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A Discussion Regarding Modern Storytelling In FNaF
(This is a critique of FNaF. I am not going to mince my words. You have been warned.)
So, FNaF Ruin, huh?
I think it is fair to say, people are a bit mixed in regards to what the DLC implies and how it tells it’s story. After all, for a DLC marketed as answering lingering questions, it seems to just create more.
I am torn when it comes to Security Breach. I like the characters alright, I adore the setting and atmosphere, and I do think the game is pretty fun to play. But when it comes to storytelling, the game is very flawed. The story, as the average player will understand it, is right what it says on the tin: a kid gets trapped in the Pizzaplex overnight, shenanigans ensue.
And I must be clear, that is *fine*. Not every game needs a super in-depth plot. We have established the stakes and our protagonist, things are pretty clear in that arena.
The problem is that Security Breach keeps implying there is more going on, to the point where they literally say so, and dropping little fragments of information that don’t quite slot together. Again, having a mystery is fine, but when entire chunks of context are just missing, it begins to feel less like a mystery, and more like blatant omission.
Who is Gregory? Why is he here? Why is Vanny after us? Why don’t we trust Vanessa? What is the deal with the corpse in the basement? What is Freddy’s deal? Seriously, what is up with Gregory?
If you just played Security Breach and Help Wanted, you will not know. I must reiterate, that if you play the games, *you will not know.*
Now, there are two ways to come to a conclusion regarding these questions. 1, wildly speculate based on information you do have to get a satisfying answer. This is what the average fan will probably do. Or 2, give Scott Cawthon your money to purchase… the books.
If you have chosen avenue two, I am very sorry to inform you that you won’t actually get closure.
When questions are raised regarding the games, anyone active in the fandom will probably be used to this refrain: “If you read the books, it’s explained _” Now. I have several problems with this type of storytelling, one of which being the actual cost of books and the implications of paying for the opportunity to understand FNaF, but we are going to use Ruin as an example of why this doesn’t work.
On one hand, I do like the implication with Ruin that the old characters are officially put to rest. That is a good choice I respect. VANNI as a concept is neat, and so is the Mimic.
On the other hand, the way this information was given to us was extremely convoluted and aggravating. How did it take. Four years for us to get full confirmation of "yeah, that's not Afton, that's just an AI mimicking him", the entire *crux* of the new storyline? There were hints of this in Help Wanted, sure, but it was never made clear to us. But instead of doubling down, we were given little to no information about this in Security Breach, and in fact it seemed to imply the opposite!
Then, a year and a half later, the *crucial information we need* is found not in the actual game, but in the epilogues of a spin-off book series.
Why.
If you are a causal fan of FNaF you will *never* understand what the story is supposed to be, unless someone tells you and by some miracle, they’re also right.
I don't even hate the story of Security Breach when you map it all out!
The idea of this corrupt AI slowly gaining control in a corporation, gaining not one but two unwitting minions, only for the child to break free and end up releasing the other too, and them trying to undo the damage they've done, is actually pretty rad! But most of that isn't in the actual game.
When I play a video game, I expect to have a fun experience where sure, some things might not make sense out of context, but I can look back at the information it and other games gave me and go, "ah, I see!" And even then, those mysteries are minor ones, little background details that have implications, but give the story more depth. Having your *main story* be utterly incomprehensible and at times feel like it's actively contradictory because it's reliant upon information you *do not have* is just frustrating.
If you were playing Security Breach on the day it released, and expected a full story, sorry bud, but you’ve got to wait six months for a book to come out and hopefully have relevant information. TFTP is *sometimes* a Goosebumps-style series about spooky robots based on a weird dream Scott had, but also sometimes contains extremely important information you need to understand what is happening. How do you know when it’s relevant?
You guess. You guess and you argue and you wait, hoping that maybe the next installment will explain itself.
This is not how you tell a story. This is how you make money.
I know that is deeply cynical of me, but at this point, I don’t know *what* the creators intentions are, and I don’t know if it even matters! If Scott and Steel Wool aren’t going to respect my time, why should I care what story they’re going to tell. Because from what they’ve shown me, they don’t seem to care much about it either.
So. Are you having fun yet?
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jetlaggingbehind · 2 years
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i love when narrators forcibly enter the story as a plot-influencing character. i love how the story ascribes a physical manifestation to the narrative to the point that it is personified completely. i love how the lens by which we view the story is shattered by introducing a person with flaws and logical fallacies and causes us to wonder if perhaps they were unreliable all along, to consider how much of the story could have been changed through their eyes. i love when the narrator, who used to be completely in control of the narrative they told, has that safety ripped out of their hands by an outer force that positions them as the one to be consumed. i love when the line between the watcher and the watched is blurred to the point that we can no longer see who's truly telling the story
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s2 episode 16 thoughts
damn. this was another episode i had to stretch out over TWO DAYS because a storm RUDELY interrupted me, but to say i was at the edge of my seat was an understatement. i was entirely invested. every beat was excellent. and most of my notes were asking the question: what is going on? so join me as i walk you through every single time i was confused (but in a good way)
so i read the synopsis and saw there was a mulder's sister mention........ interesting....
it opens with mulder monologuing about his quest in life to find the truth, and i'm into it, and then we see a helicopter... but it's HIM in the helicopter being medevaced?? so this monologue must be taking place at a later date? or is a sort of cosmic narration of his coma thoughts??
he is beat to hell and back and they are putting him in a TUB
scully bursts onto the scene and they try to be like "who are you" and she is NOT playing around, she's all "there's no time for this, a man is dying" queen.......
so he's still going on- either cosmically or in a sort of post-event narration- about "what happened on the ice" justifying his every belief. and also that he thinks that aliens are HERE and they are COLONIZING? which i feel is a bit of a jump. like aliens being a thing, okay, possible. colonizing earth? i mean, also possible, but like... don't they have better things to do?
they have him in the tub to prevent hypothermia but scully is yelling that THE COLD IS KEEPING HIM ALIVE and i'm wondering if she knows that because 1. it's obvious medical knowledge and she is simply out-doctoring these other doctors or 2. they're doing what you would normally do for a patient in these circumstances, but she knows there has been some sort of alien fuckery that needs to be addressed in a different manner
then, right as we hear that HIS HEART STOPPED, we get the little spooky song and the intro. my notes consisted of: HUH?? WHAT IS GOING ON??????
okay. jump back in time. two weeks earlier. yeah let's figure out what led up to this.
(i do get hooked when we jump right into the heart of the matter though. as a plot device i will be Sat for this convention sorry)
but my notes were still lingering on what i had just seen. first, that his face was broken as hell, and that makeup must have been unpleasant, and i can't imagine that being filmed being placed in a tub was much fun either
BUT, on the other hand, i think it's good that we're evening out the scales of each character almost dying. while he did get kidnapped in the s1 finale and almost die in the s2 premiere, scully's coma arc was a lot more dramatic, so it is good that it was his turn. we need to see them worried about each other in equal measure.
okay okay. back to the start of the episode. for real. two weeks before this whole ice bathing event, a ufo sort of thing crashed above a ship in the arctic. and the news is saying that a russian agent was rescued from a ship crash. because you can't just say it was a ufo.
cutscene to a women's health center in scranton. and my first thought was, please do not say we are gonna see some character come in with an alien pregnancy. and thankfully that is not where that went. because s2 is too early for that. work up to it a little bit, you know?
the doctor at the health center is watching the news, and he clearly recognizes the man they are shown being lifted from the crash. and he goes to run out the room.
oh? as soon as he escapes from the room.... he is being BEATEN by the dude he just saw on the tv. OH??? BIG NEEDLES???? foaming with green liquid??? the place is set on fire after that?? we have seen these needles with liquid used on aliens before....
dude, what's going on, i wrote in my notes... the girls are scared
okay, so here's what we have so far: three doctors who perform abortions have had their clinics set on fire, and their obituaries forwarded to mulder
(at this point, we see the credits which i'm used to ignoring, but this one has more names on it.... because DAVID wrote the story with MR. CARTER???? okayyyyy putting that yale degree to WORK!!!!!)
wait. we get visuals on the three newly deceased doctors. and they. all have the same face??? and no records on them at all.
they go to visit a suspect, who had a "have you seen this man" ad in his pocket for a local newspaper, so they go to that city and try to investigate
she thinks it's a setup because they have been given weirdly little information, and he thinks there are more doctors out there with the same face that need rescuing... lowkey agreeing with her but i know how these plot devices play out. so.
she's calling the number they gave her and serving looks on the phone, work, but a tip has been made that the next guy is in syracuse, so they're off on a new york road trip
an fbi agent is sent off to the scene, and we see the next same-faced doctor in syracuse, where he is talking with someone about "sharing the planet"... but. well. here's what my notes had to say:
"NOOOO MORE GOO... THE DOCTOR DISSOLVED AND THE BULLETS AREN'T DOING ANYTHING TO THE KILLER? BUT THE GAS IS KILLING THE AGENT... LIKE WE SAW IN THAT EPISODE WITH THE GUY WHO COULD GO UNDERWATER!!"
so we see the fbi agent is very dead, but then he comes right back on screen, and we are dealing with a shapeshifter!!!!! the dead guy has been placed in the trunk of a car with some funky markings on his face. using the likeness of the dead fbi agent, he tells our duo that there was nothing to see at the address they located. and the killer shapeshifts again, leaving me thinking about how cool being a shapeshifter would be.
cut to skinner cam, who has become something like a strange cousin to me. he is PISSED that mulder went on a side quest without his permission because an agent DIED but mulder is very confused because he talked to the agent and he was very much alive? (but it was actually the shapeshifter, of course) and for once mulder is too stunned to speak
scully is at hooooome checking her compuuuuter and she is wearing a flannel!!!!! yes casual wear let's hear it for comfortably scully!!! make some noise!!!
despite looking very comfortable she is not pleased because someone sent her a disturbing email, and she wants to know if mulder got one, too- it's another of the same faced doctors, and this one is in washington. right in their area!
on his way over to her apartment, we run into.... A NEW CHARACTER???? his name is ambrose chapel, and he is allegedly from the CIA... do we trust him? what was he doing outside her place.
they go into scully's apartment and i'm like, dude, we couldn't have done this in a place that wasn't her apartment? but well. why not welcome a strange man in there?
he's going on about the soviet union and the genetic anomalies from twins being studied and turned into clones, who will be used to sabotage the medical system. and all the clones- who are called gregors- are being systematically eliminated in exchange for the knowledge that created them.
pause. no i actually don't want to analyze the alleged soviet gregors who will somehow poison the medical system. i'm looking at scully's apartment. she must have moved back into DC after being reassigned from the academy. so is this the same apartment as her first one? i can't tell. this gregor stuff is complicated and i'm admiring the art on her walls- it looks like little watercolors or postcards of beach scenes. that's so sweet.
so it turns out that this ambrose chapel is the one that placed the ad they had called earlier, and he says the gregors are trying to reach mulder, and they need to work together to protect them, i guess. weird cross department alliance. i don't buy it.
scully is sitting on her couch looked confused as hell. me too girl i'm just trying to figure out if this is the same apartment from s1. sorry to the gregors.
we next see someone in a room full of green liquid that looks like those big tanks of lemonade at the mall. it appears to be a gregor. i imagine that this is NOT lemonade and is instead sustaining some sort of alien creature....
but now we're back with our agents and ambrose chapel visiting a new gregor in a hotel. when gregor opens the door, he is really scared of ambrose. and there's also another lady in the room with him who is hiding. things were going real rapid fire at this point. my notes were just a series of questions, or statements followed by question marks to express disbelief:
"gregor JUMPS OUT of the window but somehow GETS BACK UP? and now he's running away??? so we get a chase scene. WHO IS THIS AMBROSE FELLOW??? and why is there a lady in the room hiding behind a curtain???"
mulder is going after gregor on foot when he gets HIT BY A CAR????
but he says he's fine and tells scully to keep going. ambrose is stalking this gregor like a cat, and gregor has no choice but to climb something to escape.
but noooo!!! the shapeshifter is back!!! the shapeshifter WAS ambrose?? the gregors must be able to sense who the shapeshifter is.
"ambrose chapel" tells scully that the gregor got away, but she steps in some familiar green goo that indicates things are not looking great for our gregor, and he is likely gone. too soon.
"how are you feeling?", scully asks mulder. "like i should have taken the crosswalk", he says LMAOOOOOO
scully is pointing out the obvious: this ambrose fellow is sus as hell. "what happened to trust no one?" "oh, i changed it to trust everyone, i didn't tell you?" LMAOOOO this man cannot stop running his damn mouth
he's all, i ran a background check on ambrose, and he is totally clear, he's been working at the CIA for 17 years! and she asks so WHY, if he has been working here for 17 years, does he need OUR HELP? and also the gregor was CLEARLY running from him, and not us!
he accuses her of being paranoid which 1. kettle calling pot black and 2. rude as hell??? she is speaking total sense here
OHHHH THE GIRLS ARE FIGHTING!!! and again she is NOT wrong.
"you'll pursue a case at the expense of everything, to the point of insanity, and expect me to follow you. there has to be somewhere to draw the line" and is she wrong??? she does not get paid enough to deal with all of this, and he's endangering them... and he seems to just assume that she will do anything he asks of her.........
