with your identity. the best part of ah identities is that you literally cant do it wrong (except for being hateful to others). and maybe, youll even discover something about yourself you didnt know before!

now go. go be the local cryptid youve always wanted to be.

[lightbulb-warning]

today i offer you prompts 11-20 for isat month!! ignore your calendar THANKYUUUU <3

[junglejim4322]

Some people online have the same puritanical view of media consumption as the steven universe bluey types they’re constantly making fun of but they have no self awareness so they have no idea and it’s kind of incredible to watch people who think they’re the edgiest people in the world shit and piss themselves when somebody likes a movie that violates their very specific metric of acceptability in content shown. Horror is great until it doesn’t look like the inside of a spirit Halloween store apparently

[ekingston]

A chef!AU, maybe? In any case, a story in which Kara and Lena meet through one of them preparing/serving/etc food for the other and build their relationship based on that.

(also on ao3.)

“I’m telling you, Alex. It’s her.”

At three pm on a Tuesday their restaurant is characteristically dead, save for the one lone customer Kara is spying on from behind the kitchen doors. The woman is perched, a little perilously, on a barstool at the counter. It’s the one that’s closest to their register, the one with the wobbly leg that Alex keeps telling Kara to fix. One of her red-soled heels is dangling from an impatiently bouncing left foot.

“This is the fourth time this week she’s come in here,” Kara says. “You don’t think that’s just a little bit suspicious?”

Alex shrugs, fully committed to her task of mincing onions. “Maybe she’s just a big fan of Italian food.”

“No way,” Kara says. “No woman who looks like that would put something in her mouth that wasn’t clearly marked gluten-free and vegan. Give me your phone.”

Alex rolls her eyes dramatically as she elbows it over. “Tell me again how you’re totally over Siobhan.”

“Oral sex isn’t a moral issue!” Kara takes a decisive breath while she unlocks her sister’s phone with practiced ease. “Whatever. Water under the bridge.”

“Uh-huh.”

“A love for pasta also doesn't explain why I heard this woman answer a call yesterday with a different name than the one that’s on her credit card,” Kara points out, before snapping a quick picture through the porthole window.

“Okay, now you’re being creepy,” Alex says.

“Shut up,” Kara tells her. “I’m texting Winn.”

Kara eyes the woman at the counter while she waits for his reply. The subject of her suspicion—Lena, she’d called herself on the phone; Tess Mercer, it had said on her mastercard—twists a soft-looking lock of dark hair around her finger as she studies their menu. The way the sunlight sets it ablaze almost makes Kara take a second picture, purely for its artistic merit.

Alex dabs at her onion-induced tears with the cuff of her sleeve. “Let it go, Kara,” she sighs.

“Let it go? Let it—” Kara whirls back to face her, throwing her hands up in frustration. “Do you want The Tower to end up like Winn and James’ steakhouse? Or are you fine with getting swindled by this—this… villain?”

“Of course not.” Alex looks at her like she’s stupid. “But even if this woman is your so-called ‘food influencer’, what do you suggest we do about it? It’s not as if we can bully her into giving us a fair review.”

Kara squares her jaw and sets her fists firmly on her hips. “No,” she declares, her tone grim. “But we can teach her a little about journalistic integrity.” She blows at a lock of hair that’s fallen in her face. “And also, possibly, credit card fraud.”

Alex narrows her eyes at her. “Kara,” she warns, putting down her knife. Her voice is low and cautious, as if she’s talking to the rowdy raccoon that moved into their dumpster three weeks ago instead of to her baby sister. “Let’s just take a breath and think about this for a m—”

Kara is already gone, the doors to the kitchen swinging closed behind her. Sliding into the cluttered space behind the counter, she crosses her arms and then drops her elbows on the bar, leaning what she belatedly realizes is probably a little too close to her adversary. She’s close enough to make out the individual downy hairs on her chin and the lines in her painted lips, which are still pursed thoughtfully in what Kara is sure would look like an attractive pout to someone who didn’t know any better.

