I see so much ableist content being made and reblogged about tim on tumblr and other websites. stop using his schizophrenia purely for angst and then forgetting it exists outside of that. schizophrenia isnt just the "my dead loved one showed up as an hallucination to talk to me" disorder, yet its a LOT of the content I see, most of which is by people who arent psychotic.
people ignore that hallucinations can take other forms. yes, psychotic people can hallucinate dead loved ones, and it's not the only form of representation that we deserve. every schizospec and psychotic person's experience will be different and not everyone will have the same symptoms. not every schizospec or psychotic person will even have hallucinations as part of their disorder.
we see the insane asylum AUs, the AUs where a character goes ""p*ycho"" or ""insane"" and either starts murdering people or is a poor little tragic pitiable thing where they end up dead at the end. the "psychopath" AUs, and the fan media where masky is violent, evil, or malevolent and tim cant do anything about it.
the content you make where you clearly dont understand schizophrenia, DIDOSDD or any other stigmatized disorder you claim to be representing. where the bare minimum research is done before you start talking about those disorders. countless, countless other examples.
schizophrenic people see your posts. schizospec and psychotic people see the ableism you perpetuate and spread. people with DID/OSDD, disorders that have an increased chance of psychosis but are not the same as schizophrenia, see your posts, and your anti-system ableism. especially in regards to masky and tim.
our symptoms are laughed at and material for #schizoposting or r/fakedisordercringe. if we speak up about ableism then we get people messaging us purposefully triggering and paranoia inducing messages. we're treated like oddities, people ask invasive questions without asking if that's even okay first, and they make assumptions without even knowing anything about us.
if you have depression, anxiety, ADHD, autism, etc - you can still perpetuate ableism. schizospec people, psychotic people, and systems are constantly having to prove our humanity. we shouldnt have to. we shouldnt have to constantly see people refuse to understand our experiences.
Im asking you to educate yourselves. read about the experiences of actual schizophrenic people. understand that hallucinations are only one possible symptom among many others. read actual research for DID/OSDD. please be critical and keep an open eye for ableism against schizospec people, psychotic people, and systems. I implore you to take this post to heart and think critically about what posts and media you interact with and the content you create in the future.
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I think what particularly annoys me with the "zelda was always gameplay before story" is that... it's not true? At least I don't think it's true in the way people mean it.
Zelda games were always kind of integrating story based on the standards of the time. When game stories were in game pamphlets, Zelda's stories was in the pamphlets. ALTTP tried to tell a pretty complicated stories with the limitations of the time. OoT was actively trying to tell an epic, cinematic tale packed with ambiance and expand what 3D could offer that 2D games struggled with. Majora's Mask is deeply character-driven in many, many ways. Wind Waker and Twilight Princess are both pretty concerned about their stories, down to the point that some people were bored by TP's cutscenes in particular. Skyward Sword, from what little I have played it, is very very invested in its characters and their journey (and 2D Zeldas have Link's Awakening, Minish Cap... None of them are visual novels, but they are concerned with emotional journeys, character arcs, mysteries about their own world...)
What is true is that the narrative wraps around the mechanics, and not the other way around. The mechanics drive themes, aesthetics, emotional beats and character journeys; and that's great. The world is a puzzle, and the world is delightfully absurd when it needs to be, full of heart when it calls for it, dark and oppressive when it suits the player experience.
That does not mean the games aren't invested in their stories. Even BotW has a pretty complicated story to tell about an entire world rather than one specific tale or legend --all of it at the service of the gameplay, which is exploration and mastery of your environment.
So. Yes, none of the Zelda games are million-words long visual novels that care deeply about consistency and nuance; but stories don't need consistency or deep lore to be meaningful and serve an emotional journey. Again: gameplay is story. The two cannot be so easily parsed from each other.
And Zelda as a franchise obviously care deeply about story, characters and setting (and still does right now --otherwise there wouldn't be a movie), even if it doesn't try to imitate prestige narrative-driven games, which is great and part of why I love this series so much. Doesn't mean it couldn't have done better in the past, it obviously could have, but I feel like pretending that nobody ever cared about story or character is just... false? It's a huge disservice to the devs too. Some of them obviously cared immensely.
