#like german is NOT the language I would expect to be the first non-english version

[mybrainisalibrary]

They did a full German-translation production of Hamilton that was done in Hamburg last fall?!

I've only listened to Non-stop so far but omg I am just so impressed they managed to translate in a way that's still so close to the original lyrics!

[snoocupz]

Yesterday my friend and I finished playing Ace Attorney: Apollo Justice on German! NOW,

Here's my personal opinion review of the German AA4 translation!

(And my free pass to ramble about my favourite game!) POSSIBLE SPOILERS for Apollo Justice, at least if you speak German!

1. Settings and names:

The game is set in the fandom-wide known Japanifornia still, and the translation doesn't really seem to make an effort to make it look like the game is placed in Germany, which I am somewhat glad about! Locations are, if so, translated very directly and at least to me it seemed like it kept its funny "Japanese/American" touch!

No names have been changed in the German version APART from Klaviers. Which makes sense, as the world Klavier in German is a literal object (just meaning Piano as most people know) and as a piano is also frequently mentioned I am not surprised they changed it. However, Klaviers German name is "Kantilen" which also includes a reference to music - however I mist admit I would have NEVER gotten this connection myself, making it... not a really good reference in my mind. I am quite surprised that they didn't stick with his French name Konrad, which is in fact an actual known and used name in Germany, other than Kantilen. There is no hint on the Gavins culture or anything, means Klavier unfortunately loses his touch of switching between languages, however I am somewhat glad that they didn't just changed it to any other language! So I am satsified and believe most of the English name puns were easy to figure out for a German person as well! :)

2. "Quality" of translation:

Here is a hard one. I should criticise the translation after all. Because I am genuinely surprised HOW MANY random typos the translation had. Sometimes they forgot words, sometimes a random letter would show up, sometimes a word was written wrong, or two words were written together that shouldn't. HOWEVER...

I must be honest, I thought it was absolutely HILARIOUS. It brought me a really good laugh whenever a random typo or word showed up, as if the person speaking ingame hasn't quite nailed the language yet. So I cannot actually say that it bothered me! I'll use one of said mistakes to come over to another point -

3. Use of formal language:

Now, this is something I just thought would be interesting to mention! In Germany "you" can be either said more commonly "Du" or more formally "Sie". Personally I thought it was extremely interesting to see who would use which word on which character as it was great to see how "different" their relationships actually are! As an example: When Apollo meets Phoenix and Trucy, they both immediately use the common "you" (du) on him, Apollo himself instead uses the formal version (Sie) for Phoenix mostly. Even more interesting was to me how Phoenix and Kristoph at the beginning of the first case while still being "friends" did use the common "you" on one another, until things get heated and they both don't only start calling each other by their last names, but also addressing each other formally and therefore more distanced! I thought that was really cool!... Up to the point where they appearantly couldn't decide between formal or non formal and just... made it to one non existing word. Another mistake that made me, personally, laugh rather than shaming it tho!

4. Use of specific language/ dialogue flow:

Lastly, the game translation deserves a big plus for the use of very specific German words that I wasn't expecting to see from the characters! Words as "Sonntagsfahrer" which cannot be directly translated but bring so much more character into it! The German language has a lot of specific words to express certain situations or emotions and they made really good use of this! Additionally it was simply funny to see the character use them. Of course Phoenix (no licence) would know what a Sonntagsfahrer is.

Here are some of my personal favourites when it comes to the use of specific words I somehow didn't expect!

Also; They make good use of common German slang. As an example, on some point Phoenix calls Zak "Kollege", not as in workmate, but a slang, and Woky keeps on saying "Alter" a lot, which is so very fitting. I was really expecting hin to say "Bruder" or "Diggah" next.

Lastly; Despite the errors they made the conversations on German feel really natural! I've got a lot of random scenes that made me smile and gave the characters such a strong personality! So - Here are some more!

If you made it this far: Congrats and thanks for coming to my Ted talk! Fact is - if you speak German and find it just as hilarious to me to hear and see these characters speak German I definitely recommend AA4 on German, it's been FUN!

PS: The fact that psyche locks are translated as "Psychosche Blockaden" truly killed me.Klar, ich hab jeden Morgen auch so ne psychische Blockade. 🫡

[thecrenellations]

Is the lymond chronicles something I can get into if I know little of history and do not speak many romance languages?

Yes! I mean, it depends on your reading preferences and how you feel about being confused, but I certainly did!

That's my short answer! If you give them a try, I hope you find the series worth it, and I believe that what you like in a story will matter more than what you do or don't know going in.

My much longer answer, about my reading experience, is ....

In my case, I knew the names of monarchs and had a vague familiarity with the setting of the first book (Tudor/1540s Scotland and England). I speak a useful amount of French and a tiny bit of Spanish. Comparing experiences with friends, French was an especially helpful language to have, but I feel confident saying that I would have loved these books without it.

The thing about The Game of Kings (book 1) is that it’s just confusing. Dorothy Dunnett wastes no time in throwing political intrigue, multilingual references, and many characters at you. But even if you’re an expert in the history and in (modern and archaic) English, French, Latin, Spanish, Scots, and a little bit of Italian and German, you are faced with a protagonist who’s running back and forth across the border and interfering with that history … while guarding his goals and motives, explaining nothing about his past, and constantly quoting poetry from the personal library of a mind he doesn’t want to let anyone inside. Most of the people he meets don’t understand him, either.

For me, it was so rewarding when I finally started to learn what was happening and who he is, and after that the ride truly began…

I did not look up many references or translations and just kinda went with it. I was enjoying myself enough that I didn’t mind that so much was going over my head (especially if it was coming out of Lymond’s mouth), and within a few chapters I’d gotten invested in one of the characters (Christian!) and was entranced by a recurring joke/element. By the second section (let’s say … 175 pages in …), I was hooked, obsessed with a second character (Will!), interested in most of the rest, and having a great time.

There’s a character list in non-audio editions (the David Monteath audiobooks are very good, though), and companion books exist with translations/sources for many of the references. There are also various online recaps and chapter-by-chapter discussions. Looking things up yourself as you go along can reduce confusion, but be warned that many of the characters are versions of real people, so you may learn more than you want to know, such as when they die. 470-year-old spoilers, but still.

For me, the characters (complexity, parallels, relationships) and writing (playfulness, beauty, INCREDIBLE use of perspective and unreliable narration) are what make the books so good. They reward rereading, so, when/if you return, you’ll have another chance to go down some reference rabbit holes, and even if you don’t, you will understand much more.

The second book is generally agreed to be easier to understand! Also, there are elephants.

Perhaps more important than knowledge of history and languages is the reader's tolerance for …

angst. pain. agony. devastating reminders of prior angst and pain and agony

on the flipside, truly ridiculous antics, hijinks, and capers

many, many kinds of traumatic/potentially triggering content

bias/bigotry that shows up in characters’ perspectives and in general (not that newer media is free of this, but these books are from the 1960s and 70s, for context)

occasional elements that stretch the definition of historical fiction

revelations about your favorite authors’ influences (this was fun)

excessive reference to and description of Lymond’s beauty

half? a third? a large amount of the cast being in love with Lymond. This made for way more queer text than I knew to expect, which was great, but also … oh my god everyone is in love with him

the most bantering banter to ever banter, mostly, but certainly not entirely, courtesy of Lymond

Thanks for asking! If any of this raises more questions, ask again!

related: my lymond recs tag. There are mild and out-of-context spoilers, but these posts all sum up something about the series. :)

[khloros]

A resident from another planet who seems to have willfully isolated themself from society finds a strange creature that shines in the sun, doesn’t eat, and seems to have the main focus of collecting rocks. Fortunately, save for the not eating part, the two seem fairly similar and form an unlikely family.

(Aka, I wrote a found-family thing for an alien and a rover. I usually don’t write much since it’s kinda a challenge for me, and this is my first time actually finishing something! It was fun and I wanna write more in the future, and I look forward to establishing my own style!)

_____

Scientists have recovered what seems to be a garden journal from the unknown planet that our rover, Trailblazer, crash landed on over twenty years ago. Photos of this journal have only just now reached Earth, and are being rapidly translated. The first entry is seen below.

_____ 

The crops are failing. The cold is settling in.

I’ve watched their leaves turn color, shift from rich greens to the frail purples and oranges of our moons in mid-summer. Some are so thin that they’ve become translucent and the sun sparkles through them like it does atop a pond. The scene is beautiful and terrible. I fear for this upcoming harvest. I don’t want to ask for help, not from anyone who knows me.

The only crop that has been doing well are the kaultchish. Their leaves are hearty and will be good roasted or eaten raw. The less successful leaves may be tossed in soups and stews, and preserved for the cold seasons. Like their foliage, the kaultchish berries hang heavy in their bunches. They are sweeter than they have been in any earlier years; it almost makes up for the lack of crops produced from the rest of the garden.

Now, despite the worries of the season, this is all somewhat normal news. I am reluctant to record the rest of this day, as it has been a strange one and I’m half-convinced that it was all a dream.

This morning, you see, I was checking on the berries. They were sagging close to the ground under their weight and I had been growing worried that pests would steal them. When checking for prints, however, I found the strangest ones I have ever seen. Two parallel lines indented wide into the ground, with jagged scores creating segments inside them. At the time, I could not have imagined what might create something so strange. I initially feared of something slithering, perhaps a verestial which may consume my crops with its jaws that part like clouds preparing to storm. I don’t like visitors, you see, even the small ones.

Naturally, I set a trap. The worst case scenario was that I’d string up one of my neighbors by accident, and even then, well, I wouldn’t mind never seeing them again. Loud creatures, they are. Sound carries across this flat land, the wind bringing it to my ears along with spatterings of sand. I am nearly convinced that this place hates me, neighbors and dust and all.

The trap consisted of a simple device that would sense the potential thief and spring a net over it. We used to craft them as children out of twigs and hardy grass often, this was the easy part.

The hard part came when I emerged from my home this morning to see a light flaring in the bushes. I’ve never lit any lanterns in that area and the sun had not yet raised her brows above the horizon, so naturally I was apprehensive.

And curious.

I approached the thing to find that it was a trembling creature with a seemingly bioluminescent spot on its chest. In fact, as I kneeled down to view it closer, this creature seemed almost identical to a child.

Its head and body are the correct shapes and colors, its skin is tough and reflective like ours. Its eyes seem to be the correct shape and color, though a bit bigger and protruding from the face in a strange way. Perhaps the biggest difference are its feet, which are quadrupedal rather than bipedal. They look quite similar to the wheels upon wagons, which had made me wonder whether or not this supposed creature might be a children’s toy.

It is not. It is most definitely not, unless children are more terrifying than I remember. I peeled the net away from its head and, sensing no distress from it, tugged at its foot. It immediately erupted into a series of short screams, staggered one after the other for several minutes even after I had let go. This seems to be quite the good defensive technique as the garden fell completely silent after that, not even the smallest of creatures daring to chirp.

I told it such, and added, “I should try that someday, if anyone attempts to tug on my leg.” It didn’t respond, but I feel that it was more at ease with me after I spoke.

I carried on with my garden duties, watering and trimming and weeding and hoping. A few times, I caught sight of the creature staring at the sunrise as if completely enamored. I can’t blame it, the sun has always looked beautiful to me as well. It reminds me of —

As I moved from one side of the garden to the other, I noticed the creature following me. At a distance and hesitantly at first, but my suspicions grew as I observed its behavior. After tearing a foreign grass out of the garden, I noticed the creature reaching out with its own arm to do the same. It placed the clump of grass within a fold in its skin, which I saw to be filled with shimmering rocks and half-planted flowers. This concerned me. I didn’t dare hope that this creature is sentient, this warped version of our own figures. This poor, abandoned child.

Without thinking, I dropped my gardening tools and rushed over to it, scooping the creature into my arms. It was heavier than expected, and its feet dug into my shoulder, but it didn’t send off any more shouts of alarm. Perhaps it is bold of me to assume its trust, but I have forever been outcast for my boldness.

I have taken this creature — and for now, until I know for certain that it is non-sentient, I will refer to it as a child — into my home. I have a meal being rewarmed on the hearth as I document this, and I will attempt to feed the feeble thing as soon as I can.

Addition: It doesn’t seem to like soup. I will attempt to feed it bread scorched over the fire, next.

Also, I have named it Keptie.

_____ 

Translator’s Notes.

Untranslatable words have been italicized. The definitions and potential pronunciations are listed below.

Kaultchish is just one interpretation of a plant that seems to be one of the more popular foods on the observed planet. German researcher and botanist Elias Zimmerman held a great role in learning more about this plant, and thusly it follows some Germanic grammar rules in all Earthly languages. For English, this means that the plural is not kaultchishes, but kaultchishen. Another common way of spelling that has arisen is kowltchish, which some people prefer to use under the belief that it represents the IPA better. The IPA pronunciation, to our current knowledge, is kaʊltʃɪʃ.

The verestial [vɛrɛstjiəl] seems to be a type of animal similar to our snakes, though possibly herbivorous. There is debate over whether it is a whole genus or a subset of one.

Most seem to be in agreement that Keptie is a “cuter name”, so the official name of our rover has been changed to it. However, its former name, Trailblazer, is still common in both everyday and scientific use.

[emptymasks]

I’ve seen a lot about your thoughts on Elisabeth and Tanz der Vampire, and they’ve been really helpful getting into those musicals! But you have a huge list of other musicals that people can get into…

So I was wondering if you had any musicals you hadn’t mentioned in a while that you really like or would like to talk about??? (preferably something from your lists that has a blue heart please?)

Oh if only you knew how long the list of European musicals really is... I however have only seen 9 (if I counted right) and I have a lot more that I still need to watch. Oh also, I only put the blue hearts on any musicals that I was providing multiple links for so people could see which version I reccoment the most highly. If a musical only had one link and didn't have a blue heart it doesn't mean I didn't like it.

I've watched: Mozart das Musical, Elisabeth das Musical, Tanz der Vampire, 3 Musketiers, Mozart L'Opéra Rock, Dracula (the Graz production), Rebecca das Musical, Roméo et Juliette and Schikaneder.

If you enjoyed those two you're likely to enjoy Rebecca! It's written by the same composer/lyricist team as Elisabeth and Mozart (and same lyricist as Tanz der Vampire - though if you're listening to any German musical, original or translated, 90% of the time the lyrics will have been done by Michael Kunze that man is everywhere). The Stuttgart production has my favourite set design of any musical! Well... Actually probably. There are so many big set pieces it's insane, way more than I've seen in some Broadway and West End musicals. You can tell so much work went into it and the visual effects that I won't spoil if you don't know the plot but if you know the plot you know what I mean by the effects at the end are so good and I didn't expect them at all and I freaked out so much the first time I watched it. Jan Ammann as Maxim in the Stuttgart production is the best Maxim. No I won't take any argument. Other actors feel a bit one-dimensional to me, but the way Maxim acts at times comes from trauma and some actors and productions seem to forget that, but Jan really goes for it and his Maxim is a lot more sympathetic and I just want to give him a hug. Pia Douwes as Mrs Danvers, if you've seen her in Elisabeth what more do I need to say, she's amazing. A musical goddess. Her Danny is a bit more wild than some, but she kills it. My favourite video, which I put the blue heart next to, has understudy Christina Patten as Ich/I, but I adore her she's my favourite. She adds some spunk to Ich in act 2 and her voice is so pretty and aaaa. I just love these three actors together in these roles.