But Kara knows so much better.

“Let me guess,” she remembers to get out, much less biting than originally intended. “Today you’ll be having the fifth entrée down the list.”

As soon as their eyes meet over the miniscule amount of space left between them, Kara knows leaning in was a fatal mistake. Her nemesis blinks up at her with wide, startled eyes that remind Kara of the glass pebbles she finds on the beach on her morning walks, not-quite-blue and not-quite-green, and for a moment Kara’s brain sputters out as if someone abruptly turned off the flames that kept it cooking.

But the woman recovers fast, like the scheming scoundrel that she is. She guiltily shutters her eyes behind thick, charcoal lashes, and Kara’s temper revives at the observation that her enemy isn’t as good of an actress as she thinks she is.

“I’ve actually been thinking of breaking my own rule,” she says, with a smile that lands somewhere between self-deprecating and apologetic. “I may give in and order the same thing you served me yesterday.” Kara goes hot all over with righteous indignation at the rich timbre of the woman’s voice, the almost flirtatious lilt it takes on when she adds, “I haven’t been able to stop dreaming about it.”

Kara pulls back a little in an effort to escape that curious gaze, the enticing scent of the woman’s perfume. It’s sweet enough to drown out even Alex’s mountain of onions. “I know what you’re doing,” she blusters.

The—frankly unfairly beautiful—soulless grifter stares at her, stricken. “I’m—I’m sorry?”

“You should be,” Kara says. “I know who you are.” And then, as if she’s putting down the last card in a game of Uno, “Lena.”

The woman goes very still for a moment, and then the corners of her lips tug down in a bitter semblance of a smile. “I see,” she says. She’s rigid, regal; she’s royalty perched on a wobbly wooden stool. “And am I to assume that’s enough for you to turn down my patronage?”

Kara’s resolve wobbles, too. She hadn’t expected her adversary—Lena, she now knows—to roll over so easily. “Well, yeah, obviously,” she flusters, her energy suddenly too large and lumbering in the face of Lena’s deference. “Winn and James are family.”

“Family.” There’s a flicker of wistfulness in Lena’s voice, before confusion colors her features. “So the cold shoulder,” she says. “It’s personal?”

Kara scoffs. The fraudster doesn’t even remember the names of her latest victims. Typical. “It was their steakhouse that you razed to the ground last month,” Kara reminds her.

Lena blinks at her. “The establishment just up the road?” She raises a critical eyebrow. “I’m pretty sure they set themselves up for failure when they decided to name their restaurant Misteak.”

Kara huffs. Her air quotes are appropriately vicious when she says, “They were doing just fine before your slanderous ‘review’ went viral.”

Lena does a remarkably convincing impression of someone who is genuinely flabbergasted. “I don’t even know what that means.”

“Liar.”

Lena’s shocked laughter is bright but brief. It’s the first time Kara has heard her laugh. It’s maddeningly attractive and deeply annoying.

“Okay,” Lena says. She folds her arms in front of her chest and leans back a little in her seat, unaware of its delicate disposition. A smirk tugs at one corner of her mouth. “Tell me,” she says, her eyes narrowing. “Who do you think I am, exactly?”

Kara leans in close again, refusing to allow Lena to get the upper hand. She’d like to wipe that smirk from Lena’s face—manually, if need be—preferably, even, if it means she’d get to smudge that infuriatingly immaculate lipstick with her thumb—

“You,” Kara charges, in an effort to drown out that unhelpful thought, “are a fraud. You call yourself a ‘mystery food critic’ on TikTok, but really you’re blackmailing businesses into buying a favorable review.”

“Hey, um.” Alex has followed her out of the kitchen, holding her phone. “So. Winn texted back, and he says—”

But Lena laughs again, her guarded posture melting down to unmistakable relief. “I’m so sorry,” she says, her voice a high warble. “That sounds awful. And also extremely illegal. Have you reported this person to the authorities? I can get you in touch with an excellent lawyer, if you’d like.”