"if the pursuit of this case seems like insanity to you, feel free to step away from it" he says, in a way that is very judgemental and accusatory and not at all understanding of how wild this whole thing sounds. and i'm taken back to his opening monologue, how he was going on about the pursuit of the truth interfering with his relationships... exhibit a!!
she points out that SOMEONE DIED and he deflects by saying "those are the risks you take! you either accept them or you don't"
(now, when signing up for the fbi, i do not actually think "murder by alien" was on the risk of disclaimers signed so.)
((ugh he's pissing me off here. i get it, the bloodhound need to sniff out the truth without regard for anything else, let alone something as simple as safety. but could we maybe LISTEN to our partner???? just once????? GRRRR))
(also they keep calling ambrose chapel by his last name and its making me think of chappell roan, my beloved above all else. this is not very h-o-t t-o g-o of mulder to be ignoring scully's concerns)
despite the high levels of tension and voices being raised, she pulls out her shoe that had stepped in the alien gunk and shows him how it has been burned through. his eyes light up in fascination and he says we need to go get this tested now and also can you prepare an autopsy bay? we can't figure out how the agent in the syracuse situation died. and then HER EYES expand with childlike wonder and everything is momentarily right with the world again.
he comes down to the autopsy- perhaps as a form of apology for his earlier rudeness- and watches while she goes over the stuff. and everything looks normal except his blood was clotted somehow??
"skinner's gonna wanna know why you didn't file your report... what are you gonna say?" "just the truth. i got hit by a car!" LMAOOOO okay honesty king
(it was at this point i lost power and had to spend the rest of the night wondering what the hell was going to happen next until i could finish it the next day.... i truly deserve compensation for this happening twice in one week. what sick and twisted force is out there trying to keep me from running this blog, huh?!?!?)
okay we're back. mulder is going into skinner's office.
he must have came up with a report real fast, because he goes to give it to skinner, and he says he didn't call him to talk about that:
"your father has been trying to reach you. there's been a family emergency"
(proving once again that skinner is serving the same functions as a high school prinicpal)
he calls his dad, and his mom picks up... and he asks why she was at "dad's place".... MULDER CHILD OF DIVORCE CONFIRMED?!?!?
scully stops by his office with an address she found to go on, and he says you go there, and walks out. she asks where he's going and he said "home" and did not elaborate. and said nothing else.
(this pissed me off because RIGHT before scully was kidnapped, he had similarly made an abrupt exit on here and i thought that he would stop doing that and start saying a proper goodbye but no. he has not learned. ALWAYS say goodbye and tell your friends you love them when you leave- it is NOT negotiable!!!!!!)
she drives to the address and it is... very creepy... it's the room full of tanks that aren't lemonade but they look like it!!!!! and ambrose chapel (NOT to be confused with chappell roan!) is pushing the tanks over and stepping on the chunks of stuff that comes out of them... very gross...
scully calls mulder and asks him to please call back because she thinks she is in danger, and someone is following her, sitting outside her apartment, BUT HE IS BUSY!!! WITH FAMILY EMERGENCY!!! which she does not KNOW ABOUT because he DID NOT TELL HER!!!!
he arrives at his dad's place and i am not shocked that man is either from or has spent a significant amount of time in massachusetts, specifically martha's vineyard. like yeah. this isn't shocking to me. it just makes sense.
(although if that were the case, he'd be MUCH more obnoxious about the patriots and the red sox, and before he mentioned going to dodger's stadium and having a shirt from the new york knicks.... so what's the truth?!)
his dad is on the porch and is being kinda weird- do BOTH our agents have a strained relationship with their fathers? and his dad shakes his hand and it's Weird. but he sees his mom is talking to someone inside.
SISTER REVEAL??? it was the girl who was inside the house when the agents and ambrose showed up to find the gregor! AND i think it's the same girl that gave them the map back in binghamton... but i could be wrong?
in the morning he gives his mom a kiss and tucks her into bed. aww.
then he walks outside and it looks like he is either gonna start hyperventilating or crying, but his "sister" is on the porch and he goes over to talk to her- what do you say after 22 years?
she says she was returned around age 8 or 9, and placed with a family, and that she couldn't remember anything until doing some hypnotherapy a few years back, and the memories of her family and all of the horrific testing returned.
(and sorry i'm not buying it. idk it just doesn't seem to add up!!!!!)
but he's hugging her so it's probably best he can't hear me say that. my guess is someone is trying to distract him from the truth.
but, she already knows what is going on... she says a bounty hunter is after her "father" (which confuses mulder because... same dad?) but she corrects herself and says the man who adopted her is one of the gregors- and he is an alien- and they'll be after her soon, i guess for maybe knowing the truth?
at this point in the episode we begin a series of phone calls in which both parties repeatedly miss each other's calls and i was like whyyyyy. whyyyyy.
anyway scully is leaving. she's in a jacket and she's taking the bus and i love her so bad. she says where she is going on the phone but i assumed she was lying because it was in public.
and mulder's "sister" is saying that the hit man can disguise himself as anyone. so he's trying to reach scully, who is back at the site of the lemonade-looking alien tanks.
she pulls a lock picker out of her fanny pack because that is my baby.
and when she goes in all the alien stuff is smashed. she's looking at the alien meat on the floor. and she picks something up and. OH FUCK, i yelled at my screen. i hit pause SO FAST. she was holding a PULSATING ALIEN EMBRYO. but some guy is in the back!!!!!
she tries to get him to stop whatever it is he's doing but he says "you cannot hurt us" and then all of the remaining gregors with the same face are in the room!!!!!!
so she puts them in maximum security but the windows on the cars weren't blacked out and i feel that they should have been. and just as i make note of this we see the shapeshifter hit man... NO!!!
scully ACTUALLY goes to the motel she said she would, and they miss calls 2 MORE TIMES... i will start biting!!!!!
and back where the gregors are being watched, the guards switch, and a new fellow walks in... and i guessed it was the shapeshifter, and yes indeed it was, he busts out his needle that turns the gregors to acid....
there's a knock at scully's door at like 11:30 at night and she goes and gets it and it's mulder!!! where were you, she asks, when her phone starts ringing...
and who is on the other end but... mulder.........
no.... shapeshifter......
TO BE CONTINUED?????
ARGHHHHHHHHHHHHH.
this is so unfair because had the power NOT been knocked off i could have seen this episode yesterday and then part 2 tonight. but now i shall be forced to wait until TOMORROW to see what happens. soooooo evil.
i should have known we were gonna get another two-parter when we were halfway through the episode and still no mention was made of any ice. you know, the ice we began with?
anyway. i really really liked this episode. the pacing was great, as much as i complained about their argument i thought it was excellent conflict, we learn more about mulder, but i do not believe that is really his sister. sorry. and if it IS her i'll be forced to issue a formal apology but until then i remain doubtful. has anyone considered doing a blood test. this predates 23 and me.
aughhh i need to know how he ends up an ice cube!!!!!! and i will have to wait until tomorrow. and while i technically COULD watch part 2 tonight i want to have a real good bit of time dedicated to breaking it down
(i saw the episode after the next one is about zoo animals and i was like hell yeah this is what i love about this show. we get some heartbreaking alien infiltration content and then some possessed elephants)
((WAIT. ARE THEY REALLY GONNA GET TO GO TO THE ZOO??? LIKE I'VE ALWAYS DREAMED OF?? but it's a zoo of ANGRY animals so it's not even going to be relaxing??? this is SOOOOO unfair...))
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ohmeadows · 10 months
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hanya. she.
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dreamyprinx · 2 years
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I bring to you, actual art but it’s me trying to replicate my friend @spaceshmuck’s art style
✧ reblogs are appreciated ✧ | ♡ buy me a kofi ♡ | ☾ commission info ☽
#whimsy whispers#crystalart.png#others ocs#strand von zarovich#curse of strand#space tag#GOD this was so difficult and I don’t even feel like I did that good a job but it was also fun#also hi I’m not gonna shut up about my art program crashing and this corrupting right as I was almost finished with it I need people to know#that the universe tried to stop this from existing >:| I did not spend hours going ‘is this how it would draw hands’ and cursing myself for#the damn art to not see the light of day#anyways please look at my friends art it’s SO good like god I’m jealous of its art style and character designs >:’)#like literally such lovely art y’all will check it out because I said so and my word is like law or whatever#I’m like writing these at 4:25zm on a Monday and like this won’t even be posted for another week or so but like#sorry if I’m especially stupid rn I didn’t wanna go to sleep yet so I’m saving drafts and listening to off the wall magical! on loop#y’all should also check out junie & thehutfriends because I find their music fun#just listen to me when I tell you to look at ppls art because I have good taste okay? you can trust me I’m holding your hand and we’re going#to have fun I prommy#also please do not talk about the background it was one of the things I was gonna work on when the art program crashed#the only thing I fixed after that was minor mistakes like not colouring in buttons#anyways ily pretty vampire man and ily my dear friend who’s art style vexes me 💖
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FINALLY. THIRD ACT. IT'S BEEN 3000 YEARS, I'VE FINALLY ESCAPED THE BUILDUP DUNGEONS INTO THREE SECONDS OF DIALOGUE THAT IS ACTUAL PLOT EVENTS, PRAISE BE TO THE WRITING GODS!
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boundinparchment · 1 year
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Keycaps are out for delivery, sushi for lunch, house stuff almost done…
Writing is gonna be so different on once I finish this board
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fleursbending · 2 years
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sorry for the inactivity work got me in a chokehold fr and ive just been rewriting the archer .. it will be out this weekend ACK nervous nervous..!!!
gonna eat lunch then im gonna bit by bit work thru my ask box ok😗😗 and dms.. so sorry bffies..
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trollbreak · 1 year
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Umm writes a thing on a whim and posts it immediately
[It’s a rare thing, for Junie to raise her voice. Much more often, on the occasions when anger simmers under his skin, it pushes their voice down, enough that talking becomes a struggle, much less loud enough to make themself heard.
On nights like tonight, they could use some of that anger.
Failure claws at his back like a wild beast, tears it’s way into her throat and between her temples, and frankly, Junie doesn’t trust himself with most of their friends like this. It’s easier, to just linger around the arena until he’s got adequate excuse to just sleep in the locker rooms or medbay, rather than going back hive.
Unless someone finds him first, of course.
Jack’s attention has hardly been the most consistent, and with how he’d been going at it with a new patron, she’d been sure he’d made his way off to spend the day with a stranger again… having their roiling pacing interrupted was the last thing she’d expected.
Junie wasn’t even on the roster for tonight. They almost miss the sweeps when they didn’t itch for it, like this. But that falls easily enough into petty bickering, with Jack. It’s easy to get squabbling with him over nothing… unless he’s got that soft look in his eye. Most of the time, Junie loves that expression on him. Right now, it makes them itch. Makes the restlessness in her skin turn sharp.
“Don’t.”
Junie hasn’t been listening to his rattling for some time, now… he’s good at going on about nothing.
“Don’t give me that look. Not right now- shut up. Don’t you dare be soft with me today… either show me your teeth or go find someone else to lay in bed with.”
They want it to sound bitter. To come out with all the venom he can feel in her veins. Instead, Jundes just sounds tired, even to his own ears.]
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banggyu0308 · 1 year
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Oops looks like he brought some friends along
REALLY MINX??? WAS THIS REALLY NECESSARY-
the iconic tiktok though 😭
HIS SMILE IS SO CUTEEEE
okay but soobin in that trailer 😳
WAIT- HOLY FUCK- YEONJUN??? SIR???? WHAT IS THIS- WHY ARE YOU LETTING OTHER PEOPLE SEE- how have i never seen this vid before though ;-;
THAT CLIP OF HIS DANCE- THE WHOLE VID IS SO FUCKING FUNNY TT (yeah but i did die a little inside watching it-)
OMG I NEEDED THOSE BEOMGYU PICS- TYSM!!! (for a story-)
soobin again- fuckkk
AND KAI IN DBTW- BSJHBXSBAJKJKS (not fully out of my kai faze yet-)
and abt the tags- yeah i'm 100% gonna forget these but WHATEVER-
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cxffecoupx · 24 days
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what 2 am with them looks like
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seventeen × gn reader comfort, healing (kinda, idk) warnings: mentions of making love, food wc: 1.3k author's notes: this was a random thought, and has been in my drafts for so long, so i decided i had to complete it. writing this gave me a peace i didn't know existed, so i love this work very much. i hope you guys love it too <3
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➼ choi seungcheol
in bed. he's probably fucking you into the next week, making you cum at least 5 times before he kisses you gently and washes you up and prepares to sleep. if not this, then you're probably on your side of the bed. the other side of the bed remains empty, because your cuddly clingy boyfriend is wrapped around you, strong arms trapping your movements and legs tangled together.
➼ yoon jeonghan
dumb conversations. lying in bed, your head resting on his arm, your arm wrapped around his torso that shakes with the laughter. it's probably one of your lame jokes that only he finds funny, or one of his hilarious stories about seungkwan and chan, but it's got you both clutching your stomachs after a while. he pulls you close with his arm that's under your head and presses a light kiss to your forehead before finding another interesting topic. when do you sleep that night, that's a question you both have no answer for.
➼ hong jisoo
deep conversations. you're both sitting in your bedroom, hugging pillows as you slip into deep conversations about the universe and your future. you aren't sure how you got here, you were in your bed to sleep one moment and in the next, you're both sitting as you talk about your wedding and your house and the stars and the moon and his mom and his job; the conversation flows easily into the next topic. he only stops when he sees you suppress a yawn for the 3rd time before kissing you and suggesting you both go to sleep.
