#most of them are not that long

[aroaceleovaldez]

i had a thought of "do people not know what AUs are anymore?" and then i remembered nobody explains fandom stuff to new people anymore so it is entirely plausible people genuinely don't know what AUs are and nobody has explained it to them, so for today's lucky 10,000:

"AU" stands for "Alternate Universe" or "Alternative Universe" (same difference) and is basically any thought scenario for a fandom that isn't canon and can't fit within the canon universe. If it takes place in the canon universe but something is notably different, that is typically what's known as a "Canon divergent AU," because it diverges from canon.

an AU can be absolutely anything. There's a couple of widespread pan-fandom au scenarios that often get thrown around, like coffee shop aus, genderbend aus, hanahaki aus (hanahaki is a whole thing in itself i'd recommend researching on your own), etc. One you might hear sometimes is "crossover AU" which is when you have characters from one fandom interacting with characters from another.

You can have as many aus as you want. They can be whatever you want and you can do whatever you want in them. It's a sandbox for you to play around in and explore how things would be different or how the characters would act in those circumstances or environments. Maybe they have different relationships with each other. Maybe they behave slightly differently. Or you can just say "Okay, [x] is true. How did they get here? How would things have to be different for this to occur?" which can also be fun.

If you are ever confused about why people ship something that seems completely out of the blue or doesn't make sense to you in the canon setting, there's a good chance they like it in an AU setting! Not everything everybody is interacting with is necessarily the canon! Not everybody wants things to exist in canon and just want to explore playing dolls in a different sandbox and that's okay. And their sandbox might look a lot different than yours, and that's also okay. You have the freedom to make your sandbox whatever you please. Do whatever you want forever. Get funky with it. AUs are fun.

Okay that's my schpeal. everybody go have fun and play nice now.

[akumamazoku]

something something creation of hatred something something

this is every game for me tbh

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[anitoshka]

a bunch of wips + old ms paint doodle

[bet-on-me-13]

Danny is the Tibetan Monk

So! When Bruce was travelling the world, finding masters to teach him how to fight and investigate, he came across a strange building in Tibet.

He had followed rumors of an ancient Monk who lived atop a mountain just on the edge of a Village, who had learned how to conquer Death itself, and stole its secrets for himself. Hoping to find a new Teacher, Bruce climbed the mountain and found the home of that Monk.

What he found was strange though...

The building seemed much more modern than he had been expecting, built with metal and drywall rather than ancient bricks or stones as he had assumed. There was also a strange machine on the top of the building, and if he didn't know any better he would have said it almost looked like a spaceship.

Hesitantly, he knocked on the wooden door and waited.

The man who answered looked nothing like he had expected, but so far nothing had met his expectations so he wasn't really surprised at that point. He looked relatively young, in his late 20's or early 30's, and was wearing a simple T-shirt and jeans. He had short black hair, blue eyes, and pale skin that didn't exactly match the tone of the other people living in the area. In fact he looked as if he could have been an American, rather than Tibetan.

Bruce introduced himself, explained why he was there, and managed to convince the Monk that he deserved his training.

It was unorthodox, certainly very different from the training he had recieved in the League of Assasins, but the Monk said that he was well suited for this style of training.

Under the monk he learned a variety of techniques. The ability to shield his mind from Telepaths, how to Astral Project, how to completely hide his presence from others, even from those with enhanced senses, and so much more.

By the time he was finished training with the Monk, he was confident that he could finally achieve his goal of saving Gotham from itself. He bid the monk farewell, and returned to his home ready to begin the legend of the Batman.

Meanwhile Danny had just sent his most recent student off after a few months of training.

He had to do this every once in a while. There were hundreds of Liminal and Ecto-Contaminated people out there in the world who didn't know how to manage their abilities. They didn't know how to innately seperate from their physical bodies so they could more easily feed on natural Ectoplasm, or how to shield their minds from the volatile stray emotions of the people around them thay may influence their thoughts.

It was dangerous for people with that level of Ecto-Contamination to live without knowing how to keep themselves healthy. So every once in a while, Danny would find a way to contact them and to teach them all they needed to know to stay healthy.

The "Centuries Old Monk" routine was an old favorite of his for this purpose. He would intentionally spread rumors where he knew they would hear, add in some incentive like "conquering death" to make sure they would follow those rumors, and than meet them and take them under his wing.

A few of his other favorite routines were the "Circus Act who knows more than he should", "Mechanic with great advice", and sometimes even just "Life Coach" for the more conventional cases.

And if he heard Bruce's story and decided to teach him how to use a few extra useful Ghostly Abilities, like hiding your presence or merging with Shadows, then who could really judge him? The kid had taken up a huge burden, he needed all the help he could get.

Besides, its not the first time he's ever done that.

...

Years later, Bruce met Dick and found out that he also knows how to Astral Project and Guard his Mind. He couldn't merge with the shadows or hide his presence nearly as well, but he could apparently slow how fast he fell and bend in ways even bruce couldn't.

Apparently he was taught how to do so from an old member of Haley's circus, who told him that they were meditation techniques to get "in the zone" for his trapeze acts.

Then he met Jason, who could also Astral Project and Guard his mind, and he could also heal faster than normal people and read other people's emotions. He learned from a Mechanic who used to live on his street, who told him it was just some street skills that would let him avoid the people who would hurt him or give him trouble.

Then Tim came in, also with Astral Projection and a Telepath-Proof mind, and he could apparently last for weeks on end with no food or even water, and could hide his presence from even Batman. He was taught by a butler his parents had briefly hired while away from home, though Tim's parents didn't know what he was talking about when he brought it up to them later. He was told it was just a way of "keeping his spirits up" when he was alone.

