#mostly why did the two male love interest treat the two female characters like shit

[elvencantation]

me @ nina/matthias: how did u manage to fuck up enemies to lovers. again. how leigh

[hobinspiss]

The romance subplot of How to Fight is terrible garbage

This webtoon would be way better without the unnecessary romance subplot. Not even gonna be nice about it. Everyone falls in love too damn quickly. It was okay at first since it seemed like it was just for comedic effect, but this shit is getting ridiculous. I'm not gonna say anything about Mangi, since he was supposed to be a simp from the start & I can't take that from him. But seeing characters like Wangguk and Bomi that seriously fall in love within a day or less, now that's a joke. It's not even a crush, they think they're in love. Like falling in love is ok I guess, but there was no build up with Wangguk, it just came out of the blue. And it's weird how he immediately fell in love with Rumi the first time they talked, this guy was even willing to kill someone to protect her after that. It just seems completely out of character.

Like isn't this the guy who doesn't care about anyone and would do anything to survive?? He just saw her pretty smile that one time and decided that he wanted to protect her with his life, even forgetting about his sister. I feel like this was added only because if he didn't feel attached to her he wouldn't do shit to help the Yoo Hobin Company, since he only cared about his & Gyeoul's safety.

The development is either too fast paced, non existent, or most of it happens off screen. Oh and adding a random ass harem and one sided crushes just to hurt the characters for no reason. There's literally no point in it if the story makes it obvious who's gonna end up with the main character from the beginning, it's easy to do the math. This just makes me feel pity for the other characters, like seriously. They don't have a chance, why did Taejoon even turn them into simps??? Not just the girls, they even pulled that "in love with my childhood friend" cliché on Moonsung at the worst time, it didn't even contribute anything to the plot. He got the most cliché rushed backstory, and honestly the finding Samdak's identity arc was just useless. TJ had us going around in circles when he could've written a better reveal. Logan was basically rendered a background character there to make the readers assume stuff, and the bitch fight over some girl? It wasn't even impressive. I really thought these two characters would become more important, but they were thrown out the window immediately after 😪

I also have a problem with the readers arguing about ships or whatever, some of y'all are straight up contradicting yourselves in the same sentence. I get that the author has this thing where he clearly sets up two characters to end up together, but the readers fall for this teasing and treat the characters, mostly the female ones, as property of the male they want them with. "Gaeul should date Jiksae because Hobin thinks of her as a sister and he likes Bomi" if you're gonna use that logic, does Gaeul feel any different about Jiksae from how Hobin does about her? Jiksae only has a one sided crush and everybody's acting like he 'deserves' her.

Also for some reason the girls always fall for the guys because of their oh so amazing personality, but the guys are always like "woah she's pretty, I think I'm madly in love 😳". Amazing writing. Hobin started liking Bomi just because she was pretty and he seriously thought about confessing to her the first time they hung out.

And now I'm gonna get to Bomi, which in my opinion is the worst character in the whole webtoon. The main problem is that the only reason she exists as a character is to be Hobin's love interest. Literally has no important role than that. It's funny to me how people think she is a good character when her whole being is based on being the protagonist's future gf. There are 2~3 scenes where she kinda affected the plot but she didn't even do anything, she just made Hobin feel like he had to protect her. She doesn't really care much about anything other than Hobin, in every scene she's in it just has to do with him, even when he doesn't physically appear there. Apparently her and Moonsung are friends but when he went to visit her after 2 months of not seeing each other she immediately tried to leave to text Hobin, what an amazing friend. Every time she's with him she just can't shut up about Hobin. She just constantly disappears and comes back when it’s convenient for romance moments.

I was surprised to see that a lot of people bandwagoned on having a positive opinion of her after her backstory, which was nothing but underwhelming. It's just a spoiled kid going through a preteen phase like everybody else, what's so good about that? She probably would have turned out the same way even if she hadn't met Hobin. The only thing that I got out of her backstory was that Hobin had struggled a lot in his life.

I would see a few people calling her sus or saying that they didn't really like her because she had no important role, but they immediately changed their minds about her after her story. Her story doesn't change anything other than giving us the reason why she's so obsessed with Hobin. Was it really that serious for her? She seriously stalked a guy all day, had only one short conversation with him, and concluded that he was her first love??? How the fuck does she expect him to remember her?

It would make more sense if after seeing how hard his life was she would change her world view and see that some people have it worse than her, but instead this only affected her dating preference.

They literally just had one short conversation where he lectured her and after 3 years she still "loves" him. Even started working at McDonald's just because he worked there too, when she could've just talked to him. She probably worked there for some time without even talking to him until he was about to quit. That's weird. And as soon as they met after the backstory, Bomi was already acting jealous and possessive when she found out Hobin had a female editor. It's always Gaeul for some reason, how come Bomi hasn't seen Rumi's pranks on Hobin, aren't those way worse? Plus she was being a bitch in chapter 35, where she cursed Hobin out and almost slapped him because he was taking Jiksae to a restaurant instead of her. She always gets pissed at the smallest things when Hobin causes a harmless misunderstanding or does something she doesn't like. If the roles were switched I bet people wouldn't think it's cool. "They're still teens" isn't even a good excuse for this kind of behavior.

Her entire relationship with Hobin is immature and obsessive. Not just her, Hobin actually followed her on a school trip, just because Yeonwoo was next to her in a group photo. This mf even thought about putting laxatives in the guy's drink because of that. And it was supposed to be funny or something.

It's even shown that these two obsessively text each other about personal things in their lives such as what they're up to, at what time they fall asleep and who they're with, to the point Bomi felt cheated because Hobin didn't tell her that he was gonna hang out with his friend(who happens to have XX chromosomes). They're not even dating, why does Bomi expect him to tell her everything? Can't tell if it's too much trust or a complete lack of it. That whole misunderstanding between them dragged on for too long and they made things overly dramatic when they could still text and call each other. You could just skip that part and the story would still make sense. Their relationship is not cute at all like a lot of people like to say.

In general Bomi just seems like a joke to me. It doesn't even feel real how she has everything perfect in her life. She's the odd one out when you compare her with the other characters' internal and external struggles. You see all these well written characters that had to fight and work hard to even live a decent life and then there's this,, drop dead gorgeous girl from a rich family who goes to a fancy school and has guys turn around to look at her and compliment her beauty every time she's in public. She has faced no hardships that are worth mentioning, other than being too pretty, if that even counts. The most interesting thing that has happened in her life is meeting Hobin. The female characters are generally outshined by the male ones but at least the other three have desires, interests or things they're working towards, like Rumi wanting to be a beauty YouTuber, Gaeul who edits and is passionate about MMA and Gyeoul who wants fame. Bomi doesn't even have something like that, all she does is like Hobin.

I could explain her whole character with this:

I'm not even saying Bomi is a bad person, there's a difference between a bad person and a bad character. She could've been written better, but I'm convinced that she has already reached her peak. She's just a copy of the standard love interest in every other story. Gyeoul is a far more interesting character in my opinion, and I'm glad that she hasn't been included in the shitty romance subplot(...yet 😟).

Conclusion: Taejoon give me the script

[postmodernmulticoloredcloak]

Some thoughts about SteveBucky (and why it was deliberate in the CATFA and CATWS narrative)

As you might know, nowadays my approach to the MCU canon is pretty much on the lines of, the movies are Kevin Feige’s shitty fanfiction of a concept that could have been good and was attempted at intervals at the beginning at various levels but not executed, and the story and the characters are just suggestions I can play with in my mental sandbox.

But occasionally I like to listen to the Captain America: The Winter Soldier soundtrack to remember how it felt to be in love with that movie, and today that got me in the kind of mood where I am actually convinced that bisexual Steve and SteveBucky as a romantic dynamic were in fact written deliberately into the narrative, or, better, are structural elements of the narrative, because the emotional narrative is structurally made of parallels between the relationship between Steve and Peggy - the relationship of the past - and the relationship between Steve and Bucky - the relationship of the future - and it’s all too architectural in the narrative to not be deliberate.

In particular today I’ve been thinking about pictures. There’s the obvious parallel between the way the 40s story in CATFA and the body of CATWS end, one with Peggy looking at a picture of Steve before his transformation from a SSR file, while Howard tries to help by going looking for Steve, one with Steve looking at a picture of Bucky before his transformation from a Hydra file, while Sam offers to help go looking for him. But I’ve also been thinking about the scene in the Smithsonian in CATWS, and what the infamous picture of Peggy in the compass was about in that scene.

We assume that the compass was the only relevant object Steve had on himself when he crashed the plane and this was found; someone from Shield must have been, here we found this on you, take it back. Basically, it’s Steve’s only belonging in his new life. But here’s the irony: it’s a picture of a person (the only person of Steve’s smallest circle of people close to him) who is actually still alive.

The movie juxtaposes Steve’s visit to Peggy, alive and changed by time, to Steve’s visit to the secular altar to Bucky in the exhibition, crystallized in the past. It’s in fact an interesting detail that, in the museum scene, we only see pictures or wordless footage of Bucky, while we see footage of Peggy where she speaks; she has a voice in both the museum and real life, while Bucky doesn’t have a voice--we literally meet him masked and muted. (Peggy’s responsibility in what happened to Bucky, as the director of the organization Hydra flourished as a parasite of, is a potential the third Captain America movie could have tapped into, if they’d actually decided to make a third Captain America movie. RIP Captain America 3, we’ll never forget you. But this is is not relevant to this post.)

So, Peggy has lived - she has grown older, she physically carries the signs of the time she’s lived through, and even the footage in the museum shows her slightly older than we left her in the first movie, and in color, a deliberate emphasis that the footage was taken later than the time Steve left; Bucky, on the other hand, is unchanged, both in the museum and in real life. In the museum, assumed dead, he’s “frozen” in images from the past (in black and white); in real life, he’s literally been frozen to the point he’s not aged much.

Steve carries a black and white picture of Peggy with him, inside his compass, and the scene compares it with the footage - from a later time, in color, in motion, where Peggy has a voice. That Peggy from the compass is dead to Steve, and he mourns her just like he mourns the man whose black and white images are shown at the museum.

Except that the picture in the compass is something he can mourn privately; it’s, as we said, his only belonging. In fact, it’s ironic that he now has a picture of Peggy, and no one else. In the first movie, we see why: Steve and the Howling Commandoes went on missions on the frontlines of the war, Peggy belonged with the strategic command of the army. So Steve would keep a picture of her to remember her by as they were apart - it would make no sense for him to keep a picture of Bucky, because Bucky was there with him. It’s ironic because Bucky sees the picture and is jealous, but the point is that Steve doesn’t need a picture to remember him by when they’re together.

Of course, Bucky’s presumed death parts them. And Steve finds himself with no pictures of Bucky with him, and needs to visit the museum to mourn him in front of images of him. And this is an interesting point because Steve can mourn past Peggy privately - as he owns the compass with her picture, something that belongs to him and no one else has access to - but he cannot mourn Bucky privately, because he owns no object that connect him to Bucky, so he needs to go to a public place to be able to see an image of him.

In order to mourn Bucky properly, in front of a memorial of him, he is forced to do it in a place that not only is public, but is actually a place where his personal history is treated like a museum curiosity to put on display for everyone to consume.

There’s something deeply poignant in the fact that he hides, that he pretends to be someone else, in order to mourn his deceased male companion - the scene emphasizes that Steve does not want to be recognized, and the metaphor of him hiding his real identity to have an emotional moment regarding Bucky is not so subtle. (Yes, there is material of Peggy in the Smithsonian scene but the scene contains Steve’s visit to Bucky in parallel to Steve’s visit to Peggy in person, so I feel authorized to read the scene as mostly a visit to Bucky, especially since at the end of the movie Bucky also visits his own memorial there, emphasizing the cruciality of that picture in the narrative.)

In fact, the whole hidden identity to visit Bucky thing is not accidental because later, when he needs to confront Bucky, he steals his old uniform from the same exhibition: before finding out about Bucky, he wears incognito clothes to hide his identity, after finding out about Bucky, he reclaims a powerful sign of that identity - the uniform he wore when he fought alongside Bucky - basically breaking it out of the closet. It’s not a coincidence that earlier in the movie he wears a monochrome uniform meant to be unseen, either: the movie plays a lot on secrecy and openness regarding Steve’s identity, and the pivotal element in this narrative is Bucky. Steve reclaims his identity in parallel to trying to give Bucky’s identity back to him. It is a movie about identity and closets after all.

To go back to something I mentioned earlier, you have the contrast of the black-and-white picture of Peggy in the compass with the in-color, speaking, living Peggy; and that contrast highlights the deep difference between the two, because Peggy has lived a long life and grown older and changed. And then you have the contrast between the black-and-white picture of Bucky in the museum with the living Bucky, and in this case the parallel shows how little Bucky has actually been allowed to change, he’s been frozen in time, allowed no voice, allowed no change, no motion.

Steve, unlike Peggy, hasn’t gotten to live his life, but has been frozen in time, like Bucky. Shared life experience and all that jazz...

These fuckers (writers? directors? I don’t know) had the idea of writing two love interests for the titular character and framing the m/f relationship as the relationship of the past, and the m/m relationship as the relationship of the future, as one does, and built the emotional narrative on parallels between the two, and everything was fun and games until Disney Marvel ruined it all because they realized, I suppose. I mean, no, not everything was fun and games because things could have been written a lot better especially in regards of *gasp* female characters, that rarely work in the hands of misogynistic writers, but the two movies, with varying degrees of success, did something interesting (the theme of masculinity in CATFA is so fascinating) that was nice as long as it lasted. At least I’ll be thinking this until I get enraged at some shit they said and change my mind again. #saladforbucky

As always you’re welcome to share thoughts, questions, comments, whatever.

[dorki-c]

The Three Cups: Cup of Caution

Characters: Villain Deku, (reader), Brief mention of Shigaraki, Kurogiri, and Toga!

Relationship: Villain Deku / Izuku Midoriya and Fem! (Reader).

Audience: 16+ ONLY please!

A/N: Two weeks and approximately 6 pages later- I bring to you the second cup: Cup of Caution. Thank you all for your support the past two weeks and the lovely comments, it really means a lot! I would be really thankful if everyone who read this would reblog and liked this!

But before anybody goes on and read this, PLEASE PLEASE TAKE CAUTION (No pun included) WHEN READING THIS. It handles some heavy things within the one-shot and I really don’t want anybody to be reminded of horrible experiences that they may have gone through. AS WELL AS! Please note that I’m not a health care professional or somebody who knows how to deal with first aid- so please do not use my one-shot as a correct and reliable source to deal with this situation! 

(ALSO! COME REQUEST A PROMPT FOR MY VALENTINES WRITING EVENT! CLICK HERE FOR MORE INFO!)

TW: Gun use (only very briefly), Mention of Self-harm (only if you squint REALLY hard), blood and bleeding, Self-deprecating thoughts, mention of bullet removal, unprofessional medical procedures and cauterization, implied forced enclosure, mention of alcohol.

[IMPORTANT: I DO NOT ENCOURAGE ANY OF THE TRIGGER WARNINGS!]

[<-- Previous Part | Next Part -->]

The midst of every night always had its unknown secrets basking in the twilight. They writhed and crawled scantly across the surface of the two villains hides like insects ready to rip and chew apart delicate layers of flesh.

Darting left and right from advantage points, your observant pair of eyes stayed forever locked on the green-haired man (boy) behind the heavy-duty mask that carefully- though quite excellently- tightened around the back of your neck and head with approximately four, maybe five, click-in locks.

You didn’t know what this arranged ‘meeting’ was about, frankly you didn’t care (like always), though as each minute of the task (in your mind) was wasted by each and every mother fucking curse you plan to yell at Shigaraki when you arrive back at the base.

That crusty asshole decided it would be (unadulteratedly) hilarious to set you up to ‘guard’ his younger brother’s puny smug (handsome) ass which in turn meant staring by squatting down where your unshielded knees may scrape against the harsh concrete of the building you stood on top of.

Obsessively gripping the bland black pistol in the palm of your hand, your nerves screamed at you to relax to the cold polluted air that ran warm in the blood of whoever isn’t dead tonight. With the narrowing of your eyes darting from Deku to the three men standing in front of him with a small flat line seemingly narrowing to an expression of annoyance.