➼ moon junhui
watching cat videos. it all started a few hours ago, with you and jun on either side of the bed, scrolling through phones. you roll over to him, perfectly landing your head on his chest as you show him your screen. "look junie," you said as you shoved the phone into his face. he chuckles before holding your hand and focusing on the video of an orange cat tripping over it's own feet. he laughs watching it, and it ends up in you lying on his chest as you both watched every single cat video available on the earth. your laughs filled the room and tears filled your eyes, but it felt so good, spending time doing silly things like this.
➼ kwon soonyoung
passive watching soap operas. its the time of calm and quiet after the rush of the day, so when you turn on the tv after dinner, you stay like that until late hours. except the focus has moved from the drama on the tv to drama from work. from sitting at the ends of the couch, you end up tangled somehow - his head resting on your lap or him sitting on the floor, hands held with yours. the tv drones on at a low volume, but by then you've both shared all the tea from your work and are giggling over the littlest of things. in the morning, you're both probably on the floor, one of the cushions as a pillow and keeping warm by hugging each other.
➼ jeon wonwoo
playing games. after much practice and pain, you'd finally gotten better at the games wonwoo often played. most nights you'd be a team going against your other friends, but sometimes you prefer to play against him. and when that happens, it ends in either of the two ways: you're winning and start shaking your hips, or he's winning and decides to deliberately lose to help you win. either way, he wants to see your happy lil dance.
➼ lee jihoon
in his studio. jihoon's seated in his studio, working on a new track. when you arrive, he immediately pulls you to him, making you sit on his lap as he hands you his headphones. you look at him, confused, but wear them anyway and listen as he plays the track he was just working on. as you fall deeper into the melody of the song, he grips your hips in anticipation. it was a song to you, from him, containing the most heartfelt emotions he'd felt for you, but couldn't communicate properly. so he decided to put them into a song, a language he speaks so well and one that you understand.
➼ lee seokmin
having breakfast cereal. you'd gone through great lengths to find and buy the brand of cereal you both highly enjoyed. so now that you have it, why wait for the morning? when he wakes you up in the middle of the night, anxious and groggy about your reaction, he'd worried you'd judge him. but maybe it's the sleepiness hanging in his mind that he forgot you both basically share the same braincell. so the next minute you're stumbling into the kitchen, looking for bowls and cartons and giggling over spilling milk and noisy spoons. by the time you're done, your stomach's filled with food and heart's filled with love.
➼ kim mingyu
moments of soft intimacy. the evening goes by peacefully: you both come home, tired and exhausted; have a silent dinner mingyu lovingly prepared and talk about work; after some leftover work you both head to bed. but slowly, the stroke on the cheek becomes kissing, drawing shapes on your back as you kiss and nip at the base of his neck. mingyu's vulnerable now, only with you, but neither of you are in a rush to haste. his hands cup over your ass and thighs; your hands are braided in his hair. his palms knead the flesh of your breasts; your fingers gently brush across his chest and abs. whether or not you make love comes later, but you sleep peacefully in each other's embrace.
➼ xu minghao
sky-watching. when you poke him awake, he's definitely concerned, but the first thought that pops to his head when you say you cant sleep is to go sit in the balcony. so now, at 2 am, you're in the balcony, a cup of warm tea in your hands and xu minghao at your side. its silent, but its a comfortable silence that wraps around you like a blanket, and warmed up by the tea he specially made for you. and although for others, the silence might seem awkward, minghao knows that this is exactly what you need to escape from the thoughts racing around in your mind.
➼ boo seungkwan
late night walks. seungkwan's energy peaks after he comes home and sees you, so walks to tire you both out becomes a staple in the routine. youre walking the streets in matching hoodies (that's because you take one of his) and even in the cold, he makes it a habit to hold your hand in his. you wander through new streets every night, discovering new neighbourhoods, having a quick snack from the convenience store, and usually stumble over a park or play area. you can feel seungkwan's eyes light up and the next thing you know, youre on the swings, side-by-side. with the little squeeze of your hand, he lets you know he's ready to go back.
➼ chwe hansol
watching a movie. to hansol, any logical being would be asleep at this hour. (un)fortunately for him, you weren't as logical as he thought. but maybe he enjoys it because why else would he allow you to keep him awake at this ungodly hour, watching 'Tangled' for the twentieth time now? all frowns erase the moment he sees pascal on the screen, and a smile places itself. he becomes so engrossed in the movie he doesn't even notice that you'd fallen asleep about halfway through the movie. when he does notice tho, he silently closes the laptop and places it away, before slipping back into the bed to get his precious sleep.
➼ lee chan
listening to him talk. chan loves to talk, and you love to listen to him talk. while mostly by this time you're both dead asleep, sometimes you end up in the balcony, the wind playfully ruffling his hair as he goes on and on about something he's so so passionate about. it could be the most trivial things, but the way his eyes go wide as he's expressing his emotions and the way they catch the moonlight in them like little stars. you're gonna be pretty tired the next morning, but when chan's with you, you couldn't care less.
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s1 episode 24 thoughts
aka SEASON FINALE! wow, one full season with these nerds... time flies <3
this episode was super fast-paced and full of twists and turns, straight from the beginning. we open on a very jerky chase scene that was hard to watch and which set the mood as a guy was shot and then jumps into some water and no one can find him
!! the title sequence changed !! it said "trust no one" rather than "the truth is out there"!! surely this means something, but what? i'm spooked!
mulder is sleeping on his couch again. can we please start a fund to get his ass a mattress. it's getting serious.
looks like he fell asleep working on a case when a phone call from deep throat wakes him up, telling him to change the channel where he sees the news of the opening car chase and records it on his VCR (how vintage!)
he shows the footage to scully who is basically like why do we trust this deep throat fellow- a valid question, as mulder trusts almost everybody like a little baby duckling- but scully referring to him as "deep throat" means they've discussed the subject before, which is interesting
we then visit a scientist who is working on monkeys. scully, for some reason, wants to say hello to the monkeys- perhaps we can chalk this up to her innate goodness
the scientist is like "leave those monkeys alone" and she says "i'm sorry, i thought they were friendly" scully, you should know that monkeys are NEVER friendly! they tried to bite her but thank god they missed because these are, after all, no ordinary monkeys, but Alien Monkeys
after the monkey business scully is pissed because they have no leads and she says we need to wrap this up! we've learned nothing! ohh i wrote this next part down word for word because it gagged me:
mulder is so trusting of deep throat and scully says he's stringing mulder along for some unknown purpose...
to which he says: "you think he does it because he gets off on it?"
and scully replies "no, i think he does it because YOU do"
oh i gasped and yelled at my screen! she got him! valid question though, why is this guy leaving them little clues beyond his earlier in the season confession of alien murder guilt? it IS suspicious.
mulder and deep throat confront each other and play more sick and twisted mind games which is fine; deep throat insinuates that mulder doesn't care as much as he used to which is rude but it spurs him on his quest for answers
next the monkey scientist kicks the bucket which obviously means his monkey science was deeply important
the guy who was doing the running during the car chase confessed to being underwater for 3 days after he was shot which obviously has implications but we aren't given a whole lot of time to explore them
back at the monkey lab, now a crime scene, mulder hands scully a flask of mysterious liquid and says "what do you think this is". she says "i don't know" then runs on a quest to go find out because he asks her to. god, dana scully has really had to endure SO much with this man, and now a mystery liquid from the monkey lab? again i ask where her compensation is
mulder breaks into the dead scientist's house, which revealed another basic and universal truth akin to gravity: if no one lets mulder in a house, he Will find a way to break in. he cozies up to the dead guy's desk and starts flipping through his stuff, and the runaway underwater alien guy calls and he picks up the phone like this is a typical day for him. alien guy is emitting some sort of gas that hurts everyone which is unfortunate.
scully fell asleep on the couch of the microbiology department which was soooo <3 but then the lab scientist comes in with the plot twist...
monkey liquid reveal: it has some sort of secret bacteria... with a new base pair! which means it HAS to be some sort of extraterrestrial life!
mulder tracks down a storage unit that is filled with bodies in tanks, and he looks like a kid in a demented candy store while some crazy orchestral stuff goes on in the background. then he is chased by some people but leaps over a fence with astonishing agility.
scully realizes that the monkey liquid is actually Very Important and they meet up to explore the tanks and she says she's sorry for doubting him. "i should know by now to trust your instincts" she says, to which he replies "why, nobody else does" and they both smile and it is not emotional at all, shut up!
"you know, i've always held science as sacred. i've always put my trust in the accepted facts. and what i saw last night... for the first time in my life, i don't know what to believe" <- banger scully line
(i don't believe that this is the first time she's questioned it, though. she's been on edge the whole time, this is just the most she has been. she was thrown off by the psychic who quoted her dad, and by the alien bites in the very first episode. regardless, character development!)
((also, love that she talks about holding science as sacred while wearing a cross necklace in every scene. she's got that "raised catholic" aura about her))
gasp! just as i knew it would be, the room of tanks is now entirely empty, all cleared out except for... deep throat? he reveals that this is the place where the first alien-human hybrids were developed out of terminally ill patients, who got better, but developed superhuman strength and the ability to breathe underwater. a valid tradeoff, in many ways, and exactly what has happened to our friend who was shot and hid underwater and now gives off noxious gas. so now they have to find him before the Others do.
mulder runs back to the dead guy's house, which he seems far too comfortable entering, and finds the alien hybrid man. alien man tries to choke him out, but mulder still says "i'll protect you"
(man, i love that line. we Will be psychoanalyzing that at a later date)
but alien man is shot by an intruder, and his noxious gasses burn mulder while he's tied up. poor scully has been blowing up his cellphone, to which he mumbles "i'm a popular guy"
(always with the damn one liners while he's beaten within an inch of his life; you are popular to one individual, mister mulder, but granted she's a very special one)
deep throat says scully can get into a high containment facility and trade the alien tissue for mulder which okay. sure. why not? she guesses the mystery password and gets into the building and. well. this was my reaction:
"she's opening a mystery container and i lowkey expect a frozen head but NO IT'S AN ALIEN THINGY AUGHHHH IT'S LIKE A BABY"
gross!
only 6 minutes left in the episode at this point and i was stressed! scully's got a box full of alien, is meeting deep throat on a bridge, and refuses to hand the alien box over because. again. who tf is this guy? he gets all mad and says that she NEEDS to hand the box over because these guys that they're dealing with took some of the alien tissue and injected it in children.
and this maybe was supposed to get her to hurry up but she was just like. nah why the hell would we give them the alien back? so we can get more alien children?
to save mulder, of course! because they are the only two who can shine light on what is really going on!
(don't talk to her in such a condescending manner, deep throat, i will bite you. she has perfectly valid reservations about handing ur mysterious ass a box full of alien. but she finally does)
and then as he hands the box over to the mystery people HE IS IMMEDIATELY SHOT! i gasped so hard here i actually hurt my mouth which is still recovering from surgery and so all of us had a bad time around this point. they do toss mulder from the back of a car, though, and deep throat's dying words are to "trust no one"
(so is it really mulder that we have back? if we can trust no one, does that mean someone has hacked into mulder? and scully doesn't know that? that's what i'm guessing here. sort of a winter soldier-ish situation)
13 days later, mulder calls scully in the middle of the night and says the fbi is shutting down the x files and they're being reassigned, but he won't give up, he can't give up. he says someone named "skinner" made this decision. i am unfamiliar with this individual but have a feeling we will become acquainted.
the season ends with the alien being placed in a mysterious room. to this i wrote the following:
"alien baby in formaldehyde in an archive i would kill to get my hands on it let me see it let me see it let me see it NOW"
(i bet they also have JFK's brain in that archive!)
so what a whirlwind of an episode! we certainly can't trust anyone moving forward, but does that apply to the trust between mulder and scully themselves? what will they do now that the x files have been shut down? somehow i have a feeling they will come back, a sort of hunch to do with the 10 more seasons of this show.
will they meet up for coffee during their new assignments? who is skinner? so much awaits us on the other side of this season, but i still need to process all i've seen so far!
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dceasesd · 4 months
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why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)
oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)
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i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:
the typical boiling down of jason's character to "the angry one"
his lack of strategy going into the fight with the demon is out-of-character
the neighbor's kid interaction
to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".
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so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.
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i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.
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even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.
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furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)
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i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.
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this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.
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even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).
ba's jason, though? that motherfucker is so. sad.
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christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!
now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.
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ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.
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this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))
part 2 / part 3
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luveline · 2 years
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𝐣𝐮𝐧𝐞 𝐛𝐚𝐛𝐲 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫
part one | part two | part three | part four
summary you’re a single mom living three trailers down. eddie thinks you’re the prettiest girl he’s ever seen. queue the movies, nachos, cherry cough syrup, and a couple of moments of clarity. [10k]
warnings teen mom!reader, fem!reader, r is junie’s birth mother, fluff, hurt/comfort, eddie being a total girl dad (<3), mutual pining, yearning etc, tw for not having much money, general mom struggles :(, slowburn friends to lovers, idiots in love!!! tw sick fic
𓆩❤︎𓆪
Eddie has the most peculiar curl tucked up by his neck. Where most are frizzy and loose, this one falls in a perfect shiny ringlet below his ear. He shifts and it's out of view, a curtain of dark hair falling forward and hiding his face as he puts your car in park. 
