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usedpidemo · 4 months

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Mistakes were made, but not you (Le sserafim Yunjin)

“Why? Why weren’t you there? I needed you and you weren’t there!”

While Yunjin lashes out at you, grabbing at your shirt and using you as a proxy for the world and its ill-timed misfortunes, you can’t help but wonder if your presence would have changed the situation for the better.

Probably not. It’s one of those events that has to happen for character growth.

—————

Tonight is supposed to be a night of celebration—a commemoration to the achievements, accomplishments, and accolades of the past year. The numbers and statistics never lie. They love her work, they love her artistry. They love her for what she sells and what she represents. But truth be told, Huh Yunjin couldn’t care less about what they think.

Thunderous cheers and colorful lightsticks representing different fandoms brighten the arena as the five Le sserafim members climb up the stairs to claim their award. Minutes ago, they pulled off the performance of a lifetime—an eight minute masterclass that represents everything the group stands for. You could see the exhaustion in their faces; barely mustering the strength to smile and wave to the crowd shouting for them.

For the most part, the acceptance speech is nothing notable. Going through the motions, thanking the fans, the staff, the company, promising to do better in the future—it’s about as cookie cutter as it gets. As Yunjin tries her hardest to keep her tears from falling while she talks, the other four can only focus on her with varying weary looks. Chaewon looks especially worried; it’s her responsibility and burden to look after every single one of them.

From the audience’s viewpoint, it’s seen as a non-issue, but the five girls recognize deep down it’s anything but. The only noteworthy thing is how suddenly quick they are on their feet heading backstage. It’s funny how everyone chases fame: to be in the moment, the spotlight. It’s funnier, Yunjin thinks, that she’d rather be anywhere else.

Unfortunately for her and the other artists attending, they’d have to wait a little longer. There’s backstage interviews and other idol obligations to do before they are finally let go. It’s not even worth all that lost time—that one award they receive ends up being their lone win for the night.

—————

Yunjin storms into your hotel room without a word with a fierce expression on her face. She doesn’t have to say it; she’s thankful she doesn’t have to spend another minute in front of the cameras, another minute being an idol—at least for the night.

In a sea of anger and auburn, Yunjin walks past you without acknowledging you at least once. She hastily drops off her purse on the coffee table before charging straight to her room and slamming the door. It’s easy to chalk up her frustrations on the monotony of the awards season—the countless hours of practice specifically for one event, the hours spent in the makeup room, the hours of interviews and fanservice—but you know she never acts like this. Rain or shine, hell or high water, she’ll walk around with a pleasant smile on her face.

Tonight simply isn’t one of those nights. You saw the whole ordeal happen in real time, and you’re already regretting the decision not to be there. At times, watching her on screen was tough. You can tell she was visibly uncomfortable, more clingy to her members than usual, when it’s normally the other way around. Admittedly, you have to give her props for holding herself back from crying when she has every right to. It’s a cold winter night, but that’s not the reason she’s trembling and shaking. It should be a night of celebration; instead, her sullen expression resembles the aftermath of complete, utter humiliation and defeat.

And it may as well be. You look through your phone; you find the messages from friends and acquaintances telling you the exact same thing; it might as well be considered spam.

> Yo did you see what happened to Yunjin?

> Is Yunjin okay?!

> Yunjin fell! Fuck MNET!

> BRO YUNJIN FELL FROM THE STAGE WHAT THE FUUUUCK—

> Don’t tell her but I actually laughed when she slipped XD hope she alright tho!

Of course you know. It’s all caught on camera and in living color for the whole world to see. Even if it was cut from the YouTube edit, which is highly unlikely, it’s already out there on the internet spreading like wildfire. Numerous reposts with tens of thousands of likes, multiple articles immediately written after the incident—her name and her moment will remain immortalized in K-pop history for all the wrong reasons. It has the internet making jokes, it has the internet writing thinkpieces, it has the internet creating needless fanwars—it has the internet buzzing.

You want to throw your phone from where your room is located—all the way up on the 27th floor—and pray it lands directly on a hater’s head.

Sure enough, when you try to enter her room, it’s locked shut. The door won’t budge. All this awkward, quiet tension between you is terrifying, and sleeping her feelings off isn’t going to help anyone, not during these trying times. She needs comfort right now more than anything else.

You give the door a respectful knock, only to be met with silence. Trying again and again leads you nowhere. Calling her name does you zero favors. Each futile attempt cuts away at your heart, little by little. Yunjin would rather isolate herself from the world than open up to anyone with no exceptions. Obviously, you have nothing to do with what happened (that is on the production team more than anyone) but you bear the responsibility and burden of being Yunjin’s partner, always there for her during the good times and the bad.

Now is not the time to give up or sulk. She needs comfort and love more than anything. She needs a shoulder to cry on. She needs a special voice to reassure her that everything will be okay.

Rummaging through her purse, you find one of her countless hairpins. It’s the oldest trick in the book—one that she always used to get you with guaranteed success. Already bent and straightened, perfectly shaped for picking—it’s as if she wanted you to reach her. You remember the disaster that was teaching you how to pick locks; dozens destroyed, to the dismay of her apartment doors, but she knew you’d need it at some point, and tried to help you to the best of her ability.

The lock comes undone. It’s a miracle, but it’s short-lived. What welcomes you as you enter her bedroom turns your uncertainty into shock and utter disbelief.

It’s imagery you only see in nightmares. Her bedroom completely ravaged and in utter ruin. Pillows, clothes, and objects scattered throughout the room. Yunjin is curled up against the wall with a blanket draped over her, concealing everything but her eyes. Bloodshot red from spilling her heart out. Around her feet lay two opened half empty bottles of alcohol and a spilled over wine glass. It takes everything not to drop to your knees or yell out “fuck” from the depth of your lungs.

Instead, it only comes out as an airy whimper, with your throat choked up seeing the sorry state your girlfriend’s in.

Every little step you take may as well be tiptoed. Carefully treading into uncharted territory, who knows what you’ll end up meeting. The next words you pick will be the most important ones you’ll ever say. It isn’t as simple as telling her everything will be fine—that mistakes happen, life moves on, and this will be a memory she can laugh at a few years from now. She believes she’s ruined not only her career, but also her members, when anyone with common sense thinks otherwise.

With a deep breath and a gulp of your throat, you run through all the options. You pray you make the best choice.

“Jen Jen,” you mumble, crouching down in front of her, frowning. Try as you might, you can’t bring yourself to smile. You reach your hand out to peek through the curtain; she aggressively slaps down your palm. It’s as dire as you believe it looks. She sees the world crashing down before her.

Watching her cry and hide herself away plucks away at your heartstrings. You don’t want to see her looking this sorry, this deflated. If her members—the people she’s closest with—couldn’t get through her, then how much less can you? Even so, you have to keep trying. Not as a fan nor an acquaintance, but as her partner.

Again, you’ll have to pick your way through another lock. This time, her heart. And it’s more delicate than any physical door.

She’s drowning in her tears to realize the tug on her wrists. Little by little, you pull them apart. Yunjin’s bloodshot eyes glare right into yours, but she does nothing. Slowly, you curl your arms around hers, reaching around her back. For a moment, she appears vulnerable. Open. You press yourself close to her—

And then she hits you square in the face.

Yunjin assaults you with a relentless barrage of fists, with one jab directly clocking your lips. They’re not the playful ones you’re used to. The kind that’s usually thrown after a serious argument, and you’ve only experienced a handful of squabbles. She sends you staggering back to the floor, violently screeching and attacking you. “Fuck you! Leave me alone!” she yells, punching you repeatedly with no sense of direction, only rage. You try to lift a hand in self-defense, only to be sent knocking down, to the point where you just give up and allow her to rip through you.

Looking into her eyes, having turned from grim to cruel, she looks as if you were there. As if you were the stage director. As if you were the one who pressed the button on the control panel. Her punches, aimless as they are, fucking hurt. You’re on the floor, defenseless, but you deserve it. You weren’t there when you should have been. The one award show you opt not to attend happens to be the one that ends up sideways. Of course she’ll pinpoint the cause back to you. That’s blind passion. That’s love.

She grabs you by the collar of your shirt, screaming right in your face, “Why? Why weren’t you there? I needed you and you weren’t there!” Angry as she is, you can tell she’s trying to restrain herself. She wants to humiliate you, but she also doesn’t want to smash your head through the marble floor. You have this ragged but innocent look on your face. The stubborn kind that would tell her that you won’t give up on her. That you’d happily take all the beating just to see her smile again.

As it turns out, all she really needs is an outlet to air out her emotions. She has moved past her tears, and she has stopped beating you down, but everything else still remains. The glare. The dour frown. The fingers gripped to your collar. The room is silent, with the only sound filling the air is your low, airy hush of “Sorry.” Your hand rubs against her arm, conveying a message of reassurance that everything’s going to be okay.

Yunjin freezes. Unsure of how she feels, unsure of what to do. The moment stretches beyond the perception of time. You end up getting caught unprepared by what happens.

She doesn’t apologize for throwing you to the floor and verbally and physically assaulting you. You don’t really mind. A kiss is more than enough of an apology. Even more when it’s passionate, humming into your mouth before letting her tongue slip right between your lips, and her hands now pressed to your cheek. Lovemaking is how she speaks to you. Her lips do most of the talking.

Her body does the rest.