When are they going to finish? You wished you could have said that, but that’s not allowed. It will never be permitted.

Screaming little nuisances echo out protests to rebel again Deku- like the previous time before- though both you and the rest of the audience resting in their seats know not to do that, again. The fresh crescent moon wounds encircled around a singular wrist (covered by a glove) alerts the subconscious bully lurking in the midst at the front of this theatrical performance of life.

But (focusing on the task at hand) what was that man holding? Crouching downwards to get a better look, your body moved on its own accord when shit hit the fan. Invisible gusts aiding in your descent as a small glance to the side can confirm what happened before three bodies laid flat in the closed off alley.

Packing the pistol into a holster at the starting line of your boots, itty-bitty footsteps reached to her colleague, though her form was turned away from them. “Get up, we need to leave before the police get here.” What? How much of an asshole is his crush? “I can’t, you idiot.” Pivoting on her heel, she glanced downwards to see the source of the other villain’s problem.

Oh.

(And here (y/n) never thought black dress pants could turn red…)

With a leg shot to frigging bits, the frayed edges of the dress pants curled upward and attempted to soak up the liquid seeping out of his body, although it was in futile. Alongside that, (y/n) didn’t have any other cloth or rope or… something to stop the blood flow.

However, that was a failed observation on her part.

Glancing at her own self, she noted the blazer that covered only a bare minimum of her shoulders and back. (Oh well, it’s not like I can’t buy another one) Sighing softly, she could feel those all-too-familiar green (laser) eyes observing the slow languid movement of the female taking off her blazer, drooping down to his level and tapping the leg with such delicacy that Deku could’ve had a small crisis about how close (y/n) was.

“Open your mouth.” When he did so, a side of (y/n)’s arm was barged in the clamp that is his mouth.

“Bite down on my arm until I tell you to stop.” This is going to hurt like a bitch, although she didn’t mind pain (it’s a friend nowadays), where in a second she felt the contraction of what might be millions of miniscule sensory cells curse a wave of spiky pain erupt along the bridge of her forearm, the female made quick work of wrapping her blazer into a tight knot around the upper base of Deku’s bloodied leg that certainly is comparable to a two-way circuit of agony that flooded both of their bodies.

When ripping the arm from his canine teeth, only flinching as she did so (her favoured shirt was practically ruined with slobber), a blackened satin hand extended itself upwards and was met with a sweet cranberry red hand.

“Come on, we need to get you patched up.” Said (y/n), where all Deku could do was nod in agreement.

(Why did she want me to go with her?)

(What’s this feeling in my chest?)

--------------------------------------------

Kicking the door with only her heel, the leaning weight of what could’ve been a dead man laid heavy on her spine.

Grimly being reminded of the injury he held accountable on his leg, she laid him down on the ragged and worn couch- the fabric was tough and stale (it always caused an uncomfortable rub against naked skin) with the seams of the couch allowing small uplifting specks of thread-, though, she should’ve thrown this heap of shit outside for some DIY freak to refurbish, but (y/n) at the moment doesn’t have the money to afford another couch.

So, she’ll do with this one. Plus, it’s a good couch for staying somewhat clean when your flooding blood out of your fragile body.

In the moment of time, her shoes and mask were thrown off and a new pair of gloves were hastily applied onto her hands.

“Wake up.” Pinching the poor boy’s arm, vibrant green eyes, that match spring grass sprouting from a thick layer of dirt, had burst open in surprise of the ‘prickly golden needle’ sensation, however, the plain white ceiling was unfamiliar to his presence.

Huffing at his slow reaction, although helping him sit up in the process, the soft groan of lethargy slips from the (pretty) boy’s lips to crash and burn the depths of (y/n) terrified mind (about having somebody who isn’t a female in her apartment).

“Damn,” Rasp and smug his voice was, if he wasn’t hurt with a leg injury, then you would’ve tortured him to the full extent of your vexation, “is this my treat for being alive?” You suppose you knew what his innuendo implied, considering you were sitting between his thighs, “What?” Asserted Deku as he observed your facial cues.

“I’m not sucking your goddamn dick, asshole.”

Oh.

(And here Deku thought he could get laid tonight.)

“I need to wrap your leg,” Holding up a roll of dressings for him to see, “and to do that, I need you to take off your trousers.”  

“Well, you could always—” He notices one finger of your hand about to take off your purply-red gloves in a threatening motion, “—Okay! Okay! I’ll do it myself…” A pout was evident on his face, but he did as you asked (mostly because he was scared of your quirk).

A belt buckle jingled to the floor, “My offer still stands.” Then the ruined dress pants fell along with them. 

“I don’t want your offer.”

Grabbing the disinfection solution and a cotton gauze, the female opened the pungent liquid and tipped it upside down to gather it on the gauze, “This is going to sting.” Affirmed (y/n), “I know, doll.” Deku only managed to hiss out a response as the onslaught of a headache started to run towards him.

They both treaded this situation carefully and cautiously

As you clean the dirt out and rid the chance of infection to happen, your eyes started to frantically inspect each of the wounds as they still leaked blood every time your index finger very softly pressed on the skin around the wounds.

They still bled after applying pressure.

Fuck.

“I have to remove the bullets.” The male’s face paled. “Give me a second, I need to get some things.”  Deku saw her (rather sexy) form exit the living room and into one of the rooms (which he guesses to be her room) and then come out with a pillow, tweezers, and a brightly coloured (f/c) lighter. “What are…these for?” Those once bright green eyes gained a cloud of mistrust when narrowing at the objects, “The objects are for the bullet removal,” Staring horrified at her, she continued without paying mind to his facial expression, “I need to grab some plastic gloves and a rag from the kitchen, but after the procedure, I will need you to take a few pills.” (Y/n) wore a blank expression when announcing the news, but it further piqued his interest in this dark hour.  

Was she scared? Afraid?

When noticing Deku’s lacklustre expression, (y/n) snapped her fingers at him, “Are you aware of any allergies to any brands or medication?” Shaking his head in response, the female left him alone for a few minutes before returning with the rest of the things.

“Let’s get started, shall we?”

(Deku swore he heard the soft chime of ‘I’m sorry’ behind the curtains of (y/n)’s sentence)

-----------------------------

Waking up to a soft drag of curtains opening, the green haired villain only remembers the white adrenaline of a few slick objects being dragged out of squishy tensed skin where the only thing keeping him awake was the soft murmuring of “you’re doing good…” as smooth plastic painfully slid across the red hills of his cheeks that began to form rivers from the nearby reservoir uphill.

Alongside the unknowledgeable lull of his drowsy head, he saw the heavily wrapped leg and small patches of gauzes strapped further down his legs, with the ability to only whimper in an attempt to alert you that he was awake.

The small widening of your eyes as your body spun around to see his groggy eyes open to the shimmer of mornings gift: the sunrise.

Shuffling towards the bed and sitting on the side, (y/n) wore some sort of expression that the green-haired villain had never thought she knew how to express. “Holy shit,” Started Deku, “What is it?” (Y/n) added, “Your actually showing-- I might as well dare to say this—your showing emotion for once!” Exclaimed Deku as his eyes looked like they could light up a million galaxies in just a millisecond.

But the moment didn’t last, the luminously concerned expression that Deku had (stupidly) pointed out fell into the deepest depths of hell, then, the usual cold and icy exterior had taken the throne as the new ruler.

“Fuck off.” Snapped (y/n) before making haste out of the room. You left before he could utter another syllable.

Damn it. He should’ve taken caution.

Pushing himself up against the bed, the breakfast that was once warm was already cold. Well, he might as well dig in and find out if you poisoned it. He wouldn’t be surprised, maybe you’ve already figured out the burial site and what colour his coffin could be…

Nevertheless, the small gesture of kindness presented by you had reached his heart. It’s been a long time since he’s actually ate something that smells and looks edible, alongside the small note next to the three white pills, informing him to “take these with the food”.

Wow, you have nice handwriting. The compliment rang through his mind like a ping pong ball emitting even more compliments than he couldn’t utter out loud because he knows the risk of rambling to his crush will be high.

That’s more of a reason why he has to take caution.

 -------------------------------

When was the last time he was allowed out of this apartment?

Sure, everyone has popped by to help him get around the place, but when was the last time he saw- and actually sat down on- his precious throne donning a wine glass in one hand and a roll of newspaper that had a crossword puzzle on the back.

But several things (these past three-ish weeks) have perplexed him to the edge of understanding and not understanding.

Like why hasn’t Kurogiri bothered to teleport him back to the base? Or why does Toga always giggle when seeing him stuck in your bed, additionally, if you truly hated and despised him, then why are you letting him stay bedridden on your personal bed? There’s too many questions and not enough answers.

Gosh, and somebody better not stop him from drinking more then three fucking wine bottles- all from the same brand- or else he’ll explode (not literally, he rather not be like somebody he used to know.)

Sighing at the state his thoughts were in, the timing of your arrival was always as impeccable as ever.

Holding a small bag containing some trinkets, the small smile he used around you allowed the torture of butterflies and (slowly) budding roses in your stomach to erupt into a full fledge garden when he began using a subtle approach when seeing you come back to your home.

Petite smiles became the norm, saying thank you and staying quiet when your gloved hands brushed soothingly on the tattered skin littered with scars as his breath softened to nothing but— “Deku?” Humming a respond to desensitise your harsh wrath, the headache medicine that you had given to him earlier this morning was absolutely making magic (cue the jazz hands in the background) happen in his head.

A soft (and holy) finger ghosted past his temple to simply brush a measly strand of green out of his face. “Are you okay?” Murmured (y/n) where she let her guard down long enough to let the (beautiful) green-haired boy see the glimmer of comfort that you discovered.

Leaning his head towards your unaware palm, he basked in the warmth of your hand that emitted on his cheek.

“Yeah…I’m okay with you, sweetheart.”

(If religion didn’t exist, I would’ve imagined Deku worshipping the ground (y/n) walked on.)

(If the overwhelming heat in your cheeks didn’t exist, I would’ve imagined (y/n) kissing Deku.)

Tag list:

@glitterfreezed, @in-this-house-we-stan-izuku, @haredabi, @orenjineki, @quietlegends

[glittercracker]

Kingkiller Crap

So, I’ve never really posted much here that involves my own thoughts. There are a number of reasons why, but whatever. I feel the need NOW to post some thoughts, and having no working independent blog (yet!) I suppose this is the place to dump them. PSA: none of this is about anime. None of this is frivolous or fun. TW for sexual abuse. You have been warned! So. I’ve been rereading the Kingkiller Chronicles. aka “Name of the Wind” and “The Wise Man’s Fear” and “That Other One That Shall Not Be Named.” This reread was, at the beginning, almost an afterthought. A way to keep my 13 yo happy on a 7 hour car ride. Except, he could not have cared less, and I got sucked back into the story (and okay, if that is how all our audiobook car rides go, meh? At least it keeps me sharp!) I raced through book one, and bought book 2 on audible with an eye to my upcoming surgery and recooperation. Book one was problematic in the places I remembered, but also as generally engaging as I remembered. And then book 2 happened, and surgery happened, and I have had weeks to lie in bed listening to this bloody interminable sequel, and I find myself lost in a morass of, “WTF was I ever THINKING?” Namely, how did I ever love this book enough to pine for the next? It’s been hard to put a finger on exactly what is making this time through book 2 both a slog and also vaguely, creepily uncomfortable, but if you’re interested, my rather stream-of-consciousness ramble of thoughts ensues. First, the male gaze that rears its head at times in book 1 predominates here. But while I don’t love the way Kvothe describes women, I also have 2 degrees in literature, and I’m beyond that being a reason not to read an otherwise engaging book. Second, Kvothe is a Gary Stu, for all of Rothfuss’s protestations to the contrary. Again, so far, so much traditional high fantasy. But while, say, Aragorn is content to just quietly be Awesome At Everything, Kvothe is a braggy little shit of a Gary Stu: the person you hated for announcing their perfect scores in that hs class you could never quite master. I could fill several pages with examples, but for some reason what really made me want to kick him in the head was not Felurian’s disbelief of his virginity (though really, jfc, REALLY?) Nope, it was the end of his time w the Ademrae (sp may be off, remember, I’m listening not reading!) when he crows about having learned the history of his sword 2 days earlier than expected. Why does this stick out? Oh, idk. Maybe bc he sucks so hard he can’t even get past the first obstacle in his practical final exam? Yet he still has to tell us how fucking awesome he is for remembering 6000 names of previous owners.

I know, I’m supposed to forgive his teenage idiocy. The internet sympathists (no pun intended!) keep telling me this. And I suppose that I would, IF this were a simple first-person narrative - but it isn’t. Let’s repeat that, and really think about it. This story is being narrated by an older and presumably wiser Kvothe who has lost everything - whose abilities have been expunged to the extent that he can’t open his own chest of Cool Stuff. He shows humility in his actions, mostly. And yet when discussing his 16 yo self, the humility evaporates, and he speaks with no kind of perspective or lens of accrued wisdom. He still compares women to instruments waiting for the “right” player (i.e. him) and defends this choice of words by saying, essentially, “You aren’t a musician, you don’t know!”

Interesting assumption for an innkeeper in a medieval-esque world. Interesting assumption if this is in fact authorial interjection, too, because I suspect the majority of this book’s audience *are* musicians to at least an extent, and I also suspect that the majority of us (yes, us - I own several beloved instruments, including a harp custom made for me as a wedding present from my husband) would not equate a human lover to even the most beloved of instruments.

But all of this is well-trodden critical ground. As far as I can tell, though, my third issue isn’t: although it’s perhaps the most glaringly tone-deaf example of all of Rothfuss’s excruciatingly tone-deaf portrayal of his world’s women. Namely, the two girls kidnapped and gang-raped by the fake Ruh.

Almost all of the criticism I’ve read on this section of TWMF concentrates on Kvothe’s treatment of the girls’ abusers. What’s interesting is that no one ever seems to write about Kvothe’s treatment of the girls themselves. Yes, he treats them kindly. He tends their wounds, he feeds them, he tries (and succeeds, of course) to draw Ellie out of her shocked stupor. 

Yet what he never once does, from the moment he takes control of the situation, is ask their opinions on any of this, including what their next step should be. He just decides to bring them back to their families - families who, in this type of society, might well disown them for being “ruined”. And the girls themselves, namely the intelligent and savvy Krin, seem to go blindly along with what he says. Why? Would Krin at least not question this, or object to his making decisions for her, when a group of men had so recently and brutally taken away all of her agency? Would she not question whether being brought back to her family is the best thing for the catatonic Ellie?

Okay, apparently not. So they return to their apparently very forgiving town. Kvothe stands up for the girls against the village shithead: thank you, Kvothe, bc I’m sure Krin could not have said those words herself. He assures the reader that they are with people who will love and care for them despite what has happened to them: thank you, Kvothe, though it’s stretching my credulity a bit that you would assume that no one will take issue with their deflowering. But then he “gifts” the girls the spoils of his slaughter: the horses, the valuables, the wagons. And I was about to give him a (grudging) pass for being decent about this, EXCEPT: he goes on to say that these goods are meant for the girls’ dowries. Specifically, to make them worth enough financially for potential husbands to overlook their loss of virginity. He even tells Krin not to settle for a less-than-lucrative marriage.

And suddenly, I was outraged. Why? Because a man who had witnessed the full extend of these women’s abuse brought them back to a backwater town believing that he was being magnanimous both in doing so, and in giving up whatever share he might have taken of the spoils of the debacle to make them financially lucrative marriage prospects. Because he never asked these traumatized girls if they might rather cut and run with the money than use it to make some man overlook their abuse in order to make them his property. He never even questions the idea that they will be grateful to submit to marriage contracts that will no doubt require them to have sex with their husbands, even though these women have been abused to the extent that they cannot sit a horse for *two days* after being rescued. And the worst part is that 20-something frame-story Kvothe doesn’t question this either; he just goes on to gloat about people singing songs about his daring rescue. Maybe I was just ready for a straw to break my benefit of the doubt. Or maybe this really is as outrageous as it feels. Either way, I can’t help being angry at Rothfuss. As a writer, I am very well aware that character and author are not the same thing; that authorial intent is not the same as authorial beliefs. But there are moments in some books when I have to wonder if that line is blurring, and this is one of them. Kvothe has literally JUST left a female-dominated country full of independent women happily doing their own thing. He has given these girls the means to find themselves a situation that will never require them to be beholden to a man again - even houses ffs, in the shape of those 2 wagons, should they want them. There are so many options beyond marriage: I can’t, for instance, think of a medieval society that didn’t have its version of a convent. Or, for Krin at least, why not the University? For that matter, why not marry her himself, and then set her free to do as she likes under the awning of a respectable marriage? 

