#lil present boi

[phantomskeep]

WIP Wednesday - Fun In Funeral

For my DCxDP Dead On Main thief!Danny fic, Putting The "Fun" Back In "Funeral". Best read while listening to Ascensionism by Sleep Token

-.-.-.-.-.-.-.-.-

“I am not a cat boy!” The boy wearing a cat skull protested.

“Then what are you, a discount Catwoman?” Jason asked as he prowled closer to the pouting thief.

“I don’t even know who that is!” Cat Boy continued to lie. “This,” he gestured to the bone-colored mask covering his face, Lazarus green eyes narrowing in distaste, “Is a fashion statement. Nothing more, nothing less. I just- I don’t even know why it’s a cat!”

None of that really made sense to Hood, but keeping a criminal monologuing? Part of Robin 101 - the more they’re distracted, the better chance at them messing up. “So why a cat, then?”

“I just said I don’t know!”

Hood didn’t respond, catching the cat-themed-thief’s stance relaxing by a miniscule amount. With no hesitation, Jason lunged forward - fully intending to football-style tackle the pouting figure into the concrete roof.

In the next few seconds, Jason would recount later to the rest of the Birds and Bats, he had no idea what happened.

He was in the air - arms outstretched to wrap around the other’s torso in a mockery of a hug. He saw the thief’s eyes widen, a startled yelp leaving his mouth. When Hood flew closer to the occultly-dressed thief, it was like a rush of sparkling heat bubbled up through his lung, tearing viciously at his esophagus before laying stagnant in his covered mouth. Already caught off guard, Jason sputtered - failing to land the tackle onto the lithe man in front of him. Instead, Jason fell a few inches short of the man, on his knees with his gloved hands clutching desperately at his throat and chest.

The other didn’t hesitate to dance out of Hood’s reach as the helmeted vigilante coughed in a vain attempt to clear his airways from the heat-sparkle-power-danger that welled inside him. Not-Catwoman stood to the side, head cocked like a curious crow inspecting a shiny coin. While Hood was still doubled over catching his breath, the thief wisely used the opportunity to glide further out of reach.

“I’m almost scared to ask if you’re okay,” Catboy’s voice echoed around them. “But then again… You did just try to shoot me.”

“It was just a warning shot.” Hood coughed out, his words scratchy as he forced them past the invisible sludge that lodged itself in his throat. The Pit Rage stirred in the back of his mind, slowly creeping to the area it used to occupy and whisper. “Give back whatever you stole before I shoot you for real.”

The cloaked man rocked on his heels, jutting his hip out and tapping at his chin with a clothed finger. Hood couldn’t see Catboy’s full expression, but he had long since perfected the art of reading masked individuals when he was thirteen and still wearing Dick’s old scaly panties. The person in front of him was practically radiating smug little sibling vibes.

“How about,” the modulated voice drew out. “I don’t, and I continue on with my extremely successful handjob!”

Jason spluttered in confusion, caught halfway between howling in laughter or rage, as the cat-themed thief jumped off the museum’s roof. The sound of a grapple rang out as the little criminal soared into the polluted Gotham skies. The Rage screamed, pushing Jason’s limbs to take off without a second thought. Green overcame his vision as the high came tearing back in full force, dragging Jason down like a man caught in an undertow. His body gave chase to the masked individual running from the museum, racing across the darkened rooftops in hot pursuit.

The Pit Rage stuck its greedy claws into Jason’s mind and pulled. What happened around him became a green-tinted blur - flying after the thief’s form, firing pot shots when the two were parkouring along the Gotham skyline, a strained voice shouting as the bullets missed. The overwhelming sensation of rage-rage-chase-friend-predator-rage-fight-fear-play-rAGE drowned out any sense of rational thought. It was like Jason was in the backseat again, watching as he lost control of his life as the choices he made as a teen came back to haunt him in divine punishment. He fought against it, just like he did when the Rage took his body to the Titans Tower. Like when he was so beneath the power of the Pit that he took out everything on a highschool kid. All the progress he had made over the last three years - washed away because of a man in a catsuit.