Yunjin pushes you down to the floor. You watch her shed her leather jacket, in awe of her radiant beauty. Her skin is porcelain, gleaming from the bedroom light. She’s a star, and shines like one. The reverence soon turns to amusement, mostly at how nonchalant she’s behaving. Minutes ago, she was hostile, out of control, threatening to turn you into a ruined mess. Instead, she’s about to leave you a ruined heap, but in a different way.

She notices. She always does. Knows you like a book. She grins.

“You know I can’t be mad at you,” she says, lifting an eyebrow as she straddles on your lap. Smirking playfully, she’s making you double take and wonder if this was an elaborate ploy or if she was really upset. And if it’s the former, then you’d really feel betrayed and manipulated. “Sorry dear,” she adds, accompanied by a peck on your lips. “I know it’s not your fault nor mine, it’s just that we prepared so much and—”

“Don’t worry,” you interrupt, placing a hand on her bare shoulder, “I should have been there. I mean, what are the chances the one time I’m not there, this shit—”

“Shhh.” Yunjin plants a finger on your lips. “Babe shouldn’t worry about his Jen Jen’s performance. At least I looked cool falling, right?” she asks, both sweet and playful.

“Sure you did,” you chuckle, almost sucking on her fingertip as she points it directly at your lip. “Definitely the coolest fall I’ve ever seen. Will never be replicated. Ever. And I mean that.”

She laughs, heartily, even though she knows you’re flat out lying. “Yeah, because they won’t do stage designs like that ever again.” Then she kisses you again; she kisses you as if your lips are her lifeline. “I swear I’m gonna tell management not to do elevated stages when we go on tour!”

This is the Yunjin you know and love; the one that everyone knows her for. Laughs at her own jokes and her own mistakes, and smiles through it all. You’re amazed at how joined to the hip you both are when the cameras aren’t on. When you’re the only ones in the room—when she can truly be herself and not a fragmented version tailored to the public. You both have this special connection together that only you two can understand.

Her smile is so radiant, distracting even, that you recognize too little too late how tense you’re feeling.

“Jen Jen,” you tell her, looking down at her legs. She has a hand between her skirt, and her underwear is already partially down.

“What is it?”

“Can we take this somewhere else,” you tell her, flustered by your own request. There’s no skirting around the thought that you’d rather take her anywhere except for a cold floor in a messy bedroom. She hasn’t realized it yet, but you know Yunjin well; she would never let your imprints stick anywhere in her bedroom, hotel or her apartment, let alone make a mess. That, and for as much as you love the sight of her on top of you, you want to keep things on even footing—for now.

The expression she makes is priceless; it's all part of the charm. She rolls her eyes, scoffing at the thought, as if the very suggestion offends her. She takes a moment to let the notion sink in. “The audacity,” she thinks to herself, the idea seemingly harder to digest if anything else.

“You’re so unserious,” she comments, in the most blunt tone possible, it may as well be condescending. Her thighs press deeper into your jeans to further prove a point. If that’s what she wants., then you’re fine with that. It’s probably a better idea than yours, too. “You shitting me right now?”

“It couldn’t have hurt to ask.”

“Well it wouldn’t have hurt you to be here sooner,” she retorts, grinning, like those words are your biggest mistake. “Then maybe I would absolutely consider it.”

In reality, there’s nothing to consider, because you end up rolling on top of her after she first pounces on top of you. It’s how she usually greets you after a busy day: jumping straight into your arms, then it’s on to the bedroom.

But not tonight. You don’t make that far, just the table by the foyer, the chair she usually reads in, nearly tripping over the coffee table and landing somewhere more comfortable for you both in the living room. In your wake you leave behind a trail of clothes, yours and hers entangled together—mostly yours. It doesn’t take much to undress Yunjin when she’s dressed for the occasion, and by the time she’s halfway unbuttoning through your shirt, she’s on her knees, completely naked.

She kisses you, leaves strawberry marked lips on your tummy, looking so wanton, so needy. Your eyes follow along as she continues down to your pants, before looking up to you with doe-eyed curiosity. She’s got an edge to her, they say, which really just means, “she’s really fucking hot.” Everything about her, from the attitude to the wardrobe screams fierce, someone who knows what they’re doing and doesn’t care about what others say.

But behind closed doors, she’s more like the other girl you know. Someone she tends to look after. She looks vulnerable. It’s cute to watch her act like someone she’s not.

It’s impossible not to help yourself, to stroke your own ego, even at Yunjin’s expense. There’s no hiding that devilish grin; it’s way too obvious. Nodding, you brush your hand through her autumn colored locks as she undoes your jeans, reminding her who she really belongs to.

“Fuck—oh God—” you moan, allowing Yunjin to do what she does best: use her lips to praise your cock. No preamble, no foreplay—just immediately taking you straight into her mouth. You were already hard, so it doesn’t take much effort for her to swallow you up. Both of you using your pent up frustration and impatience after weeks where it seemed as if you were worlds apart.

Leaning back against the wall, you can only imagine how Yunjin looks taking it. Your hand firmly grips the back of her head, while she rubs her fingers along the length of your shaft. She forces out every curse and word of appreciation out of you with a deep tone, it’s almost concerning.

“Slow down,” you mutter, knowing full well she won’t listen. Not for anything. Not for you. She wants this as much as you do.

At first glance, it doesn’t really show—not in the playful, satisfied hums while she blows you nor in the slow, deliberate pump of her fingers around your base. It’s a little too leisurely for someone to act desperate. Then you peek through the curtain of sensory overload, and that’s when everything becomes clear. The furrow of her eyebrows, the fixated attention on your cock, the spread of spit and precum all over your erection.

Maybe she does have a point after all.

She catches you staring, catches you slipping. Her eyes flutter open, then shut. In a flash, she goes from sipping on your cock to choking on it. Forcing you deep in her throat without your input. It leaves your head spinning, back at square one, with no control of Yunjin nor yourself, clinging your hands to the walls for support.

“Jen Jen, shit—” you mouth, but it's near silent in comparison to the sloppy sound she makes gagging. It’s as if she’s laughing at you for looking so helpless against her.

The sensation of her slick mouth burns. Her ever increasing tempo and lack of care or comfort relentlessly pluck away at your resolve and restraint. Her eyes water as she violently pushes her own boundaries, her own limits. Stains gradually pile around her lips and chin, a mixture of her spit, seed, and lipstick. You have her hair wrapped around the print of your fingers, holding loose strands away from her gleaming face. Despite your best efforts, you aren’t able to see her beyond blurry little flashes and brief snapshots. Deep down, you’re set ablaze, with nothing to extinguish you. You look to the ceiling, to the side, anywhere but beneath you, trying to find some reprieve from the agony and tension pulling at your loins.

You end up finding it down there, where you want it the least.

Yunjin has you right where she wants you to be—tightly sealed between her strawberry lips as you helplessly cry out her name in a sea of curses and praise. Anticipating the moment you finally break, she zealously works around her gag reflex to keep you deep in her throat. It doesn’t help that she has your balls around her hand, rubbing away and humming in satisfaction at the big hot load that she’ll receive soon. At points, she’s pouting at the fact that you refuse to surrender yourself entirely to her, that you’re still fighting.

It’s a losing effort that ultimately delays the inevitable.

An echoed shout, a wide drop of your jaw, and right there, lightning strikes—you come undone. Yunjin welcomes you with an open mouth; your thick hot load spills down her throat without a single wasted drop. You’re left wide-eyed, shuddering, panting as your orgasm washes over you. Even so, she continues to squeeze away at your balls without remorse, pumping your cock to unload more cum down her thirsty, needy maw.

Yunjin can’t hold in her delight and laughter after she licks your underside for any leftovers. You cushion back against the wall, your energy completely drained as she laps her lips and chin clean. Just like that, any remnant of what transpired hours ago, completely forgotten. It’s not a healthy coping mechanism—not in the slightest—but if it works, it works.

That’s one department where Yunjin won’t let you down.

“I wasn’t ready,” you huff, palming a hand on your thumping chest, cumbrously catching your breath. You mindlessly stare at the living room light, struggling to gather yourself. “Shit, Jen Jen, that was—”

“And we’re only getting started,” she interjects, quickly rising to her feet, pushing you upright. The grin on her face doubles down on the intent. “I’m not going to bed in a dour mood tonight, and you’re gonna help me feel better.”

God, she’s so damn good at this whole setting the mood thing.

You’re no different than anyone else, folding so easily as her fingers map out your body. Continuous circles around every part that belongs to her: from your hair, to your shoulders, arms, chest, down to your tummy, around your back, and everything else in between. Yunjin demands everything about you, her fiery gaze keeping you in tow. You’re tensing up, letting out these strained gasps, watching her watchful eyes dictate your every little move, reminding you who’s carrying the stick in the relationship.

She has you by the balls, quite literally—pumping you back to hardness—and she’s enjoying every moment of it. Teasing you with her flattering mien, she has every intention to leave you more tired and spent tonight than any day she’s worked in her life.

Then, a phone rings. It’s not the hotel landline, but from the pile around your legs. Suddenly, a lightbulb appears over Yunjin’s head, and the smirk on her lips is anything but subtle.

“Would you look at that,” she teases, her grin growing an extra inch wider, and her ironclad grip loosens. Still, you have no room to breathe when she crouches down to dig your rumbling phone out of the pocket of your pants. She makes it a point to act shocked in response to the incoming caller, then shows her to you.

Kim Chaewon.

