#miriam bryant

[esoteric-aesthetic-lyrics]

Rocket - Miriam Bryant feat. NEIKED

[sapphic-shayera-hol]

Me: *Listens to Zedd's "Find You."*

Also me: *Is mentally sent back to Spring 2014*

[yokyopeli]

Miriam Bryant - Mustelmilla (Mi Amor) (Audiovideo)

[fakeplasticmusic]

Watch "Miriam Bryant - Black Car (Official Video)" on YouTube

Black Car - Miriam Bryant

[sickofitallkillmealready]

I can’t make you love me - Miriam Bryant❤️

[justsimplythebest]

Miriam Bryant x Thomas Stenström – Gråter om du vill (Official Video)

[academicazura]

april 19th-21st

bought a whiteboard finally! it's really fun to do exercises on it and makes me feel like i do them faster somehow, although i'm sure that's not true. and if you make a mistake, it's so easy to correct.

also, as promised, some photos of my new weekly bullet journal template. i'm thinking about going with this, and then collect all the information to monthly trackers at the end of the month! the only flaw really is the complete lack of any fitness tracker, but i'm patching that by having a habit tracker of daily routines for the month as well.

during the weekend i

had a breakdown and been working on getting myself together

finished studying philosophy theory

studied physics theory from chapter 2

did physics exercises from chapter 1 and 2

📖: Anne of Green Gables

🎧: Mustelmilla (Mi Amor), Miriam Bryant

[whats-another-song-contest]

In a statement published the same week as the first Melodifestivalen semi-final, more than 1000 Swedish artists ask the EBU to exclude Israel from this year's Eurovision Song Contest, including 2 acts participating in this year's edition of melfest: Jacqline, and both members of Medina. Also among the signatures are former melfest participants Johan Hirvi (Panetoz) and Alvaro Estrella, as well as former winners Eric Saade and Malena Ernman.

Some other notable signatures belong to Robyn, First Aid Kit, Eagle-Eye Cherry, Petra Marklund (also known as September), The Wannadies, Thomas Stenström, Miriam Bryant, Sabina Ddumba, Daniel Adams-Ray, Timbuktu, Kaliffa and many others whose names I recognise but I'm too unfamiliar with the contemporary music scene to know their work.

Below is my translation of some parts of their statement, as well as sources:

Note: The bold parts are also bold in the original statement. I have tried to use the same terminology as the statement, but I'm no expert, so be aware that there can be some mistakes.

The first link includes the full statement in Swedish as well as a list of all the signatures:

[...] What is happening in Gaza is a humanitarian disaster and the International Court of Justice in The Hague has recently decided to continue the case where Israel is accused of crimes against the Genocide Convention. Despite this the European radio- and TV-union the EBU intends to allow Israel's participation in the Eurovision Song Contest 2024. The EBU grounds its position on Eurovision being a competition between public service companies rather than states. But in 2022 the EBU chose to exclude Russia by reason of the invasion of Ukraine, and in 2021 the participating broadcaster from Belarus was denied participation because the country broke the EBU's rules for the freedom of the press. In barely four months about 100 Palestinian journalists have been killed, and foreign press has been denied access to Gaza. It is one of the greatest attacks on journalistic freedom in modern times. We are of the opinion that the EBU by allowing Israel's participation displays a remarkable double-standard that undermines the credibility of the organisation. [...] We expect both the EBU and this year's host broadcaster SVT to be consistent in their approach towards participating countries that infringe on democratic values and human rights.

[...] We who sign this are 1000 artists who believe in music as a unifying force. The Eurovision Song Contest began as a peace project to unite countries and citizens through music. To allow Israel's participation undermines not just the competition's spiritual intent but the entire public service mission. It also sends the signal that governments can commit war crimes without facing consequences. That is why we ask the EBU: Exclude Israel from the Eurovision Song Contest 2024.

[jessfandrawer]

Following this desire I have to make fluff vs. angst fanart, here is some Ichihime. I challenged myself to finish these in one day of work and really focused on using color/lighting to shift the mood. It was fun, though maybe not the easiest to tell what's going on, heh. I really enjoyed listening to Find You by Zedd (feat. Matthew Koma and Miriam Bryant) and Feel So Close by Calvin Harris while working on the the first image. The second image I wasn't listening to anything, oh well.

Content warning for mild blood on this second image.