Instead he returns them to their fathers, and likewise gives their fathers the means to marry them off with no argument. Who, after all, holds the reins of the horses at the end? Why does Kvothe assume that these families will actually use the wealth even in the dubious way that he recommends?

And in this, I think, I am justified in giving Rothfuss the stink-eye. This is one more instance for Kvothe to play the hero with no real attention given to the consequences. Kvothe himself, I think, would be appalled. He has suffered so much deprivation in his life, so often been marginalized, scapegoated, powerless, how on earth could he so easily consign others to that fate? How could he think, loving Denna as he does, having heard her words to the beaten girl in Severin, that buying these girls husbands who will “overlook” their abuse for the sake of wealth is anything but a wretched life sentence for them?

Sigh. There was a time when I desperate awaited book three. Now, given the other women’s lives at stake in this series, I’m not so sure I want to know.

[stephkaylor]

FAVES and FAILS: The Vampire Diaries

So I have decided that since The Vampire Diaries has a spin off, The Originals, I am going to divide the characters based on where they appeared the most. So on this list I will be talking about the Salvatores, the Petrova/Gilbert line, the Bennets and Caroline, etc. but I will discuss the Mikaelsons, Hayley, etc. on their own list with the other characters that appeared on The Originals mostly. As always, spoilers are abound as I will discuss storylines and character arcs below, so be warned of that.  In any case, here’s my FAVES and FAILS for The Vampire Diaries. 

FAVORITE MALE CHARACTER: Damon Salvatore

Could it be anyone else? I don’t think so. He’s a delightful little sociopathic shit and I love everything about him. He is 99% id and 1% ego, if that, and even when I hated him, I loved him (god, I sound like Elena…). In any case, love this man, five stars, would recommend, chef’s kiss. 

LEAST FAVORITE MALE CHARACTER: …I think Matt Donovan…?

Ugh, it’s hard to pick between Matt, Tyler, and Jeremy, but I think it has to be Matt. I never enjoyed his judgey attitude against everything supernatural, he seemed pretty whiney most of the time, and he was just genuinely uninteresting for the majority of the show.  Not into it. Pass.

FAVORITE FEMALE CHARACTER: Katherine Pierce (Katarina Petrova)

I thought about giving this post to Caroline by default, but if it comes down to it, Katherine nudges her way into the top spot. Katherine gave no fucks, knew what she wanted and was unapologetic about how she went about getting it, and an all around bad bitch. Was she primarily evil? Yes. But, to be honest, it never really bothered me. 

LEAST FAVORITE FEMALE CHARACTER: Bonnie Bennet

God, this woman was annoying. She was hypocritical, judgmental, and far too holier than thou for me to swallow her bullshit. She constantly played favorites with Caroline and Elena (I’m sorry, you hold Caroline becoming a vampire against her for like two seasons, but when Elena becomes one, it’s not her fault? Sure.). She hated all supernatural creatures because they “go against nature”, but it’s totally chill for you to perform sacrificial magic to get what you want, unleashing a terrible evil in the process (but it’s not her fault). How she nearly excommunicated Caroline just because she stayed with Stefan after Stefan killed Enzo, as if it was her fault in any way. How everyone treated her like she was a special little unicorn because she’s a Bennet Witch and she’s so magical, like, please, gag me. I could go on, but I honestly cannot be bothered. Hard pass. 

THE CHARACTER THAT DESERVED BETTER: Caroline Forbes

She was essentially shunned by all of her friends and family for becoming a vampire, even though she didn’t choose to become one at all. Also, she was basically used as collateral damage for the entire Salvatores and Gilberts versus The Mikaelsons debacle just because Klaus liked her. She was always the second choice no matter what the situation was (unless it’s her being impregnated with magical twins without her consent and then guilted into carrying the babies, but poor Alaric just lost his wife. I’m sorry, unless it’s your uterus, shut the fuck up). I’ll just be over here doing what exactly NO ONE on the show did, and pick Caroline first.

DEADWEIGHT CHARACTER WE SHOULD’VE DUMPED IN 2009: Tyler Lockwood

I couldn’t pick Matt twice, so Tyler, I guess. He was selfish, a terrible boyfriend to both Caroline and also Liv later, and if I have to hear that boy whine about his fucking sire bond one more time I will literally throw my laptop off of a bridge. 

UNDERHYPED CHARACTER: Lorenzo “Enzo” St. John

Honestly, he’s one of the one things that made the last few seasons of the show bearable.  His delightful British rogue was a lovely way to fill the void that the Mikaelsons left in my heart, his devil-may-care attitude was man-made-manifest of what I was always thinking while watching the show, his BFF relationship with Damon and later Caroline was a joy to watch, and he was way too good for Bonnie. 

OVERHYPED CHARACTER: Alaric Saltzman

He is marginally more bearable right now on Legacies, but he annoyed the shit out of me while he was on the first show. Does he hate vampires or is he best friends with them? Does he want to be a hunter or does he want to stay away from anything supernatural of any kind? Also, he (along with nearly everyone else) basically guilted Caroline into carrying his magical siphoner babies, which is a touch too icky for me…

SHIP YOU WOULD SELL YOUR SOUL FOR: Delena (Damon and Elena)

Could it be anyone else? I never shipped Stelena, as I found both Stefan annoying and Elena too woe-is-me while she was with him. She made Damon want to be a better person and he made her embrace who she really was, monster and all. They had a perfect balance between themselves, and it was a joy to watch. He got the girl, guys. 

SHIP YOU JUST WERE’N THAT INTO: Steroline (Stefan and Caroline)

They were just too…meh. I was entirely uninterested in them, whatsoever, and isn’t that even worse than a ship that you hate? I used their scenes for a bathroom break or to get a snack, as I was guaranteed to miss nothing interesting or important while they were on screen. 

CHARACTER YOU LOVE TO HATE/FAVORITE VILLAIN: Kai Parker

What does it say about me that all of my favorite characters are violent psychopaths…? I’m just going to leave that to be unpacked with the future therapists I’m bound to hire. Kai was the perfect evil. He was powerful, purposeful, and unapologetically demonic in the very best way. I could watch him terrorize my favorite characters forever and not get bored.  Perfection.

FAVORITE STORYLINE: Stefan and Damon’s Brotherhood

If you don’t think this is what the show was about at it’s core, you’re wrong. They loved each other, they hated each other, they died for each other, they killed for each other, and, ultimately, they let nothing and nobody come between them. If you asked me who Damon loved more, Elena or Stefan, I COULD NOT answer you, and isn’t that just the fucking point?!

STORYLINE WE COULD’VE DONE WITHOUT: Magical Babies

I know that a major reason this was even a storyline is because Candice Accola got pregnant, but still…how? Like…she is a vampire..? She is unable to biologically change…? Like can someone grab me a biology textbook and explain how this a thing that can happen BIOLOGICALLY, please? I get that they are mythical creatures, so science doesn’t mean much here, but it just doesn’t make sense in any universe. Also, as I said above, the fact that Caroline was impregnated without her consent and then largely guilted into carrying the babies is a touch too rape-y for me…

BIGGEST PLOTHOLE: Do they go to school, or…? 

Like, are they just compelling the teachers to not notice them not attending class like 90% off the time? Also, how do the people in Mystic Falls not know anything about the supernatural? Like, they aren’t subtle AT ALL so how do they keep sliding under the radar? Also, in a lesser way, how are hybrid witch/vampires a thing? Like, I thought if a witch dies (like they would have to if they become a vampire), they lose their magic…?Make it make sense, Julie!

MOST HEARTBREAKING MOMENT: Damon Dies (the first time)

Honestly one of the saddest moments in the entire series was Damon’s ghost watching Elena lose it when he doesn’t make it back from the Other Side. They were finally happy and together and they can only enjoy it for like five minutes before it goes to shit. Why, Julie??!

BIGGEST EYEROLL MOMENT: Magical Babies (again)

I try to not use something twice on this list but COME ON. This was ridiculous and I do not support this in any way.  (Also this twin bullshit is still fucking annoying on Legacies, if anyone was wondering).

MOST SHOCKING MOMENT (any spit-takes?): Elena forces Kathrine to take The Cure

This was one of the moments that I literally gasped aloud. Most of the time the foreshadowing on these shows is seen from miles away, but I honestly did not see this coming at all. Also, Kathrine was basically the LAST person who wanted that cure so it’s crazy that she was the one to end up taking it and turning human.

MOST BADASS MOMENT: Kathrine kisses Damon at the end of Season 1

Like I said before, she is the original BAD BITCH of the show (not an actual Original, but you know what I mean…) and this was an amazing entry for the character who would be, largely, the villain of the series. It played on the feelings that Damon is developing for Elena, it finally introduced the person who started it all for the Salvatores, and it showed us exactly who she is at her core, and that she isn’t sorry about it at all.

SERIES FINALE SATISFACTORY LEVEL (use no words, just gifs):

OVERALL MARKS OUT OF TEN (10 being this show has changed your life for the better, you happily rewatch the series over and over, and the show has made your life better in some way. 1 being this show gave you nothing but trust issues, a stomach ulcer, and high blood pressure, and you honestly do not know why you did this to yourself) 

7 out of 10. 

I look back on The Vampire Diaries with the kind of fondness that only comes from a bizarre mix of nostalgia and incredulity. When scenes from this series show up on my instagram feed or on my Youtube recommended page, an involuntary smile creeps across my face without me realizing. I could do without like half of the characters and some entire seasons were completely unnecessary to watch, but it gave me some of my very favorite characters and ships, and spawned an entire universe that I still enjoy to this day. This magical, crazy, beautiful world was a joy to experience, even when it made me want to beat my head against a wall at least once per season.

If you want to see the other ones I have made, here's the original post with links. x  Hope you like these! (I say to probably no one...)

[nbapprentice]

You said a while back that while Supergiant games (Bastion, Transistor, Hades) was mostly okay, you had some words about them. I was curious as to what those words were, since Hades' full release is soon.

okay. alright. ive been playing hades lately so i definitely want to give my two cents (or dollars by the size this is gonna get). but let’s go Step by Step

the good: i want to throw a whole Endorsement over supergiant games with the art direction and its characters, which is what keeps me coming back again and again, and what i can assume is that most people are attracted to. 

gameplaywise, they have a Format they stick to which has become their staple, not to their detriment but to their advantage, like... gameplay tropes, so to speak, that they stick to (such as the addition of special conditions that give a disadvantage in exchange for more long-term rewards)

i fucking adore that they take one concept per game, go for it, and when they’re done they are Done; they don’t bother with sequels, they don’t want to run things to the ground and i fucking respect that. They have their themes, and they stick to them (to various degrees of success).

that said, like every piece of media, they are not perfect and this has to be analysed and spoken about

CONTENT WARNINGS: genocide and ethnic cleansing, antisemitism, misogyny, homophobia, suicide, and mentions of incest, and a general Spoilers warning

bastion: touches on ethnic cleansing, and not in a way i’d say is satisfactory. our narrator and one of our Sympathetic characters is one of the men who worked on a world-ending weapon meant to use against the Ura (a group of people coded as East Asian) which after a bit of googling is literally called “the final solution” if there was ever a war between the Ura and the Cael (who feel like rly tan white people to me). jesus fucking CHRIST.

we also meet more Ura other than our two named characters and we have to kill most of them. so that fucking blows.

the game tries for “being a genocidal monster will get you fucked up and blown up” which duh, but i feel we shouldn’t have had a person responsible for war crimes be one of our friends no matter how bad he feels about the whole thing, or the people victim of war crimes become villains in the latter half of the game. zia’s father could’ve taken ruck’s role ez pz.

transistor: the weakest of their games, imo; the lore and writing are fairly flimsy and i did not come out feeling Satisfied, especially because it had this rly good build-up that did not pay off. not to mention... their villains? 3/4 were gay people. lol. two married guys (not even explicit, you only realize by their shared last names) and the ps*cho lesbian trope (iirc she wanted to kill the protagonist’s lover or something). the female protagonist also ends up killing herself to live forever in a digital paradise with her dead lover. it’s. god. 

very Aesthetic, GORGEOUS music, interesting gameplay; had potential, i do not feel like it lived up to it at least as far as the story goes.

pyre: now this one. this one’s BEEFY. where transistor felt flimsy, pyre is rich; lots to sink your teeth into, rich in lore and loveable characters, again w the beautiful music, themes of cooperation and togetherness. my favorite of the cast is volfred sandalwood, the only Black (or, well, Black-coded) revolutionary i’ve ever seen portrayed with this amount of sympathy.

onto the bad: they literally have a Class of character named “Savage”; there’s the “mystical mentally ill person” trope; there is an overwhelming amount of explicit m/f pairs (one of them being. a romance that formed in a single day and then both of the characters were somehow willing to risk it all for each other? PLEASE) while the only hints of gayness are... hints. especially when Jodariel (another of my favs) is teased to have feelings for the player regardless of gender then only gets an ending with a male character with whom she has nothing in common 🙃

hades: and now. this one. music: gorgeous. character designs: spectacular (aphrodite is straight up naked but it’s so... natural and casual, it doesn’t feel sexualized at all). voice acting amazing. character interactions charming and endearing. as a greek mythology nerd, it was nice to see them go for the obscure shit like Zagreus at all, NOT portray Persephone and Hades as a loving couple, AND portrayed the gods as the bunch of petty assholes (some more benevolent than others) that they are. imo they’re too generous with their portrayal of achilles but i’ll allow it.

and finally... it seems all those criticisms about having all the gay characters hidden in the shadows paid off, cuz we got (aside of patroclus and achilles) a bisexual polyamorous protag. Holy Shit! and it’s not even playersexual, romance whomever you want shit without the routes recognizing each other: he explicitly talks about how he’s thinking abt them both (though it’s like “yeah usually mortals take one lover but gods love many huh” polyamory is a human thing too bro!!!!!)

and this is where it all goes, well, at least vaguely downhill lol. ok so the incest warning i gave up there? well. it’s not... outright incestuous. but it has some ugly implications. i want to emphasize: the characters never refer to each other as siblings, nor do they treat each other as such (thanatos, in fact, only recognizes hypnos as his brother, and megaera only sees the other furies as her sisters), but they were all raised by the same woman, Nyx... zagreus and thanatos even grew up together (im assuming megaera didnt meet zagreus until he was fully grown).

this is complicated even worse by the fact that they tried to trick zagreus into believing Nyx was his mother. he realized pretty early on this was not true but like... adoptive mothers, anyone? granted i can believe that bc of the attempt at deception that probably ruptured any attempt at actual familial closeness, and it’s not like hypnos and thanatos saw zagreus as their brother at any point, so they were p much aware of the truth too. with the fact that thanatos even looks like goth miles edgeworth (im not kidding you can google him up right now its literally edgeworth in a cowl) i rly feel they were aiming for Childhood Friend Anime Rival Man than the “surprise kiss bc ur not actually related <3″ shit. zagreus never once refers to nyx as his mother in-game, and also refers to thanatos and hypnos as her sons, never his brothers.

so yeah, like. if one’s feeling generous, zagreus and thanatos are more of a “my father is emotionally closed off and neglects me so my best friend’s mother basically raised me” kind of situation... just pulled off in, perhaps, the worst way possible (why didnt they just say Zagreus was told Hekate was his mom, that’s such an easy fix? or that he was born of nobody other than Hades??? [gestures at athena])

but then, the gods. aaaaaaaahhhhahahahh the gods. demeter shows up! and she calls zeus, hades and poseidon... her foster-brothers. which somehow would make the persephone thing less fucking awful, apparently. they really. really really did not need to do that. she could’ve just said “my fellow gods” or whatever. or my “god-brothers” or something, to pretend it was just a weird god alliance thing??? i dont know but implying that foster family isn’t family is just... bro, the dynamics still exist.