It’s an open secret within the group—how important of a piece she is between you two, the perfect reprieve and voice of reason when the other isn’t around. You’ve gotten tangled up with both Chaewon and Yunjin a few times, under the same guise of stress relief. In a way, they’ve grown closer together thanks to you. But the rather scornful frown she has tells you otherwise. As if she’s going to lose the one last thing keeping her head straight. Forget that Chaewon is respectful of your relationship; if she gets in the way between her and your dick, she’ll cut her down, and that goes for anyone else too, friendship be damned.

“Be a good boy and take care of the call, will you?” she asks, tone playful, handing the phone over to you. You have no say, other than to follow her command. In the process, you feel your groin tense up. You look down and find your cock sandwiched between her heavenly thighs, choking up from the new sensation of her creamy skin.

When you try to look away, she redirects your eyes back to hers. Her palm meets your chin. Hard. She curls her lips, expressing disdain and reinforcing her control. There’s your first and last warning.

You’ve never struggled so much just opening your own phone. It’s not that Yunjin just hacked into it; her imprints are everywhere. The very lockscreen is her kissing you, your face cropped out of frame and your homescreen is a candid photo of her more bold outfits. If not for the texts from the other members and loved ones, you’d look like the creepiest, most obsessive stalker ever. You can feed tabloids and news outlets day-to-day information, down to the most intricate details. She’s a huge part of you, and it’s gonna eventually ruin you—

“Hurry up, dipshit.”

Yunjin’s stern tone snaps you from your daze. Hard to maintain a steady head when she’s slowly choking you out and she’s thrusting your cock in and out of her legs, still sore from her blowjob and while you’re still reeling from your orgasm. She’s perfectly built for fucking for hours on end; you’re surprised you hasn’t caught on after so long.

“Hello?” Chaewon’s voice pulls your focus away, but only briefly. Almost instinctively, Yunjin’s legs press tighter against your hard cock in response. She raises her eyebrows, shaking her head, demanding you answer the call. No context clues, no verbal cues, just wing it.

“He-ey, Chae.” Your voice comes out gruff, airy. A brief glimpse down and you find the growing stain on Yunjin’s thighs. Your cock entering and exiting the comfort of her legs. She doesn’t appear satisfied, not even a little.

“Is Yunjin there with you? She’s been gone after we got back to our rooms. She's not been herself after—you know—and we’ve been trying to comfort her to no avail.”

“Yeah, she’s here with me—” you say, looking directly at her, and she nods, still stiff and sour. She leans forward, her tongue pressing against your skin, mumbling something incomprehensible on your neck. Somewhere along the lines of “If you tell her, I’m going to fucking kill you,” and she sounds like she means it.

Try to suppress your gasps and whine, you can’t hold yourself back. It affects your inflection, from gravelly and small to high-pitched and nasally. You’re one wrong move away from meeting disaster, and Yunjin is the one goading you to your own pitfall. She revels running you around in circles, leading you like sheep to a shepard. You can’t think straight from all this built up pressure. “She’s good! She’s doing just fine—”

Out of nowhere, she moans. Loud. Her tone is so obvious, it can’t be anyone but her. Any sort of illusion or pretense is immediately dashed, right then and there. You almost drop your phone, barely managing to save it with a glint of clarity.

You don’t hear from Chaewon for a bit, letting you indulge in Yunjin’s seductive motions. Your body is the perfect outlet for her pleasure: kissing and marking around her neck, her fingers tracing your arms to your chest, and your cock comfortably snug between her sculpted legs. You regain some semblance of control by pumping away between her warmth, but it’s hollow; she lets her thighs press down while you thrust quicker and quicker. At first, she’d been the one bringing all the friction, until your hips begin to glide involuntarily, the wetness dripping from her thighs and around your cock making the transition near-flawless.

Soon, the room fills with the sound of her moans, till it becomes oh-so clear you’re fucking her. The call remains active, but you still hear nothing from Chaewon’s side. The phone in your hand is what’s holding you back, but even you feel your control slip away again; against Yunjin’s demand to pretend everything’s normal, when there’s nothing normal about the position you’re in. The only thing unusual is the fact that Chaewon isn’t there to watch, preferably while pleasuring herself.

“Shit, Yunjin, you feel so fucking good—” you sputter, clutching Yunjin’s nape as she curses and whines against your shoulder. Suddenly, you hear Chaewon again, but you’ve practically stopped caring. She’d understand.

“Yeah, well, I don’t blame her for going to you. I’d do the same right now, but I gotta take care of the girls as the leader.” Chaewon sounds so diplomatic about the matter, it’s almost surprising. “Just—” she pauses when Yunjin loudly kisses you, cooing and moaning about how big you are in the direction of your phone. “Please tell her to come back here by morning, all right?”

“Sure—thing.” Your tone jumps on the second word, as your cock hits a particularly deep stroke that teases the outline of her cunt.

“Oh, and Kkura said hi, by the way.”

You’re amazed at how understanding she is.

“Okay.” You look down and you see Yunjin adjust your cock around the entrance of her pussy with her hand, impatient and done with the teasing. All the possible replies to maintain normalcy and your best response ends up being a simple, hurried “Hi.”

“Bye.”

You drop your phone right as Chaewon hangs up the call. Yunjin immediately kisses you straight in the lips, sliding her tongue between your lips. She lets out this strained whine when you grab her ass, lightly pushing her away. Miraculously, she doesn’t fight back or lash out.

“Don’t you wanna cum right in my pussy?”

“No, Jen Jen. Let me finish right in your thighs.”

Yunjin flashes this sad, deflated frown, but she ultimately concedes. She’s this multifaceted character only you might ever hope to understand. She's a perfectionist and wants things her way, but she’s also soft and vulnerable. You feel guilty making this rather huge request, but she reassures you by pressing your cock comfortably between her legs. Your worries soon disappear when the friction of her heat keeps your hips moving. The sight of your dick moving in-and-out keeps you preoccupied.

Even she forgets about her disappointment too, hypnotized by the continuous rhythm of your cock. She pulls your head in, moans all these profanities of varying tones in your ear. The way you both pull each other’s bodies apart, your expressions twisting in pleasure, demanding more—you might as well be in bed, and not breaking your knees and backs against the living room wall.

You’re not sure what’s going to break first—your legs, your back, your hips, or your cock.

“Oh—fuck—Yunjin,” you groan, losing yourself in her asphyxiating heat of her skin, on the verge of another climax. You have one hand marking her ass as you both grind into each other’s bodies. God, you’re both made for one another. Drowning in her tightness, you thrust deep between her legs. Same spot, same stroke, same result. You remember where and how well you’ve fucked her, it’s almost muscle memory to you. It drives Yunjin crazy.

She senses your incoming orgasm and shouts. The need for you to cum isn’t a request, but a full demand. Something to be expected. Her voice hits those familiar high notes that aren’t far off from her usual recordings, and she firmly clings to you. As if you ever had any other thought than to finish on her pencilike legs. You let yourself succumb to the sensation, let all the pent up pressure set itself off while you bask in that delirious high.

The way Yunjin clenches her thighs around your cock, she may as well have snapped it off.

You both mirror each other’s expressions; eyes completely shut, jaw completely agape, resting in each other’s bodies. The only difference being that Yunjin is way, way louder than you. Your mind goes completely blank, with nothing but her name drawn out from the curve of your lips. Your back is aching; your knees are tingling, ready to fail at any time. Nothing registers for you except her voice, her endless moan that rings in your ear. It’s only after her legs involuntarily slacken their grip that you fall.

To the floor, that is.

And you stay down—a minute, maybe several, completely shaken up and your head still riding that high. Somewhere in limbo. One hand gripped to her waist, the other on her leg. You forget to breathe. Your brain doesn’t register the concept of exhaling, only taking in air. The world around you appears to pause completely.

And then your phone beeps. Still dazed, you completely ignore it.

Yunjin brings you back to life. She has one hand gripped against the wall, the other on your hair—which you now just realize—gasping for much needed air. She can’t muster up the strength to open her eyes, so you assess the damage. It’s as disastrous as it looks: a huge splatter of cum around her legs, dripping down to her feet. To the floor. To your pants.

You don’t say a word; you don’t really have anything meaningful or productive to add. The simple question of whether or not she feels better, but you know she’ll say it won’t be enough. That she wants your cum right in her pussy, no matter how spent or sore you are. Maybe you can quietly weave your way out of a nightlong bedroom session.

So you look at your phone, removing yourself from the situation. There’s two new messages, both from the same person—Chaewon. Nothing noteworthy, just the reminder to send Yunjin back early in the morning. The idol life never really stops.

Yunjin calls out to you, abruptly intercepting your attention. “Hey.”

You look up and find her looking down at the details, slowly gathering her bearings. She runs a finger on a sticky patch on her skin, then tastes your seed with her tongue. “What’s up?”

She ignores you for a moment to gather more cum to lap, then stares directly at you. “We should have done this in front of a mirror.”

You pause. It’s hard to believe Yunjin telling you this, when she’s been the biggest skeptic. She’d rather have it in bed, on the table—anywhere that won’t allow her to see herself. The uncanny image of a prim, desirable idol bent over while someone uses her.

With that in mind, you chuckle. “We do it all the time. Give it a break.”

—————

You both end up doing it anyway.

