#just reading thru my old posts for it lol.

[in-your-walls]

I should start live blogging again

[whumpshaped]

i purchased a bible :) it's the first one that i've chosen myself, of my own volition, instead of being gifted. the guy in the bible shop was soo kind and he was super thankful for my purchase bc the shop isn't doing well... if i invest in the one w the commentary im def buying it there. but its 18k instead of this one that was 3.7k lol

its so nice :) and im past the halfway point!!!!!! within [checks bible app] exactly two weeks!!!! thats me, the bottom bookmark!!! the upper one is elijah's story which i want to reread because it was very good

[spikeyjo]

also uh im kind of not thinking about it much because its insane. but if everything goes right (and i mean a considerable amount of things that probably wont go as planned) but if they DO... i will have a major surgery in like two weeks

[swordsmark]

Not posting on reddit and havent been for a month because of a creeper. If you didn't hear it directly from me, then don't worry about it.

Enjoy the fish.

[yeolah]

i’ve made the mistake of beginning to sift thru my archive… so my apologies in advance as my blog (temporarily/sporadically) becomes a walk down memory lane for me :’)

[mattscoquette]

my experience meeting the triplets/ going to their tour ౨ৎ ⋆.˚ ✧

first i just wanna say, i am so so so insanely grateful to have attended both tours and to have met them twice. i’m not trying to brag or anything but a lot of people ask me and i figured it be easier for me to make one post rather than answer inbox questions a million times that get lost.

2/5/23 - let’s trip tour

i met the triplets for the first time during the let’s trip tour. i vividly remember being at work when the tickets went on sale and i was gonna go w my coworker but things fell thru and i went alone, and that alr was nerve wrecking enough. but i met a lot of cool people on line and everyone was super friendly. i got the pre-show small talk package, so i got to meet them before i saw them on stage. i also wrote them letters (idk if they ever opened them) but it was honestly fate when i stopped to drop them off in the present bin because there was a group of three girls in front of me so i wasn’t super rushed when i was meeting each triplet.

i met chris first! i was soooooo nervous but the second i started talking it all went away. the first thing i noticed was how small they are irl and immediately after was how fucking good chris smelled 😭 he was soo sweet. i told him how i loved watching their videos w my mom and that she was his favorite. i can’t rlly remember what else i talked about him with, and i tried to screen record my camera but i didn’t turn the mic on so i lost all the audio 😭😭

next was matttttt the loml. i was immediately soo comfortable around him, i was literally just talking like a normal conversation without even thinking. i asked him how the tour was going and he told me he was sad it was ending soon. and then i told him how one of my best friends is a triplet and we talked about that, he told me his dad is a twin and that everyone thinks he nick and chris are identical but they aren’t. he was so sweet and really listen to what you have to say, i had such a nice time talking with him.

when i met nick my auto pilot like shut off and i froze 😭😭 i literally out loud was like “i am so nervous” and he was so sweet about it, he hugged me a second time and was like “no don’t be it’s okay!” lmfaoo. i didn’t get to talk to him as long but i remember him telling me it was super nice to meet me after.

on line for the red carpet, i met madi! she was just walking around the venue, and she was over by me and i asked for a photo. she was soo sweet (and so pretty irl omfg). i didn’t wait in line for the red carpet for very long, i got merch, and then i did my photo w them :,) tbh i honestly don’t lovee it because i rlly don’t look the best in it lolol. bur ill pull thru and show u all. but this was back when u got to pick ur own poses and we all did hearts with one another (idk if that makes sense) and i stood next to my mannn😛😛

i look so diff now like i actually hate how i look when i met them but that’s beside the point 😭😭 but they all looked sooooo good. also for reference im about 5’3-5’4ish.

show-wise, it was sm more fun than the versus tour tbh. i got to see yung pleit perform and he opened w miss me and everyone was going insaneeeee. i was literally like one person behind the baracade, i was so close it was so so so cool. the triplets went on for maybe twenty minutes but they read the question i asked them which was so cool. and mary lou, jimmy, justin, and nate were all at my show!! they were on the balcony above the stage and were waving to us it was so cute. i had such a fun time at this show i wish i could go back

10/9/23 - the versus tour

this show was soooooo so so so special to me. i was going through a really really hard time. and this show made me so happy and gave me such a nice break from everything. this show wasn’t as close as the first show so i went to with my mom (she was team orange lol). i also got to meet some old online friends i made which was so nice :,) like the last tour, i got pre-show small talk. my only complaint though is that when i bought tickets backstage wasn’t available, some friends and i called the venue and they told us there was no backstage , but there actually was :( but im still sooooo grateful i got to meet them!

the order was the same as last time- chris, matt, then nick. i was so nervous about meeting them again, i literally almost forgot to take a pic w chris LMFAO. he was so sweet, he asked me how i was doing, if i was excited, all that good stuff. this time was a lot more rushed than the first, but i still got a decent amount of time with each triplet. i also got them each to draw me my fav angel numbers to get tattooed, i still haven’t gotten it yet but when i do i’ll post it :)

i was sooo nervous to meet matt again lmfao but as soon as i went up to him i felt fine. i complemented his outfit (he had on his white eeyore jacket 😭😭 so cute) and we took our picture and when i was leaving he told me it was rlly nice to meet me :,)) he is sooooooo pretty irl like his eyes r so blue and his earrings r so sparkly i was literally like in a trance. omfg.

nick was soo sweet he gave me such a big hug and was so smiley and asked how i was doing, same as chris. he also rested his head on mine when we took our pic togetherrr. he was so so kind.

my show was a monday so they had uploaded a podcast while i was on line for the red carpet, so i listened to that a bit while waiting. this tour we had pre-picked poses, but i did the hearts again. i stood in between matt and chris, and i said i wanted hearts and matt immediately did half the heart and put his arm around me so we did the heart tgth 😭😭

lowk not a fan of this pic either but :( so sweet. i love them so much. i also wore platform shoes this time lol so that gave me some height.

the show was so good! so much more entertaining than what the triplets did the first time. it was very engaging, and so fun to watch. lowk bitter i didn’t get picked to be matt’s teammate but we move. anyway. each challenge was so fun, me and my friend knew almost all the trivia questions they did 😭😭 and jenga was sooo stressful to watch lmfao it was so close the whole time, i think we had one of the longest jenga shows of the tour lmfao. chris ended up winning bc matt dropped the jenga tower and they were both tied. it was such a fun experience im so grateful to have gone !

© mattscoquette

[meowrinth]

screenshot redraw with @raydays-swap-au alastor, totally sane and very calm about the tv demon's return. very.

i instantly fell in love with his designs, and this vision of "stayed gone" has plagued my mind the whole day. so here it is! tried to mimic the show's style as much as i could, idk how it turned out. first time posting my art too, i wouldn't pick something totally-not-my-artstyle for that, but i need to let it roam in the wild. and let the author of the au see!

original screenshot + more rambling ⬇️

only while drawing this i realized just how much definetly-not-calm vox looks here. like, my man seems ready to murder someone on the spot. so i tried to capture that, but with alastor's expressions. episode 5 came to help with al's reactions to lucifer, lol. and his ears turned back (mf wouldn't fit in the frame otherwise) <3

i don't know if alastor in this au has vox's personality or just his position, but imagining al with that kind of attitude is funny, so i stuck with that.

AND I HAD. SO. MUCH. FUN. WHEN MAKING THAT VOX CARICATURE. and twisting those insults to fit him... (and yup, the shoe part is because i couldn't think of something to replace the deer feet comment. so i read thru the design notes and went WAIT! his shoes... or intepreted lack of thereof. they would totally make fun of vox's old cartoony ass, so that fit)

[hotluncheddie]

omg I didn't realize you wanted chubby steddie asks 🙈

as much as we love the babygirlification of Steve Harrington..... I'm obsessed with boyish manly Steve who is chubby and Eddie is obsessed with him!!!! I'm thinking about your one fic with the sweaty tank top!!!!! do you have more thoughts on this??

yesssssss!!! anon yes yesssssssss!!!!!

not me being like 'yeah! sweaty task top fic nice nice' then realising i have like three different posts that have Steve in a sweaty tank top lol

thankfully @scoops-aboy86 came in clutch with a new tank top sciario <3 (and held my hand thru writing the end lmao ty pal)

but i just love an ex jock trope, i love bulk under muscle and i think big beefy hairy guys are hot - and Steve harrington deserves to be all of that, and more

and also, importantly, eddie munson deserves to have all of that too, in and around him, all the time, in the form of Steve Harrington.

-

Eddie had come to accept the wealth of things he could be into, the actual buffet of people and scenarios that could get his dick hard. He's had more than his fair share of knuckle biting orgasms over the ex chief of police Jim Hopper. Before and, maybe worse, after getting to know him.

So he knew what it was to have something of a shame wank. To enjoy a moustache or two and a paunch at a middle.

But nothing, no deep seated daddy issues or fantasy of being held down, could ever prepare him for Steve Harrington.

Post upside down, post eventual college and transition to work. Post two bed apartment with Robin, then two bed apartment with Robin and Eddie. Then actual full blow house with Eddie, and more often than not weekend guest Robin. Dating Steve for as long as has was one thing, loving Steve with everything he had was another, and being loved by Steve was something he still had nights of panic about - silent tears as fear and self doubt gripped his throat, nightmares about it all being an elaborate prank that sneak their way in even with Steves arms wrapped tight around his middle.

but Eddie had him.

Was allowed to love him, and worship Steve for all that he was worth. It was wonderful. Eddie knew that.

But it had its challenges. Nothing past Eddie could've done would help current Eddie for what he was in for.

Like how Steve had bulked up over the years, settled and filled out in a way that made those visions of Hopper, and guys from bars he really shouldn't have been at, all come surging back.

Steve was thick, and strong and still so achingly beautiful. Boyish in his actions at times but also protective and capable in a way that made Eddie swoon. Honest to god. Made him feel like a main character in one of those bodice ripper books he had seen (taken out and read) at the library.

And then Steve made it worse.

So so so much worse.

Because Steve went and got a tattoo.

Well, another tattoo. He added roses to go along with the robin and branch on his arm, adding to its greenery with red petals and thorns that Eddie knew were secretly for him. He’d said, offhandedly, that they were his favourite and he knows, because he knows Steve, that thats something he'd listen to and remember.

He’s a die hard romantic.

And now Eddie is going to die, hard.

Soon, if Steve doesn't put a proper fucking shirt on.

Steves been wearing his stupid, old, cropped, white tank top since the appointment. He's "letting the tattoo breathe", "doesn't like the feeling of the healing skin against the fabric", "wants to do it properly". "hates Eddie and wants him to die of hard dick, big-fat-ball disease."

He glares at Steve from the other end of the couch, and maybe only three of those things are something Steve's actually said, but, he thought them. All of them. Must have.

Because Steve's tank is so old it's nearly see through, the peak of his pink nipple evident and distracting. The cropped end keeps rolling up and exposing his wider bellybutton and soft sides. And, as always, with any tank top, with any tank top on Steve, hit tits are there - hairy and lovely and out.

'Steve, please.' Eddie whines, he doesn't think he can take much more.

Steve just raises his eyebrows, taking a swig of beer and not looking away from the tv. 'If I sweat too much, it'll mess with the healing.' He says.

Eddie just crosses his arms, sinks lower into the couch. ‘Can you put on a normal shirt at least? For my sanity, for that alone, please?' Not wanting to sound desperate, but he is desperate.

Steve sighs, muting the TV. 'C'mere.' He holds his arms out and Eddie crawls into his lap. Still sulking, arms still crossed. ‘Eddie, you’re the one who gave me the tattoo. I’m following your instructions.’ Steve says gently.

‘M’firing Robin for getting you to sign the info form.’ He grumbles.

Steve smiles at him, tucking some hair behind his ears. ‘You can’t fire her for doing her job baby.’

‘Maybe not’ Eddie sniffs. ‘But I’m not sharing my baby blue ink with her next time she gets one of her slutty little lady sailor pin ups booked in.’ He mumbles to himself.

Steve pulls Eddie in closer, hands on his waist as he leans in to whisper in Eddies ear. 'Aren't I being so good though? Following what you said, no strenuous activity for two days right?' His voice a little breathy, soft.

And that makes Eddie pause, makes his insides churn and his heart rate increase. 'Ye-yeah.' He rasps, eyes wide. 'So good Stevie.'

'So we have to wait until tomorrow, like you said, yeah?' Steve asks, eyes all big and sweet, lips in a little pouty.

Fuck. He's right. Eddie dug his own grave.

'Yeah.' He sighs. He can do it, for Steve.

Steve smiles sweetly at him, tapping Eddie on the ass and shifting him closer so Steve can unmute the tv and keep watching his game. 'Good boy.' Steve says, kissing Eddies temple.

…Wait. Eddie scrunches his eyebrows, half hard and confused.

But Steve just holds him closer. Eddie buries his head in Steve's neck, and whines.

[youremyheaven]

Guessing BTS Rising Signs

hello besties. I made this post a long time ago and since then, we've had TWO Bts members reveal their birth times so I thought it would be interesting to look at the rest of the members in this context. Here's my old post if you're curious.

