#my heart hurt for him

[livelovecaliforniadreams]

Favorite Buddie Moments Per Episode: 7x4 Buck, Bothered and Bewildered (Part 2)

[poorly-drawn-mdzs]

Happy Thistle Debut Day!

[platoapproved]

Well, you don't talk about your mother very much.

insp (x)

[sentient-forest]

#cecilsweep and Welcome to Night Vale trending #1 in 2023

[tiessunnyskies]

Moby Dick Fandom, save me. Save me Moby Dick fandom.

[weevmo]

A Pea with a side of ??? I am so wonderfully intrigued and confused by this update!! I can't wait until it all clicks -

[aenslem]

Then employ one of your own superstitions. Wish me luck.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[guqin-and-flute]

Something about the fact that these shots are all grouped together, one after another, visually giving them equal weight just gets me. The narrative knows what's going to happen between JGY and Huaisang at this point, knows how it's going to treat JGY at the end of everything. And it still takes time to show Meng Yao instinctively and immediately going in front of Huaisang and Huaisang instinctively and immediately hiding behind him. It takes the time--literally, showed it in the background and focused on it with the same general amount of time as the other shots--to show that this act of protection and trust are just as real and true as Jiang Cheng defending his sister, as Wen Qing defending her younger brother.

Like, I dunno! There are other Nie juniors there! They have swords and shit! Huaisang could have gone and hid behind the wall, but he hid behind Meng Yao! And Meng Yao could have moved back with Huaisang, but he steps directly in front of him!

There's a lot CQL did to JGY's character and narrative that I don't like and that flatten or just straight up erase his full complexity. But I really appreciate the lengths that it went to in Episode 4 to explicitly tell us that he does not hesitate to protect Huaisang, even though at this point he does not have a sword and definitely does not have anywhere near the same cultivation power (if any) as any of the rest of the people in the room.

Right now, after being publicly humiliated, unarmed and definitely outclassed, he is brave. Along with the rest of the characters, he's allowed to be uncomplicatedly young and loyal and just as innocent as any of the other students there.

[lotus-pear]

regret

[yayll]

~ a little something about the complicated way you and Dazai acknowledge each other's feelings ~

"We can't let it end like this. We simply can't."

"Dazai, what are you talking about? I'm literally just going on my lunch break."

"... I'll find a way for us to be together! Someday!"

You've been bickering back and forth with him ever since you stepped foot in the agency this morning, or more like he's been performing a whiney one sided narrative that you and your co-workers are more than familiar with. Though it's only ever directed at you. The confusing declarations of love, the lack of personal space, and then there are the days he won't even look or speak to you at all. It was emotional whiplash, but you did your best to drown out the feelings he evoked in you.

Dangerous ones you wouldn't dare indulge in, because if so, you get the feeling your heart would never recover from a man like Dazai. You grab your wallet, and push in your desk chair when he calls out to you once more in a much more serious tone, one that sounds bored.

"If you must leave, will you please pick up something on your way back for me?"

"What is it this time?"

"Bandages, I suppose"

He says that like it's an afterthought, like he couldn't care less for whatever he was asking for.

He's been asking you to go on odd little shopping trips for him for weeks now, and you being the dog you are, say yes every single time. You think about how Dazai loathes dogs. It makes you physically ill the way you feel about him. Whatever it is. You nod, and reply softly.

"Okay. Sure."

"So compliant! If I didn't know any better l'd say you're madly in love with me. Should we run off into the sunset and get married?"

You simply stare at his sardonic smile for a long while, and he stares back. It's like you're sending each other psychic waves, secret messages only you two could decode. Only you two could fathom. He stares into you with that piercing gaze of his, the one that might as well call you an idiot for ever thinking there's a real person behind his heavenly face. His eyes are pretty, they make yours feel dull in comparison. After a while, a faint half smile creeps onto your lips, trying to feign the same indifference as his. You fail, obviously.

"Mm, sounds too hopeful, even for you."

"Yikes! Right you are. Commitment. How awful.... No one wants that kind of trouble."