The mere hours he had of quiet peace almost made fighting against the Rage so much harder - Jason knew what it was like again, to not have to battle against his own thoughts every second of the day. To not look at a single act of kindness as some convoluted plot to trap him like a feral, rabid dog. The void in his chest, a grief-stained black hole of bad decisions, warred with the Rage for its own spot in the young man’s own tale of self-sought retribution against himself.

This? This was Jason’s own personal hell. To be alone, trapped inside his mind, while his body was controlled by a green-tinted monster. When his actions were no longer dictated by himself and the worst parts of him came out to play.

When Jason finally wrestled back control, kicking and screaming and fighting his own thoughts like it was the only thing he knew how to do, he found himself leaning against someone’s rooftop greenhouse, alone. The cloaked thief was nowhere in sight, and the ex-crime lord hesitated against nosing around for hints of where he might have absconded off to.

Based on a familiar stretch of cargo cranes, he deduced that he ended up between Gotham University and the docks. The black-haired man took a moment to himself, checking to see how many rounds he had fired (eight, he had emptied an entire clip, because of course he did) and if there was any blood clinging to his uniform (not his, never his, why was it never him–). When he wasn’t able to find anything, Jason forcefully shook out his body, trying to get rid of the built-up tension and stress. It helped him relax, marginally, but did nothing for the painful pressure behind his eyes pounding in time with his heart. The Pit Demon lounged in the back of his brain, oozing an air of self-satisfaction that made Jason want to claw at his own head until it stopped.

“Fuck,” he muttered, shoulders sagging. This entire situation was… not good. Jason didn’t even want to think about talking to the rest of the Bats about this, but. It had been a long time since an episode that bad. He didn’t know if he could control himself if something else set him off, but he wasn’t prideful enough to risk innocent people to a Rage-filled Red Hood.

[gunslinginnhogtyin]

Sure, Butch was one hell of a party animal, but he had never been invited to a party—not during his time back then and certainly not now. Not until recently, anyway. Something that came as a surprise that his excitement easily outweighed. Someone had considered him good enough company to invite to a party? He wouldn’t disappoint! The demon cowboy knew other creatures would be there, more pronounced monsters who weren’t quite as human as he still was. He had to kick it up a notch! Bust in some heels so he could stand a little taller! Wear something bright to appear a bit bolder!

So that he does with the money he’s ‘earned’ from his most recent train heist…

“Th’ shoulder pads’re kinda workin’ fer me… what d’ya think?”

[thegengarprincess]

🎂🐈

[raayllum]

Mirrored Paths Trilogy #2: In the Name of Love, I Would Do Anything For You —Callum & Viren

Part 2 of a mini meta trilogy dissecting Callum, Karim, and Viren's parallels, with a special emphasis on S5. For the general overview, and if you want to read Karim and Viren's parallels, you can read that analysis here. It is useful to read but not necessary in order to understand this one, as this meta is Part 2 and will discuss Callum and Viren.

Now, I've talked a lot about Viren and Callum. Like, a Lot a lot. Therefore, I'm not going to repeat too much of their Arc 1 buildup here, and focus more loosely on their S5 parallels in particular. However:

If you're interested in their pre-season 4 buildup, check out these metas: How Callum and Viren have parallel arcs in S2, Relics, Rage, and Magic: The Callum-Viren Foils Meta, the foils screencap compilation post I've been cultivating since Nov 2019 pre S3 (updated to include past that point)

If you're interested in post-S4 thoughts, check out these metas: The Interlocking of the Cycle’s Wheel with Viren, Claudia, Callum, and Rayla, How Viren and Callum stack up flaws wise, I sure do love foils that switch, How Callum's morality differs from Ezran and Rayla's (and always has)

If you're interested in post-S5 thoughts, check out these metas: What did Viren and what does Callum want?, How Callum and Viren sacrifice (written post-S4 but updated with S5 screencaps), Why ramp up the foiling?

Now I'm not gonna expect you to read all that because 1) I'm aware I have a problem, 2) it'd be time consuming as hell, and 3) I'm going to summarize the most important takeaways for you to understand the foundation this next section of meta is built on. (None of it is complicated, mind you, but just to make it clear where I'm coming from.) If you have read all those metas, or even made it this far on this one, thank you for enabling me reading and I hope you('ve) enjoy(ed).

