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jesuistrestriste · 4 days

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Sage hear me out...

Divorced dilf art who calls his younger gf mommy

art stays cooped up in the house all day—everyday—when you’re out at your hot new job.

he thinks about all the guys your age who probably ogle you and try to make passes at you, not knowing that you’ve got a man pushing 40 waiting at home for you with dinner and a pair of warm, strong open arms.

sigh.

when you do get home, he’s there to greet you (as always). he walks over and holds you close; kissing your cheek, and then your lips and your neck. each one soft and sweet and attempting to wipe your mind of any flirtation from younger men that you may or may not have endured throughout the afternoon.

“hi,” he whispers, and you slide your fingertips down his lower back, making him tremble like a wet kitten.

“hey, baby,” you hum in return. you’re shorter than him, and so when he leans his weight into you his forehead naturally falls into your shoulder. he smells like warmth and outdated cologne and need.

he mouths at your neck in the next moment, his hands sliding to lovingly cup your waist, “i missed you so much.. can i have you now?” he breathes out, his voice shaking and pleading. you feel something thick and warm press into your hip from inside his sweatpants.

and you chuckle and shake your head. he bites his bottom lip to stifle a petulant whimper.

“i missed you too,” you nip at his ear, “but i need you to use your manners if you want something from me.”

he stiffens for a moment before he stumbles forward a bit, taking you with him and gently pushing your back up against the door. “i’m sorry.”

the apology spills from his lips with an earnest desire to make his obedience known. he’d never want to disappoint you. you’re all he has these days.

“can i… can i please have you now?”

a breath. a shake of your head. a rock of his hips against your body followed by a sorrowful, begging moan.

“no?” he shifts against you, his body aching for yours.

“you’re forgetting something, Art.”

it only takes a moment for him to process your words before he’s mumbling a slurry of “i’m so sorry”s into your neck. but apologies only go so far, don’t they? he needs to correct his behavior. he needs to show you that he knows what you want from him.

“please…” he whispers, “please, mommy..”

the honorific rolls off his tongue like honey, heavy and sweet. it hangs in the air between you two and then you let out a low chuckle, “much better.”

“mommy,” he breathes out again, his erection involuntarily pulsing against your body through his clothes, “mommy, mommy, mommy—ngh“

his tone grows more desperate with each mumbling of the word; higher in pitch and more urgent. your hands move up to stroke his short blonde hair, and then you whisper into his ear.

“what do you want?”

god, what doesn’t he want? he wants your hand down his pants, your perfect cunt wrapped around his unworthy cock, your mouth, your lips, your tits. everything.

but he knows you. he knows that this is a trick question. you’re phrasing it like you’re going to give him something, a treat—a reward, but it’s a bit of a trap.

there’s a right and a wrong answer here. pick the wrong one, and he’s in for a night of painful orgasm denial (coupled with a ruined one to end the evening).

but luckily, art is smart. he knows what you want to hear.

“i.. i wanna eat mommy out.”

you pull back gently from him; and judging by the look that spreads over your face when he says that, he picked the right response.

you smile, and then your hands slide from his hair to his shoulders. in an instant, art finds himself being pushed down to the floor in front of you. he can’t help but scoot forward and shove his boner against your ankle, rutting himself into your soft skin as he dribbles precome in his briefs.

you lean back against the door, hiking up your skirt, before you’re looking down to him expectantly.

“don’t make me do all the work, baby,” you practically purr.

art’s hands scramble up your thighs to your panties, which he peels off of your sticky core with wide eyes, letting the thin fabric garment fall to pool at your heels. you giggle.

you kick them off to the side, feeling your boyfriend’s hands clutched around your legs. you sling a leg over his left shoulder, spreading your folds for him to see, and he wastes no time in parting his lips and engulfing your heat with his mouth.

you groan, letting your head loll back, and you move your fingers wander to the back of his hair once more to push his face further against you. you grind on his eager tongue, feeling him flick it over your clit as he whimpers and suckles. what a slut.

his baby blues look up to you with weighted lids, lapping at your cunt like it’s something he’s been starved of for years. his pupils dilate intensely as he stares up at you like you’re a god; something holy and unreal. and when you shake over his mouth’s ministrations, getting close, he lets out a long, drawn-out whine into your core.

he’s murmuring something that sends vibrations up your spine from the coil deep in your gut. it’s hard to make anything out when he’s drowning in you and loving it, but you can decipher bits and pieces.

“please, mommy”

“come in my mouth, mommy”

“give it all to me, mommy”

“i can take it, mommy”

you’re everything he’s ever dreamt about. you bend his perception of time and space and reason and logic. how could a sweet, beautiful, young thing like you ever want a washed-up, older athlete like him?

he prays that you don’t only like him for his money, and then he closes his eyes and mouths at your sensitive bud. he drools all over it like a sick dog, his brows pinching up as he moans out incoherent pleas for you to finish.

and holy fuck, you come hard.

a strangled cry jolts out of you as your back arches, mixing with a helpless sob from art, and then you absolutely soak his tongue with your juices. it gushes all over his face and he swallows as fast as he can; hell, he nearly chokes on it.

“ffffuck! art! oh my god, good boy, good boy, such a good boy!”

you rock over him until your orgasm recedes, and you pull his head back from you shakily by your tender hold on his hair. strings of your slick cling to the lower half of his face and the tip of his nose; a lewd squelch echoing out as he’s forcefully disconnected from your body. a dazed smile graces your lips and you peer down to watch as art’s hips shake against the hardwood floor and a dark stain appears at the front of his sweats. it’s a pathetic sight, really.

but you watch him moan softly and keep his gaze trained on you as he wipes his chin messily with the back of his hand.

“was i good?” he whispers, like he’ll cry if you say no.

he needs to hear you say it when he’s not lost in the throes of your climax.

your chest is still heaving while you try to slow your labored breaths, but you lean down anyways and meet his lips with yours. you taste yourself on his tongue. he shudders and winces.

you pull back, your bottom lip brushing his.

“so good, baby..”

art kisses the corner of your mouth softly, just once. he’s melting into you.

he loves you. but he swallows that down for now. he opts to murmur out something that’ll sum up everything he feels in a more palatable manner. something that makes him seem less desperate to keep you all to himself for as long as you can tolerate him.

something that he’s earnestly dying to say.

something that he knows you deserve to hear.

“thank you.”

#🌸 - ask prompts #💌 - mutuals #WHOOAA i wrote too much #but angelll ???#ooh my god i’m srry this is late by a couple days but good god i’m eating it up #i love the concept of domming older men #like yea fuck u i own u old man ! now open ur wallet and gimme 20 bucks !#(and then the old man in question is like only 40)#art donaldson smut #art donaldson x reader #art donaldson fic

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starry-bi-sky · 6 months

Text

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well:

He’s adopted.

He can’t remember anything else before that.

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.

It is a fast dream.

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods.

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)

—---

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom.

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul au #amnesiac danyal al ghul au #songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart #musician danny has my heart and soul #yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks #implied good mom talia al ghul #danyal is a momma's boy send tweet #dpxdc ficlet #dpxdc prompts #dp x dc au #dp x dc fanfic #danyal is sTILL five years older than damian in this au #no beta no edits we die like danny fenton #poc danny fentons #i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense #ugh im gonna have forgotten to include things and im gonna be kicking myself later #morally ambiguous danny whoo! we love to see it #since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous #phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe #not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him

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