[truedairship]

Six Songs I’ve Been Listening To On Repeat Lately

Tagged by @sarcasticsciencefictionwriter and @chartreuseian <33

Animal - Jim Yosef, RIELL

One Last Time - Miriam Bryant

Dragon - Miriam Bryant

Teeth - 5 Seconds of Summer

I’m trying my hand at writing Teslen kink… and my brain has also decided to hyperfixate on Vienna and general pre-WW2 headcanons.

LOSER - Neoni

CAROUSEL - Neoni, AViVA

Not really fandom related unless you squint. Great motivation when running though!

Consider yourself tagged if you want to:)) @samabigailalan @writerxwren

[amalthiaph]

shuffle your favorite playlist and post the first five songs that come up. then copy/paste this ask to your favorite mutuals <3

1. 2WEI, Louis Leibfried, Edda Hayes - The Call (from League of Legends)

2. Zedd ft. Matthew Koma & Miriam Bryant - Find You

3. Zedd - Ignite (League of Legends Worlds 2016 Anthem)

4. Tokio Hotel - Darkside of the Sun

5. The Glitch Mob, Mako, The World Alive - RISE (League of Legends Worlds 2018 Anthem)

[skeppsbrott]

I’D LOVE IT IF WE MADE IT :: A Cronus/Meenah fanmix

A playlist about the two-person project of travelling to the abyss and back.

We’ve been stuck now for so long, we just got the start wrong, one more last try, I will get the ending right

------------

INTRO: Ms. Lauryn Hill Doo Wop (That Thing)

1. The 1975 Love It If We Made It  2. Ed Sheeran Don’t  3. Veronica Maggio Fiender Är Tråkigt  4. Gloria Jones Tainted Love  5. Bruce Springsteen Pink Cadillac  6. Carly Rae Jepsen Boy Problems  7. The Cure Boys Don’t Cry  8. Ellie Goulding On My Mind  9. Prince Nothing Compares 2 U  10. Agnes One Last Time  11. The White Stripes I Just Don’t Know What To Do With Myself  12. Miriam Bryant Black Car  13. Maroon 5 This Love  14. Kate Nash Drink About You  15. Marianas Trench Haven’t Had Enough

-------------

57 MINUTES || SPOTIFY LINK

We should have been friends, friends are forever, would keep you around. It is so dull, being enemies, so unbearably dull.

Whew!

First off - that second quote is a paraphrase translation of the chorus to “Fiender är Tråkigt”, thank you Veronica Maggio for filling my life with all the most delicious messy relationship pop songs.

The illustration is mine, because I saw someone ask about it.

There’s a few tricks in this one. Most obviously there’s an even match of male and female vocalists and an (almost) back-and-forth structure with regards to that. While it doesn’t really come off in the cover art, in my mind this is a story of two people who are equally terrible for and towards each other, so it was important for me to balance the perspectives. Along that axis there’s also three (in my mind) matching pairs of songs:

Don’t and On My Mind are famously two sides of the same event. Goulding picks up Sheeran’s lyrics in the refrain, “you don’t fuck mess with love”, making for a pair of pop songs which are perhaps not revolutionary but hold a dear place in my heart. It’s a whole mess from start to finish and I think they capture it well - the ways we assume we understand other people’s intentions and the ways our own feelings neither exist in a vacuum nor are particularly predictable.

Pink Cadillac is a song I’ve pegged as a Cronus/Meenah song for a while now and here I think it pairs well with Black Car. I have to imagine that Bryant’s lovers car is equally classic, if perhaps not as expensive or flashy, a keen reminder of the aesthetics of relationships which very few of us are immune to.

Nothing Compares 2 U and Tainted Love are classics today better known by their cover versions. Simple as that.

Other notes:

I feel like Marianas Trench are decidedly uncool on account of having been a tumblrcore staple back in 2013, but “we’ve been stuck now for so long, we just got the start wrong, one more last try” is too good a lyric for this to pass up. Similarly, Maroon 5 are indefensibly uncool in 2022, but I’d argue that This Love is still really good, at least if you can stop thinking about Levine’s thirteen other songs about the anguish of being desired carnally by women with whom he has no hope of any sustainable romantic relationship.

One Last Time is a heartbreaking song in the same tradition as Rihannas Unfaithful and I think Meenah deserved a moment of anguish.

Finally, Doo Wop (That Thing) does not neccessarily fit into the narrative as a main character, which is why it’s an intro. Imagine Ms. Lauryn Hill as a muse, if you will, giving a unheeded word of caution.