The "gameplay above story", at least in the extent to which it is paraded today to defend TotK, mostly, is a really recent development. And I think it's one that deserves to receive some pushback.
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One of the many things I find funny and irritating is the slant of a lot of interpretations of Alecto's name (that it's about feminine rage)--on this here wlw internet in the year of our lord 2024, it's easily made to figure as rage against God, or rage against patriarchy, or religious oppression, and therefore an allusion to the idea that she's going to get her vengeance on John for betraying and oppressing her somehow, but like
John is the one who named her Alecto. He's the one who named her that. So, naming her "Alecto" is alluding to the embodiment of John's rage--their rage, since they are joined inseparably (John even explicitly says that when he first perceives her: "You wouldn't stop screaming. You were so scared. You were so goddamn mad").
He says of Alecto to Harrow, "In a very real way, you are [Alecto's] children". At a very surface level, Alecto is (depending on the text or tradition), one of the Furies--famously, in several surviving Greek tragedies, who punish Orestes for the crime of killing his mother. In fact, in Aeschylus' Oresteia, they declare that they are specifically bound to avenge matricide.
So the name "Alecto" alludes to the nature of John's mission and how he sees it.
It also implies that his divine rage, the rage that gives him power, the power that makes him divine, that he either represents or wants to represent, is feminine rage. He was chosen by Earth (which, Furies are sometimes the daughters of Gaia); he is her champion, however he's managed to fuck that up. Once the truth of that comes out, it becomes clear that all of his power comes from her.
And that's why you get statements from Tamsyn Muir like:
“[T]he God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. Even he identifies himself as the God who became man and the man who became God. But the divine in the Locked Tomb is essentially feminine on multiple axes – I think Nona will illuminate that a little bit more."
So yes, he plays the role of Emperor and God and Teacher, with all of the things that implies. And I don't think it should be discounted. But he also is (and partly sees himself as) the chosen champion of a goddess, or what is for all intents & purposes for a human like him a goddess. He is her avenger, and while she sleeps, her avatar.
And I don't think we're meant to read him purely as a parasite who's taking advantage of her to gain power for himself, either. Or an oppressive, Kronos-like figure. Especially if you consider Palamedes' theory of the Grand Lysis, even if he was purely motivated by desire for power before (which I really doubt), there are parts of each in the other, now. What was clear and separate before is uncertain and interpenetrated. Is his rage his own, or hers? Is his mission of revenge his, or hers? If he wants power, is that his own selfishness, or her desire to survive?
And does it matter?
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I DONT KNOW WHY, but bewitched by laufey awfully reminds me of knight ghost with princess reader
except the song would be ghost's pov
abso-fucking-lutely you're right on all of that. Here's the bewitching:
If you'd told Ghost that he'd be called on to be the crown princess's personal guard, he would've laughed. He would've told you he was hardly interested in such an "honor" and that he's sure her most royal brattiness must have better prospects to scare off. Surely you must have been such a petty handful that the other knights offered the position had declined, leaving him next in the long line.
Although, it was flattering to hear he was even in consideration. He'd sure worked his ass off to be the best of the best. Making something out of nothing but a failing title thanks to his father's- Well, the man was a better father 6ft underground than he'd ever been in life, and that's all he really needed to say on it. Ghost didn't think much of the summons. He couldn't ignore it, of course, but that didn't mean he had to take it seriously. He could run a little late.
Ghost's pace is slow as he walks through the castle. Admiring the architecture, he told his escort, who looked far less than pleased with that answer. He did his best to stall, hopefully the princess would be fuming by the time he arrived and he could be dismissed easily. No muss, no fuss.
Uneven footsteps race down the hall behind him as he and his escort turn the corner. He pays it no mind, likely a maid, no reason to pay them mind. Until they slam into his back and bounce off. He turns, wide eyed, in time to see you fall on the floor, landing hard on your ass with a pained expression. It doesn't fit such a pretty face. Your chest heaves as you try to catch your breath, and Ghost has to shake himself out of staring at you. His escort has already scurried ahead to see about buying him some time.