I'll mention the members with confirmed birth times so that we can get that out of the way:

Jungkook- Mula Rising

His birth time was confirmed to be 3:23 PM which makes him a Mula Rising and tbh I've always seen him as hella Ketuvian (he also has Magha Moon) and this just fits. Mula's dog yoni does give him that puppyish charm, kind of androgynous style and a very endearing, silly personality. Plus like I mentioned in my post about Nodal people and how child stars often have Nodal placements + often tend to be heavily tattooed/pierced, Jungkook joined Bighit when he was 13yrs old and made his debut at 15yrs and has a tattoo sleeve and hella piercings<33

He is Purvaphalguni Sun, Magha Moon & Mula Rising

Jimin- Pushya Rising

His birth time is confirmed to be 11:58pm. Although he did not specify AM or PM, he did say he was born around "dawn" and im assuming that means the dawn of a new day because 11:58 am is most definitely not the dawn of anything. I've always suspected that he had Cancer Rising because of his appearance, full lips, round cheeks and all that 🥺and also just how sweet and soft his demeanor is 🫶🏼

He is Chitra Sun, Rohini Moon & Pushya Rising

Now here are my speculations for the other members:

Jin- Shravana Rising/Purvashada Rising

purely based on his appearance i believe he has Moon influence because he's Jyeshta Sun & UBP Moon and i dont really see much of either (Jyeshta's rabbit yoni does come thru a little bit but I feel like his appearance is majorly influenced by something else??) He could also be Purvashada Rising and him being Venusian also makes sense to me but his no nonsense attitude, refusal to submit to anyone, how he acts as though he's better than others (most of the time, its just a joke and he is funny ngl) all comes down to Moon influence for me tbh and I def don't think he's Rohini or Hasta, his energy is harsher and more direct which makes me think Shravana

Yoongi- Ashlesha Rising

i def think he has a cat yoni (he is PBP Sun which gives him lion yoni/feline influence but there has to be more to it than just that) i used to see him as Punarvasu but now I lean more towards Ashlesha tbh, he does seem to have a rakshasa gana nak in his big 3, he's very discriminate about who he gives his time and energy to and that's very sidereal cancer of him. also im convinced that him and Namjoon have outcaste naks in their rising because of the kind of journey they've had from the underground rap scene to the biggest band in the world

Hobi- Ashwini/Bharani Rising

i think Hobi is an Aries Rising, like there's nooo way he does not have Aries influence (i know he's Krittika Moon) i think Bharani because its also an outcaste nak and BTS faced a lot of discrimination in so many different ways

Namjoon- Vishaka Rising

i used to be torn between swati and vishaka but now im pretty convinced he's Vishaka Rising lol, first of all he has Jupiter influence, just trust me on that

this is the cover of his first mixtape and he said his face is painted half-black because he feels that he's "half positive and half negative". if you've read anything ive written about Jupiter or watched Claire's vids on Jupiter you know that duality is a major Jupiter theme specifically the battle between good and evil. namjoon's lyricism also oscillates between opposites a lot. in seoul he sings about how "love and hate sound just the same to me" and all of these are extensions of his Jupiter influence. i know he has Venus & Jupiter in Swati but i dont think he has a Swati stellium because he's too balanced to have that much Rahu influence lol and even though he talks about struggling to maintain balance i think that's the Jupiter in him coming thruuu, Vishaka is also an outcaste nak and Namjoon has been the scapegoat for all kinds of hate for his whole career

Taehyung- Rohini Rising

i think he has a serpent yoni ngl and if he's Rohini rising then it will be conjunct Jimin's moon which makes sense tbh and he also seems Moon influenced because of how emotional he is.

A major reason why I've assigned Outcaste naks to majority of the members is because of how they were the outcasts/underdogs in the industry for so long and if the shoe fits...yk I dont think those themes would manifest for them as a collective if the majority of them did not have those placements

[httpknjoon]

her majesty | jjk

plot | This is how the rumors began between a princess and a rockstar.

words | 615

genres | fluff, humor/crack, modern royalty!au, celebrity!au

pairing | rockstar!jungkook x princess!reader

note | this one happened months after my last update!! enjoy reading <3

main masterlist | drabble series

Sweet September’s Jungkook Posts His Cover of The Beatles’ Song, Her Majesty

Spoiler alert: It might be dedicated to someone *royal*

Last night, the lead vocalist of Sweet September shared a thirty-second song cover on his Instagram account. The said video only shows Jungkook wearing a white button-up while playing an acoustic guitar in what his fans claim is his kitchen. Within just twelve hours, the video reached almost twenty million views and was posted on various social media sites by his supporters. Some fans claimed that the song was meant for someone *royal*.

In the clip captioned with a crown and yellow heart emojis, Jungkook sang The Beatles’ Her Majesty. The song was a hidden track in the band’s eleventh album, Abbey Road. 

Earlier this year, fans noticed the attendance Princess YN of Zafiro made at two of Sweet September’s concerts during their Denim Jungle tour. In the first one, she was seen with her sister, Princess Astrid. For the second one, the crown princess was spotted by a few fans in the band’s performance in New York just a day after the Met Gala. She was said to be seen wearing a particular ID only given to staff and special guests.

Many sources told E! News that there are sightings of the princess and the rockstar together in various places.

“I saw Jungkook approach Princess YN during the Met Gala.” an anonymous Twitter user posted. “He stayed and chatted with her until she left with her assistant.”

Another source stated, “Although Princess YN and Jungkook are both busy with their different lives, they really try to make time for each other. He (Jungkook) liked the princess before he even met her, That’s why he really took the chance when he saw it.”

It’s no secret to Sweet September fans that the lead vocalist has his eyes set on Princess YN. It was revealed years ago when each band member was asked about their ideal type and celebrity crushes.

“Oh, mine is totally not from the entertainment industry.” a nineteen-year-old Jungkook answered.

“Yeah, JK. We all know it’s Princess YN–” Mingyu was then cut off by Jungkook’s forced coughs.

Back to the song cover, Jungkook can be seen smiling as he sang the lyrics. He even smiled wider while singing the last line,

“Someday I'm gonna make her mine, oh yeah. Someday I'm gonna make her mine.”

The rumor between you and Jungkook was still new and growing when the song cover was posted. Various articles were later posted from numerous media sites with the same rumor topic. It’s a piece of surprising news for everyone since it involves a royal princess and a famous rockstar. With this, supporters of Jungkook’s and yours had mixed reactions to the ongoing rumor.

@/DENIMBLUE: so they are really dating?????

@/ynandastridslay: lol this rumor going around abt princess yn is just impossible.

@/jeonswatch: i just know jungkook is kicking his feet giggling twirling his hair when he heard that song before

@/sweeties09: omg so maybe my sister is not lying when she said she served jk and that princess in a mcdonalds drive thru 🤠

Replying to @/sweeties09

- @/carminwoojung: EXCUSE ME WHAT???

– @/gigglysun: abi when did she told u that???!?

— @/sweeties09: it was like after the band’s performance in new york months ago

@/ZafiroPrincessesFan: The King and Queen would never let the Princess date a rockstar. It’s just totally against the tradition. #.FakeNews

@/goldencrown: wth are these rumors??? Jungkook is dating louise right?

@/PopCrave: Netizens spotted Princess YN’s official Instagram account liking Jungkook’s latest Instagram post before unliking it an hour later.

Replying to @/PopCrave

- @/user90249853: someone’s finger slipped lmao

– @/bluemoon04: not her forgetting to switch accounts 😭✊

taglist rules

THE PRINCESS AND THE ROCKSTAR TAGLIST

@heartjiminie @rbrm094 @rjsmochii @jjkreblog @sugaslittlekookies @saintsugar @alpha-mommy69 @natalia-rmnva @stupendouscookiehumanmug @yoonjinhusbands @lilliankoo @gxtwllsn @snkyuv @canyon-lwt @hiii-priestess @jksgirlhere @bbtsficrecs @jnk-pop @jjeonjjk7 @tokkiggukie @kooliv @oopscoop @hani0407 @taebae19 @yunki-yunki-yunki @hellbornsworld 

PERMANENT TAGLIST

@dunixxd @cixrosie @jksjx @embrace-themagic @buttvi @starbtslove @missseoulite @vanntaesworld @kenqki @imajinthis @stopeatread @seolaquotes @greyrain23 @chimchimmarie @petalsofink @jayhope88 @moonchild1 @laylasbunbunny @nikkiordonez12 @misshale21

[clowningaroundmars]

morales twins hcs

i'm absolutely in love with the idea of miles42 and miles1610 being twins, i'm so glad most of the fandom has basically adopted 42 lmao

some of my own twins headcanons, just random stuff to add onto other ppls hcs ive seen:

☆ 42 loves his mamí absolutely but def acts the most like his dad, and haaaates when anyone points it out. it's the most obvious when 42 gets mad, he sounds EXACTLY like his father then lol

☆ in fact, the twins polar opposite personalities is probs bc 1610 takes after his mom's temperament more, while 42 is as stoic, stubborn and slightly dorky as his dad is

☆ whenever the boys made each other cry (by accident or otherwise) they did the typical little kid thing and tried immediately comforting the other. now that they're older 1610 handles his emotions better and is mature when talking about them, but 42 is the one who comforts 1610 more often

more below ↓

☆ as well as staying on top of his academics, 42 also plays basketball and trains in a couple martial arts studios after school. 1610 is taller than 42 bc of the spider bite but 42 has always been slightly bigger and more muscular than 1610 since he's the athlete. whenever the family attends 42's boxing matches, jeff gets an overwhelming sense of deja vu from back when he attended his own brother's matches before

☆ they both got thru school p okay, not many incidents of bullying mostly bc if anyone did try, 42 would put a stop to that nonsense immediately. 42 loves his bro with his whole heart and was glad to pick a fight with anyone who gave him any trouble at all. the whole neighborhood knew it too bc the only person allowed to bully 1610 is 42 himself!

☆ in fact, 42 doesn't win the lottery to enter visions in the first place, which saddened both brothers when they found out. so because they're at separate schools now, 42 makes sure his twin knows that if any fuckery is afoot at visions that he'd be more than happy to roll up and dogwalk any fool who tries it. 1610 laughs him off but knows his bro has got his back for sure

☆ 42 likes to pretend 1610 is the nerdy one, but they are both very big anime and manga nerds. every time they hit up any bookstore, they both make a beeline for the manga section and argue over who's gonna read the newest one first (they have to share cuz those books cost some moneeyyyy, man)

☆ 1610 and 42 love their uncle to pieces, OFC. they both pick up separate traits from him, even. 42 was inspired to start martial arts and boxing from watching videos on old digital cameras that aaron hung onto thru the years. they were of a much younger aaron back in his boxing days, when his family went to his matches and recorded them from the seats. 1610 was inspired to pick up graffiti and then even started doodling in notebooks bc of aaron

☆ 1610 is def the social butterfly and easily the most popular kid on the block by virtue of how friendly and outgoing he is. 42 is more introverted and keeps a small circle of friends, but everyone is cool with him nonetheless since they fuck with his twin bro

☆ since 42 stays at home the most (lol he a homebody) he picks up cooking much better than 1610 thanks to him staying in the kitchen to help his mom make dinner while they watch telenovelas together. 42 also knows how to dance bachata and salsa much better than 1610 too

☆ both twins love physics and math but 42 is more hardware-inclined. 1610 is about software, data, and formulas. 42 is good at taking things apart, putting things together, building and engineering. he kinda takes after his uncle aaron that way, and drove his parents nuts as a lil kid when he got his hands on radios, computers, clocks, etc

☆ 1610 loves softer brighter music like JID, steve lacy, smino, frank ocean, kid cudi, post malone, and nujabes. 42 is always bumping harder shit like pop smoke, waka flocka, zillakami, three 6 mafia, benny the butcher and some oldies like paul wall, wu tang clan, biggie smalls, MF DOOM and big KRIT. they tease each other's music tastes a lot since they're polar opposites in almost every way

☆ they actually have a shared playlist where they add new music they like (probs on some e-1610 spotify or soundcloud equivalent since everything is slightly skewed on e-1610 tbh). both of them check it periodically, and 42 is the more frequent contributor

☆ they both make art but 1610 is the artsier kid for sure. 42 doodles occasionally but he's not as enthusiastic about it as his twin is. they both go around the city tagging walls whenever they have any free time, though. 1610 loves colors, expressive styles and is good at coming up with cool ways to draw text. 42's lines, accuracy and technical skill can never be beat

☆ 1610 has superpowers, sure, but his fighting skills are trash! 42 was always the scrappy one, not 1610, so he shows his twin how to properly throw punches and other useful fighting knowledge. it def comes in handy in the future

☆ jeff loves his sons to death but he often finds himself butting heads the most with 42 since they're so similar, it kinda drives them both nuts. it def gets worse once aaron starts gossiping abt what jeff used to be like when they were kids, giving 42 plenty of ammo. they love each other but their relationship is just as complicated as it is between jeff and 1610, and 42 would be lying if he said he wasn't affected by the rift between his dad and uncle himself

☆ the minute the twins turn 16, 42 goes out and gets his drivers license on the first try (computer quiz AND road test aced) and rubs it in 1610's face almost constantly. 1610 likes to throw back that there's no parking space for another car on their block, so he can't even get his own car even if he wanted to anyways

☆ whenever the boys really fight, the whole city seems to know. they squabble a lot obvi, they're brothers. but the very few times they've given each other the silent treatment like for real, everyone in the family tries to get them to make up since it's unsettling to see two peas in a pod be so hostile with each other

☆ and since they've always been attached at the hip, 1610 being enrolled into visions felt. weird. everyone thought 1610 was gonna take it the hardest but surprisingly 42 had a harder time adjusting since he always saw his bro in the hallways at school, and was so used to him knowing the latest gossip of anybody in their grade. without 1610 around as often, 42 becomes even more withdrawn than usual

rio looks up from the pot suddenly, glancing at the time. dinner was almost ready and she… hadn't seen not hide nor tail of her son this evening. he returned home from school a couple hours earlier, choosing to skip going to his boxing class to shut himself in his room.

fine. teenagers can be moody sometimes and rio would rather keep her moody son at home where she can keep an eye on him, rather than worry about what he's getting up to on the streets.

strange thing is, though... rio hadn't heard a single noise come out of that room all night. 42 usually liked to have at least some music playing, maybe video game noises out of his nintendo... oh, what was it called again? whatever, that nintendo thing he played on sometimes.

rio placed the lid on the pot and lowered the flame a bit before making her way over to her twin sons' bedroom door, hesitating a bit when she noticed no light was filtering out from the bottom either. okay... that was weird, too. neither of her sons ever went to bed before dinner. ever.

the one time rio dared to try and send her sons to bed without dinner years ago-- as punishment for fighting right there in the kitchen that time-- both twins hollered so loud they got concerned knocks on their front door from various different neighbors. never again, rio remembered thinking that time.

now, the bedroom door stands oddly quiet and completely hollow without any signs of life behind it. rio knocked anyways, hoping against hope itself that 42 didn't go ahead and sneak out of the house without her knowledge. if he did sneak out, he's grounded for 3 months, rio thinks to herself mostly as reassurance. she nervously picks at a nail and strains to hear anything behind the wood.

she thinks she hears a groan and decides to try her luck by slowly opening the door. hopefully he's not in there... y'know, doing teenage boy things, either. dios mío.

rio swings the door open to...

...a completely pitch-black room, save for the sliver of streetlight filtering in past a crack in the window curtains and casting an eerie yellow glow on anything it could touch. it is cold, and also deathly quiet.

rio is shocked.

she walks over to the right side of the room where 42's bed is pushed up against the corner, next to the windows. on that bed lies a big lump, buried under several layers of blankets. the lump stirs.

rio crosses her arms. "mijo, mi amor. are you sleeping? …pero qué te pasa, papí?"¹

42 rolls onto his back and glares sleepily at his concerned mother standing at his bedside. it's dark in the room, but rio's face is illuminated by the living room lights pouring in from the open door. she's wearing a tilted smile, but coupled with the worry lines on her forehead, it isn't fooling anyone.

