#like that note is way too long

[akikos-tribble-army]

My fukumori omegaverse fanfic on my phone's notes app is doing fine.

The notes app though, isn't.

[aerialworms-art]

Lifespans.

(ID under cut)

[Image ID: A three-way venn diagram floating against a starfield. The circles are coloured; one yellow, one light blue, one a darker shade of blue. The yellow is the smallest, the two blue ones over double its size, with the darker blue the biggest. The yellow is half covered by the two blue circles, while it takes up a small amount of the two blues. The centre overlap between all three is labelled "the precious few years we three were together".

There is very little overlap between the yellow and the darker blue without the lighter blue.

The work is signed 'aerialworms'./End ID]

[horreurscopes]

dude your intricate ritual just fucking bit me

[poorly-drawn-mdzs]

Maybe we never had a chance.

[First] Prev <–-> Next

[heartorbit]

find another role, carry on the show

[starscream-is-my-wife]

A bit ago I was looking through the g1 timeline wiki and I saw that Skyfire and Starscream now had a 5 million year old age gap and I was like oh? That makes their dynamic so much more interesting especially how innocent he was portrayed in fire in the sky, I also wanted to share my hc on why Skyfire never brought up Starscream again

[moonsun2010]

If there's one thing I've seen over and over again in the Dracula Daily + Re: Dracula fandom, it's the desire for an animated adaptation. Not of media-inspired-by, but of Dracula itself. And so, I've made:

...something that is decidedly not animated.

Yet.

I'm hoping to get Dracula Reanimated (tentative name) in exactly 1 year from now, by the end of DracDaily's 2025 run, perhaps even the beginning of it if I'm really good. But in all honesty, it could take till 2026 given the teeny complication that 1) I've no animation skills whatsoever 2) fulltime job.

So, I hope you'll stay around for the next 2 years at least to see this completed.

In the meanwhile, if you'd like to support a project by actual professionals, try @theholmwoodfoundation . It's a found footage horror fiction podcast by @georgiacooked and @fiotrethewey set in a time long after the events of Dracula, and yet the characters find themselves haunted (literally) by vestiges of the past.

Goodnight, stay safe, and rest well.

[linkcharacter]

Oh I have so many thoughts on aroace Curly, I think it brings so much on the table when analyzing the game's story.

Amanormativity ties in with the reoccurring mentions of the nuclear family, from Wrong Organ making 1950s mock advert posters, to Swansea talking about how getting a wife and kids didn't bring him any fulfillment in life.

In the cake cutting nightmare sequence, where Jimmy talks with Dream Curly about the mediocre cake, Dream Curly begins to talk about how sometimes you can only get the subpar stuff in live. Sometimes he'll get promoted, buy a house, fall in love. But other times he'll just have some awful fucking cake with his friend.

I think there is that subtle implication that Jimmy does buy into Amanormativity, with him projecting his beliefs on Dream Curly that a platonic relationship is lesser then a romantic one. But we never see Curly suggesting that he wants such a thing in the pre-crash.

With Jimmy thinking that Curly has everything in life, except for the desire (although I think Jimmy would view it as Curly not having the skills for it) to get a romantic partner, he would heavily lean into getting the one thing that Curly couldn't get in life to one up him.

THATS EXACTLY WHAT IM THINKING!!! AMATONORMATIVITY BE DAMNED!!!!

Looking at Mouthwashing through an aroace lens is interesting

"Jimmy thinking that Curly has everything in life, except for the desire", well said, well said! And references to the nuclear family fit in very cleanly thematically for Mouthwashing.

Jimmy leaning into amatonormativity is a smart observation. Jim internalizes all the social norms and standards on what you have to do to have a normal and desirable life, who sees everything Curly has and what Jimmy wishes he had, and is offended that Curly isn't satisfied, that he has the "audacity" to be unhappy. Curly meanwhile only wishes for his life to be something he doesn't have to run from, because by all means, he has already reached a point where he should feel accomplished, but isn't. Curly doesn't want to be a freighter captain his whole life, he doesn't want to settle with his sustainable position, he just wants to be happy. Like Swansea who has reached the "ideal" outcome of his life, having a wife, kids and a good career, it will never feel as good as embracing all what society deems undesirable yet right for you.

Jimmy does imply to seeing himself as lesser as a friend, "fall in love" being a goal and a "cake with a friend" being something he "has to settle for", it's all in the subtleties with underlying themes of "what you're "supposed to want" by society's expectations" against "what feels right for you". Jimmy is frustrated that Curly is going to "leave the dirt behind him", when in actuality, letting the crew and him go is the last thing Curly wants. Curly wants to be with his friends, he deeply cares about his crew, and about his close friend.

Mouthwashing as a whole reads to me as platonic through and through. Swansea and Daisuke having such a meaningful familial bond, Curly and Anya being sweet, playful and caring without romance, Anya and Daisuke having something of a siblings dynamic are dear to me. Also it's really rare to get to see representations of "toxic friendship" in media. Its always toxic romance this, toxic yaoi that, toxic family there, however in reality, friendships aren't excluded from being as rotten and abusive as the others, yet they're often overlooked. Jim and Curly are especially unique in this way. It's very impressive how they managed to showcase Jimmy's mistreatment of Curly in such a platonic way (at least that how I read it). Jim too, like Curly, in general avoids hints at romance and attraction explicitly related to him during his gameplay, not with Curly, nor with Anya (dear god thanks for that at least). It's all spite, annoyance and parasitizing off of these two. (That man's dry and lowkey hates everyone and everything) No attraction attached, no desires except hoping it hurts.