Don’t Like That.

i even contacted supergiant games over this. they reassured me they were even trying to avoid the incest of the original myths bc they didn’t want to mess with such a heavy theme. i believe them... but i really think they didn’t think this through. compared to something like fire emblem fates this is nearly benign, but the implications don’t look good :/

tl;dr of the tl;drs: i admire their artistic philosophy and the heavy emphasis on fresh gameplay, characters and their relationships; i appreciate that it seems that they listen to criticism?; i don’t appreciate that they didn’t think to at LEAST talk to adoptees when making a game about family.

[365days365movies]

February 23, 2021: His Girl Friday (1940) (Part 1)

Oh, we’re going BACK for this one!

Yeah, this is smack dab in the Golden Age of Cinema! Post-depression, the cinematic culture boomed like CRAZY. Obviously, this age had started before this point, but there was no stopping Hollywood here. I mean, in 1940 alone, Disney came out with Pinocchio AND Fantasia, films like The Grapes of Wrath, The Great Dictator, and Rebecca came out, and some of those were prefaced by short cartoons featuring a brand new certain someone.

Oh, also, there was some war of the world 2 thing going on overseas, I dunno. But anyway! Another well-known film that came out that year was The Philadelphia Story, a George Cukor-directed film starring Cary Grant and Katherine Hepburn, and one of a subgenre of comedies called the screwball comedy.

Arguably starting with the 1934 film It Happened One Night, these are romantic comedies that usually feature a self-confident and stubborn female protagonist inevitably falling in love with the male protagonist, who’s probably initially mismatched with her, personality-wise. You should also throw some slapstick comedy, disguises (cross-dressing’s a feature of a lot of these, weirdly), and class struggle. Yeah, also apparently a trend of these films, that were CRAZY popular from 1934 through the ‘40s.

And in case you’re thinking, “That plot structure sounds familiar, where have I heard that before?”, well, I just watched a later-era screwball comedy, Pillow Talk.

But today, the screwball comedy’s mostly disappeared. Some tropes survive, but the reason for the genre’s extinction is simply because of lack of demand. Part of that is because the genre emerged due to questions of class struggle post-Great Depression. Yeah, seriously, the Great Depression is involved in this shit! Obviously, though, that’s not currently as much of a stressor now, so this genre is dead save for some conventions.

But OK, screwball comedy. Why not look at older members of the genre, rather than this film from smack dab in the middle of it? Well, a few reasons. One, this film stars leading man Cary Grant in his prime. And two, because this film was directed by the one and only Howard Hawks.

Hawks directed yet another Grant-Hepburn vehicle, Bringing Up Baby. And yes, that IS a leopard in a car! I’d watch that this month, but I’ve already seen it. Anyway, Hawks is an understated but excellent director, and his female characters are an archetype in and of themselves, known as Hawksian women. They’re tough-talkers, and the main characters of most old screwball comedies.

OK, but Hawks had a lot of romance films with these characters, so why His Girl Friday? Well, other than knowing it from pure reputation as a good movie, it’s also been called one of the best romcoms of all time, and it’s one of his highest rated films as well. And honestly...I kinda just wanted to watch it based on the premise, which is...interesting. But OK, enough navel-gazing. On with the show! SPOILERS AHEAD!!!

Recap (1/2)

We start in a newspaper office in the year 1940, where “Hildy” Johnson (Rosalind Russell) has arrives with her fiancee, Bruce Baldwin (Ralph Bellamy), a sweet man who clearly loves her. Shit. He’s the guy destined to be left behind for the actual love interest of the movie Goddamn it, OK.

Anyway, Hildy apparently used to work here, although I’m not sure of the capacity as of yet. She’s only here now to visit her ex-husband, chief editor Walter Burns (Cary Grant). Their reunion is a bt icy, although Walter still seems to be in love with her still, while Hildy’s absolutely not interested. For now.

And as the two have a back-and-forth, I gotta say, GODDAMN is this some snappy dialogue! Fast-paced, but well-written and understandable all the same. It shuld also be noted that this film was adapted from a 1928 play, The Front Page, and it shows in how these two are playing in front of the screen. Their chemistry’s basically immediate, and you sense an unseen history between them easily.

What I’m saying is, it’s great. Anyway, the two have gotten divorced, and while Walter originally agreed, he’s now fighting the divorce to stay with Hildy, even though she doesn’t want that at all. He’s been calling her constantly, and bugging her. He also talks over her, trying to prevent her from getting a word in edgewise, and Hildy ain’t fuckin’ HAVING that shit!

He asks her to come back to work for him as a reporter (THERE’S the connection to the office), and if that doesn’t work out...they can get married again? Yeah, Walter, Jesus, take a hint. She tells Walter that she’s not coming back to him, and not coming back to work on the paper.

The two, through increasingly impressive dialogue, argue intensely, which is capped off by this well-timed and impressive dodge by Walter, followed by a crack that her aim used to be better.

This movie...holy shit, this movie. Anyway, through the argument, Walter gets a call and pretends that one of his reporters called out sick, in order to get Hildy to work one more job for him. Whoof, that’s manipulatiiiiiiive. But she breaks through his constant pressing to finally tell him that she’s now engaged, and is quitting the newspaper business.

Walter insists that quitting would kill her, s she’s a “newspaperman,” which is interesting. But she’s tired of it all, and wants to live a respectable, normal life, as she says. Her fiancee is an insurance man, which Walter notes is too boring. But Hildy notes that he’s kind, sweet, and considerate, and wants a home and children, and her mind is made up.

Walter relents (seemingly) , and gives Hildy his blessings. However, he decides that he wants to meet Bruce in person, and goes out to say hello, That results in...what is legitimately a VERY funny interaction between Water, Bruce, and a random-ass dude named Pete Davis. It is...it is funny.

So, for the record, Walter’s a verbally-manipulative asshole, and...I kind of like him? Like, he’s an ABSOLUTE DICK, but also a charmer. He quickly coerces Hildy and Bruce into getting lunch at a local place. There, we learn that the two are planning on moving to Albany, where Bruce is confident that the insurance business is strong. I’ve been to Albany, and I can see that.

Walter, during the lunch, is once again a DICK, doing his best to intimidate Bruce and sabotage their plans to leave for Albany that day. He makes his way to the phone, where he schemes with Duffy (Frank Orth) to keep her in town. Back at the table, he tells her of the case of Earl Williams.

Williams is, apparently, a man recently convicted of shooting a police officer...who was black...and they use a word to describe him that begins with a C...that makes me uncomfortablllllllllllle. But it’s 1940, so it could be FAR worse. Anyway, he’s going to be executed, even though he claims that he’s innocence. And while Hildy’s intrigued by the case, she refuses to cover it for Walter.

UNTIL, that is, Walter offers to buy an insurance policy from Bruce for $100000 in 1940 money, which means a commission for $18,000 in today’s money. Uh...yeah. Yes, please. And yet, Bruce says NO, not wanting to involve his future wife in his affairs, like a GODDAMN GENTLEMAN. But Hildy don’t give a FUCK, and basically accepts the deal for him. And, uh, I DO NOT blame her, that’s a lot of goddamn money!

Understandably not trusting Walter, she has Bruce give her all of the money that they have, to his equally understandable reluctance. Because there is NO WAY that she isn’t gonna lose all of that money. We find out from a group of reporters staying near the prison that Williams is to be hung tomorrow, and that he’s a bookkeeper that was recently unemployed.

Meanwhile, after a doctor’s check-up, Bruce and Walter write up the life insurance, and Walter tells Bruce to make Hildy his beneficiary. And Bruce is understandably awkward about that, but Walter ends up convincing him, the smooth and conniving DICK that he is.

Duffy walks in to give Walter a check for more money than originally intended, and it’s even been certified! Which is...odd, but OK. Bruce calls Hildy to let her know, and she’s very suspicious. She tells Bruce to put the check in the lining of his hat, claiming that it’s an old journalist’s superstition (it is not). Looks like she’s right to be suspicious, as Walter brings in a short gentleman for unknown reasons. He follows Bruce out as he leaves the office.

Meanwhile, Hildy brides a prison guard to speak with Earl Williams (John Qualen) before his execution. He’s a shy and bookish man, who was thought to become radicalized by people speaking in a pubic park, where he went after losing his job. This, it’s believed by the press and court, eventually drove him to go insane and kill the policeman. 

But Earl seems perfectly sane, and committing murder goes against his morals. He also wasn’t won over by said radical park speakers, although he admits one of them made some good points. But still, he had a gun, and he apparently did shoot the policeman. 

In their interview, Hildy learns that the man in the park was talking about “production for use”, which is the idea that everything produced should be used, basically in a way that production meets demand, and profit is less important than product. Which, granted, is an interesting idea. But Hildy uses that to convince Earl that he shot the gun because he had it in his hands. And since the gun was produced, it needed to be used, so...

Well, that’s...something. We also learn about Mollie Malloy (Helen Mack), who’s been unfairly labeled by the press as Earl’s mistress and the witness to his case. And she gives a very passionate and heartfelt plea with the male journalists, who are...vicious. And Mollie’s hurt indeed. And while she’s there, they all treat her terribly.

But she breaks down in front of them even further when she sees the gallows being prepared outside. And as Hildy takes her out, the men left behind actually do seem ashamed. And in a single stroke, in a single scene, the film uses an immense moment of drama to show exactly why Hildy wants to leave, and the things that it makes people in this profession do. It’s...masterful.

Good place to pause! See you in Part 2!

[grey-eyed-menace]

So!

I'm coming straight outta left field with this one, but hey, some of the best things in life come from spontaneity!

Er... Maybe.

Anyway, here's my Pokèmon AU!

Featuring the Female Protagonists I played as, their names, general differences from canon, and personal headcannons I came up with during my first playthrough of each game!

...and how they fit into the wider world! Maybe. Kinda.

I'm only doing the main series females in this post, with potential a potential sequal in the form of the side game females!

I do know that the main series male's will have their own post though! Mostly because I legitimately cannot control myself, and it's already halfway done!

So, without a further ado...

Arden Forrest!

Childhood friend of Red Audra, and the maternal cousin of the one and only Blue Oak.

Chose Charmander as her starter, named the little guy Flare, and is extremely defensive of the nickname. She is/was ten! Sorry if her creativity wasn't up to par!

Ended up having to travel with Red because her mother absolutely refused to let her leave Pallet otherwise.

Simply stick with him out of convenience after Viridian Forest, mostly because at that point there really wasn't anything to gain in separating from him.

In this continuity she's the older sister of the Sun and Moon protagonists. More on that in Jericho's section.

At the end of her journey, her team consisted of Flare the Charizard, Lenz the Jolteon, King the Slowking, Knott the Vileplume, Skye the Pidgeot, and Blue the Raichu.

Raichu is a stuck up little shit, and pampered, the nickname was obvious. To her at least. Oddly enough, Blue the Raichu hates Blue the human.

The only reason Giovanni remembers her is because she straight up decked him across the jaw when he threatened to kill one of her Pokèmon.

Somehow ended up acquiring Silver as a travel companion for three weeks, Red was bemused. He was also incredibly confused when that feral eight year old showed back up three years later in the news.

Ended up hanging up her battling career shortly after she lost the championship to Lance, and handed over Flare to Red to battle on a more permanent basis.

She still trained the rest of her team, and still does, she just realized that despite her talent in the profession it just... Wasn't her calling. She wasn't as quite as in love with it as she was at the start of her journey.

Bounces around the world for a bit during the three or so years between the Blue/Red and the HeartGold/SoulSilver storylines, and after Lance wins the championship back from her. Trying to find herself.

She participates in the Galar league around the same time as Leon, Raihan, Sonia, and Nessa, mostly as a curiosity, and maybe as a way to try and reconnect with her battling roots, but jumps ship after Opal because fucking hell is their League a killer for self-confidence.

Her jersey number, for the record, was 069. She deeply regrets keeping the uniform years later.

She also finishes the Unova circuit, but doesn't challenge the Elite Four or the Champion, and she tries to do something in the Ferrum Region for a bit before packing up and returning home.

Perpetually pissed off that no one can remember her fucking name.

And no, it isn't about the Championship thing, she was fine with that, really, it's just that the moment she introduces herself ahead of Blue or Red people tend to either treat her like a commodity, or like she doesn't exist.

Made it through the Elite Four and beat Blue before Red.

So yes, she is the official record holder for the shortest Championship. Which, if you're wondering, is exactly thirteen hours, seven minutes, and thirty-three seconds.

She and Blue played Go-Fish for two hours while Red finished up with Bruno.

The ensuing eleven hour battle with Red both traumatized and bored Blue in equal measures.

Blue had the title for a week. Red bolted to Unova shortly after winning and declined the position, turning it back over to her. She proceeded to hold it for another six months before a match with Lance turned it back over.

Actually ends up as one of Professor Oak's lab assistants once she ends back up in Pallet, and... Eventually finds her calling in research.

She throws herself into her education with everything she has. And... Never really loses that passion and drive.

Has to be physically dragged to Passio during the Master's tournament/festival. Dragged. And no, that's not an exaggeration, Blue physically throws her over his shoulder, books their shared flight, and well, he basically kidnaps her.

If it makes you feel any better, he pretty much did the same thing with Red, only it was a private flight that was prearranged.

It makes her feel better, anyway.

She spends the entire tournament/festival in borrowed clothes.

She takes solace in mock-poker matches with Red, Grimsely, Lina, and, oddly enough, Cynthia and Steven Stone.

She does eventually end up becoming a professor in her own right, with a focus on Abilities and how they affect a Pokèmon's mental and physical growth, and also ends up with an engineering degree as well.

In her late thirties I see her taking over Professor Hasting's job for the Ranger association. Mostly because, in my head-cannon at least, Regional Professor status isn't all that it's cracked up to be, and at that point in her life the only reason she would even take over for Oak in any capacity is out of sentimental value for the Pallet Labs.

That, and it's a cushy job, plus she gets to see small children scramble around for over jumped flying tops. So really, it's a win-win.

Teases Jericho relentlessly over her relationship with Gladion.

Not that her romantic life is much better. Someone idly points out that Red is romantically pursuing her when they're nineteen and she proceeds to have a minor breakdown.

Or, you know, she just remains forever oblivious, and Red remains extremely passive in his pining.

Completely blind-sided by Blue's wedding, and honestly doesn't know what to think of his wife, but plays the role of doting aunt pretty well once they have their first kid.

Shows up in the White 2 storyline in a rental tournament, wrecks Rei's shit, comes back a day later during a Team Switch Tournament, and proceeds to destroy the battlefield.

Then, once Rei is the Unovian Champion, she comes for an actual vacation, and actively, and willingly, participates in the Cross-Region Tournament, makes it to the finals, wrecks Rei's shit again, and then destroys the Stadium when she goes up against Red in the semi-finals... Yeah, I'm not sure what storyline to put to the whole rage vent thing, but it's there. It exists. And Red pays for it.

I'm thinking Blue just gets in over his head a week or so before the tournament, and she quietly simmers all the while.

I think if I were to make a fic about her journey/life, I'd call it 'The Trials And Tribulations Of A Run Of The Mill Pokèmon Trainer'. Because... Ya know, against Blue and Red, she's actually a pretty average trainer.

Compared to Red, who'll have participated in over thirty league circuits in his lifetime, (and plowed straight through the champion in a pretty good chunk of them), Arden has only actively participated in maybe five, mantled a single Championship, and completed two other circuits, with the last three or so having her jump ship due to pressure, having to put it aside for prior commitments, or a simple lack of interest, (the incredibly vague Greece based region I have an idea for is incredibly interesting history wise, in universe, it's Gym and tournament circuit on the other hand... Lacks pretty much anything to make it even remotely interesting).

Red will be a living legend once all is said and done at the end of his career. While Arden has a single legal achievement to her name, the famed recognition of being one of three people to take down the Pokèmon equivalent to the Mafia, and a pretty average badge count for a career trainer.

