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cryptotheism · 7 months

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These stages can additionally be broken down into several steps. The number of these steps will vary from alchemist to alchemist, but the most common form of the process involves ten steps. They are:

Calcination. Meaning oxidation by heating. Whenever you see an alchemist describe somemthing as a “Calcinate” that means its oxided. Rusty iron is “Iron Calcinate” old green copper is “Copper Calcinate”

Solution. Meaning ”dissolution in “sharp” (or mercurial) liquids.” This means breaking a substance down by bathing it in acids.

Putrefaction. Decomposition. Now that you’ve broken your substance down with acids, you gotta boil it in warm compost to induce fermentation. This part turns a nasty black color, and is often described by alchemists as the “Black Raven” which is soon ressurected as the “White Dove.” Thus marking the end of Nigredo, and the beginning of Albedo.

Reduction, The recovery of the fugitive “spirits” (Spirit in this context means a volatile substance) during the calcination process by means of a fluid (“philosophical milk”), whereupon a yellow coloration (citrinitas) appears. Basically, you’re adding back what you boiled off earlier. You know you’re doing it right when it turns yellow.

Sublimation. Adding the volatile, “spiritual” matter back to the vessel causes a violent reaction, and a red coloration. Alchemists often describe this as the raging of the “red dragon.” This is where Rubedo occurs.

Coagulation or Fixation. The reaction dies down, and the substance begins to solidify. This is the coagula part of solve et coagula. Congratulations, you have yourself some stable Prima Materia.

Fermentation. This is a rare step. Some alchemists like to add a little bit of gold at this stage to act as a sort of “Yeast of Gold” to speed up the process.

Lapis philosophorum. The Philosopher’s Stone! Now your prima materia can grow into ultima materia, (supreme matter). This bit is usually described as a heavy, dark red, mildly shiny, powder or stone. When you heat it up, it turns kinda waxy, but solidifies again when it cools. (What the alchemist has probably done at this point is produce mercury(II) sulfide, better known as Cinnabar.)

Multiplication. Now that you have your philosophers stone, you can shave off bits of residue, and use that to make more. Like a mushroom.

Projection. So you’ve got your Philosophers Stone, time to make some gold. All you gotta do is get some Philosophers Stone dust, and mix it into your base metal. If you’ve done your alchemy right, it should make the base metal change color until it looks like gold. In later, medical applications of alchemy, this is the point where you apply your panacea.

I do my best to explain the Magnum Opus, today on Patreon

#alchemy #patreon #occult

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triflesandparsnips · 6 months

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So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--

Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).

BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:

Wednesday (before the end of the world)

So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.

But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.

The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.

SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.

But like-- still not friends. Not really.

Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:

Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.

My teenage brain exploded at this moment.

BECAUSE: there is no reason for Aziraphale to do that.

Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).

Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.

But Crowley was looking the other way.

Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.

But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".

And the final bit is just a couple paragraphs later:

With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.

SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--

It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.

Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.

...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.

#good omens #good omens book #versus #good omens tv

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littlespoonevan · 25 days

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I watched the first three seasons of 911 back when that was all that had aired and just didn’t keep watching after the break between seasons for whatever reason. I also didn’t really get buddie, I just thought it was a beautiful friendship. I’m now on a rewatch and just got to the end of season 4 and boy am I all in, Buck’s reaction to Eddie getting shot and the aftermath really made me get it. Anyway, I was wondering if you have any fic recs for a buddie newbie? I’m probably gonna speed through the rest of the show in a few days and need something else to occupy me hahah

hey bud, welcome back to the world of 911!! 🥰 okay so i have some previous fic recs that i've posted here and i also have 489 bookmarks on ao3 which you can have a scroll through here (i only ever bookmark something for rereading or reccing purposes so can confirm i've read and loved them all)

but i'll do my best to make a somewhat cohesive list below of some of my personal faves. i have no doubt i'll probably leave some out accidentally but they'll definitely be in my bookmarks so 100% check those out too!! ❤️

The Nearness of You by allisonRW96 / @homerforsure

Eddie reassured himself that he could do this. Other teams coming in were probably going to be staying at the same hotel in the same double rooms and it was very possible that none of them were going to be having sex. Or even lying awake at night thinking about it. Or: Buck and Eddie go on a work trip.