Roméo et Juliette is another favourite of mine! It's hard to choose which one to recommend, but it has to be the original 2000/2001 production because of the sweetness and chemistry and voices of Damien Sargue and Cecilia Cara as Romeo and Juliet. They're so pretty and work together so well. The only reason I say it's hard to pick is Mercutio. I adore him, but in the original production they cut out a song they had planned for him and he doesn't really do much at all? In the 2010 revival they gave him two more songs and you care about him so much more and John Eyzen plays such a good Mercutio. So I'd recommend the original but if you want to like Mercutio more, which you should he's amazing, I'd recommend watching at least clips of John's. It's an interesting musical because all productions are non-replica and also change around the order of songs, add or take away characters, all sorts. The Hungarian production is also very popular and I'm sure it's great, I just haven't' gotten around to watching it yet.

Mozart das Musical was the first non-English language musicals I watched so I have a fondness for it, but it's not my favourite. However, I do realise I have forgotten most of the songs and the few I've gone back and listened to are better than I remember.

Dracula isn't super popular and I understand why, I don't love the plot of the Dracula/Mina romance in it, however. I do love this musical because despite how I find the plot lacking, the songs are so good! At least, I love them. And the actors are all doing a great job. And it's one of the few Dracula adaptions to keep Quincy Morris so they get bonus points for that.

Mozart L'Opéra Rock and modern French musicals... This isn't necessarily a bad thing, but they're often more like pop-rock operas now. So if you're not into musicals with that style of music it might not be for you, but I still enjoyed it even though I didn't think I would because of the style of music. Mozart and Salieri's chemistry is very good, Salieri's bisexual crisis song is iconic, actually all of Salieri's songs are iconic.

Schikaneder... eh. I didn't like it that much and I didn't really like any of the songs. There's no English subtitles, but someone sent me the entire English synopsis and I watched it with a German friend so I had double the help of understanding it. Doesn't mean others might not like it, just none of the songs stood out to me and I had no desire to listen to any of them again. It's by Steven Scharwz of Wicked fame and I love Wicked, but I didn't love this.

3 Musketiers!! God it's so underrated and not spoken about within the European musical fandom that I even forget about it and literally forgot to write about it earlier in this post. It's a Dutch musical (though did also have a German production) and it's really good!? Faces you might know are Pia Douwes as Milady de Winter, Stanley Burlseon as Cardinal Richeliu (Netherlands Der Tod in Elisabeth), Henk Poort as Athos (Netherlands Phantom and Jean Valjean). The dialgoue is funny, the songs are good, some of the set pieces have no right to exist in this tiny musical?? They made this giant boat and pelt the actors with rain just for one 5 minute song and then we never see the boat again? And while I recommend the Dutch one because Dutch musicals deserve more love and it has official English subtitles!! Official ones, not fanmade! I have the DVD and it comes with English subtitles (and Dutch and German subtitles) which is so nice. The German version is also good, good cast, Pia came back and Uwe Kroger as Richeliu and omg they rearranged the songs and the German arrangement of Nicht Aus Stein is insane and amazing and frankly iconic.

That's all of the ones I have watched. Next on my list to watch are Rudolf and Notre Dame de Paris, both of which I have listened to some songs from and already love (I've listened to way too much of Notre Dame de Paris and am so in love).

I want to start organising streams where I'll host the musical either by getting the video from Youtube or my own files and anyone who wants to join can come along and watch with us, chat with us if you want or just watch there's no pressure to chat. I thought about doing weekly streams? This would also make me finally watch some of the ones I've been meaning to for ages. But I keep wondering about time zones. I'm in the UK and would want to stream at about 11pm at the latest (11pm BST/GMT+1 as we’re in daylight savings at the moment, if the streams continue past the end of October which would be wild then I’ll make a note of the time change that would be to 11pm GMT), which I know can work for other UK and Europeans, but for any Americans would be in the afternoon. So, I wondered if doing it on a weekend would be better? Then it doesn't matter if it's in the afternoon? Maybe Saturday evenings then? It would either be Saturday evenings UK time or Friday evenings UK time. What do you guys think? If people are down then I'll make a separate post with a list of what we'll be watching each week and if anything happens to me that means I can't stream one week then everything will just get pushed back a week, but I don't see that as likely to happen. And I'll only be streaming those that have English subtitles, so don't worry about not being able to understand anything.

edit: am also open to 10pm bst if others want that, im just trying to think of what time works best for everyone so sorry if 11pm is a little late for europeans, i know 10pm could be a little early for americans. also in case it sounded like these are the only musicals i will be streaming, thats not so, ive got more than just the ones mentioned on this list!

(Tagging some people who I know are or might be interested in streams to see what you think of that plan: @sirona-art @ringwraith100 @tanz-der-trash @smilingwoland @the-weird-dane @witchgaye @ami-fidele @kisstheghouls @looking-4-happiness @ladysapphire928 @sloanedestler @tinywound @persephonaae @phoenixdewinter @uwucoffee @freshbloodandgothicism )

[goldemas1244]

Heyyyy I have a question :3

Do you have any headcanon/s for these character : Scraptrap, Scrap Baby, Lady Dimistrecu, the three daughter of Lady D, Heisenberg and/or Molten Freddy ? :3

You don't have to do all the proposition, you can choose what character you want to do :3

Have a good day/evening and stay safe ! :3

*Cracks knuckles* \(^v^)/

You already know I'm doing all of them! Thank you for the ask! Headcanons under the cut!

FNaF6

Scraptrap

He loves rice and would do anything to get his paws on it. Fortunately, the pizzeria is quite close to a Chinese restaurant so rice is easy to get.

He orders a rice-based menu at least three times a week, so the owners aren't at all that surprised to see a tuxedo-clad zombie-rabbit come in and ask for their signature fried rice with buttered lobster on the side.

Since he like to dine-in there, he usually asks Michael to give him a bath in exchange for pizzeria improvements. Michael usually shrugs and gives him a well-deserved bubble bath and his tuxedo.

He likes it when Michael gives him head pats and rubs. It makes him feel loved and appreciated.

He has a pet pigeon named Fernando Buschmann. It's German and likes to listen to the violin.

He likes ASMR and memes. ASMR makes him go feral with murderous intent while memes make him question the modern generation.

He has social media accounts, all named "Willton-Moldover". He usually posts cosplays and furry art on them and has 93 followers on his Reddit profile, 1.5 million followers on his Instagram, 550 followers on his Tumblr, 35 on his Snapchat, and 3.95 million on his TikTok.

He also has a YouTube channel with 10.784 million subscribers called "Willton-Gameover". He plays videogames one-handed and roasts popular YouTubers and famous people. He would never roast Keanu Reeves though, because Keanu Reeves is precious bean.

Due to his popularity he gets a lot of hate mail and private pics. He doesn't like them at all so he blackmails the people who post them. And if the media and police are involved? Well, he has a strong fanbase that's not going down as well as a good alibi so that works out well for him.

Yes, his fanbase also knows of the Fazbear Murders, and he admits to it but frankly, he's shown them the approving ghost kids (who've bonded and gamed with him) so that's no big deal. Only Cassidy hates him, but it's usually constipated anger.

He's bisexual and has an ENORMOUS crush on one of his favourite game characters, Karl Heisenberg. Something about that man reminds him of himself and Henry, although he's not sure what. Still, don't let that distract you from the fact that he owns a nude Karl Heisenberg body pillow, CAPCOM official.

Scrap Baby

Her favourite Monster High doll is Draculaura. She doesn't understand how pink goes well with black but oh boy, pink goes so well with black.

She knows how to skateboard like a pro. Despite her weight, her trusty skateboard still stands and, if she falls, she's always got her skates to spare. She likes to impress the boys at the skatepark with her ability to perform even the most difficult of moves with ease.

She's subscribed to fifteen different tabloid subscriptions. She likes to read them and criticize the stupidity of the human race, like her father. Hey, it's hereditary.

The lights in her boobies glow in the dark. They also glow whenever she gets tired.

She likes reading furniture and gardening catalogues. She's judgy of the prices though and usually becomes a full-on critic with Lefty listening.

She owns a crab named Mr. Tootie. No I will not elaborate on the name. I'll only tell you that it's taken a liking to kazoos and party favours.

She's listed as the No. 1 Best Fan of her father's social media accounts. Michael's in nineteenth place but don't worry, he's as emotionless as a mushroom.

She likes to make origami lotuses. She's such a pro at it that she's even got a mini-stall at the pizzeria: 1 lotus for 50 cents. It's a lucrative business, and it's still growing. Oh, and she switches to other origami works of art every week such as origami guns and origami nine-tailed foxes.

She's the Restaurant Rescue manager. Usually she saves kids from trouble. For this reason, yes, she's commonly seen in the pizzeria itself. Kids love her though the claw worries the more irksome parents.

She's a professional Karen dealer. Karen comes to see the manager? She's hypnotically talented in weaving her words through the toughest of craniums so don't be surprised if a Karen walks out with a new viewpoint of life.

She performs on stage on the occasion, which usually gets her a lot of fan love. She cherishes everything good they give but ignores the problematic everythings. Problematic stuff? Oh, she's good friends with the police chief.

Molten Freddy

He loves noodles. Give him a bowl of ramen and he'll shut up for the entire night. Enter him in a noodle-eating competition and his high metabolism rate means absolutely non-stop spaghetti.

He misses Bon-Bon very much. To the point where he's even tried to make a scrap version of him. Sadly, it doesn't work. He cried that day.

He dies inside whenever he finds out there's a spaghetti shortage in Utah. Poor Molten.

He's a bit wonky, but if he tries to play with you or get into your personal space, don't get mad at him! He's just lonely and wants someone to talk to and play with.

He likes to play Exploding Kittens. It's the only card game he's good at. It's also the only card game he owns.

He sees Helpy as a little brother and boops his nose on a daily basis. He also likes to reenact The Lion King with him (It's the ciiiiiircle of liiiiiife~). Hopefully Helpy doesn't mind.

He knows a lot of jokes in a lot of languages. So German-speaking Molten Freddy wouldn't be too far away from expectation. His favourite jokes are in French though; the wordplay is just immaculate.

He's good in French, English, German, Russian, and Malay. He's currently learning Japanese because he's a mega weeb.

His favourite cartoon is Charlie and Lola. He just likes to see the sibling shenanigans as it somehow reminds him of the good old days.

His favourite shows would be prankster shows. He especially loves the ones that give him new and creative ideas. He doesn't like the scary ones though. They make him feel unsafe and give him anxiety.

Surprisingly, he has a distinct taste for opera. He can modulate the remnants of his voice box to perfectly sing I Am The Very Model Of A Modern Major-General. This both pisses off and impresses Henry to an extent.

Resident Evil 8

Lady Dimitrescu

She might act like the opposite but she really loves Heisenberg as her little brother. His determination, strength, speed, dexterity, and workaholic nature impresses her, who can't even fit through a doorway. She sometimes wishes she's as short as him too.

She's an avid collector of glass, porcelain, and anything fragile. It's a good reason to always be careful where you tread in her lair. She'll make you swallow every last shard if you don't.

She's an avid romance fanatic and is very loving towards the romance novels she owns. All those books you see in the in-game library? They're her collection of lesbian romances that she's collected over the past decades.

She doesn't like hats and prefers to stick to the one she wears in-game. She DOES have a collection of hats though. Last anyone counted, there were over fifty, one or two for each decade she's lived through.

She files her nails on a constant basis and owns an ornately decorated nail-clipper. Hygeine is of the utmost importance. She doesn't want to be compared to that filthy Heisenberg.

Despite her size and carefulness she keeps losing her stuff. Over the course of a week she could misplace three wine glasses, two reading glasses, and fifteen bottles of wine.

She's an expert at dodgeball and golf and even owns a lifetime access to the most prolific Country Club in Romania. With permission from Mother Miranda she goes there every year for the yearly party. It's one of the times she gets to see modernity (and Ed Sheeran) at its finest.

She loves bands from the 1920s and 1940s. However, she gets bored of them occasionally and switches them to something more modern, like Ed Sheeran. Seriously though, what is up with mums and Ed?

She's into executions and torture methods. So it's no surprise that she's a HUGE fan of Horrible Histories; even if she can't watch the show, she'll binge-read the books over and over again. She's even had the chance to encounter (and receive an autograph from) Terry Deary. They have sworn a bond not to tell anybody about this.

She loves exotic animals like anacondas and jaguars. She may or may not have owned a 10ft long Saltwater Crocodile (which was also about 5ft wide).

She's an incredible physicist and mathematician. She's also created many original formulae but unsurprisingly, she doesn't tell anyone about them, for fear that either more people may know of her, or that she may be wrong.

Dimitrescu Babes

They can devour an entire human being in mere seconds as flies. It's sort of like the scarab beetles in The Mummy movies. However, unlike the beetles, they are able to strip the bones as well. They leave nothing behind.

They all know how to play the piano with varying levels of success. Daniela can already play professionally while Bela is still stuck on Grade 5.

They love to listen to their mother when she tells them stories. Gotta hand it to 'em, when you're a fly, you know how to enjoy life in its most simple of moments.

They all love being around the hunky Soldats of Uncle Karl. Fortunately, they don't know of the rebellious plan to conquer Miranda.

Bela is bisexual, Cassandra is asexual and pansexual, and Daniela is demisexual.

It gets hard when you're a fly during the summer. If it's not the lizards, spiders, and other predators, it's the heat. Because of this, despite the material waste, they have invented the world's first blood-powered air conditioner.

The three girls have never ever ever touched a stove or oven in their life. They HAVE touched the hot end of an iron though. A good reason to not touch a bloody oven. Alcina has though, but doesn't tell them that.

They love puppies! Uncle Karl brought them a baby labrador. For the rest of the week Alcina had lost quite a bit of favour from them. Not that they minded of course. IT'S A PUPPY.

They don't like snow one bit. Not just because it's cold, but because it's too white. Too bright. Too shiny. They just can't focus on their prey!

They like to go over to Auntie Donna to play with Angie. Well, you know what they say, crazies attract the crazies, and the crazy has attracted the crazies.

They also like to go to Uncle Moreau's because he's the only one in the village with a PS4. Usually they'd spend about three-quarters of a day playing his games and eating his cheese.