Now for the key takeaways:

S5 went basically exactly where I've thought Callum would go since S1/S2 and Viren since S3 re: Viren giving up dark magic and having an atonement arc/breaking away from Aaravos, whereas Callum — in order to free and save someone he loves, specifically Rayla — chooses to chain himself further to Aaravos

Although still very different, Callum and Viren are worryingly, exceedingly similar in many ways, largely in their agreement that dark magic can be a useful last resort and in their devotion to their loved ones (aka "in the name of love" + the "I would do anything [for my family/loved ones]" parallel

Where Viren is willing to put certain things (the kingdom, his own quest for power, humanity) above his family (and wrongfully so), Callum is not. He says he would do anything, and means it (thank you post-s2 me, you were the realest bitch)

Rayla and Aaravos are foils, particularly in their dynamics with Callum and Viren respectively. They are both banished, exiled elves who were seen as being/are too sympathetic towards humans, they mentor high mages of Katolis, hunt each other's high mages, and S6 will put Rayla and Aaravos vying for Callum's destiny (control) to the test as his two paths (although choosing Rayla over Aaravos may not be mutually exclusive, but that's another post). Rayla killing Viren unintentionally put him on a path to stray from Aaravos, whereas Callum saving her / their relationship is what has consistently putting him on a path towards Aaravos

Now, S2 and S4 definitely have more parallels between them structurally for our two high mages. S2 is linked above, so I'll focus on S4: asking to die but being refused by Claudia and Rayla respectively; being reunited with someone they love after two years; Callum attempting to shut down his feelings in Rayla's absence / upon her return much the way Viren did in his time as high mage; the mirror and general framing, particularly in 4x01; sharing a (re-)birthday; their impatience in 4x02, which is also a parallel with Karim; the pawn intros; Rayla interrupting Callum's investigation of the mirror while Viren likewise attempts to diverge paths; picking up what they'd been refusing to all season in 4x09 within seconds of each other, and similar framing to boot, since dark magic led to Viren's destruction, and Rayla will possibly (unintentionally) lead to Callum's:

Let's get into it: S5

Now, S5 is less obvious in some ways. The one big framing parallel they get, beat for beat, is Callum going to investigate Aaravos in the library, placing his book on the same table, being interrupted by the librarian (which is honestly more of a running gag than something tangible), the script being magically washed away, etc.

Therefore, with all of the above out of the way, we have three main things to consider:

1) Their dark magic dreams from 2x06 and 5x03 respectively, in which they face mirrored reflections of each other

I wrote after S2 that I thought Callum refusing his dark counterpart in 2x08 was ultimately going to end up being more about actively being a dark mage than doing dark magic ever again, mostly because — while we didn't know if the show would ever put him in said position — I always figured Callum would do dark magic again in well, about the exact circumstances canon forced him into in 5x08. (And it was extremely satisfying, lemme tell you.) Viren giving up dark magic was more surprising, but they've always been switching foils, so the exchange makes perfect sense on that level.

I talked really briefly about some of the similarities between their dreams, but I wanted to touch on some here as well:

Their choices are both framed around objects of Aaravos. For Callum, it's a key he initially rejects. For Viren, it's the mirror, but instead of connecting to and looking to Aaravos to help him, he looks to and accepts himself.

Viren has to reach forward and connect with himself, whereas Callum pulls away from his mirror self

Viren's dreams are about dismantling his justifications (or the why) behind what he did, whereas Callum's skip over his justifications and instead focus on what he did. Both of these accordingly inform their identity

Viren is saved from literal drowning upon waking up, Callum is saved from a more metaphorical kind

Freedom is the cornerstone of both reflective scenes. Viren and Callum both leave their initial dreams being free (or freer than before). While this holds true for Viren until the current end of his arc (5x09), Callum in 5x08 is handed a sharp reminder that freedom is no guarantee, and how that may continue

The path metaphor that was running loosely throughout their arcs ("I am offering you a path forward [with dark magic] / Callum's tendency towards shortcuts / "I'm afraid, Rayla. What if I'm on a path of darkness?") is now being brought to the forefront here through Viren both being made actively aware of his choices per path ("Because I have followed a dark path") and him deciding to get off of it in 5x09.

