Usopp's constant negativity and anxiety are something useful and "positive" at the end of the day (eg: fight against Perona) because he doesn't necessarily need to change his views, he just needs to trust himself and his abilities more and he just uses what he has at the moment which is, you know, negativity. It is not something positive but it does keep him safe from danger and he will end up being proud of himself and stronger than he could ever imagine, but that doesn't mean he'll stop being negative. It's just another personality trait a lot of people have, and Usopp using it for his advantage is something great, I feel. He takes pride in being like that. He's loud and shameless about it.
Unlike Sanji, who dwells on his negativity on his own. Quietly. And lets it consume him without having any power over it. His self-sabotaging and self-sacrificing behavior often comes from a place of giving up out of fear of others getting hurt to save him because that's pretty much his core fear. Being a burden/Not being able to save the people he cares about from himself and his past. It's not something the manga shows that much in comparison to Usopp's negativity, but Sanji's pessimistic views are pretty much one of the reasons why WCI happens and why he puts himself in the worst situation in Wano.
And I think (this is why I'm writing all of this) that they're perfect for each other because Usopp could show him that being afraid and negative isn't something so bad. After all, at least Usopp is aware that if he can't do something, the crew will help him out no matter what. Usopp's negative, yes, but it's alright because he doesn't go through it on his own. Even if he does look shameless and "selfish" when desperately asking for help (he isn't, by the way. It's actually pretty reasonable to act like that). Sanji needs to learn to ask for help shamelessly too and he needs to stop putting all the weight of the world's negativity on his shoulders. They need to carry it together.
Like- There's just something so personal in Usopp going "Yes! I am scared. Frightened even. Please, help!" because he might not like that part of him and he's trying to be stronger and more independent every day, but he acknowledges that things can go south and his reaction is very fight or flight but pretty mostly flight to be safe. While Sanji's response is always to fight because he refuses to let others know he needs help in case something happens to them (and also because he feels ashamed of feeling weak). Usopp shares the responsibility and accepts that he's kind of a loser sometimes but Sanji refuses to do so.
This is just a thought about Sanji learning that being a coward and asking for help isn't bad because they're meant to do stuff like that, and Usopp growing to be stronger and independent but not necessarily stop being pessimistic because sometimes you just... Are like that. Sometimes you're scared. Sometimes you have anxiety. And that's alright. You can be strong anyway.
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your art makes me wanna start testosterone
i can't read tone well, so this is either an incredibly touching ask, or an extremely funny one, and in the absence of confirmation: both!
i'm in a chatty mood, so i'll share some thoughts about testosterone and my art.
i liked being on testosterone a lot. i had an IM injection every two weeks (on tuesdays!) and because that's a sizeable dose every 14 days that slowly disperses, it can cause some mood fluctuations (every other friday i would have a crisis about not feeling like the world had a place for me in it) but even those were far more manageable than the ones that would come with my previous and current monthly hormone cycle (every month i spend a solid week thinking the world will never have a place for me in it)
It gave me a patchy little bit of scruff on my chin and a whispy mustache under my nose that still struggles on, despite adversity!
It redistributed my fat a little bit, but that's long since gone back to pre-T shape.
it lowered my voice! that hasn't changed :^)! even if i never go back on t, that won't change. it was the thing i most wanted, and its the one i'm most grateful for. Pre-T, I didn't speak much. I'm getting better and better at talking and getting more and more comfortable communicating with people because of it.
having been off t now for 3 years, i don't pass anymore—not as a cis man, or a cis woman, certainly not as anything approximating straight. if people look at me and see anything, i'd hazard a guess that they see me as A Queer (the noun—for all it's complicated connotations).
i'm not surprised that my art might make somebody want to start testosterone! a lot of my art was made out of the aching grief that came with being kicked off of testosterone, and how neatly that loss of autonomy over my own body knits in with yamato's loss of autonomy over his own.
how my body started doing things i disliked, how i didn't have the support necessary to access the healthcare i needed—how my inability to give myself what i needed made me feel as though i were trapped inside of myself and abandoned (by both myself and the world at large)
when i write comics about yamato as a trans man, i don't take away his testosterone, because that hits a little too close to home for me. for Ninja War Town Reasons, he has plenty of access to all the HRT he could ever need and nobody questions his need for it—instead, i project my own horrors onto the way Danzō defined his identity for him as a child, the way that Kabuto and Obito dehumanize him as an adult in their war efforts, and reduce him to the thing his body holds (the Mokuton). I give him a kneejerk compulsion to dehumanize himself (out of a feeling that he has a duty to his community to do so) and I give him a slow-growing resistance to that impulse (which comes out of a feeling that the people he loves would frown upon seeing him reduce himself like that)
it's dysphoria! it's not gender dysphoria, but it's a loss of self, and a need to reclaim it. it's a war between the hollow shell of a thing he thinks he has to be, and the vibrant and messy person beneath it that he is. it's a desperate need to say "this is who i am—only i can say it"
I enjoyed HRT a lot. it was a really useful tool in helping me feel like my body was my own, that i didn't have to fight it, that we were the same entity. It's not the only tool, but it was a really good one, and one day I hope to use it again.