It’s two in the morning, and you vividly have Chaewon’s request at the back of your mind. The group’s flight back home is in six hours, and Yunjin has to be there with them for breakfast. It’s not like you’ll be away long term; she has three days-off after today. Days when you can spend all the time in the world together to your heart’s content. But fuck, Yunjin is so goddamn insatiable, she can’t go at least three hours without your cock somehow around her. You don’t end up getting sleep, because she’s so needy for your cock she can’t help but stroke it or blow it back to hardness.

Your suggestion? A late night coffee run that ends in predictable fashion: you, fucking Yunjin from behind in the comfort of a cafe restroom.

Yunjin’s outfit barely qualifies as casual; if anything, it’s her performance fit (a sports bra and a short skirt) from earlier, topped only by the leather jacket she went to your room with. Yet none of that matters when they’re pooled on the floor, with your hand squeezing her bare breast and the other pressed on her shapely ass. And there’s your hard cock, pounding away at her soaked cunt like it’s second nature—which it is—and it’s quite the motivating sight. Watching it appear and disappear in her pussy, hearing her hushed pleas, echoed cries, and every lewd sound in between.

The cafe across your hotel is completely empty, which is to be expected. You can count the number of working staff on one hand, and most of them are fast asleep or busy on their phone. You’re not making any excuses for fucking Yunjin at a place like this; you’re merely laying out the scene.

You can blame Yunjin for your precarious position. Any attempt to make some small talk she makes it about you. About missing your cock so much, about how she wants you to fill her pussy up and make her feel better. As if two orgasms wasn’t enough. You wouldn’t be surprised if she asked you to fuck her right then and there, in front of the cafe where everyone can see. You end up agreeing to a compromise, but it’s merely delaying the inevitable. The door is locked shut, nobody’s around to hear, and no one really cares.

If only it were that simple.

“Fuck—so—fucking—big!” cries out Yunjin, as if you were in the privacy of your hotel room and not in front of a public restroom. She gives it to you again, praises you in both murmurs and screams, her hands glued on the edges of the sink, eyes fluttering open and closed with her jaw agape on the surface. It’s as filthy as you imagined, if not more. Only you can see the full extent of the damage you’re making, and it is breathtaking.

She beckons you to fuck her harder, give her more, tells you not to stop. The idea never crosses your mind. When she yells and mewls, she’s making sure each one is louder than the last. You can tell she has nothing to lose. If she’s going down, she’ll drag you down with her.

“You’re so fucking tight, Jen Jen,” you groan out, looking at your entangled bodies in the mirror, at her arched back, at the curvature of her ass, at your cock spearing her hard. You puncture each of your next three words with increasing emphasis. “So—fucking—tight.”

As the sex dissolves into deeper madness, so does your restraint. You’re fucking her through the sink, pounding away with reckless abandon, with zero care for comfort. Thoughtless, impulsive drops of ‘tight,’ ‘fuck,’ and even a single ‘slut’ bomb—words that can get you cancelled on-air. Yunjin shudders, letting out this drawn out ‘yes’ in response, as if admitting the truth—to your utter surprise (sarcasm). Her core clenches against your cock, stretching her out. So wet, so needy—

It’s a strange thing to believe, but this is Yunjin’s first orgasm of the night. Her lands lay flat on the sink, and her mouth lolls wide, screaming your name like you’re the most important person in the world. The intense heat, the suffocating pulse of her cunt, drowning your cock—

Fuck, it’s too much for your already aching cock. And her thighs and lips were brutal in their own right.

Moments after hers, your very own climax follows. You’ve already struggled holding back twice; whatever amount of resolve you had left is non-existent. Moving from her chest at some point, the hand on her hair yanks harder. Pushing your hips as far as they can go, wishing your cock can somehow enter her womb—you ignore the possibility that you might be hurting her.

‘Hurts so good’ exists for a reason.

The remnants of your orgasm continue to leave Yunjin in shambles. A brief look at the aftermath, and the first impression is that you didn’t fuck her hard enough. Your hot cum spilling from her splayed, ruined hole, her clothes on the other side of the restroom, and your pants receiving some of her hot slick. Yunjin remains bent on the sink, huffing through her own climax, your hand deeply imprinted on her ass, and marks, scratches, and rosy patches on her back—vestiges of hours gone by.

You remain like this for a little while longer: cuddling up against her frame while she rests on the sink, softly kissing around her ear, brushing strands of loose red hair. She’s gorgeous, there’s no denying that. When she performs, when she’s being herself, when she’s getting pounded hard—but she looks best when she’s calm, when she’s at her softest, at her most vulnerable. When you’re all alone and you both have nothing to hide. At the end of the day, you both need each other. For everything.

—————

You and Yunjin might as well be strangers.

It’s as if the past seven hours happened in a different timeline. Both of you casually lounge in the still lifeless cafe, drinking the nonexistent traces of your iced coffee. You scroll through social media; Yunjin still dominates the trends and new reposts of the viral accident pop-up like they’re produced from a factory. She’s doing the same, reading through all the comments. Some memes, some praising her professionalism, some simply to get that verified ad revenue.

This will be completely forgotten in a week. Yunjin’s career will come out unscathed. People move on. She will, too.

Yet you still remain awkward with her, completely undecided on the words that she really needs right now. She needs you more than just your body.

“Jen Jen,” you whisper, before you freeze up at her anxious gaze. She waits for a follow-up, a sentence, anything. It never comes.

She frowns. She’s not mad, only disappointed.

The sun begins to rise over the city, signaling the start of a new day. Knowing this, Yunjin adjusts her jacket and rises from her seat. You never told her once.

She walks through the door, and steps outside—but not before turning and taking one last concerned look at you. You quietly mouth ‘Love you,’ and surprisingly, she smiles. The Yunjin you know and love.

‘Love ya.’

—————

(A/N: againsorryfornotpostingmuchlatelyohgodivebeensobusy—

Ginger/red hair Yunjin didn't grow on me at first. Then the Good Bones teaser dropped. The strut. The attitude. The fact they allowed her to walk around in her bra and panties. What the fuck. I've been so down bad for her lately, and so are you. Looking forward to their new music! Thank you for reading!)

#smut #kpop smut #le sserafim #yunjin #huh yunjin

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certified-bi · 2 months

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Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

#watcher #they really need a CEO who has business experience first and foremost or at the very least a consultant they actually listen to #they also should put more focus on other personalities and actual give them a chance to stick. none of them got famous or a fanbase in a day #give some of the others time to grab attention

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youryurigoddess · 3 months

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Gabriel’s (missing) cross

Let’s put everything we know about that spooky statue of the Archangel Gabriel in one thread to make the conversation about its possible meaning as a Good Omens 3 clue more structured. Starting off with the relevant part of the official commentary from X-Ray:

Douglas Mackinnon got one thing wrong in his part of the interview — Gabriel wasn’t carved by “some guy in Italy,” but a British sculptor and prop maker David Field working as a part of the team at 3DEye in London.

Technically speaking, it’s a gorgeous piece of hand-carved expanded polystyrene with a clay sculpted head on top of it — even if the Archangel’s smug likeness isn’t that pleasant to look at, all things considered. The scenic artists from 3DEye made it look like stone afterwards.

The body itself took ten days to sculpt and is a faithful copy of the famous statue on Ponte Sant'Angelo in Rome called Angel with the Cross by Ercole Ferrata. It stands on the inscription “Cuius principatus super humerum eius” (“Whose government shall be upon His shoulder”, Isaiah 9:16), and this quote makes much more sense for Gabriel than the cross in his hands. The usual iconography of the Archangel uses a trumpet or a white lily instead.

Ponte Sant'Angelo was originally used to expose the heads of those sentenced to death — each of the angelic statues on it carry Arma Christi, the Instruments of the Passion. Like the Second Coming, what seems to be a hopeful message to the Chosen Ones can also be a warning for the others.

The statue of Gabriel, first shown in full in the cemetery scene of the Good Omens 2 title sequence, reappears at the very end as a part of the bridge leading to the biggest Easter egg — at least according to Peter Anderson, the animator behind it — which is the lift in the background, implying how we’re getting closer towards the Second Coming. Notice how the cross broke down in half at some point between these two scenes!

And it disappears in the plot as well: Gabriel’s memory depicts it only from his point of view, with the camera deliberately moving slightly to the right and stopping at his eye level. The centered, establishing shots show the statue with empty hands as a bookend.

I believe that this cross is meant to serve as a foreshadowing, a reminder of the absolution of sins and eternal life through Christ’s sacrifice and Second Coming. We see it only through Gabriel and Aziraphale’s eyes — when Beelzebub looks at the statue, the cross is not there.

As seen in the BTS photos and videos, it’s not an editing error, but a deliberate positioning of the physical props on set. The cross was clearly meant to be a removable part of the statue and displayed in a specific way to convey a message to the audience.

The question remains: is it a reassurance, something to look forward to, or maybe rather a warning?

Not helpfully at all, the traditional use of angelic imagery in Christian cemeteries matches both interpretations.

#everything has a meaning #the good omens crew is unhinged #good omens props #archangel fucking gabriel #gabriel’s statue #good omens #good omens meta #yuri is doing her thing

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shipwreckie · 2 months

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long (like ridiculously long) rant about watcher entertainment

Whilst the vast majority of the response to the watcher drama has been negative I still have seen a few people expressing opinions along the lines of ‘oh its just $6’ ‘shouldn't creators be paid for their work’ etc. I also think this situation is getting a lot of attention from people who don't necessarily watch Watcher, or haven’t keep up with them in years so here is my breakdown of why people are unhappy with the announcement that Watcher will be putting ALL upcoming content behind a $6 a month streaming service (with the exception of the premiere episode of each season going to Youtube.)