Leave the Light On (I'll Be Coming Home) by HMSLusitania / @hmslusitania

“We’re here for our grandson,” Helena says. “Chris is still sleeping,” Buck says. “I meant, we’re here to take him back to Texas,” Helena clarifies. “Yeah,” Buck says. He’s too tired, way too tired to be tactful. “Over my dead body.” -- An accident on a call leaves Buck with custody of Chris after Eddie is... missing presumed. While they navigate their new family circumstances -- and fight to stay together, despite Eddie's parents' best efforts -- a John Doe wakes up in a coma ward with no memory of his own life beyond the knowledge he has a son named Christopher and, somehow, he needs to get home.

To Build a Home We Deconstruct Our Rituals by letmetellyouaboutmyfeels /@letmetellyouaboutmyfeels

After the shooting, Eddie realizes he needs to put some things in place. Like who will get his assets if he dies. Who will speak for him if he ends up in a coma. What might happen if his family contests Buck's guardianship. Luckily, he's got a simple easy-peasy solution that won't result in insanity, catastrophe, or heartbreak: Marry Buck.

standing on the brink of emptiness by woodchoc_magnum / @woodchoc-magnum

In which Eddie is struggling in the aftermath of being shot, learning how to take care of himself and realising he's in love with Buck; and Buck is dating Taylor, taking care of Eddie and Christopher and trying to figure out why he's so goddamn confused about everything.

across our great divide (a glorious sunrise) by catchingpapermoons

“We’re working on it,” Maddie explains, shooting Chimney a look. He nods seriously. “In couples therapy.” “Huh,” Eddie says, and then he thinks about it. "Do you think Buck and I would benefit from couples therapy?" — or, Eddie gets Buck to come to couples therapy with him.

darling, the future's better than yesterday by rarakiplin (gmontys)

Eddie, ten years younger, in this awful 2010, blinks up at him. He's still sitting slumped on the curb, and for a second Buck thinks he might tell him to fuck off, but then his eyes fall shut and there’s something — aching and painfully vulnerable in the bend of his mouth, the faint tension in his brow. “My…um, girlfriend, I guess. She’s pregnant.” “Holy shit,” Buck says. - or, buck deals with some wonky dimensional/time travel and then breaks up with his girlfriend. eddie, obviously, is involved.

i'm here (i’m yours for the taking) by farfromthstars / @buckactuallys

“Everyone!” Around forty heads turn, and Buck shifts on his feet uncomfortably at the attention. “This is my old friend Buck and his husband, Eddie.” “Uh,” Buck makes, turning to Eddie with wide eyes. Eddie's looking just as stunned. “Connor, I think you got–” He cuts himself off when Eddie wraps an arm around his waist. ~ at the winter wedding of an old friend, buck and eddie pretend to be married to each other. the plan has no weaknesses, obviously, not even mistletoe or anyone’s secret feelings… they call it the season of giving i'm here, i'm yours for the taking

Your Fingerprints Smeared on My Heart (Lead Me Back to You) by letmetellyouaboutmyfeels

In 1880, Evan Buckley of the arriviste set is sent out west to oversee his family's railroad and recover from a broken heart - and meets Eddie Diaz, cowboy. When fate tears them apart, they make a promise: find each other again. In 2018, Buck walks into his fire station in Los Angeles - and meets Eddie Diaz, new recruit.

no kingdom to come by waywardrenegades

Family, FaceTime, guilt trips, phone calls, church, heart healthy meals, and learning how to let yourself be happy. Whatever that looks like. or; when his father experiences a health scare, Eddie flies to El Paso.

when i was shipwrecked (i thought of you) by catchingpapermoons

Buck walks toward Jee-Yun’s room, still talking, and Christopher trails after him, asking excited questions in response, and Eddie’s smile grows. He wants this forever. Everything, every part of it; Buck, Christopher, and him—that’s all he needs. And— Oh. Oh no. He shuts his eyes for a moment, inhaling sharply. He’s looking at Buck, and feeling something strictly not platonic at all. or: Eddie needs to learn how to let himself feel, and one step at a time, he learns how to do just that. (And he falls in love with Buck along the way.)

