#look i word vomited

[cat-eg]

new hbomberguy vid moodboard

[slavhew]

jakey + dirkjake sandwiched between my organic chem notes. a poem in there somewhere

[shadebloopnik]

Unrequited/One-sided Radioapple but it isn't treated like an angsty end of the world thing.

Imagine they slowly get closer after all the banters, and eventually becoming close friends. Lucifer ends up catching feelings for him, and after a long while, decides to confess and ask Alastor if he felt the same.

Alastor admittedly does not feel the same.

He's getting uncomfortable, struggling to keep his composure because he's DONE this before. He KNOWS how this ends. He remembers Vox and all his insistent declarations of affection and desperate pleas for Alastor to reciprocate; the possessive entitlement. He remembers how all those sickly sweet words morphed into something venomous when he didn't give the lowlife what he wanted. He remembers the anger, the ridiculous notion that it was Alastor's fault why he was so mad, that Alastor led him on and that he obviously deserved something in payment for it all-

So yes, Alastor knows how this ends.

It doesn't mean he isn't disappointed though, because he actually LIKES Lucifer, far more than he ever did Vox. Perhaps not in the way the king might have wanted, but he did. He treasured their little talks, their drinking sessions, their shared love for their instruments, Lucifers singing, their little duets, the banter, the playful jabs, the sparring.

He'd even slowly grown accustomed to the other's touches, not feeling the same surge of disgust and discomfort whenever the shorter man would grab at his arm in excitement, forgetting his usual thoughtfulness of Alastor's touch aversion for the short moment of whatever distracted him. Alastor even enjoyed it at times, relaxing at the feel of soft feathers beneath his claws, or the sensation of gentle scratches against his ears.

Difficult as it was to admit, Alastor had grown to care for the angel, the same way he had for Rosie orv Mimzy.

But no matter how fond Alastor was of Lucifer, it didn't change the fact that he didn't feel the same way romantically, or even sexually. No way in the 7 rings of Hell was he going to lie to Lucifer about either, not going to even entertain the idea of pretending he reciprocated for Lucifer's sake. He respected his friend too much for that.

So a clear, direct rejection it is. It was a shame, but nothing could be done. He said his piece concisely, and waited, shoulders set, back straight, smile and eyes a careful blank canvas as he prepared for the inevitable.

Lucifer nodded, a normal soft smile still in place, "Thank you for your answer, it means a lot."

Which......what? Alastor expected an outburst, or at the very least sharp words.

What he did NOT expect was....acceptance? And not just that but, a happy one? Contentment?????

"You're....alright with that?", he had to ask, he had to. Lucifer was clearly just very good at masking his upset.

But the damn angel just smiled?? And it didn't even look fake, just as bright and soft as his normal smiles, albeit a little confused?? Lucifer smiled at him, his brows furrowing in a bit of confused disbelief, as though Alastor is being the weird one here.

"Uhh, yeah??? Why wouldn't I be??? Yeah I may have some feelings for you but its not like you're obligated to feel the same. Above anything else, we're friends first and foremost and i'm alright with that..."

Then he seemed to have reached his own little conclusion as his words trailed off, because suddenly Lucifer's eyes widened in realization of something, and his words picking up with a sense of panicked urgency.

Alastor would really like to know what Lucifer's supposed realization was about himself because he had absolutely no clue.

"I mean, we ARE still friends right?? I don't- I- I hope this doesn't like- change your opinion of me. You're not- oh gosh I'm not making you uncomfortable am I? I- I won't mention it! You can even forget this whole confession ever happened! We can just go on as before! I don't feel any different or would act any different! Honest! I mean, I don't regret confessing because you deserve to know and I'm not ashamed of my feelings, but I don't want you to be uncomfortable! It doesn't change the way i'll treat you! Or change any aspect of our relationship! I don't even think I like you more as a lover than as a friend! I really, really do love our friendship, it matters more to me than any thoughts of being in a romantic relationship with you! So please just forget it all-"

Alastor let the word vomit wash over him, every word leaving him more confused by the minute.

Because yes, there's the desperation he expected, but...it was more about, convincing Alastor to remain friends?? Reassuring Alastor that nothing has to change?? That their friendship is the most important thing here??

(If anyone asks, no Alastor's heart didn't swell. Only lesser beings would have had the urge to cry, and Alastor is anything but.)

Lucifer is unknowingly reassuring Alastor of every single one of his insecurities about the situation. Because Alastor DID want to remain friends, he cared too much about the man to let it go so easily. It was rare to find people who treasure friendships above romantic relationships.