42 slowly closes his eyes, chin still under the covers, and lets out the most world-weary sigh rio has ever heard coming out of someone as young as him. if it weren't coming from her own son, she might have even laughed.

she immediately sits down, lifting the cover off of 42's chin to check his temperature all over his face. he tries to wriggle away.

"maaaaaa, stop..." he grumbles, trying to pull the covers up higher over his head. "'m not sick, mamí, forreal… chill."

rio leans on a hand. "¿si no 'ta enfermó pues qué es?² what's wrong?"

42 doesn't answer for a bit and rio exhales through her nose. " 'moré, what are you doing in this pitch-black room all by yourself? no light, no music, no nothing. what's wrong? you look like you're on a death bed!"

42 finally opens his eyes again, and blinks a few times as he says, "nothing, ma. seriously, i'm just... tired. that's all. i'm fine."

"you don't look 'fine' 42, you look like 2 seconds away from flatlining."

another sigh from the boy. rio rolls her eyes and places her hand on his forehead again, then strokes his cheek.

"is it 1610? hmm?" rio asks 42. she asks so unbelievably gently, as if by only mentioning his brother's name she would shatter something in the room. a mirror or something.

42's heart clenches at the love and care his mother is showing around this particular topic. it was true, and he couldn't even deny it. having 1610 in the house less and less every week, not seeing him in the hallways at their local high school, receiving sparser and shorter replies to his texts... it was all building up in his chest and the dam was pretty close to bursting. especially now as his mom was lovingly stroking his cheek as she checked in with him. how embarassing. rio wouldn't see him cry, not right now. he closed his eyes and willed the tears away, for her sake.

miraculously, 42's voice didn't crack or waver when he said, "yeah. yeah, i miss 'im."

rio crooned something saccharine in spanish and placed a kiss on her son's forehead. she saw right through his cold tough guy act, as expected. with how much of a mama's boy 42 was, it would've been impossible not to. they spent way too much time together for her to miss how he dragged his feet getting ready for school in the mornings, how he's been skipping martial arts and basketball practice more often lately, and how unenthusiastic he's been in general.

rio chuckles as she lays her cheek on 42's forehead for a second before sitting back up. "ay, bendito. 42, you know your brother is just down a few blocks from here. why don't you go visit him soon?"

42 shuffles under the covers. he's unsure if he should even admit this, but he proceeds anyways. "uhm. he's not answering my texts lately, so." he feels strangely guilty about this, like he just snitched on his twin somehow even though he has no reason to suspect that at all.

rio sighs and looks off into the distance, bracing herself for what she's about to say. she looks back down. "yeah. i know. he doesn't answer mine, either. i was hoping he was talking to you, but... well. "

something in 42 stirs a bit. "i bet he thinks he's in some fancy private school, around rich kids, now he's too good for us," it's a weak attempt at a joke, but rio smiles down at him anyways.

"don't worry. the second he gets home this weekend, he's on house arrest. okay? he's gonna be chained to you the whoooole time. and i'm keepin' watch."

it's not much, but 42 still takes that little bit of hope and holds it gently in his mind.

"the second he walks through that door, i'm tackling him. i don't care." 42 smiles at the thought.

rio laughs, kisses his forehead again and stands up. "dinner is almost ready, by the way." she gives him a look. "you better eat with me tonight, because your brother is at school and your dad is doing overtime tonight. okay? okay."

42 sighs deeply to wake himself up a bit more as he sits up and scratches at his durag. "yeah, yeah. 'm comin', ma!"

¹ "but what is going on with you, papí?" (papí being a common term of affection for a boy in spanish, it doesn't always mean "dad" lol)

² "if you're not sick, then what is it?"

☆ until they get "too old" for halloween, the morales twins ALWAYS wear matching costumes. every year. every single year, no matter what. what they usually end up wearing changes every year and they aaaaaalways argue over it, of course. notable costumes so far: batman and superman (age 13), two ninja turtles (age 9) (im thinking mikey and donatello bc of personality but lbr rio most likely forbade either of them to be leonardo bc the twins would deadass get into a fist fight over it), tom and jerry (age 2), mario and luigi (age 7), woody and buzz (age 5), peter pan and captain hook (age 10), and-- rio's favorite-- thing 1 and thing 2 (age 4)

☆ 42 was surprisingly always very popular with the girls at school. in middle school, 1610 was the geeky one with braces and acne. 42 got off relatively easy in that regard and as a result was labeled "a heartbreaker" from the jump, which annoyed him. he has no interest in dating whatsoever and swore to never get into a relationship before graduating high school. he's got his mom and brother to take care of and he's going places after high school, damnit! 1610 on the other hand is a huge romantic and has a crush on a new person almost every year of school, easily

☆ the literal second 1610 set foot in the house after his spider bite, 42 was all over him asking a million questions since they both have that supernatural twintuition, and 42 sussed him out immediately. 1610 obviously had to come clean and tell his brother he was spiderman just like he told ganke, otherwise he was never gonna be able to change into his spider suit at home (plus they share a room, so. there's that)

1610 didn't even get to close their bedroom door all the way before his twin leaped up from his own bed and stalked over.

"óye, bro. what's up? what happened at visions?" 42 circled his brother, squinty-eyed in the exact same way their mom is when she's suspicious. 1610 dropped his bag next to his bed and plopped down on his sheets, trying to put some distance between them.

"uhhhh what're you talkin' about?" he tries casually, and immediately regrets it.

"uhhhhh what're you talkin' about?" 42 mocks. "don't play dumb with me. you KNOW what i'm talkin' about, stupid. first, you answer, like, none of my texts ever. then dad comes home sayin' you never let him talk face-to-face when he visited you a couple days ago. mamí has been texting and calling you nonstop, no answer either. you are a brand new person now, huh? qué te pasa, yo?"

1610 hunched his shoulders as he got up and slumped over to his desk. he was quietly weighing his options, nervously rearranging papers and sketches on the wooden table, wondering how he was going to break it to his brother that he was--

"lemme guess. you have superpowers now," 42 says easily. he crosses his arms triumphantly when big round amber eyes suddenly turn up to his face.

1610 searches his face for any hint of a joke. no... no way. did his brother just...?

"you're playin' with me. no way. how did you--?"

42's eyes widen. "wait, are you being deadass right now?" he threw his head back and crowed with laughter. "that was just a guess!"

1610 leaped forward and pushed his hand onto 42's mouth, shutting him up. "heeyyy hey hey hey hey shhhhh, man. damn, could you possibly be any louder? look," he took his twin by the shoulders and gave him a slight shake, lowering his voice to a near whisper. "mom and dad can never know anything about this. okay? anything. not a word, you understand?"

42 pushes his brother off. "ok-ay man, cool it. i promise. we can shake on it, even."

wordlessly, they did their super secret handshake they came up with and perfected in the 4th grade in lieu of hooking their pinkies together. it was the morales shake, a move that binds them to secrecy and keeping promises til death. this was serious business. 1610 relaxes a bit once they're done.

"... okay. and i mean it, pencil braids. if you even breathe a word about this, or even think about--!"

"if you don't just tell me already, goddamn."

with a meaningful look thrown at his brother's way, 1610 raises an arm silently. 42 looks back expectantly.

1610 shoots a web up. he jumps up, using the web as a bungee rope to help him flip and land feet-first onto the ceiling. once his sneakers touch their ceiling, he stands up... upside-down. he stares at his brother and his brother stares back, mouth agape.

"niiiiiiice," 42 leans back and grins up at his twin brother, spiderman.

☆ 1610 is glad he has someone besides ganke to talk to about spiderman stuff, though. his brother listens way more attentively than his roommate anyways, and even tries to help sometimes esp when 1610 needs a quick distraction so he can switch from spiderman back into his regular clothes before the parents notice

☆ 42 is surprisingly cool abt his twin bro being spiderman, actually. even when they're texting 42 is careful not to imply 1610 is spiderman, and often calls stuff in to the police station if 1610 webs anyone up and lets him know. he also gets very good at bandaging up wounds quickly

☆ 42 is a hardass on the outside and contains his emotions much better than his twin, but he's kinda different around his family, since he loves them a lot. he jokes around a lot with them, esp around 1610. they also love pranking their parents, and are p creative at coming up with ways to make everyone laugh

☆ i personally picture 42's personality being sort of like huey's from the boondocks, especially around other adults. he becomes withdrawn and speaks very clearly and directly, and is very shy around strangers. some ppl mistake that as him having an attitude problem but his friends and family know better. only difference between huey and 42 is that 42 isn't nearly as woke lmfao

☆ meanwhile, 1610 becomes a motormouth around strangers and is quick to hug and kiss random family members at family reunions. as a lil kid, he'd always be the one up at the counter ordering for the both of them and chatting with the cashiers, or bus drivers, or whoever. as he gets older and used to the spiderman thing, he chats and jokes with randoms a lil less. he has to save the good material for when the mask is on

☆ 42 is a better writer than he is an artist, actually. he has notebooks filled with poetry and lyrics he scribbles down on post-it notes just to stick them in there for safekeeping. he's also been working on a sci-fi story since he was in 6th grade in absolute secrecy; he doesn't want a single soul to see it. he'd be mortified if anyone saw the nerdy shit he comes up with

☆ even tho 1610 has never fought anyone or been scrappy with anyone else, he's very good at wrestling and dodging punches thanks to his brother.

☆ 42 is the more fashion-inclined twin, even tho they're both sneakerheads. 42 just pays more attention to accessories, the fit of his clothing, how to pair the right shoes with the right jacket. 1610 throws on anything comfortable and calls it a day, and it gets even worse after he becomes spiderman. 42 clowns his brother SO HARD after he finds him wearing yellow sweatpants with an oversized red adidas hoodie and a green puffer jacket once (it was when 1610 came home from fighting a shapeshifting lizard that tried to take over cypress hills. the sweatpants were on backwards)

☆ 1610's sense of humor is geeky and he always tries too hard with his quips and jokes. he usually gets "secondhand embarrassment" chuckles from ppl. 42's style of comedy is a mix of dry humor and unintentionally being funny. this dude will say something clever with the straightest face ever and have the ENTIRE room in stitches without even meaning to

☆ just to nail home how different they are, even tho they share a room, you can tell EXACTLY which half of their room begins and ends. 1610's half is cluttered, vibrant, covered in posters and action figures, collages and trinkets on every available surface. 42's is as clean as a hospital room, and he ALWAYS makes his bed every morning. 42 has a poster or 2 hung up but he's not much for decorating in general. he's more into alphabetizing his bookshelf and looking for more efficient storage to put under his bed

☆ when jeff looks at his sons, he sees aaron and himself and sometimes it scares him. when the boys were around 12 (the Evil Year) he made SURE to sign them up for camp trips that summer and keep them close together as much as possible. he hates to see his boys drift apart at all and is the 1st one to call it out if he sees it. he just doesn't want his boys to end up like he and his brother did…

☆ … and then other times? it genuinely makes him feel a combination of irritation and also fondness bc sometimes 1610 and 42 really really remind him of aaron and himself, esp when they were young. ESPECIALLY when they argue. in every playful slap on the shoulder, every arbitrary competition started out of nowhere, every sleepy brother slowly sliding onto the other's shoulder during nighttime car rides, he sees it. he sees them, and then he sees his past. and with every little difference between the boys slowly cracking open like a chasm with each passing day, sometimes he thinks he can even see his future.

☆ 42 is cool or whatever but i also hc he's kinda… weird sometimes. it gets worse when his twin bro goes off to visions, he keeps staring at walls while sitting in dark rooms and eating at weird hours of the day. rio caught him fast asleep practically hanging off the window sill one night, and another time jeff found him having an entire conversation with a brick wall once while on patrol. 42 refuses to answer any questions

☆ after 1610 gets into visions, becomes spiderman, tells his parents abt his plans to go to princeton, etc... 42 eventually starts feeling a type of way (a jealous way…) their parents also seem to pay attention to 1610 more whenever he's home just to add insult to injury. he knows he's not supposed to, but he often finds himself thinking about the prowler gloves and schematics aaron left behind. he managed to grab them and hide them in a gym bag one day while helping his parents clear out aaron's apartment. the tech currently lives under his bed…

[soupthatistohot]

BSD 110: An Absurdist Analysis

The fate of Aya Kōda

Since my post analyzing BSD 109 in accordance with Asagiri's absurdist storytelling got so much love, I've decided to continue analyzing the chapters thru an absurdist lens when I deem it relevant, and making predictions accordingly. I think that not only is it an effective way of reading BSD, it gives us readers a bit more hope that things will turn out okay when the plot is... like it is right now (lol).

I recommend checking out my BSD 109 post if you haven't already this since I explain the philosophy of the absurd in depth there :)

BSD 110 spoilers below!! Obviously! Also TW for discussion of suicide.

So. I really don't think the ten year-old girl is going to die.

On top of Aya being "the last hope" (more on that later), suicide is one of those things that absurdists really frown upon.

Aya's plan as I understand it right now is to add her weight to the table in order to pull the sword from Bram's body, this is why she jumps. If this works, the sword will be dislodged and she, the sword and the table would fall to the ground, which is very far below -- she would likely die upon impact.

Absurdists really don't like suicide as a solution to hopeless situations, most absurdist storytellers have their characters commit suicide because they have "given up". It's submission, giving into the meaninglessness of our reality rather than rebelling against and embracing the absurd.

We see this with Oda in Dark Era, his suicide mission is framed as him giving up on life because the orphans were killed. Of course, it also served as catalyst for Dazai's character development, compelling him to escape a situation that would have likely ended up in his own eventual suicide. All this to say that even though Asagiri chose to make Oda go on a suicide mission, the overall narrative purpose still lent itself to absurdism through Dazai's decision to defect. It needed to happen for the story to move forward as it has (and as we know from BEAST, there literally cannot be a universe in which both Oda and Dazai are alive).

So, if Aya dies now, what message does this send? It's almost certain that the world will literally end if she does, meaning that everyone's efforts up until this point have all been for naught, which, as I explained in my BSD 109 post, is the opposite of the entire point of BSD as an absurdist text. Aya is really the "last hope" right now, with all our other main characters pretty much screwed or just not present.