2) Both being driven to desperation and resolve to try and save someone they love (Claudia, Rayla)

I figured that, per Viren getting an atonement arc at all, that what would make the most sense is S5 forcing Viren and Callum to confront their moral horizon lines about what they were, or were not willing to do, in order to save Claudia and Rayla pre-S5. For the S4 reasoning behind that, I'll recommend one of the metas linked above regarding those four and the Interlocking of the Cycle's Wheel. I was very pleased to see a decent chunk of it come to fruition. I figured Callum would be able to save Rayla at a steep cost, and Viren would be unable to successfully save Claudia (cause consequences have to catch up to you sooner rather than later, and they tend to catch Viren first and Callum second).

This is, of course, perhaps most exemplified by the show chipping away to the core of dark magic, which is what are you willing to do to save the people you love, even against their will, and that Callum has every good reason to be worried, accordingly, about a very exploitable part of himself.

Which we'll talk about more when we get to:

3) Viren revoking dark magic and Aaravos, whereas Callum does dark magic again and worries he's further tethered himself to Aaravos

In season 5 in a lot of ways, Viren comes to fully understand and accept Harrow's rebuttal to dark magic in 1x02, which was, "We may not pay now, but we will pay the blood price eventually! What do you think got us here? Dark magic!" The blood price went from Sarai's unintentional death, to Thunder's purposeful one, to Zym's false one, to Harrow's 'real' (?) one, and so and so forth.

Viren tried to ignore the sunk cost fallacy by believing it was already too late to turn everything around, and that doubling down to skirt consequences would continually work... until it didn't, and he had to accept the only person writing his fate was himself: "Every step forward is a choice," and thereby another chance to do the right thing, or make better choices, under the circumstances you have — to at least try.

This parallel, then, between Viren doing what he can to set himself free vs Callum chaining himself further to Aaravos is, in a lot of ways, both the most dreadful and happiest potential parallel and contrast between on a few different levels. Let me explain:

S6 as the Fall, S7 as the Rise

I talked about this pre-S5, citing it as a reason I believed Viren and Callum were ultimately switching rather than solely contrasting foils — re: Viren getting better in S5, and Callum getting worse in S5/S6 — simply due to the fact that given that S6 will be TDP's 11th hour, things might be going okay for the antagonist crowd, but the protagonist side of things, particularly Callum, will need to be hitting rock bottom.

Thus, it seemed pretty obvious from a structural standpoint, as well as Stars (and destiny by extension) having an association with Aaravos that S6 would involve Callum playing his part in Aaravos' plans, with S7 being the reclamation of his agency and therefore defeat of his narrative Rival for well, narrative control. S6 being Callum's fall, S7 being his rise — stronger than before, and freer and more magically in tune than ever.

Prior to S5, it was typically accepted (by myself included) that while purposefully very similar to one another in both framing and personality, that mirroring would eventually shed, and, come S7 Viren would ultimately provide a contrast to Callum, with Callum breaking away from Aaravos in ways Viren was never able to, and this would be the Big Defining Difference between them in terms of like, narrative cohesion and plot. (Emotionally, the biggest difference has always, arguably, been that Viren is more world focused — to his detriment in arc 1 in particular — than focused on his loved ones, whereas Callum is deeply and sometimes dangerously devoted to the people he loves.)

However, S5 makes that previous contrast prediction untrue, because Viren does break away from Aaravos (in fact, just an episode decidedly before Callum seems — metaphorically at least — to take a step towards him). Therefore rather than just being a contrast, Viren is meant to be a true mirror in equal measure, simply because by virtue of letting Viren break away from Aaravos' control, when Callum eventually does so, he will likewise — once again — be following in Viren's footsteps, just in a positive way rather than a 'negative' way like before. If Viren was meant to solely be a contrast — as has been theorized previously — than Callum staying under Aaravos' control would actually be the provided ending. Of course the show isn't doing that for Very Obvious Reasons, but I think it's worth noting that now, in order for Callum to have a happy ending at all, he has to follow in Viren's footsteps — all of them. Rather than being one of solely warning and foreboding, Viren's narrative has turned into one of hope for Callum, too.

V: I am free, and so are you.