The issue is not that it's $6.

The success of other internet companies like dropout and smosh is proof people are willing to pay for content they enjoy and to support independent content creators. I personally have given money to kickstarters, patreons, digital downloads etc in the past. But I do that because I know I’m valued as a fan with and without my money. I still get access to content on youtube for free. Even Dropout, who is a much larger and more expensive operation than Watcher, releasing 5 show a week, still maintains a steady Youtube presence.

The thing with these internet companies is they can be successful in creating something but they do have to understand that you are on the internet. You're not netflix or HBO or hulu or whatever. Watcher’s obsession with creating ‘television-calibre content’ worth $6 a month whilst also only having one show a week is unrealistic. They want to be independent creators but also television producers… but you’re not! They hate being youtubers so much but YOU ARE. That’s how you gained a fanbase in the first place and you were successful at it! If you’re not happy being a youtuber that’s fine, move on and do something else. But you can’t expect it to be funded by the fans. So many famous artists create content they care less about that has a larger audience, and that in turn funds the stuff they DO care about. If you’re so dedicated to making expensive, high-quality productions you should be using these smaller cheaper shows to save money and fund them, rather than forcing everyone of your fans to pay a monthly subscription fee that I’m sorry, just isnt worth it or is simply unaffordable for the majority of your audience who you have now essentially told aren’t welcome or valued by you. And which one is it?

Such a large percentage of your audience are casual viewers too. Why cut out that completely? What fans are you expecting to follow you to this ? Your most dedicated fans are there because they like Ryan and Shane, so why not push that? Are you trying to appeal to your fans or are you trying to make the content you want. There’s no clear creative direction that makes sense with this move and that’s why people aren’t supporting you.

Also I’m sorry but how can we suddenly trust the content is gonna improve once we start funding it when there’s already been so many missteps both in their content and their business. Look at how many fans have said Ghost Files and Mystery Files have started feeling phoned in. Their patreon has been mismanaged for years, they barely promote it and the perks on there aren't really worth it (but they have 6000 paying members because people can and do want to support them!). They go months having barely any merch. There are ways to make money on youtube, they’re just not doing it well .

And I’m sorry. But there is just absolutely no reason to have 25 employees. Shows like Survival mode should be cheap and easy to produce, and help bring in money to support larger ventures like ghost files. So why are there 18 people credited for a video of you playing Minecraft? And of course I don’t want people to lose their jobs. But continuing with this is going to cause EVERYONE to lose their jobs regardless.

They also barely have a plan for their new content. People watch for Ryan and Shane, you KNOW THAT. So why is your first new big show hiring the worth it boys and doing a globe-trotting, crazily expensive show. Are you even really expanding your content if you’re still sticking to a one-video-a-week schedule with no present plan to change that? They have a survey for subscribers to vote which past show to bring back, but there’s obviously a major budget difference between filming something like Weird Wonderful World and something like SD&D&D… or at least there should be but there isn't when you employ 20 people to make one video. There’s such a clear lack of thought put into it that makes me even less likely to want to support.

I want to say that they probably expected a negative backlash and thought they could just wait it out… but did they? Because WHY did they hype this up like it was an insane new announcement fans would go wild for. WHY do this several days before you have live shows where you let fans ask questions live to your faces? So much of this roll out makes absolutely no sense and makes Ryan, Shane, and Steve look so ridiculously out-of-touch with their fanbase, which only makes fans feel even less supportive.

I think their defenders think we want to see Watcher crash and burn but the majority of us don't. I want them to be successful but this isn't the way to do it and I truly do believe it’s going to ruin their company. Unfortunately as much as I love them, I wont be supporting them.

#watcher #watcher entertainment #ryan bergara #shane madej #steven lim #buzzfeed unsolved #ghost files #mystery files #seriously though... what the hell #i dont even use tumblr anymore but i just had to get my thoughts out #sorry i don’t know how to do the read more function i haven’t properly used tumblr since 2016

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linkspooky · 1 month

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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.

With Great Power… You know the rest.

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.

Now I’m going to drastically oversimplify what a character arc is.

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.

Should I save the villain?

Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.

#mha meta #ygo meta #mha 423 #bnha 423 #mha 423 spoilers #bnha 423 spoilers #izuku midoriya #deku #shigaraki tomura #tenko shimura #judai yuki #yubel #soulshipping #yu gi oh gx #yu gi oh

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phantomarine · 11 months

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Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

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That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!

#phantomarine #webcomic #advice #just talking #writing

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whompthatsucker1981 · 9 months

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you said you think gay sex cats is the new duchamp's fountain. i dont disagree and i kinda see what you mean already but please elaborate

it was a silly and tongue in cheek way to say that a lot of people are getting mad about it in a way that implies reactionary views on art, and that there's no way to say gay sex cats isn't art that wouldn't also imply that the fountain isn't art. a funny meme image is a funny meme image, but it is also funny to overthink and recontextualize them as art.

and the reaction makes the comparison even more apt. neural net generated artworks are anonymized mass produced images, vast majority having no artistic pretension or meaningful content such as a thomas kinkade painting. gay sex cats was made with no intent to be art, but the discourse it has with audience reaction and its appropriation in derivative works make it so. why is gay sex cats not art if people talking about it negatively allow it to be called art? is art only things you find beautiful and valuable? if so, what is value and beauty, and how do you draw the line? if gay sex cats was still ai generated but had more "aesthetic qualities" would it be art? if someone copies the original image by hand with all its ai generated faults where is the value generated? does the original still have no merit of its own, even after appropriation as a digital ready-made?

but the main reason as to why gay sex cats is comparable to the fountain still is because it made a lot of people with bad takes on art really really mad. and that the pissed off tags wouldn't look out of place as reaction to modern art in the 1920s. art is a flat circle

EDIT: well. putting an addendum because in retrospect more people took either or both the op and image in face value and much more self serious than ever intended. a lot of people understood the tone i was getting at, and i still stand by the questionings i added on, but still for clarification. the original comparison is not serious. it's self evidently ridiculous to compare a meme image to a historically significant artwork, the comparison was only drawn because they were both controversial to an audience, who reacted denying their status as respectively as an image and as art, and that it was funny that the negative reaction people had to the original image explicitly denied its status as art, even if the meme never had pretension to be art, so it was funny to draw a comparison and iterate on that.

i did think it was valid to bring in questionings about art and meaning because that's the reaction i saw most and wanted to make people think about the whys, and that also i do not think it's valid to base your dislike on ai art on either grounds of questioning its position and value as artwork, or even as a question of ip theft. regular degular handmade art can be soulless, repetitive, thoughtless, derivative, unethical, open and blatant theft, and much more, and that does not make it any less of an artwork. neural nets are tools that generate images by statistic correlation through human input.

the unambiguous issue with neural nets in art is its use as a tool by capital, to threaten already underpaid and overworked working artists and to keep their labor hostage under threat of total automation. in hindsight i regretted not adding the paragraph above as it was a way in which people could either misinterpret or assume things about me, but hindsight is hindsight and there's no way to predict how posts would blow up. so shrugs. i had written more posts in my blog that elaborated on that because asks would bot stop coming. and i think my takeaway is that people will reblog anything with a funny image without reading the words around it, or even closely looking at the image.

#oobs im noticing some grammar error. common translating in my mind L #ai art discourse

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shinesurge · 5 months

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Webcomic rings run by people within the community are cool and you should support them

I've been loudly struggling a little bit with corporate webcomic Stuff lately so I want to mention something positive to balance it out: webrings run by small groups of creators earnestly trying to support each other are slowly making a comeback and I for one am delighted.

If you weren't around for them in the before times, webrings were just some folks who hang out a lot who feature each other on their websites. That's literally it lmao. There's generally no money involved and it only really functions the way it's supposed to if people have control over their own websites AND genuinely want to participate and get excited about other folks' work, which means the practice has pretty well fallen by the wayside over the years in webcomic culture given. Everything. In the rare event someone decides to do something like this it's usually in the form of a link list somewhere on their website; this doesn't usually indicate any sort of mutual support, it's just a list of what the creator is reading themselves.

A webring, though, is an official banner or hub that people gather under intentionally where each member is more or less on equal footing. It's essentially the concept of "a rising tide lifts all boats" put into practice, each creator brings their own audience to the table in a passive, opt-in sort of way that's different from working for a publisher since there isn't necessarily a Top Spot or a paycheck everyone's vying for, and individuals retain autonomy over both their own work and how (if) they promote each other. You're all at your own tables in an artist alley rather than fighting over the table in the front of the book store, essentially.

I have two rings and one collective for you today!

Webcomic Ring was brought to my attention AGES ago by Holly, one of the artists featured there, and I might have brought it up at some point but I'm doing it again lmao. This is exactly the kind of thing you ought to be looking for; a small group of enthusiastic folks having a good time making their weird little comics. You probably haven't heard of much in the catalog, that's PERFECT in the context of webcomics that's where the GOOD SHIT is. Finding something like this is A Gift go dig around in the longboxes for a while.