Karl Heisenberg

He owns a dark blue armchair named Junkyard. Despite the name, he loves it dearly because it was a gift from Alcina for his twenty-first birthday. It became part of his final transformation too. Right under the hat.

He's a little blind in the right eye, much to his annoyance. It was a minor accident with Sturm; another reason for him to hate the uncontrollable wretch. He'll never live that day down.

Somehow, he sees better in the dark, which is why he wears such tinted glasses. He also wears them to hide his expressions, since, more often than not, he tends to end up wearing his heart on his sleeve, and his emotions in his eyes.

He's under a lot of pressure so it's no surprise that he breaks down in his factory when he knows he's alone. And by break down I mean crumple into an exhausted heap on the floor. Not even his Soldat Jet squad can wake him up until he's had a reasonable eight hours of rest.

He bathes once a day, every evening, but only three times a week. Perfume, tobacco, and cologne keep care of the rest.

He's the only Lord with a daily contact with the outside world due to his electrical abilities. Don't tell Miranda, but he can electrically CONNECT TO GOOGLE AND THE ENTIRE INTERNET IN GENERAL. He likes to play funny YouTube cat videos in his head when Miranda's having a boring meeting. It's also how he finds out that Chris is a boulder-punching asshole.

He does stimming! He likes to tap his fingers on his desk and the metal rails in his factory. He also buys stim toys from the Duke and keeps them in a well-kept box. His favourite is a non-ripping squishable toy duck. He also sings to chill out.

He's absolutely in the Five Nights at Freddy's franchise, and may have once believed in the pizzeria's existence. Come on, he's a mutated Overlord with magical magnet powers. Children souls stuck inside animatronics isn't too far-fetched of an idea. His favourite characters are the Funtimes and the Scraps, mainly because of the blueprint complexity. He HAS tried to replicate the animatronics in his spare time, but he's usually too busy with his Soldats so the project gets scrapped. He loves The Living Tombstone's songs and remixes though.

He doesn't like William Afton at all (though he marvels at his survivability). William's nature and habits remind him of Mother Miranda. He DOES however enjoy Michael Afton and often thinks how it would be absolutely amazing to have that resilient being in his Soldat army.

He's scared of what lurks below the watery depths and fire. Ironic because his brother is a literal fish and he works in one of the most hazardous fire-conducting environments. He's also scared of heights, though he doesn't get airsick.

He once died due to a killing electric shock whilst working on Sturm. It's the only time he's felt that sort of pulsing agony and also the first time he's had the confirmation that yes, Hell is real and yes, he'll end up in quite a dark pit in it. Or it could've been an electric dream, who knows? Anyways his soul apparently ran towards the opposite direction of the flames and he woke up alive after the passing of FIVE ENTIRE WEEKS. Oh boy did Alcina get worried when she couldn't find him.

Thank you for the ask! I hope you enjoy!

[travllingbunny]

Tribes of Europa, season 1 - thoughts

I finished season 1 of German post-apocalyptic Netflix drama Tribes of Europa a couple of days ago, and I have... lots of thoughts and mixed feelings.

It's a standard post-apocalyptic show with all the usual tropes, but mostly well done, and has potential. I ended up liking it better than I expected, mostly because one of the storylines (Kiano’s) turned out to be pretty good/interesting.

The main problem of the show is that most characters, so far, don't have a lot of depth. An exception is a female villain who has proven to be quite complex and interesting. On the other hand, while  I loved seeing Oliver Masucci, in a role completely different from Ulrich Nielsen, and he's great and charismatic, I feel like I've seen the exact same lovable rogue-turned-mentor character a dozen times in various shows and movies. The main trio of young protagonists have the potential for interesting character development, but it remains to be seen what saason 2 does with it.

At least there's one thing that makes the show different than most post-apocalyptic shows I'm aware of - I can't think of any others that take place on the European continent? Usually it's North America, Australia, or UK. So, that's interesting... But then, after I finished it, I started thinking a bit more about some of the elements of the worldbuilding, which are a bit... questionable? I'm reserving judgment till these things are explained.

Spoilers under the cut.

In the first episode, the show did the GoT thing of introducing us to a likable family and then having siblings separated by fate and trying to get back together, while having different storylines. But they should've spent a bit more time with them together and explaining their history.

The show also does that thing where the siblings look nothing like each other and are played by actors of different ethnic origins, so I was waiting to hear they were half-siblings or some other explanation, but there was none. Well, OK then.

One thing I wasn't crazy about is that Kiano had a girlfriend we saw for about 20 seconds and then she apparently got killed for no particular reason. I can't say it's even fridging, since he never even mentions her afterwards and he has a lot of other reasons to hate the Crows.

But Kiano's storyline turned out to be the most interesting , and most disturbing, the kind that can make or break the show, depending on how it deals with issues like slavery, rape, trauma. So far, the show has dealt with it well, which made me like the show more than I thought. (It definitely beats The 100 - a show it was the 100 in the Netflix promo campaign - in that respect. I was already scared it would do something similar to The 100, which really dropped the ball when it touched on such issues in a really clumsy way in season 3.)

Lord Varvara has turned out to be the most interesting and compelling character, and excellently played by Melika Foroutan. (I wish I could say the same about the Crows’ big boss, Yvar - but whether it is mostly due to the OTT costume and makeup or the similarly OTT acting, I had a hard time taking this guy seriously.) She is not exactly morally grey - she is definitely a villain, slaver rapist and murderer, but her role as a former slave - a victim of abuse turned abuser, and someone who upholds the ideas of Social Darwinism - makes her role very interesting and ambiguous. I think that (especially based on some hints) that she used to be a sex slave, too, and if she was also made to be a Crow by her former slave master, that would probably mean Yvar used to be her master. That could lead to some interesting tension and conflicts, as she probably hates this guy deep inside, but still has to vie for his approval, even now that she has “made it”.  And she sees to see something in Kiano that makes her think they are similar, that he is 'strong' like she thinks she is (on the other hand, she despised her other slave who had a huge Stockholm Syndrome for her).

I'm curious how they deal with Kiano's character development next season, and how far into moral greyness or darkness it will be willing to go with him. Varvara is a blueprint of what he could become.  He didn't exactly show much concern for the lives of other slaves, except his father.  

Liv's storyline was also pretty interesting. with her navigating the political issues of the Crimsons. I liked that the Crimsons as a whole turned out to be more morally grey than I initially expected - with their strict military discipline to the point of authorianism and lack of tolerance for dissent. 

I don't know if the show expected me to side with the general (aka "Father") or think his views were right, as Liv did? I did not.. "Let's make peace and unity with slavers"? No, dude. But I’ll go with the idea that we are not necessarily supposed to side with him rather than David just because Liv did; or that a third option may be found (such as causing a rebellion among the Crows themselves, which would be my preferred direction of that storyline). 

(I also rolled my eyes whenever he started going on about "old European dream" or whatever he called it. No, my dude, you need to brush up on your history. Your plan is nothing like the EU, unless your plan is to go and deliver a bunch of demands to the Crows:  "Unless you guys: abolish slavery; ensure human rights for everyone; install a viable non-slavery based economy etc.. - we're not letting you into our new unified Europe!" He also may needed to be reminded EU was formed after Axis powers were defeated.)

I've heard that a lot of people didn't like Elja's storyline because they found it the least interesting, and sure, it wasn't very emotional and didn't have much character development, but I'm very curious about the mystery of the Black December, the Atlantians etc. so I liked it.  And I liked the fact that Elja wasn't a naive kid and could deceive people and keep secrets when he needed to.

But there are certain problems I have with the show’s world-building... which, at its worse, may end up being just as problematic as The 100′s was.

While I like the idea of a post-apocalyptic show set in continental Europe, and with languages other than English - almost all of the characters are only speaking German or English (the latter, I guess, for the same reason it's widespread today - people speak it as a second language and use it to communicate). We should really see more people who speak other languages. So far, that’s only happened sporadically - but my problem is more with the fact that the most villainous tribe, Crows (murderous, slave-owning Eurotrash-like villains with very Social Darwinist views) -  even though they speak German or English 99% of the time - very notably use certain words from Slavic languages - and only for specific terms like "lubovnik" ('lover' - actually sex slave), "boi" (fight/battle), "svobodnik" (free man?). These were very recognizable. I have no idea what "Bozie" means, but I read somewhere it comes from Russian. What's supposed to be the backtory behind that? Sure, I am for more language diversity, but did a German show have to give the kind of barbaric-version-of-fascist villains these questionable Slavic references?  That would be uncomfortable in so many ways.... It's not just Slavs, because another notable Crow character, Grieta at some point used Romanian (and the actress is Romanian), but I hope they're not going with the Evil Barbaric Eastern Europeans here. To be fair, many Crows were clearly slaves at the beginning, which complicates things... but Varvara says her real name - slave name - was Sophia, which could be anything - while her Crow names is Varvara - which definitely sounds Russian or Bulgarian (or, I guess, it could be Greek).

On the other side, opposed to the Crows, we have the more “civilized” tribe/army of former Eurocorps, whose members have so far only been heard speaking English, German and, at one point, Dutch - curiously called Red Crimson Army (!), I have so many questions...

Another questionable thing, pointed by the host of the Culture Cave YouTube podcast, who did an overall favorable review of the show, howeverpointed out that the Crows - the villains - are the only ones who don't conform to gender roles? And the males who are the most 'effeminate' looking are baddies. I didn’t even think of that initially, but thinking about it... yes, it has been like that so far, hasn’t it?

I’m reserving judgment till next season, but I only used to give The 100 the benefit of doubt with its questionable world-building, and we know how that turned out.

[passionate-reply]

“Why did Kraftwerk stop making albums?” they all ask, as though Karl Bartos isn’t right here, consistently kicking ass and making great music. If you’re hungry for more Kraftwerk goodness, specifically with an early 90s techno flair, you probably won’t do better than Esperanto, so come check it out! (Also featuring special guest star Andy McCluskey from OMD.) Full transcript below!

Welcome to Passionate Reply, and welcome to Great Albums! Today, I’ll be talking about an album not too many people have heard, but that I think more people really should--especially fans of Kraftwerk. It’s Esperanto, the 1993 debut of Kraftwerk alumnus Karl Bartos’s project, Elektric Music. The production of the final classic-lineup Kraftwerk LP, 1986’s Electric Cafe, had been dominated by frustrating delays, rewrites, and remixes, and when all was said and done, the resulting album was a relative flop. By the time of the 1991 remix album The Mix, which seemed to end Kraftwerk’s career with a whimper, Bartos had grown alienated from founding members Ralf Huetter and Florian Schneider-Esleben, and fed up with their apparent lack of work ethic. He set out on his own, partnering with Lothar Manteuffel of the Neue Deutsche Welle act Rheingold, to form Elektric Music.

What I think really stands out about Esperanto first is its sense of freewheeling, unrestrained immediacy. For nearly a decade leading up to this album, Bartos had been working at the whim of others, waiting around, and feeling like he was spinning his wheels. Esperanto feels like a tightly coiled spring that’s finally being released. It’s dense, busy, in-your-face music that positively demands to be paid attention to.

Music: “Lifestyle”

Vibrating at the core of Esperanto is an undeniable Kraftwerk-esque sonic template: textural synth side-swipes, chattering vocoder-driven vocals, and hypnotic, mechanical rhythms. It’s natural to expect that rhythmic quality from Bartos, since he was chiefly brought on to provide percussion parts for Kraftwerk, but it’s also important to remember that he’s as interested in pop music as he is in classical. Both Bartos’s solo work, as well as the Kraftwerk tracks he had a hand in, emphasize melody, in a poppy, easy to love manner. The melodies here have some precedent in Bartos’s earlier work, but they’ve never been quite as punchy and vibrant before.

“Lifestyle” also makes early use of vocal chops, which contribute to that tight and busy feel, while also being a marked attempt at pushing this core sound into the musical future. Some of these specific samples are actually repeated across multiple tracks, if you listen closely--a sort of callback to the repeated melodic motives of the early Kraftwerk albums. “Information,” a high-concept eight-minute epic that the rest of the tracklisting pivots around, is even closer to being structured like “Trans-Europe Express”:

Music: “Information”

Bartos has never really ceased struggling under the weight of his Kraftwerk past, torn between indulging in these ideas and themes that come so naturally to him, and feeling obligated to set himself apart--as well as obligated to push the envelope and break new musical ground. Esperanto radiates and burns with that sense of conflict, which feels fresher and more raw, given the timeframe involved. This tension between working with and working against the Kraftwerk legacy is not only musical, but also thematic. Like the Kraftwerk albums, Esperanto is deeply concerned with the role technology plays in our lives...but it’s a lot less optimistic. Take, for instance, the opening track, “TV”:

Music: “TV”

“TV” is Esperanto at its most gloomy or melancholy, portraying the detached haze of modern lotus-eaters transfixed by the glowing screen. It’s an image that’s readily familiar and relatable to us today, of course, and it’s also one that runs contrary to the techno-utopianism of Kraftwerk, where home technologies offer hope of bringing people together rather than splitting them apart, and disconnecting them from the real world. If that wasn’t enough to convince you to read “TV” as an anti-Kraftwerk screed, the lyrics even point to “computer graphics” and “electric bands” as fodder for that destructively distracting entertainment. Ouch! Along somewhat similar lines is the track “Kissing the Machine”:

Music: “Kissing the Machine”

“Kissing the Machine” is also a sort of rebuttal of Kraftwerk tracks like “Computer Love,” demonstrating the pitiful perversion it really is to expect human, emotional fulfillment from a cold and sterile mechanical contraption. Whereas “TV” is more overtly downbeat, “Kissing the Machine” takes the route of dramatic irony, going for an eerily cheerful, naive sort of sound, painting its narrator as utterly oblivious to what they’re missing out on. You probably noticed that the vocalist on this track is actually not Bartos--it’s Andy McCluskey, best known as the frontman of Orchestral Manoeuvres in the Dark. Like Manteuffel, McCluskey is a younger synth-pop artist whose career began in the 1980s, making music that owed quite a lot to what Kraftwerk had achieved before. Bringing on some slightly younger talent is not only a nod towards keeping up with the times, but also another jab at the legacy of Kraftwerk, who refused to collaborate with any other musicians, and at times even seemed loath to acknowledge how the art of electronic music had evolved in their wake. As the title of Esperanto implies, the theme of language is also prominent here, and that serves as yet another way in which the Kraftwerk philosophy is turned on its head, most notably in the title track:

Music: “Esperanto”

While many people assert that it’s more “authentic” to listen to Kraftwerk in German, they made consistent attempts to incorporate a wide variety of languages into their work. Besides the English-language versions of their LPs, Kraftwerk also sang in French, Italian, Spanish, Russian, and even Japanese, to varying degrees. They were selling a vision of “Europe Endless” that was multicultural and multilingual, and seemed to have wanted people from all over the world to connect with them and feel included and represented in their future, rather than view them as some distant and peculiarly Teutonic phenomenon.