But in order to talk about salvation, we have to first talk about destruction, namely:

Dark Magic and Death

Dark magic and death have long been associated with each other in series. Dark magic requires killing or consuming a magical creature — elf, dragon, or otherwise — to be used/harvested for power. It affects the souls of those being used as spell parts (Through the Moon) and you can use any part of the body within reason, even their ashes upon cremation (1x03, 2x09), or their final breath (against their wishes in 3x06). Hell, dark magic makes you smell like death (3x01), turns you into a more corpselike appearance, and season two novelization just furthers this association outright during the passages of Callum's dark magic visions/dream:

Callum turned the cube frantically to see which primal was glowing. How could any of the primals glow in this dark place? Something about this cube tied his stomach in knots. It wasn’t natural. A vision flickered in front of his face. Dozens of dead animals in a field. A dead butterfly. A dead deer. A dead unicorn. Cackling laughter. He chucked the cube away from him with all his might. The glowing rune was dark magic. It represented death.

Thereby in 2x08 itself, the rejection dark magic symbolized by the cube is pretty simple. Callum rejects being a dark mage as his primary magic use, he rejects the 'easier' road, he still believes he can possibly access primal magic, and in doing so, he rejects death. He won't become a dark mage, he won't seek out his death or others in order to have control/power, and he won't become a corpselike figure.

But a couple seasons later, we see S4 and S5 reverse and complicate that in 1) having him, literally, seek his own and Aaravos' deaths in order to feel in control/have power, and therefore 2) perfectly foreshadowing his eventual dark magic use/relapse, for lack of a better word. Just as the show leans farther away from "dark magic is easy" (and it is, in some ways, emotionally easier to deal with consequences when you can change them) and more into "dark magic will destroy you — your identity and your body — if you keep using it".

S5, likewise, also starts to break down the negative associations of dark magic being linked to death, and indeed the negative associations with death itself. For most characters in the series, death is solely a tragedy, but for Harrow and Viren of themselves, staring their own deaths in the face — and choosing to die — instead became a vehicle for repentance, change, and subsequent self-actualization.

Death, for Harrow, and more importantly for the sake of this meta, is not just doom and gloom, but a choice and therefore a culmination as well as a chance for transformation. Just as Viren's death in 3x09 allowed him to be re-born with clear eyes (a literal Re-Birthday, if you will), him choosing this next death shows the full scope of his character arc. Previously, he died because he was chasing all the things he didn't have with Aaravos' aid, and by 5x09, he's rejecting Aaravos' help and dying alone in the woods with nothing, yet it feels like a tragic sort of victory all the same.

We also see a more complicated view of dark magic alongside ideas of self-actualization. Previously, dark magic was seen as something that would make you routinely lose yourself (Viren, Claudia) until you had by and large become the worst version of yourself. S5 complicates this a bit more by connecting Callum doing dark magic to his ability to access the Ocean arcanum, as he remembers/mimics the motion of crushing the slug before connection (and parallels Viren's 5x03 hand symbolism to boot):

Whereas Viren unmakes his choice to take on Aaravos' deal in 2x07, Callum unmakes his choice to refuse to do dark magic when it means saving his loved ones. As he states:

To love is simply to know this: the tides are true as the ocean is deep... You don't control anything. But you already knew that, didn't you? Because it's the secret of the Ocean itself. The arcanum. The Ocean arcanum is about accepting depths you can't see, parts of yourself you can't understand, and things you can't control.

Callum fears not having control, and therefore fears his part of himself, where he is now more aware than ever of just how far he'll go for his loved ones, and how exploitable that is, thanks to Finnegrin. And it's not as though dark magic has lost its death associations, merely that those death associations have likewise been transformed. This is particularly evident if you line up 5x08 as the end of Callum's S5 arc (which it is; while 5x09 is fun, it doesn't further any of the main trio's emotional arcs except Rayla, and even that is decently minor)

If dark magic is still linked to death, then both Viren and Callum choose to step towards their own deaths in the end of their respective arcs, just with different meanings and arc placements. If we take Viren's step further that real death vs dark magic death are two different things, then we still have Callum stepping towards his own dark magic death to prevent someone else's (the same way Rayla is spared) even if that means throwing potentially 3+ innocent people and Domina Profundis under the bus in 5x08. But more on that here.