(as for the being off of it—it's unpleasant, but i'm enduring! being somebody who now doesn't really pass as anything has put me in a weird and interesting position, where I'm constantly having to declare myself to people, because nobody knows what to make of me on any front. they don't know if i'm a man, a woman, nonbinary, nor even what age i am (Augh!!!!) it forces me to be brave and vulnerable more than I'm comfortable with—if I tell somebody I'm a man, there's no way that they will believe I'm cis, but I'm not about to recloset myself—and I don't think I could at this point anyway.)
(there's something fascinating about the position i find myself in, and while i'd leap back on t the moment that an opportunity presented itself to do so, i do feel like i'm experiencing something interesting and important in this weird zone i find myself in)
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I do wanna say re: Silver Backstory and my rec list and my tendency to poke and prod and explore where he may have come from--
That's not me saying that the way his character is presented in the canon *needs* that, at ALL.
First off, the speech on the cliffs, the Solomon Little stories, the complete inability to share?
It's perfect for the character, as well as an absolutely jaw-dropping ballsy as hell decision to make a prequel/adaptation about the most famous pirate figure in Western media and simply... refuse to define him in those terms the way we've seen the other main characters. It's such a ballsy and brilliant move that sometimes I stare at the wall thinking about what they have done and just, god I hope one day I can write something that great. I could go on about that but it's not my main point.
Second off, many ppl have said that the point is that the story of Black Sails itself *becomes* his origin, and in many ways that is absolutely true and I agree.
However, I also wanna point out that the acting and the writing reflect all the information we would ever need to know about John Silver even if he cannot bear to speak it in specifics.
in 4.9, Silver says:
“I have no story to tell. It all might seem as though I’m trying to conceal something from you, but… truth is, there is no story to tell.
...
Not unremarkable, just…without relevance. A long time ago, I absolved myself from the obligation of finding any. No need to account for all my life’s events in the context of a story that somehow…defines me. Events, some of which, no one could divine any meaning from…other than that the world is a place of unending horrors.
I’ve come to peace with the knowledge…that there is no storyteller imposing any coherence, nor sense, nor grace upon those events. Therefore, there’s no duty on my part to search for it.
You know of me all I can bear to be known. All that is relevant to be known."
"Other Than That The World Is A Place Of Unending Horrors."
Now, coming at this as someone with my own fucked up trauma, that one sentence coupled with the performance from Luke really tells us everything we need to know.
So yeah, in a way it both does and doesn't matter that we don't get his history wrapped up in a pretty package, both bc it's NEVER THAT SIMPLE, and bc his REACTIONS to events/ppl are... so VERY clearly the reactions of someone who has been deeply traumatized. We don't NEED to know for the story and character to work EXACTLY as intended.
We can see him, we the audience. If you pay attention, he is not some mystery at all. We may not know exactly what happened to him, but also, we do... don't we?
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Regarding the recent post:
Killer Queen is too short ranged of a stand to affect most sleuths and it's not in Kira's character to drop Sheer Heart Attack at the police departament and hope.
Kira generally doesn't have many ways to deal with characters that:
Work in teams.
Work from far away.
Have any sort of records showing that they're invastigating him.
The man had to be bailed out by Bites the Dust and still lost
Most sleuths wouldn't even let Kira get away for long enough for him to aquire Bites the Dust so that's not even something to consider in most of these cases.
{But you're really ignoring one thing: It can't be detected by anyone but Stand Users. Why would they think they needed to investigate Yoshikage Kira specifically? There's no evidence of the killings, since in canon, even the police didn't try to investigate the mysterious disappearances. The sleuths would mostly not be able to understand that Killer Queen exists, and even if they assumed it was something supernatural, there's still no evidence. And the man managed to impersonate another man in front of his family, landlord, coworkers, and everyone who may have talked to Kosaku on the street, with only the man's child catching on. Had Hayato never thought to set up a camera in his parents' room, Kira would have never been caught at all. And Kira doing poorly against teams of people investigating him doesn't line up when he's gotten away from them twice (he would have escaped Jotaro and Koichi were it not for Act III, and he did escape the entire Duwang Gang when they were chasing him by severing his own hand), plus managing to keep his identity secret from EVERYONE except Hayato until the kid figured out how to use the time-loop to his advantage. You're right that most of the time Killer Queen wouldn't get to Bites the Dust, but it would be because Kira wouldn't need to. He has eliminated people in broad daylight before, and he could do so again when against someone who can't see Stands.}
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