“Esperanto” flies in the face of the dream of linguistic unity. Esperanto itself is an artificial, constructed language, created by L. L. Zamenhof in the late 19th Century. Combining features from the most commonly spoken languages across the globe, and streamlining away things like irregular verbs, Esperanto was built from the ground up to become a true “universal language” for all of mankind, that was easy to learn and use. But despite the hopes of Zamenhof, whose name for his new tongue translates to English as “one who hopes,” it obviously never caught on. The most beautiful utopian vision in the world is still just a vision, and you can end up failing even if “you’ve got the perfect pitch.”

Kraftwerk’s longtime graphic designer Emil Schult, whose contributions to Kraftwerk’s signature aesthetic are nearly as important to their legacy as any of their music, returned to create the cover art of Esperanto. With its bright and simple red tone and strong use of diagonals, Esperanto’s cover art is clearly evocative of the iconic cover of Kraftwerk’s 1978 LP The Man-Machine, arguably the finest hour for the band as well as Schult. However, its abstract, non-figurative qualities set it apart from the work Schult and Bartos had done before, as Kraftwerk hadn’t made an album that didn’t feature their own faces front and center since 1975’s Radioactivity. The image of a rising sun is fitting for the idea of Bartos’s empowered return to music after a period of dormancy.

The world is full of people bemoaning the fact that Kraftwerk gave up on making new music, and the apparent irony of this band who appeared to be visiting from the future being absent from the world they helped create, in which “electronic music” has ceased to be a novelty and become a default. Karl Bartos may not be the most prolific artist in the world, but I’ve always seen him as the rightful heir to the Kraftwerk legacy, and I think his string of solo albums since leaving the band are the most worthy follow-ups that could ever have been paired with Kraftwerk’s classic run. Esperanto does everything you could possibly want a 1990s Kraftwerk album to do, staying true to that musical heritage while also pushing forward, and staking a place in the broader artistic conversation. I think everyone who identifies as a fan of Kraftwerk owes it to themself to give Esperanto a spin.

My favourite track on Esperanto is the closer, “Overdrive.” Unlike the readily apparent cynicism purveyed by tracks like “TV” and “Kissing the Machine,” “Overdrive” reads as a more complex perspective about technology and everyday life. It’s a portrayal of that all-too-modern scourge of overstimulation, that’s still ultimately a very exciting one, that sweeps you up in its triumphant “kiss of life.” Listening to its chaotic instrumental outro, I can’t help but feel that it leads directly into Bartos’s follow-up to Esperanto, 2003’s Communication--an album that would tackle the Internet age, and its inescapable virtual hustle and bustle, head-on. That’s all for today--thanks for watching!

Music: “Overdrive”

[friendoftheelves]

People, what is somethings you wish writers knew about your culture, I'll start (I'm English):

If you say British-English I will riot. It's standard English, American English is just the most commonly spoken version of English, being the dominant culture

Nobody cares about sports at Secondary school, I didn't realise my school had sports teams until like year 11 when I saw them leaving and it was just a casual observation

Also Primary school = reception to year 6 or ages 4 to 11, Secondary school = years 7 to 11 or ages 11 to 16, Sixth Form (attached to a secondary school) and college (independent from a secondary school but otherwise same thing) = 16 to 18. Primary school to Secondary school is compulsory, after that you have to attend some form of further education whether that be an apprenticeship or sixth form/college is up to you. It is common to have a compulsory uniform for secondary school and less common for both primary school and sixth form/college. Primary school and sixth form/college uniforms are noteworthy whereas a lack of compulsory uniform in secondary school is noteworthy

American culture is the dominant one, we have watched and read a lot of American media

If you're poor, you live in a council flat and probably have free school meals, "trailer trash" isn't really a thing because trailers just aren't a common occurrence, the only group I can think of that commonly lives in "trailers" is 'gypsy' who are their own community and live in motorhomes. Discrimination against them is common but not in your face, which I will explain in a bit because that is its own point

People care a lot about both rugby and football and if you call it soccer and act all superior about you will make a lot of people mad because British football officially came first and a lot of languages call it something that sounds very close to football in their language and American football is closer to rugby in how it looks to us so it is a very sore point

Also, in case you haven't gathered, Britain is subtly anti-American we had an empire and we are bitter we lost it so seeing America get to where we were is something Britain does not react well to

British culture is all about pretending everything so normal and subduing, ignoring and otherwise refusing to acknowledge what strays from that "normal" so unless we are forced to openly acknowledge it we will not and then we will passive aggressively snipe at it. American culture is all about being in your face, British culture is all about pretending we don't see what's wrong. We refuse to acknowledge we even had an empire

Class is a big deal. The elites in our culture have historically been their own one and this is still seen today. Class divide is what defines us. We have things like the house of commons and the house of lords. Rather than the rich ending up in positions of power due to society falling to prevent their privilege, British culture and actively encourages elite power. There is still discrimination but because of the importance of class divide and the British refusal to acknowledge our own faults, it presents differently. Race is seen as it's own class below working class and there is discrimination between the white classes. The working class are seen as beneath the rich and the rich are seen as 'upperclass tw**s'. The middle class are then seen as traitors and having abandoned the working class because the elite government has purposefully drafted policies to ensure that happens

Also,all of the above applies to English culture. There are three countries in Great Britain and 4 countries in the UK. England, Wales, Scotland and North Ireland and the divide between these countries is clear. Scotland actively hates England, Wales passive aggressively hates us and Ireland is a mess we created (I would suggest waiting for someone who is Irish to explain that because I don't know enough about it and it is an incredibly complicated topic which plays a significant role in politics)

Also we dislike the French, Britain and France are rivals because we have been fighting on and off for centuries but the French are still seen as equals. We dislike them but we will fight alongside them if if comes to it

Also accents are important, because of the class divide, if you have a working class accent you are being discriminated against, if you have a posh accent you will be hated but people will respect your 'authority', no matter how much they hate

Oxbridge is elitist but there are so many other great Unis across the UK

To American media specifically, stop romanticising British culture, I have never seen the academia aesthetic you are portraying and it irritates, we are not just the rich upper class, look at our history people you portray and because of the class divide it hurts to see that as our only representation

Also London is its own thing, Britain does not recognise London as representative of Britain and London does not like everywhere that is London, it is the most diverse and the biggest city in the entirety of England by a large margin, it does not feel like the rest of Britain

On that point, there are many, many other cities and other towns outside of London, please acknowledge them (having never been to a lot of cities I can't explain them to you)

London does have divides within it such as the divide between North and South of the river, the South does not want to be part of London and the North refuses to acknowledge it. The Northern edge of London is also up for debate, for me it is the edge of Zone 3 (on a tube map) and the other side of the North circular by car but for others it might be further in or out so be aware of that. There is also divide between the post codes for example Wood Green and Tottenham, both have the same council (Haringey) but there is a clear divide between them only further emphasises by Haringey having two MPs one for Tottenham (David Lammey) and one for Wood Green and Hornsey. Both Wood Green and Tottenham have bad reps but the Wood Green half of Haringey starts drifting into middle class at its edges with Hornsey being solidly middle class so be aware of the variation in boroughs

And, London has no centre. It is a city that grew with its country and absorbed the surrounding towns. So if you say the centre of London people will assume you mean a specific part in zone 1 but will not know which part you are talking about and will assume you are talking in a generalisation. If they are traveling with you though, they will expect further clarification, don't say the centre and expect me to know where

Also, there is no space between houses in England, they are mostly semi-detached. I once watched an episode of escape to the country where someone tried to find a detached house and just struggled massively. You either have to pay loads of money or be in the middle of nowhere before your house is fully detached and it will still be only the same distance away from another house as the average American house is. We have one of the highest populations in Europe but a small land mass

Going on from that, Britain is definitely European and has a lot of shared culture whilst still obviously being it's own thing (like every single other country) but Britain acts like and will get mad at the suggestion that they are European like any other European country because 'we are entirely seperate and on an island and how can we not have become our own thing' the actual variation is because Rome (contrary to what the school system will teach you) had very little impact on Britain so we aren't as similar to the other Latin speaking countries as is expected, the main reason we are still similar is because of the impact of Norman conquest. Also everyone underestimated the effect of Scandinavian and Germanic culture on Britain because we act like all they did was pillage when in fact they settled down and where embraced by Briton (unlike Rome which did actually pillage and subjugate Britain without being widely accepted) so that's why there is variation. We are very European but not in the way people expect so Britain refuses to acknowledge it

Honestly British culture is a lesson in tolerance versus acceptance. But there is still active discrimination as people of colour and the LGBTQ+ can attest

Also Christianity is baked into Britain to the point that even atheists follow Christian customs without questioning it but significantly less extreme than France which just stops on Sundays (but is acknowledged as a Christian country so you know) and 'pagan' - so, in this case, Celtic, anglosaxon and Norse - culture has effected us being carried down in fairy tales and witchcraft

Some of this will be upsetting to many people as it should be because British culture hurts, it discriminates without acknowledging it and I want people to know that. I want people to see that when they write about it because the alternative is writing about Britain as if it has faults and that would be so much worse. So writers, please bear all of this in mind when talking about Britain, even and especially, the ugly parts

This has been a white, middle class, Londoners, perspective on Britain and no I will not call myself English because the divide between England and London means that being a Londoner rather than just English matters in this context

I would recommend listening to the perspective of Brits from other groups, such as England, Wales, Scotland, Northern Ireland, working class, upper class, Brit of colour, non-passing queer folk, Muslim, Hindu, Indian (the largest immigrant group is actually Indian and that's just immigrated in their lifetime rather than born British and Indian), Jewish (especially Jewish I can talk about that on another post but let's just say the Jewish have never been accepted but always been part of Europe) and so on, to get a more comprehensive view of Britain

[langernameohnebedeutung]

Is it bad to have an accent ? I’m studying English at uni and all my teachers say I have to work on my accent and adopt an RP or GA accent because having an accent is bad and terrible . I have a pretty thick French accent and I’m not sure I’ll ever be able to correct it and it’s making me feel very self-conscious so I almost never talk , which affect my performance in class .

Seeeee..........the thing is, there is this ideal. This gold-standard: The accent-free foreigner. (And if you do have an accent it better be from a rich white country and it better be barely noticeable and you won’t mind if someone is creepy about it)  And many learners ascribe to that ideal as well. And honestly, it doesn’t go anywhere, as far as I’m concerned. There are just very little professions where you will profit from not having an accent outside of people being happy about it. There is no practical gain. Unless you want to become an actor or a spy or the Queen’s professional doppelgänger.

So, to make this short, it’s not bad to have an accent as far as I’m concerned and your teachers sound like dicks tbh. 

We often complain about native-speakers who are rude about people’s accents or mistakes when they only know one language themselves. But I think it’s time to address that: ESL-speakers do it too - in fact, I would say that especially among people from countries where fluency in English is expected for  the younger generation, it is very common to lash out against people from the same community who have a thicker accent when they speak English and to make fun of them. And that’s just as rude as when a native speaker does it or when you make fun of anyone else for doing something you excel at.

On the personal note: You can only do something about accent if you speak and if you’re getting berated for the way you speak and that keeps you from speaking - then you’re not going to improve. It’s fair for a teacher to point out how to pronounce a word or to point out if someone’s grammar is wrong - but I study English too and while we had to stick to a specific variety when writing (either American or British), we were never told how to speak beyond pointing out mistakes in classes that were about language proficiency. And most people do improve over time, simply because their studies expose them to a lot of spoken English. I would meet people from my first semesters again in higher semesters and note how they have become more fluent and made less mistakes. Personally, I would try speaking to at least the lecturers you think might react decently about it that you’re working on it (whether you are or not) and that for that you need to speak and right now this kind of feed-back is making you more anxious about speaking and whether they would mine focusing their criticism on more structural aspects of your speaking.

As far as accents or being “accent-free” is concerned-  

I don’t even think it’s something that all speakers should aspire to. And even if someone’s end goal is to speak perfect RP or GA, that should be their personal goal. Many people uphold this strange notion of purity when it comes to people learning a language where everyone should aspire to be “accent-free” or “sound like a native-speaker”. And I guess it makes sense if you’re teaching someone how to speak that language as a beginner. It makes sense to show  them how to pronounce words and how sounds work in that language. If you have a person sitting in front of you who doesn’t speak English, it makes sense to stick to one version instead of saying “wa-t-er” in one lesson and “wadder” in the next or “caahn’t” in one sentence and “cèèn’t”in the next. It gives them a certain structure, helps them tell one variety from the other and to avoid confusion. Not to mention that if someone wants to study English they are expected to write their papers and essays in one variety of English so it makes sense that they know the general rules of telling them apart or recognizing or recognising how a word would be spelt or spelled. 

But when you finally become more fluent, you still have an accent and you still might not be perfect recognising one variety from the other. There are people who live in a foreign country for the majority of their lives but you can still tell where they come from. 

But the question is...who cares?

Don’t get me wrong, if someone wants to put their effort into learning a specific variety perfectly, I don’t see anything wrong with it and if they accomplish that - it’s quite some feat and it’s cool. Commendable. But the truth is that we all have accents. Even in our native languages, we speak in a regional accent, we probably have specific slang-words that are particular to some group. Age, class, sex, gender, education, interests - there are thousands of factors  that determine the way we speak. And it’s the same for native English speakers. There are hundreds of versions to speak English. 

I actually once took part in a public speaking class and the woman who held that class was a logopaedics trainer. And she could tell by the way people spoke and moved their mouth while speaking whether they used to wear braces, which parent they had a closer relationship with and other things. The way we speak - and the way we aspire to speak - is an important aspect of our personality and who we are and where we come from and personally, I don’t see the value of erasing that. It’s like a hand-writing and no one would tell you to alter your handwriting until you write in Times New Roman or Arial.

The thing is, when Anglos complain that they don’t understand a Scottish person or an Irish person or some other regional dialect, that is because that person grew up speaking a particular variety of English in a specific community. But for someone who isn’t a native speaker, they learn English in a community with a different native language - which means we simply speak that language with them (unless it’s for practice or a joke). I learnt English in a German school among kids with German accents and German language-habits - and teachers who had the same accent and the same habits and one who pronounced “wipe” as “whip”. And you probably learnt it in a French-speaking school among kids with French accents and French language-habits. So there is practically no way for any of us to leave school without speaking in that respective accent. But unlike a Scottish person or an Irish person, we didn’t speak that variety of English with our peers. We spoke our our native language. And I think that’s the difference for most people - that one group has a native community to fall back on and the other doesn’t, so the second one should aspire to imitating a native-speaker instead of adding another variety to the mix. 