Stephanie had also been taught by an old Mechanic on her street. Same as all the other she could leave her body behind and guard her mind, but she could also read emotions and convince people to do what she said. The mechanic never gave a reason for why he was teaching her, but did say that it would help her gauge the people in her life easier. He left barely a week before Steph realized her dad was the Cluemaster.

Damien was, suprisingly, trained by the same Master that Bruce had been taught by. Talia had sent him up the mounting saying that his Father had learned from the man on the mountain, and he would as well. He was taught the same as all the others, though instead of merging with Shadows like his Father he was taught how to converse with Animals.

Cass had been taught by a man while she was running from her Father. He never said why, only that it would help her live a better life. She had the "normal" abilities of Astral Projection and Guarding her Mind, but she could also Merge with Shadows and Perfectly Read other people's emotions beyond their body language.

Duke was taught by a man who had also taught other members of "We Are Robin" during the cataclysm. He said it would help them survive their attempts at heroism, though he gave Duke extra training for some reason. He had taught Duke even more than he had taught the other Bats, alongside the now typical Astral Projection and Guarding his Mind, Duke could also talk to the Dead, See into the Past, and even Phase through Walls. With enough effort he could even Fly.

A few of his abilities were attributed to his Metahuman Powers, but he claimed that they were never that powerful before that man came along.

He also said that the man "Glowed" in a strange way. He was the only one who could see it among the members of We Are Robin, even the others he had taught.

Bruce had long since decided he needed to pay his old Master a visit.

[random-cockroach]

I am okay about them I swear Then they slid the hill like fricking surfers Spellbound au by Keferon, two suffering cutie-patoties and my fried brain because of it

[otaku553]

Sabo Week Day 2:

Alternate Universe/Metal Pipe

[claitea]

as a kid i really liked the little minigames you could do at hotel richissime in xy, so i tried to make something up for hotel z! i'm thinking theres a set amount of these logic puzzles and when completed, the trainers included in it might appear in the lobby :)

[technically-human]

Oh my gosh your art is so beautiful!! How do you think S1 Robotnik and Stone would react to seeing their S3/ S4 versions being with each other?

They're judgy

ko-fi

[alliebirb]

Yuugang definitely hides behind Yami when they get spooked

[kizzer55555]

Blanked

Some time anomalies happen and a bat member is completely erased from existence. That bag only realizes this when none of their family know who they are. I’m talking completely erased like they were never born. No media coverage, no pictures (exiting pictures altered), no birth records or anything. Not their family, not their friends, not fellow heroes, not even their parents (depending on who it was, default is Bruce and Alfred though) remember them. All except one. Phantom, who confusedly asks said bat why they are upset. Addressing them by name. (because he has a time medallion stuck in his chest that makes him immune to time anomalies.)

Danny is just passing by and sees the upset bat and goes “Hey! (Insert bat), what’s going on?” The bat freezes and then practically tackles Phantom like he’s their only lifeline.

[breesperez139]

Dc x Dp Prompt #6

��I’m a twin”, Damian said one night. He could feel the narrowed eyes of his family drilling holes on his back in disbelief. Not that he could blame them. Damian had never so much as implied being raised with a companion, much less a sibling.

“I had a brother”. Damian paused to recollect himself. He had not said his brother’s name out loud in over 8 years.

“His name was… Danyal”. Damian hated the way his voice wavered, but he could not help it. Danyal was everything to him, his other half. Their heart beat as one and when one heart stopped beating, the other one died with it. At least until his family put his heart on metaphorical life support without ever realizing.

“Where is he now?” His father asked, voice filled with knowing grief and a hint of betrayal. It had in fact been 6 years since Damian first showed up on his doorstep.

“Up there”. All eyes shifted towards the specific star he was pointing to. “Right before he died, he promised me he’d guide me from the stars. Unfortunately, the stars are not visible in Gotham, so my brother is unable to be of much help unless I leave the city.”

“Your brother is Polaris, the North Star?” Tim questioned warily, most likely in attempts to not offend him. Damian was aware of how stupid it sounded, but Danyal had promised, and his brother never broke his promises.

“Yes. Danyal is with the stars now, just as he always wanted”

[lavb-b]

Shifting Quiet Dump

[uncharted-constellations]

~What i couldve been~

I was just gonna do the adult timeline zelda but im so enchanted by the idea of these two versions of the same character. People always talk about how link would be changed but never zelda.

[arttsuka]

Another comic inspired by real life

Oh to go to hide behind youn grunkle only to discover it's actually his twin brother and now they're laughing at you

[marthajefferson]

These three artists worked together for the first time in the 60's and built a relationship that would grow over the years to being loyal friends and some of the greatest of artistic collaborators.

GENA ROWLANDS and JOHN CASSAVETES and PETER FALK

"I met him at a Laker game and I was walking down the aisle to get a hot dog or something. We bumped into one another and it's like we recognized each other (…) John was teeming with feeling and emotion, and yet he was extremely intelligent. He was a wild animal." — Peter Falk, about John

"When I saw her, that was it! The first time I saw her in 1953, I was with an actor, John Ericson, and I said, ‘That’s the girl I’m going to marry.’" — John Cassavetes, about his wife, Gena

"I first met Peter Falk in 1969 on the set of a film called Machine Gun McCain. It was a good movie and a lot of fun to make with him. We hit it off and became good friends, Peter, John and I. That was the beginning of a long, close and very creative friendship. A very special friendship." — Gena Rowlands, about Peter

( Cassavetes directed his wife solo in 4 other films: A Child Is Waiting, Faces, Minnie & Moskowitz, Gloria )