"I don't tend to forget easily, nor will I forget this one in particular.", he spoke, finally finding his voice. At Lucifer's defeated, pained expression( is their friendship really that important to him?), he continued. "But....yes. I'd like that.. To remain...friends."

He didn't often say the word out loud, being comfortable enough with each other that it need not be reassured with the label. But with Lucifer brightening up like his namesake, relief and happiness palpable, Alastor felt no qualms at declaring their friendship out loud.

So life went on as usual. True to his word, Lucifer remained basically the same. The following weeks were a bit stilted for Alastor, as he put some rather painful distance between him and the angel; limiting their interactions, their usual touches.

Anytime now, Lucifer would break and show his true colors, Alastor would think, waiting for the boot to drop. Lucifer would end up angry, and dissatisfied, and that was that.

But it never happened. Lucifer never expressed discomfort when Alastor avoided him, seeming to be understanding of the others need for space. He was just as affectionate as before, though initially a bit held back, as though gauging Alastor's comfort.

Months would pass, and the king never faltered. Their friendship remained strong, if not growing ever closer than before. Alastor found himself even growing more comfortable with the man. Affectionate touches were becoming common, hugs and head pats and cuddles being a welcome thing, with the reassurance that the shorter king would never disrespect his boundaries.

Lucifer seemed genuinely happy about it, despite being clearly told that none of Alastor's actions hinted at anything romantic. In fact, he seemed ecstatic that Alastor was getting more affectionate towards him as a friend. The embarrassment the radio demon felt at having Lucifer basically tear up (no really, he was crying so hard, full on drama sobbing) with joy in front of him was intertwined with the sheer incredulous fondness he felt for the man at that moment.

They were sitting at a couch one night, more than a year passing since that confession. Lucifer was leaning back, resting against the cushions, while Alastor had his head on the smaller one's shoulder, nuzzling at the crook of his neck, legs tucked close to his body. Both had a book in hand, two nearly empty cups of tea on the table in front of them. Every so often, Lucifer would flex his fingers that rested on Alastor's head, running a digit against the other's ear, often prompting the demon to lean into the touch. White wings enveloped the two, blanketing them against the chill of the night.

As Alastor turned the page of his own book, relaxing into the touch of his dearest friend, he wondered how he ever got so lucky in hell.

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[mllenugget]

Just wanted to redraw a few screenshots and then I got awfully carried away ꜜ Close uuuups ꜜ

I was going to apologize for always being part of weird fandoms. I was thinkng to myself "wow you really do have shit tastes in fiction" but then I figured out

It's not that I don't enjoy good fiction, I have recently binge watched all of Mamoru Hosoda's movies, which are all really brilliant. But here's the thing, I watch it, I go "yup, that was great" and then I'm satisfied with myself and I never talk about it ever again

You know what has gotten me to yap and rant for the past 12 years of my life though ? Total Drama.

And all things considered : The reboot was alright !

[frozen-seagrass]

The WALL-E au no one asked for

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 1/7)

Since the edited episodes are starting to come out, I figured that bc of that and the fact that I've been keeping this in the back burner for a loooong while now, might as well complete all my friendlocke violet gijinkas!! Some are gonna stay the same while others are gonna have slight/ complete redesigns, so please keep that in mind!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part Two) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

And that's pretty much it, designs under the cut!

LARK:

HUGE nerd. spent most of his time during the Uva Academy studying different kinds of pokemon as well as different fighting styles he can utilize once he is able to go out on his own journey with his very own trainer! Too bad that didn't really help in the long run...

His entire wardrobe consists of McDonald's related outfits. It's fucking insane. He even has some from long LONG ago that aren't available anywhere else.

The bubble pattern on his hair is able to move and change. Nobody knows how this is possible, not even Lark himself. All Lark knows is that his hair looks incredibly stylish!

Speaking of bubbles, he has the ability to blow bubbles whenever and wherever he pleases!

Often keeps himself extremely clean and gets upset if even a small speck of dirt gets on him, despite this he somehow smells like McDonald's food and axe body spray. Disgusting. He's so cool!

Even after death he still likes to hang around the other team members as a ghost, often getting to know the newer members as well as reuniting with the old ones. Sometimes they see him, sometimes they don't. It usually depends.