"Nothing is impossible for a warrior of justice. We beat the bad guys and save the world, no matter what happens."

What Aya says right here is something I'd liken to the Dazai quote I brought up with my BSD 109 analysis: "The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood." Both communicate the idea that there's never an acceptable point in time to give up (suicide), that there's always something more that you can do, even when things seem bleak. Those who "make the world turn" are one in the same with Aya's concept of "warriors of justice."

Aya may not succeed exactly the way we expect her to, but she absolutely is not dying like this. On top of the absurdist storytelling reasons, she's just a child. Of course, we know Asagiri isn't above killing kids, but Aya is a bit different than the other children we've met in BSD. Her character has been built up and developed, she has a fleshed-out backstory, and we've spent a lot of time with her. To kill off a little girl we've come to care about a lot would just be cruel, plus her death wouldn't really serve a narrative purpose right now.

So, what could happen?

One prediction is that Aya adding her weight to the table does dislodge the sword and she falls, but she is saved by another character. We know Kenji and Tecchou are out there right now, we haven't seen Yosano or Kyouka in ages, etc. etc.. Basically, there are definitely people out there that could come to her rescue.

But there's an option I like a lot better: Aya's ability manifests.

Aya Kōda was a 20th century Japanese novelist and essayist, and the namesake for the Aya we know in BSD. As far as we know, all the characters who are named after real-life authors possess an ability inspired by the life/work of said author. Aya doesn't have an ability yet, so logic follows that she will develop one by the end of the series.

I'm not sure where I read this, so take it with a grain of salt, but I believe that in BSD the character's abilities manifest because of trauma. Not only does Aya live in a somewhat emotionally abusive household, but she's literally been thrust into the middle of a conflict in which the world could literally end and has decided to jump off of a tall building to try to save the world -- I'd say that's pretty traumatizing!

I'm not familiar with the irl Aya Kōda's works enough to speculate about what her ability would actually do, but there's a decent chance that because of the current situation, her special ability will manifest in order to prevent her from dying and/or dislodge the sword from Bram. This would also fit absurdist storytelling very well, she's literally doing jumping off a building as a complete last ditch effort, it's a crazy plan that probably won't work -- but her other option is to just accept death, and that's not acceptable. If she were to manifest her ability in this moment, it would reinforce the idea that rebelling against the absurd has value, that even when things seem at their worst there's always something you can do.

Anyway, these are just my thoughts! Please feel free to add anything you find relevant, especially if you're familiar with Aya's irl counterpart! See you next month ;)

Here's the BSD 110 translation I pulled the panels from.

[gachabastard]

Limbus Company Sinners as Fallen London Companions

Smashing my two hyperfixations together like dolls and making them kiss. What I'm seeking (lol) to do here is not to conflate the Sinners to existing Companions, but rather create Companions based off of them instead. If you know both things then this won't take any explaining.

For people who know Limbus Company but not Fallen London: Fallen London is a browser game made by Failbetter Studios. It is an alternate history of an 1800s London that has sunk deep below the earth into a subterranean cavern known as the Neath and is now overseen by the mysterious Masters of the Bazaar. You begin the game as a Surface-dweller who has recently descended into the Neath for certain reasons, which you are able to decide for yourself and act upon as you progress through the game. Companions are "equipment" of sorts that you can equip to increase (or lower) your character's stats. A full write-up of FL's mechanics could be another three separate posts on its own, so I recommend the wiki's Beginner's Guide and other resources therein to understand the mechanics I'll detail here. If you enjoy the writing in LCB you will most likely also love FL's writing. Please play it, it is awesome. (And lmk if you do, I'll add you as a friend and definitely not stab you in the back)

For people who know Fallen London but not Limbus Company: Limbus Company is a mobile game made by Project Moon. It is the third in a series of games, preceded by Lobotomy Corporation and Library of Ruina, which are both available for purchase on Steam, though Limbus Company can be played independently of these if you want; the player avatar is an amnesiac so things are generally explained as needed (though Lobcorp and LoR are also very good and I recommend them, but you do have to buy those, so). The game centers around a department of the titular Limbus Company, the Limbus Company Bus Team (often shortened to LCB), the twelve individuals referred to as Sinners who make up the team, and their amnesiac Manager named Dante as they brave the ruins of the old branches of Lobotomy Corporation to retrieve strange objects known as Golden Boughs. All of the major characters in LCB are based off of classic literature (for example, Dante is based off of Dante's Inferno). If you like FL's writing you may enjoy LCB, but it is a gacha game which turns a lot of people off. For character info you can visit the Fandom wiki (yeah I know, it's a Fandom wiki), and if you want to read the story so far without playing the game you can check out this github page which contains all of the story text.

And if you don't know either...I don't know why you're reading this, but I hope my explanations and provided resources are enough to help you understand it regardless.

Okay, wall of text out of the way, let's get into the actual point of the post. This isn't meant to be balanced or anything this is just for fun because I'm diseased. Also LIMBUS SPOILERS THRU CANTO VI sorry.

Starting off with Sinner #1, Yi Sang:

Mirror-Marred Litterateur In the Mirror's glass, he observed endless possibilities. One such possibility observed him back. Watchful +4, Glasswork +2, Bizarre +1

Reasoning: Honestly? I thought about Sang Yi chilling in Parabola and that colored my whole concept here. But for real the whole Mirror thing is too perfect. Yi Sang defines Glasswork.

Sinner #2, Faust

Hell-Touched Engineer She hasn't the eyes of a devil, but builds infernal machinery previously unseen outside of Hell. Claims to know all outcomes, but shares precious little. Dreaded +2, Artisan of the Red Science +2, Decreases Nightmare build up

Reasoning: Something something Faust something something Mephistopheles something something her base EGO heals SP.

Sinner #3, Don Quixote

Dreaming Knight The only weapon stronger than a dream is delusion. Dangerous +5, Mithridacy +2, Increases Scandal build up

Reasoning: DQ is so skilled in Mithridacy she's got herself convinced of untruths, man. She's also allowed little a Scandal. As a treat.

Sinner #4, Ryoshu

Bohemian Blademaster Her masterwork blade is her brush; her enemies, her canvas. Legend has it that even the Boatman respects her work. Dangerous +4, Dreaded +2, Monstrous Anatomy +1

Reasoning: I feel like this one's pretty self-explanatory. I added a point of MA since I feel like she'd want to be a bit knowledgeable in monster anatomy for Art Reasons

Sinner #5, Meursault

Chained Stranger "The Neath is a prison," he says matter-of-factly, "And I am here because I am meant to be." Despite this, one could swear they saw the sun reflecting off his eyes. Persuasive +2, Respectable +3, Reduces Scandal build up

Reasoning: Hehe did you see what I did there. I referenced the thing. Anyway aside from being pretty blunt, he's probably the best candidate out of the whole group for Respectable.

Sinner #6, Hong Lu

Bright-Eyed Debonair New to the Neath, from an affluent Surface family. The Neath's many delights confuse and excite him. Persuasive +2, Shadowy +1, Kataleptic Toxicology +1

Reasoning: I think Hong Lu being new to the Neath fits with him being sheltered in canon. Also +1 KA cuz you know that boy is hittin that Honey. The Honey-Dens of Veilgarden already know him by name.

Sinner #7, Heathcliff

Bereaved Ruffian He knows the backstreets of London like the scars on his hands. He remembers that which the world does not, and waits. Dangerous +8, Shadowy -3, Chthonosophy +1

Reasoning: Oops Canto VI colored the fuck out of this one oops oops oops. Happy Firmament Day btw have some Chthonosophy. :)

Sinner #8, Ishmael

Zeefaring Pathfinder She's hunted the most feared creatures known to the Zee, losing her way to chart a path for her mad captain. Her compass will see that she never loses sight of her path again. Zeefaring +2, Monstrous Anatomy +3, Increases Nightmares build up

Reasoning: Ishy-Fishy you were made to embody Zeefaring and MA.

Sinner #9, Rodion

Lacre-Drowned Cardshark Born in a run-down corner of London where the Lacre falls thickest at Sacksmas, she knows a thing or two about cards. She wouldn't mind teaching you...for a price. Persuasive +4, Watchful +6

Reasoning: Heart's Desire vibes. That's it.

Sinner #10, Dante

Timepiece Manager An infernal timepiece ticks away where a head should be. They have no memories of their own, but they can never forget again. Chthonosophy +2, Steward of the Discordance +1, Dangerous -5, Reduces Wounds build up

Reasoning: Congratulations Dante on being the only bitch to not have the Discordance because the Discordance isn't real. Ummm I went off vibes here but tbh I think Dante should decrease your Dangerous by way more actually. Hell, let's make then decrease Dreaded too. Let's make them a Weasel of Woe.

Sinner #11, Sinclair

Unrealized Prodigy Young and anxious, jumping at every shadow. His potential is very promising. Dangerous +6, Dreaded +1, Increases Wounds build up

Reasoning: Sinclair may be baby. But he is Scary Baby.

Sinner #12, Outis

Commanding Oneironaut She's led the forces of Parabola to victory more times than you could count. Don't ask her any questions. Dangerous +8, A Player of Chess +2, Glasswork +1

Reasoning: Everybody shut the fuck up Parabolan War General Outis is everything to me, you hear me. EVERYTHING. She favors the Chessboard, obviously, with that +2 to APoC.

Sinner #13, Gregor

Metamorphic Veteran A large insectoid pincer sits where a right arm should be. He'll talk about pretty much anything but the details around that. Seriously, be careful around that thing. Dangerous +5, Shapeling Arts +3, Bizarre +2

Reasoning: You had to know Gregor would be the only bitch to get Shapeling Arts. Look me in the eyes and tell me he wouldn't. I wanted to give him Persuasive due to his amicability but also he actually. Sucks at being persuasive like canonically, so. Dangerous it is.

BONUS! Vergilius

The Red Gaze The most feared Fixer in the Neath. Whatever could you have done to strike up an alliance with him? Watchful +30, Shadowy +30, Dangerous +30, Persuasive +30, Greatly reduces Nightmare build up

Reasoning: He's the Red Goat I ain't gotta explain shit.

anyway hope you enjoyed even though you definitely didn't. i have a headache now so i'm gonna go consume painkillers and caffeine and go run mirror dungeons in lcb for that limbus battle pass.

[bumofthewild]

my really really long rant about endwalker

i'm not kidding this is really long. spoilers ahead of course, like immediately upon entry. sorry i sound so angry the whole time

unfortunately for me and for anyone reading this, endwalker is one of those cases where i like/d so much of what happens that the many weak moments make me more critical of the whole than i would be if it was just wholly bad like stormblood, bc it's a waste of potential. a lot of the time the moments i liked would even be happening simultaneously with the things i find so problematic: cheap storytelling decisions, cheap moments that only serve as fanservice or for shock value that only detract from a characters’ pre-existing complexity, poorly done rehashing of elements from shadowbringers, a lot of hollow pseudo-intellectual arguments, rushed and underdeveloped writing in one instance and then meandering wastes of time immediately after….these issues are so consistent that rather than try to break up endwalker's story based on these things, i will just try to run thru the whole thing chronologically and hope i don't get too repetitive. that's why this isn't an essay with some pretense of structure. i'll do my best.

what's crazy to me is i thought endwalker was going to be my second favourite expansion. this was despite not caring about its original main conflict--i thought fandaniel just wasn't a compelling or even interesting villain. he comes out of nowhere. and he's also asahi so that association is hard to break away from bc i find asahi silly. and he suffers from the same writing issues zenos does, where nearly every cutscene with them did little to develop their characters further from the baseline, only reiterated what i already know bc they literally never say anything else: zenos wants to fight wol, he's bored with everything life could possibly offer, fandaniel will ensure zenos can fight wol through his towers bc he no longer plays to the tune of his unsundered masters... even though what fandaniel was promising to cause were the final days i just didn't really care. in the wake of shadowbringers the final days are like a pretty big deal, but something about reviving a catastrophe i had just finished wrapping up--i thought, naively--made bringing them back seem really thoughtless. i don't really need to see anymore final days...like how much more do i need to understand how bad it was? i mean i think shb did a pretty good job????? of making the final days seem pretty fucking bad. why not come up with something new because this is endwalker and not shadowbringers haha? the only fresh thing about this new uncooler final days was the motivation behind them. fandaniel wanting to bring about the final days bc he wants to die and thinks everything should die with him vs emet-selch's unwillingness to die no matter what bc the final days took everything from him and he needs to bring it all back. still, recontextualising the final days from a past event into a present issue ruins them to me. whatever, i thought, there's no way we're letting the final days happen so what does this matter anyways. there's no way.

so yeah post-shb into ew was starting to lose me plot-wise. not the end of the world (LOL?) though bc the atmosphere in the beginning was so subtle and fresh and rich like dew in the morning that i was willing to look past it. going to old sharlayan i liked a lot. i liked going there not as a more typical homecoming for your friends but to instead uncover the sharlayan forum's cryptic behaviour. this kind of intrigue was what i really wanted after the grandness of shadowbringers and i really do think endwalker gave me that for a while. i liked the opening scene on the ship a lot bc it felt exciting and uncertain and new, especially talking to hydaelyn. i liked how she had become such an unstable variable after originally being the most anchoring presence in the entire game: learning she's a primal, whether she's actually “good” after listening to emet-selch’s explanation of her origins and actions in shb, and the fact that her appeals to her champions have been fewer and fewer… i thought her meeting with you at the very beginning of endwalker was cool and foreboding. i also really liked the emet-selch narration btw, i thought that was a fun choice. who better to guide you into the final stages of your adventure than the person who left you with that final, most important task. i wish this had been the only callback to his character at all. 

so a big part of why i like/d endwalker so much is all that atmosphere. and something i can't really put into words. it just felt cool and cohesive at the start. old sharlayan is one of my favourite locations now; i like that despite its rigidity and (to me farcical but w/e tangent) pursuit of rationality/knowledge, there's the quaint island charm and fresh winter sea and overgrown greenery and forest paths. i liked that the game enhanced the usual hubworld tour chore by having g’raha and krile follow you around to give you more personal anecdotes of the place, really gave it a more lived-in feeling, which really added to both them and the location. i also really liked all this charm and familiarity in tandem with the secret hostility of the place bc of the forum, having to sneak around and so on, sharlayan citizens not really recognising you somehow? but being very aware of a warrior of light threat to their way of life, even if i find that non-intervention way of life silly.