"Remind me why you had to drive?" you ask, ducking down to look at the glaring white lights of the movie theatre across the street. 
"You were gonna fall asleep behind the wheel." 
For once, Eddie might not be exaggerating. He grins at your lack of rebuttal and throws an arm behind your shoulders, twisting in the driver's seat to set his sights on Junie. 
"Are you ready?" he asks her. 
She wiggles. It's an ecstatic movement. Her clothes are prim and sweet if you do say so yourself, a long sleeved shirt under a pair of the world's cutest dungarees. They crinkle as she moves, pressed to perfection. 
You and Eddie open opposite doors in tandem and step out into the brisk, early night. The sidewalk shines with rain, a black slickness stretching in every direction. You shiver and pull your thin jacket tighter to your torso as you turn back to the car, intending to retrieve Junie and rush into the theatre before you can freeze on the spot. 
Eddie's already swung open the door and rescued your daughter from the confines of her car seat, neatening up the hem of one of her socks with her face pushed over his shoulder. 
She giggles about something and Eddie says, "Sorry, June. 'M tickling you, am I?" so fondly you have to avert your eyes. 
He locks the car and hands over your keys with a smile. You smile back, heart flipping like a spinning coin. Head over tails, over and over. 
The big, ring-heavy hand he holds to Junie's back reaches for you suddenly enough that you flinch.
"I'm sorry," he apologises, suppressing a laugh, "your necklace is twisted." 
He moves in a second time and you raise your chin, chest aflame as his fingers glance off of your bare skin. He slips the chain over his index and pulls, encouraging the links around until the clasp is hidden again. 
"Thank you." You huff an awkward, sheepish laugh.
"You owe me," he says, mock-severe. 
Your laugh is much more genuine as you follow him across the road. 
You're squinting as you approach The Hawk movie theatre. The title cards are hard to look at, aggressively white with black capital letters that read, 'The Great Mouse Detective 7'. 
There's a small line of families waiting by the front. You realise it like a shock, that the three of you must look like a family too. 
Eddie carries Junie with the surety of a dad that's carried his child a hundred times before; he strokes the back of her head with the affection of one, soothing the mess of flyaways she'd acquired by squirming in her car seat. Junie responds with familiarity, hands tucked into his hair and tugging. She's trying to be nice but his hair won't allow it, all his long curls tangled at the ends from a day at work. 
Still, he says, "Thanks, baby. Make sure you get the back, okay?" 
"Okay," she echoes. 
You look down at your wringing hands. There's ink smudged up the side of your writing hand. You scratch at it half-heartedly, blinking against your fatigue. 
You're exhausted tonight and it's only Wednesday. You can't imagine how you'll fare tomorrow considering how little sleep you're expecting tonight — there are a thousand things to do when you get home. Laundry to wash and press, cleaning to do, dinner to make. 
You'd been writing cheques for due bills when Eddie had come knocking, well-dressed, stupid-handsome, and announced that tonight you would be accompanying him to the movies. He'd actually said 'accompanying'. 
Despite a full agenda, you'd said yes. You're not very good at saying no. At least, not to him. 
It takes you a moment to realise you're at the front of the line. You pay for the tickets before Eddie can try it, and with his hands full he can't really stop you. He whines about it all the way to the concession stand. 
"You can buy the snacks," you say. His face lights up, and you amend, "If you're reasonable." 
"I'm always reasonable…ly over the top," he says, chided by your hard stare. 
"Yes, you are." 
He follows you down the two steps to the concession and cuts in front of you. "How did you do that? What face was that? I felt my soul leave my body." 
"That's my disapproving mom look. I'm disapproving." 
"Ah." He pats Junie's side sympathetically. 
She pulls her head from over his shoulder and smiles at you. Her arms vy for your hold. You steal her from Eddie and kiss her all over her tiny face, uplifted by how much she loves you, how happy she is to be in your arms. 
"What snacks do you want? Do you eat popcorn with butter? Without?" Eddie asks, his newly emptied arms already posed thoughtfully, a hand under his chin as he thinks over his options. 
The theatre has a huge array of jellies, an even bigger array of candy bars. There are more brands of soda than there are glasses in your kitchen cabinet. 
You're daunted. 
"Whatever you want," you say.
Eddie groans and tips his head back. "Don't play with me like this. Butter or no butter? It's an easy question." 
"I don't know. Without?" 
"You are so weird," he says happily. 
You pout and pull Junie closer. 
Standing at the side while he gathers concessions, too many things, you watch in awe as Eddie stacks it all against his chest with the sure confidence of someone who's done it before.
He grins at you from between two huge cups. "Are we ready?"
If you could, you'd leave him here in the foyer with his jumbo deluxe popcorn. As it stands, you like him too much to leave him behind. You juggle Junie and your bag to push open the doors for him outside of screen two. 
"Thanks, babe," he says outside of screen two. You bite your lip, surprised by his easy tone. 
You climb up the stairs and into your seats. You're high enough for Junie to sit in her own chair between you and Eddie and see the screen comfortably but she adamantly refuses, stretching out in your lap like an alley cat hungry for affection. 
Eddie moves into the ragtag velvet seat beside you, a million things in his lap and at your feet. He's pretty enough under the theatre lights to dull the panging ache at the back of your head. "If she won't sit here, I will. I got you a lemonade, is that cool?" 
If it weren't you'd hardly tell him. 
"She's being extremely well-behaved," Eddie notes, an inkling of pride in his tone. 
You could sucker punch him. Why does he do this to you? 
"I know," you say with a shy smile, "it's suspicious, isn't it?" 
"I don't know. If I were in your lap I might be well-behaved too." He raises his eyebrows, an over-exaggerated show of flirtatiousness. 
You reach over the arm to take a handful of popcorn. Eyes on Junie, you offer her your stolen goods and say, "I've got two thighs." 
"Don't tempt me." 
Junie all but snatches the popcorn and tilts her head back. A kernel falls from her hand and disappears between the seats. You make a mental note to pick it up afterward, ears full of her chomping. 
You'd worried she might be a little loud for the movies but there's a bunch of kids and none seem keen on keeping quiet, a cacophony of childish complaints to hide your conversation. 
"Are babies supposed to eat popcorn?" 
You freeze up. "Oh- I don't know," you say, turning Junie toward you so you can watch her swallow. 
"I thought I read that somewhere, but-" 
"No, I think you're right. Um…" Junie looks at you with obvious confusion. "Was that yummy?" you ask. You hide your concern with a strained bubbly attentiveness. 
"I guess she's old enough." 
Eddie's being very casual – it is casual. He's just thinking out loud. You know he's not criticising you. He never has, though sometimes you think he should. 
It must show on your face anyhow that you're having a 'I'm a bad mom' crisis. A mean stroke of insecurity.
"Sweetheart," Eddie says suddenly, brows pinched, "it's alright. It was just a thought. And she had no problem eating it, I'm sure she's gonna be aces. Better than aces." 
Junie climbs out of your lap and into his. He sets the popcorn on the floor to take her, and when her hands reach for his drink he holds the straw to her mouth. All the while his eyes move between her and you. 
"Okay," you say, because you're being silly. 
Junie is fine. Eddie was only saying something that's very well true. Babies aren't supposed to have popcorn, but June's not a baby, really. She knows how to chew properly. It's unlikely she'll choke. 
Eddie has to keep his focus on her to avoid getting soaked – she barely knows how to use a straw and keeps trying to turn the cup upside down. 
"Not like that, trouble. Right way up. You got it." 
You pick at the loose stitching at the end of your shirt and have to change the subject before the embarrassment of it all swallows you. Such a small thing. 
"Can I try one of these?" you ask, grabbing the first bag of candy you can find. They're a bag of Super Sour Suckers. 
He looks at you over Junie's head, startled and hiding it poorly. Then, a smile so bright it increases the embarrassment you're feeling tenfold.
"You have to! Robin said they're even worse than the normal ones, I don't wanna go through that alone," he says urgently. 
Robin is one of his friends. You're not jealous that he has friends (though you are, because you want your own, but not jealous that he has friends that aren't you). He's mentioned her in passing before. When you'd asked as bravely as you dared if they were anything more than friends he'd laughed maniacally.
"We're definitely just friends," he'd said.
You fight to stay smiling and pull open the bag of candies. Ironically, the jellies inside are shaped like pacifiers. Covered in sugar packed densely and looking almost wet with what you suspect to be citric acid, you shake the packet wearily and search for a candy that won't ruin your tongue.
Eddie holds out his hand. You drop a green one into his palm. Your fingertips ride up the curve of his thumb. 
He's unflinching as he eats it. After a few seconds his eyes screw up and he clutches June tight to his chest, raising an unhelpful hand to his jaw. 
"Holy sugar," he says, wincing. 
You bite into a pink pacifier unfortunately layered in sugar and wait nervously for the sourness to kick in. Sure enough, it comes quick and torturous. It's a knife cutting through fog. 
It's hard to feel tired when there's something this sour in your mouth.
"You can't spit it out!" Eddie says.
You stop with your hand halfway to your mouth. "What?" you ask incredulously, trying not to dribble. 
"You gotta eat it! Chew and swallow!" 
You chew miserably. He laughs at your expression – a warm and hyper sound, practically giggling. Junie joins in as she always does. His joy can't be overstated. 
The lights go down while you're still fighting for your life. Your eyes water and you have to smother the taste with a quick drink and a gasping breath. 
"You're sick. I can't believe you let me eat that," you whisper. 
"You saw me eat mine! You knew what you were getting into… Think June wants one?" 
Your outrage has him laughing again. It's a magnetic sound. Every time he does it you want to touch him, his arm one pole and your hand another. 
Junie gets comfortable on his right leg, head tipped expectantly against his chest and eyes drawn to the screen as the trailers begin. You don't bother with jealousy; in ten minutes she'll be climbing over the arm to sit with you again, or want to sit in her own seat. She may even try to walk around. Toddlers are indecisive and easily distracted. 
Even if she weren't. Even if she sat there in his lap for the next hour and a half and didn't look your way, you're not sure you could harbour any envy against him. His hand spreads over the front of her torso with fingers splayed against her ribs, stroking thoughtlessly through the fabric of her thick clothes.  
He tips his head toward your chair. "There's nachos." 
"I saw." 
"Wanna eat some before they get cold?" 
"Subtle." 
He snorts. "Yep. That's what they call me. Eddie Subtle Munson." 
You reach over the dark floor for the tray of nachos and balance them carefully on the armrest between your two seats. Eddie digs in without fuss, you fret over which ones have jalapeños on them, and Junie gets mad that nobody's sharing with her. She puts her hands straight in a mound of orange cheese. Her face is a picture when she brings it to her mouth. She's discovered molten gold. 
"Junie," Eddie says lightly, carding hair away from her ear so she can hear him properly. "Don't get cheese on your pretty clothes. It took your mom a week to get the rocky road out of your strawberry jammies, you know?" 
He doesn't care that she's mauled the food. He's worried she might stain her dungarees. Your heart goes crazy, another sudden surge of clarity.  
Junie climbs back into your own lap as the movie begins. You whisper to her about proper theatre etiquette in your mommy voice and she doesn't do too bad a job at listening. She finds the appearance of the Great Mouse Detective himself quite funny, and laughs at his grave features and expressions every now and then. It's a golden sound. 
Try as you might, you can't keep your eyes open. Junie's having such a good time and Eddie whispers funny commentary beside you, but eventually your eyelids creep shut and Eddie squeezes your arm, skin braceleted by his thick, warm fingers. 
-
"C'mere," Eddie prompts, hands vying for your daughter where she's perched in your lap. 
"Why?" Junie asks. 
He's surprised at her inquisition. "You don't want a hug?" 
She nods voraciously. Eddie lifts her off of your lap before she can use you as a climbing frame and into his own.
"I think mommy's sleeping," he tells her. 
Junie looks at you curiously. You've got a wet wipe in your limp hand, which he takes and discards, and your head's fallen to one side. You'll have an awesome crick in your neck when you wake up.
Junie gives him a hug. He loves her hugs. They're so small and sweet, she's genuinely an extremely loving little girl. Her smile when she hugs people is beautiful as yours is, though her affection is less hesitant. 
Everything's going well until she catches a look at the huge, scary bad guy Professor Ratigan somewhere in the middle. 
Eddie's crunching through a greedy mouthful of popcorn and almost chokes as she turns around and hides in his chest. He brings a hand up to her back protectively though he doesn't know what happened, eyes moving between her and the screen at lightning speed. 
"Aw, June," he murmurs sympathetically. He really is a scary looking guy. 
"Eddie," she says, dangerously close to tears. 
"Sweetheart, it's okay! He's only on TV." 
She says something that might be, "Don't want." It's not quite there but Eddie thinks she's doing a great job lately with her talking, patting her back in a silent well done as he attempts to reassure her. "Basil's gonna outsmart him, Junie. The Great Mouse Detective is gonna save the day, scout's honour." 
"No," she whines softly. 
He covers her unhappy face with his hand. 
"It's okay," he murmurs, melted and bemused. "It's okay, junebug. I swear." 