[cffabioblog]

Nochevieja: Adios Lira, Goodbye Lumiar

The ultimate reccording at the historic old studios at Lumiar and Of The Lira Avenude.

With Hitchcock a director, a ufo and Condorito a cameraman, whit the Hessie Chord and Miriam, Tyler (Turing Red), Tyler (Supersnobs) and Rachel (Zeke's Pad) in the chords and a bizzarre band directed by Paul Mouriat, Roy Orbison and The Everly Brothers sings "Love Hurts", at middle of of tale with Garfield to Clarence, Karmi and Hiro.

The Cameras, model RCA TK 60

The Song

The Everly Brothers's version:

© Warner Records Inc.

Roy Orbison's version:

© Sony Music.

Copyrights

The Song

© Sony Music / Warner Records Inc. / Felice and Boudleaux Bryant. All Rights Reserved.

Bizzcout

© MTV / Paramount / Micke J. All Rights Reserved.

Agobino

© TV ASASHI. All Rights Reserved.

Ernie

© Sesame Worsk. All Rights Reserved.

Carl

© Cartoon Network / Max. All Rights Reserved.

Merida

© Pixar / Chapman. All Rights Reserved.

Miriam and Tyler

© Pixar / Shi. All Rights Reserved.

Rachel

© Nervana / YTV. All Rights Reserved.

Tyler

© Scott Fellows / Teletoon / Cartoon Network. All Rights Reserved.

Jenna and Aleu

© Universal. All Rights Reserved.

Ungenio

© WorldEditords S.A. / Pepo. All Rights Reserved.

Henry Hugglemonster

© Disney. All Rights Reserved.

Karmi and Hiro

© Disney / Marvel / Man Of Action. All Rights Reserved.

Clarence

© Cartoon Network / Max. All Rights Reserved.

[ronnymerchant]

 Silent film star Alla Nazimova.

A fascinating woman.

From her IMDB bio-

The grand, highly flamboyant Russian star Alla Nazimova of Hollywood silent films lived an equally grand, flamboyant life off-camera, though her legendary status has not held up as firmly as that of a Rudolph Valentino today. Alla Nazimova was born Miriam Edez Adelaida Leventon in 1879, in Yalta, Crimea, in the Russian Empire, to Jewish parents, Sonya Horowitz and Yakov Leventon. She was the third child in an abusive, contentious household. Most of her sad childhood was spent in foster homes or in the care of other relatives and she showed a strong penchant for outrageous behavior to cope. Nazimova also showed a great aptitude for music at a young age and began violin lessons at age seven. She changed her name to Alla Nazimova when she began appearing on stage–her father insisted on it, as “performing” was not considered respectable at the time. She began acting lessons at age 17 and joined Konstantin Stanislavski’s company of actors as a pupil of his “method style” at the Moscow Art Theatre. During that time she supported herself by being kept by rich, older men. A failed love affair led to her only marriage, to an acting student named Sergei Golovin, but they separated quickly. She grew discontented with Stanislavsky and later performed in repertory. She met the legendary Pavel Orlenev, a close friend of Anton Chekhov and Maxim Gorky, and entered into both a personal and professional relationship with him. They toured internationally throughout Europe with great success and came to New York in 1905, where Nazimova was saluted on Broadway for her definitive interpretations of Henrik Ibsen’s “Hedda Gabler” and “A Doll’s House.” Orlenev returned to Russia but Nazimova stayed. She made her screen debut with War Brides (1916), which was initially a 35-minute play. By 1918 she was a box-office star for Metro Pictures and completed 11 films for the studio over a three-year period. A torrid, stylish and rather outré tragedienne who played exotic, liberal women confronted by great personal anguish, she earned personal successes as a reformed prostitute in Revelation (1918), a suicide in Toys of Fate (1918) and dual roles as half-sisters during the Boxer Rebellion in The Red Lantern (1919), not to mention the title role of Camille (1921) with Rudolph Valentino. At the same time she maintained a strong Broadway theatrical career. In accordance with her rise in the film industry, she began producing her own efforts, which were bold and experimental–and monumental failures, although they are hailed as great artistic efforts today. Her Salomé (1922) was quite scandalous and deemed a failure at the time. The monetary losses she suffered as producer were astronomical. The Hays Code, which led to severe censorship in pictures, also led to her downfall, as did her outmoded acting style. She was forced to abandon films for the theater, scoring exceptionally well in Anton Chekhov’s “The Cherry Orchard.” She did return to films briefly in the 1940s in a variety of supporting roles, but she made these solely for the money. Nazimova’s private life has long been the subject of industry gossip. As a Hollywood cover to her well-known bisexual lifestyle, she coexisted in a “marriage” with gay actor Charles Bryant for well over a decade. Her “Garden of Allah” home was the centerpiece for many glamorous private parties. She died in 1945.