Also you’re just as likely to speak English with people from any other European country (who also have their own accent and speaking-habits) as with a native speaker, so it’s not like you’re only going to be exposed to people who light you the way to a native accent. I remember when I made this post about “Euro-English” and people from absolutely random countries with different native languages all commented with: “No this is definitely how we speak, this is definitely our variety of English!” - meaning there are also a lot of unifying factors there too, based on our language families and cultural similarities - and how many people are there speaking like that? Hundreds of millions, probably.

Someone once pointed out to me that there are more Germans who speak English than there are Canadians. And you can do that maths  for a lot of countries: There are more Norwegians or Swiss people who speak English than people from the Republic of Ireland. There are more French people who speak English than there are Australians. That means with the exception of Americans, we outnumber people from the countries these “ideal” accents come from. And in fact, how many British people speak RP? How many Americans speak GA? And that’s just looking at western countries. There are so many varieties of English spread around the globe due to colonialism. It’s ridiculous to expect the entire world to sound like the Queen. In the end, each version is their own variety and just because it doesn’t have a native community to fall back on, I think it’s harmful to treat it as something only worth of erasing when a person’s English skills are a factor in professional success and social standing even in the community they come from.

English is the current lingua franca - a language that non-native speakers communicate in. And as I said, it makes sense to teach it in a specific way and to teach it the dialects that exist - because if everyone would just make up their own version of English, we wouldn’t understand each other and might as well not have bothered learning English in the first place. But you don’t need to have a cut-glass accent to accomplish that or aspire to have one.   

And this brings me to what I think should be the central question: 

What do you want to use your English for?

See, I did mention that if you want to become a British spy or play a British role as an actor or be the Queen’s bodyguard slash doppelgänger (a film I would watch) - then it would probably pay off to master a specific native accent as well as possible. (That said, there are enough British actors who get roles as Americans and vice-versa who don’t fool anyone and there are a lot of skills other than a specific accent that you would need to master each one). 

But those are jobs where you actively have to shed your own identity. That’s the point. You have to pretend to be a native speaker. But that’s not what you do in every-day life. In fact, most people you will interact with will probably know you’re French from the social context you are in or because it comes up in conversation, so beyond being a neat party trick, I don’t see what purpose having an RP or GA accent has here.

Of course, you might want to become a teacher, in which case, it would be important to have a specific pronunciation - but also all English teachers I had had German accents and I wouldn’t say that they would have been a million times better at teaching if they hadn’t had that - it’s far more important to know how to teach, to understand the grammar and vocabulary and to help your students to improve themselves and to understand why people speak the way they do.

You might want to be a journalist - if your interview-partner understands you and you can write in English, it’s fulfilling its purpose. If you want to work in a specific field - for example become a doctor in an English-speaking country - it’s important that your patients understand you and that you know your medical terms, but you don’t need Received Pronunciation. If you want to go into tourism, a bit of a foreign accent might actually come across as more authentic and desirable. 

So I think the central question is whether the English you speak right now serves its purpose for what you want it to - or if it is at odds with what you want to do with it.

If your accent wouldn’t pose a problem for you, then my profeschionel opinion is to fuck ‘em haters. Do what you like.  If you want to work on your accent: Do it. If you don’t: Don’t. 

But...if you feel like the way you speak English now would cause you difficulties in your job or every-day life later on - then I think the best thing to do would be to look into the specific skills you need and to invest your energy into acquiring these skills. Whether that is a specific jargon specific to one field or translate very quickly - or whether you really need to learn RP or GA. If you take a professional interpreter for example, many of them do lean to a specific variety, but have accents. It can’t be so heavy that it’s difficult to understand them, but their work requires skills beyond having a specific pronunciation. 

So erm...those where just my 2 cents on accents.

If you do want to change something about your accent - maybe even just to get your teachers off your case - I recommend listening to native speakers and particular, sticking to one variety you prefer. If you are already fluent and you understand them, your brain is very quick to pick up on dialects. (You know the thing where you watch someone speak in a specific dialect and for a while after you find yourself saying things in that dialect? The brain is very fast too do that and it also works in English, even if you don’t internalise it immediately and it feels artificial at first). Also don’t be afraid of speaking to yourself to practice. Obviously, speaking to others is important (and if you’re self-conscious or you are worried about your teacher commenting on it, maybe try asking a friend or sibling or someone to speak English with you or see if you can find a learning buddy) but I think talking to oneself can also be helpful. Because you are not trying to get a point across as you would in a conversation or have to focus on the words you are saying. You can focus on your accent and the way you speak and I think that is an important aspect when it comes to accents: Knowing your accent. Being aware of the way you pronounce words. You know the thing where you try pronouncing a word but you can never quite get there - much less if you’re trying to speak quickly or in a sentence? - It really helps to pay attention to the differences between the way you say it and a native speaker says it. Also if there is word you don’t know or that you aren’t used to hearing out loud  and you encounter it in the wild like a video or a film - it really helps to stop it and to pronounce it to yourself.

But generally, you cannot change the way you speak over night, even if you do it. It’s something that takes time and effort and it might never work completely. So really, I would focus on what you want to accomplish with your English and what future use you see for it - and focus on your strength as well, the things you’re good at. And in the short-term, I would try convincing the teachers that you are working on it but that their current course of action is actually making it more difficult for you.

[sternvonafrika]

7, 10, 20, 23, and 30 for the book ask, if you don't mind. have a lovely day x

7. If you’re not a native English speaker, how much do you read in your native language versus how much you read in English? How do you feel about that? // If you’re a native English speaker, go find a book in your second/third/etc language, or in translation, to add to your to-read list

i am not a native english speaker, as you may know, and i have to admit i mostly read books in italian, especially when it comes to non-fiction. however, i try to give a lot of space to books written in the other languages i speak (english, german, spanish) and when i was in high school i promised myself that i would always read a book in its original language when its writing was not completely above my level, not only because i wanted to read in order to learn and develop my understanding of the language but also because i wanted (and still want) to see the writing style of the author first-hand. although i value immensely the work of translators i generally tend to read books written by english speaking authors in english without any problems (although sometimes i still have to stop and look up a couple of words); i stopped studying spanish but sometimes i still read books or comics in order to keep my grammar/vocabulary alive and not to lose 5 years of effort, this is a bit trickier however: i still need to look up words and sometimes false friends ambush me; i left german as the last because it's the language whose literature i am involved with (and i am speaking of literature as in: big classics) because of university. it's still difficult, i need to concentrate, i need to look up words and write them down, but the joy i feel when i am able to feel and follow the prose of an author is unmatched !!

the idea of reading in another language always thrilled me (and it would be scary if it didn't since i studied languages in high school and  i am still doing it now, at university) and now i feel pretty comfortable in doing it; the only downside is that if i read a lot of books in one language (eg. 5/6 books in english) then when i have to pick up a book in another language my brain basically has to re-set to it and the first 20 pages a nightmare of lack of concentration and reading-the-paragraph-20-times-because-i-didn't-understand-it.

10. The book(s) you bought because the cover was pretty, and whether it was worth it

these specific editions of these books, they were all absolutely worth it and i cherish them with all my heart (notturno, by gabriele d'annunzio, is also one of my favourite books !!) + honorable mention to one of the three editions of der tod in venedig by mann i own, the italian one by einaudi with björn andrésen as tadzio on the cover

20. The coolest bookshop you’ve ever been to

the "flying library" in the centre of the city next to were i live, it's an amazing independent bookshop owned by three lovely people who are always very happy to help and give amazing recs. why is it called the flying library? because it has a little red plane + hundreds of old books tied to the ceiling with transparent strings and when you enter there you are greeting by book flying all over your head

23. The book you expected to hate, didn’t, and then got angry about not hating

sorry about this but: the portrait of the artist as a young man by james joyce. let's start from this: me and james joyce aren't really in good terms (yet good enough for me to visit the joyce museum in trieste, apparently), i don't like his prose, i find him very difficult to read - especially without a translation - , i am not amazed by his plots or the sensation he should evoke in me ... and i say this with a bleeding heart because i generally love modernism. however portrait was different; i believe the protagonist is written & developed brilliantly. in the end he tries to claim his soul as he becomes the artist he was born to be and abandons all he was anchored to pursue his personal illumination. anger about not hating it: i guess now i can't really say "oh, joyce, i can't stand him" with this shitty smug face of mine anymore, that's just it

30. The book you read the blurb of, constructed a version of in your mind, and were promptly disappointed by once you finally got around to actually reading it

another controversial (maybe since i saw all my friend completely adore it) one: the road by cormac mccarthy. i had to read it in high school and all i knew was that he was an extremely praised and acclaimed author, my english literature teacher described mccarthy as a deep and brilliant writer and when i got my copy of the book i was thrilled by the blurb and ready for an adventure in this post-modern wasteland. oh boy, how disappointed i was when i started it. the book just seemed a redundant series of unnecessary descriptions, the reader is probably supposed to find this simplicity in his prose profound (you get the gist, postmodernism: defamiliarization, the old becomes new, the little becomes big, everyday life has its importance, and so on ..) but i didn't feel any personality in it, no relationship to the plot, no revealing of the characters. for my taste it was too bare to be considered beautiful and it was just a book completely painted black where the author added layers of dark colours that cannot contrast nor, in the end, stand out.

[scribbling-stiks]

Puppets - XXV - Hair-Brained Schemes

The next morning, Russia wakes up much later than he was expecting to. He isn't complaining. He just thinks it's a little odd. He lazily grabs his phone from the nightstand and sees a text from New York, trying to coordinate where they would go next, from a few hours ago.

He unlocks his phone and texts, "*Do you know about any other suspicious activity?*"

A few moments later, his phone buzzes in reply. "*Yes. There have been several reports of strange activity in several cave systems in Colorado. However, I wanted to consult you about how to prioritize them.*"

Then before Russia can reply, it buzzes again. "*Spring Cave is not normally open to the public due to the risk of killing local wildlife. Rangers have reported hearing strange things inside the cave system. It's only open to the public in the spring and closed in August. I might be able to get Colorado to get you special permission to enter. The area is isolated.*"

Russia waits for New York to finish sending all the options, reading through them as they arrive. He notices that Louisiana is sitting up in bed, staring off into the distance, and Massachusetts is still asleep. Then his phone buzzes.

"*There is also a mine in Hastings with a dilapidated ghost town around it. The mine was closed, but some of the tunnels may still be accessible according to Colorado,*" the text read, and his phone buzzes again.

"*The last location you should look into is the Lost Creek Cave System. There has been an unusually large number of reported disappearances in the area, and the rangers refuse to go near the area to investigate. Which one will you be going to?*" New York asks.

"The mineshaft. It is the closest to our current location," Russia replies. He looks down at his phone, startled. Had he really had an entire conversation in Russian with an American state?

"Okay. Let me know your ETA once you leave the hotel. Also, you will probably want camping gear to stay there because you are in one of the last known places where there's lodging available close to the site," New York replies, with no issue with changing languages.

After reading the final text, Russia shuts off his phone. He turns to Louisiana. "How many languages does New York know?" he asks.

She looks up, a little startled, before she flashes him a smile. Her face scrunched briefly out of concentration before she shrugs.

"I don't know. I don't even think Yorky knows, with the immigrants and all that. Dad is the only one I know who knows more."

"America is fluent in more than one language?"

Louisiana scrunched her nose. "It ain't that weird. I speak French, and Texas is fluent in German and Spanish. If y'all want proof of the German, ask him about 'Texas German.' Maybe dad doesn't show it much in front of the other countries, but he understands almost every language in the world," she says flippantly.

"Why haven't I ever heard him speak in a language other than American English?"

"Some of his dialects are weird and kinda old, so he feels embarrassed translating. He understands most languages' modern versions, but Pops speaks like a grandma," Louisiana answers with a shrug.

"I always assumed that he only knew English," Russia admits, feeling a little flustered.

Louisiana laughs. "Nah, if y'all start talking to Dad in a different language, he'll just respond in English. It's really funny to do with Uncle Canada, 'specially in a place where people only speak French, like Quebec."

"What are you guys talking about?" Massachusetts whines through the pillow on his face.

"Dad's languages," Louisiana replies without looking away from Russia.

"Oh. Also, when are we leaving?" Massachusetts asks, sitting up and dropping the cushion into his lap.

"We will leave soon. I will text Canada now," Russia says, pulling out his phone. He sends Canada a short message telling him to get dressed and meet in the main room ASAP. Canada responds immediately with an affirmation, and Russia places his phone back on the nightstand. The three of them take turns to change in the bathroom. Russia goes first, followed by Massachusetts, and Louisiana goes last. Louisiana is fixing her hair when Texas and Canada arrive.

"So y'all ain't gonna believe this!" Texas announces.

"What's goin' on, Tex?" Louisiana asks, smoothing down her hair.

Texas stomps over the bathroom doorway and begins telling his story enthusiastically.

"The clerk threatened to call the cops on me because I was holding this," he waves the large bone in the air, "and he thought I was crazy when I told him I was a state doing state business. I had to ask 'Rado to back me up!" he exclaims, waving his free arm to vent frustration.

"Wow. I wonder why they were so concerned about a crazy person wielding a bone club," Massachusetts comments sarcastically from the edge of his bed.

"Will you shut yer trap!" Texas says, swinging the bone in front of Massachusetts' face threateningly.

"Oh, no. What am I going to do?" Massachusetts dead-pans, staring Texas with an apathetic look.

"Stop. Now," Russia demands, and both states pause before backing up with mumbled apologies.

"So, you have a plan, eh?" Canada asks.

Russia nods. "New York suggested a few locations, and we are going to investigate the closest one. Unfortunately, we will be camping in the area."

"'Camping'?" Massachusetts repeats skeptically.

"I agree with Mass, that ain't a good idea, Russ," Louisiana remarks.

"I mean, what are we even going to camp with?" Massachusetts demands with his arms crossed.

"New York suggested we get camping supplies before going. The area is secluded, and we are staying in the nearest hotel here."

"New York suggested it?!" Louisiana exclaims.

"It's gotta be the only option," Texas concludes quietly.

Massachusetts mutters profanity under his breath, but there is no more outward fighting about the plan. They load up into the car and drive a few miles down to the nearby Walmart to pick up supplies. Russia follows Texas into the store, and they gather supplies, such as a shotgun, shotgun ammo, one large tent, five assorted sleeping bags, a bear-box, and some non-perishable food.

They check-out without issue and pack the supplies into the back of the car with the backpacks. Texas takes the wheel with Louisiana as copilot, and most of them take turns driving an hour at a time. Canada, however, is still not allowed to drive, per the insistence of the passengers.

~

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[fcarher]

THE MEGA RP PLOTTING SHEET / MEME.

First and foremost, recall that no one is perfect, we all have witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat.