Despite his best efforts, she starts to cry. Eddie freezes up because she doesn't cry often, not with him. When she does you're always there to find a solution. He supposes the novelty of being a new person has long worn off, and that he's going to have to make more of an effort than just tickling her or petting her hair to make it better. 
Her volume increases. He shushes her, clumsy and awkward but earnest, trying the best that he can to make it up. He offers candies and drinks, he rummages through your baby bag for Mr. Bear. She takes it all but none of it lasts.
Someone in the chair behind him coughs pointedly. 
Eddie turns to wake you up. He gets one good look at your face and can't follow through. 
You're sleeping deeply, at the movie theatre of all places. How tired are you, and why hadn't you said? He'd known to some extent — it's why he'd offered to drive — but with the movie blaring and all the kids and noise and now Junie's crying, he realises you must be exhausted to sleep through it. Why hadn't he noticed? He kicks himself.
He lifts her up with his head angled down, giving your shoulder a swift squeeze and then bumping down the steps with Junie until he's out into the lights of the hallway. The door swings closed. 
It's oddly quiet and extremely bright. Junie stops crying to blink, and starts to cry again once she's adjusted. 
Eddie does not know what to do. It's a kick to his ego that he quickly accepts, though he does murmur a rueful, "Babe, I thought you liked me." 
Lost on deaf ears, his comment hangs in the air. 
He pats her back some more, wracking his brain for how you take care of her when she gets like this. Mostly, you're patient. You hum and you wait. Eddie tries to emulate you and your kind heart, walking her up and down the hall as he taps the bottom of her spine. 
"It's okay," he repeats. The more he says it the easier it feels. It is okay. He has to find a way to help June understand that, is all.
She grizzles. It's a long process. A couple of times he wonders if he's in over his head, if it's even his place, if he should wake you up and admit defeat. 
But Eddie Munson is trying to prove something. 
He works Mr. Bear out of Junie's iron grip and pinches his back taut so that his face and arms wiggle when he wants them to. 
"Baby June," he begins, in as gruff a voice as he can manage. He tries to channel his uncle's sternness, and his fondness. "Won't you quit crying? You're getting tears on the neck of your t-shirt and all over your cheeks." 
Junie quietens. She still cries, but the severity of the situation noticeably shifts. 
Eddie keeps on. "I got just the thing," he says, pushing Mr. Bear forward and making smacking sounds as he kisses both of her cheeks. "Gotta kiss these tears right off a'you." 
She laughs as Mr. Bear kisses her face dry and laughs some more when Eddie kisses the top of her head.
Eddie loves Junie. 
He knows it for a fact. 
She's very easy to love. She's beautiful as you are, she's loving, she's sweet. Her laugh is adorable and her smile is more. When she cries, Eddie finds he's never annoyed. Grated by the repetitive sound, maybe, but he can't find it in himself to be mad with her ever. He wants to help her work through it. To get you both through it. Eddie wants to be good at this.
He has Mr. Bear kiss Junie all over her face. 
"See?" Mr. Bear asks. "Isn't that better? No more tears, little girl, or we'll never see the end of the movie!" 
As Eddie says it, he wonders if taking her back into the theatre is a good idea. 
"Hey, junebug?" he says, all drama set aside. 
Junie lifts her flushed face. 
He smiles gratefully. "Do you wanna go back inside? Go check on mommy?" Leaving you by yourself doesn't exactly sit right with him.
Ah, there's the face he was expecting. Puzzlement, surprise. Junie frowns at him and looks over his shoulder, her own, searching the empty hallway for you and finding only reflective floor lights and patterned carpet. 
Eddie starts back into the screen room before she can cry over your being missing, chatting quietly but in a way that commands her attention. He's effective in the art of distraction if nothing else.  
The mouse detective and his friends have defeated Professor Ratigan, though Eddie shields Junie's head from the screen in case he's thinking about making a comeback, finding his way back to you in the dark. He picks over other people's snacks and then the abundance of your own, finding you still sound asleep. The sight doesn't spell good tidings. 
"Here she is," Eddie tells Junie, "here's mom. You wanna give her a kiss?" 
He sits down in his seat and squishes a bag of gummy worms under his boot. Junie immediately bends over the armrest and grabs at your front. You'd worried to him once that she had separation anxiety, and Eddie didn't know anything about it to agree or not. This display makes him think she might. She's clinging to you, desperately wanting your attention. 
Eddie winces as she grabs your face. She's obviously not trying to be cruel, hand stroking over your cheek as you'd stroke hers. 
"Mom," she whispers, the action itself enough to get Eddie laughing. Her version of whispering is almost like a character in a pantomime. 
He doesn't laugh for very long. You're not easy to wake up. Junie squishes your cheek and tries again. "Mommy," she says.
You groan in your sleep and your eyes scrunch together. "What?" you murmur finally, voice scratchy. 
"You're missing the movie," Eddie says, patting your thigh. 
Your arms come to life before you do. You wrap them around Junie's short torso and encourage her up your chest until you can nose at the top of her head. You rub slow lines, a steady back and forth. Eddie would bet money you don't have a clue in the world where you are. 
"S'loud," you complain. Your voice is weak with sleep. 
Junie looks at Eddie weirdly. He suspects it's her way of asking him to help out without asking. 
He tenses his hand where it rests at your thigh. "Do you wanna go home?" 
You don't answer. You go limp under his touch and Junie's weight, nose and lips set in a frown but otherwise near languid. 
Eddie's small (and alarmingly ever-present) worry for you multiplies by a hundred. 
He grabs up a bag of chips and entices your daughter back onto his thigh. She digs through half the bag as the movie draws to a finish, distracted if not happy, her face and fingers swiftly flaked in corn dust. The lights are thrown up and the noise is immense, a hundred pairs of shoes over tipped popcorn, babies and young kids unsettled, their parents eager to head home and watch their own movies no doubt. 
Eddie can't say he'd really watched the film besides precursory glances, his focus on you and your fidgety offspring. He'd been excited to tell you about his Junie success, but now he just wants to get you home.
He says your name as clearly as he can, his hand finding its way to your thigh for the third time. He rubs down toward your knee and gives your leg a shake. 
Junie climbs off of his own. Now the lights are on she can see the grand assortment of snacks laid out before her, and she seems eager to try them all. 
You eventually, thankfully rouse, you drag a palm over your eyes and cross your legs, squishing his hand in the process. He steals it back.
"Babe, you gotta get up. The attendants are looking at us funny. I think they think I've run you ragged, and while the dad tag doesn't bother me, 'cruel husband' doesn't suit me." 
"What?" you ask. 
He shrugs. "Junie pissed her pants." 
Your eyes open, lashes parting clumsily. You move like the air around you has turned to glue and moan in a quiet display of agony as your neck clicks. "She leaked through?"
"Nah, I'm messing with you. Movie's done. Getting some weird stares." 
You're quiet, but you shrug on your jacket and Eddie packs what he can of the leftover candy into your bag. He swings it over his shoulder. 
"You wanna come up?" he asks Junie. 
She raises both arms. 
You stand on shaky legs. Eddie stations Junie on one hip with one arm wrapped around her and holds out the other. You let him fold you up into his side.
"You okay?" he asks. 
Your face drops into his shoulder. "I'm so tired." 
"You're alright to walk out to the car?" 
His worry is like a rubber band. You snap to attention, disengage from his hold. It's a foreign and really uncomfortable feeling to see you out of sorts. 
Eddie walks behind you with a hand nearly but not touching your back. If you topple, he's not sure how he's gonna save you. Determined anyways, he guards you down the hollow stairs and through the hallway, one step behind you. 
It's a cool, crisp night outside. 
The smell of rain sticks around. You lift your chin. It's much colder now that night's fallen. The breeze kisses your damp skin. When did you start sweating? 
He presses his hand to your shoulders and guides you across the road. 
Junie starts her lovely babbling in his ear. "Mouse 'tective," she says at one point. You don't react, affirming his theory: you're more than tired. You're sick. 
"Mouse detective," he agrees, arm around your shoulder to assuage his own worries as he gives Junie the best of his attention. "You liked that one, huh?" Besides the evil Professor. "Better than the Muppets in New York? Junebug, you little traitor. How easily your favour changes." 
"Are you surprised? She took to you like," — you yawn wide enough that Eddie feels it under his arm, a full body thing — "a duck to water." 
He beams, relieved to hear your voice. "Yeah, well, I'm special." 
"That's true."
Eddie walks you around to the passenger side and opens your door. 
"Flirting! Awesome. You're not too sick to forget how much of a catch I am. Watch your head." 
"I gotta do Junie's straps," you say. 
"I think I can do it by now."
He's only sort of bluffing. It takes him much longer than it would've taken you. He celebrates his win by pinching her cheek lightly and then whacking his head hard on the roof of your car. 
"Fuck," he mutters as he jogs around the hood, scrubbing at the back of his head. 
You're staring at him as he opens the door. 
He puts the baby bag in your lap and shoves the key in the ignition, trying not to buckle under the weight of your gaze. He cracks quicker than he should, hand paused in its action.
"What?" 
"You tryna give yourself a concussion?" 
"Kiss it better?" 
You kiss the tip of your finger and touch it to his head. It's an instant healing potion. 
Getting you both home is easy enough, it's the trying to leave that's hard. You collapse heavily into the couch, Junie drapes herself over your lap and begs for her clothes to be taken off. Your second wind has worn away to nothing, leaving you plainly exhausted. 
Eddie can't go home, not until he knows you're alright. 
He slinks into your bedroom and tries not to look around too much. It feels like an invasion of privacy despite having made it in here a couple of times, always with his hip to the door as you search for something. He fails spectacularly and straight away, always hungry to know more about you. These days especially. 
Your bed looks like you shook out the duvet but never tucked the corners. Your pillow's on the floor, your thin throw blanket is screwed up in a ball. There's a bunch of Junie's stuffies against the headboard. He grins at their straight backs.
He makes for your wardrobe, a cheap bit of cherry wood with one sagging door. As much as he wants to outfit Junie in her goodwill band t-shirt, he pulls a soft pair of cotton pyjamas out from a neatly folded stack, thumbing the blue fabric fondly. There's a noticeable disparity between her clothes and yours. One work skirt and one work shirt hang from two lonely hangers, accompanied only by your infamous 'best jeans'. He frowns at a small stain at the knee and scratches it fruitlessly. Not her best jeans, he thinks in horror, picturing your unhappy face. He can see it so clearly, the pinching of your brows.
Junie squeals happily from the living room. Eddie remembers himself and follows the sound, finding you both on the ground. You're kneeling, blowing raspberries into Junie's naked stomach where she lays on her changing mat, a discarded diaper and her dirty clothes to the side. 
There's a big break between raspberries where your eyes drift shut sluggishly. Junie whines for another.
Eddie sits next to you. Stupidly close, his crossed leg kisses your thigh. He could wrap you up in a hug easily right here, and he wants to. Your tired face has his stomach aching with guilt. 
"Sweetheart," he says to you firmly, "get back on the couch. You look like you're gonna fall asleep right here." 
You don't argue, leaving Eddie the impossible duty of dressing your baby. Junie hates the shirt more than he can describe, loathes the fabric as it covers her face. He has to pick her up to get her into her pants, another fury. She forgives him easily once he's done, lingering by his side with Mr. Bear in hand. She pinches his back and imitates Eddie's low growl, laughing at herself as she does. She finds it very funny. Eddie can't help giggling with her. 
"Eddie?" you ask. 
He turns. You look miserable. 
"What?" he asks softly, startled by your intense expression. 
"Thank you." 
"Oh, baby," he says, loud and brash as he twists where he is to grab both of your knees. He practically throws himself at you, at your feet, ducking his cheek to your leg. "You really are sick as a dog." 
You look visibly embarrassed.
"Listen," he says, insistent, "If we start saying thank you to each other, we won't stop. We'll be a loop of thank yous." 
"I think I have more to say than you do," you murmur. 
He shakes his head, exasperated at your inability to see him for what he is even now. It's funny. Eddie thinks you've a better view of him than anybody else, that you see him more generously than anyone has ever seen him, and you still haven't noticed he's a boy in love. 
You must feel his grin as he kisses your knee, his thumb stroking over the ridge of the cap. 
"If I started to say thanks for all the things you've given me I wouldn't stop. I'd talk myself hoarse," Eddie argues. 
You laugh at his dungeon master dramatics, but reaffirm, "I haven't given you anything." 
"You don't know what you've given me," he says into your leg. 
Eddie lifts his head, weary of his chin digging into your leg. 
Now isn't the best time to declare devotion, or drop kisses into you when you can't offer any in return. Not that he's expecting you to. Not that he wouldn't receive them gratefully. 
"I should go home." 
You reach for him. Your hand moves slowly like you've a weight around your wrist, but your fingertips curve over his cheek; you move from the corner of his lip, under his eye, and then finish your circle at the skin beneath his ear. 
"Can you hug me?" you ask. 
"Yeah," Eddie says. He doesn't waste any time.
He gets up, slides a knee between your knees and rests his full weight on the couch between them as his arms curve around you and his hands feel for the dip of your lower back. He clutches without any hesitation. 
"Can I? Did you mean it like that? My arms work fine." 
You curl your arms around him and groan. "You're gonna crush me." 
"Really?" He pulls you closer. "How 'bout now?" 
"Ow," you whine. 
He laughs and pushes his face toward your ear. "Liar," he whispers. "No way that hurts." 