i don't swim and you're not in love by hattalove / @hattalove

She turns to Eddie and says something else, but Buck is busy fighting the headrush he gets at the sound of Ana Flores calling Eddie and Christopher 'the boys'. Like they belong to her already. God, what’s wrong with him? What is this? or, eddie cooks, chris domesticates a slug, and buck tries to figure out why he hates his best friend's girlfriend. to everyone's immense shock and surprise, it goes badly.

everything's coming up milhouse by hammersmiths / @bucktommys

LAFD Updates (@L*A*F*D_Metro) LAFD Alert: Red-level traffic on Gardiner Road this morning. If you are trying to get into the city centre consider taking Westerley Lane. buck 🔥🔥 (@firebuck) so true bestie or, Eddie mans the LAFD Twitter account. Buck tries to be supportive.

said i couldn't stay, but it's different now by hattalove

“I think,” he says, watching Karen pull Hen out onto the dance floor, their eyes never leaving each other’s, “I think I’m just—sad.” Maybe. That feels like a close enough word to describe this gaping maw right in the center of his chest. It’s only really there sometimes, taking little bites out of him, easy enough to ignore, but today is worse. “About being single at a wedding,” Eddie says, not a question. Buck shrugs. “Sounds stupid when you put it that way.” or, the one with the four weddings (feat. a drunk karen wilson, shania twain, a single cheerio, and some confessions over cubed fruit).

cause i'm tired of sleeping alone by rarakiplin (gmontys)

Buck goes on dates now. Not often, and never with the same girl twice in a row, but he goes on dates. And the thing is — the thing is, Eddie can’t be mad about that, because he goes on dates too. - or, five (ish) times eddie and buck go on dates with other people, and one time they go on a date with each other

so far from being free by allisonRW96

"That’s Daniel. He was our brother. Buck doesn’t know what to do with the past tense. He never had a brother. He’s always had a brother. He gained one and lost one in the same breath and it feels impossible. But even if Buck was capable of doubting Maddie, the truth of her confession is evident in the way it throws every facet of his childhood into sudden perfect clarity. That yawning, arctic absence. The unnamable fear. The impenetrable target of his parents’ approval that he was never, ever going to be able to hit. That they didn’t want him to hit. He has a brother. A dead brother who has haunted Buck’s steps for his entire life."

don't let the tide come and wash us away by writerforlife

Buck develops a relationship with the ocean, avoids talking about the day Eddie was shot, realizes he might be in love, and drives. Order may vary. (a fic for the "Buck is going to break all the way down in season 6" truthers)

dance, for all that we've been through by catchingpapermoons

The Los Angeles Ballet’s 2022-2023 season ends with a bang with their fresh take on a ballet staple, Swan Lake. Artistic Director Bobby Nash is in his eighth season with the Los Angeles Ballet, and it has flourished under his direction. However, his associate, Eddie Diaz, is the one whose reimagining of the choreography has caught our attention... (or, Eddie Diaz moves to L.A. to restart his dance career, and ends up choreographing a show, finding a family, and falling in love. Not necessarily in that order.)

I'll Scrawl it on Every Wall I See by letmetellyouaboutmyfeels

When Eddie joins the 118, he and Buck don't exactly hit it off on the right foot. Or continue to walk on the right foot. In fact they kind of can't stand each other. Good thing they each have a beloved anonymous pen pal to share their daily woes with, someone completely unlike their insufferable coworker. Or, in which Buck and Eddie love each other before they know each other, and know each other before they love each other. When Eddie joins the 118, he and Buck don't exactly hit it off on the right foot. Or continue to walk on the right foot. In fact they kind of can't stand each other. Good thing they each have a beloved anonymous pen pal to share their daily woes with, someone completely unlike their insufferable coworker. Or, in which Buck and Eddie love each other before they know each other, and know each other before they love each other.

never felt this way before (yes i swear) by withoutthetiger

It’s the summer of 2022, when Buck no longer wants to be called Evan, and it only occurs to his parents to mind. It’s after the pandemic – or so they say – and before whatever hell will befall the world next, when Buck can’t wait to join the LAFD in September, and he doesn’t know if he’ll ever meet someone as gently strong and fiercely protective as his big sister. It’s the summer he goes with his family to the One Eighteen Ranch & Lodge. *** A Dirty Dancing AU, set in Texas in 2022, featuring a whole lot of familiar faces in a not so familiar place.