Mun Name: slug / ellie     Age: 19       Contact: IM, discord

Character(s) I rp: Yunaeisha Adynora, other demons from my lore Which muse(s) inspires you the most atm?(for MM): Yunaeisha Current Fandom(s): None really  Fandom(s) you have an AU for:  Naruto, PKMN, Magi, Gangsta, OPM, MHA, Hazbin Hotel & currently working on an ATLA verse My language(s): german, polish, italian, english   Themes I’m interested in for rp:   Fantasy / Science fiction / Horror / Western / Romance / Thriller / Mystery / Dystopia / Adventure / Modern / Erotic / Crime / Mythology / Classic / History / Renaissance / Medieval / Ancient / War / Family / Politics / Religion / School / Adulthood / Childhood / Apocalyptic / Gods / Sport / Music / Science / Fights / Angst / Smut / Drama / etc. Themes/Genres you have an AU for: highschool, modern & fantasy/medieval

Preferred Thread length: one-liner / 1 para / 2 para / 3+ / novella. Asks can be send by: Mutuals / Non-Mutuals / Personals / Anons. Can Asks be continued?:   YES / NO   only by Mutuals?:  YES / NO. Preferred thread type: crack / casual nothing too deep / serious / deep as heck. Is realism / research important for you in certain themes?:   YES / NO. Are you atm open for new plots?:  YES / NO / DEPENDS. Do you handle your draft / ask - count well?:  YES / NO / SOMEWHAT. How long do you usually take to reply?:  24h / 1 week / 2 weeks / 3+ / months / years. I’m okay with interacting: original characters / a relative of my character (an oc) / duplicates / my fandom / crossovers / multi-muses / self-inserts / people with no AU verse for my fandom / canon-divergent portrayals / au-versions (as main or only verse). Do you post more ic or occ?:  IC / OOC. Are you selective with following others?:  YES / NO / DEPENDS.  

Best ways to approach you for rp/plotting: the best way is just to straight up approach me. most often than not, just liking a post is not enough because it’s too vague ?? like if i post an idea & you like that, i’ll still be hesitant when it comes to roleplaying or approaching you because, while i appreciate such gestures, i’m just too anxious. therefore, plopping into my IMs without a properly fleshed out idea is also fine ! it, at least, gives me the hint that you’re actively seeking interaction. however, just saying “i want to roleplay & plot !” won’t cut it; at least, have something in mind, please !

What expectations do you hold towards your plotting partner:  basic ideas & pouring their heart into plotting! i don’t mind waiting, at all, so if you’re busy, don’t worry about keeping me waiting; i completely understand since i’m also often busy with work or university. but !! please don’t only come to me with the statement: “i want to plot!” it’s not gonna cut it & it’s not gonna help with a proper interaction, at all. if i approach someone, most often than not, i have SOME sort of idea in mind. but yeah, being passionate is the most important thing!

When you notice the plotting is rather one-sided, what do you do?:  most often than not, the conversation will die down because i will loose motivation; i don’t like it because i’ll feel like a bother & i shouldn’t feel that way when it comes to a hobby! therefore, one-sided plotting is one of my deal breakers; i usually end the conversation & there will be little to no interaction happening. like i said; i don’t mind waiting, i just hate that feeling of coming on TOO strong when my plotting partner delivers no input. 

How do you usually plot with others, do you give input or leave most work towards your partner?:  often than not, i start off with rather simple question like; are you interested in a certain verse ? do you already have something in mind ? if not, i will go through their about page & ask them things about their character & how that could possibly bring our characters to interact. sometimes, the about pages of a muse cannot give you every single bit of information; muses grow & change with each thread, therefore, it’s often better to just ask the people about their characters ! & from then on, it often just comes naturally. 

When a partner drops the thread, do you wish to know?:   YES / NO / DEPENDS. - And why?: if the thread is not THAT important or vital for our character’s relationship; i don’t mind & won’t need to know if the thread is dropped. sometimes, if it’s a heavily plotted thread & i’ve anticipated the interaction a lot; i’d appreciate a quick heads-up from my partner that they’re not feeling that certain thread any longer; i don’t mind that !! - What should your partner do when dropping a thread?: they don’t need to tell me; SOMETIMES, it’s just a nice gesture but most of the time, i don’t care, we can always start another thread !!

What could possibly lead you to drop a thread?:  many things can lead to me dropping a thread; just losing motivation, having no muse for a certain genre or simply having the feeling that my partner is not liking it, any longer (ex. extreme lack of trying to match the reply length ). my health & my schedule can also, sadly, affect my motivation, so, more often than not, i tend to drop shorter threads & keep longer ones.  - Will you tell your partner?:   YES / NO / DEPENDS.

Is communication in the rpc important to you?   YES / NO. - And why?:  i get anxious really fast if people stop replying for a very long time, out of the blue. it has happened to me once before with a good friend with whom i have no contact with any longer due to miscommunication & them not trying to communicate the issue with me; therefore, yes, it is very important. i wanna know if something is bothering you; i wanna know if you like something very much; i wanna know what’s up ! we’re humans & we’re adults; we can talk about this.  - Are you okay with absolute honesty, even if it may means hearing something negative about you and/or portrayal?:  yes ! as long as it is constructive criticism & not straight-up bashing my characters or lore; i’m all for it. i don’t mind hearing negative things; in fact, i appreciate the honesty & it gives me room to work on myself & my writing ! - Do you think you can handle such situation in a mature way?  YES / NO.

Why do you rp again, is there a goal?:  building relationships that LAST & exploring my muses through & through; it is amazing how much yuna has grown through interactions with others; how different she has become from the yuna i once started out with; it’s almost been a year now & it’s just amazing. however, i’m not stopping anytime soon; THERE IS SO MUCH MORE I WANT TO EXPLORE !! the ultimate goal is for me to just look at my blog & be completely proud of what i have accomplished & written; i want fleshed out relationships & threads; deep stuff !!

Wishlist, be it plots or scenarios:  yuna talking with someone about her struggles; mentally & physically. being open about her abusive father & how it has traumatized her & painted men in the worst picture one could imagine. HOWEVER; a hard thing because i don’t want these things to be pre-est or something; i want a thread where there is struggling, screams, conflict ! it is rather hard to find someone, though, who is willing & fitting to go onto that long journey with me & yuna. also, i’d love to write about darker stuff; i love fluff, though, sometimes i sure want a bit of that, too. 

Themes I won’t ever rp / explore:  the only things i won’t rp or explore are stated in my rules; ex. pedophilia, rape & really descriptive animal abuse. killing, torture, gore as well as cheating, heartbreak or toxic relationships are okay, while i do prefer to have a deeper bond with someone while exploring the latter & be communicating the whole time; i think these are really REAL topics & that’s why i wouldn’t mind exploring them because it does happen, more than one would like them to happen. however, if i see you, the mun, glorifying or romanticizing these; just no. 

What Type of Starters do you prefer / dislike, can’t work with?: i like everything with some sort of substance; i love short ones as much as long ones, nevertheless, you have to give me something to work with. yuna would ignore anyone not of any interest or value to her; therefore, if your muse just asks her random questions, the interaction will go nowhere. if you’re unsure; just ask !!

What type of characters catch your interest the most?: i love characters with uniqueness to them; it can be a certain interest, certain appearance or their species can be totally unique to them; i’ll love it ! i do have a thing for villains, though; always had, even when i was young 8^) so, dark, stubborn & “evil” characters catch my interest far more than a really nice muse who just is all smiles all day. i love a muse that can kick mine & yuna’s ass, basically. someone with strong morals or who is just really set on their beliefs can also offer conflict which i ADORE !! i need it; i live for it !!

What type of characters catch your interest the least?:  really kind & unbothered muses who are self-sacrificing, perfect & loved by everyone for no reason ?? idk, i just think it’s bad writing. everyone has flaws; no one is perfect ! 

What are your strong aspects as rp partner?:  i am a very open person who will talk with you about anything & is keen on exploring our character’s relationship at all times & through all means; i often send my rp partners prompts in form of my yuna just being her dumb-self or through memes ! i will constantly think about our characters & will try to have them interact as much as possible. i am, most of the time, very active & respond to the threads fairly quickly ! if i am totally invested; you’ll get everything you want; a moodboard, an edit, a drawing, etc. i literally pour my heart & soul into every bond my muse has; i live for them. oh !! i also love asking people question about their characters; i just love learning new things about them !! 

What are your weak aspects as rp partner?: i’m very slow out of character; i don’t approach muns a lot because i’m scared to be a bother, working on it ! i often ramble a lot & my writing can become a bit convoluted & hard to understand, i apologize ! i tend to not message people on discord as often as i’d like to; mostly because i’m really socially awkward or just don’t think that what i want to show to them is THAT important. i’m not as straight-forward as i wish myself to be; however, even with all that; i still have a lot of fun & am acknowledging & actively working on my weak aspects ! 

Do you rp smut?:  YES / NO. Do you prefer to go into detail?:  YES / NO / DEPENDS. Are you okay with black curtain?:  YES / NO. - When do you rp smut? More out of fun or character development?:  often, it is because i want to develop the relationship or yuna’s character; she’s a very sexual being who hardly connects to someone emotionally; therefore, writing sex & exploring the vulnerability behind it can be really beautiful ! though, fun is also involved !  - Anything you would not want to rp there?:  non-consensual stuff is a no-go ! also, certain kinks that make me uncomfortable are also off the table; ex. anything involving bodily fluids other than spit. 

Are ships important to you?:   YES / NO. Would you say your blog is ship-focused?:   YES / NO. Do you use read more?:  YES / NO / SOMETIMES. Are you: Multi-Ship / Single-Ship / Dual-Ship  —  Multiverse / Singleverse. - What do you love to explore the most in your ships?:  i love the conflicts the most; clashing ideals or just two stubborn muses arguing for the heck of it is really fun & can develop the relationship beautifully ! yuna is a person who likes someone that can be properly fought with, verbally here. but of course, i also adore the very soft moments!! i love meaningless fluff; it warms my heart.  - What is your smut tag?: SINFUL.

Are you okay with pre-established relationships?: YES / NO. - And what kind of ones?: nothing TOO drastic; a friendship, a rivalry is a-okay ! however, i’m very hesitant when it comes to having pre-est. romantic relationships; though, you can quickly change my mind if you pour your soul into the plotting; then i’m fine with it ! everything that needs time when writing also needs time when plotting; don’t just straight up jump into something if you’re not able to give it your all.

► SECTION ABOUT YOUR MUSE.

- What could possibly make your Muse interesting towards others, why should they rp with this particular character of yours now, what possible plots do they offer?:  i think yuna is a person with whom it is easy to form relationships with; it takes a bit of time but due to her rather drastic ideals & opinions; anything can be founded within seconds. she doesn’t hold back when it comes to her honesty & conflicts will arise. also, for all muses with demonic or deity backgrounds; being a daughter of the literal queen of hell, though, also harboring fragments of a god’s soul makes her unique in the supernatural world which can spark interest with your character or even they can develop an ill-will towards her ? i think it’s really interesting exploring what makes one work & go on & yuna has the philosophical potential to tickle that out of your muse; she question EVERYTHING. now for certain plots; one-sided love or even friendships are always really interesting, especially when she is the one having such feelings. other than that; she has enormous & dangerous powers; so if you’re into character or world-building; can offer that as well !

- With what type of Muses do you usually struggle to rp with?:  humans; she doesn’t approach humans who are just kind & have nothing to offer for her, the least she’d do is have sex with them or kill them to harvest their life energy. i’m sorry but she really does hate all of humanity & to change that opinion ? man, you must be the most stubborn person ever.  - With what type of Muses do they usually work well with?:  characters who are of supernatural or demonic nature; she’ll be very interested & even nosy to a point. also, very attractive characters who are not afraid to speak their mind; she’s really superficial most of the time & will flirt with anything that she deems good-looking. muses who have ideals that contrast hers or that are similar to her but also, generally, people who are open-minded. 

- What interests your Muse(s) in general:  sex, parties, plants & flowers, astronomy, writing, demons & hell, the underground scene, killing, knives & playing the piano - What do they desire, is their goal?:  the questions that bother her the most are; why did her mother had to die ? why would nobody help her while she was being abused by her father ? why was she kept alive by her sisters ? is there love out there for someone like her ? what do these strange visions mean that occur almost every night ? she has a lot of things she wants to experience & wishes to have a normal life once she has killed her other mother, lilith, which is her ultimate goal, at the moment.  - What catches their interest first when meeting someone new?:  their appearance; the scent of their blood & if it differs from humans; how they react towards her & what they do in front of her.  - What do they value in a person?:    strong opinions, loyalty, good looks, humor, strength (not limited to physical strength) - What themes do they like talking about?:  herself or the world & the state of it; she likes being philosophical with some, can often be somewhat self-centered; THOUGH; it is almost always for her to see how they would react to that. 

- Which themes bore them?:  love & drama; she does not care a lot for gossip or anything relating to it; the topic of love, no matter in which sense, is always brushed off because she just doesn’t find any appeal in it. 

- Did they ever went through something traumatic?:  Being the reason her own mother committed suicide; Her father & sister abusing her all her life, spouting lies & beating her until she could stand no more while her other sisters would watch & do nothing, even though, they were supposed to support each other; laewa, one of her sisters, fancying the idea of killing yuna for the greater good; two of her best friends turning on her when they find out she’s not human & then being killed right in front of her eyes; her one & only boyfriend protecting her from a demon hunter & being killed in the process - What could possibly trigger them?:  loud sudden noises; making fun of her attachment to her late ex-boyfriend, being awfully nice to her, the sight of any dog or wolf, tender touches (esp. her back being touched), being alone with her thoughts for far too long  - What could set them off, enrage them?:  people who make fun of her & her powers; calling her a monster; not understanding her pain when she opens up; purposefully touching her back or any other scarred skin, being nosy  - What could lead to an instant kill?:  you are a demon hunter that does not show remorse when killing demons with a consciousness, trying to kill her, killing one of her comrades 

- Is there someone /-thing they hate?:  Keela Adynora, Myra Adynora (Father, Sister), the other D.O.L.s, EYES’ superiors (the organization she works for), Humans, Lilith - Is there someone /-thing they love?:  Evelin Adynora (Her biological mother)

Is your Muse easy to approach?: YES / NO. - Best ways to approach them?: If you’re not quite human or are a demon, you could literally stand next to her & be silent; she’ll become curious on her own. other than that; be interesting or flirt with her; just do something that does not involve small talk; she hates that.  - Where are they usually to find?:  strip club (her workplace), bars, clubs, clearings within a forest, nice areas that are full of trees & plants; a roof-top

Something you may still want to point out about your muse?:  Yuna is basically pandora’s box personified; she may seem nice & attractive from the outside but within her are sleeping demons that only wait to be awakened. & withal, she is still a cutie who will become your number one supporter & protector if you manage to build a proper relationship with. it’s hard to get through that shell & what awaits is NOT that pretty but with years upon years of abuse, neglect & shit being thrown her way; it’s not easy being a carefree immortal. 