"Why's everybody always on top of me?" 
"That's your issue?" He pulls back. "You want to sit in my lap?" 
"No!" 
"Aw, my poor girl. You totally wanna sit in my lap. Alright, get in it." 
He sits down beside you and waits, one arm still behind your back. He gives you an encouraging tug. 
"I'm not sitting in your lap." 
"I didn't think you would, just- Just c'mere," he prompts, pulling your face into his chest. 
Your arms slide around his waist. He can feel the scratchy skin on your left index finger, a scar of a recent kitchen accident, against his hip where his shirt has ridden. 
"You're really handsy. Has anyone told you that before?" Eddie asks, trying to cover the entirety of your back with his arms alone. 
You push your face as far as it'll go into his chest. Eddie keeps you there, and soon a little body has found its way onto the couch next to you both, demanding to be included. Eddie quickly drags her in. 
Long minutes of quiet hugs. 
"Wish we could stay like this forever," you murmur.
"Well, I'm not going anywhere. If you were worried." 
He massages over the slope of your shoulder, a tight looking muscle. You sigh inaudibly, a hot patch over his heart. 
"I wasn't," you say. 
Eddie thinks you might finally be on the same page. 
-
You get really, really sick. 
"On my days off!" you croak, the injustice too much to handle. 
Eddie laughs from the end of your bed, a bandana tied around his face like a doctor from one of his awful horror movies, though the bandana is far from a clinical white. "That's exactly why you're still sick. Your body sensed the weekend." 
Hadn't it? You'd been achy and awful on Friday and Benny had sent you home at lunch, citing a need to keep his patrons from infection. Which sucked, because you'd really wanted to stick around for the very beginning of the Friday night rush and get some payday tips. People are generous when they're high on the buzz of a forthcoming weekend, especially to over obsequious waitresses.
It had sucked worse when Junie came out of daycare in the best mood ever and demanded kisses. You'd had a headache the size of a tennis ball behind your eyes and didn't want to pass anything over, and the crushed look on her face had made you cry in the car on the way home. 
Eddie dropped in particularly early that night with soup. "I had a feeling," he'd said. 
And now here he is again the day after. 
"At least one of us is enjoying this," you say. 
"You think I'm enjoying this?" Eddie asks. 
You give his precautionary outfit a once over. "Yes." 
"This is just something I had lying around." 
"Shut up! Shut up, no it wasn't!" You're voice cracks, giggly and giddy even with the spikes of pain to your tender head. 
"It was. We did a campaign, I was a plague doctor-" 
"That is in terrible taste." 
"It was perfectly appropriate, thank you very much. You're determined to vilify me. Need to slow down with the cold medicine, I think." 
You shriek as he tries to take the bottle. "No! No, please, my throat hurts." 
He takes the bottle. It is a hurtful defeat. You curl your fingers around nothing and sulk, slouching down into a sanctuary of pillows and blankets to hide from him. Extra pillows provided by Eddie. With fresh covers, duh. They smell like him anyway. You turn your nose into it indulgently. 
"You've had too much to safely be responsible for any further consumption." 
"Further consumption," you echo, eyes closing in defeat as he leaves. 
"You okay, June?" you hear him ask, voice occluded partially by the sound of the TV. 
"Okay, Eddie?" she asks. 
You grin to yourself. 
"I'm great. This looks very fun. I'm gonna make mom a cold pack for her head and then you can help me make dinner, okay? Does that sound fun? Tell me, June." 
The 'Tell me, June,' isn't a command so much as a gentle reminder that she can answer the question if she wants to. 
"Fun," she says.  
"Hey, great. Oh, thank you. Thank you." 
They better not be cuddling without me, you think bitterly, grin swiftly replaced by a self-pitying frown. 
You cough into your hand, roil in your own misery for a second and then grab the big glass of water Eddie had insisted on from the night stand. You tip it down yourself in your hurry. 
"Missed your mouth," Eddie says, appearing at exactly the wrong moment. 
"Don't baby me." 
He pads into the room with a cold pack wrapped in a hand towel. "For your head." 
"This is silly. I don't need to be in bed."
"Obviously you do. You're sick, did you notice? Stupid question," he adds regretfully, gesturing for you to lie back. He sets the pack to your forehead. "You wouldn't notice a hole in your stomach. You'd be dripping entrails in the freezer aisle wondering if Junie wants corn on the cob or mashed potato with dinner tonight." 
"What does she want for dinner tonight?" 
"Boo! Exactly my point." 
"I'm gonna go ask her-" 
Eddie puts an unapologetic hand in the middle of your chest and pushes down. "You will do no such thing." He lowers his face to yours. "I'm willing to get physical. So behave." 
You flush with heat because you're sick and not because he says it a certain way, dropping back down into your fluffed pillows without another word. 
Eddie's hand climbs up to your collar, your neck. His fingers slide one after another behind it. It's a blessed cold. You can't find a comfortable temperature today, moving between chills and hot flashes at the drop of a hat.
Or a bandana. Eddie unties the dark fabric from his neck and leaves it where it lands, staring at you without saying anything. 
His thumb presses into your sore throat carefully, the barest hint of pressure, and his lips part. He doesn't say anything for a while. It looks like he wants to. 
"Do me a favour?" he asks finally.
"Of course." Anything to feel useful right now. 
"Take it easy." He again lowers his head, talking to you with a private smile. "The sooner you chill out, the sooner you'll beat this thing." 
"Don't say that. Like I have something serious." 
"The sooner you'll beat this moderate-" 
"Mild-" 
"-affliction." He strokes quarter-circles into your neck.
"I don't need to lie down. There's things I have to do." 
"On a Saturday?" 
"Yes. There's things I need to do everyday." You clear your throat. It's useless, the lump remains and your voice stays scratchy. "I have- I always have laundry. So that first. Gotta wash it and put it out and bring it in and press it. I gotta make sure Junie has lunch for daycare this week 'n if she doesn't I have to go get it, I gotta," — you cover his hand with your own thoughtlessly — "make sure her rash is getting better. And I promised we'd do a tea party tomorrow, I have to make sandwiches!" 
"We both know she doesn't remember the tea party." 
"I promised." 
"And if I… If I tried to get all those things done, would you stay in bed?" 
"You can't." 
"But if I tried it? I can do laundry. I'm good at it. Get oil stains out of Wayne's coveralls every Sunday." 
You slump into a lump of sadness and achy arms. "Don't do my laundry. Don't do any of that stuff. I'll punch you if you do." 
Eddie bursts into laughter. "You'll punch me? You horrible woman." 
"I will," you promise, fingers curling around his arm to hold him in place. 
"Why don't I believe you?" 
"I don't know. 'Cos you're a know-it-all who dislikes me." 
"I far from dislike you." He grins at you, all dimpled and pretty. "I don't believe you'd hit me because I know you, idiot." 
"Name-calling." 
"Uh-huh. Are you sleeping or am I helping you out onto the couch?" 
While you're happy for the compromise, you have one problem. "I don't think I can move." 
Eddie lets his face fall amicably to your collar. "No, I bet you can't. More reason for me to get you on the couch. I think you've genuinely had too much cough syrup," he worries, warm breath fanning over your skin. 
You bring your spare hand to his head. He has so many curls. 
He lifts his head and you're close enough to kiss. There's no other reason anyone has ever been this close. 
"I can see your beauty mark," you say, hushed. You don't wanna breathe on him too much. 
"Freckle." 
"Your freckle." You lift and drop his curls, fingers toying through the softness towards his roots, the frizz at the ends. 
"You- You smell like fucking cherry syrup."
You abandon his hair to clap a hand over your mouth. "I'm sorry." 
He covers his own mouth. "It's okay," he says, similarly muffled. "I like the sweet stuff." 
What the fuck does that mean? Your stomach doesn't flip — it leaps right up into your throat. "You're an idiot," you breathe, caught off guard. 
"What was that?" he asks, taking away his hand. "Didn't catch it." 
"I said, 'You're an-" 
"Amazing friend and confidante?" 
You try to talk and he says, "A real stand-up guy?" 
You try again and he says, "A total rockstar? Baby, if you really think all this you should've said." 
You flop completely onto your back, away from his hands, his jokes and his lovely brown eyes where they bore into your own. Eddie hums and rubs brashly over the top of your arm until the skin glows with heat. 
"Please stay in bed," Eddie says as he stands. 
Medicine or his touch, you're feeling pretty tired. You pull up your blankets and sink like a stone, head disappearing into a mess of pillows and throws. 
-
It's much later when you wake. You move into the land of the living abrupt as whiplash. 
Eddie seems very sorry. "Sweetheart, June's past due for a new diaper, and I-" 
"Oh, right," you say, sounding much more alert than you feel. You're a girl made of sandpaper. 
"I would've, I mean. If it wouldn't make you uncomfortable, I would've tried. But I've never changed a diaper in my life." 
You scratch your flaky eyes, disorientated and head like a boiling saucepan with the lid glued on. 
"That's okay," you say. Your voice refuses to cooperate with you, gruff and too quiet. "It wouldn't bother me, but it's also not your job, so… Um." You yawn wide and cover your entire face. 
You spend a minute rubbing your eyes. 
"Fuck, what time's it?" you ask, squinting at him and bringing your hands to either side of your face.
"Like, seven. Ish." 
"Eddie…" 
"I know. I thought you could use the rest. I knew you could. And it's not urgent, you know? Come around, first. Everything's stellar." 
You peel back the sheets. You're a clammy, too-hot mess with weak legs. 
Eddie sees you wobble and rushes to wrap an arm around your waist. Completely unnecessarily, heart-achingly kind. You wince at the dampness of your shirt under his touch.
Junie sits on the couch in her jammies with a yellow-green soup stain down the front. She's propped up like a princess, a pillow behind her head between the armrest and her blanket covering her legs, cheek pressed to the cushions. Eyes trained on the TV and her bottle propped in a slackening grip, your baby is peaceful, near luxurious. 
Only a little wiggle might suggest she's uncomfortable.
You part from Eddie's side and sit down beside her, the seat warm. She doesn't even look up. 
"What, no hi for mom?" you ask tenderly, hand falling to the top of her head. She's lovely. 
She gasps, little lungs fit to burst. It's pure excitement, her bottle dislodged and the blanket pushed away immediately. She doesn't bother getting to her feet, throwing herself into your lap and assuming you'll do the rest. Of course you will. You pull her up and kiss the top of her head, though you quickly hold her at arm's length. 
"Sorry, mommy's still sick," you tell her, sympathetic at her crushed expression. 
"Mis'd," she says. 
"Yeah? You missed me?" you ask hopefully. 
Her lips part in comprehension. "Missed you," she confirms. 
You throw your gaze over your shoulder to Eddie. He stands by Junie's changing station with a smug smile. "What?" 
"You're not very convincing." 
"I'm not trying to convince you, thanks," he says, holding up two hands in surrender. 
"She didn't learn that herself," you argue. 
"She might've. You tell her enough." 
You go back to your girl, pleased at her own smug smile. "I missed you, too, I missed you so much. Missed you millions. Sorry I've been sleeping all day, you've been such a good girl. She has, hasn't she?"
Eddie sorts through a nearly empty bag of diapers and brandishes one with fish printed on the back. "Oh, yeah. Junebug's been amazing. She came in with me to see you earlier, took your temperature." You frown. "From a distance. Kind of. I held her above you. It was… acrobatic." 
You close your eyes at his absurdity, your laugh prompting another spike of pain. 
Junie forces herself closer and gets both arms around your neck. 
You sag into the contact, defeated. "Aw, June," you mumble ruefully. "M'trying to make sure you don't get sick too. Wasting my time." 
"Mommy," she says into your neck. 
"That's me." 
You know she has something she wants to say. You can't wait for the days where she can. Exciting, to think that one day she'll be able to share all of her thoughts. 
Right now, she's probably thinking, Woah, mom, you smell weird. And you look weirder.
You feel her back with your hand and cringe. Definitely time to get her changed.
Afterward, you sit with your back to the open front door on one of the porch steps. Physical exertion of any kind seems to be inadvisable; you're sweating up a storm. Junie sits beside you at her own insistence, her hand clasped in your hand and her head on your arm. You look down at her thighs next to your own and marvel at their small size. The evening breeze is a blessing. 
Eddie stands in front of you with his backpack slung over his shoulder and a checklist. 
"Tea party sandwiches are badly made and saran wrapped in the fridge. Junie doesn't have lunch for Monday but I can go tomorrow if you want me to. Her clothes are folded in the hamper. Uh, some stuff got left out, you might need to press them. Not tonight though, please." 
"Thank you." 
He talks around a smile. "Soup's on the stove. I'll come back later, if-" 
"You don't have to." 
"I want to. I wouldn't actually leave, but-" 
"Eddie-" You cough into your shoulder. He waits for you to finish. "You- You didn't have to take care of me." 
"What does that mean? Of course I did." 
He hikes his backpack higher up his shoulder and pads back up the steps, not all of them but enough for him to lean down and stare at Junie. 
"Thanks for the best day ever," he says seriously, looking out of the corner of his eye at you. "Almost. See you later?" 
Junie nods voraciously and reaches up with her empty hand. Eddie takes it and kisses her temple. He does the same to you, lips brushing soft as downy-feather over your skin. 
"I'll come back around ten? Is that cool?" 