For now, let me break it down more simply:

In 4x09, Callum and Viren both pick up the symbol of something they've been trying to ignore / pass off to others all season. Viren has avoided his staff and left it for Claudia to wield, much the same way Callum passed Rayla off to Ezran and Soren in the previous episodes. Viren refuses to leave the staff behind. Meanwhile, Callum picks up and finally starts fully acknowledging the loss and love he feels regarding Rayla, who he let go on without him. The staff is symbolic of Viren's relationship to Aaravos as well, and it's what ultimately dooms him. Rayla's sword, although quickly discarded so he can help the actual Moonshadow elf, is also a symbol to Callum in the scene that he loves/is still mourning his friend/partner.

In 5x08 and 5x09, Callum and Viren are both goaded by a vengeful elf seeking freedom into doing dark magic to create a secure future for each mage. The elf wants to use them as further vessels for their own freedom/revenge scheme. Viren refuses to do dark magic and instead chooses death, reaching self-actualization. He does this mostly motivated by his own regret and love for Claudia. He refuses to sacrifice Sir Sparklepuff to save his own life and breaks away from Aaravos. Callum demonstrates a willingness to sacrifice others in order to save Rayla, in addition to resorting to dark magic in order to save her. He refuses to sacrifice her to save/keep his own soul free from Aaravos' clutches, even if that means possibly walking steadily closer to his own death. Likewise, this allows him to reach a new stage of self-actualization, but at a steep emotional cost.

Where Viren's ending is tragic but victorious, Callum's season ending is victorious but tragic. But like I said earlier, Viren's story in S5 offers plenty of hope to Callum's future storyline, namely exploring how

Love Can Destroy and Save You

Now, anyone who's been following me for a while knows I love a good "this thing can save and destroy you" and that I have been really fucking excited for S4 taking that undercurrent in arc 1 and bringing it up to the forefront, with a big hitch to Rayllum as a sweet lovely, devastating bonus.

“Wow. So they look identical but they might kill you or they might save you,” Callum said. “Exactly. Just like me…” Rayla smiled.

—Book One: Moon novelization + Callum and Rayla being routinely determined to save each other, even if that means immense danger and harm to themselves (Callum's love for her made him leap off the mountain to save her, and his love for her allowed him to grow wings and save both of them).

This has always been a theme in the show and particularly within their dynamic — "Alright, enough almost killing me" in 1x05 with the lightning spell, only for Callum to save Rayla's life with the exact same spell by the episode's end — most prominently brought to the forefront in 4x07 with their whole "I need you to kill me" "I'm afraid I'll hurt people I care about" [cuts right to Rayla] conversation. If you're interested in more Rayllum thoughts on this, I would recommend my original meta on the subject (pre-S4) and my post-S4 followup.

We even see this theme of the same thing — in this case, Callum's love for Rayla and commitment to saving her — play out as a perfect microcosm in 5x08. As previously mentioned, Callum does dark magic again (a failure in his own mind) and unlocks the ocean arcanum (a victory) precisely because of what he was willing to do out of love, both of these things being good and bad. The dark magic use is bad because it makes him more vulnerable to Aaravos and reaffirms how he'll bend morals he otherwise wouldn't and is upset over it, and it's a good action because it lets him save Rayla. Unlocking the Ocean arcanum is a good thing, because it symbolizes a deeper understanding of himself — good ol' self-actualization — and more useful, magical prowess, but it's also a bad thing because he's upset by this realization of himself to the point of not even really being excited by it.

He would do anything for her, he's realized now that love doesn't necessarily always make him stronger, that this is exploitable, and it scares him. It really does.

Because Rayla saves him and destroys him. And in S5, fortunately, Viren's children do the same for him.

Even though saving Soren is what seemed to truly begin Viren's descent in earnest...

the harm his path has inflicted on Claudia is one of his motivations to finally stepping off of it.