Then a few people have pointed me in the direction of the KNIFEBEETLE collective and that's neat too! Most of the comics there are already fairly well-known, but the vibes are excellent and I haven't seen a lot of talk about the collective /itself/ outside folks already in the know. I think it's important for this sort of thing to be more visible to folks who aren't terminally steeped in webcomic culture already so here I am telling you about it. You were probably reading several of these before I suggested it, but that's how a webring works! For it to do its job you should take those bigger creators' tacit recommendation of the less popular titles as a sign to go read something new and strange. Wild, I know these are practices held over from the old internet, but I think we should try and bring them back.

Lastly, I want to mention Spiderforest, which is a collective (slightly different from a webring) BUT still a very cool project readers starved for new stuff should pay attention to.

You've probably seen Spiderforest kicking around for a long time already; they're wonderful and have always been an overall positive force in the community in my experience. They really focus on building up a community, and especially welcoming newcomers and helping them get their feet under them. Full disclosure, I've been asked to apply by a few different folks over the years and the only reason I never did is I don't have the ability to participate in their forums and such as frequently as they want their creators to; it's a very good system (from my outside perspective) that might contribute to the community staying mostly healthy in ways that art communities usually don't and I appreciate it a lot!

ANYWAYS that's all I got for now, just trying to balance out some bad feelings I've been having by talking about some good stuff. Please go binge an archive this week.

#long post #contrary to what i say i do love webcomics so fucking much #there are Reasons i'm fucking angry all the time lmao

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onegirlmanytales · 15 days

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𝐓𝐡𝐞 𝐒𝐭𝐚𝐫𝐬 𝐈𝐧𝐜𝐥𝐢𝐧𝐞 𝐔𝐬 - 𝐏𝐚𝐫𝐭 𝐈

𝐏𝐚𝐢𝐫𝐢𝐧𝐠𝐬: Eddie Munson x fem!reader

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: Everyone is born unable to see color until they find their soulmate. You never gave much thought to it. You preferred to focus on other things, like your career. But the universe has a way of revealing its plans for you. Of course, humans have always been rather stubborn beings, and they don’t always listen to those kismet interventions.

𝐂𝐨𝐧𝐭𝐚𝐢𝐧𝐬: soulmate au (with a twist), modern au, angst (hurt/no comfort, the comfort comes in part 2), rejection (not from Eddie, you’ll see), artist!reader, rockstar!eddie, reader wears a skirt, reader uses she/her pronouns, background Ronance, some Cheerscops (Steve x Chrissy)

𝐖𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 5.4k

𝐌𝐚𝐢𝐧 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐒𝐞𝐫𝐢𝐞𝐬 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐏𝐥𝐚𝐲𝐥𝐢𝐬𝐭

A/N: This part is more of a setup! Part two will get into Eddie and readers dynamic. This is my first full length since I’ve been back. It feels really good to be writing again. Also as requested, here are your complimentary tissues 🗳️ I hope you enjoy ♥️

There have been many myths throughout the course of human history that tried to explain the concept of soulmates. From Greece to Japan, tales have been told of two humans connected by fate. Either by soul or string, there is a profound bond that cannot be explained. Nobody really knew where soulmates came from or how they were created. You certainly didn’t.

All that was known was until you met your soulmate you wouldn’t see what they called color. You weren’t entirely sure what color was. You’d tried to understand it, you’d tried listening to people who had met their soulmate explain what it was. But their explanations never really made sense. You knew certain “colors” could be found in certain things. Like how apparently the sky was something called blue which supposedly was beautiful.

The world you knew, the world most people knew, was only in shades of black and white. Finding one’s soulmate was a rare occurrence that few had the luxury of experiencing. It was like winning the lottery, although some experts argued you had better luck with the powerball. Because of this you didn’t give your soulmate much thought. As wonderful as the idea sounded, you didn’t want to be one of those people who threw their lives away as soon as they turned 18 in pursuit of something so fantastical. After all, you didn’t need a soulmate to find love. Plenty of people had lived fulfilling lives full of love without ever meeting their soulmate.

No, you refused to get caught up in something so improbable. Instead you put your focus on your work and your friends.

Art was your calling. Most artists, unless they had found their soulmate, stuck to the monochromatic color scheme of black and white. But even though you couldn’t see the colors, you used them. Finding colored paint was not any easy task. With so few people being able to see the differing colors the market for it was almost nonexistent. But so was the audience for your paintings. The soul-matched, as they were called, seemed to flock to your work, always intrigued that as an unmatched you not only used colors, but used them for portraits of the matched.

It had started just as an experiment. Something you wanted to try for your soul-matched friends Robin and Nancy for their anniversary. Eventually word spread to the other matched, and you began creating commissions for them. It wasn’t exactly something you could make a living on with such a niche crowd but you enjoyed it, and you took other commissions in order to actually make money. But those portraits were your favorite to create.

Your best friend and roommate Chrissy was your biggest supporter. Even if she couldn’t understand how someone who wasn’t interested in finding their soulmate worked so hard for the soul-matched.

“Just think of where you could take your art if you could actually see the colors!” She said, sitting across from you at the little table you and your friends frequented at the local cafe. Your other friends Nancy and Robin were with you. Both of them were listening intently as you all enjoyed your usual brunch.

“I don’t think that’s a very good reason to try to find my soulmate. Shouldn’t I look for them for the sake of finding them?” You asked with a raised brow as you took a sip of your coffee, peering over the rim of the mug to her.

Chrissy shook her head with a slight smile, “Well…yeah. But how else am I going to convince you to try?” She retorted, making you chuckle. “Why don’t you want to at least try and find the one person you’re destined to be with?”

“How do you know its destiny?”

“Because it…because it is!” Chrissy huffed.

Ever the hopeless romantic, Chrissy had been looking for her soulmate for as long as you’d known her. She’d tell you in detail what she wanted him to be like. So much so that you wondered if Chrissy had already met him.

“Lay off her Chris,” Robin piped in. “She’s not interested. Besides, you don’t need to find your soulmate to find love. None of our parents were soulmates.”

“Sue me for wanting me and all my friends to find their perfect person!” She laughed.

“I think you can find your perfect person even if they aren’t your soulmate,” Nancy shrugged.

“Easy for you to say,” Chrissy scoffed. “You met yours!”

Robin and Nancy shared a loving glance, their hands entwining from where they laid on the table. Even if you never found your soulmate you always considered yourself lucky to know people who had. Watching Nancy and Robin fall in love had been a beautiful thing to witness. It made sense for anyone who had seen the way Nancy and Robin loved each other to want that same thing. You couldn’t blame Chrissy for craving such a thing. But that kind of love was rare.

“What about that guy you’ve been talking to?” You asked Chrissy. “What are you going to do when you meet him in person and he turns out to not be your soulmate?”

Chrissy froze, her big eyes staring at you. She shifted uncomfortably in her seat and the guilt from your words washed over you. “I’m sorry Chris I didn’t–”

“No it’s okay,” she shook her head. “You’re right. He might not be. If he isn’t I’ll…I’ll keep looking.”

You frowned at that, but didn’t say anything. For months Chrissy had been talking to and about Steve. She had “met” him through the dating app Soul Seekers, an app that claimed they could find your perfect soulmate with the help of their soulmate gurus. It always seemed like a scam to you, but you saw how happy Steve made Chrissy. Even if they hadn’t met in person. They stuck to talking on the phone and texting, never video chatting. They’d never seen each other's faces. It was by design, so that when the users of Soul Seekers met their supposed soulmates for the first time they’d get the full experience. But you worried for her. You didn’t want her to be disappointed when it turned out he wasn’t the one.

It had happened before and you wondered how many times it would happen before she gave up on love entirely.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Eddie had never believed in any of the soulmate “bullshit.” He thought it was all made up, a fairytale that had been concocted to sell dating apps, regiments to help you attract your soulmate to you, and other various monetizations. He believed that these “colors” weren’t an indicator of fate. They were just a phenomenon that happened to some people.

They happened to him, once.

He’d traveled the country. He’d met thousands of people. Yet the one time he met someone he thought was his soulmate, she rejected him. Insisting that it couldn’t be true. Just as soon as the colors appeared they were gone, and so was she.

He tried not to think about her. He tried not to think about the colors of her. But every once in a while his mind slipped back to that place. To that bar. To that moment where his drink met her dress, their eyes locked, and suddenly the world around him changed. It only lasted for a few minutes. But those measly minutes were the most beautiful he had ever witnessed. Until it was ripped away from him.

So it had to be a lie. Otherwise the colors would have stayed. Otherwise she would have stayed.

He instead chose to focus on his music, his band. Corroded Coffin was finally starting to make a name for themselves. They were on a break from their tour for their newest album for a few months before they started their South American leg. In their downtime they stayed in Chicago. It was only a few hours away from their hometown, giving them a chance to visit their families if they wanted to without having to stay in the hellhole they deemed Hawkins to be.

As soon as they got off the plane, Jeff and Artie’s girlfriends met them both at the gate. The two girls practically lept into their arms. Eddie might have been a cynic when it came to soulmates, but seeing the way his friends lit up when they saw the people they loved most was enough to warm even his usual icy exterior. To him it was just further proof that soulmates were bullshit. Here were two of his best friends, in love and happy with two women that were perfect for them and yet there was still no color.

What truer love could there be?

“Looks like it’s just us Gare Bear,” Eddie said, slinging his arm over Gareth's shoulder.

“Speak for yourself Munson,” a deep voice spoke up from behind them. They both turned to see Gareth’s boyfriend, Paul. Pushing Eddie away, Gareth enveloped his boyfriend in a tight hug. Whispering affections to each other that Eddie couldn’t hear.