"Don't knock too loudly," you mumble, very aware of his proximity. 
He backs up and bows like an idiot, hand moving in circles. 
You and Junie wave him off. 
"To work?" Junie asks.  
Your eyebrows jump as you pull your gaze from his retreating figure. "Huh?" 
"To work?" 
You play with her fingers. "No, he's not going to work. He's going to take care of someone else, now." 
Wayne, Eddie said, in a fondly exasperated tone that explained everything you needed to know. His uncle's self-preservation must come in similar disinterest to himself as yours does to you. 
"We'll see him tomorrow," you say. It's not even a lie, you will both see him tomorrow. 
But apparently he's coming back tonight. 
-
True to his word, Eddie Munson knocks your door carefully at nearing ten o'clock. 
Wayne's dismissal chases his heels. He'd spent an hour worrying about you at the dinner table with his uncle, fingers curling anxiously in his hair. 
Wayne had been talking about some gab the boys in the shop had heard about killer mice or killer lice or something when he'd suddenly cleared his throat and snapped Eddie to attention. 
"You're a good kid. Notice how I said good, and not smart," Wayne had said. 
"Gee, thanks. You always did know how to make a guy feel loved, Wayne." 
"You don't wanna be here." 
Eddie had frowned. "Obviously I do." 
"Kid, what I mean is, you gotta," — he'd nodded his head hard to one side and raised his eyebrows — "you know." 
"Haven't brushed up on my mysterious gestures lately. Translate that one for me?" 
Wayne had flicked up his newspaper and sighed. "Don't be dumb." 
"You keep saying that." 
"You keep being dumb, boy." 
"I don't know what you want me to do." 
"Think you better go look after your girl, don't you?" Wayne had asked finally, clearing his throat. 
So here he is to look after you. A tad early, worried you'll be sleeping on the couch with a misbehaving baby in your lap or passed out in the bathroom after an impromptu cleaning. 
Thankfully, you open the door in different clothes than he'd left you in, the neckline dark with run-off and face damp under your eyes and by your ears. You dab at your tacky skin with your index knuckle. 
"You look better," he says. He wishes he could take it back instantly, though you don't take any offence. 
"Hot shower," you explain. 
You step back to let him in. Eddie closes the door behind him without turning, eyes glued to your fresh face. He's depressed by the lingering fatigue he finds lining your darling features. 
"You okay?" you ask him, perturbed by his silence. 
Eddie's better than okay. 
He steps close. You look like you might step back, make room for him he doesn't want, so he reaches out for your face and holds it in one hand, the other landing in tandem on your arm.
Your cheek lists into his hand as he wipes away what's left of the dampness on your face. He's not sure you know you're doing it. 
"Did you take any more medicine?" he asks quietly, rubbing under your eye carefully with the tip of his thumb.
"No, I- I think you fixed me, Munson. Me and Junie had your soup, and after a shower I felt way better. It was really nice. She slept easy." 
He presses the back of his hand to your forehead. "You don't feel too hot." 
"Like I said. Fixed me. My hero." 
He looks over your shoulder at your life — at his life, or at least where a majority of it seems to take place. All his favourite parts these days happen right there on your couch, or at that table, or knee to knee with a baby that isn't his but- but-
"You said that to me the first time we met," Eddie recalls, shaking his head. It's like there's water in his ears. A few strands of hair drift into his eyes. 
You catch his elbows in both hands. "It feels like a really long time ago now." 
Months. Only months. "I feel like I've known you for years."
He strokes over your face, chin to cheek, the tip of his thumb pressed to the corner of your mouth. 
"That's how I feel, too," you whisper. Utter. Hushed, your words ring loud anyway. "You're my best friend." 
Eddie doesn't take it for a door closing because it isn't. It's a door kicked wide open. Split on its hinges. You and Eddie stand on equal ground, and, for once, the same page.
"You know I don't mind taking care of you?" he asks, hand passing over your ear to hide behind it. He wants to see all of your face. 
Predictably, you drop your eyes to his neck, pupils wobbling as you search for somewhere to plant yourself. "I know. I'm not sure I deserve it." 
"Why wouldn't you deserve it? Everyone deserves taking care of." 
"Even murderers?" 
"Maybe not murderers-" 
"The evil guys from your game? Necromancers?" 
"They're not all evil." His left palm skirts up the curve of your neck, encouraging your face back to his. "Don't change the subject." 
You press your lips together, caught.
"I actually…" — he gathers as much bravery as he has — "want to take care of you." 
"You do." 
He holds your face in both hands. "You know you- You know you started it, right? You know it's- that without your-" He cringes internally at his stammering, but he has to get this part right. "You have gold where your heart should be." 
"Y/N The Golden Hearted. Doesn't have the best ring to it," you muse, hands clinging to the crooks of his elbows like twin pooled teardrops waiting to fall. 
Eddie stares at you, floored.
"What about you?" 
"What about me?" he asks. 
"What's your name?" you demand, grinning. 
"Eddie the Subtle. Munson the Mad."  
You huff a laugh. "That's a cop-out."
"Maybe." 
"How about…" The air feels thick as jelly. Light from under the bedroom door stops short of your legs, your toes almost touching. His rubber soles, your socks. "Eddie the Indomitable?" 
He crinkles his nose. "I'd almost think you were trying to flirt with me, that's how bad that is." 
Your blinks are slow. Your eyes soften. 
"What if I was?" you ask. 
A stock-still silence pervades, filled only by the hum of the refrigerator and the droning of the bathroom light, left on. He could tell you the contents of this room by its sounds alone. 
His hand moves of its own accord, up and down the slope of your neck. "I'd say you needed a better pick up line."
"Like what?" you ask, chest rising too fast. 
Eddie takes a step and feels his jacket zipper cut into the cotton of your shirt. It's your matching band t-shirt. 
Eddie drags his gaze slowly to your widened eyes, your lashes as they move almost imperceptibly upward. Taking him in as he inches closer. 
"You're so fucking pretty," he says. 
He leans in. He closes the gap. Eddie Munson takes the leap. 
Your hand comes quickly to his upper arm and you turn your face just enough to force his lips, his kiss landing a centimetre shy of your nose. 
He struggles to keep his eyes closed. His heart thrums like a blown amp. 
"You can't kiss me," you say. Eddie struggles to discern your tone. 
His nose presses to yours. Not desperately, but almost. "I can't?" he asks, throat thick with emotion, a stickying, cloying taffy. 
"I'll make you sick." 
He turns your face with his palm, lips hovering above yours, a hair's width. Close enough to feel their heat. 
"Can I trust you'll nurse me back to health, in the event that that happens?" Would you take care of me? His hands tremble where they're touching you. He's too scared to open his eyes. 
You don't answer. 
You cover his hands and the seconds stretch endlessly, a thousand moments of terror and pining and want suddenly flattened into one as you kiss him.
He exhales against you. His relief is a palpable, viscous thing as he pulls you in and his nose digs into yours. Lips soft as he'd imagined, as he'd known they'd be, you kiss back tentatively. Sweetly.
You're kissing him like he's something that needs a careful touch. 
Eddie screws his eyes shut tight enough to see stars, firecrackers, a shattering bouquet of colours as you move beneath him. He can't believe he's kissing you. He can't believe there was a time where he wasn't.
He yields, leaning back just enough to see your face. You keep your eyes shut, your eyelashes kissing the delicate skin beneath. They move like blades of grass in the breeze as Eddie tries to catch his breath, regaining some of his composure. It's hard while he's here, this close. 
You make a small sound, a breath like a barb. The shaky demarcation of tears. 
"Okay?" he asks, more movement than sound. His lips skip over your own. 
You have to feel it. 
A laugh bubbles up through your parted lips like a hiccup. "I'm definitely gonna make you sick," you mumble regretfully. 
"Make me sick, sweetheart," he says, begs. Whatever. 
Whatever word you want to use. He doesn't care if he pays for it afterwards, he wants to be close to you now, unapologetically close. And kissing you — kissing you like this, your reciprocation, it's everything because it means you feel the same as he does. 
Or a fraction the same. He's reassured either way. If you felt a fraction of what he felt, that's enough. 
It's a lot. To be touching you, finally. He grabs at the nape of your neck and kisses, kisses, kisses. He goes slowly, not quite sweetly. He's never been as sweet as you have, never as soft or patient.
It doesn't feel like it matters. 
You pull his hands from your face, press his and your own, all four hands to the collar of your shirt. 
"It wasn't just a, uh, pick up line, was it?" you ask breathlessly. 
"Wh- No." Eddie massages the back of your hands. "No, you're the fucking prettiest girl ever. I think you're aces. Killer. Everything." 
"Everything," you say, an almost indecipherable glassiness to your eyes. 
"Everything," he says. He spreads his hand over your heart. 
You don't throw yourself at him, but you move alarmingly quickly. Arms over his shoulders, hands crossed and buried in his hair. Your laugh is magic, a bright and exuberant sound loud in his ear and then the skin underneath. He's barely got an arm around the small of your back when you start to kiss him, repetitive, chaste pecks over his pulse. It capers under your lips. 
"I don't know what kind of girl you think I am-" He begins deadpan and breaks abruptly, your second wave of laughter impossible to ignore. 
Your arms tighten at his laughing, palm cupping the back of his head. 
"You're my best friend, too," he says. "But you knew that." 
"Maybe," you murmur, your smile wide against his skin. You're uncharacteristically mischievous. 
He lets his back bend under your weight until your heels lift and you're scrabbling to stay on your own two feet and is rewarded by your shrieking laughter. 
Oh, god, he thinks, ecstatic. 
"Wait," you say, bargaining for freedom as he squeezes you hard enough to make you laugh again, and again, "wait, wait! Wait, let go. I have something to tell you." 
Eddie sets you down. He's reluctant to let you go, almost desperate to hug you now that he knows he can, but his curiosity gets the better of him. What could you have to tell him now that isn't confessional? It's like being promised something good. 
You stand sure and sweet in front of him.
"It's…" You look shyly at his lips. 
"What?" 
"I…" 
He shakes his head gently from side to side. "What? Tell me." 
"Nothing," you say, beaming. Act dropped, you take his face into both hands and kiss him soundly. 
Eddie's barely got his hands on you before you're pulling back. 
"Just wanted to do that," you say. 
𓆩❤︎𓆪
thank you for reading! | my masterlist | this fic is multi-chapter 
if you enjoyed (i I really hope you did), please reblog! i promise it makes a difference ♡
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napofaluna · 9 months
Text
𝗴𝗮𝗺𝗲𝗿 𝗴𝗶𝗿𝗹 yeonbin x reader
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↬ pairing: yeonbin x reader
↬ genre: poly au, smut!
↬ summary: you’re invited to hangout in txt’s dorms to game with yeonjun and soobin but things take an unexpected turn.
↬ wc: 3,163
↬ warnings: perverted, french kisses, teasing, handjob, oral sex, t!tjob, unprotected sex, double penetration, overstimulation, edging, facial
↬ a/n: tysm for reading, this is my first time writing anything for tumblr so it might be ass😭
↬ date: december 23rd, 2023
after reading soobin's text, you made your way to the boys' dorm. you decided to wear something comfortable but still cute. sweatpants with a comfortable crop top.
you knocked at the door lightly, after a few moments soobin had opened the door. his sweet smile and dimples greeted you. "hi soobin!" you smiled.
soobin smiled at you, he couldn't help but admire the way you looked for a moment, before replying, "hi y/n, please come in."
soobin had a crush on you since he'd very first met you, and ever since then. he thought you were the most beautiful girl he's ever seen, and he'd never be able to see another girl that way ever again.
"y/n!" yeonjun approached the two of you, smiling. his eyes looked you up and down, he licked his lips and cleared his throat.
"you look gorgeous." he said, staring into your eyes. "thank you, junie."
yeonjun was the same as soobin, he'd realized he'd liked you since the moment he had met you. your smile, and the way you carried yourself made him feel things he hadn't felt before.
"what are we gonna play?" you asked as the three of you approached the couch. the dorm was surprisingly clean, but then again they could have spiffed up the place before you'd gotten there.
"i was thinking we could play minecraft." soobin said, "wanna drink?" he asked you.
"sure, i'll just have water." you replied, smiling. "anything for y/n." soobin teased, and went to the kitchen area to get you a glass of water.
"where's kai, taehyun and gyu?" you asked yeonjun as you both got comfortable on the couch.
"they went out tonight, so it's just us." yeonjun smiled, his eyes and his voice always seemed to be flirtatious to you, but maybe it was just you who saw it.
soobin approached the couch, handing me the glass of water i'd asked for. he sat on the other side of me so i was in between both of them. i felt flustered being so close to two guys for a moment, but just took a long sip of my water to relax myself.
i set the water down on the table, soobin handed me a controller. "minecraft time!" i smiled, and we started playing.
throughout the game, you felt yeonjun and soobin's eyes on you every once in a while, it wasn't just little glances, they would full on stare at you. each time you felt their gaze you automatically got flustered.
they couldn't stop looking at you.
it'd been an hour or so, and then all of the sudden, soobin had set his controller down. "i'm gonna use the bathroom, i'll be right back." he said. we both nodded and he walked down the hallway into the bathroom.
we kept playing for a moment, but then yeonjun set his controller down, i looked towards him.