Fragile lines (and wasted time) by Mellaithwen / @mellaithwen

“Hey Buck,” Christopher says a little shyly, before reaching out to grab Buck’s foot through the hospital blankets—shaking it in the same way he’s woken his father up on many a bleary-eyed morning. The familiarity of the gesture makes Eddie’s head spin. But of course, there’s no response from the comatose man on the bed. “I thought you said he was sleeping,” Chris mumbles, angrily swiping at his cheeks, and Eddie’s already broken heart shatters all over again for whatever hope his son had just lost when his expectations were so cruelly dashed. . While Buck sleeps, and dreams in the aftermath of the lightning strike, Eddie tries desperately to hold himself together.

Don't Take the Money by HMSLusitania

“You know, being stuck here isn’t actually the end of the world,” Chimney says, coming up to the table and picking up one of the smoke detectors. “It just feels like it, Buck. Trust me, I know.” “I’m pretty sure it might actually be the end of the world,” Buck says. “Considering this is the sixth time I’ve lived this day.” Chimney stares at him for a beat and then his eyebrows lift. “Wait, are you like – dude, are you in Groundhog Day?” OR The post-lawsuit time-loop AU literally no one asked for.

keep your eyes on the road by iriswests / @fcntasmas

Buck used to speed through yellow lights; now they’re his favorite part of the drive. -- or; a glimpse into buck and eddie’s developing relationship, told through ten moments stopped at a traffic light

Hot Ghost Problems by ebjameston

The ghost would prefer to go by Buck, if Eddie wouldn’t mind. +++ [Eddie is the newest firefighter at the 118. Buck is the ghost haunting the 118. Unfortunately for both of them, Eddie's also a witch and needs to put Buck's spirit to rest, because that's what witches do. Turns out, Buck's spirit? Super not interested in being put to rest. Very interested, however, in flirting with Firefighter Diaz, who is just trying to survive his candidate year. (Also turns out, Buck? Super not dead.)

as lucky as us by hammersmiths

One of the first things Ravi learned when joining the 118 was to, under no circumstances, think too hard about Buck and Eddie’s relationship. But brother, they could try make his job easier. “I mean, I get it,” Buck’s saying, overhead, and Ravi’s knee-deep in literal human crap and even he can smell that shit from a mile away. “You and Tommy have a lot in common.” or, Ravi continually suffers as a third-wheel.

#anon #asks #911 related #buddie fic rec #happy reading anon!!!#like i said this is only a tiny list in comparison to the amount i've read and loved

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pseudophan · 3 months

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some post wad weekend thoughts...

i just wrote all this on the plane and haven't read it through so apologies for any mistakes

first of all, this weekend was incredible. i usually just kinda sit at home doing not much of anything, and this was a much needed break to actually have some fun. london in general always lifts my spirits but i suppose that danisnotonfire guy contributed a little as well.

guys i think i've met more people the past few days than i otherwise have in years. like. holy shit. i started listing people but i'm petrified i'll forget someone so i chickened out, sorry about that. but you all know who you are. i've met friends i've had for years, people i used to know but haven't spoken to in what feels like a decade, newer friends, and a frankly baffling amount of people i didn't know yet but who told me they've followed me for ages. like holy fuck you guys lmao what the hell??? and i mean did the reaction ever get old no of course it didn't. bad for my ego i'm sure but totally worth it. there's something very amusing and incredibly surreal about being chronically lame in most aspects of life and then suddenly finding yourself in an environment where you're kinda cool???? SO fucking fun oh my god, but also i do kinda feel like i've tricked you all? but hey i'll happily let you keep believing i'm cool, that is more than fine with me.

most importantly though everyone was SO lovely. like i said i don't think i've spoken to this many people in such a short amount of time in years and every single person i talked to was awesome. guys did you know phannies are kind of great... don't tell anyone but, lowkey... everyone is so funny and cool and absolutely insane but in a good way (shoutout everyone left at the gates until the very end, we should probably get some help).