SARA:

Due to being a human in her past life, Sara is able to actually speak with the other humans in the pokemon world. However she usually doesn't due to it being seen as extremely weird and out of place. She did slip up once while talking in the presence of Arven, who thought it was the weed making him hear things.

Oinkologne are usually unable to do much with their hooves but Sara spent nights practicing how to knit with her new hooves and now she's able to do it flawlessly. I don't know how she managed to do that but go queen!

When first joining the team she'd often have the urge to eat her food related companions. It was a strange time for Sara, but she managed to overcome it.

When Peppy gets sick, she usually is the one who nurses him back to health. She was a human once so she often is able to figure out whatever sickness Peppy has and treat it properly. I suppose she's like a second mother to him.

The bag she carries with her is full of thread that she collected from various Tarountula she encountered on the journey, as well as little things she knits together in her spare time.

For the most part, Sara forgives... but NEVER forgets.

Did you guys know that Sara has a new YouTube channel? Check it out!

Pastey:

Before joining the team, Pastey was a nameless wanderer. He's been down every road in Paldea and knows almost the entire region (except for Area Zero) like the back of his hand.

He's gotten hurt pretty badly throughout the run (ie. the Mikey fight, the Atticus fight, and ESPECIALLY the final battle), however, he does not gain any (physical) scars from those fights. This is bc he's basically an axolotl, and axolotls are usually able to heal without scarring.

Pastey's "arms" are, to put it simply, mud prosthetics. More info here vvv

Pastey HAS met Mall Bingo once before the run, however, he doesn't recognize her. The only reason he does not recognize her is bc she wears glasses. (You know how people somehow aren't able to recognize Superman bc he wears glasses in his civilian attire even tho his face remains the same? It's basically like that lmao)

Unlike the lightbulbs he eats, the gasoline he drinks isn't really mandatory to his diet. Gasoline is like alcohol to him and he drinks it like an absolute CHAMP.

He goes fishing when there's nothing else to do or when he can't sleep at night. He doesn't do this bc he thinks it's fun or anything, only bc it's a "good time passer" or so he claims. Other members of the team will often sit with him and vent out anything that's troubling them at the moment, and Pastey is always there to listen to them.

And that's pretty much it. Next is Joe, Hannah Ü, and Mykyie!

[dubiousculturalartifact]

Obviously I’ve been queerbaited before, like, a genuinely incalculable number of times, and maybe thinking Buddie might actually go canon is a ‘fool me sixteen times, shame on me’ scenario, but I think one big thing that’s keeping my hope alive is this thought: If you genuinely believe that Buddie isn’t going to go canon, 100% zero possibility and absolutely no intention of trying... Then you also have to believe the people who create the show we’re all fans of are purposefully cruel dicks. 

Because we have SEEN what it looks like when the showrunner of 911 knows there is no possibility of it happening, has no plans of it, and is generally trying to avoid accusations of queerbaiting.

It looks like S5 & S6. Little bits here and there, the odd important scene to throw breadcrumbs… but a lot of keeping the two characters apart, being circumspect in interviews, PR shut downs on the actors, etc. The show has proven they are capable and willing to exactly that!

So indulge me, and imagine for a second. They had the conversation with the new network, and the execs told them they wanted to continue with the status quo, to write as if Buddie is never going to go canon, BUT were willing to bend so far as to make one of them queer, to keep the fans happy.

What would that look like?

I don't know, call me foolish.... But I think it would look like keeping the same dynamic from The Drought Seasons. Having them be friends and important to each other but still fairly disconnected, not having as much screen-time, etc, It would look like having Buck’s coming out arc be a SEPARATE, individual narrative. If they just wanted to write Tommy and Buck, and that's it, they could have done things differently.

There are just so many conceivable ways they could have written Buck’s coming out arc, to almost completely separate it from Eddie and have it be made clear, in no uncertain terms, that Buck is bi but that doesn’t mean he cares about Eddie like that, that Eddie is a hetero McHetero.

Buck’s coming out arc could have included him being jealous because he’s suddenly faced with Tommy in the flesh and is insecure about how he was technically ‘Tommy’s replacement’ at the 911, with Eddie not relevant to it at all, or have Maddie and Chimney be the ones to interrupt The Date, or literally any other scenario that didn’t make it all about Eddie. 

They could have had one short scene where Eddie and Buck talk about it, and then the rest would be like, Buck talking to Hen about being queer, Buck interacting just with Tommy and getting to know him, Buck doing a research binge about bisexuality and info-dumping at an inappropriate time during a call, etc etc etc.

