Ádám Bodorics – Beham Messer with Ring Hilt and Brass Frame Boxwood Grip
This Beham style Messer by specialist swordsmith Ádám Bodorics is a wonderfully agile sword in the hand that strikes with velocity and power – its wide and well-tempered blade bites deeply and its thin profile along the main cutting portion of the blade passes through a target with little drag and resistance – a truly fierce performer in a scrap of a melee! The thick ring at the hilt gives impressive protection to the entire hand from even notably larger weapons and the grip is a unique composite with the thick tang riveted and embedded between two halves of smoothly polished boxwood which is framed in strips of finely worked brass. The wood grip halves may look cracked, but they are actually created from a deliberate reconstruction of smaller pieces with strong and colored bonding filler in order to give the grip a unique theme and appearance that is perfectly apt to the troubled times of early 16th century Germany.
The sword is matched with scabbard of well-carved wood which is wrapped in linen for a binding to aid in durability which is then finished with overlaid tight leather with a compartment for a matching byknife which is included. Integrated and knotted to the scabbard is a thick sword belt with an adjustable buckle for wear. Below is Ádám’s own words on his unique creation offered here:
Messers take a huge variety of form and construction. This piece is based on a 1540 woodcut by Hans Sebald Beham with a subtle Memento Mori theme. In the 16th century, knifelike sidearms undergo several changes, one of them being the increasing regularity of hidden tangs. Illustrations from the period sometimes show rather complex grip shapes that would be complicated with a full-tang construction, but a hidden or a frame tang makes them much more trivial. Hans Sebald Beham often shows interesting grip shapes even in a bucolic setting, and it’s one of his woodcuts I based this piece on.
The straight and nimble blade is ground from 51crv4 (6150) high-carbon steel and is heat-treated to 50-52 HrC. It is optimized for cutting and slashing. It has plenty of distal taper and a wide fuller along it’s length. The cross has a gentle S-shape and a sidering instead of a Nagel. It is still affixed to the blade with a rivet o make sure it’s not mistaken for a sword or falchion or storta. The finials of the cross echo the trilobate design of the grip. The real tang of the blade reaches to about two-thirds of the grip. A thin steel plate was cut to the intended shape of the grip with a brass strip formed and soldered along it’s edges. The grip panels sit on the edges of the frame with the cavity between the panels and the tang filled with adhesive following the style of surviving frame-tang sidearms.
The byknife is hand-forged and ground from 80crv2 with integrated bolsters and a forge-welded mild steel tang. The grip panels are affixed by glue and tubular brass rivets of increasing diameter. The grip panels are boxwood, buxus sempervirens. These pieces were hand-picked to highlight the effects of the blight eradicating old growth, namely the aggressive checking from quick drying following rapid defoliation and the cloudy dark discolorations. There is evidence for boxwood’s continuous use for over two millennia, but as specimens large enough for larger carvings take an immense amount of time to grow, preventive culling or neglect of infected trees both make it near-impossible for this material to stay for long. To me, using these specific slabs was like erecting a gravestone, removing the need for any overt Memento Mori or Totentanz motifs.
The scabbard has a wooden core, linen wrapping and a vegetable tanned leather wrap with an integrated subsheath for the byknife. It is dyed a light brown and is undecorated to keep the attention on the hilt of the Messer. There is a belt threaded into two slits in the back of the sheath, crossing over to either side.
Inside the nastiest Teen Mom custody battles ever including Amber Portwood, Jenelle Evans & Leah Messer's fight for kids
Inside the nastiest Teen Mom custody battles ever including Amber Portwood, Jenelle Evans & Leah Messer’s fight for kids
THE cast of Teen Mom, including Amber Portwood, Jenelle Evans, Leah Messer, and more, has seen some nasty custody battles.
Most recently, Amber lost her son James in a very public legal feud with ex Andrew Glennon.
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The cast of Teen Mom has had their share of custody issuesCredit: MTV
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Jenelle Evans lost custody of her eldest son Jace in 2010 amid legal issuesCredit: MTV
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Amber Portwood…
we can debate back and forth over whether "our ancestors" would think we were soft for living in luxury or be delighted that their descendant lived like a king but i think we could all agree i could make a Venetian spice merchant ca. 1400 cry by showing him how low spice prices are
Landsknecht Emporium – Gustav Messer with Light Brown Scabbard – Beechwood Grip
Landsknecht Emporium’s Gustav is a shorter, yet wide-bladed Messer in the style of the late 15th and early 16th century; the design takes its features from several related antique Messers coupled with extant period depiction. One of the most characteristic blades for a Messer, it has a short, yet wide blade with an elegant clip point. The sharp and well tempered blade is hand-ground from 6150/51crv4 high carbon steel and is ideal for powerful, close-quarters chops and vicious slices.
The guard with knuckle bar is crafted from mild steel and the Nagel is a separate piece peened on the other side of the quillon block, as it should be. The quillons are slid upward from the end of the grip with the blade protruding in the bottom. The tang is peened over the steel pommel plate. The handcrafted grip is crafted from two halves of polished Beechwood which are robustly riveted to the thick blade tang for a durable and lasting grip construction.
The sword is paired with a wood core scabbard which is tightly bound in leather and completed with a knotwork-attached suspension of a leather belt with a bronze buckle with brass tongue.
Landsknecht Emporium products aim to have the aesthetics of historical pieces, not the finish of mass-produced items. Each product bears the signs of its making; small tool marks and imperfections, which do not affect the build quality or usability but give each of our pieces its unique character.