[remixinc]

P&G MY BLACK IS BEAUTIFUL: UNBECOMING (DIRECTOR’S CUT) from dayday on Vimeo.

directed by dayday

cast Charlotte Hazzard cast Carlee Elston cast Chakya Williams cast Ivana Lysette Fischer cast Gloria Banguera cast Tanisha Tovar

client Procter & Gamble vpta na hair care portfolio Lela Coffey sr. director of production Renato Ibarra

agency Cartwright cco & founder Keith Cartwright integrated producer Paige Bryant art director Chelsea Ceasor copywriter Taylor Whitelow

production company Biscuit executive producer Jordana Fredyberg producer Willa Goldfeder

production services company Habitant managing director Arturo Arroyo operations manager Montserrat Becerril head of production Elizabeth Tapia executive producer Matías Godoy line producer Levi Negretti

1st ad usa Paul Chaput 1st ad mex Tito Salomé 2nd ad Fernando Garzafox script supervisor Eduardina Casar

production manager Erick Tamayo unit Jesús Álvarez key pa Benjamín Victoria production coordinator Andrea Guillemot executive assistant Nathalie Rodríguez apoc Rodrigo Puente production assistant Sebastián Tamayo production assistant Hanna Katori

locations manager Franco de la Lanza locations manager assistant Emanuel López

director of photography Ayinde Anderson 1st ac Eleazar Vilo 2nd ac Ingrid Lima steadycam Juan Martín Deza Amorena steadycam assistant Fernando Schmidt making of María Julia E. Matrtinez

gaffer Lucio Gutiérrez gaffer staff Oscar Franco gaffer staff Alejandro Diaz gaffer staff Oscar Diaz gaffer staff Alfredo Ramirez gaffer staff Antonio Ramirez gaffer staff Regino Corona gaffer staff Pedro Iturriaga gaffer staff Adrian Macias gaffer staff Guillermo Salvador gaffer staff Santiago Gutierrez

dit Ludmila Bollati video assistant Gerardo Gómez data Anahí Rangel

wardrobe stylist Young-Ah Kim wardrobe assistant Sedrina Bloome wardrobe assistant mex Priscila Cano makeup artist Georgina Prieto makeup artist asstiant Liliana Monroy hair stylist Tiffany Dougherty hair stylist assistant Reyna Varela

production designer Rochelle Bennett art director Pastora Orozco art department coordinator Ale Melby set decorator Lorena Rodriguez art assistant Fernanda Guillen art assistant Miriam Solis swing on set Julio Sanchez swing Hugo Flores swing Walter Romano swing Zahid Perales swing Edgar Lopez swing Juan Cruz swing Marco Mora swing Luis Perez swing Alexis Romero swing Jorge Guardian express 1 Miguel Garcia express 2 Enrique Martinez vanet 1 Adrian Valenzuela vanet 2 Jose Luis Ortega prop master Fidel Castañeda

casting coordinator Nico Barmat extras coordinator Jorge Guerrero

camera José Antonio Torres alpha Nelson Rodríguez alpha assistant Alexis Trejo planta Roberto Zarate lights Leonardo Barrera asteras Rogelio Samayoa dolly/sliders Alfredo Ortega equipo lucio Silvia GB equipo lucio Fernanda GB equipo lucio Cristian Br

efd Gabriela Fonseca fx Luis Ambriz hardrives Habitant wifi Verde Neón walkie talkies Rogelio Rul security halcones films Félix Guerrero on set cleaning Francisca Estrada hecho en casa Cecilia Estrop amt ambulances Héctor Tovar Moyo amt ambulances Zuleyma Hernández transportation Transpoelite picture car Tamayo

editorial Arcade Edit editor Matt Laroche color Visual Creatures colorist Josh Bohoskey composer & sound mix Robert Ouyang Rusli

film processing Metropolis Post