CONGRATS!!! You managed it, now tag your mutuals! ♥

Tagged by:  @skyvar , i srsly love these so much, snow !! thank you for tagging me <3 i had so much fun 8′)  Tagging:  @thevvolf ; @nezumi-vc-103221 ; @empiia ; @dvojakyvlk ; @childrenxfthemoon ; @hensetsu​​ ; @goldempire​​ ; @animatedatrophy​ ; @talonness​ ; @shikkotsunin​ ; @wcrthlessanimal​ & anyone else !! 

[likeamattoutofhell-archive]

LIKE A BAT OUTTA HELL, I’LL BE GONE WHEN THE MORNING COMES...

Matty Kincaid, confidential-style. AKA a proper detailed character bio.

START ME UP NAME, USUALLY: Matty NAME, ON THE PAPERWORK: Matthew Carter Kincaid NAME, WHEN HE’S LYING: Matty Kerrigan, Mark, other things starting with M and K

BORN: 8 December, 1954 IN: Bremerhaven, (then West) Germany TO: Carter Kincaid and Patricia Kincaid (formerly O’Brien)

DIED: 8 December, 1987 IN: New York City, U.S.A. OFFICIAL CAUSE OF DEATH: Unknown - missing, presumed dead given quantity of blood at the scene. Foul play suspected. Legally declared dead in absentia in 1990.

TO LOOK AT YOU FACE: Luke Arnold HEIGHT: 5’7”, plus hair BUILD: On the slighter side - doesn’t look especially well, these days. Stringy. EYES: Blue HAIR: Dark brown, curly. Face kept clean-shaven, generally. Blood in your beard is a bad fuckin’ time. DISTINGUISHING FEATURES: Definitely his hair, which, to this day, is maintained in a full-on, past-the-shoulders-length shag. His smile’s pretty spectacular - rock-star grade, right - but especially memorable if you see him fangs-out; he’s recently aged into a second set of fangs (first bicuspids, top and bottom, in addition to canines). Double the piercing damage. Roll for initiative. PIERCINGS: One per ear, on the lobes. Did it himself in high school, in the bathroom at home, because that seemed more likely to upset his parents. Hasn’t worn anything in them for a while, though. INK: A few pieces of mostly spontaneous flash, and a couple other things. Most were for the experience - usually shared with bandmates - more than any kind of planned artistic endeavor.

SCHOOL’S OUT EDUCATION: Attended multiple public schools in West Germany, Texas, Georgia, Colorado, and Florida. Almost completed two semesters at UCLA. Almost. Dropped out to take the band on the road. Did play the MC in the university’s production of Cabaret, though, before he left. Nailed it. Rave reviews. Counts for something, right?

STUFF, THINGS

English might be his first language, but German is a very, very close second. He picked up a few bits of small talk in other languages along the way, but never wound up fluent or thoroughly conversational in anything. Just a couple nice phrases for the fans, right.

Matty had to teach himself to play piano, or at least to play music on piano, by ear; he only learned the more technical aspects of the instrument later, but can transpose pretty freely.

He figured out enough about tailoring to do little adjustments to his own clothes, as a kid fighting for ways to look like himself. Sure, he can’t do anything too fancy, but Matty knows how to make something off the thrift shop rack look sharp. For a given, very eighties-attuned idea of sharp. 

SUPERNATURAL STUFF, THINGS

When it comes to supernatural knowledge, Matty knows a bit about a few things. But his awareness is generally broader than it is deep, and packed with misconceptions - mostly based on bad experience and his general terror of supernatural nonsense. He genuinely buys into the worst beliefs about vampires, for instance, which is part of why he has such a heckin’ hard time functioning.

He’s obviously most familiar with vampires, including some subspecies; not all, by a long shot. After that, his useful and accurate knowledge slides sharply, from most to least: hunters, zombies, werewolves, spellcasters, ghosts, mediums, the most common fae (like spriggans, or nymphs). Informed by whoever he’s snitching for, he tends to know the key points - giveaways, major strengths, vital weaknesses. But, of course, this is all filtered through instructions from hunters, so. Super skewed. 

As playable species go, he’s heard of (but knows nothing real about, and doesn’t necessarily believe in) banshees, empaths, and aura readers. Sounds fake, you know? 

He’s got no idea bugbears, mara, the rarer fae types, furies, or pretty much any non-werewolf shapeshifters even exist. Matty also doesn’t know that, uh, phoenixes are people too. Which is why the ash problem isn’t really a problem. Yet.

WHO ARE YOU (WHO, WHO) STARS: Sagittarius BEST: Passionate, creative, charming, affectionate WORST: Defensive, conflicted, fearful, self-loathing

NEED YOU TONIGHT WHAT’S HE INTO, ANYWAY: TLDR version, you took a perfectly good pan and gave him homoerotic anxiety. “You” being a prejudiced time, a rigid home with rigid ideas about what a boy was supposed to be and desire, and an entertainment industry that had its own expectations - some liberating, some their own kind of cage - as to what made a leading man in a wild American rock band.

Not TLDR version, Matty’s pansexual, but given the environment he grew up in, and the strange mixture of possibilities and pressures of the life he led, attraction to masculine figures has been a difficult thing for him to navigate. He’s had a lot of fun with women, publicly and privately, but his encounters with men were secretive, and limited. (Doesn’t count if it’s an orgy, right?) Matty spent most of his life feeling that his reputation, his image, was something collectively owned - if he fucked up, it would hurt the band, and that he couldn’t stand the thought of.

RELATIONSHIPS: Many, historically, anyway. Matty was the pretty boy frontman of a band that made it big, and he certainly dated like it - there were models, actresses, socialites, whatever.

YEAH, BUT NOW: Nada. Matty hasn’t had a genuine friend since he died, nevermind any kind of intimacy.

METAL HEALTH GENERALLY: An unstable combination of uneven blood supply, a great deal of substance abuse, and poorly dealt with vampirism.

PHYSICALLY: He’s dead, Jim. Pretty good, considering that. DETAILS: Before he got souped up on vampire juice, Matty was pretty terribly near-sighted, and wore glasses for it - offstage, at least. Now, of course, it’s not an issue. Kinda fucks with his painting, though. He’s not sure this is an improvement.

PSYCHOLOGICALLY: Well, still dead. Pretty not good, considering that. DETAILS: Back in the day, Matty was actually seeing a psychiatrist pretty regularly, and had been since his mid-twenties. They had plenty to talk about, but anxiety was a recurring theme. By the time of his death, these appointments were more a matter of “maintenance” than anything else; he was doing genuinely well. But, you know. Unlife… found a way.

TYPES & TROPES Addled Addict Artistic Stimulation Beautiful Singing Voice Friendly Neighborhood Vampire Horror Hunger I Hate You, Vampire Dad Metal Scream The Rock Star Sex, Drugs, and Rock n’ Roll Starving Artist Warm Blood Bags Are Everywhere

DID IT FOR THE MEMES “Um, Matty, could you read Number Twenty Three for the class?” “No, I cannot. What up, I’m Matty, I’m almost sixty-seven, and I never fuckin’ learned how to read!”

“When life gives you vampirism!”

“Adam!”

“I’m working on my coke addiction. My - my diet coke addiction. Aha.”

“So I’m sitting there, with human blood on my titties…”

“Is that a police? I’m calling the weed!”

“You’re NOT my SIRE!”

“Two bros, chillin’ in a hot tub, five feet apart cuz they’re not gay.”

“AH! Stop, I could’ve dropped my bloodbag…”

[imperfekti]

Tenipuri Party: Tezuka Kunimitsu profile translation

TN:

In the absence of an official English version, this translation is intended to help those who can’t read the material in the original language. Please support Tenipuri by getting your own copy of this book - it is worth it! There are various ways of purchasing it even for those not living in or visiting Japan.

The pictures I have included in this post do not show full pages.

On the translation: this time I’m aiming for a more direct, “Japanese-sounding” translation to share the mood of the content more as it is. This will probably cause some sentences to appear weird in English.

On Tezuka’s style of speech: his word choices and sentence structures are mostly polite and serious.

I’m still working on Japanese, so there might be mistakes. Please let me know if you spot any translation errors so I can fix them here!

Tezuka Kunimitsu

U-17 German representative player Seishun Gakuen Middle-school player

Beyond the imagined future - the released challenger!!

Message

“For the support every day, I’m grateful. For the sake of becoming a professional, and for the sake of my tennis, I intend to earnestly keep confronting myself. I think you are the same. In the future as well, together. Let’s go without carelessness.”

Extra prize: A voucher for two at a high-class mountaintop hotel “An undeserved honor. I’m focusing on tennis right now, but… If I can make the time, I will gratefully use it. For two, huh…”

Profile

[DATA] Middle-school 3rd year / October 7th (Libra) / Blood type O / 179 cm / 58 → 61 kg / Left-handed

Special techniques: Drop shot, zero shiki drop shot, Muga no kyouchi, Hyakuren jitoku no kiwami, Saiki kanpatsu no kiwami, Tenimuhou no kiwami, Tezuka zone, Tezuka phantom, Zero shiki serve

Playstyle: All-rounder

Family: Grandfather, father, mother

Father’s occupation: company employee (business) (grandfather is a judo instructor for the police)

Hobbies: Mountain climbing, camping, fishing

Favourite saying: The enemy is within yourself

Favourite color: Green or blue

Favourite food: unacha (a dish with eel carefully broiled in soy-based sauce), Räucheraal (TN: smoked eel)

Favourite book: German-Japanese-German dictionary (to carry with him)

Favourite music: Classical (Beethoven)

Preferred type of person: Trying not to think about it at the moment.

Preferred date spot: Zugspitze

Most wanted item: A mountain model kit

Things he’s bad at/with: Being idle, colourful cakes

Elementary school: Seishun Dai Daiichi Elementary School

Committee: Student council president

Strong subjects: World history

Weak subjects: None

Often visited place in school: The library

Uses allowance on: Books

Skill outside tennis: Woodworking, preparing fish for cooking

Routine during tournament: Keeping a diary in German, watching foreign comedy-dramas.

Favourite anniversary: 23rd August

Preferred travel destination: Macchu Picchu ruins and Huayna Picchu

Present for a special person: Writing a letter of gratitude

Scenes

Injuries, seizing the nationals… Tezuka Kunimitsu overcame numerous challenges that waited for him and seized glory. But he is not a man who would be satisfied with that. From now on too, I want to pay attention to the steep path of him who moved over to Germany.

(Quotes on pictures:)

“I will not lose.”

“Saiki kanpatsu no kiwami!?”

“And then Seigaku’s era will begin once again!”

“Now, let’s go without carelessness.”

Indeed, it should perhaps be called a “Tezuka zone”.

“Hyakuren jitoku no kiwami!?”

This boy’s tennis is certainly Ten’imuhou no kiwami!?

“No matter who I will end up fighting… I will win!”

The German representatives’ strained atmosphere connects to rapid development (*1)

Tezuka-senshu (*2) becoming a German representative was a shock. Did you not have worries about this decision?

If I said no, it would be a lie. However, as to what is important for me as someone aiming to become a professional, I judged it to be fighting as a German representative and based my decision on that.

Specifically, the currently important thing for Tezuka-senshu is…?

Most of all, it is actual experience of fighting at a higher level. At the German training centre, I have the fortunate chance to rally with top pros like Volk-senshu. Even in practice, they are always making hypotheses as to which shot they should hit, what kind of a play they should make in any kind of match circumstances when they are standing on the court. Having put myself in such a strained atmosphere, I can truly feel my level of experience rising rapidly.

Any bewilderment at facing your former comrades…?

Whoever will become my opponent will not be a problem. But, at first, I thought I was feeling sorry. However, at the time of fighting Japan in the exhibition match, I came to realise my heart was throbbing about competing against them. But just fighting as sworn friends, it is not to elevate ourselves. Rather, by putting a net in-between and confronting each other, the light can come from a new angle and hasten growth - that is what I believe right now.

Then, what is Tezuka-senshu’s current objective or dream?

Upon seizing the world, to hold up the flag of Germany that showed in me, a foreigner. If the opponent for that match were to be Japan, there would not be higher joy.

In a well-ordered and non-negligent environment, pleasant days go on

Have you already grown accustomed to life in Germany?

Yes. Everything proceeds very systematically, so in that sense, it sometimes feels like it is actually even more pleasant than in Japan.

What things for example are like that?

Everyone is already gathered around 15 minutes before the set meeting time. The notion of ecology is growing, so most customers carry eco bags for their shopping, and the separation of waste is enforced thoroughly. Everything is done logically, and it’s an environment without negligence.

I see. It suits the serious Tezuka-senshu perfectly. Then, how do you spend your days off?

Touring antiquarian bookshops is currently my biggest enjoyment. From Goethe to Ende, I have been able to acquire several original texts that I couldn’t in Japan. Also, when time and money allow, I try to go to classical concerts.

What about the German language?

The German language too is a very systematic and logical language. There are very few exceptions, as long as one memorises the basic grammar and idioms, it is quite effective to use. Of course I still lack study, and there are many points where I lack experience, but words are not the only means of communication. Rather, sometimes it is facial expressions that speak more eloquently.

Facial expressions…?

Yes. Facial expressions.

Message for Tezuka Kunimitsu

As expected… should I say. Congratulations. (Inui)

YEEES! CONGRATULATIONS!! (Kawamura)

You should still be able to grow one rank higher. Put effort into your training. (Volk)

I will definitely not forget the thing that you taught me. Let’s meet on the court. (Fuji)

I’m glad you seem to be doing well in Germany too. Eat your meals properly! (Ooishi)

Tezuka-buchou-senpai, congratulations. We are protecting Seigaku. (Kaidou)

I’ll win one day, both in popularity and tennis! (Momoshiro)

You’re not planning on ending it at this? I’m waiting for the next opportunity to fight you. (Atobe)

Congratulatioons. But I’ll overcome you soon. (Echizen)

Are you doing well Tezuka? Send something tasty from Germany! (Kikumaru)

This guy is in 4th place!? Gimme a break! You can go higher than that! (Siegfried)

Party talk

Q: Who would you like to inform about this time’s rank and feelings? A: My family. My grandfather too is always supporting me.

Q: You are being served a lot of food. A: Ooishi. I’m grateful, but it’s already enough. I’m eating sufficiently… I tasted Japanese unacha for the first time in a while.

Q: You can also take part in an improvisation skit competition. A: … No, thank you. I was able to enjoy it quite a lot just by watching.

Q: You got excited with Bismarck-san, though... A: … I was merely unilaterally lectured about how to flirt with women.

Q: Who did you come to the venue with today? A: With the German representative senpai. In addition to training, we measured the time and ran to the venue.

Q: Oh? Is there something the matter with Echizen-kun? A: No. I just thought he seems to have gained experience and grown somewhat.