Ezran himself acknowledges the way love interplays with the Cycle in the thematic turning point of the arc, and the series in many ways, back in 4x03 — that love is not in opposition to the Cycle, but indeed one of its many cogs, and the choice lies in how we choose to let that love manifest:

I had a speech planned for today. It was about peace and love and hope. But I think I left something out. [...] We all want peace and we all want love. But violence tests us. In a twisted way, it converts us to its cause. Because pain and loss feel so terrible inside, you want to hate. You want to hurt someone else. So what do we do? How can we stop this cycle? [...]  We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.

If Callum does destroy himself / risk the world for love in S6 (perhaps taking a risk he knows may lead to being possessed, or releasing Aaravos to spare Ezran or Rayla from an immediate death) then love, it seems, is also posed to be what accordingly breaks him out of the possession and brings him back to himself, the same way it allowed Viren to deviate from his previously chosen/enforced path. Reconciling dualities rather than enforcing strict binaries is one of the main things S4 was concerned with, after all ("Just have two cakes!").

All of this, for Callum, ties back into:

His dynamic with Rayla and all its variances (the light to his dark / pain and love / literally freeing himself while metaphorically chaining himself in order to save her / his love for her being his strentth and weakness / "Now you're back. That's kind of good, and it's kind of bad").

His connection to the Key ("I have a feeling that cube thing could help me" to "It's the Key of Aaravos, Callum. No good will come of it!")

Light and dark being both good and bad, and Aaravos heavily representing that trade off ("In darkness, gaze upon a fallen star [...] already tainted by darkness" + the cube flashing a bright glowing white before Aaravos picks him up as a pawn).

The fall (becoming Aaravos' prey / playing into Aaravos' hands) in s6 and a rise in S7 (breaking free by defeating Aaravos)

If dark magic is death, and Aaravos is likewise death / worse than death ("if he takes control of me again, you have to kill me")... death, like for Viren in 3x09, can be Transformation for Callum in 6x09. He just has to 'die' (metaphorically) — to fall, to fail, to succumb to his predecessor's negative footsteps — in order to rise, fly, and follow in his predecessor's positive footsteps while also carving out another new path for himself.

Because Love is salvation just as much as it is destruction, and the story will always hold true to those things.

Other Parallels

Although there aren't as many prominent framing parallels in S5 as there were in S4 — the mirror, on the battlements with Soren, sitting on the Storm Spire, picking up the staff and sword, etc etc — (beyond the hand clasps as symbolic chains my beloved), the most obvious one is from 5x01 in which Callum goes to the library to research Aaravos just like the high mage before him, down to the portrait over the table they place the tome on.

Then there is also framing that furthers the connections they share between Callum-Viren and Claudia-Rayla, diving after someone you're desperate to save (and often from drowning, to boot). Hand outstretched one pictured above, so here's another:

There are also the Aaravos-Magma Titan Callum-Viren parallels that others have pointed out, with Ezran standing in for Sarai:

Given that 4x01 begins and 5x09 ends the arc of Viren's 30 days, and by and large binds S4 and S5 together as 1 arc of sorts (with S6 and S7 being the final arc), it tickles me particularly pink that it opens, in many ways, and then literally closes accordingly with Callum and Viren staring at the moon:

Misc:

In between writing the first meta and the second one, I got loose 'confirmation' that I'm on the right path with my deductions (even if, of course, 'personal path' can mean many things, but I still think it's cool!) from Aaron Ehasz on twitter. Cool beans

I also think it's fun that Viren tries to save Claudia from a 'symbolic' death in the ocean ("Stop! That wave, it will swallow you up!") and Callum saves Rayla from a more literal one of being devoured by a sea leviathan.

Conclusion

First off, if you read All of That, thank you and I hope you enjoyed it. I've been itching to talk about these two and how S5 both built on the parallels they already had, pushed some to the forefront in overt ways ("I would do anything" and 5x08 on Callum's end was beyond validating in every way), in addition to setting up more to come, both good and bad.

I may return to S5 in this manner to touch more on other parallel relationships in the future, such as Viren-Rayla in S5, Callum-Claudia, and Claudia-Rayla, but for now the next proposed foil meta is looking at a dynamic I have not talked much about in Callum and Karim. This will conclude this little 'trilogy' of metas, and I hope you stick around for it, cause it's going to be very interesting.

Callum and Viren have always been my favourite foils relationship in the show, and I hope this meta did a good job of demonstrating why. Thank you for reading and I'll see you in the next one!