Also, Lina loses to Red on Mount Silver. She knows, she was drafted as the referee because when she came to drop of Red's food for the week. She's pretty much payed off to say otherwise though.

And she doesn't know why.

She's convinced it's a conspiracy.

Fades into relative obscurity around the time of the Sun & Moon storyline, but her damn if her tiny fan club isn't dedicated.

Doesn't show up in Alola for the battle tree because Blue couldn't find her for three solid months.

No one knows what the fuck she was doing.

...she may or may not have been the Gates To Infinity protagonist.

There's a tiny aside to a Snivy named Leaf in article concerning Overgrow and how it affects the Snivy population at large though.

And that's Arden Forrest, a bit clunky, but hey, they're randomly ordered facts, not a character sheet. Next up is the Crystal heroine!

Marie Smith!

Traveled through Johto about three or so years before Arden, Red, and Blue began running around Kanto.

Older than her sister, Lina, by seven years.

I actually don't have all that much on her because I got to the third Gym on Crystal before my brother destroyed the Device I was using to play the game on.

What I do know, from this information, though, is that she disappeared around said time.

No build up, no cries for help, nothing. Just up and gone. She just cut contact with her family, things happened, and she's absolutely infamous for nearly killing three thousand people. Somehow, she's officially recognized as someone who completed the Johto Circuit though.

She got recruited by Cypher.

Again. Shit happened.

Oak blames himself for an incident in the Kiro Region, (Egyptian Region), pertaining to her.

Lina's entire journey is an event and a half because of her.

If I were to make these little things into a fic series, she'd get... Like a seven chapter mini-fic told from seven different people's perspectives throughout her journey.

Those people, in order, would be... Her mother, Whitney, Naoko of the Kimono Girls, Giovanni, Clair, and Oak.

With an extra chapter detailing her death during the Kalos invasion.

She shows back up in the Kalos storyline in this and traumatizes the ever loving fuck out of Serafina.

She chose a Chikorita. Who she loves dearly, even when she's pretty much gone off the deep end, and then some.

Lina Smith, local trouble maker, owner of a perpetually terrified Feraligator, and the best friend of the very weird Ethan Aurum, and the only person who seems to be on Silver's good side. Vaguely.

Oh so vaguely.

Youngest out of three children, her older brother, Gregory, is an incredibly average guy who's extremely confused as to what the fuck happens on her journey, and never NOT worried about her.

Parents died in a car accident some two years before the start of the storyline, is cared for by Gregory at this point in time

Don't ask why Greg is a thing. He just is.

Like Arden before her, Lina takes a very proactive approach to dealing with Silver during the Radio Tower Incident. Which involves decking him in the jaw.

Surprisingly, this is the part where there relationship improves.

Chooses a Totodile and names him Reyne, and is fiercely protective of him. The little guy could put a Sobble to shame... This also means Silver ends up with the incredibly overly energetic and affectionate Chikorita, all for my personal amusement, (said Chikorita is named Lyra, and no, he does not spoil her, shut your mouth Aurum!).

Her entire story isn't so much focused on her gym challenge or the reappearance of Team Rocket, as it is finding out what the fuck happened to her sister.

Ethan starts tagging along after Goldenrod, and starts to reveal he knows a lot more than he's willing to admit about the situation.

Gets caught up in a lot of nasty things, and nearly ends up dismantling an operation to kill Red, Lance, and Cynthia.

(Where are our favorite colored duo, and supporting tree, during all this you may ask? Why, still recovering from trauma of course! Like reasonable, sane, run-of-the-mill people. More specifically, Blue's officially taking over Viridian gym before the start of the Kanto gym circuit season, Red's fucking around in Hoenn for a good bit before coming to Mt. Silver just two months before Lina gets there, and Arden's in that vague Greece based region getting therapy.)

Her journey is just a really long incident report, and Looker has half a mind to slap her at the end of it.

A good portion of it is Ethan's fault though. Ethan, by the way, nails the looking right through you stare.

And a girl named Sarah Morgendy comes up a lot, although it turns out she's just a kid trying to protect her adopted brother from the shit shoe she got them involved in illegally.

The only two problems with that is she's about eleven and emotionally compromised.

Gets recruited by Interpol after everything is said in done.

Gets the code name Agent Lenz.

Demands therapy for herself, Ethan, and Silver. She gets it.

While she's training as an agent, Ethan and his mother move to Unova so that he can attend an Academy meant 'rising stars', and Silver becomes Elm's apprentice.

...somehow ends up married to Blue years down the line. They have two kids between them. Maria and Reginald

[suits-of-woe]

this is so typical of me but for the ask game, could you do edmund and/or the lear sisters?

YES I absolutely can, this is as much my brand as yours. Sorry for the delay in posting, I had a change of plans yesterday :)

EDMUND

Sexuality Headcanon: Only really attracted to women but if it was somehow useful to sleep with a man he probably would and probably wouldn’t mind it too much. Also, I HC him as relying way too much on sex to fulfill his need for affection. Also also, a sub, I will die on that hill. Gender Headcanon: Male in the canon but I have a huge soft spot for female!Edmund too so either works for me. Probably cis but I’ve seen some people post about trans Edmund so maybe? A ship I have with said character: Edmund/Goneril is my TRASH because it’s such a mess but it could be so good. Started off as kind of a joke/speculation for one particular fic and now I have a lot of feelings about it. A BROTP I have with said character: Edmund and Edgar!! Let! Them! Be Brothers! Especiallly pre-canon :((( Also not sure exactly what the Edmund and Cornwall dynamic is, possibly it falls under BROTP but it’s definitely interesting. A NOTP I have with said character: I’ve seen like one fic of Edgar/Edmund as a romantic pairing and. No. Just stop. A random headcanon: Has gorgeous handwriting. He’s obviously great at forgery, but I imagine his own writing is just lovely. As opposed to Edgar, who probably has a very messy scrawl. General Opinion over said character: Actual love of my life, more than is justified. He’s objectively terrible, but he’s also so sympathetic and so self-aware that it makes me love him even more. Imho, hottest character in the canon.

GONERIL

Sexuality Headcanon: I guess straight in canon? See I really like the idea of lesbian Goneril in the female!Edmund AU and I feel like...she probably has some sort of equivalent hangups around sex in the canon-verse too, but she clearly likes men so...not entirely sure? At the very least she’s definitely not at ALL attracted to Albany. Gender Headcanon: Definitely a cis woman, since that’s tied to a lot of her experiences and especially how Lear treats her. A ship I have with said character: As I said before, Edmund/Goneril is terrible but also great and has a special place in my heart. A BROTP I have with said character: Her and Regan before Shit Went Down. It was probably always a little rocky, but that scene where Regan takes her hand and they stand up against Lear together? Excellent. A NOTP I have with said character: She and Albany just have an objectively terrible relationship that makes both of them miserable. I don’t think that’s controversial, but yeah, definitely a bad ship. A random headcanon: Less of a headcanon and more a question but: where did she get that poison that she used on Regan? Unlike in a lot of plays, there’s no mention of that. I wonder if she had it for awhile, planning it for something, maybe Albany, maybe herself, maybe something entirely different. General Opinion over said character: She used to be my least favourite sister and boy was I wrong! I find her very weirdly sympathetic and I think she’s a deeply sad and desperate person with a uniquely tragic position in the fucked up world of that play, but also, a very cool evil lady.

REGAN

Sexuality Headcanon: I think of her as bi; don’t really have textual evidence for that but oh well. Definitely into some WEIRD SHIT as far as BDSM (emphasis on the S) taken wayyyyyyy too far. Gender Headcanon: Probably a cis woman, not really anything to suggest otherwise. A ship I have with said character: Regan/Cornwall is the power couple for the ages! So equal in their dynamics, so passionate, so fun and evil and tragic in a weird way at the end. A BROTP I have with said character: As I said, her and Goneril! Also her scene with Oswald is very...interesting idk, I haven’t thought about it much but I wonder if they ever had a weird sort of friendship. A NOTP I have with said character: Regan/Edmund isn’t a NOTP exactly because it’s definitely canon and definitely interesting but I think it’s just bad for both of them and not what they actually want. A random headcanon: Sometimes in production she’s dressed in every Dark Evil Villain Outfits, but I actually imagine her wearing very colourful, ostentatious clothing a lot of the time. Probably very quick to change out of her mourning clothes too... General Opinion over said character: The least sympathetic sister, but also by far the coolest. PEAK villain stanning material, and one of Shakespeare’s female villains who’s allowed to get most in-touch with her brutality in a super fascinating way.

CORDELIA

Sexuality Headcanon: Probably straight cause I’m not sure why she wouldn’t be I guess? Gender Headcanon: Probably a cis woman but in a staging where Cordelia is actually the fool I think it could be really interesting to consider as a pants role/exploration of her gender. Especially in terms of her only being able to get Lear to listen to her while she’s dressed as a boy. Maybe not an actual reflection of her identity, but still much to play with. A ship I have with said character: Ugh it really depends on the AU for her, @princess-of-france​ has such a great Edmund/Cordelia dynamic in her work, @harry-leroy​ opened my mind to Edgar/Cordelia too, but I have such a hard time choosing one just for the canon play. But Cordelia and France are adorable in every universe, so I’ll go with that! A BROTP I have with said character: Her and Edgar! I’m on the fence about them romantically but I love the idea of them being close before the play. I would have loved to see one last conversation between them at the end. A NOTP I have with said character: I don’t know that people SHIP this but the Lear/Cordelia as an incestuous relationship discourse is YIKES. A random headcanon: Way wittier than she tends to get credit for. She canonically had some connection with the fool, and I wonder if she had a similar relationship with Lear before everything, able to quietly question him in clever ways without him taking offense. She might not have realized that her defiance in front of everyone would be a step too far. General Opinion over said character: I’ve definitely moved past seeing her as the boring good angelic daughter, thank god. She’s a wonderful character! I talk about her less than the other two mostly because I don’t think I need to be in her defense squad as much, and I love villains, but she’s fantastic.

[threeletterslife]

CHjakldfjskANA I am lowkey embarrassed to say that I am confused by pt 2 of Ignis Fatuus ;-; I get what happens literally, but I'm pretty sure I'm missing out on all of the more underlying messages and what the ending is supposed to represent and what you were intending to convey ;-; I guess I'll just talk about parts that I thiNk I understood and hopefully won't make me sound like an idiot :D I really liked how the endings to both the dream and reality were paralleled,

but houf I was kind of exasperated in the beginning when everyone was dying on the hypothetical trip to the hospital. I always kind of felt like they would just let Y/N die, because logically speaking, even if they ended up at the hospital, none of them are really qualified to treat TSS so they would just be going on a suicide mission because as shown, zombies are e v e r y wh e r e :D So when it was revealed that was only a dream, I was like yAY thank goodness :,,) The part at the end before

Y/N dies when Jungkook corrects her saying “it’s did well and not did good” was a reaLLY nice way to end things though :,) jklsfjkls I don’t know, Chana pls send help+explanations because I’m definitely only understanding the very surface level ideas of Ignis Fatuus D: I think the very vEry ending though is a big part of the whole Ignis Fatuus thing though because back in pt 1 in Target Jungkook was like omg yes don’t worry Y/N things will be over and we’ll definitely be able to play baseball

again without any zombies around, but aaa Chana why are there thRee “endings”,, that’s making me think there’s something very elaborate about how all of the endings could be tied together/are related :,D 🌻 anyways I think? the first part to my ask might've not gone through because it didn't have the "thank you, your ask has been received" message when I clicked ask but o well :,) it was just me lowkey embarrassing myself because I am confused on the ending of Ignis Fatuus :,)

[SPOILER WARNING!]

GOOD NEWS! the first part of your ask WAS received!! and omg yes i totally understand ignis fatuus pt 2 was kinda hectic so lemme just clear up the confusion ✨

i think the whole ignis fatuus stORY is a bit hard to digest. the only ‘realistic’ element in the story is really that the members self-quarantined LOL. other than that, i really took inspiration from the office (though it may not seem like that). jungkook and yn are the only “normal” ones in the group of eight just like jim and pam were the only normal ones in an office full of crackheads LMAO. i just thought it would be cool to tell the story of two normal pple stuck with six other crazies (all equally obsessed with something different. i mean namjoon studying DURING the apocalypse?? seokjin obsessed with the kitchen? hoseok obsessed with his secretary??) and i chose to go for a very subtle romance so it wouldn’t overshadow the other dynamic characters

to elaborate on the endings!

the first one (the one that yn dreams): only in her wildest dreams would the seven men yn’s learned to love and live with DIE to save her. i mean, in a sick, twisted way, isn’t that what so many romance movies depict? the knight sacrifices his life to save his princess. it’s shit that only happens in your head. it’s tragic and stupid, yes, but also honorable in it’s own way. maybe yn subconsciously wanted all seven men to help save her life (even though it wouldn’t logically make sense). but maybe she wanted a knight in shining armor. i mean, isn’t that what media brainwashes women to think? yn’s dream is her subconscious acting up. she’s a helpless woman (sick from a mf bacterial infection that women mostly get) and she must depend on men to save her. but the end of her dream concludes that it’s not a matter of who saves who. some people just can’t be saved. yn doesn’t have a knight in shining armor. even before she got sick, she is a strong, independent woman. jungkook offers her emotional support, but he never outwardly saves her from any disasters. in fact, in part 1, yn is the on who saves jk. maybe, in yn’s subconscious, she wants to be saved. who doesn’t? it’s not a female v. male thing. being saved just means doing less work (and who doesn’t want that?). the savior, on the other hand, must go through the trauma and carry the responsibility of another’s life. maybe that’s why yn had her dream! another, more obvious reason yn’s dream turned out that way may be because that’s her worst fear—watching everyone she cared about die in front of her eyes (but also being too helpless to be able to stop it). she’s also afraid of dying alone, which she did in her dream. you’re absolutely right though! the second part of ignis fatuus is supposed to make you feel exasperated—frustrated and pissed, even. it’s just supposed to be nonsense, honestly. just stupid shit happening in rapid succession. it’s literally a fever dream. and also a dream carefully crafted by yn’s subconscious

a lot of the ‘deeper’ meaning is very subjective, though! and even as the writer, my analysis is still subjective. you can honestly analyze ignis fatuus in so many other ways. no analysis is wrong. and it’s also perfectly fine to have no analysis at all! 

the second ending (with yn actually dying) is easier to explain. it’s a direct contrast from yn’s dream where everyone was trying to be the hero. reality is different. even at the end of part 1, joon and jk knew that they wouldn’t be able to take yn to the hospital. yoongi even knew yn would die. they wouldn’t even think of such an outrageous idea to go to the hospital at all. they may have hinted taking yn to the hospital only to make her feel better, to make her feel safe. but they would’ve never actually done it. the plan was always to let her die in the house (as sad as it sounds). but there was really nothing left to do! as you said, none of them (even joon and tae) is qualified to treat tss (nor do they have the medical equipment to do so). the second ending is more of the closure that the first ending didn’t provide. yn wished to die in jk’s arms in the first ending and she got what she wanted in the second ending. but i still didn’t exactly think ending the story with yn’s death (tWICE) would be the best. something didn’t feel right. so i felt like i had to add the third ending for better closure

and you’re totally right! i connected the third ending to what jk and yn had talked about in target. this is essentially a glimpse of their dreams come true. something that didn’t necessarily happen, but something that the readers can imagine and feel at peace with. i thought it was good to wrap up such a traumatic part 2 with something lighter, something sillier and something happier. ignis fatuus is a mf roller coaster. and the title itself ‘ignis fatuus’ literally means something deceptive/deluding. i think part 2 encompassed that well

as for the purpose of this story? to answer the question you may be having, “if yn died after this whole ass journey,,, what was the mf POINT?” maybe there isn’t a point. maybe there is no rhyme or reason. maybe i just told a story as it is. kind of like a reference to waiting for godot but on the less indifferent side. BUT! i would honestly argue that there IS a point! i think the relationship yn made with the seven very distinct men is special. the seven of them are depictions of very stereotypical men. a nerdy med school student, a grumpy bus driver, an impatient businessman, a spoiled daddy’s money lawyer, a scaredy-cat cop, an obsessive chef and a too-perfect-to-be-true baseball player. i think part 1 is interesting to see how the eight of them have created this synergy together. it’s also interesting to see in part 2 how yn twists the men’s stereotypes to fit in the fever dream narrative

ignis fatuus is one of my more depressing stories. i had the idea since january of 2019 so i spent quite a bit of time thinking about it before i decided to write it. i didn’t think i’d end on a lighter note, but i’m happy it turned out that way. 

aNYWAYS sorry this turned out so long 😭😭😭i guess i rambled too much again oOPS. but i swear you’ll get a break from all this depressing writing LOL. i’m not posting another official story until january 15th! (and GOOD NEWS that story is going to be FLUFF!) 

as usual thank you sm for such a kind message 🥺🥺

[vecna]

For fandom meme-swtor?