That’s how you tell that story and only be writing it for the proverbial ‘general audience’.

But they didn't. They purposefully reversed direction. They chose for Buck’s coming out arc to... highlight his nigh-feral jealousy over Eddie forming a homosocial bond with another guy, having said guy repeat with genuine surprise and shock that it was him and not Eddie that Buck was interested in, have Eddie interrupt their date, have Buck be more worried about lying to Eddie than the fact that he’s queer at all, have Maddie say what she did to Buck about telling Eddie in specifically ambiguous terms…

In a season that also included the Fire Extinguisher Incident, and Buck saying he ‘wishes he could help’ with Eddie’s sexual frustration, and a big increase in social media engagement, and having Buck being Eddie’s rock in the last few episodes while he had a bizarrely platonic affair with his dead wife's doppleganger…

If they did that while KNOWING the plan was actually for Buck/Tommy endgame and Eddie riding off in the sunset with a hot female firefighter who has a cool motorcycle or whatever the fuck, or them both dying in a freak car-washing accident, or….

If they GENUINELY planned that? If the entire Buck jealousy plotline was intended to be nothing more than a deliberate queerbait-and-switch? Then they’re fucking assholes, sorry. They would have to know full well exactly what they were doing, how many people’s hopes and emotional investment they were toying with... If they were actually planning to keep dragging it along for seasons more of baiting and dangling things in front of us, while knowing categorically that they had no plans to deliver? That would be genuinely GOD TIER levels of specific, intentional queerbaiting.

Which could be the case! I won't deny that. Shows have done it before, plenty of times. Tim et al could be callous bastards deliberately instructing the actors to wink it up in interviews and share suggestive Tiktoks, and writing Buck’s coming out arc as being entirely focused around Eddie and throwing out hints... All while laughing behind Buddie fans' backs about our gullibility, how we’re keeping the show trending on the force of our delusions, etc. Maybe that's it! Maybe they just genuinely enjoying fucking with people. Or maybe they were just shitty enough writers that they didn't know what they were doing, and it was all a total accident, somehow, the proverbial monkeys pounding at keyboards and accidentally spelling out B U D D I...

But you know what? Call it naive, but I prefer to think they’re not huge assholes, or hugely incompetent.

That there might actually be a point to all this, somewhere down the line.

I guess we'll find out.

[puppetmaster13u]

I love this Au so much and I love the idea of the league thinking that Alfred is the one who built/created the batfam thanks to misunderstandings.

Alfred is unimpressed with the time that Bruce has brought Dick back- and brought guests back!- on a school night.

Au belongs to my mutual @phoenixcatch7 and you deserve to check them out <3

[bluespiritshonour]

Mai does figure into Zuko's redemption in a very subtle way by being neutral.

If she were actively prowar he wouldn't have felt comfortable voicing his turmoil in front of her and working it out loud. The fact that he still did it despite her being Azula’s bestfriend says he knows her views.

If she were antiwar... The effect would have been the same as what Iroh had on Zuko. Only he could change himself, no one else was gonna do it for him: hence it was important that he was separated from Iroh so he could forge his own path.

And without Mai being the only person he sought comfort from when his bad choices were catching up with him—he’d never really have processed it in a safe space.

I always like to think that in Ba Sing Se he was too much in survival mode—being given a chance to return home and then leaving it all behind was important because he needed to get down from survival mode and actually evaluate everything.

In The Beach he says that he should be happy that Ozai supposedly talks to him and thinks him a hero—except, his sour mood throughout the episode has to do with Ozai having gotten them out of the way. It wasn't that he had everything and realised it was hollow: it was more like he went back and realised what he was longing for didn't exist.

That explains him telling Sokka that his only regret was breaking up with Mai. He had to give up something to show that the right choice was the difficult choice and it sure wasn't Ozai’s love (which wasn't there. He comes to terms with the fact that it wasn't there). It was Mai’s.

[chronicowboy]

"Can I tell you something?"

Honestly, Eddie isn't sure where it comes from. One moment he's watching Buck trying and failing to bite through the long line of melted cheese stretching from his mouth to the slice of pizza held at arm's length, the next something scolding tears through his chest like a bullet from a sniper's rifle and Eddie's mouth falls open before he can think of what he's going to say.

"'Course," Buck mumbles through his mouthful of pizza, breathing around it because its still too hot of course. There's a smear of red sauce on his chin and the pizza is still held aloft about a foot away from his mouth, Eddie finds him desperately beautiful.