As the couples all reunited Eddie stood on the sidelines, watching their tender kisses and squeezing embraces. A front man on the stage but a bystander in life. He was the only member that wanted them to keep going. No stops before the next leg, just straight to the next thing. To the next show, to the next crowd. Forever moving. But his bandmates weren’t like that. They had put down roots in this city. They had found a home there.

Music might have been their life, but it wasn’t what kept them going.

While all the couples went to their respective homes to continue their long awaited reunions Eddie went to see his friend Steve. Having not seen his best friend in months, he was expecting to be welcomed with open arms. Maybe a celebratory beer. But then maybe he should have at least called first.

“Eddie, what are you doing here?” Steve asked when he opened the door to see the metalhead with his sunken tired eyes and a duffel bag slung over his shoulder.

“On break before the next leg,” Eddie replied as if it was obvious as he slinked past Steve into his apartment.

“Why aren’t you at your place?” Steve turned, watching as Eddie threw his bag on his couch and then went to his fridge to scavenge through it. Making himself right at home. As he always did.

“Thought I’d give Gare and Paul some alone time. I love the guy but there are just some things you don’t need to know about your bandmates,” Eddie chuckled as he started his search, looking for anything to eat or drink for his rumbling stomach. But his friend seemed to have a different taste then him, his fridge packed with fresh fruits and veggies. “Do you have any beer? Pizza?”

“Ed,” Steve sighed, exasperated. “I appreciate you stopping by and I’m really happy you’re back but you could have at least called first if you wanted to stay here.”

Eddie paused, pulling his head out the fridge and looked at his friend. “Do you want me to go?”

If there was one thing Steve knew about Eddie Munson it was that he had mastered the art of the puppy dog eyes. His big round eyes were designed for it and his mouth knew how to shape the most subtle yet perfect pout.

“No,” He relented. “You can stay.”

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

A dashing smile.

Big kind eyes.

The face of a man you’d never seen before.

He kept appearing in your dreams. You’d see him amongst a crowd of people, but before you could reach him he would be gone. At first you assumed it didn’t mean anything. But then it just kept happening.

By the third night you needed to know what it meant. Most of the sources you could find online claimed that you must have seen him at some point and you didn’t remember but your subconscious did. But then you found an article from a few years ago from someone who claimed they had seen their soulmate in their dreams before they met them. You weren’t sure whether to believe it or not. There were a lot of things online about people claiming fantastical things about their soulmates, like one person who claimed that they astral projected into their soulmates home but they could never find it, or them, afterwards. So you chose not to dwell on it. Pushing it to the back of your mind where it couldn’t pester you.

A week went by and the dreams persisted.

You kept trying the age old trick of going back to that same dream every time you woke up, but it never worked. You couldn’t get his face off your mind no matter how hard you tried. He consumed your thoughts.

Usually, when you found your thoughts to be too overwhelming you would paint. But that only led you to painting his face. Over and over again. The contours and shape of it were etched into your mind. You struggled to paint or draw any other. Every brush stroke, every scribble, led back to him. You never showed anyone these works. Especially not Chrissy. Your friends would only pester you to go out and find him. It scared you. Putting faith in the universe in this way was not something you did often. You weren’t sure if you could trust it.

One day while you were frantically scribbling another sketch of him there was a knock on your door. You quickly tried to hide it all away, tucking it under other loose papers before you went to answer it.

Your friend Jonathan smiled at you as he stood in your doorway. He gave you a confused look as he took in your disheveled appearance, hair a mess and hands and clothes covered in paint and ink from when you were working on another project before you got distracted by that pestering face.

“Did you forget about lunch?” Jonathan laughed softly. He was very used to you getting lost in your work, often leading you to forget about plans.

“No, no,” you said frantically. “We can go!” You went to grab your shoes when he stopped you by putting a gentle hand on your shoulder.

“Do you want to clean up a bit first Picasso?” He asked, gesturing to your paint splattered overalls.

“Right, right. Come in, I'll be quick.”

As you dashed to your bedroom to make yourself presentable, Jonathan meandered around the small room you had turned into your studio. You never minded when he did it before. He often enjoyed seeing what you were working on. As he looked, he spotted something peculiar. Your sketchbook was under a pile of papers. It was usually out, always available in case an idea came to your mind. Assuming you had misplaced it, he plucked it from the pile. It was open to a sketch he hadn’t seen before of a man's face and as he flipped through that same man’s face kept appearing.

You washed up quickly, scrubbing your hands clean and changing your clothes into something that looked less like you had a fight with a bucket of paint and lost. As soon as you were done you went to find Jonathan. When you saw what he had in his hands you rushed over and swiped it from his grasp.

“Who is that?” He asked, jumping at the suddenness of your actions.

“No one it’s–” You sighed, taking a seat on a nearby stool as your fingers traced the drawn jawline. “I think it’s my soulmate.”

“Your soulmate? You’ve met him? When–”

“No, no I…I dreamt of him,” You looked up from the sketch to see Jonathan's perplexed face.

“You dreamt…oh. Wow. I didn’t know that was possible,” He shook his head in disbelief, striding over to look over your shoulder at the drawing once more. “He’s handsome.”

“Yeah,” You nodded. “But I…what if I’m wrong?”

“Then you’re wrong,” he shrugged. He saw your shoulders slump at his words. “Or you’re right! Can’t be sure until you meet him.”

That was what scared you. This strange man was supposedly your perfect person. The one your soul was matched to. But what if you weren’t what he expected? Your soulmate was the person who was supposed to bring color to your life. But what if your colors were too dull for him?

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Eddie was only supposed to stay with Steve for a day or two while Gareth and Paul became re-acquainted. But it had been a week since he showed up at his place. Eddie wasn’t sure what would have been worse, going back to his apartment and having to witness Gareth and Paul’s constant canoodling, or staying with Steve and listening to him go on and on about the girl he had met on that stupid scam of a dating app.

He was happy for his friends. He was. Ecstatic for Gareth who coming out was a challenge for, and for Steve who dreamed of meeting his soulmate. But he would be lying if he said their happiness didn’t leave a bitter taste in his mouth.

He’d tried dating after her. But no matter how hard he tried he was never able to find anyone that clicked just right. He was still searching for that feeling from when he first saw the colors. That shiver that went up his spine. That thrum in his nerves that made his hair stand to attention, the line of goosebumps that climbed up his arm.

It was the same feeling he got when he performed. That rush was something he craved. Every night for the last few months he never went without it. Being without it now, even for a week, was difficult.

Steve noticed the way Eddie seemed to mope around. Strumming aimlessly at his guitar and staring deadeyed at his phone as he watched old performances online. He needed to get out. To stretch his legs, breathe some fresh air or something.

“Hey Ed?” Steve called out to him from his bedroom.

“Yeah?” Eddie responded, voice monotone as his thumb continued to scroll.

Steve poked his head out of his room, adjusting the collar of his polo as he approached the lounging man. “You want to go out tonight? I have a date tonight with that girl I told you about, I could use some moral support.”

Eddie looked up from his phone then, looking at his friend dressed in a nice shirt and his favorite jeans with his hair purposely tousled just right.

“You’re really meeting her? Tonight?” He asked surprised.

“Yeah, I told you. Remember?”

“Right, right but…shit. Okay yeah I’ll come,” Eddie quickly got up from the couch giving Steve’s shoulder a squeeze when he went past him to freshen up in the bathroom.

It wasn’t Eddie’s ideal way to spend a night. But he had seen the way Steve had hurt when these things didn’t work out for him. He didn’t want that for him, so despite his own apprehension he agreed.

What he didn’t see was the way Steve smiled softly to himself in victory, hoping that perhaps Chrissy had a friend for Eddie. Someone who could melt his hardened heart.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Chrissy was freaking out. Her room had succumbed to utter chaos as she practically threw all the clothes she owned onto her bed in search of the perfect outfit. You, Nancy and Robin had tried to calm her. Offering her words of gentle reassurance. But her nerves consumed her. It worried you to see her putting so much pressure on herself. Chrissy was one of the best people you knew and if Steve couldn’t see that then it was his loss, and what a loss that would be.

“Which one?” She asked, holding up two dresses. You were sure you had already seen them, but you didn’t say that.

“Left,” You, Robin and Nancy all said in sync hoping she’d just pick one and be done with it.

“I like the right one,” Jonathan piped in. The three of you quickly turned your heads to glare at him, he stuck his hands up in surrender as he mouthed an apology while Chrissy turned back to her almost empty closet.

Chrissy had invited Nancy over to help her get ready and wherever Nancy went, Robin wasn’t far behind. Then when Jonathan learned the four of you would all be at your apartment, he tagged along claiming that his buddy Argyle was busy so he had no other place to be.

But knowing Jonathan, you knew he just wanted to be included. You were happy to do so. As long as he stopped, unintentionally, foiling your plans to get Chrissy to relax.

“Chris,” Nancy said softly as she stood from where she was perched on Chrissy’s bed. She carefully made her way over to her, putting her hands on her shoulders. “Why don’t I pick something out for you?”

Chrissy sighed in defeat and nodded, sitting beside you on the bed. She laid her head on your shoulder while Nancy looked through her closet.

“He’s gonna love you,” you whispered to her. “It’s impossible not to.” The corners of her lips rose in a slight smile as she hugged you from the side. “Maybe…” She lifted her head to turn and look at you, a hopeful gleam to her eyes. “Maybe you could come with me? Be my get out of jail free card?” She suggested.