"You alright?" Ghost asks, helping you to your feet. You wobble a little, he keeps hold of your hand to keep you steady. "You broken?" He tries, brow furrowing at your changing height as you shift on your feet. He doesn't know you, he certainly wouldn't be here if he did.
"No," You lift your foot, and Ghost glances down, one of your feet already in just a sock, "but, I'm afraid I'm running terribly late." You tell him, glancing behind you and pushing your hair out of your face as you unlace your remaining shoe.
"Maybe I can help you, where-" Ghost watches as you tug your shoe off and shove it against chest.
"Hold that please," He blinks, and takes the heel from you, judging by your clothes you must be of high status. He's never seen a lady running around barefoot before. "Now if you'll excuse me, Sir Knight, I really am in a rush, and I have a baron hot on my tail attempting to hold me hostage another hour still."
Another glance behind you, one Ghost leans to check for as well. You must be quick to have outrun a man he can't even see the sweat of. He wonders if you lost your other shoe somewhere along the way or if you, perhaps, threw it at the baron to buy yourself some time. That look in your eyes is wickedly clever when it meets his again. You nod to him once and slip around him to take off running again.
"Wait, I'm-" Ghost stops, and sighs watching you slide around another corner. "The fuck am I supposed to do with this?" He grumbles to himself, tossing your shoe to his other hand as he walks. He'll pass it off to his escort once he meets up with him again. He's pretty sure he went the same way you did.
The escort looks rather harried when he spots him in front of the reception chamber's doors. Big fancy things that have guards waiting to open them on either side. His escort enters to tell the King and Queen that the newest guard candidate has arrived. Ghost tries not to eavesdrop.
"I haven't needed an escort since I was a little girl I'm-"
"A flight risk," The Queen says firmly
"I'd hardly call running from a daft old man a flight risk," The King grumbles. Ghost chuckles a little to himself. His escort slips back out of the throne room to tell him they're not quite ready for him. Which seems strange considering how much time they've had to prepare.
A maid exits one of the nearby rooms with a pair of slippers and something clicks in Ghost's head. Despite his escort's best attempts at stopping him, Ghost enters the throne room with the maid, and watches your sweet face fall as silence covers the royal family. The maid too, it seems, doesn't know what to do.
"Sir Simon Riley," Ghost announces himself, "I was called about being her highness's personal guard."
"It seems you've already run into each other," The Queen's lips purse, eyes on the heeled shoe in Ghost's hands. He offers the offending shoe to the maid, and takes the slippers.
"This is really-" You whisper to him, Ghost hums, slips the silk slipper onto your foot. You swallow, try again, "I'm sorry to have troubled you, I can't imagine how you must think of me."
"Briefly," He tells her. You're still standing at the bottom of the steps to the throne; apparently having had time only to argue with your parents, not take your seat, in the time between bumping into him and getting here.
"Sir Riley," you start.
"Ghost," he corrects you, "if I'm going to be your guard, I'd like you to call me Ghost."
"Ghost," you start again, not even a hint of annoyance in your voice. Actually, you sound a little embarrassed. It's cute. He likes how easily you give in to him. "I'm sure you'd find this position terribly boring, and a waste of your many talents."
Ghost drops to one knee, and pats his thigh, you quickly raise your foot to settle on him.
"I mean, I'm really not the flight risk my mother thinks I am, and I hardly think you want to accompany me on diplomatic excursions-" he holds your ankle to slip the new house shoe on "-or trips into town. Wouldn't you rather be off, I don't know, fighting marauders and dragons?"
"What do you think knights do, princess?" He smiles, setting your foot on the floor and prompting you for the other one. "It's my privilege to serve you, one I'm enjoying so far."
You feel heat brust over your cheeks, finally taking in the man in front of you. This man is a trained combatant and yet here he is helping you put your shoes on. Christ, you'd literally run into him, and now he was. Why was he treating you so nicely, he should be laughing at the idea of serving you.
"No," He murmurs back, "You can't imagine what I think of you." He stands as you settle your foot back on the ground, and takes your hand, bowing his head to kiss the back of it. "But, rest assured those thoughts are good, my lady."
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