Send me a fandom!

This one isn’t as spicy as the Dragon Age one, but I still got Wordy.

Also there’s lots of KOTFE/KOTET/etc spoilers in here, so don’t read if you don’t want to see em. (Looking at you, Chignon.)

The character(s) I first fell in love with:

My own OCs haha.

But more seriously: It was actually Darth Malgus! I was always going to play a Star Wars MMO, let’s be real. But when they started posting promo videos and cinematics for the game, my Sith-loving ass immediately gravitated to that guy haha. And then, it turned out he had the same VA as The Architect from Dragon Age, and that was it for me.

If we’re talking about companions, then it was probably Malavai Quinn. Sith Warrior was the first class I got to 50, and Quinn was the first companion that I really got overly attached to haha.

The character(s) I never expected to love as much as I do now:

Most (not all, but most) of the “new” companions that came in with KOTFE and beyond. I was initially really sour when I realized we were losing all our class storyline companions, and they were being replaced with a new crew of Lana, Theron, Koth, my mother-in-law Senya, etc. Especially when they – at the time – said we’d eventually get our class companions back, but it would be a while. So I started KOTFE sure that I would hate the new crew because I would rather have the old one…. and ended up liking them quite a lot! Mostly, lol.

The character(s) everyone else loves that I don’t:

Doc is the main one, jesus christ. If you didn’t read my last post, I just really really really do not mesh well with overly sexual and Adult Humor-y characters who scold you with a “You’re no fun.” if your OC isn’t into it. Doc is the worst example of it that I’ve ever encountered. I always play a male JK, and the fact nearly all of his convos amount to, “Boy, you and me are going to be up to our eyeballs in vagina when this war ends, amirite?” “You don’t want that? Come on, the Jedi Code doesn’t say you can’t FUCK, live a little.” “You’re no fun. Well, more for me.” drives me NUTS. This combined with how he interacts with Kira just does me in. Shoves him out an airlock.

Dark Side Jaesa is another big one, albeit mainly for OOC reasons. I just hate the fact that she even exists, really. I get the appeal of a story where a Sith corrupts a Jedi to the Dark Side, but the way she does a total 180 into gross hedonism while Serving You always just makes me cringe. Plus there’s the fact that straight dudebro gamers are really nasty with her, and she’s the main companion I always see men put into the slave bikini outfit, and just yikes.

Also just a lot of one-off NPCs that everyone goes crazy for and ships their OCs with, but I  constantly forget who they even are lol. Attros Finn comes to mind. I don’t hate them! Just don’t get the appeal I guess.

The character(s) I love that everyone else hates:

Lord Scourge, although I’m not sure he’s really hated as much anymore. I just remember at launch, when all of the overly invested Revan stans absolutely HATED him because of what he did in the Revan novel, and then flooded the tags with vitriol over being “stuck” with him as a Knight, and having to hear about Revan in his companion convos. It was really, really tiresome! Maybe it’s because I never really cared that deeply about Revan as my personal character, but I could not understand the backlash.

Anyway, Lord Scourge is my favorite companion in the game by a long shot. I love the conversations you can have with him about the Jedi vs Sith, and I love the mutually respectful tone those conversations take. (Where other Bioware companions who disagree with you have a tendency to just go, “You’re wrong.” and shut you down.) The fact that he’s so tied in with the plot just makes me love him more, really.

The character(s) I used to love but don’t any longer:

Cytharat, Koth and Theron mostly. Although this takes a bit of explaining, and is a bit Discourse-y – because I really appreciate them as characters, but their role and Bioware’s decisions with them is what made me no longer love them.Here’s the thing: Bioware has a bad habit of introducing male characters that are bisexual, and then having them betray you, leading to situations where they either get murdered or vanish from the narrative entirely. Meanwhile, bisexual women like Lana are untouched and around forever.

I was overjoyed when I first saw Cytharat. Y'all know I’m a ho for purebloods, and the fact that he was Malgus’ apprentice was fascinating to me – and then he turned out to be a bi romance. I got very hyped for him, only to find out he dies like 5 minutes later – or if you save him, he’s never seen again. Huge letdown.

Koth was the first character I fell in love with of the new KOTFE crew – I even initiated a romance with him! – but it quickly became obvious there’s no way to play the expansion without him turning on you judgementally at some point or another. And then, hey big surprise, you can kill him or else he’s never seen again.

Theron I’ve loved since we first got to know him in the Forged Alliances content, but that whole storyline where he seemingly betrays you out of nowhere, only to later reveal he didn’t actually, idk. And then, once again, you either kill him or he disappears from the story. It felt like a weirdly shoehorned in plot for shock value, and robbed us of a second bi MOC character.

You see the trend here? I want to love these characters, but Bioware continually electing to do this shit with bi dudes is tiresome and makes me unwilling to invest any interest in the characters anymore.

The character(s) I would totally smooch:

None.

The character(s) I’d want to be like:

None really come to mind? I just want to be a Jedi, come on.

The character(s) I’d slap:

Hunter all day every day.

The pairing(s) that I love:

Haha, this question is hard, because most of the SWTOR ships I’m invested in are between my OCs and my friends’ OCs.

However.

SCOURGE / KNIGHT IS THE BIG ONE, THE ULTIMATE, THE ALL-TIME FAVORITE. It’s really hard to describe just how much I love this ship, and just how much time and energy I’ve invested into it over the past… 8 years wow……….. To the point of being almost territorial. And it’s also near impossible for me to talk about why I love it, because the version I ship is so personalized with my specific Jedi Knight, especially since it had to live exclusively in headcanon land for so long. Scourge is, more or less, my Knight’s support pillar and the thing that grounds him and keeps him humble, in a world where my Knight is surrounded by people who expect him to be a pure flawless messiah. But, I mean. How can you have a man look at your character and say, “I’ve waited 300 years to see your face.” and not immediately ship it. And then I finally got vindicated after all these years when it was made canon!

I really love Arcann / Knight for a lot of the same reasons as the above, but I just really adore his one (1) romance convo haha. Granted, yes he did a lot of fucked up things, but I was so grateful when he had like… a Zuko-esque redemption. Where he comes to your character and firmly believes he doesn’t deserve forgiveness, and especially doesn’t deserve affection, and is instead met with acceptance and a chance to grow and heal. That’s the good shit.

Others:

Lana / Warrior and Lana / Inquisitor are my particular jam. I endlessly enjoy the mutual respect between Lana and those particular PCs.

Malavai Quinn / Sith Warrior is a longtime fave, and although I DO love him with a female Warrior, I really do with he’d been an option for dudes as well. And I feel the same in reverse about Vette / Warrior – I do like her with a male Warrior, and it’s so sweet and wholesome and endearing, but man I wish she’d been an option for female Warriors.

I ship Risha with every woman – especially Vette and Sumalee – and will be salty until my grave that Risha / f!Smuggler isn’t possible, because I love Risha with the Smuggler but she gives me powerful WLW vibes.

Agent / Watcher Two is also a lowkey favorite, but I ALSO wish it could be done with a female Agent instead. Same with Agent / Raina Temple.

Agent / Vector is very sweet, but again, I will be salty until my grave that it couldn’t be done with a male Agent.

Can you guys sense a running theme here?

Finally: NGL I love Valkorion / Senya, even though that ended in pure disaster.

And people around here used to ship Keeper / Lokin, and tbh, I still kinda love it lol.

The pairing(s) that I despise:

In general terms, I fucking hate every single romance that involves the male PC romancing his padawan or underling, especially since most of them seem like very young girls. I don’t know why this is so pervasive in the game, but yikes Bioware. Consular/Nadia is the worst offender, but they’re all just cringe central for me.

But the big one is Agent / Hunter. This would have gotten me run off Tumblr back in the day, but god I hate this pairing. I mentioned in the last post that I just will never enjoy ships where the two characters actively want to murder each other, but. This just gets magnified for me with Agent/Hunter, where all the mind control and blatant abuse comes into play – and people have a tendency to write noncon rape fic of the two and present it as ~sexy rivalmance~, which is awful. Add to this the “no homo” reveal where Hunter turns out to be a woman, after getting everyone hyped about a dude flirting with their male character the whole game, and it’s just a huge No Thanks from me all around.

And for largely personal reasons I just don’t like seeing female Knights with Scourge. Listen, for YEARS  I was treated like a pariah for shipping Scourge with my male Knight, while being unable to find Scourge content that didn’t have a female Knight plastered all over him. Even though he wasn’t even a romance option one way or another, the way the fandom treated m!Knight/Scourge with disdain while ardently shipping f!Knight/Scourge was offputting as shit. And then, after years, he was made a romance option for women AND men, and all these awful people acted like they were robbed, the way people reacted when Kaidan and Jaal were made bi in Mass Effect. I’m so tired. I never want to see Scourge with a female Knight again.

[archer3-13]

Thoughts on Other Students in 3H

in no particular order

Hubert: evil snake boi, i kinda like you. i just wish there was more actual meat to ya then what there is. still, he does his role effectively and unlike edelgard plays into the whole evil empire thing with more gusto so i ironically find him more palatable because atleast the game isnt trying to pretend he isnt shady as fuck.

Dedue: oddly charming despite his straight laced attitude, he gets some interesting nuance in how well he highly respects (cough loves cough) dimitri and likes individual people from the blue lions, he doesnt have any particular fondness for faerghus as a whole which is definitely understandable given his history. hes essentially using the camus/murdoch aspect of undying loyalty and even borrows elements of the female camuses line of romantic interest in their liege however heavily implied it might be and applying that to a male playable character. Plus he just has some fun and interesting interactions with other characters in general.

Lorenz: I have difficulty saying whether i like him. on the one hand, he ended up being more multidimensional then i thought he was going to be with his internal conflict between keeping up appearances for the sake social status and societal order and his desire to pursue his own personal interests and ideals against the needs of his father and thus societal conventions. on the other hand, the game never really runs with this as much as it should and hes still treated as a bit of a joke character so... c+ to b? 

Ingrid: the token heterosexual of the blue lions whos still kinda gay anyways, her whole struggle with being a knight over a housewife seems a bit odd on the surface considering theres plenty of female knights and no one throws much of a fuss in universe, until you learn that it isnt so much that society expects her to do it as matter of course and more so that shes struggling with whether to pursue personal duty to her family or personal desires and ideals kinda like lorenz. in that respect she hits the mark a bit better then he does.

Raphael: kinda insubstantial but i liked him anyways, his sheer exuberance can be kinda refreshing in the games darker moments and hes got a few angles of his own such as his refusal to consider his parents deaths as part of a larger conspiracy so as to not hurt his friendship with ignatz nor ruin his own life and his sisters. plus hes just generally a nice guy. like a big huggable bear. just a shame that being a nice kinda dumb huggable bear is all thats really done with him.

Ignatz: his painting stuff and personal insecurities about wanting to do it over being a knight which his parents want him to do, more of that duty over desires and ideals thing again, is well enough and his probably misplaced guilt over raphaels misfortunes is definitely a highlight of him but he never really grabs as a character for some reason. probably because theres a lot of other characters in the game that hit those same marks and do it better then him.

Sylvain: has a lot of aspects that never really feel like they get proper follow up, his big thing is less womanizer and more so that he covers up his own mistrust and personal feeling by pretending to be a shameless flirt and philanderer. basically, maybe the emotional pain will go away if i flirt with girls and act the fool. but again there never really feels like theres any proper follow up for all this, others comment on it and then its more often then not dropped in story. hes fun enough but never really realized if that makes sense.

Caspar: shonen protagonist is kinda an apt word to describe him honestly, and that idealism of his clashes with the more grey on grey morality of the world hes within which is never a particularly bad direction to take the shonen bois in if done well like hunter x hunter. And he is done well, or at least satisfactorily to the point that hes another one i ended up liking more then i thought i would. his problem is more so that his interactions with most other characters in the main cast which feel duller then they should on most occasions.

Dorothea: probably gonna get a bit of shit for this, but i have no interest in her. her insecurities about her future and getting a good husband is well and interesting but manuela does that better honestly and outside of that dorotheas a bit... not shallow but hazy and insubstantial if you will. she obviously has appeal to people but like ignatz she failed to grab me in part because others did what she did and better within the game itself.

Ashe: soft boi chose to be soft instead of hard, one of the characters i found liking and one i expected to kinda like to begin with. in game he gets accused of being childish and naive a lot but i dont see it personally, hes not naive but more so tries to look for the best in people and in life like lonato did all those years ago for him. that said, the speed with which lonato dies damages his identity as a character a bit by happening before we really get a chance to feel for his relation to lonato, its not to big a bug bear as it doesnt hurt his character all that much but it does feel a bit frustrating.

Felix: teenage angst personified, his main gripes seem to be a distaste of warrior culture and its glorification of bloodshed and sacrifice but instead of approaching it with sadness or pacifism, he lashes out against what he feels is the unfairness of the world. hes not exactly wrong in his feelings and as a character it makes sense and works for his abrasive attitude, and its an interesting twist to the navarre type to have their isolation come not from stoicism nor sheer blood lust or a combo of the two but rather from a rage against the machine of society mindset.

Ferdinand: he got more interesting as i got farther along, and i personally feel he works the best as a character when going against edelgard since thats where more of his personal drama comes from. hes eager to succeed and prove himself worthy of his title over time and holds a chivalrous mindset very similar to others in the cast but his growth is less about learning how to hold onto those ideals in the face of reality for the sake of personal fulfillment but more so about learning to define himself by himself and not by societies needs. ultimately he comes to value chivalry not because its what people tell him to value but because he truly values it and i enjoy that. but its also why i feel he works better on other routes then edelgards since there hes still valuing himself not for himself but for the expectations society or edelgard in this case is placing him under, one tyrant for another in a sense. i admit i dont remember much about him on edelgards route though because i just like him more on the others.

Leonie: poorly timed support aside, she has an odd charm to her that a lot of modern fire emblem characters just dont have anymore. but knuckling past jeralt senpai shes an interesting blend of stingy and work effort that goes to inform itself and her relations to others. and like a lot of the golden deer she has a lackadaisical attitude of ‘i might not know what the fuck is happening, but i do know someone needs an ass whooping!’ and it works especially well in her case since her character is very attuned towards focusing more on her personal matters then the grand scheme of things because she has rent due in a few months. if she was in a more traditional fe set up she would definitely be a beowolf archtype that you need to pay to recruit. in fact im surprised thats not an option on other routes to begin with for her.

Hilda: honestly suprised me by not being a pure serra type. she has aspects of that on the surface with the selfish almost vain attitude towards life and others bur well serra is more about puffing herself up to hide insecurity and contribute towards a desperate desire for grand social status, Hilda downplays herself and her abilities due to living in her brothers shadow if unintentionally and seeing the stress it can bring. they’re both lazy and vain, on the surface anyways, always getting others to do their work for them but well serra seeks more social status to escape it hilda seeks less social status to escape it. plus it was kinda funny to see hilda act as claudes unofficial number 2 you could still recruit.

Lindhart: Sleepy boi needs a nap and thats kinda it really. exaggeration maybe but unlike a lot of characters in the game and the series as a whole he really doesnt have a reason to be there as a character. as a unit certainly but not a character, in terms of motivation anyways. He hates blood, fighting and violence, hed rather sleep or pursue personal interests then work or politics, hes insightful and intelligent but the important players in the plot have other advisers and hes not interested in stepping up in that regard anyways. his only real reason for being there is academic interest and even then a pin has to be put in that when war breaks out. hes not a bad character overall though, his sleepiness and insight make for an interesting double act along with his blunt mannerisms, i just have trouble pinning down motivations for him.