and then lastly of course, mr howell himself. i talk about this a lot i feel like but fuck me that man was born to perform. whether you think he's actually funny or not, nobody can argue he doesn't absolutely thrive on a stage. he plays off the audience so well and he's so very obviously having the time of his fucking life. i'd already seen the show twice before this, and i didn't think anything would top the previous london show but man... the first night he came back out after the show having clearly been tearing up backstage, apologising for being an inconsistent absent parent, and i can't lie the "i had daddy issues and THEN i subscribed to dan howell" got me cause yeah no literally dude, you nailed it, exactly, well done. i think something about doing this show again, his magnum opus as he considers it, now after the dapg return was very special to him. he seems genuinely surprised that so many of us were ready to just jump back in like nothing happened, i don't think he was expecting so many people to still be waiting and it's... man. he comes off so grateful for us all and it's so fucking sweet. and then on the last night, i think that was my favourite, when the show ended and he got the standing ovation and people throwing him flowers.. he was so HAPPY. and clearly overwhelmed with emotion which, i gotta say, there is something honestly kinda funny about daniel howell standing in front of you trying not to cry. like no by all means dude go ahead, please, you've made me cry an endless amount of times it's only fair.

ugh. i'm proud of him or whatever. dick. and i'm proud of our ridiculous fucking community. i'm not sure what 14 year old nora would say if you'd told me i'd still be kicking it in the phandom a decade on, but at almost 25 (fml) i'm so so happy to be here still. you know, we get a bad rep, but i genuinely think as far as fanbases go we're pretty solid. and i love you all so much.

i believe i will have to rob a bank or something because the next time dan and/or phil do a tour i think i'll have to just show up at every date like i'm sorry but this was too good of a high we need to do it again immediately

anyway. back to work 💪

(by which i mean giffing dan and phil. i am still very much unemployed. fr though i'm two whole videos behind this has never happened i feel weird. who am i)

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claudia-kishi · 2 years

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Wait, what?

#magnum p.i.#magnumpiedit #rjs*: new #close to home #thomas magnum #juliet higgins #otp: you're a very important part of my day #mpi s4 #ok i think NOW i'm done??? alsdkfjasldkjf #i jsut needed to get their individual confessions and reactions made into gifs bc. it's glorious idc #they're just so awkward about it i cry #asldkfaslkdjfalskdjf #sooo s5 when. i can only be deprived of hot ppl for so long

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maiavonsneeper · 22 days

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Behold....

Sock of Dojima

Stuff everything on my blog; this is my greatest masterpiece ever, my Magnum Opus even.

Don't have a Kiryu plush? Don't worry just grab an old sock, googly eyes, sharpies, yarn and glue.

Majiplush live reaction

"...."

"AAAAAHHHHHHHHH!!!!"

❤️🖤(?)

#kiryu kazuma #majima goro #kazumaji #sneeper plushies #majiplush #sock puppet #sneep crafts

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dweemeister · 2 months

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Instant reactions to the 96th Academy Awards

A rough night for me. But there have been rougher ones before. I imagine most of my comments put me in a very lonely minority, as has been apparent the last few months.

But here goes:

For all intents and purposes, yours truly was on the Killers of the Flower Moon train. An extraordinary crime epic from Scorsese, with astounding craftsmanship and fantastic performance from Lily Gladstone. More than what I previously believed possible, a major studio production went out of its way to make sure that its Indigenous American representation on-screen was as genuine as it could possibly be (still imperfect, as the film acknowledges, but what an effort). And yet, KOTFM goes 0/10. I've never had a favored Best Picture nominee be shut out in such a way before. And I'm not surprised at all by it. It was clear that non-American and non-Canadian audiences didn't get the context to the film (a criticism I understand, given the screenplay) and, in other quarters, folks thought it was too long (I admittedly have a higher tolerance for longer movies) and others have said something akin to the fact that they are getting tired over "racial guilt" movies from America. I'm not in the mood to respond to the last one. I think it deserved better tonight. I particularly think Lily Gladstone deserved better tonight.