i also really liked labryinthos. it's a really creative place. i liked its uncanny false sky and controlled environment, and yet all the people scrambling about inside. and the music felt kind of magical like i had encountered another fairy area or something idk it all felt very whimsical. thavnair i really liked as well but i feel like my immediate impression of the place was kind of poisoned by the stereotypes, like the huge focus on trade and the first impression being undercutting foreign tourists but then i started to really enjoy the part where you run around with matsya and help him sell fish. i liked the mundanity and slow pace of that exercise bc it felt like a much more involved way of learning about thavnair and its current issues through conversations rather than the fetch quest slog, and this is one of the things i like a lot about the beginning of endwalker. the gameplay really improved i think bc they found more creative ways of having you interact with your surroundings, rather than having the usual running between npcs to fetch things for them or other chores. like rather than doing a string of quests and then being rewarded with development of the story, the gameplay simultaneously develops the story. like turning into frogs i thought was fun, testing nidhana’s aether lamp was fun, etc. it felt like they had better ideas about how to progress the in-between parts.

thavnair quickly started to upset me though bc it started to feel like the only relevance the location had was what they could give you for your military cause, that is, the scales. like alchemy is this place’s big highlight and its just the scales the scales the scales and the tower aughhhhhh!!!!!!! the tower!!!!!!!!!! i wish they had focused on something but i guess this is just to be expected with ffxiv...any interaction with a foreign ("foreign" as far as square enix eorzea is concerned) culture really boils down to how they might bolster your military efforts, the azim steppe for eg. so it felt like my concern for an individual (matsya) and the experience firsthand trying to help him with his day to day; the idea that every single person on earth is important and shouldn't be made to suffer, and helping that single person... was like overshadowed by something more focused on a “greater good", that is, the construction of the scales to defeat the towers to save the world ad infinitum. but if you played endwalker then you would know how this idea of only concerning oneself with a "greater good" and this diluting of the importance of an individual's life for the sake of this idealistic whole causes some problems for a certain someone..................so why didn't the game focus more on these themes? probably because at the end of the day it's a video game by square enix and you need a big boss to fight or something or bc this expansion is insanely unfocused i don't know. i feel like this concept about the importance of the small things that can add up to one life and how that one life is beautiful and important crops up with the significance of weeds despite its importance overall. i don't know if i think this is one of the main underlying themes of endwalker just poorly executed so as to not even be there or if i just wish it was one of its main themes. anyways i'm getting distracted, what i mean to say is thavnair gets dehumanised throughout the entire expansion in the most horrific ways possible so i guess this was just the start

moving on... i liked the part in garlemald a lot, which i didn't expect bc i don't expect this game to handle anything regarding imperialism well. i liked that the garlemald you finally experience, after it being one of your main enemies and this very proud nation, was just this dead quiet and ruined place. the quest where you follow that girl is another eg of how the gameplay was a bit more immersive, i think it helped me feel the loneliness and the danger of the place, that i could be a danger to this girl. that i really had to try if i wanted to help her. what i didn't like was alphinaud's and alisaie’s babying attitude towards the garleans? like ok yeah of course we’re gonna have patience and grace for GARLEMALD meanwhile lyse was losing her head at the ala mhigans whenever they disagreed with her. like sure arguing won't get anywhere but it felt like the twins were reckoning with children sometimes, it was so strange. but i did like that the game didn't shy away from making the garleans just unpleasant to be around at best, and an actual danger to you at worst. it's just better to me to make them harder to reconcile with so that there's no frustrating cheap shots at redemption but rather a good, sobering look at a society that's been totally and willingly misled. and i liked that alisaie's and alphinaud's attempts to help those garlean kids ended so badly, even though i'm not usually a fan of such cruel outcomes. it felt like we were seeing a garlemald not necessarily being punished for its actions more than we were seeing a place built on shitty ideals crumble bc of those ideals. i thought jullus was a good char and helped to carry that idea of disillusionment forward. i didn't care so much about sympathising with what he'd lost, but i did find it interesting how they contrast him with the legatus he's working under, who even while the place is in ruins is still more concerned with war than providing for the people relying on him. i don't think the part in garlemald is perfect by any means, like it doesn't do anything too brave, but ig it was a lot more subtle and complex in its storytelling than i expected. and it wasn't meaninglessly cruel. like i'm glad those shock collars put on the twins were only used to gauge jullus' emotional growth or something like him not wanting to activate them rather than them actually being fucking used which would have just made me close the game and not look back.

from here on is where i struggle to lock in for the rest of the story. starting with when zenos kidnaps you in the midst of the fighting at camp broken glass--i don't think i have ever been more immediately mentally locked out of a story. endwalker is darker than usual, trapping people in fleshy towers, two young girls lying dead on the ice, tentacles erupting out of tempered garlean soldiers... and so on. and while i don't personally like things that are overly dark or cruel, it's not that i think they're bad, just that with moments like that it's a lot better imo that a point is being made or they add something to the story, and that it doesn't feel soullessly random or disrespectful. unfortunately this stops being the case for the rest of the expansion..... like something about the weird eldritch feeling of fandaniel pulling you out of your body and putting you in a random soldier's was throwing me off immensely. it felt like i was playing a different game, like so disconcerting i found it distracting, because why would he not just do this to screw you over more often? i didn't understand them having access to such an unrestrained power. at the same time it was also just too wacky to really take seriously despite the apparent gravity of what was happening. zenos inside of my bunny girl's body??? i don't even understand why they did it? to piss you off?? the duty where you play as the imperial soldier was interesting i guess but i couldn’t understand what the meaning behind being made to struggle through that experience was... like didn't we just spend all that time sympathising with the garleans and wrap that section up already? why do i now need to sympathise with/experience firsthand what its like to be a garlean footsoldier? and it annoyed me because these parts felt emotionally rich, like stumbling across those garleans fighting that machine and trying to do your best to help them; dragging yourself across the ground to get to your friends before something bad happens to them, and running towards them before zenos hurts them while in your body--i thought all of that could've been really poignant if not for the actual situation being so silly?? they could have just kept some of those ideas, wol dragging themselves across the ground for eg--the extent to which they're willing to stop harm from reaching their friends (which reminds me of what vrtra says to you about the importance of protecting your friends the first time you meet him. but that was such a one-off moment that goes nowhere... i just wish ew would pick something, anything, to be a poignant message about love on planet earth if they want nihilism to be the main villain, and just stick to it)--and do something that felt a lot more relevant to the established story thus far? just felt totally pointless

what makes this worse is this ridiculous part is iirc right after fandaniel reveals that the entity tempering all of the garleans is varis reanimated as an ancient oh-so-important primal...?? like here's (what i thought was going to be) an actually important point in the story being sidelined for a moment that just goes absolutely nowhere. they certainly made it seem important for a moment, and i think this would've rounded off what was being said about garlemald well; the garleans are so taken in by the farce of their homeland that they think varis is calling them to reclaim their country over the radio, but all along what's actually causing their nation to fall apart is this monstrous version of their late emperor. the irony would've been interesting but they just do nothing with it... (i think desecrating a dead person's corpse by turning it into a monster is really weird btw, even weirder that they do it for no reason. whatever ew is weird.) i thought, considering that this plotline was being established from before endwalker started, that anima was going to take some time. not so. ffxiv would rather have you and zenos enact tropes from a disney channel movie. you merk that guy at the end of the tower of babil and from then on every important plot point the expansion could possibly have moves at fucking mach 567472838758745745

because why all of a sudden are you getting beamed up to the moon? and fighting ZODIARK? i was so confused when asahi i mean fandaniel was punching shit into that fuckgin allagan computer like fandaniel what the fuck are you talking about... i couldn't process anything that happened here. like i'll willingly put aside boring practicalities like why anyone can breathe on the moon, but not so much how fast this all happened and how out of nowhere--is this the reason fandaniel is also amon btw? so that he can use their allagan computers to do this? bc i honestly can’t find any other reason why him being amon is relevant when they revealed that in the tower of zot...like i dont get why that's important

and it doesn't get better after this is the sad thing to me. it doesn't pick itself back up. it is just extremely unfocused right until the endwalker. i was willing to move past getting rid of zodiark so quickly because it's not that i hold standard storytelling rules so dearly in my heart that i need the biggest final boss of the entire series to get a bit more gravitas. it actually ended up being a pretty interesting decision--dispatching the largest villain at the heart of the game being the catalyst for the biggest catastrophe you've ever heard of. like i like that wol gets played. but the entire mare lamentorum section that follows is disrespectful. this expansion suffers from some extreme tonal dissonance, bc how does wol learn that the final days are now upon them and then proceed to spend their time leisurely touring the moon rabbit facility to tell them that the clothes they’ve made for humans to wear isn’t fashionable? why on god's green earth does that matter at this current juncture? this part is one of the worst story-writing sinkholes in the expansion to me, bc why are the discrepancies between what the loporrits know of humanity vs what humanity is actually like something the story chooses to grapple with? we're building an ark to save humanity, and instead of approaching this in a contemplative or emotional way, the point of conflict they choose is logistics? in the expansion about nihilism? at best this conflict was overly realistic..... mostly it's just boring, and at worst the FINAL DAYS are now upon us, so why am i taste-testing carrots? how could the sharlayans, the most focused group of people on the entire planet, have been collaborating with the loporrits for decades and not even have one of the most basic aspects of staying alive squared away? i’m supposed to not only believe that nobody knew after all that time the lopporits think people only eat carrots, but also waste time on fixing this? whyyyyy would they even devote any time to this at all when there are so many more complicated and interesting ideas that they let flounder bc they rush through them at breakneck pace constantly? we just fucking killed zodiark! is this why they stick urianger up there to do all the fixing actually? to save time offscreen? maybe that's why they chose this asinine chunk of the story to start processing his character? though why they would choose to add more to a plate they can barely balance i don't know. i don’t even feel like getting into what they did with urianger bc it will just piss me off. i think only my love for rabbits and how i will never ever not find urianger precious were stopping me from putting a hex on square enix

the following section of the story is easily the worst part to me in the entire game. like i would rather replay stormblood multiple times in a row than ever sit through the final days coming to thavnair ever again. i've already said bringing back the final days would just be bad; a disservice to the time spent on it in shadowbringers. what more is there to say on that front? nothing. and the way ew utilises the final days tells me that the answer is nothing. it just wanted to unleash the violence of that event on the non-white area and spends an insane amount of time doing it. i can think of no other time in this game where there is so much wanton death and destruction for no useful storytelling reason other than to relish in the cheap shock of witnessing violence, violence they are unwilling to inflict on its white areas, because even in garlemald you only see the aftermath of what happens rather than being in the midst of it. it was actually making me feel fatigued. it was just so much of the same thing over and over with no real meaning to any of it. and that's not to say that meaning justifies suffering, but this is a game.....with a story... first and foremost? there needs to be some kind of reason to move the story forward? but nothing new or inspired is being said, just "the final days are really bad"

i’m actually not even sure where to begin so i’ll start with a glaring issue: i hate that people turn into abominations. people “randomly” turning into monsters just feels too unwieldy--how could there be any sense whatsoever that that situation is controllable? even learning that it's caused by feelings of despair is shit because emotions are so vague, how could there be any worthwhile attempt to control your emotions, let alone while watching your loved ones turn into/be eaten by monsters? this entire part felt so wildly out of hand/unpredictable to me that every single moment onward that wasn't more or less focused on maintaining this extremealy volatile situation felt like an unforgivable lack of priorities. it was extremely distracting to have it hovering over everything; everything else felt absolutely inconsequential in comparison. bc what the fuck do you mean people are randomly turning into monsters?? also the stakes were already really high just knowing the final days were coming, so raising them that much higher felt unnecessary to the point of it being hard to believe. and then bc you know there's no way any character important to wol is going to turn into a monster, subjecting commonfolk npcs to this just feels absurdly cruel, and also just made it obvious how much of a cheap scare it all was, bc it can't have any real narrative importance as a result of only happening to random npcs. it was all so blatantly fake-deep. there was no meaning behind them originally being people except for the useless horror of it--the scions still referred to them as monsters to be put down rather than as the people they used to be, just like any other monster in this game. dynamis was more of a retroactive explanation for why people turned into monsters, rather than people turning into monsters bolstering any understanding of dynamis. in shb the sin eaters had some method to them that made them more believable. you fight them throughout the story rather than them just being dropped on you midway through, they helped provide a picture of what kind of world the first was, they were emotional diving boards for characters like alisaie to develop personal goals and so on and so forth... the horror of the sin eaters had a narrative purpose. in endwalker it feels like they didn’t know what to do but wanted to replicate parts of shadowbringers, but didn't know why those parts worked so well bc they're too obsessed with trying to shock their audience. this part just sucked beyond description.

and it just continues to get worse. how can you be the one writing the parametres of a situation and you create something that's literally unmanageable, so that when its only manageable bc you need it to be, it's just so obviously shit writing? my sister described endwalker's writing as really contrived, like when they need something to happen (and that thing is often a really bad idea) they just shove it in there at the cost of keeping their characters in character, or having their story threads--both the interesting ones and the stupid ones--fall totally flat. she says they shortcut the writing. and it's true. for eg, the characters literally don't feel like themselves at times, or get utilised in really moronic ways. like when wol just watches the satrap die, another cheap scare btw he literally gets grabbed an eaten in a way my sis (i was ranting to her a lot about this game ok) described as straight from attack on titan. just gets grabbed and eaten. and this happens to him for such asinine reasons: 1. so that this random asf plot point of vrtra revealing himself as the true satrap can bear fruit. for some fucking reason. i struggle to understand why this is important at all but i guess it's yet another little sideplot that ew just can't seem to resist adding to its already towering plate at the plot buffet, like whatever is going on with urianger and moenbryda's parents/the loporrits, or zenos who now spends most of his time offscreen, or the twins and their father, etc, bc ew likes to waste time 2. so that g'raha (???????????????????????) out of fucking nowhere can have a big boy moment and direct the scions and the people of thavnair in their time of need. what on earth was that scene supposed to be? fanservice? a reminder that g'raha was a leader back in the first? which blows my mind bc mere moments before he had a scene i really enjoyed despite the circumstances, where after a man witnesses his son get turned into a beast and then stepped on by another beast because endwalker is literally jacking itself off to suffering and expects me to be doing the same... g’raha goes up to this man and stops him from panicking and turning into a monster himself. while i don't think any of this should be happening, i thought it was a nice take on his character to have a more sensitive moment in such a harrowing situation. i don't know, have a character demonstrate some emotional skills instead of the usual fighting ones. ofc all of this i thought mere moments before disaster. why was any of this necessary? literally why not just have the satrap, i don't know, take charge of his country when he's needed most, even if he's only been a figurehead the whole time? why let him go out so horribly when he obvious loves his people with his whole heart just so that vrtra can step in without any sort of conflict? i don't understand the focus on vrtra at all

and it actually just keeps getting worse.. the following part where you have to find matsya's friends at palaka's stand was awful. the friends have a newborn baby, so it's obvious that only that baby is surviving bc ew is convinced you don't know how harsh the world is yet. that must be why this part is so long? i'm repeating myself but so many other things that shouldn't be rushed get rushed, only for ew to devote a lot of time to sections like this where nothing changes or develops except for compounding how bad it all feels. i think it was at this point actually, that i realised endwalker actually had some underlying point it was trying to make. it would've been impossible not to realise bc of how heavy-handed it is. i'm not even going to try and paraphrase bc it was so random the way it was introduced i thought i had missed some lines of dialogue or something when it happened:

the suddenness of this felt like when a writer forsakes trying to show what a story is about and instead opts to speak to their audience directly through poorly disguised self-inserts. like i know things are bad right now guys, but the preaching tone of this is jarring. like maybe if you spent some time trying to develop your themes you wouldn't have to be doing this endwalker. i know you need your final villain to literally parrot these ideas for the rest of the game, but if this was supposed to be such a core point of the story why wait all the way until now to just beat me over the head with it? was watching a child be crushed underfoot supposed to make elderly man of palaka using the phrase "at journey's end" seem profound?