"In the truck, after I was shot," Eddie slides the plate under the pizza slice just as Buck drops it, "and after you told me you weren't hurt, there was one last moment that I fought to stay awake."

"Eddie—"

"Not for Christopher, not for you, but for myself." Eddie nods, eyes trained on the picture of Buck and Christopher on the fridge. "I just wanted to look at you. Just for one last moment. When I knew that you were okay, that you weren't hurt, that I didn't have to worry about you or Chris. I just wanted to look at you." Ironic, he thinks, that he can't look at Buck now. He sucks in a sharp breath and turns to meet Buck's dazed blue eyes. "I wanted you to be the last thing I saw." Buck swallows, that damn string of cheese still hanging from his lips. "And then I woke up to Ana sat next to me in the hospital, and I don't think I've ever been more disappointed in my life."

The loft hasn't been this silent since the morning after that one fateful night during quarantine when they'd thought it would be a good idea to get hammered and play truth or dare, and nobody could look each other in the eye over the several terrible secrets that had been revealed.

Its that same cloying silence now.

Not their usual silence. Not the comfortable silence Eddie revels in. Not the warm silence that greeted him when Eddie walked into the loft with a pizza after asking Buck to call him with an "emergency" to get out of a date with Pepa's latest "perfect woman".

"W-why are you telling me this?" Buck stutters out. "Why- Why now?"

"Because I've been on four dates since you died and none of them have felt remotely close to the night we scammed ten Porterhouses out of the Chief." Eddie shrugs, looking out to the red umbrella flapping in the wind on the balcony. He swings his gaze around to Buck. "Because you said you had the answers, and I'm hoping with everything in me that you have the answer to this question."

"W-what, um, what question is that? E-exactly?" Buck asks, voice breathy.

"If I told you that I'd been falling since that ambulance exploded," Eddie smiles, its a shaky thing full of fear, "would you catch me?"

"Always," Buck breathes without any hesitation, laying his big hand on Eddie's forearm. "Always, Eddie."

"And if I asked for your heart?" Eddie manages to choke out.

"You've had it the whole time, Eddie." Buck smiles, just as shaky as Eddie's had been, but bright and brilliant. "It only started beating again for you."

"One last question?" Eddie raises an eyebrow, his own smile beginning to ache in his cheeks.

"Anything," Buck promises.

"Will you kiss me?"

"Now, I'm not sure about that," Buck grins, all smug and self-assured despite the fucking cheese still on his fucking chin. "Don't I get a date first, Diaz?"

"What? Pizza and beer isn't good enough for you?" Eddie quirks an eyebrow, plan already forming in his head for a homecooked meal lit by candles in the kitchen at home, undoubtedly a panicked call to Bobby when the lasagne doesn't go to plan.

"I'd like to be wooed," Buck says haughtily. "I died, I won you steaks, I think I deserve a little wooing."

"Oh, you do, do you?"

"I do actually," Buck grins at him.

"How about you finish your pizza first," Eddie reaches up to cup Buck's cheek, uses his thumb to catch the string of cheese and gently pushes it past Buck's lips which open for him willingly, "and then we can circle back round to the wooing?"

Eddie pulls his thumb from Buck's mouth with a pop and watches Buck's pupils dilate until the blue of his irises is entirely eclipsed.

"Nope, wooed enough," Buck blurts out before grabbing Eddie's face and crashing their lips together clumsily.

Its the best first kiss of his life.

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

[sparring-spirals]

Compromise. Im not going to actually WRITE meta but i AM going to lay out a list of things I'm thinking about broadly and thematically and would probably write meta about if i were properly caught up and informed, but is instead influenced much more by early campaign F.C.G:

**edit: no this is kind of meta again. sorry.

- F.C.G grappling with the questions of: being made. purpose. whether it matters if you find your own purpose if you were made with one in mind and you "choose" something else. Can you actually? Does it matter? Is your choice a choice at all?

- Wanting so badly to heal people and help people and the unique fear of waking up and seeing damage done by your own hands. To the same people you wanted so badly to help. You extend healing and you offer comfort or kind words but all the while, in your core is a tightness. In your core is a danger. How much good do you need to do to get the blood off your chassis? Can you, at all?

- Metal body. Metal hands. A little wheel. You were a turtle once and it felt so wondrous to breathe. You try out tongues or little wooden legs or whatnot but it always comes back to an inorganic metal body and empty insides no matter if youre filling them with liquids or secret goods to smuggle or pastries (faux warmth). Maybe everything like wooden legs dangling off a metal body. All for show.