Stat upheld: two non-white actresses have never won on the same night in Oscar history. History, in and of itself, was always against Gladstone.

Oppenheimer winning? Fine, I guess. It was my #4 choice of the ten Best Picture nominees. I guess Christopher Nolan was overdue, but I have always been a Nolan skeptic. The film certainly is his most humanistic, and I appreciate that. As for the narrative organization and editing trickery? It mostly serves to take me out of the movie. And I don't think Nolan truly understands what thematic film music can accomplish for his movies. I think RDJ should have had much more competition all season long, but he did not. Most people are gonna say this is the return of the Academy's favorite subgenre... the Great Man Biopic. But in composition and structure, Oppenheimer (and even Maestro) resembles very little of the past Great Man Biopics. It'll be interesting to see how history treats this movie.

I disliked Poor Things. I didn't care for its sense of humor, didn't agree with many folks' opinions that it was a magnum opus of female empowerment. I thought it was incredibly male gaze-y and troublingly sanitized its scenes of sex work. Jerskin Fendrix's score was unlistenable outside the context of the film and distracting within it. But it has four Academy Awards and people love this movie, so my opinion can go to heck?

Well done Da'Vine Joy Randolph for her win as Supporting Actress for The Holdovers. I truly hope this opens up a lot more new opportunities for her going for! Wonderful speech.

And speaking of wonderful speeches, both documentary winners got me very emotional. The Last Repair Shop is on YouTube for American and Canadian viewers, and it's simply wonderful. Perhaps the happiest I was all night long! And then came Mstyslav Chernov's speech after winning for 20 Days in Mariupol. Chernov had, arguably, the speech of the night. And I agree with him. I, too, wish he never had to make his film and that he never won this Oscar. But he did his job to document what happened in Mariupol. And for that he (and the Ukrainians suffering and dying in their war versus Russia) deserves our plaudits and support.

Once more, Hayao Miyazaki cannot be bothered to show up to an awards ceremony. It's hilarious! I would have voted Robot Dreams, but The Boy and the Heron is not a winner to sniff at. Spider-Verse will have one more shot.... whenever the third movie comes out?

Good lord, they selected the worst possible winner in Animated Short with War Is Over!. There's an unwritten rule that the Academy, among the fifteen nominated shorts, must select one which will piss me the hell off. And for the second straight year in Animated Short, they have done exactly that, choosing something akin to a soft drink commercial.

Billie Eilish and Finneas are now the youngest and second-youngest ever to win two Oscars, after Luise Rainer (Best Actress for 1936's The Great Ziegfeld and 1937's The Good Earth). That feels very, very weird. In both cases of this record.

The "I'm Just Ken" performance? Gentlemen Prefer Blondes (Like Ken)??? Busby Berkeley choreography? What do the kids say? Inject that straight into my veins? It was wonderful.

And speaking of nods to cinema history, I'm so glad they led off the stunt performers tribute with Charlie Chaplin, Buster Keaton, and Harold Lloyd. :,)

And congratulations to Godzilla Minus One and its Best Visual Effects win! After seventy years, Godzilla is now an Oscar-winning franchise, and its win percentage is 100%! Simply wonderful!

I think the moral of the story is that the Academy of Motion Picture Arts and Sciences (AMPAS) has been gradually internationalizing over the last decade. And the results of that were very clear tonight. Does that mean I'm too provincial in my tastes? I don't know. But wins such as Emma Stone's, Anatomy of a Fall, The Boy and the Heron, and Godzilla are demonstrative of that.

I'm glad this season is over. I certainly hope that Killers of the Flower Moon will be looked upon more kindly by history and time, without the bells and whistles of awards campaigning and a fuller understanding of why it was made the way it was.

This month has been fun! But now it's time to see movies again without the lens of awards for a long, long while.

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willowmaidsworld · 2 months

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Good Omens s3 clue

I realised I never posted this, although I made it ages ago! So here y'all go!

This is going to be long, and I hope it will make sense. Please bear with me to the end, I will eventually get to the Judgement Day, Armageddon, Death (and four horsemen of Apocalypse) and I will mention goats.

I noticed this tiny clue when watching s2ep3. Aziraphale drives to Edinburgh and the Bentley plays classical music. But not just any classical music – it’s Danse Macabre by Camill Saint-Saëns.