"y/n?" yeonjun whispered, you looked towards him, "um, yeah? why are we whispering?" you giggled, setting down your controller as well.
"there's something i wanna tell you, okay?" he looked into your eyes.
"okay, well, what is it junie?" you smiled at him. "fuck, i just can't take it anymore." yeonjun struggled to keep eye contact with you for the first time ever.
"what do you mean? is there something wrong?" you asked him. "no, nothing's wrong. everything's right." yeonjun replied, smiling at you. "god y/n, i have the biggest crush on you. i just can't hold back anymore."
you felt your face turning red, you were practically melting from his gaze and you couldn't help but look back into his eyes. he stared at you, nervously.
"so..?" he stared at you, anxious for your reaction. you didn't say anything, you just scooted towards him, placing your lips gently onto his, your palm lightly cupping his cheek.
after you both pulled away, he continued to stare at your reddened face. "y/n..." he went back in for another kiss, your lips crashed together, your arms wrapping around his neck as you straddled him.
yeonjun was surprised, but in the happiest way ever. he continued to kiss you until you both heard the bathroom door open. it was too late too move anyway, he had already spotted the two of you kissing.
you looked down the hallway towards him, your face was red.
to your surprise, he didn't seem very surprised at all. he approached the two of you and sat down next to you.
"soobin? are you okay?" you asked him. "he'll be okay, as long as he can get some kisses too." yeonjun said.
"wh-what?" you blushed, glancing towards both of them. "you heard me y/n baby, give soobin a kiss too. he likes you just as much as i do."
you felt your face getting redder and redder as you looked towards soobin. "soobin, i-is this true?"
soobin only nodded nervously, his eyes kept glancing towards your lips though. you'd always wanted to kiss soobin, he had the cutest lips ever.
pulling off of yeonjun's lap, you sat in between the two boys. initiating a kiss with soobin. you saw his cheeks fluster and it made you smile.
you leaned up towards his lips and you both shared a passionate kiss, nice and sweet and wet. you stared into soobin's eyes while he stared into yours.
yeonjun had smirked, noticing soobin’s hard on, he then said, “y/n, you should get on his lap too.”
you nodded and smiled, soobin was nearly panicking at this point. he didn’t want you too know he got turned on by just kissing you.
but it was too late. you were already on soobin’s lap, you felt the bulge underneath you and it made you blush like crazy.
“s-soobin.” you blushed, looking into his eyes. he looked back into yours, also blushing, since he was embarrassed and shy.
you looked over towards yeonjun, seeing the tent forming in his sweatpants. you swallowed and bit down on your bottom lip.
“i-i want you…” you said.
“you want who?” yeonjun asked.
“both of you…” you covered your face, feeling embarrassed.
yeonjun and soobin both were planning this from the moment you’d talked about hanging out at their dorm.
yeonjun had been fantasizing of you on top of him for days, taking his dick while moaning and getting the cute little blush on your face that he loved.
soobin, being more vanilla, had been daydreaming about you being on his lap and the two of you sharing passionate kisses. which the two of you have got to do tonight. it was his dream. no wonder he was so hard.
“w-will you both be gentle with me?” you asked them.
“of course y/n.” yeonjun smiled assuringly. and soobin nodded.
“c’mere cutie.” yeonjun said, pulling you onto his lap. you started to kiss passionately, your tongues fighting for dominance.
you felt his hands squeeze your clothed butt, he’d also gotten hard as well, you could tell.
he pulled his shirt off, revealing his abs and nice skin. you both exchanged kisses while you pulled off your own shirt. it made you even more flustered that soobin was watching the two of you.
yeonjun’s hands cupped your bra, squeezing your breasts gently but enough to make you let out a small moan onto his lips.
"it's funny, but me and bin we're actually planning this." yeonjun said against your lips, you blushed and giggled. "you both are so naughty."
"i know." yeonjun grabbed your neck gently, kissing your lips at a slow pace but then picking it up again as he pulled down your sweatpants.
he revealed the laced red panties underneath and smirked at them a little, "cute. the bra is matching." he said before you helped pull them off completely.
soobin was entirely flustered at this point, and as you turned to look at him he swallowed nervously. you were gorgeous and he wanted so much more of you.
he needed so much more of you.
yeonjun was taking over at this point, and soobin wasn't exactly happy about it. he gently grabbed your palm, and looked up at you while you sat in yeonjun's lap.
"noona, i want more too." soobin said, looking into your eyes.
"ah, i've got an idea." yeonjun said, biting his lip. "you could touch both of us at the same time."
you blushed and then nodded. "soobin, take your shirt off too." yeonjun said.
"i can help you." you blushed, soobin smiled and stared into your eyes as the two of you pulled off his shirt. soobin's skin was nice and soft. it was perfect in every way.
you were somewhat eager but also terrified to see the length soobin was packing in those pants. because you could already tell it was massive.
yeonjun pulled down his sweats, being in only his boxers now. his bulge was huge. you stared for a moment, before helping soobin remove his sweats.
holy fuck.
you were expecting big, but soobin's was massive. and you haven't even seen his actual cock yet.
yeonjun confidently pulled down his boxers by himself, revealing his thick throbbing cock. your face turned red at the sight of it, and you turned to soobin.
soobin pulled down his boxers as well, and you nearly gasped. were they expecting oral too? because goddamn.
you nervously lifted your left hand, wrapping your hand around soobin's dripping cock. he immediately whimpered, and it turned into a sweet moan as you stroked him.
"princess, don't forget me." yeonjun grabbed your right hand gently, guiding you too his cock. you smiled and began to touch yeonjun as well. yeonjun let out a soft moan and tilted his head backwards.
you couldn't believe you were actually stroking soobin and yeonjun's cocks at the same time right now. your best friends. and now something more?
as you stroked them you felt the precum soaking into your palm and getting their cocks wetter.
you sat up a little more, leaning down to place your mouth on the tip of yeonjun's dick. "fuck, baby yes." he placed his palm on the back of your head, guiding you as you started to go down on his tip.
"th-that looks so good y/n." soobin moaned, his cock twitching in your hand.
you took yeonjun's thick length down your throat, practically gagging on it while yeonjun pushed your head down further. he was letting out the sexiest moans ever.
"take my cock y/n.. f-fuck!" yeonjun groaned.
the sight of you taking yeonjun's dick down your throat only had soobin imagining it was his own cock, and that made him feel so good as you stroked his dick.
you pulled off of yeonjun's dick, the sloppiness of your sucking caused a small spit trail from your lips and tongue as you pulled off.
"you've been staring at my tits so much, binnie." you smiled at him, panting softly. his face was super red already, but it seemed as if it'd gotten redder than before.
"would you like to be in between them?" you asked him.
"p-please.. y/n." soobin trembled slightly, his dick wanting more.
you hovered over soobin's cock, licking it from the bottom to the tip. you then took his length in your mouth, your mouth already being sloppy and wet from yeonjun's cock.
soobin moaned and whimpered as you took his length. he couldn't say a word because nothing would come out. he bucked his hips up, burying his cock in your throat.
it was so much too take that there were tears starting to run down your face, but that didn't stop you from taking his length.
you stroked yeonjun with your right hand, rubbing in the spit and precum up and down his dick. he loved the feeling. but he also loved staring at you as you took soobin's dick. and staring at your sexy body in the red bra and panties.
soobin, unlike yeonjun, was too nervous and didn't know where to put his hands. he felt it was too forceful to put his hand on your head like yeonjun had did, so he just kept his hands down as you took him.
you reached behind you, unclipping your bra and letting it fall to the floor.
yeonjun stared and you felt his dick twitch in your hand from the sight of them. "your tits are so nice.." yeonjun bit his lip. seeing your tits were enough to bring yeonjun to his high.
you pulled off soobin's dick, looking towards yeonjun as you noticed him panting and groaning. "goddammit y/n, i don't wanna cum yet. i wan't your pussy."
you climbed onto soobin, removing your panties. getting in doggy position as you took his dick in your mouth again. this was an invitation for yeonjun to position himself against your pussy from behind.
"no condom?" yeonjun asked you, confused.
"n-no, it's fine." you smiled, and bit your lip.
before doing anything, he rubbed your clit. noticing you were already soaking for the both of them, he smirked and aligned himself to your entrance gently.
you whimpered softly, but focused on soobin. you spit on his cock and lifted it towards your breasts, placing his dick in between your breasts as you moved up and down gently.
"a-ah.." soobin moaned, tilting his head back onto the couch.
"f-fuck.. y/n i'm gonna go inside you." yeonjun said, you felt the tip of his dick burying inside the entrance of your pussy. this made you moan on soobin's dick, and the vibrations made soobin feel good as well.
as you moved your breasts around soobin's dick, you felt yeonjun's thick cock pushing deep inside of you. you moaned, taking the tip of soobin's dick in your mouth as you moved your breasts around his dick.
you and yeonjun were both moaning like crazy, and you were already tightening around his cock.
"fuck..." he groaned, and grabbed your ass with both his hands, squeezing it. he started to move in and out of you at a slow pace, sloppy and lewd sounds coming from your pussy as he pounded it slow but rough.
soobin couldn't imagine what it felt like inside of you as he looked down at your head and breasts. he whimpered softly and bucked his hips up into your mouth.
you moved your ass onto yeonjun, feeling needy for his love.
"you and soobin are so needy." yeonjun teased, moving faster inside of you. he continued to squeeze your ass with his left hand, but with his other hand he grabbed your hair to fuck deeper inside of you as he pounded you.
you were a sloppy mess, the sound of yeonjun going in and out of you was loud and it only sent you to your high more and more. yeonjun reached his hand around to your clit with his left hand, rubbing it at such a fast pace you knew you were about to cum.
"y-yeonjun i'm- i'm coming!" you yelled, "m-me too. ah-" he continued to pound into you.
"come with me babygirl." he pounded even harder and faster than before. you whimpered and saw stars as you let lose and came on yeonjun's dick. you felt his cum shooting deep inside of you as he gripped your hair harder, moaning loudly.
you panted, unable to do anything with soobin's dick at the moment as it twitched against your face.
yeonjun pulled out after a moment, cum began to leak out of your sloppy pussy as he pulled out, but too your surprise, yeonjun's dick was already rock hard again.
"r-ride me please, baby." soobin asked, it was too cute to deny. you nodded, and bit your lip. aligning his dick to your entrance.
you slowly went down on it, taking it all inside of you. yeonjun's was thicker but soobin's was so much longer.
soobin let out the sweetest moans, his hands on your hips as he was desperate for more.
you went up and down on his dick, moaning and panting softly.
"i'm still here, babygirl." yeonjun aligned himself with your pussy and soobin's cock. could you even fit anymore inside of you?
yeonjun wanted to figure that out. he grabbed your neck and shoved himself into your pussy slowly, trying to fit along with soobin's dick. you were moaning so loudly, feeling so stretched and so full.
"so good~" yeonjun bit down on his lip, pushing in and out of you without remorse.
soobin's dick was twitching like crazy inside of you, you knew he was ready to cum at any moment. yeonjun kissed the back of your neck, leaving hickeys as he pounded into your sore and stretched hole.
the room was filled with all three of your moans, whimpers, and groans.
"baby, i'm close. i wanna cum on your face while soobin cums inside you." yeonjun pulled his cock out, jerking it in front of you. you bit your lip and nodded.
soobin gently moved your body and his into a doggystyle position, he began to thrust in and out of you at a quick pace. "y-y/n! i'm so close!" soobin moaned.
meanwhile you were prepared to take yeonjun's cum all over your face. you stuck your tongue out as yeonjun and soobin reached their highs.
"i-i'm coming!" soobin whimpered. "m-me too!" yeonjun groaned loudly. shooting ropes of cum onto your face and tongue. this made him bite his lip as he did so, loving your pretty face being covered in his cum.
soobin was still coming in you when yeonjun was finished, their was so much. and you were entirely full at this point.
as you slowly pulled off of his dick, all three of you were a mess.
"yeonjun came twice, so we get too as well." you smirked at soobin, and he was eager to see what would happen next.
you took soobin's length in your mouth, meanwhile yeonjun pushed two of his fingers inside of you, using his other hand to rub your clit in circles.
soobin whimpered, and was moving and bucking his hips upwards into your throat again. "i-i'm already close noona..." soobin moaned. "m-me too!" you gasped.
"come for me princess~" yeonjun bit down on his lip, rubbing faster than before while pounding your pussy with his fingers.
you both reached your high, soobin coming inside your mouth and on your face while yeonjun let you squirt on his fingers.
as you pulled off, you and soobin were both so worn out that yeonjun offered to clean up. yeonjun came back into the room with towels and wiped the cum from multiple areas that had cum.
"they shouldn't be back for a few more hours, how about we shower to clean up some more?" yeonjun said, you and soobin both nodded and giggled.
the three of you had a nice steamy shower together, staying close to each other and kissing each other at some points. whenever yeonjun couldn't have your lips, he just kissed your back.
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batbabydamian · 3 months
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thank you for your blog title; you appeared in the Suggested Blogs thing and i was like "!! YAYYY" and now have the third volume of Juni Ba's Boy Wonder
WOO CONGRATS!! a proud owner of peak art and writing!! 🥺
i’ll be updating my title after another week or so with #4’s release date (August 7) for anyone wanting to preorder or just a lil reminder ^^
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IT’LL BE A TALIA POV ISSUE!! 💚
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