—Dragons out

[sealrock]

decembhyur, day 6: memory

you're gonna go far, kid.

[sophfandoms53]

Some of my favorite moments from this gem of a game, I still cannot believe it’s real

[novelconcepts]

Doing a bit of a Santa Clarita Diet rewatch, and while I don't know intentional any of Abby's queer-coding was (and how much was just Hewson's vibes), her relationship with Eric has such teenage comphet energy. Like whenever Abby's like "I really care about you, more than anyone, but it's hard for me to pretend I'm into the physical; this has maybe a 2% chance of working out," my lesbian ass is just nodding so hard. Like, yeah! Exactly! You don't know you're gay yet, or you sense it in yourself and try to veer away, so what's the easiest option? You find the soft nerd boy, your best friend in the world, someone you absolutely trust to have your back no matter what, and go, "Yeah, uh huh, sure. I'll try that one." You absolutely look for the most non-threatening dude in the vicinity. And then it's improved by Eric's whole thing being like "yeah, this is absolutely someone I am down bad for, but if she doesn't wind up digging me that way, she's still my best friend." It reads so true. No idea if they were ever going to actually walk down that road, but in my heart of hearts? Here for it.

[todayisafridaynight]

no ones ever gonna understand how much i love daigo doin this stupid shit after dissolving the tojo

[identityquest]

babycat hero moments

[binniesoob]

hueningkai performing 'sk8ter boi' during txt's present x together fanlive (020324)

[bluesidedown]

Gratitude time

[void-bitten-ghost]

Okay so imagine Fazco have like an end of year event or smthn for all their employees and y/n wasn't gonna go until someone said they wouldn't fit in bc it was a high class event so instead They Ate

[yuukimiyas]

g’mornin sweet friends! ᜊ꒰ ᜊ ´ ˘꒱ ੭♡ its another lovely thurs here in the city of lovers!! the sun is extra shiny, the birds are singin in tune, & the universe has smth amazing in store for every one of us!! i just KNOW IT!! ໒꒰ྀི∩˃ ᵕ ˂∩꒱ྀི১ i hope you all are feelin the magic in the air to assist w a great day!! <33

[rileys-castle]

wow.... Bones is so knowledgeable...

[jojotier]

didnt wanna put this in the prev tags of the last posts but like. the whole egg subconscious desire to transition getting translated into fiction is sooooo funny. when i did homestuck rp at age 15 i was obsessed with this dystopian au based off i think some music video where society kept the gender roles of the 1950s and to rebel our characters would like sneak make up into the boys' dormitory or teaching girls how to box in underground rings even with the pearls still around their necks and the entire time i was like aha imagine having to live in a world where you're trapped by the gender roles you were born into! thank god I don't live like that <- about to learn some things about himself in 2-3 years

[apocalypse-shuffle]

Like, I’m sorry (and I love me a toxic white man don’t get me wrong) but I can’t do Homelander, you bitches can have him.

And on that same note, I can’t do Soldier Boy either. That’s a hard no. Like, listen, I love me some Jensen Ackles (he’s even voiced my favorite “sometimes unhinged, usually correct tho” white man) but Soldier Boy was basically five steps away from being a KKK leader (if only the pum pum and the gains had been good enough, you know?) so……

Like, y’all cannot “you’re reading too much into it” his characterization. The man literally hosed down black people and told Noir that if he saw him “getting out of line” & trying to “move on up” that he’d put him in the ground (basically telling him to stay in his place), the racism is far too blatant for y’all to sit around and say it’s coincidental (not to mention everything he put M.M through). Coincidental is the shit that happened in the Stranger Things writing room when they wrote Billy Hargrove and Lucas Sinclair’s interactions or every time Hotch refused to let Morgan be great on Criminal Minds. In comparison Soldier Boy’s racism and anti-blackness was not coincidental (it was a deliberate character choice), it just wasn’t as blatantly in your face as Stormfront’s nazi and white supremacist ideologies though so y’all cry foul and ignore it.

Sure, like a character that’s this type of problematic (that’s your prerogative), but at least have the gumption to admit that he’s a raging racist (and would probably put a gay man in a casket if he felt he stepped out of place too).