Dazai states cruelly, leaning back into his chair at his desk, arms crossed. He has to bite down to keep from smiling and giggling like a fool, as this is exactly what he wishes would happen.

His heart flutters for a brief moment at the visual of such a fantasy, such privilege to have you forever. He knows how badly you secretly want this too, but he doesn't plan on putting you out of your misery just yet. Shame on you to think of him as a real person who's allowed to pursue the things he wants! He continues when he sees you've gone completely silent, standing with your keys in your hand like a mannequin.

"Besides, I'm sure you've met plenty of other guys that are far more suitable for you. I mean, look at me, I used to be a criminal." He winks at you, hinting at his sketchy past. He's such a fantastic performer when he's at his worst.

"... And no one wants that kind of trouble, right?" You echo his past words back to him, once again failing to match his rejection.

"Oh you wretched little creature. Right again!"

You can't take much of this any longer, smiling politely as you simply turn around, and walk out of the agency. Your eyes sting.

Dazai just sits there, staring at the door, counting the seconds until you're back. He rests his chin on his palm, unblinking. He taps his fingers on the desk, and lets out a deep sigh. It's all he does, all he looks forward to every single day you leave.

You finally come back nearly an hour later, carrying a small bag and leftovers from your lunch. He lights up like the moon during the clearest night sky, and stands up immediately. His demeanor completely changes as he flashes you a delighted grin, rushing to you.

"You're back~"

"Yeah, here are your bandages."

"My what?"

"The bandages you asked for..?"

His eyes widen for a moment, and then he chuckles, shaking his head. He flicks his own forehead.

"Of course! Thank you. Now, may I have the receipt as well?"

He looks excited, his open palm cupped in front of you, as if you were giving him a treat. You raise a brow and shrug, handing him the crumpled piece of paper. You don't even question it anymore. He frowns. You think he looks like a disgruntled little kid.

"Ugh. You wrinkled it."

"What? Why does it matter?"

"Well I obviously wanted to keep it, silly goose."

You try to make sense of what he could possibly mean, and you decide it's not worth getting into. You can't afford the heartache nor the brain cells.

"That's the weirdest thing you've ever asked me."

"Not true. I've never asked you for a kiss~"

You almost drop to the floor with the way his eyes darken, despite his tone being the complete opposite. You stare at him yet again for what feels like ages, your heart set ablaze, with Dazai being the pyromaniac who won't let your embers die out of his own amusement. Your voice comes out low, meek.

"Well I'm clearly not the person you dream of, so no."

You could swear his awful smirk falls off just a tiny bit, but any evidence of that is gone in a blink of an eye. His voice comes out soft and laced with a hint of honeyed bitterness.

"And if you weren't, l'd dream of you anyway."

He mutters under his breath as he looks out the window, as if you weren't supposed to hear that. the sun is slowly setting and the moon will illuminate soon after. He wishes he could see what you look like at night.

You roll your eyes because if you don't, you'll bury your face in his chest and sob. Oh, he's the worst. You put on your best cynical voice followed by a scoff.

"That's lovely, Dazai."

"You look lovely." He states simply, still looking at the way the moon ghosts in the sky.

"... Thank you."

"It's my pleasure." He murmurs, solemnly. In that moment, you don't catch it, but he's telling you he loves you too.

And just like that, you slowly walk past him and sit at your desk. You might have a stroke, but you still have reports to finish.

Dazai quietly does the same, sitting down and opening a drawer, and then a secret compartment within it. He glances at you for a moment, the corners of his eyes crinkling as he flashes you an exaggerated smile when you catch him looking, then turns his attention back down, the smile dropping.

He places the wrinkled receipt into a larger stack of countless other receipts, all from past errands you've run for him lately. He smoothes it carefully, for it is a priceless sentiment amongst his collection of the things you so graciously give him. It's pathetic, but it's like holding your hand. It's like kissing you. It's like true love.

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

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[kazanskyy]

iceman + his concern for maverick post-hop 31

[hell-lazy-psychology]

it’s unfair.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[arthursfuckinghat]

"I was gonna say you're like a son to me.. but you're more than that."

"It ain't that complicated!"

How quickly that shoulder pat of comfort turned into a condescending one.