Kara doesn’t know if she feels more outraged or confused.

…Or possibly some secret third thing.

“So you’re telling me—” Kara barks out a disbelieving laugh. “You’re saying you’re not her.”

“This, ehm— Tic Tac person?” When Lena’s dark lashes flutter, something in Kara’s chest flutters too. “No.”

Impossible. “Then why have you been in here every day this week?” Kara interrogates, the full force of evidence she’s collected behind it. “When neither one of us has seen you here even once, since we opened?”

Alex rolls her eyes. “I told you I wasn’t sure whether I’d seen her here before,” she points out. “Also, Winn says—”

“Oh please,” Kara scoffs, her eyes fixed on Lena, who has propped her elbows on the counter again, closer now than she’d been the last time their eyes met. “As if you could forget a woman as beautiful as—” Kara’s gaze drops to Lena’s mouth, unbidden, when Lena parts those rude, ruby lips. “...You.”

Alex stares.

Kara swallows.

Lena blinks; two times fast, and then again, after a beat, slow and sticky, her eyes darkening.

“So you may as well come out with it,” Kara croaks out what little remains of her anger. “There’s something you want more than our fettuccine.”

Lena’s cheeks have turned a treacherously charming shade of pink. “I suppose you’re right about that one, at least,” she admits after a beat.

In Kara’s peripheral vision, Alex frantically slides her hand across her throat. Kara frowns at her, telegraphing a wordless what is your problem but finding no satisfactory answer in the crimson shade her sister’s face has taken on.

“Yeah, well,” she says, almost disappointed, fumbling to fill the space left by Lena’s confession. “I’m telling you right now that it’s never going to happen.”

Alex clears her throat with startling force. “Winn wants to know,” she says, reading from her phone, “Who’s the hot chick?”

When Kara returns her gaze to the woman on the other side of the counter, she gulps. Lena is somehow even closer than she was before. She’s also fully propping herself up now on the laminate surface between them, granting Kara a glimpse of freckled cleavage that in no possible universe could be interpreted as unintentional.

“So,” Lena drawls. “What you’re saying is you’re not going to give me your number?”

Kara’s throat is suddenly very dry.

“Huh?” she manages, but only just barely.

“I was hoping,” Lena says slowly, that maddening smirk once again tugging up the corner of her mouth, “that you’d maybe like to—”

Lena shifts in her seat, crossing her legs in what is bound to become a devastatingly seductive pose, but the barstool decides in exactly that moment that's it’s finally had enough. Lena yelps as it gives out beneath her with a dramatic snap, one of its rickety limps flying across the floor as if celebrating its first taste of freedom, and Kara’s never considered herself to be very quick, but here she is anyway, on the other side of the counter in what feels like less than a second, one hand gripping Lena’s forearm, the other slipping smoothly around her waist.

“—fuck,” Lena gasps up at her. She feels good, in Kara’s hands, slight but pleasantly heavy, like the santoku knife Alex has forbidden Kara from touching ever again. “Well,” Lena says. “That’s. Perhaps not the way I would have phrased it, especially in front of your friend—”

They both glance over at Alex, but she’s disappeared, the swaying of the kitchen doors the only indication she was ever there.

“O-kay,” Kara says.

Lena grins. “Okay?”

Kara mentally rewinds the conversation and feels her ears burn at the realization of what she just agreed to. “I mean,” she amends. “We could, maybe, grab something to eat first?”

Something devious sparks in Lena’s terrifyingly gorgeous face. She glances down at Kara’s arms before blinking back up at her again and smirking. “I thought you already had.”

And, goodness gracious.

Kara is about to be in so much trouble.

[trek-tracks]

Never forget Amok Time and the most important, revolutionary cultural advance for which it was responsible:

DeForest Kelley’s name was added to the opening credits.