Tried my hand at redesigning Lucy from Fairy Tail! Notes and separate images under the cut.
[EDIT: I now have another post for more notes and world building!]
I wanted to give her a little more “working towards casual” vibes, because I wish it was explored a little more how being raised rich affected her behavior - or rather, how she *doesn’t* act. I HC she spent the time pre-Natsu but post running away kinda training herself to not default to rich, polite heiress. There was a lot of people watching involved. She may or may not have a notebook titled “How to people”. When she’s really tired or stressed, she’ll fall back on talking formally, though she usually catches herself fairly quickly by the time Natsu bulldozes his way into her life. She prefers talking casually, but the formal speech comes in useful when dealing with particularly picky rich clients (or royalty).
(On a completely unrelated note if anyone has fics along this vein send them my way)
Anyways I like to think my version has a very close, familial relationship with all her spirits. She’ll call one out most days, even just to hang and talk for a while. It very conveniently doubles as stamina training for her - not that she actually needs the excuse, but if she does happen to need one that’s her go-to. They are all very protective of her, especially Aquarius, who despite how it seems cares very much for Lucy and basically helped raise her after Layla passed. Lucy appreciated how Aquarius treats her like literally anyone, and Aquarius is her go to for life advice; Aquarius herself has a habit of accosting the other spirits as they come back for status updates.
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Hey, so do you ever stop to think about how the premise of Lord of the Rings being an in-universe book written by some of the characters who lived through that story means that they decided what parts and perspectives to use to tell that story...?
And when our authors weren't there to experience the events themselves, they have to rely on what they're told about them by the characters who were there, right...?
Okay so stop and think about the Glittering Caves.
We never actually go to the caves in the narrative. Tolkien LOVES describing nature and natural beauty, but we don't actually see the caves described "by him" the way we do other places. Obviously Gimli's words are Tolkien's, yes; but we only see the caves filtered through his words about them, after the fact.
When Gimli and Éomer and the other Rohirrim take refuge there, the narrative doesn't follow them. Obviously from a narrative standpoint this is to keep the focus narrow, and not to interrupt the battle-sequence with a long ode to the beauty of the caves, and to create tension in the reader who doesn't know if these characters are okay or not. Which all makes sense!
But think about it in terms of the book that was written in Middle-earth by the folk living there. Why DON'T we get to have a direct experience of those caves? Gimli obviously related several other parts of the story that none of the Hobbits were there to witness to them, and which were written into the books as Direct Events Happening In The Narrative (think of the Paths of the Dead scene, for one of the more visceral moments!). So why not the Glittering Caves?
Was it because they wanted to keep that narrative focus and tension, and so they didn't include his perspective on that part of the battle? Perhaps, that's certainly a possibility to consider.
But also consider: when we do hear about the Glittering Caves, what we hear is Gimli telling Legolas about the Glittering Caves. THAT is the part of that event that is considered of importance to include in the book: not Gimli's actual experience when he was in them, but rather the part where he relates that experience TO Legolas.
And I kind of just THOUGHT about that today.
And went HUH.
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I love how lesleys face has stuffing coming out of it implying that she, the most human looking person on the show, is made of stuffing compared to the main puppet trio who have organs and blood.
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