anyways then you go and try to save matsya’s friend (the mother bc the father has now died, of course). this leads us to another forced decision that doesn’t make any sense: alisaie and alphinaud fail to kill a single abomination--just the one solitary abomination that was stalking the poor woman--so that we can see it fling her into the water and her corpse dangling on the surface. in what fucking world do alisaie and alphinaud, who have single-handedly dispatched numerous abominations prior to reaching this point, fail to kill just one of them between the two of them in a way reminiscent of a cartoon, one being knocked into the other and them both falling over? how is that fucking possible? and then to somehow make things worse, because that's still possible, despite the fact that wol spends this entire segment in palaka’s stand being told by alisaie and alphinaud not to leave matsya alone because he can’t fend for himself, the twins suggest sending him back on his own to deliver the baby to palaka's stand? why??????????????????????????????

this is what i mean when i say the characters get used in the most bullshit ways for the most bullshit reasons. it's like the game needs as much suffering as possible to happen so that it can make a worthwhile point on this later on (spoiler: it doesn't) so it pulls shit like this. why would the twins, who we just watched try to spoonfeed the garleans cereleum straight from the tank, leave matsya on his own if not solely bc the story needs the doomerism of the Resolute Citizen to ring true? and this is also what i mean when i say the scions try to manage a disaster that is just not manageable, bc they for some reason believe that bc they've taken care of the abominations they saw in the area, that means the area is safe enough for matsya to go back on his own? like are we just suddenly pretending the nature of these creatures doesn't imply that anyone can turn into one at any moment? everyone is ALWAYS in danger? we're just going to mill around while matsya weathers the most potent fear of his life running back to the village on his own, with the baby of his friends who just died moments before, while we all know that extremely negative emotions cause people to turn into the monsters? why are we doing this after we just went to so much trouble keeping people safe (or failing to, really)? forget turning into monsters for a sec, why are we even letting him experience such painful emotions at all? anyways the fucking baby starts turning into a monster because this is endwalker.. but i will say that matsya running and chanting that little piece up there about how life is suffering to try and convince me it's true calm himself down was one of the cutscenes i liked the most from this entire part, maybe endwalker in general. it was another one of those emotionally poignant and well-executed moments that just suffers from how much i wish it was happening under totally different circumstances. i don't even remember why one of us doesn’t go with him, like i don't remember what we were busy doing bc it was that unimportant--no wait, i remember! we were waiting for matsya to reach the total end of his rope so that when all things seem lost, when those monsters obviously show up on his path back to the village out of nowhere like they've been doing the past painstaking quest after quest of this entire part, estinien and vrtra can get this really cool moment of jumping into save him! it all makes so much sense now. i've never seen estinien do anything really cool before like diving down from the sky with his lance, so i understand how this was a really important moment that the game needed to make happen. also how vrtra really needs to prove to the people he can be a good satrap bc ahewann just died and all. yeah, i totally get it. perfect. just great. 

what is the message behind despair turning you into a monster? we're about to get into it with meteion and try to convince her she's wrong--come out championing the idea that suffering is just one of the many aspects of life we need to accept, and yet we're going to preface that with a part where to feel despair is bad? you get punished if you do it? honestly?

whatever. elpis...we go here because we need to learn about the elpis flower. i'm thinking we're definitely just going to ask the watcher, right? like the guy on the moon who told us the name of the flower in the first place? and time is of the fucking essence here, so surely we just go back to the watcher and ask him what we need to know and come back? wrong. we're going back to the first. to talk to elidibus. i thought we killed elidibus? does nobody truly die in this game except for my favourite character? so wol gets sent back to the first, and there's this upbeat tonally dissonant little section where you catch up with some old friends like beq lugg and those kids you helped back in shb bc now is just the perfect time for pleasantries and remembering how good shadowbringers was. ew trying to relive shadowbringers was already something i was feeling out in thavnair fighting leagues of "terminus" creatures and not "forgiven" ones, and watching the carefully constructed horror and gravity of the final days get reduced to an average apocalyptic shitshow. so i can't say i appreciated this part. also people are indiscriminately turning into monsters. i can't help but have that hang over everything constantly until the end of the expansion.

anyways we go to the crystal tower and drag out elidibus even though i personally prefer when characters have their final moments and are properly laid to rest. like i hate to not only beat a dead horse but also reanimate said horse and then drag its corpse around. well fuck what i want. so elidibus willingly does this favour for us i guess and sends us to the past somehow with some useless warnings about how we won't be able to interact with our surroundings or change the past. i say useless because the former is just untrue, i'm not sure why he bothered to say it. the moment we step foot on elpis you get a nice gift of aether from emet-selch that renders you tangible and now you can proceed to live love laugh with him and hythlodaeus on elpis even though people are indiscriminately dying back home. and the latter warning, well. i don't know, that just seemed obvious. i'm kind of just a hater.

time to be positive again for a short moment, if you can believe it? emet-selch is one of my favourite characters. i enjoyed this new light cast on him...for a short while. i like his relationship with hythlodaeus and i really like hythlodaeus; i’m really fond of the faceless simulacrum version of him you meet in shb and i'm really fond of him now. learning about the unsundered world in person rather than through hearsay was interesting, and although i can't lie and say i don't think this all kind of felt like a huge tangent despite the important aspects of the plot that come out of it, i still like it. i guess it feels this way because a lot of big plot points have already been established, like the ark on the moon and the sharlayans' involvement and the final days, so this was all kind of too big to me to be coming this late into the story. it doesn't feel all that relevant to prior parts of the expansion either except for hermes, who has been poorly developed throughout, so okay, i get it. it's time to give one of the main villains some depth (i want you to guess if this is successful or not). hermes has a lot of qualities i really like. has a child, secretly nurturing a potent sadness, thinks differently from the world around him because at his core he’s too deeply empathetic…. even though i was still largely aware of the insanity happening back at home which i'm going to keep repeating, i still enjoyed elpis At The Start. the exposition of this part was easily better than its resolution. it was taking the time to develop hermes’ character so that you could see if the game was written well anyhow how he became the fandaniel of the present. i really liked his relationship with meteion too. it's getting hard to talk about what i like without simultaneously talking about what i don't like so i'm going back to criticising now, positivity over, sorry....

personally, i’d have been totally fine without any more development to emet-selch’s character. i think it was nice to see a fresh perspective on him and all, really rounds out who he is from what you know and what he talks about in shadowbringers. and i actually like a lot of the things he said throughout, not all of it, but a good amount of it was fun and sorely needed whenever hermes was being annoying, which was often. but there was a lot of times wehere i thought, i don't really need to be hanging out with emet-selch right now? i don't need my wol and emet-selch to be friends? considering who he is....? .............and what's going on back home? how many more moments showing how endearingly prickly he is do i need to see? like sure, i can enjoy this emet-selch fest in isolation of what's going on because me love emet-selch like it's not like i think these moments are bad or anything but i don't know, don't we have other things to be doing? i'm not diametrically opposed to fanservice, i like when things are kept fresh and lighthearted. but. well you know by now. about the people turning into monsters. i guess i just both enjoyed this part and wished it happened under different circumstances or in a different way or something, or maybe not at all, bc as things progress his character just gets more and more diluted.

i actually really liked meteion. i will say i’m really tired of non-human, overly childish girl children creature characters who become villains, because i think there's this concept where…idk how to say it? i wish i could find something that talks about this more... it's like the dehumanisation involved when non-binary characters or non-white characters are often not human (not that these things are done in the same way). but i feel like women or females ig are often the ones chosen to be non-human in this particular way...? like, when emotional labour is involved. or when it needs to be some taboo evil entity. it's like a guy and his part-animal female second lead or part-alien love interest or female-voiced ai system or android or abandoned girl he finds/rescues. it's kind of like the born sexy yesterday trope but without the blatant sexuality (i don't want to go on a tangent). quite often this weird quirky alien and playful girl child is a harbinger of destruction. take drakengard, for example, or fire emblem engage, or cc from code geass iirc, or veronica from fire emblem heroes.. there's apparently something about childishness and girlishness and innocence and corrupting that innocence or being fooled by that innocence that seems to incite fear of the unknown enough in people for villainous children to be a trope in general regardless of gender, but it was just something i was thinking about in regards to meteion's character, especially when she becomes evil. and this blurry line between her as a "being" with a consciousness and free well as GIVEN to her by hermes, and her as a "tool" to be used by him as well, doesn't really get addressed in any meaningful way at all. like sure, she doesn't need to eat but she can still enjoy candy apples and flowers, and can empathise bc often of her own volition she wants to cheer hermes up, but actually her ability to empathise is programmed; so let's send send her, this highly empathetic being (with consciousness and free will and tastes and personality) into the cold expanse of space for as long as it takes for hermes to find his answer, that's totally fine. why did he make it a girl? why couldn't they address the fact that the loneliest bastard in this entire game made himself a child? like i'm not saying there needs to be clear-cut definitions on what meteion is or why she or hermes take certain actions, but it feels like a lot of things regarding their characters are really complex and implied to be really deep, and then just don't go anywhere or are completely ignored or unexplained? and because these things are so present yet passed over, it leaves me genuinely confused about most of what happens on elpis and how these two specifically reach any of the conclusions they do once things start going south

like i thought what she and hermes were going to add to the story was going to be a lot more interesting and complex than what it turned out to be.....a banal mantra on the "mercy" of nihilism. i can barely reconcile what bothers hermes in the first place with what meteion concludes from her sisters' expeditions, like they almost feel irrelevant to each other. he's upset over man's lording over who deserves to live and the callousness of making and unmaking life. he feels sadder about the coming death of his friend than the average ancient, and doesn't want to accept meaningless platitudes about dying for the good of the star. ok, i agree with that. so he wants to know what meaning there is to life, if it can be so easily judged and discarded...? okay. so his answer is to....secretly create creatures without any of the rigourous testing they usually go through to prevent them from being dangerous, and then send them on a potentially dangerous and traumatising mission to answer his vague philosophical questions? like.......? so when she reports back traumatised and tells him every single society out there is suffering (which i just find so unbelievable btw), then the answer to his question must be that suffering is the meaning of life--which she figures bc she's an entelechy so i imagine she's highly susceptible to her emotional surroundings, and because his pseudo-intellectual question is so poorly framed (something only emet-selch points out in a throwaway line btw). and this alone spurs him on to allowing meteion to unmake their entire society in the most violent way conceivable? you literally tell him that the final days are coming as a result of his actions, but he's fine with it because he'd rather that than enact some policy changes at his workplace, or talking to someone? everyone seemed to listen and respect his decision when he suggested helping that creature learn to fly instead of just killing it, i'm sure he could've talked it out? isn't he in charge of the place? this entire section was so hard for me to follow bc i kept thinking something more complex was making everyone behave the way they were, when it was actually just totally senseless.

as an aside, i hate how they chose to make the way meteion reports information so cooly technological btw, it felt not only anachronistic but corny. i’m sure there's a better way to have her impartially report things without making her sound like she's reporting weather conditions on some distant planet in star trek. anyways, when you frantically search for meteion after she receives her transmission was another part that took up a lot of time for no reason. it just made everything feel so dire when i could barely understand why any of what was going on was such a big deal. and i’ll never be one to say that any bureau of anything should “detain” anyone, but why hermes was so frantic to prevent meteion from being brought to the convocation i just don't know. like he goes on the run with her so that he can hear the end of her report? is that really it? i just find it hypocritical that he doesn't want her to be sent to the convocation where they'll limit her free will or fucking whatever but he's totally fine with ordering the meteia into space? why am i being made to guess what the convocation is going to do to meteion when hermes is making it seem like such a big deal?? what fucking sense does that make? what on earth was he afraid of? their judgment? the convocation members deciding whether meteion is good for the star or not? could they not have just reasoned this out? aren’t they a "highly advanced" and "reasonable" society? like okay he sees through the veil of his utopian home but i just did not get a sense of how much it was bothering him at all, like i cannot stress enough how him going turbo feels like an insane jump from what his problems seemingly were. why did nobody stop to think this through or communicate to each other? is it because of the bullshit time paradox this game has trapped us in so that nothing we do will amount to anything anyways so we might as well make the most confused villain of all time be responsible for the biggest event in this game's history?

but it annoys me because meteion and hermes felt like such a waste of potential, maybe the biggest waste to me in the entire expansion. i was really intrigued by their wholesome relationship at the start, knowing that hermes was a main villain. and that he can't find connection or meaning in an otherwise "perfect" society, so he has to create it for himself and try to find it elsewhere, as far as the reaches of outer space... he wants to make what's hurting him stop hurting him. i like that he approaches such human desires with meteion despite her non-humanness, and that she can return those feelings to him. he wants to signify meteion’s return with a flower because they both like flowers… like those things we can’t put into words but share with others, moments, emotions, connections……..but nope. nihilism beam. it feels like the worst sort of retroactive writing ever. they didn't even think too hard about dynamis--this hugely important thing, except nobody has ever heard of it, aside from nidhana back at home? while members of the highest office in the most advanced society earth has ever had are left squinting.