Curly to me is very much aroace, or at least on the spectrum. Like, the trivia fact that one of Curly's fondest memories is that of his friends putting in effort to make a shitty awful cake, tells us all we need to know on how dear his friends are to him. Platonic relationships mean so much to Curly, even when it's Jimmy fucking Mouthwashing, the worst friend ever imaginable.

[yo-yo-yoshiko]

Shouma!! Aw, hey fella!!!

some closeups on these ones eeheh^^

[cubbihue]

Vhnemdkjf purble irep! Can we see more fairy irep and anti-fairy peri?

Yup!! During their schooling, where the most amount of swaps happened, the two would end up swapping in more than just color palettes!

Sometimes Peri would get caught scheming and plotting Irep's demise (Revenge for Ruining his Science Project). Or Irep will get caught doing something very nice and wholesome for another Fairy (Helping a new student find their way around school).

Just as Anti Cosmo and Cosmo has a bit of each other's personalities mixed up, Peri and Irep has a bit of an overlap in behaviors, haha. They both love to monologue, for example. The more swaps a pair does, the more mixed they get!

Bitties Series: [Start] > [Previous] > [Next]

[marshmallowgoop]

My @heishinvalentineexchange2025 gift for the immensely kind and patient @caliowl333, who graciously allowed me to participate with a video instead of fic or art! (And wrote me a 20,000+-word piece in exchange?! Oh my goodness!)

Song is the SadBois & NIO Remix of "Other Side" by ILLENIUM, featuring Vera Blue, which you can listen to in full here. Ramblings under the cut!

When I first began seriously video editing, I didn't think much about composition or how well clips flowed together—lyric sync was arguably my main goal, and anime pieces were thrown onto the timeline pretty much purely based on that.

Now, I put much more care into the very visual elements—the effects, the match cuts, the dazzle. But in the process, I fear that I'm losing what audiences found engaging about my early videos: the actual ideas.

So, for this AMV, I aimed to put the most effort into a strong concept. The titular "other side" is a world without the Black Organization, where Shinichi can freely be himself. Heiji is waiting for that world, where he no longer has to lie and pat Conan's head and pretend that they're not peers, and Shinichi is dreaming of that world because he's always dreamed of working with somebody just like him. The thought of meeting Heiji someday, when he first learns of his existence (Episode 490), fills Shinichi with excitement. He does a lot on his own, but he also loves working on a team—and doing so, being with people, sharing his enthusiasm with others—is what he wants more than anything.

(Heck, there's even a piece of official art called "Conan's Dream Vacation" where he dreams of playing beach volleyball with Heiji and Ran and Kazuha—as himself.)

Sure, you could argue that Shinichi simply enjoys working with Heiji as Conan because Heiji treats him as he truly is. But the times he spends as Shinichi with Heiji point to the fact that no, he just really likes deducting with Heiji. Eagerness, big smiles—in "The Scarlet School Trip" (Episodes 927-928), involving Heiji in the case of the day takes precedence over solving it himself, as he immediately shares what he knows and even jostles Heiji awake when he learns more, before doing anything else, because there's no way he's going to solve it alone. He doesn't want to.

But as things are, being Shinichi is pain. He takes an antidote, but it's poison. Being Conan is what's become "normal" and "comfortable," but Conan can't be what Shinichi is to Heiji. Conan isn't strong enough to catch Heiji when he's falling. Conan can't save him from bullets. Conan can't even talk to him naturally without hiding and secrets. His dreams have become nightmares.

And it can't be easy for Heiji, either. To see someone you care about suffering. To know that Shinichi is in a dangerous situation—and involving himself in it applies that same danger to himself. It'd make sense for Heiji to walk away and wash his hands of it... but Shinichi really wants him to stay. Despite everything, he wants Heiji to stay. For that someday when they can be true partners "on the other side."

I tried to say other things in here, too. Shinichi cementing himself as a precious person to Heiji by countering his insecurities with a one truth prevails and this isn't a competition and you don't have to prove yourself to me. Heiji finding Shinichi even after becoming Conan because he'll always find Shinichi, no matter what, because he's dreaming of being "on the other side," too (even if he didn't know it initially). Shinichi pushing Heiji away with coldness because maybe it's selfish to want him to stay, maybe it's cruelty to involve him, but he can't deny that he cares, that he wants Heiji with him, that he doesn't want to do this on his own.

And while I maybe still went a little ham on the effects, I do hope my ideas are the strongest of all! "No effects" versus effects comparison can be found here!

Thank you again for all your hard work organizing this event, Cali!!

[ganondoodle]

botw2 (totk rewritten) ganondorf design (+some story) post

Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)

the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh

the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes

mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-

at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses

at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)

(after which he leaves the scene as zelda tries to understand what she just saw)

post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)

the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)

the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict

but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream

he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.

your friends arrive, and the battle begins.

(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)

Beast Ganon(dorf), normal appearance (phase 3)

at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda

(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)

Beast Ganon(dorf) while charging magic (phase 3)

Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)

at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-

the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-

zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.

(heres a rough example for his weapons)

(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)

[padmesbox]

I have decided who I will be.

[circlesroundthemoon]

la mort de l'auteur

[deoidesign]

Return date for my webcomic, Time and Time Again!

It's been set for a while but sometimes they change the date without warning, so I'll keep you updated if anything changes!

I'm extremely proud of the work I've been doing on it, I can't wait to share everything!

See you then!

[flickering-nightfall]