History

Age 0 October 7 Birth

Age 5 Makes a mistake in dance moves in a kindergarten’s play

Age 10 June Climbs Switzerland's Matterhorn with his father

Age 11 Summer Meets Yukimura and Sanada after the Jr. Tournament, has a match Goes fishing with grandfather, catches a sea bream

Age 12 March Graduates from Seishun Dai Daiichi Elementary School

April Enters Seishun Gakuen Middle School Is hit on the elbow with a racket by a senpai in the tennis club Is told to become "Seigaku's pillar of support" by Yamato

Age 13 November Displays a sketch of mountain grass in the culture festival

January Goes to the first shrine visit of New Year with the club’s 1st year members, makes a vow of conquering the nationals

April Becomes a 2nd year Becomes the vice captain of the tennis club

June Participates in a bread eating race in an athletic festivals, places second

September Gets lots of recommendation letters and becomes the student council president

Age 14 Declines the Jr. Senbatsu invitation Around autumn Has an uncomfortable feeling in his arm

October On the field trip (Taiwan), buys tea utensils for souvenirs

November At the Allied music festival (*3) , participates in the class chorus as a musical conductor

February For the first time in his life, forgets something

April Becomes a 3rd year Becomes the captain of the tennis club

May Wins Tokyo preliminaries championship Is mistaken for a teacher at Kawamura Sushi Has a match with Ryoma on courts underneath the railway

June Wins prefecturals championship Declines offer from the special overseas JFH program Goes to the drawings for the Kantou tournament

July Is invited to Hyoutei’s opera appreciation party as the student council president but declines Start of Kantou tournament In the first round against Hyoutei, loses to Atobe in S1 Goes to Kyuushuu for rehabilitation

July 27 Wins Kantou tournament championship

August 14 Drawing for the nationals, returns from Kyuushuu

August 17 Start of nationals Faces Higa in the 2nd round, wins against Kite in S1

August 19 Quarterfinals against Hyoutei, wins against Kabaji in S2 Semifinals against Shitenhouji, wins against the Chitose-Zaizen pair in D2 Yakiniku battle, is one of the last members remaining

August 23 Finals against Rikkai, loses to Sanada in S3   Wins nationals championship Goes to the victory celebration at Kawamura Sushi

Age 15 (*4) September Is invited to Rikkai’s ocean festival, makes guest participation in a play

October 12 Climbs Kitadake with father

November Participates in U-17 camp Wins against Kaidou in the “friendly fire” matches Learns about a fishing mobile game from Marui and Kirihara In the court shuffle between 3rd and 5th court, wins against Yamato Abandons the match against Fuji midway, departs for Germany Aiming to become professional, participates in the German representative team

December Participates in the U-17 Pre-World Cup drawings U-17 Pre-World Cup starts In Vs Japan, wins against Irie-Atobe pair in the second match U-17 World Cup starts Is drawn into a fight about food by Siegfried, eats Japanese food together Wins against South Africa and Canada

Plan

(Pictured: two documents of mountain climbing plans, including itinerary, packing list and map.)

“This is from when me and father climbed during consecutive holidays. When climbing mountains, let’s make plans properly and climb without carelessness.”

Fashion

It seems he didn’t bring much clothing with him from Japan. I will give you something next time. (Volk)

With Kunimitsu’s hair style, clothes from any country would suit him. (QP)

Wearing clothes you received just like that. That’s like you. (Fuji)

Whether the person in question is aware of it or not, wearing a waistcloth is quite stylish. (Kite)

“I am not a person who is particular about clothes, but only when it comes to shoes, I make it so that I can play tennis in them.”

Room

Bedroom of the room I’m staying in in Germany There’s only bare minimums like the bed and desk that were part of the furnishings. But I’m thankful that letters and daily necessities have been delivered from Japan. Overall, I like the things made from wood and seeing the townscape from the window.

TN:

*1 張り詰めた, haritsumeta. Strained, stretched, tense. Not strained in the sense of anxious or having problems. It seems more like everyone is ambitious and focused.

*2 選手, senshu: player, athlete. I chose to leave this as it is since the interviewer uses it all the time as an honorific, and couldn’t figure out a natural expression in English.

*3 連合音楽会, rengou ongaku kai. This seems to be some kind of an annual music event that at least schools participate into.

*4 It seems like a mistake that age 15 is placed at September, not October.

[glacies-tempestatem]

THE MEGA RP PLOTTING SHEET / MEME.

First and foremost, recall that no one is perfect, we all had witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat.

MUN NAME: Hatshepsut/Hats    AGE: 23       CONTACT: IM, Ask, Discord

CHARACTER(S): Rukia Kuchiki andKiaen Shiba

CURRENT FANDOM(S): Bleach

BLEACH FANDOM(S) YOU HAVE AN AU FOR:  I plan write in the future an ATLA and I have some others AU written.

MY LANGUAGE(S): Spanish (first language) English (fluent or I think so) and I leanrt a bit of Japanese and I’m currrently learning German

THEMES I’M INTERESTED IN FOR RP: FANTASY / Science fiction / Horror / WESTERN / ROMANCE / Thriller / MYSTERY / DYSTOPIA / ADVENTURE / MODERN / Erotic / Crime / MYTHOLOGY / Classic / HISTORY / RENAISSANCE / MEDIEVAL / Ancient / WAR / FAMILY / POLITICS / RELIGION / SCHOOL / ADULTHOOD / CHILDHOOD / APOCALYPTIC / GODS / Sport / MUSIC / Science / FIGHTS / ANGST / Smut / DRAMA / etc. 

PREFERRED THREAD LENGTH: one-liner / 1 para / 2 PARA / 3+ / NOVELLA.

ASKS CAN BE SEND BY: MUTUALS / NON-MUTUALS / PERSONALS / ANONS.

CAN ASKS BE CONTINUED?:   YES / NO    only by Mutuals?:  YES / NO.

PREFERRED THREAD TYPE: CRACK / casual nothing too deep / SERIOUS / DEEP AS HECK.

IS REALISM / RESEARCH IMPORTANT FOR YOU IN CERTAIN THEMES?:   YES / NO.

ARE YOU ATM OPEN FOR NEW PLOTS?:  YES / NO / DEPENDS.

DO YOU HANDLE YOUR DRAFT / ASK - COUNT WELL?:  YES / NO / SOMEWHAT. 

HOW LONG DO YOU USUALLY TAKE TO REPLY?: 24H / 1 WEEK / 2 WEEKS / 3+ / months / years. /DEPENDS ON MOOD AND INSPIRATION, AND IF I’M BUSY I

I’M OKAY WITH INTERACTING: ORIGINAL CHARACTERS / a relative of my character (an oc) / duplicates / MY FANDOM / CROSSOVERS / MULTI-MUSES / self-inserts / people with no AU verse for my fandom / CANON-DIVERGENT PORTRAYALS / AU-VERSIONS.

DO YOU POST MORE IC OR OOC?: IC / OOC.

ARE YOU SELECTIVE WITH FOLLOWING OTHERS?: YES / NO / DEPENDS.  

BEST WAYS TO APPROACH YOU FOR RP/PLOTTING: You can send me an IM if we’re mutual or an ask in case we’re not. Don’t be shy, I love plot and talk ooc! BTW if you have me in discord,is the best way toplot with me

WHAT EXPECTATIONS DO YOU HOLD TOWARDS YOUR PLOTTING PARTNER: I just expect they reply me sooner or later, and that we have fun writting!

WHEN YOU NOTICE THE PLOTTING IS RATHER ONE-SIDED, WHAT DO YOU DO?: Nothing, at times I lack of muse or inspiration, and sometimes will be that situation on my partner. I mean, it’s okay! It can become complicated if after a lot of time,my partner barely shows interest in plot. 

HOW DO YOU USUALLY PLOT WITH OTHERS, DO YOU GIVE INPUT OR LEAVE MOST WORK TOWARDS YOUR PARTNER?:  I tend to tell my idea, if our characters haven’t interacted, I find it harder at times, but I think that it’s a perfect opportunity to develop cool ideas and approaches. 

WHEN A PARTNER DROPS THE THREAD, DO YOU WISH TO KNOW?:   YES / NO / DEPENDS. - For me comunication is essential. And I don’t have any type of issue with dropping threads, it’s okay. Just tell me and in case you want to start something new, we do something new, simple.

WHAT COULD POSSIBLY LEAD YOU TO DROP A THREAD?:  Lack of muse for the topic, but I rarely drop them.

- WILL YOU TELL YOUR PARTNER?:   YES / NO / DEPENDS.

IS COMMUNICATION IN THE RPC IMPORTANT TO YOU? YES / NO.

- AND WHY?: I don’t have a crystal ball, so I need you tell me how do you feel about a thread,plot, topic,whatever. ALSO I do trully appreciate if you tell me if I did/said/written something that made you feel unconfortable. Again, I don’t know what I did wrong unless you tell me.

ARE YOU OKAY WITH ABSOLUTE HONESTY, EVEN IF IT MAY MEANS HEARING SOMETHING NEGATIVE ABOUT YOU AND/OR PORTRAYAL?: Yes, as long as the person is respectful,I’m more than fine. Respect is just fundamental.If you don’t likesomething about me/my portray whatever, you can tell it,but with respect. 

DO YOU THINK YOU CAN HANDLE SUCH SITUATION IN A MATURE WAY? YES / NO.

WHY DO YOU RP AGAIN, IS THERE A GOAL?: Because Rukia is my bae, and in Kaien’s case,I think that aremany things that are necessary to know, and weprobably never know because he died before the anime/manga began.And gosh I enjoy writting their backgrounds

WISHLIST, BE IT PLOTS OR SCENARIOS:  Rukia and Kaien childhood. 

THEMES I WON’T EVER RP / EXPLORE:   I’ll not write rape,non con and similars it’s understandably triggering for a lot of people and writing it glorifies it, Then, I’m not disposed to write either racism or misoginy stuff.

WHAT TYPE OF STARTERS DO YOU PREFER / DISLIKE, CAN’T WORK WITH?: Aslong at I can reply with freedom,I’m fine with your starter.It’s better if is a plotted idea, but random ones are okay. 

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE MOST?: Friendly ones, specially if I can write alot of their background. 

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE LEAST?: Depressive ones or just distant persons.

WHAT ARE YOUR STRONG ASPECTS AS RP PARTNER?: II want to think that I’m very comprehensive. 

WHAT ARE YOUR WEAK ASPECTS AS RP PARTNER?: I’m super slow, and I know that somepersons don’t have much time, so the rp process becomesslow for both.

DO YOU RP SMUT?:  YES / NO/ DEPENDS.

DO YOU PREFER TO GO INTO DETAIL?: YES / NO / DEPENDS.

ARE YOU OKAY WITH BLACK CURTAIN?: YES / NO.

- WHEN DO YOU RP SMUT? MORE OUT OF FUN OR CHARACTER DEVELOPMENT?: For both, I think that write the sexuality and the sexual life of characters is part of their development.Although I understand that not everyone feels comfortable writing it, so it’s fine for me just talk about some aspect about their relationship. 

- ANYTHING YOU WOULD NOT WANT TO RP THERE?:  Idk, I suppose that some certain type of fetishes

ARE SHIPS IMPORTANT TO YOU?:   YES / NO Ships are first of all,part of character development, and depending of the partner and the ship,can be incredible fruitful to muses. Both can evolve together, or can bring dispiar and traumasto both or one of them, and that change and influence the character and I’mmore than open to write her in both cases.

WOULD YOU SAY YOUR BLOG IS SHIP-FOCUSED?: YES / NO. Ships are funny,won’t deny it. But isnt my focus.I’ve already had that time of my rp life, and sincerely I’m now more into just casual rping and develop my characters. 

DO YOU USE READ MORE?:  YES / NO / SOMETIMES WHEN I WRITE LONG STUFF.

ARE YOU:  MULTI-SHIP / Single-Ship / Dual-Ship  —  MULTIVERSE / Singleverse.

- WHAT DO YOU LOVE TO EXPLORE THE MOST IN YOUR SHIPS?: How both change with the relationship, their failures and their strong sides. How they individualy grownw or do a recoil.

ARE YOU OKAY WITH PRE-ESTABLISHED RELATIONSHIPS?: YES / NO. - DEPENDS I need you tellme a lot of your plan and idea.I prefer developalittle before ship them.But if you come with a good story, background etc I’M IN

► SECTION ABOUT YOUR MUSE.

- WHAT COULD POSSIBLY MAKE YOUR MUSE INTERESTING TOWARDS OTHERS, WHY SHOULD THEY RP WITH THIS PARTICULAR CHARACTER OF YOURS NOW, WHAT POSSIBLE PLOTS DO THEY OFFER?: Kaien is someone a bit stubborn, but that’s just his facade, inside he has some insecurities and some events from the past made himlike that,so I’d love amuse who tell him ‘man, you don’t need to be like that’.

- WITH WHAT TYPE OF MUSES DO YOU USUALLY STRUGGLE TO RP WITH?:  Muses extremely selfish and which will trait my muses like trash towards their point of view. 

- WHAT DO THEY DESIRE, IS THEIR GOAL?:  Gosh,Kaien hadmany goals he could had never achieve! I think he would be so proud to see Rukia as captain! Rukia has now as goalcontinue incresing her powers and keep the legacy of Kaien and Ukitake alive.

- WHAT CATCHES THEIR INTEREST FIRST WHEN MEETING SOMEONE NEW?:  If is just someone that Rukia never met or talked, she is automativally interested in know better that person. But at times she is just rather shy.

- WHAT DO THEY VALUE IN A PERSON?:  Loyality over all. 

- WHAT THEMES DO THEY LIKE TALKING ABOUT?:  Tea,Chappy, fashion,perfumes, LivingWorld. In kaien’s case, fights,cars,movies

- WHICH THEMES BORE THEM?:  Noble’s probelms, for both muses

- DID THEY EVER WENT THROUGH SOMETHING TRAUMATIC?:  Rukia? Traumas? LMAO she had killed his rolemodel, lived in poverty for many years and experienced countless issues relatedto it. The lack of thelove of parents and near death experience while was just a kid.

- WHAT COULD LEAD TO AN INSTANT KILL?:  Just only to hollows

- IS THERE SOMEONE /-THING THEY HATE?:  Rukia hates Gin, Aizen and Tousen, and she does not mind that Gin and Tousen redeemed themself. For her will always be traitors. Then there is Ywach and As Nodt. She simply cannot bare them. 

IS YOUR MUSE EASY TO APPROACH?: YES / NO. - Best ways to approach them?:  With something of Chappy

SOMETHING YOU MAY STILL WANT TO POINT OUT ABOUT YOUR MUSE?: Not really.

CONGRATS!!! You managed it, now tag your mutuals! ♥

Tagged by:  Soteln from @skyvar​

Tagging: Everybody did at this point lol.Idk who tag