and the entire section after you fight hermes just pissed me off. we kicked his ass so that we could stop him from inciting meteion any further, and yet we just let him hear her out anyways? he's yelling at you during the entire dungeon that he just wants the time to hear her out, we're chasing after him so that we can stop him from doing that, and then we just let him hear her out anyways? and then even when we do that she doesn’t even say anything different? she just goes right back to reporting on different worlds and how self-destructive they are and That's All She Really Proceeds To Say For The Rest Of The Expansion But Fucking Who Cares Anymore. so we let her repeat herself. this sends her into a spiral, because she's an entelechy who just got hit by a high frequency nihilism beam, but subjecting her to all that despair is only ever addressed by one of the scions in a throwaway line near the very end of the story in ultima thule... and then hermes...captures venat, emet-selch and hythlodaeus??? he captures two of the strongest characters in the game? did we not just kick hermes’ ass??? what is going on?

emet-selch: that's bullshit, and you know it's bullshit

hermes: *says more bullshit*

i really think hermes might be one of the worst villains in the game. it's a shame bc i think he's such an interesting character. i'm not sure why he started behaving like such an incel when he was right to be troubled by the things he was? why did they even bother have wol relate to him over experiencing sadness from loss if that just went totally nowhere? why does he behave so hypocritically? being saddened by loss leads to him setting the stage for the final days? him hating man's jurisdiction over other lives leads to him wiping emet-selch's and hythlodaeus' memories, and subjecting the entire planet to the worst test ever? he's not even morally grey or anything! just annoying! i saw someone say that it's even worse that he wants the ancients to prove that their life is meaningful to them, bc it's true, they do??? like isn't that what venat interrupts them from doing in the answers cutscene, calling back for that lost life? isn't that what you learn in shadowbringers? didn't an entire half of their population sacrifice themselves so that the other half could live? what the fuck else did they need to prove?

this part was pissing me off even more because i never even wanted hythlodaeus or emet-selch to learn about where wol came from or about the final days coming in the first place. i thought that was an awful writing decision. telling them just felt weirdly cruel to me considering elidibus explicitly told you there was nothing you could do to change it. maybe this is just my opinion, but why would anybody want to know that their planet is going to go up in flames and there is nothing they can do to stop it? telling venat i was like sure, she becomes hydaeyln so this makes a little more sense to me, but the other two…….? this is around when i was getting tired of the emet-selch cameo, because i don't really care to know what he thinks of his future self? i couldn't really understand what the point of any of that was? so it annoyed me even further that it amounts to nothing anyways when they get their minds conveniently erased. it felt like a fucking joke. why did we revive these characters, develop them, and then just treat them like tools...? like now that we're done using their powers and creation magicks--i thought, naively--we just toss them aside? like ohhhhh noooooo now they won't remember all the fun we had on elpis this is so sad......but at least before he got his memories wiped emet-selch, even though he definitely totally doesn't believe a fucking word i say, renews his shb vows to wol and leaves the future in my hands again? yeah, i totally wanted to hear him say that a second time. forget how deeply affecting and important a moment that was at the end of shadowbringers. i really needed to see him do that one more time in this shittier, more contrived context. that's really what i needed from endwalker. also i've been on reddit reading what people have to say about endwalker out of curiosity (ppl make a lot of good points that i haven't) and someone pointed out that moments before all this happens venat literally pulls memories from the aether around you so that we can watch hermes send the meteia to space. what on earth is stopping anyone from doing that for hermes, hythlodaeus, and emet-selch? but whatever, i already know the writing doesn't care how silly it is anymore. two of the strongest ancients get bound by a weakened hermes, only break out after the story conveniently needed meteion to start flying into space, and then venats lets her escape somehow even though doing so essentially dooms their entire planet. ok

so we’re back home and we have to go immediately help the thavnarians who are being punished for not being white again. the sharlayans were going to bring them to the teleporter to the moon in garlemald to start getting them on the moon, but oops, the final days have come to garlemald, so now we can't use the teleporter, so if you're thavnarian your life sucks. who saw that coming? absolute waste of time. so then we have to get rid of more beasts because we need to waste even more time doing something we already spent an agonising amount of time doing in thavnair. and then immediately after this we need to......wrap up yet another asinine plot thread endwalker is so obssesed with adding to it's already convoluted story: fourchenault excommunicating his children...? it seemed really important when he did this in post-shb, but materially nothing for alphinaud or alisaie really changed, everyone still gets into sharlayan no problem. ultimately i just didn’t really know why they chose to pursue this mini-plot at all because how many more pushes does alphinaud (i'm saying alphinaud bc he does not share that spotlight with alisaie lmfao) need to become resolute in his goals? he already does this throughout the series? they ruined arenvald's legs in post-shb so that alphinaud could become more resolute in his goals, why keep dedicating time to this? just keep juggling endwalker, just keep juggling. anyways we’re in garlemald, we calm the final days for now, zenos shows up out of nowhere to remind us he’s still in the game. and to be fair to him that was one of the most interesting cutscenes he’s had the whole time, and, get this--they have him randomly answer hermes' question? about the meaning of life? while talking to jullus? like jullus gets mad at him for not giving a fuck about causing what happened to garlemald, and zenos responds by saying: "ask any creature of this star and those above for answers, and they will tell you what suits their fancy. and they would be right to do so. what meaning there is to be found in the petty vicissitudes of your existence must be gleaned by you and you alone." like......? he just provides the answer right there in a conversation with jullus? did this expansion have any interest at all in putting any of its different parts in conversation with each other, or are we supposed to just try and build a good story like a puzzle, where the pieces, albeit interesting, don't actually fit together? weren't zenos and fandaniel working together at the beginning of the expansion? he should have just posed this question to zenos because the answer was apparently right fucking there, with the flattest character in the entire game, this whole time? whatever, i still liked this scene. alisaie putting a curse on zenos was very cool of her. so we're back in garlemald and....….tonal dissonance! puddingway shows up. cute scene where g’raha’s ears perk up also bc he's the one who hears the loporrits coming. just in case you forgot about g’raha, which is an oxymoron. and then maybe the second worst segment of endwalker...........we go back to labryinthos. 

now i love labryinthos. i thought it was interesting we only collected one aetheryte the first time we were there, and i was hoping the place would be as intriguing to me as it first was when we got back. admittedly learning that the sharlayans' secrecy only amounted to contributing to the moon project was kind of a let down, but i thought maybe there was still more to it. i mean, an ark to the moon? the abandonment of one's home planet? it's not like the ideas aren't there. let's go back to elpis for a second. one of the moments that really stood out to me during that part was a throwaway line that emet-selch says to wol after hermes starts freaking it:

he's right. i don't think hermes found society so truly beyond help that he couldn't turn to any one of his peers for help before devising such a reckless plan. but i'm not trying to rehash my issues with hermes, more that i think an interesting parallel could have been made, possibly, with the ark flying to the moon as currenlty the most viable solution to the final days problem? challenging this notion of just throwing it all away as a last resort? especially because it's so obvious to me that by the end of this expansion nobody is actually going into space to start a new life out there; trying to sort out living accomodations and acquaint the lopporits properly with earth is just a waste of time. so why not pose the underlying question of the entire expansion, about what makes life meaningful, to the last bastion of hope in the entire universe--the sole planet amongst millions of dead stars that still believes in itself? would it not just be free real estate to try and connect this story's multiple parts together by ...connecting this story's multiple parts together? the scions say repeatedly how much they'd prefer to protect their planet rather than leave it, and everyone on earth vouches for you because they don't want to leave, either. could they not have made a connection in some way between that ark and the meteia's voyage to outer space? could the writing not have turned around and asked the actual inhabtants of the planet of that we've helped and saved and laughed with and broken bread with or whatever the fuck what they think about the meaning of life, now that they have to leave that life behind? i guess fucking not??? i guess endwalker would rather only highlight civilians when they're being turned into abominations to drive home the same points about life = suffering constantly, and not the points about how despite the suffering life needs to be lived? because they don't actually seem to care about challenging meteion's nihilism when that can just be lazily solved by beating her up at the end. hermes could have been learning to love the world he was on, the smaller things that make it beautiful. because that's what he does, he creates this creature that is built to understand him, and it does and it shares these small joys with him. but nope, time to waste time doing fetch quests in labryinthos. find every single researcher who is obviously losing their mind with stress in labryinthos and give them their government-assigned lopporit while this hectic music with only one minute's worth of loop value plays in the background. go and deliver these papers with alisaie and alphinaud bc if you do a former friend of their father’s will tell them that their father actually loves them duh that’s why he disrespects them publicly every chance he gets. go follow one of the lopporits around while they sample fruits so that they can learn to make food other than carrots. go and watch urianger reconcile with moenbryda's parents even though she died all the way back in a realm reborn. fuck you. also everyone is still just a bad day away from turning into an abomination. just in case you forgot.

that shit where asahi shows up to take fandaniel away for the final time might be top three most bizarre scenes in all of final fantasy fourteen btw. i almost didn't want to mention it, but i need it on record how silly i thought that was. we are in the final stages of this expansion and it still can't stop wasting time. did we see ardbert's thoughts on elidibus using his body? no. but asahi was who they chose to get upset about this? ok.

i liked the trial against mother. you might have noticed i've had very little to say on venat this whole time. that might just have to be its own post or something if nobody is sick of me by now. but anything to do with working together with your friends to overcome a trial is good.

that's what i liked about ultima thule. at the same time, this is where the game finally just loses me forever. i think, somehow, even despite all the things i didn't like, the way the story is told i still enjoyed, even if what it was saying was often. bad. there's still a lot of moments i really liked despite it all. but after ultima thule i was just done. we get on the ark. great. i like that things don't go as planned because meteion intercepts our ship. but now meteion is finally here, which means it's finally time for me to reckon with the pseudo-intellectual nihilism she's been touting every chance she gets. it's hard for me to suspend my disbelief that every single society out in space wanted oblivion, but if that's what endwalker wants me to believe for the sake of its story making sense (oxymoron) then fine. ok. but that's all that's ever said. "life is suffering" "life is suffering" "the final days are really bad"

just the same pseudo-intellectual browbeating about how living just leads to constant strife and the most beautiful thing to do is to just end it all for everyone ever again. like sure, empath hears death cry repeatedly--i can see how meteion could change so permanently. i think that's fine. i doubt that's why she's so repetitive. i genuinely just 't think there's nothing anyone really had to say on this. and the thing is, we've heard this argument before? the idea that humanity is imperfect so they don't deserve to live? it will all amount to nothing, so why let it continue to exist? these are major points of conflict from shadowbringers because it's what emet-selch was always saying. the difference is that emet-selch is just an easily more interesting and fleshed out character whose arguments are largely more complicated, even if they're just as morally wrong. like it's extremely easy for me to answer whatever meteion is saying with a resounding no. and while i feel that emet-selch can also be easily disagreed with on what he believes, bc i do disagree--he at least introduces ideas that complicate the story and his own character. he challenges the scions on their hatred of primals--their god is a primal. he offers visions of a world where nobody has to struggle ever again, where strife doesn't exist, and so on and so forth. while that doesn’t justify his actions, nor do i think they should, i think he at least gives the characters something to think about. he throws their own actions back at them. why would the scions not want a world without suffering? when emet-selch asks alphinaud if he believes half of the sundered world would give up half of their number to save the other half, alphinaud is unable to answer because he knows that the answer is no. i don't think humanity should be tested, let alone with such an insane standard, but i at least think that the questions being asked in shadowbringers were interesting. there's a point to them. with meteion, all she basically says to the scions is that she’s going to fucking kill everyone they know and love in the worst way possible. nothing to chew on that wouldn't better be solved by just getting rid of the threat. i don't know why they even bother arguing with her ever. she doesn't even feel like a character to me in that last section of the game. and they keep trying to have her seem all scary by having her get really close to the screen or move around without warning which is all very silly to me. i at least did like how much of a threat she was, and the way thancred vanished, and then everyone finds themselves in that dark area in front of the ship wondering where he is while the ultima thule music plays for the first time, distantly and quietly. i actually really liked that part. i thought it was really moving. i wish it had stayed that way.

the first area of ultima thule was the best part imo. i liked the immense darkness and quiet and lack of wind and the foul air and  yet, green grass. i liked the strange horror of being the only person at first who could really see the dragons, and then learning that estinien can see them too. i liked how that was the segue for his sacrifice. having those "final" moments with a specific scion each time until that climactic moment that pushes the group forward i really liked. i liked that thancred was no longer with them but still with them, a presence over them keeping them safe from harm. i found that very touching. but i was actually really confused while going through ultima thule becuase of how they visually shows what happens, like while the swirling vortex each scion would stand in was cool, and then standing to face off against that dark bird, i think what those things actually represented i just did not really understand what was actually being done or going on. i think that might be because dynamis suffers a bit from being just too nebulous or underdeveloped. i don't mind how abstract of a concept it is, i mean aether is used to do all sorts of never-explained things all the time.. it's more like... if ultima thule is going to be a place ruled by emotions, with laws different from what the scions are used to, it's hard for me to see how they were able to really draw any conclusions about where they were or what to do. it actually kind of reminded me of the logic of jojo's bizarre adventure where an attack only overrules another attack not becuase of some fundamental power scale the reader understands, but bc of what araki feels like contriving to get the story moving the way he wants. and that's fine because it's jojo. but this is ffxiv, so in my mind ultima thule should have either remained abstract and they don't try to explain the rules of the place so much, or they should’ve just made what was going on less abstract if they were going to try to logic the place out

what i mean is: the scene where estinien argues with that dragon so that he can overcome its despair is really cool. i liked that he turned into a cool wind. i liked that your friends sacrificed themselves for the sake of their home, that the power of their hopes for wol to overcome this final challenge was the only way they could move forward in such a stagnant place, as well as the only way they could be protected by meteion's violence. but after estinien does it--and he admits that he doesn't know how, just that it was the right thing to do--it feels like the writing immediately tries to specify what's going on so that there's some easy way forward the scions just have to follow the rulebook for, so that they can get to meteion. when urianger takes wol and g'raha aside i was actually just so lost. i don't know what it was i wasn't getting. i still don't. like to kind of say that there’s always one "individual" in these fake worlds who is despairing more than the others that can be located if they just identify a certain set of behaviours... this kind of just waters down what the scions are doing and the magic of being at the universe's end or w/e to me. we use language because of our inability otherwise to really express the depth of emotions and sensations that exist in this world, not the other way around--trying to box in something so complex through things like processes and so on...so to try and narrow down this part kind of rung a bit hollow to me. it was somehow both overexplained and underexplained at the same time. this might seem kind of nitpicky but i guess it was just hard for me to enjoy ultima thule when i was genuinely confused almost the whole way throughout. and bc the ea and the omicrons were so goddamn annoying. trying to do this slapdash learning about their societies at the very end of the game was just like...? okay? why bother, all they really care about is dying anyways. and then that final dungeon, ew's final attempt at replicating the wins of shadowbringers (the amaurot dungeon) with meteion's voice over. like who cares now meteion, you are somehow still just repeating yourself. endwalker is almost at it's end girl, i get it. everyone wants to die.