“I don’t know…”

“Steve has a friend! He’s a muscian! It can be a double date.”

“I think it’s a little last minute Chris–”

Nancy cut off the conversation as she turned to the group, holding up a sleek off the shoulder dress. “How about this?” She asked.

“That’s pretty!” You nudged Chrissy.

“Yeah…” she said hesitantly. “But will Steve like it?”

“If he doesn’t then he doesn’t have taste,” Robin replied, grabbing the dress from Nancy and tossing it to Chrissy. “Get dressed so Nance can do your hair. You’re not the only one with plans tonight.”

“That’s my cue,” Jonathan rose from the bed and left her room so she could change. “Thanks Jonny!” Chrissy called out to him as he shut the door behind him, waving at her in acknowledgment. As Chrissy dressed, Nancy gathered what she needed to do her hair. You could still feel the nerves vibrating off of Chrissy. You didn’t want her to be disappointed if Steve turned out to not be what she expected. So, being the good friend you were, you caved.

“I’ll go with you,” You sighed.

“Really?” Chrissy asked excitedly, stumbling slightly as she tried to put on a pair of heels. “I’ll text Steve!”

You hoped you wouldn’t regret it. You didn’t understand why but you had a sinking feeling in your stomach about tonight.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

The bar was crowded, the scent of beer and sweat was heavy in the air. Some cheesy love song played over the speaker, the singer droning on about losing their lover. The two men sat in a booth with Steve facing towards the entrance. His eyes were trained on it as he anxiously waited for his date's arrival.

“Excited?” Eddie said teasingly as he watched his friend's foot tap incessantly.

“What if…what if I’m not what she's expecting?” Steve looked at him, his face twisted in worry.

“Then clearly she has no taste,” Eddie stated matter of factly. “You’re a catch Stevie. If you were into dudes I’d be all over you.”

Steve laughed, his body easing slightly. Eddie smiled at having provided his friend with some comfort.

“What is this girl's name anyway?” He asked.

“I haven’t told you? It’s Chrissy.”

“Wait, Chrissy?”

The bar door opened and Steve’s head whipped in the direction of it, no longer paying any mind to Eddie or what he was saying. Chrissy entered the establishment with you in tow. The skirt Chrissy insisted you wore was tighter than you usually enjoyed and you kept adjusting it, trying to make it more comfortable. You and Chrissy scanned the bar in search of your dates when your eyes suddenly landed on a familiar face and your eyes met.

The man from your dreams was right in front of you and then…

Colors.

Colors as far as the eye could see. Everywhere. They came to the forefront of your vision like ink bleeding into paper.

He smiled widely, both in shock and joy as he waved you over, “Chrissy!” He shouted. Chrissy turned to him and quickly made her way over, embracing him in a tight hug. He looked down at her confused, then back at you for only a moment before he brought his attention back to her. You hesitantly made your way over, your eyes strained on him trying to not get distracted by just how colorful the world had become, and to not give away how it had changed.

Chrissy introduced you to Steve but you couldn’t hear a word she was saying. You felt like you were drowning, her words gargling in your ears as you looked at the man before him. The same freckles and moles you had been drawing incessantly were now within an arm's reach.

But he was looking at Chrissy.

“Your eyes are so…wow,” he breathed. Chrissy blushed, you saw the color rising in her cheeks and you couldn’t help but stare as it did.

“Thank you,” She said softly, her voice syrupy sweet as she looked up at him in adoration.

You felt like you were going to throw up.

Eddie was just as frozen as you were, staring at Chrissy. The girl that had made all the colors disappear. He always wondered if he saw her again if they would return, but they didn’t.

She met his eyes and her body stiffened as recognition swiped across her features.

“I can’t believe it’s you,” Steve was grinning so widely you thought his smile would split his face in half.

Chrissy shook her head, trying to snap herself out of it after seeing Eddie’s face again. “I know! It’s so good to finally see your face!” She responded gleefully.

“No I mean…the colors,” He gestured around them, but Chrissy only looked at him in confusion. Then his eyes widened in horror as he realized and he turned to you.

“You,” Eddie pointed at Chrissy. He didn’t want to believe it.

She was here. Right here in front of him, and she was Steve’s girl. The same girl he had been gushing over. The same girl that had brought his friend so much happiness.

Steve looked to Eddie, begging for help with his eyes to his friend. When it clicked for Eddie what was happening he returned that same look of horror.

“I-I don’t understand,” Chrissy frowned.

“The colors,” Steve said. “I-I can see them.” He stared back at you and you felt as though you couldn’t move. You couldn’t breathe.

“Colors? What–” Chrissy looked at you then, and it all snapped into place.

“Yeah the colors. You remember those don’t you Chrissy?” Eddie snapped.

“What are you–” Steve started to say but you cut him off.

“Okay everyone just…just stop for a minute please,” You pleaded. You needed to get your thoughts together. It was too much. It was all too much. The three of them all looked at you, as if you had the answers. But you didn’t. You were just as baffled as the rest of them.

“What does he mean you remember the colors?” Steve looked to Chrissy.

Her mouth opened like she was going to say something, but it closed quickly.

“Chrissy and I have met before,” Eddie explained. “Last summer in Miami–”

“Eddie please–” She begged, but he continued on.

“We saw the colors. I thought we were soulmates. But apparently I wasn’t good enough for her, and they disappeared.”

“No that’s not–” Chrissy sighed frustrated. “Yes we met. But we’re not…it was just a fluke. If it wasn't, the colors wouldn’t have disappeared!”

“What is he talking about Chris?” You turned to Chrissy, confusion and pain laced in your words. In all the time you’ve known her she never told you. She was always looking, searching, hoping, to find her soulmate. But she already had.

“Look, remember when I visited my aunt in Miami? Well I met Eddie there and I thought he was it. But it didn’t…it didn’t feel right. Your soulmate is supposed to be your perfect person and he’s not—“ she cut herself off for a moment and as you glanced at Eddie you saw the pain in his eyes as she spoke. “—and then the colors went away so I knew that it wasn’t true.”

As the words left her mouth all Eddie heard was that he wasn’t good enough. He wasn’t right. He was too imperfect. Too loud. Too brash. Too opinionated. Too weird. Too much and simultaneously not enough.

Steve looked at you then, “Do you see them?” He asked. You could only nod, not able to meet your best friend's eyes any more.

Chrissy’s face twisted in hurt as she looked between you and Steve. Her best friend and the man she had fallen for. Soulmates.

“Hurts, doesn’t it?” Eddie asked Chrissy, his voice laced with disdain for her.

“Shut up Eddie!” Steve snarled. He turned back to Chrissy and took her hands in his. “Look I…I don’t care,” he began, his face softening as he looked down at the woman before him. “I don’t care if I don’t see the colors with you. These last few months I…I fell in love with you. I love you. I don’t care what the stupid universe says, I want you.”

They kissed, and it burned you. Like a fire poker straight out of the flames, stabbing through your chest, piercing your very soul. All those years of not even entertaining the idea of finding your soulmate and yet you did, only for him to choose someone else. It was unheard of. Nobody who actually found their soulmates rejected them...right?

You didn’t even know Steve. But having your worst fear come true right before your eyes made your heart snap in two.

Your colors weren’t bright enough for him after all.

You couldn’t stay there. You couldn’t watch them together. So you ran. Chrissy called your name, but you didn’t hear her.

Steve turned to Eddie only to meet his friends stare, icy and cold. “Eddie–” he started to say. But he didn’t want to hear it. So he turned on his heel and left.

Eddie didn’t go home. He wasn’t sure where he could go. Steve’s place was out of the question and the last thing he needed was to be around the lovebirds Gareth and Paul. Instead, he found another bar. He sat in the corner, alone, and drank away. Getting lost in the bottle in hopes of forgetting her face, Steve’s face and even yours.

The pain in it reflected his own and he wanted to erase the memory of it from his mind. He wanted to eradicate all memory of the colors, of that feeling, of the time he believed in soulmates and sought his own out. He was young and naive then. He’d never make that mistake again.

By the morning he would call his manager and ask him to cut the break short. He’d be back on the road and out of this city. Far away from the messy disaster it had all become. Far away from all talk of soulmates and fate and colors. He’d disappear into the music for a few more months.

Only this time he hoped he could stay gone. For good.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

You had walked for a block with your arms hugged around yourself. Not sure of where you could go, you sat on the curb. Cars whizzed by you, but you paid them no mind as tears poured from your eyes. The pavement was cold and scratchy under your thighs as you hid your face in your hands and cried.

He didn’t want you. You should have expected it. He wasn’t yours, he was Chrissy’s. You didn’t even know him.

So then why did it burn?

As you lifted your head up from your hands and wiped your tears you looked around at the bright night of the city before you. The colors were gone. Just as quickly as they had appeared they were gone again, and your sobs filled the silence of the night.

𝐏𝐚𝐫𝐭 𝐈𝐈 →

Thank you for reading! I hope I can keep this writing momentum going. Reblogs and comments are appreciated and cherished! ♥️

Special thanks to my Nibs @paybacksawitch for beta reading this for me, ily thank you for always being so supportive and talking me down whenever I get too in my head about things.

I do not give permission to have my work copied, translated, reposted on any platform, or put into any AI programs.

Dividers by yours truly

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