I am a musician and I've played this piece in the past, so I knew there was a lot of symbolism to uncover. And that thing is deeper than I thought. I will be speaking about some music theory, but I will try to make it as understandable as possible.

I think it would be best, if you listened to Danse Macabre: https://youtu.be/…zrJ

I would like to speak once more about the scene in which Danse macabre appears. Aziraphale is driving to Edinburgh in now a yellow Bentley, and he even has his "car sweets". He is quite satisfied. And he plays this, certainly dark-themed, music. It is a major contrast.

Danse Macabre, "the dance of death" is a memento mori. Memento mori is a theme we see in art, and it originated in medieval times as reaction to the plague. It should remind us of our own mortality. “Memento mori” literary translates as "remember death". And mark my words, do remember death!

The composition uses tritones, a special kind of a music interval. (Interval is the tonal distance between two tones, you can play the tones together and/or separate.) Tritone is seemingly dissonant because it uses seemingly inharmonious tones. (You can hear tritones just at the beginning, the violins play it.) Because of its dissonance it was called "the devil in music" and was considered forbidden and associated with Hell/demons/death.

Since the music piece and the poem is based on the theme of Memento mori, I had to look into it as well. Turns out Danse Macabre was inspired by a poem by Henry Cazalis. Here is the poem: https://oxfordsong.org/…bre Memento mori doesn't only remind us of death and our mortality, it also reminds us, that everyone's equal in death. Henry Cazalis, the poet, writes: Long live death and equality! The poem is called, of course, Danse Macabre, but I found that it is also called Égalité - Fraternité (when reading stuff about it in French). This is a reference to the French revolution motto: Liberté, Égalité, Fraternité (Liberty, Equality, Brotherhood), but Liberty is missing. Is there then no Liberty in death and we are all doomed to obey someone's will, The Ineffable plan? (Good Omens book and season one also deals with topics of free will, look at Crowley and Anathema. She has been doing only the things her dead ancestor told her to do, she overcomes it in the end. I think it nicely illustrates the problematic of a free will. And Crowley values free will a lot.)

Memento mori says one thing - remember death, no one can outrun it. And there I would like to get back to season 1, because who else we meet here than Death itself.

Death is one of the Four Bikers/Riders/Horsemen of Apocalypse. But I always thought Death has a higher rank than the others. If you think of it, War, Pollution and Famine all lead to one thing- to Death. Why would you need all three then? Isn't Death qualified enough to do its job? Also, rewatch the scene where Adam and his friends battle them! War, Pollution and Famine all get destroyed by the flaming sword. But not Death- it spreads its wings and says (quote from the book): "You cannot destroy me. That would destroy the world." And later he adds that they are never far away. And he flies of. He isn't destroyed.

Death didn't appear in season two and I think people are starting to forget it, but Memento mori! Remember Death!

I would also like to remark that Neil Gaiman says the whole story is plotted out and that he has done this with Terry Pratchett. In every Discworld series book (the magnum opus of Sir Terry Pratchett), apart from two or three, there is the character of Death. And I think it would make sense that Death would appear in Good Omens as well, after all, it is also Pratchett's book. I think we might see Death returning in season three, because the Day of Wrath/Last Judgement/Armageddon is coming. And this music piece could serve as a literal memento mori - remember Death, it has not exited the scene yet. (A lot of Pratchett's humour is based on puns, and this seems like a joke/plot twist he would try to use. It's my personal opinion based on how I know his style from his books.)

And what's next? Armageddon is coming, the Day of Wrath is here! Both sides are pretty eager to do this ending-of-the-world thing and after all, it's what they have been trying to start from the begging of the show. It was delayed by Gabriel's "disappearance", but things are now getting into motion, I think.

But back to the Danse macabre, because it (surprise surprise!) has quite some things to do with the Judgement Day. In the middle of the composition Cammille Saint-Saëns uses a musical theme from a different work, a Gregorian chant called Deis irae ("Day of Wrath").