- A coin in hand. Looking for a higher power. Thinking about choice. Deferring choices.

- You love your friends, so much. You love people being kind to each other. You love your boyfriend and their wonderful way of thinking. You love being alive. Even when you doubted you were at all. You love, truly and deeply.

- Ashton raging at F.C.G for being a martyr. For aching for a good enough reason to get himself hurt or killed or blown up. Ashton looking at F.C.G knowing they're all messed up inside and trying so hard to stop them from letting it destroy them.

- Ashton always worried about how they're always trying to find a big enough cause, a good enough reason.

And so with those things, I remembered about F.C.G:

- F.C.G looking at their friends all down. Ashton laid out unmoving.

- F.C.G with something awful in their core. Ready to spill out. The same something awful they were always worried about. They were always aware of.

- F.C.G always looking for that reason. For that bigger and better cause.

- F.C.G always feeling like they didn't understand purpose, like it was so. unattainable- finally, briefly, startlingly- sure. Finally free of doubt. Their friends down and something awful and destructive in their core and one last thing they can do to maybe make things worth it, and the ability to choose it. They were made for something. They chose what to do with it.

- F.C.G finding that reason. F.C.G making that call. F.C.G thinking it was worth it.

- I think because of him, they succeeded. They won. That is certain.

- I think. "Worth it". Is always a subjective thing.

- I think. A self sacrifice is never just one person giving everything up. A self sacrifice, unfortunately- is one person making a choice.

And everyone else caught, in the blast radius.

[zeb-z]

I’ve made a billion fucking drafts and can’t find the words to talk about cellbit and bagi from today. how the fuck do you explain the intricacies between a brother who has lived a life that has sharpened him to cut what he touches, and a sister who had to live with his absence? a man who has to see the childhood he never got to have whenever he looks at the woman he now knows is his twin? said twin who cannot understand why her brother would be anything but glad they are reunited? how do you get across that tangled mess of emotions cellbit had to get him to burn his old pet worm? the paradox of longing for what could have been while desperate to get rid of any reminder, with a healthy dose of paranoia that anything could be a federation bug. or the pure devotion bagi has to decide to stick with her brother even though he is not close to the same as he was when he went missing? the unfairness of it all, of cellbit being taken and made into a killer before he turned 14, of bagi looking for him at the detriment of her own safety and self, of ripped up childhoods and everything that could have been? the fact that the first thing cellbit asks is what he could have done to deserve it? the disgust he holds for himself for what he’s done, and the anger he has for the federation that’s taken everything from him, and the resentment he has towards bagi no matter how unfair it is because she never had to go through what he did? how after bagi swore to help him burn the federation down, cellbit went to bad instead, because bad was there and fought alongside him, and he trusts bad because he’s seen him at his worst, and all he feels like doing is his worst right now? the two of them so similar still because they’re consumed by their need for revenge, while bagi just wants to leave the island? how the fuck can you summarize all this and the emotions that accompany it?

[lil-inky]

*screams from under the bed*

I finally got the courage to post about that one NightStar one shot from wayyyyy back.

AAAAAHHH THESE ARE OLD AND SO CRISPY *dies on the inside*

[greghatecrimes]

considering writing a one-shot where after Wilson dies, House tracks down Thirteen, finds her alone in the middle of nowhere, and basically tells her she’s stuck with him until it’s time to make good on his promise to kill her. House drags her back to, of all places, a farmhouse, that looks like he’s been living in it. There are remnants of Wilson there, too; pictures from the escapades of their last months together, a jacket of James’ hung permanently over a kitchen chair. A ring on House’s left hand that most certainly was not there during his marriage to Dominika. She fights him on it at first, but eventually gives in that it wouldn’t be so bad, going off the grid and moving into the spare bedroom that’s been sitting empty since before Wilson passed. House sets up a range for the spud gun on the land. He gets a few chickens in memory of that stupid bet Wilson won ages ago. She tells him about the adventures she’d had with Amy, and he tells her about everything he and Wilson got to enjoy. It’s peaceful and quiet and Thirteen never thought she’d be comfortable with that, but they take care of each other when the days are hard (and he takes care of her as things start to get worse). Despite it all, she’s not afraid like she thought she would be. She’s not alone. She has House, who will be there to send her off and tell her, “Goodnight, Thirteen. Sleep well.” when the time comes.

edit: hiii this is a fic now! you can check it out here :)