where i actually started to get annoyed though was where y'shtola says in no uncertain terms not to use the retcon crystal hydaelyn gave you to call their spirits back. y'shtola, you shouldn't have bothered, because you know wol is going to do absolutely that. why even have her say it? there is no sense of risk whatsoever because that crystal is involved. i still liked the sacrificing, but maybe they should have framed it in a way where it wasn't obvious that the scions were going to be totally fine. ew literally didn't seem ballsy enough to kill all of the scions, and i don't think it should've either. but then it just makes this all very wishy-washy. and even worse was when wol used it to summon HYTHLODAEUS AND EMET-SELCH!!!!!!!!!!!!!!!!!!!!!! WHY!!!!!!!! WHYYYYYYYYYYYY?????????????? i was so annoyed. i'm still annoyed. back when their memories got wiped hythlodaeus was like oh yeah by the way emet did you know that in the aetherial sea you can get your memories back haha? and i was like okay cool so when they die they can get their memories back, whatever, still don't think me and emet-selch should've been live love laughing on elpis. i didn’t actually think this game would be so juvenile as to let you get to meet them once more with their memories fully intact. i don't know why ew has to dot every i and cross every t and sign off every single bit of intrigue with the biggest fucking full stop The End ever where emet-selch is concerned, holy fuck man. i hated this decision so much. your friends SACRIFICE THEMSELVES so that WOL can face meteion. they believe that at the very end of everything, hydaelyn believes that at the very end of everything, WOL is the one who can defeat meteion. they all put so much faith in you. and the first thing you do is summon emet-selch and hythlodaeus because what? because you just can't fucking help yourself? just shit all over the importance of carrying your friends’ beliefs in you. christ i hated that. i loved seeing the elpis flowers grow all over that fake sun. why couldn't that have been wol who grew them, wol's turn to use dynamis to overcome meteion's despair, flowers that represent the hopes every single person on earth has placed in them to see their star to safety? why? emet-selch there for what? to set in stone his position as the Tsundere once and for all? is that it? to have him renew his vows to wol for the millionth time just in case you forgot that he wants you to take up the mantle of their future? i wish they would go back to never making emet-selch palatable and less hostile to the warrior of light, it feels like such a disservice to the character he was in shadowbringers and to just their characters in general like i do not want to be canon friends with emet-selch! it's not necessary! it's fucking emet-selch! what's even worse is that for some reason while the flowers are growing, emet-selch is just point blank explaining what's going on. he literally says something like, "these flowers are the hopes of everyone meteion you're washed. by the way, if you didn't catch that, wol. you can summon your friends back now." immersion gone. any sense of playing a game that actually gives a fuck gone. so we call our friends back, only to send them away again with the teleporter because meteion is just too strong for us. to be fair i liked that decision, but why fake me out a second time having me think yes, finally wol is going to face meteion ON HER OWN. and then have ZENOS show up? i actually just stopped playing and went to bed. genuinelly just fuck me. who fucking cares anymore.

and then after you finally get meteion to stop being emo and she offers to reconcile with you by sending you safely back to your friends it's like, actually i can't even accept this meteoin. because i have to go fight zenos now. and then it's crazy to me that after you kick zenos' ass for like the millionth time, we're literally on the edge of the world so i'm finally expecting him to say something worth listening to, he opens his mouth and says "you know, wol, this whole time... i've been so bored... and the only thing that gives me joy is fighting you...” like. stuck record. the writers dragged him all the way out here to be a stuck fucking record

i like endwalker btw. kind of. like i know nobody who reads this is going to believe me but i really do. if it had just, well. i don't even know. there's too much wrong with it. it wastes too much time and just doesn't seem to be able to let go. how is it possible that an expansion can make me tired of callbacks to haurchefant being important to wol? i've never felt that before. like how many more flashbacks to his grave does one need to have to know that when wol is fighting for their world they're fighting for their friends too. but this game just cannot let things go. it NEEDS to make that joke about alphinaud gathering firewood four more times. it makes anything i appreciated the second or maybe even the third time just upset me. they can't let anything go, they have to wave it in front of me like it's a dog treat and i'm a dog. a fucking dog with blonde hair and blue eyes

[autisticlancemcclain]

fic rec friday 55

hello and welcome to fic rec friday! where, on friday, i rec five of my favourite fics.

A Name I can Call Mine by astroshark

"Do I pick something that will please my family, but that I don't really like? Or something that they might not love, but that makes me happy?" He asked, letting out a loud groan. - In which Lance has trouble deciding on a name for himself and is scared of coming out.

i fckn love fics where everyone is trans and autistic. whats that one post. more autistics are trans bc gender is stupid and autistic people arent stupid. that is the energy of this fic

2. Binder Blues by fairdeath

Lance is tired. Just... tired. Five extra steps to every mission that the others don't follow – bind, cry because it fucking hurts over the blue-black bruises of the last fight, get hit a few times more than necessary, spend 20 minutes catching your breath, ignore the bruises the binder pushes at until the next fight.

more trans lance, i think i was scrolling throught the tag here. this one is sad i will say. i have to believe he gets healhty and starts to truly trust his team after this :(( but the fic was wonderful despite the fact that it hurts

3. Warm Hands by darkinsanity13

Something's rather literally cramping Lance's style. Keith lends him a hand or two.

yeah i was definitely looking thru the tag. and this is an old one!! one from 2016!! i love established relationship klance always, and keith just wants to hold his boyfriend man. and he's so real for that

4. keith's jacket by @eyeball

Keith's search for his stolen jacket is set aside when more pressing matters arise. The sobs coming from behind Lance's closed door are a bit more than worrying, so Keith lets himself in. He tries to provide all the support he can, but he can only do so much for the sniveling lump of a boy with tear-filled eyes and a refusal to explain himself.

i LOVE this fic ive read it so many times. it's a 2016 fic, so i love it on principle, but it also has a perfectly balanced mix of arguing and banter and angst and begrudging attraction like!! shocked it's only a few thousand words. i've also had "tell me next time i say something stupid" "everything you say is stupid" screenshotted forever lol i laughed out loud

5. Just like looking at the sunset by @crystalklances

Keith has been friends with Lance for a while, and has long since been aware of his feelings for him. As he's taking Lance home to visit his parents for the first time during semester break, he's hoping to finally confess.

crystalklances i miss you every day. i hope ur well. i love this fic bc it's so soft, like seriously goopy, and bc i love college aus and i love fics where keith has his parents!! it's always an interesting path to explore.

that’s it for today!! i’ll see y’all back next friday for the next fic rec post!!!

[subarashiihibi]

my thing about izaya is that he's so strange and weird and i love that so much. i didn't want to ramble too much in the notes of that poor person's post but i find the way he speaks and the words he chooses so interesting so let me ramble a little bit. this may or may not even be coherent so bear with me here im just going to speak my thoughts.

ok this got really fucking long and all over the 0place so im putting this under a read more sorry.

so i have volume 9 of the novel in both english and japanese. i only have two novels in japanese and that is this one and yuuyake wo. so i'm pretty crazy about this izaya speech analysis shit. anyways i was rereading thru the jp ver the other day just to compare it to the eng and i kinda realized that like.

a lot of people you can separate their speech in either formal and informal speech right? someone like shizuo speaks really informally and uses a lot of rough, dragged-out versions of words and stuff (しゃーねえ vs しょうがない) and then someone like shinra who speaks in a ton of yojijukugo and generally sounds like a nerd emoji gijinka.

izaya on the other hand rly... doesn't fit in either? i mean sure he sounds like another nerd emoji gijinka but it's kinda different. it's not so much the words he speaks but rather the intonation and his tone...

and he has his moments where he speaks pretty seriously and whatnot of course, but in general he just... doesn't sound very human when he speaks? i don't know if that's a conscious effort or not. is it his attempts at distancing himself from his own individual humanity? or is it just because he's a weird guy? i dunno. but it's interesting nonetheless.

one thing i will note though is that despite his somewhat inhuman speech patterns, it's also pretty...dramatic? to the extent where it's really exaggerated but also very cute and charming. (this part is important.)

i think a lot of what makes izaya's speech so weirdly inhuman is because he doesn't really use a lot of slang or similar lingo that people his age would typically use. i know mikado said in the novels that he doesn't really try to fit in with his age group's fashion sense either so it makes sense but still. he's like an old hag it's so funny. and it's because of that that when he says stuff like 'i don't get all hot and heavy over headless women' or whatever he said to celty it's really amusing to me because like... why is the strange man saying this?💀

another example i kinda giggled about on my twitter when i read it it's not even crazy and i sound corny and cheesy and stupid but theres this scene in vol 9 where izaya messages celty for business and hold on let me just put it as a quote.

he sounds so old saying 'video game' like 😭 idk it's just funny cause he barely even knows anything abt games like bro knows nothing im crying

in the jp hes like 「…ゲーム中なのかい？」 and then when celty tries to explain herself he says 「何を言ってるのか、良く解らないんだけど」 and im rly bad at tling parts of sentences and stuff but just know that the way he words it makes it sound like this gif to me

i love both versions i think the original jp makes him sound like hes so lost and confused (hence why pw gif cause lord that man always looks lost LMFAOOOO) and then eng tl just blunt ass "I don't know what you're talking about." makes him sound like full on hag 😭😭😭

OMFG WAIT I HAVE TO MENTION THIS FUCKING SCENE WITH SHINRA ITS SO FUNNY.

first i think it's funny the translation has izaya say fuck here cause he very rarely swears and i did read this one thing about how he only swears when his mask slips so to me this is like genuine bewilderment that he cant even hide LOL. second why is he so excited to hear about 'whatever sexual fetish' shinra has im crying he's so damn nosy . okay but this is not the funniest part let me add that now.

???

ehy the hell is izaya orihara talking about foot fetishes???😭😭😭😭😭😭😭😭😭😭 im crying bruh i was so flabbergasted when i read this i was like WHAT did he just say? he says it in the jp ver too which just makes it even funnier. this goes back to what i said earlier but i always get so amused when izaya has something to say about sex or whatever cause he's so fucking weird and unsettling why does he know that

(i mean i also get so hard i nearly pass out thinking about izaya tlaking about sex but thats probably just a thing with my heart condition and stuff)

oh also another scene i think is really cute and amusing and funny is back when shinra was first still trying to get izaya to form the bio club w him.

1. shinra is funny as fuck in this scene but also izaya's "Hmm. Can I punch you?" made me havbe a good laugh. in the jp he says 「んー。殴ってもいいのかな？」 which is pretty much the same thing just with the intonation of like 'hmmmmmmmmm should i hit u or not...' sorry like i said im just bad w explaining this stuff. but i felt the need to point it out not cause im one of those annoying ppl who praise the original jp ver and reject translations and localizations i just think it's important for izaya specifically cause i love him and i want to analyze his speech patterns as best as i can.

i was going thru the novel just now for other stuff i wanted to mention and i forgot abt this part but it's so funny.

'Let's not get hasty. Type calmly, please.' its not even funny or nothing i just find it so amusinf whenever he talks like that💀 i will say though the english translation kind of makes him sound more weird and inhuman than the original. that line in the original was basically just him telling her she needs to calm down enough to at least type properly LOL. idk if im just being nitpicky cause this is izaya tho so feel free to ignore that. fwiw i like the eng tl bc while it's a different intonation than the original japanese ver i think if he did speak english it would probably sound smth like that anyways.

this too made me laugh like ??? seriously he is really nosy when it comes to people's intimate affairs. in the jp ver he calls them an 'intimate couple' which just is like .. ok bro💀

does anyone else see my vision of izaya getting cucked by celty (does it count as cucking when celtys the one dating shinra) while he looks sad and pathetic and miserable that he never decided to shoot his shot w shinra back in the day

if i were commenting on the actual stuff going on in this scene rn this post would be a lot olonger and even more terribly all over the place so im just gonna focus on how i think it's funny izaya says 'easy, man...' this is like one of the only times his words are somewhat natural and sound like smth you would hear someone else say. in the jp ver it's 「おいおい…」 which is somewhat less out of left field in terms of coming from izaya but still it's pretty surprisingly normal. i have to wonder if in that moment he's too worried about shinra to care about keeping up appearances.

this is just random and me making fun of izaya as usual but why the hell does he weigh himself after his showers💀💀💀 it's cute and endearing and only adds to his strong gap moe but still... it's strange...

speaking of cute things this is from a volume i forget but he says this one phrase a couple of times and it is just both really cute and also kind of idk... saddening. one of the times i can remember he says it is when namie was making fun of him or something and he replies 'Don't tease me. I'm only human.' or something along those lines and it's like . hm. ok.

i think it's cute he says 'dont tease me' a few times cause eughhhhhhhhhhhhhhhhhhh (trying to ward off severe brain damaged incoherent thoughts) but 'im only human' is like... are you really? even after you try so hard to escape your own humanity and individual self so much... im going to try and give my thoughts on it here but this is just based off my hc that izaya has bpd so yanno. im basing a lot oif this on my own experiences sorry. i do that a lot. (gestures over to all the posts i make abt fob/mychem fan izaya)

when it comes to just straight up acknowledging his humanity izaya has no problems with this because 'sure, i'm human. isn't that obvious?' is probably something along the lines of what he thinks. it's easy for him to just say that because it's just that. it's just words. it holds no real meaning and shows no true insight into how he actually perceives himself. but when it comes to actually having to come face to face with his own humanity and the fact that yes, he is only human, it's a lot more difficult because now it's out of his control. i wonder also if he has problems with perceiving his own self.

i say this a lot but i truly do believe izaya is so so so beautiful and i love him so much. also i just saw a funny post on twitter so i wanna say this here idk if yall know this but izayas actually a latina hes got chismosavirus❤ ok thats all i have to say sorry for rambling so much