Here is a link to Wikipedia page about the chant, you can listen to it there. (I didn't find any recording on YouTube, only other musicians using the quite popular words of the chant and not the actual music.) https://en.m.wikipedia.org/…rae

About the chant itself. It is written from the point of view of a sinner/normal person, and it describes how the Last Judgement shall be. Before dealing with the themes of the chant itself, I would like to say, that Saint-Saëns has used the Deis irae in a major key. Allow me to do a quick music theory intermission.

You can play in two keys, major and minor. These are, if I oversimplify things, sets of notes with different intervals. The melody, played one tone at a time, can be used in both major and minor key. The melody isn't the thing that determines the key of the song, the tones played with it do. And depends on what tones you use, you either get major or minor. Major is (in western culture) associated with happiness and good things, while minor with sadness. (It's not always like that, but for the sake of understanding we are going to pretend it is.) Now, the Deis irae is usually written in the sad minor key. Saint-Saëns decided to use the happy major key with this depressing chant, once again creating contrast. I'm stumbling over contrasts more than usually, so this may be important. End of the intermission.

In the third and fourth strophe of Deis irae, it's described how the sound of a trumpet will sound everywhere and the Death will resurrect all dead creations to be brought to the Judge. (Death is back again and resurrecting, that sounds familiar, where have we seen that before?)

In the fifteenth strophe, the writer, a sinner, prays for this: Put me with the sheep and separate me from the goats, guide me to the right side! Goats again, there they are! This strophe of course references the chapter 25 in the Gospel of Matthew, the Separation of sheep and goats. Sheep go to the right and goats to the left. I think the side symbolism is pretty clear in Good Omens. Right is the righteous side and left is the sign of sin. And we also know how Crowley cares about the goats. There is also the Jewish tradition of scapegoat. Either way, goats are connected to Crowley, their symbolism of being “on the left side” is clear. This interesting bit can play part in Armageddon.

In the fifth strophe of Deis irae the Book, that is exactly and perfectly worded and that will judge all world, appears. And this book is no other than The Book of Life.

We know about Book of Life from the season 2, Micheal threatens to force "extreme sanctions" (erasing them form the Book) upon anyone who knows about Gabriel.

Enter a fan theory I read: Nor Heaven or Hell actually have the Book of Life, we never see it on screen. This was mentioned in a tumblr post, and I will probably never be able to dig it up from the depths of the internet, so remember this is not my theory. (Although I find it very interesting.) The post continues and remarks, that when Crowley in the first episode of the second season learns about the Book and the "extreme sanctions" from Beelzebub, he doesn't bat an eye. He is pretty calm and doesn't seem surprised. (He literary says: "That will teach them a lesson", man, we're talking about being wiped from the earth's surface completely!) The writer of the post thinks, this is because Crowley knows that Heaven doesn't have the book and he knows where it is. The writer claims, it was Crowley, who took it as a little souvenir before his Fall, and later has hidden it in Aziraphale's bookshop. ('Cause one single book will definitely stay hidden in all those piles of old books.)

I think this is really interesting because of Crowley’s reaction. He knows what Aziraphale is risking, and he loves that angel, yet he seems so calm. When the bookshop burned down in the fifth episode of season one and Crowley thought Aziraphale died, he went feral: he was angry and furious, and he was destroyed by the fact that he has lost Aziraphale. He mourns and gets drunk. Nothing of this happens in season two!

So, what are my thoughts on season three? It will get really dark and serious, the Armageddon is coming, after all. I think we will see Death return and the Book of Life will appear. The goats may not be used literally, like on screen, but I think we will get some metaphors.

In all of this, I tried to say one thing. All of the cards are laid out, we have all of the clues. It would be pretty cheap trick to use some ineffable "deus ex machina", that's not Gaiman's and Pratchett's style.

I think everything is now foreshadowed; we have been given all the information. We just haven't made the links in-between. Given the uproar the second season has caused, I think people are forgetting the first season a bit. But it must end with what it started with.

I think we should look at both seasons equally and try to pick up as much as we can, after all the third season will not be based solely on the season two...

We have all the clues, now it's Neil Gaiman who plays an ineffable game of his own devising, a poker that nobody has the rules for and the dealer, Neil himself, is smiling all the time. Ineffable, indeed. If you ask me, he's enjoying it bloody-well.

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