Mercedes: big team mom energy, which i suppose goes along with the whole being older then everyone thing. a bit dopey and airheaded at first glance shes one of the more receptive characters to how others are feeling and well she does try to nurture shes not above scolding if she feels it would help someone more then praise and reassurance. of course shes also very detached to events of the world mostly just there to help the people around her from the bottom rather then the top which is not an insult and more one of the things i find fascinating about her. it all makes for a very interesting character and one of my personal favorites of the cast.

Annette: overworker, issues with her dad, magic bubbly, and hits things with axes. a nice recipe of a character but it never feels as if the game can get it all to blend properly. more so to the point is that most of these elements work independently of each other and not to inform each other despite the games insistence. theres a lot of dramatic potential involving her father as well and though the game makes the best use of those aspects its not to the benefit of the rest of her character. it doesnt hurt her either though and she has some appealing dialogue with other characters.

Marianne: I had trouble getting to like her, perhaps more so then any other character among the other students. not because i hated her but because shes, well, very boring. alot of the characters in the game are into the self deprecation thing already and well her personality aspects of acting quite and submissive to fall into the background from a lack of self confidence it also feels like the game came up with two different explanations for it and couldnt settle on whether it was because of her adoptive fathers pressure or her families history and instead of weaving both together decided to use them interchangeably. Sometimes shes a wallflower because of her father and a lack of confidence to state her mind and self loathing over that lack of confidence, other times its because of her lineage and self loathing over her cursed history. never really at the same time.

Bernadetta: another odd favorite for me. recent support changes aside, the basic gist of her history remains the same in that her father was a tyrant in regards to her future which caused her to grow up with no confidence and a crippling fear of society, so shes already off to a good start as a character by basically doing mariannes schtik but better. well its hard for me to definitely say she ever grows past that as a character, thats fine in my opinion because her development is less stop being a recluse because society demands you dont and more so about making actual friends and learning that not all people are garbage fires just most of them. in most of her supports anyways. she just feels the most rewarding to interact with alright, and she was the one i always felt the most upset to mess up a speak thing with. Let us hug and stay inside watching cartoons together.

Petra: i went in wanting to like her and really liking her at first, but shes hit a middle of the road for me now. her speech gimmick wasn't particularly egregious and gets even less noticeable after the timeskip, but her actual character is a very straight forward ‘national pride demands independence’ package and doesnt really escape past that boundary all that much. its very understandable motivation, id even go so far as to say that shes the one with the best reasons to betray the empire of the black eagles characters, so like ferdinand i feel she works better outside of the black eagles in term of her own character identity and motivation/development as she finally stands up for her peoples right to exist on their own in an fe6 echidna kinda fashion. outside of that though shes... foreign to the other characters. thats kinda it.

Lysithia: as a unit she hits like a truck, as a character shes functional but hardly revolutionary for the series. i mean i did like her since i have a fondness for her archtype of weird magic prodigy poor social skills, but more so that she doesn't hit any particularly new notes in that regard. Shes a lot of lute, with some delthea childishness in her, some of sanakis sharper political wit and dark history, and a bit of miriels scientist on top. that said its all blended very nicely and she has some nice scenes for herself that got me to feel and care for her, some kinda adorable moments, and a history well woven into the games background and more so then most of the other deer and a lot of the other characters from across the houses in general. for a minor character anyways.

you may now all stone me to death.

[pass-the-bechdel]

Marvel Cinematic Universe: Avengers: Age of Ultron (2015)

Does it pass the Bechdel Test?

Yes, once.

How many female characters (with names and lines) are there?

Seven (30.43% of cast).

How many male characters (with names and lines) are there?

Sixteen.

Positive Content Rating:

Three.

General Film Quality:

Significantly flawed, and well-known in fandom for it. Unpopular opinion? I still think it’s better than the first Avengers film.

MORE INFO (and potential spoilers) UNDER THE CUT:

Passing the Bechdel:

Natasha and Laura pass in a single-line trade. It’s sooo close to not counting.

Female characters:

Natasha Romanoff.

Wanda Maximoff.

Maria Hill.

Helen Cho.

Peggy Carter.

Laura Barton.

FRIDAY.

Male characters:

Tony Stark.

Steve Rogers.

JARVIS.

Thor.

Clint Barton.

Strucker.

Pietro Maximoff.

Bruce Banner.

Ultron.

Sam Wilson.

James Rhodes.

Ulysses Klaue.

Heimdall.

Nick Fury.

Erik Selvig.

Vision.

OTHER NOTES:

Everyone talking about Strucker like we already know who he is...

The “Shit!”/”Language!” gag was funnier before they hung a lantern on it. Not least because it takes almost a full minute before Tony harks back to it (fifty seconds, actually. I checked). If you’re gonna make a Thing out of it, you gotta follow up immediately, not after fifty seconds of cutting around to different character intros and action shots and a whole lot of other dialogue. 

Urrgghh, ok, I’m going to break my standing rule about not discussing source material, because we gotta acknowledge the colossal wrongness of re-writing the Maximoff twins - canonically Jewish Romani - as willing volunteers in a Nazi science experiment. It gets worse the more you think about it. There are a few things about this movie which generated significant negative outcry, and this incredibly offensive decision is one of them.

Tony and Thor fighting over who has a better girlfriend does have a certain charm to it. If you’re gonna have a testosterone-off, it might as well be about how great your partner is.

I got a zero out of ten on this out-of-nowhere forced romance crap with Natasha and Bruce. We’ll come back to this later.

“I will be reinstituting Prima Nocta,” Tony declares, as he prepares to lift Thor’s hammer and thereby theoretically take charge of the Nine Realms. Primae noctis (believed to in fact be a myth) refers to a supposed Dark-Ages law that granted lords the ‘right’ to take the virginity of any newlywed peasant woman who lived on their land. So, this is a wonderful little rape joke from Tony (or, y’know, not so little, since primae noctis in reality would make Tony a serial rapist). Ha ha ha ha. Hilarious. Good one.

I’m really mad about the parts here that are total garbage, because mostly, the revels sequence has a nice low-key quality to it, good solid team dynamics. 

I can’t fucking believe that they played the ‘and then Bruce falls with his face in Natasha’s cleavage!’ gag. I cannot believe it. Is this a disgusting frat-boy comedy from the nineties?

Honestly, Tony, just shut up and admit that you KNEW from the get-go that it was wrong to try and make Ultron happen (that is why you kept it secret from everyone else to begin with); don’t try to defend the decision now that you’ve got a ‘murderbot’ on your hands. Take responsibility for a bad choice instead of talking shit about how you had to and everyone else is just too short-sighted, damn it! 

Andy Serkis is delightful.

The Iron Man/Hulk fight absolutely KILLS the momentum of this film. It goes for way the fuck too long (eight minutes) and has no narrative significance at all. Pro tip for action scenes: they should always be driving the story somewhere. You can pull off eighty minutes of action so long as your plot is advancing alongside/within it.

Also, Iron Man causes a huge amount of additional damage during this fight, in the service of the aforementioned pointless action. His efforts to minimise Hulk’s effects are extremely poor, and calling in his relief organisation to clean up after the fact does not negate that. 

Gotta love that throwing a wife and kids at Hawkeye at the same time as we suddenly start pushing this Natasha/Bruce thing. That’s not transparent at all. I also understand this to be a major deviation from Clint’s identity in the comics, and very unpopular with fans for that reason, but regardless; reinventing him as a family man to reset the romantic blather after baiting fans with the possibility of Clint/Natasha in the first Avengers movie is such a shitty move. I was not invested in the ship myself and would have loved to have them reinforce the just-friends relationship between Hawkeye and Black Widow, because there are not enough platonic friendships between compatible men and women in fiction, but 'they’re not interested in each other because they’re busy with someone else!’ is a weak reinforcement indeed. Less forced romances, and definitely less token wifey who exists for no other Goddamn reason at all. This comes out of nowhere, and not in a clever-surprise kind of way.

“You still think you’re the only monster on the team?” Natasha says, after telling Bruce about her sterilisation. This earned a HUGE backlash, and for good reason - despite all arguments about how what Natasha meant was that her being raised to be an assassin makes her a monster, the direct implication of her words as they are phrased and as the discussion is structured is that her inability to have children makes her monstrous, and that’s deeply offensive. It’s also completely in keeping with a narrative which is often played out against women, in which their value as people is attributed directly to their ability to produce offspring, so it’s not even like this outrageous implication of monstrosity - the corruption of what it means to be female! - is that unusual. It’s awful, but not unusual. Add on the fact that 1) Natasha’s nightmare-flashes specifically foregrounded her sterilisation over all other details of her training, supporting the idea that she believes that it’s what makes her irredeemable (instead of, y’know, all the murdering and stuff), and 2) this is Joss Whedon’s work and he is OBSESSED with highlighting the womanhood of his female characters and treating it like their defining trait while also variously punishing them for it, and you’ve got every reason to interpret this terrible fucking line as exactly the heinous thing it (presumably, unwittingly) seems to be. 

Steve ripping a log in half with his bare hands is the funniest thing in this whole movie.

Thor’s brief side-adventure with Erik Selvig is pretty out-of-place. He just...goes for a swim in a convenient magic pond that Selvig chances to know about. Seems normal.

Ultron is full of such boring, empty rhetoric. Reminds me of Loki in The Avengers, with all that sound-and-fury. 

I love Paul Bettany.

Man, they sure do find Natasha instantly. It’s almost like making a damsel-in-distress of her who needs to be rescued by the team was completely meaningless...

Breaking my no-BTS rule (since I already have done for this movie at this point) because it’s well-known how Joss Whedon ordered Elizabeth Olsen not to show exertion or ‘ugly emotion’ on her face in this film, because God forbid she compromise her attractiveness by being human. Joss Whedon is not human; he’s fucking trash. 

The final fight sure does just, y’know, get to a point where it ends. They really did not ratchet up the tension over the course of the Sokovia conflict, it just goes along until it stops (also, they say Sokovia is a country, but then they never call the city anything else, it’s just Sokovia. Is the city conveniently named after the country (very confusing), or is it a city-country, like The Vatican? I kinda assume it’s option three, which is that no one bothered to care because it’s just some fake European placeholder anyway and we’re not supposed to notice such a dumb oversight).

“I was born yesterday.” This is the best quip in this whole thinks-it-is-way-wittier-than-it-is movie.

Helen Cho deserved better than to be a prop rapidly dismissed and then just trotted past at the end for an ‘oh, she survived, btw’. 

Back when I reviewed the first Avengers movie, I said that I considered that film to be heavily overrated, so maybe it’s not such a surprise that I actually like this one better. The two primary problems I had with that first film were the overly simplistic plot, and the fact that most of the characters were OOC compared to previous films, and this movie does do better on both scores, so I feel more engaged by it, and less annoyed. That said...this movie has still got a lot of problems, and those include iffy characterisation and a plot with various holes, nonsensical complications, and conveniently ignored or smoothed-down dynamics. When I say I like this movie better than the first one, I mean just that: I like this better. That does not mean I am here to sing its praises. 

The tacked-on romance is part of the problem - for Clint as well as Natasha (but especially for Natasha). After Hawkeye was so heavily under-used in the first film (and his slightly-ambiguous relationship with Black Widow was the only human element that made him a character instead of a prop), Age of Ultron attempts to compensate by giving Clint a personal life, in the form of a magically-appearing heavily-pregnant wife and a pair of nameless children. The function of this family appears to be 1) to give Clint a reason to not be interested in Natasha, and 2) to ‘humanise’ him by giving him something to fight for and get home to, because we all know nothing legitimises a character quite like some otherwise-irrelevant dependents. Want a man to seem lovable and important? Give him a pregnant wife. That’s what women are for, anyway, right? To enhance a man’s story? In this case, to provide a man whose purpose in the story has been contested with insta-personality, because ‘he’s secretly a family man, ooh, twist!’ is way better than having to spend time on giving him something to do in the plot that is actually meaningful in some way. Great logic. Makes Hawkeye super dynamic, right? 

Natasha, unsurprisingly, is hit much, much harder. As the only female avenger and one of only two prominent female characters in a cast which has seven-to-nine male characters of equal or greater importance/screen time (YMMV on whether or not you think Fury and Vision count for that list), the pressure is already on for Natasha to be served up a quality narrative, because if she doesn’t get one, well...she doesn’t have six-to-eight alternative characters to pull the weight for her gender. The best solve for this problem would be to avoid the ‘Token Woman’ cliche in the first place, but since we missed that boat...not having the personal story of your only primary female character revolve completely around her womanhood and her catering to heteronormative expectations of a love interest would have been a good choice. This weird, forced, chemistry-free thing with Bruce Banner? Was the worst thing they could have used to define Natasha’s presence in the film. It sticks out like a sore thumb every time they have an awkward interaction, and it leads in to that atrocious ‘monstrous infertility’ element (though that particular egregious mistake could have been included with or without a romantic blunder, it...probably wouldn’t be, and we’d all be the better off). Even the Hulk-whisperer part of the relationship - while not awful on its own with all the unnecessary romance and Unresolved Sexual Not-Tension removed - serves to highlight Natasha’s female-ness by making her the soft maternal figure for the team, because God forbid one of the other male members of the team be asked to ASMR-speak to the Hulk while delicately caressing his hand. If Natasha’s presence in the first Avengers film leaned too heavily on her gender identity as a defining trait (and it did), this movie doesn’t fix that problem at all: it doubles down on it. 

The good news for most of the excess of male characters is, they by-and-large don’t feel as OOC as they did in the first film. The boorish romantic entanglement aside, Bruce Banner is still a naturalistic character highlight (all credit to Mark Ruffalo, who probably doesn’t know how to turn in a bad performance in the first place), and Thor’s dialogue is way less ridiculous this time ‘round, so he lands a lot closer to his personality from previous films simply by virtue of sounding like the same guy (unfortunately, the plot does not have the faintest idea what it wants to do with him as a character). Steve Rogers is still being written as if being Captain America is his character, which is a fundamental misunderstanding of his identity, albeit one which conveniently allows him to behave in a stereotypical self-righteously bland manner, thus avoiding the need for any nuance in his perspective or actions. This borderline fanfic-flamer ‘Captain America is my least favourite character so I’m going to write him as a boring stick-in-the-mud and then hopefully no one else will like him either!’ approach doesn’t grate quite as badly as it did in the first Avengers, and it can’t cancel out the innate level-headed charm of Chris Evans, so as disappointing as the bias is, it’s still a better balance here than it was last time. The one character who is not so flatteringly handled, however? Also happens to be the one who was arguably handled best last time, and unfortunately, he’s the one who is essentially treated as the ‘lead’. 

The big problem for Tony Stark is that this movie is not interested in digging in to the pathos of any character, it’s all-flash-no-substance on that front, and Tony really, really needed a less heavy-handed slathering of ‘afraid of what might come (feat. messiah complex)’ to motivate his actions and reactions in this film, because without any exploration he’s basically just a billionaire kid playing with matches. If this were an Iron Man film (either the first or third one, anyway), we’d get into some tasty deconstruction of Tony’s mental state and confront his hubris, etc, and - crucially, most crucial of all, it’s a mainstay of all his past stories in the MCU - Tony would own up to his mistakes, listen to the advice of those around him, and take contrite steps toward fixing the problem not just in the direct sense of ‘beating the bad guy’, but also in the personal and emotional sense of working on his own flaws and making amends with the people he hurt along the way. This movie offers none of that. To begin with, Tony’s ‘I know best and I will not be taking any questions’ approach to creating Ultron feels like a significant step backwards in his character development so far (Iron Man 3 was specifically about addressing his PTSD and associated tumultuous emotions surrounding the fear of imminent alien invasion, so his reactionary and secretive behaviour in this film feels particularly out-of-touch with a mental reality Tony has been explicitly working on for the past couple of years); Tony is actively aware that it’s a bad call and thus hides it from the other Avengers until it’s too late, and then he’s bizarrely unrepentant about his mistake. Worst of all, he actually attempts to repeat that mistake, only worse, late in the film (the fact that his idiotic ‘mad scientist’ pep talk actually convinces Bruce to help him again is the weakest character moment for Bruce outside of the aforementioned romance crap). The plot rewards Tony’s second, far worse mistake, in the creation of Vision, who turns out to be ‘worthy of wielding Thor’s Hammer’ and whatnot and conveniently provides every necessary skill to defeat Ultron in a deus ex machina so overt you could use it as a textbook example, so even though Tony had absolutely no way of knowing that he’d get a good result this time and almost every reason to believe he’d just compound the existing problem, his reckless disregard for the literal safety of the planet is treated like a good thing because it happens to work out this time, and they just kinda sweep under the rug the fact that Tony is playing God (and being uncharacteristically stupid and selfish about it - in other films, Tony is normally only reckless with his own safety, and it’s when his actions spill out into unintended consequences for others that he realises the error of his ways and cues up a positive learning curve; it’s what makes him palatable). At the end of the film, once Ultron is gone and Tony has thrown some dispassionate wads of cash into ‘relief efforts’, he strolls and quips and eventually drives off into the sunset in his expensive car, with nary a mention of, I dunno, maybe a little guilty conscience? Maybe a hint of having learned a valuable lesson? The closest he gets is just suggesting that it might be time he retires from Avenging, but neither he nor anyone else lets on that there’s a need for serious self-reflection. The Tony Stark in this movie is the nightmarish male-fantasy version of the character, the playboy with the cool tech and no limits who does whatever he wants and then...literally rides off into the sunset in the end, no muss, no fuss. He’s kinda like a complete reversion to his original self, pre-Iron Man, frittering money around and designing weapons of mass destruction while convincing himself he’s bringing peace to the world one explosion at a time, but that Tony has no business here, seven years of character development down the track.

While we’re talking iffy characterisation, we should also segue into plot, and that’s something we can do easily enough by looking at our villain, Ultron. Calling Ultron an actual character feels...ambitious. He’s a CGI robot full of empty rhetoric and, you guessed it, more of those quips that this movie has in place of any meaningful dialogue. I’d call him self-fellating, but he ain’t got nothing to fellate, so instead he just blathers a lot in a manner that sounds vaguely poetically intelligent but is, upon a moment’s consideration, just vapid nonsense (much like Loki in the first Avengers, as noted above, but at least Loki had the benefit of a flesh-and-blood actor delivering his lines with conviction; James Spader does solid work as the voice of Ultron, but trying to make a CGI robot who spouts a school-kid’s attempt at edgy philosophy sound like a genuine menace is an uphill battle). Speaking of genuine menace, I assume the reason the film is called Age of Ultron is because A Couple of Days of Ultron Causing Disturbances in a Handful of Specific Locations was too much. For all the big talk (and there is..so much), Ultron doesn’t get up to all that much trouble, most notably in the sense that he apparently has his code all over the internet and yet he doesn’t bother stirring up a single ounce of chaos with that ungodly power. Why bother including this as an element of the character if it achieves zero story? Is it purely to make Ultron seem ~unstoppable~ because he keeps downloading into new robots? Because it didn’t really land, y’all. They try to play it like a big victory for the good guys when Vision burns Ultron out of the ‘net, but in context it’s meaningless because he didn’t do anything while he was there. Pretty much everything about Ultron was all talk, little to no action - even a whole bunch of the trouble he did cause happened off-screen, with Maria Hill just popping in to let us know that ‘there are reports of metal men stealing shit’. Cheers, cool. And you know, Ultron makes a song and dance about how he’s going to save the world by ‘ending the Avengers’, but then he...does not pursue that at all. He tries to make himself a pretty body, the Avengers thwart him, and then he enacts a doomsday machine to destroy all life on Earth. Like every other aspect of the character, the whole ‘end the Avengers’ schtick is just white noise, there’s no meaning in it. Ultron is just a same-old-same ‘What if Artificial Intelligence wants to WIPE US OUT?!’ cliche, and maybe that’s what he was in the comics too, I don’t know, but it’s the job of the film to tell that story in a dynamic way, and they had two and a half hours to do it. And yet.

There should be more to this than a nondescript placeholder villain concept and a series of action set pieces that just kinda happen until they stop. At least the first Avengers had some variety in each of its action sequences, using the location and the different skills and weapons of its antagonists, whereas this one is just ‘there are robots and the good guys punched and shot them until they were all broken, the end’. Even making the city fly in the end doesn’t actually make it interesting, not least because the characters spend most of their time running around the (weirdly, perfectly stable) streets not having to deal with any consequences of being up in the air anyway, and the doomsday device is too nebulous to ratchet up any real tension about figuring out how to deal with it. The conflicts with the Maximoff twins have at least some spark of life in them, but the characters themselves are treated to an over-simplified and very contrived narrative arc that uses what they do and what they know more as plot devices than as details of actual people’s lives, leading to a cheap death for Pietro so that Wanda will be distracted enough to abandon the big ol’ doomsday button, and it’s just all so convenient. There’s no heart in any of it, and it makes the moments that try to have heart all the more embarrassing and out-of-place (don’t even get me started on what a prescribed attempt at tugging the heart-strings it is to have Hawkeye name his magnificently well-timed newborn after Pietro, because DAMN). When I said I liked this movie better than the first Avengers, I meant just that: I like this better. That’s not to suggest that it is significantly better in any sense, because it isn’t, and I can’t even argue that this one has a better story, because honestly, it doesn’t. The first film made more sense, it was just less interesting to watch, and the things about it that were contrived were contrived in different ways. The first film was weaker and more irritating on character, and character is always the most important part of a story for me, so as annoyed as I am by the major character blunders in Age of Ultron, I’m still not as annoyed as I was after The Avengers. That is damning with the faintest of praise; this is just not a particularly good movie, it makes a poor use of its cast at the best of times, delivers a sub-par action extravaganza, and the script is not half as witty as it gleefully convinces itself that it is. It comes as no surprise, I’m sure, that I am very glad a certain writer/director departed the franchise after disappointing everyone with this outing. I say I like this better than the first Avengers, but gee, it’s a close call.

[aro-aizawa]

to preface: i’m not very good at being articulate or getting my point across so if this post is hard to read, that’s why. but please hear me out. 

there’s something very...insidious about how people characterise parental figures in fandoms. it’s something i notice a lot more with ones that are bigger, but for the sake of getting my point across i’ll just choose to focus mostly on the mcu and its fans, though this applies to most series with a young protagonist and mentor figure.

while it’s almost a staple for protagonists to have only one parent or guardian, it’s just as much a staple to have the protagonist have a mentor that’s 95% more likely to be male, while the single parent or guardian is female. 

for the mcu, it’s tony stark for peter parker, and his guardian is may parker. there’s something to be said for how much of tony and peter’s relationship is fanon and how much of it is canon. but the fact is that solely due to the reason of his position as mentor, people like to forget 70% of his character development.

(under the cut bc it’s getting p long)

like. i don’t know how fanon was in the mcu before spiderman was introduced to it, i only decided to delve into it a fair few months after he was added to it. but i know for a fact that tony’s characterisation has been severely warped in fanon due to this aspect. 

the thing i like the most about tony’s character is that at heart, he’s a mechanic. he regularly fucks things up so completely by being a dick, that honestly he should be widely regarded as an arrogant, self-centered, entitled asshole with very little, very obscured redeeming qualities. that’s the actual honest to god canon. 

the people who love tony in universe, are the people who accept his faults and love him regardless of them. they’re not afraid to call tony out on his shit, and only ever defend him when he doesn’t deserve it (which if you look back....is rarely ever.)

but the thing that is so good about tony’s character is that when things go to absolute shit, he realises that he needs to fix it. big time. he gets his head pulled out of his own ass and gets to work. 

he finds out that his business partner/trusted friend has been selling under the table? he shuts down production and goes out to physically put a stop to the people who’ve been supplied with them. 

he’s arrogant about the fact that other people can’t make anything similar to his suits, someone proves him wrong and because he is thinking about the big picture tony “wins” but he also loses. he stops vanko so he can be arrested but that only leads to a domino chain, leading up to the expo where tony truly sees the damages he needs to fix because he’s now solely focused on it. 

i can go on and do and in depth analysis of tony’s character and how he fucks things over in the mcu to try and to fix them to varying degrees, but that’s not what this post is about. it’s about how the fandom erases these bad parts of his character. 

he’s imperfect as a character, he does things believing that they are right when they are actually wrong. he thinks he’s fixing the problem, but most of the time he’s putting a bandaid on a burst pipe. but with how the fandom treat him, they’re justifying the need for a bandaid instead of replacing the pipe. 

they treat him as a good and correct person so that peter can look up to him. so that they can have a perfect “father/son” bond to faun over and enjoy. 

well newsflash: peter is gen z and he has the skills and perspective to recognize tony’s mistakes and flaws. he’ll know when tony is wrong, and when to call him out on it. the only thing is that in canon, peter is afraid to because iron man is the more experienced superhero and won’t listen to it. just go back and rewatch homecoming, because the fandoms perspective on the events that happen really are different to the actual events. 

i’m getting off track here. i was talking about parental figures. right. 

the dead guardian trope. 

whether the protagonist in question has one or two guardians, the thing that fandom likes to do is kill off their canon guardian so that they may transfer into the care of the mentor figure. 

while, on the surface it seems like a fun way to do a character study of the two interacting, if you look deep enough is where it gets insidious. because as previously mentioned, the guardian that is so commonly the primary caretaker of the protagonist, is female. and so so rarely is the protagonist female. 

and that’s where we get to the “dead female in my life moves the plot forwards” which is bad on its own. but then....we get.... “unimportant female character is killed so that an important male character can take her place”. which is so much worse. 

while i will say that this trope can be handled with respect and decency, almost every single time it’s just...not. 

perhaps it’s just my take, but in carrying on with the mcu focus of this post, the one thing the one thing that nails this point down is when peter starts to call tony “dad”. 

it is. without. fail. the one thing that pisses me off more than anything in this trope. because if peter who had been RAISED FOR ALMOST TEN YEARS by his aunt and uncle, did not call them “mom” or “dad”, then peter sure as fucking hell will not call tony “dad”. especially when the man has realistically only known peter for under a year and was absent for a fair chunk of it. 

look, i like fatherly tony. it’s interesting and the natural progression of his character is for him to look past his own self and help guide people younger than him. i have my own thoughts about morgan, but i won’t mention them here. but i really do like the idea of mentor tony. the fact is that fanon is so completely wrong about tony’s character that it makes me.....actively dislike it. 

by all means, write whatever you want, but please be aware about the harmful repercussions to how you handle and explore it. 

[lysieblu]

Like a river....

If you’ve read my previous posts then you know that Boys Over Flowers is a huge trigger for me. I was recently advised that there are other versions of this and I stumbled upon Meteor Garden (MG)(2018) which is the Chinese/Taiwanese take on the Boys Over Flowers (BOF) story and I am so beyond thrilled I can't contain myself. I am aware that this is the remake of an 2001 original and as soon as I can get my hands on that version I will watch and report. I am also in pursuit of the Japanese version. My review will be in comparison to the Korean version so buckle up buttercup I have SPOILERS.

Overall the series eliminated most of the elements that made BOF cringy like the excessive bullying. This is definitely a more PC version. F4 is described as a smart respectable group of boys that respects women. This attempt is part of the reason you can almost overlook the "overtly nice damsel in distress" archetype. She ends up with the asshole, but I ain't mad

Dao Ming Si: I have never in my foreign drama watching life rooted for the guy before the girl. I love what they did with this character. He has so much more depth than Goon Joon Pyo of BOF. He wasn't just an arrogant asshole. He got his shit together and changed… immediately. He made mistakes…. And FUCKING learned from them!!!! AND ADJUSTED ACCORDINGLY!!! There are grown as people in this world well into their 60s or older who still haven't figured out life like this yet. I applaud this so much. Very rarely do you see a man who has his emotional shit together. Who uses a women as inspiration to be a better person versus relying on her to raise him like she's his god damned mother. He knew that he loved her and showed it everyway he knew how. He didn't play games.

But don't get it twisted. His over all aggression and possessiveness towards Shancai is unhealthy. Wanting her no matter what the costs even if it's not for her benefit, is unhealthy thinking. It's easy to overlook these things because he seems to grow out of it. But when it comes down to real, sustainable relationships, Lei is and will always be the better, healthier choice

is hair.. Sonic the Hedgehog. I CANNOT be the only one who thought this.

Dong Shancai was disappointing to me. I didn't like the character in BOF and she especially frustrated me in MG. There was no reason for her to be so out of touch with her feelings. She was difficult just because; no past trauma or broken heart to explain it. To me, she never returned his feelings with the same intensity Si gave his. Even in the end when they got married. She hesitated towards Si even after he became a better person. It seems as if maintaining her "innocence" was more important than making her a character capable of giving and receiving all types of love. I understand that there are people who are like this in real life, but there is something about this character that doesn't seem genuine. Is it the acting? I couldn't feel the love or connect.. And I feel everything.

Her tendency to put other people before her was admirable but unreasonable. They are not children and she was treating them as such. Her interference with Xiaoyou and Ximen's business angered me. I also feel like a lot of the hardships Shancai went through was her doing. Si said he would never leave her, so why would she take on Feng by herself? It was HIS mother. He is the literal reason why this is all happening. To shut him out was stupid. This whole drama would have been solved long ago if they would have stood their ground earlier. But Shancai chose to be arduous.

I hated every kiss. It seemed forced every time.

Also, why does she pull all these fine ass men?? There is nothing interesting about her. Or at least, what was interesting fizzled in the end.

I loved how each character gained a little more depth but I am on the fence about Mei Zuo's side story. I want every character to find love.. But he doesn't so… do I care? Mei Zuo is my least favorite member of F4 and I think those scenes are what destroyed him.

Huaze Lei: Sweet baby boy. I loved him so much in this version. I just wish he would have found love. I am glad that he protected Shancai without becoming her pet. Hell, he even called her, his pet.

Lei is the realest, most grounded character in this drama. (And low-key savage.) His relationship with the others is the most genuine. He had the best lines and learned the most throughout the drama. He is literally me in male k-drama form: unbothered but totally involved. Although, I would have never let Si just hit me. I'm not a fighter but I will fight, win or lose, I don't care. You are going to understand that I am not the one.

Lei and Si's friendship is everything.

Dao Ming Feng: Mega bitch.. Light. She didn't destroy Shancai's family but was still insufferable. Turns out she was miserable and instead of accepting help, from her own family, she had to crash and burn. Her story line made me think that maybe she was a business women, not because she wanted to be, but because she had to be. She got a fresh start and I respect that.

There is nothing wrong with the way Ximen dates, Shancai!!! He was always upfront with his women. I am glad that in this version, Ximen and Xiaoyou end up together.

(Dear Cesar Wu, Why are you so fucking gorgeous??? You maintained model status the whole 49 episodes. You're killing me son!!!! Sincerely, TheThirstIsReal.com)

Dao Ming Zhuang: The best female character in this drama and everything I hope to be as a big sister to three boys.

Thomas.. Why do I love him??? He aint shit but I love him. Says something about me, right??

Random observations:

Let's talk about shameless product placement because OMG every episode had a commercial moment and while it is marketing genius, it felt dirty. I can't avoid it. It's just there and I don't know when it's coming.

The seasons never changed. It was always Chinese New Year.

Either Si had the hottest breath or there was no heat in any of the buildings they filmed in. WTF?

Production got cleared for 5 songs and played the hell out of those songs. There were moments when it made sense, moments when I wished a certain song would play and it didn't, and moments when I just wanted to flip my TV over if I heard said song again.

That being said… *Adds Bishop Briggs' "River" to playlist* Seriously, this song will be the soundtrack of my life. Whenever shit goes down, "like a river…"

I want all of F4 clothes and shoes. And that one sweater Shauncai had on with the quadratic equation on it.

There were a lot of flashbacks, mostly unnecessary.

Is it bridge or is it poker???

Compared to every other show I have every watched with the "rich douche bag boy and fierce but it eventually fades, poor girl" archetype, this is the most acceptable version. I should write an American version that is psychologically sound and satirical of these versions.. And then she ends up with Lei. That is literally two episodes of material. Ahh.. It could be a movie!