#need to write more of them

[mariatesstruther]

maria having a habit of rubbing her forehead and temples or the bridge of her nose when she gets stressed like joel

baby miller notcies and eventually whenever they see momma is tressed starts going “ill wub for u mama :)” and rubs her face with their lil hands

it bever fails to make maria and tommy smile

[tophsazulas]

moodboard: bonnie & rebekah

[decimatlas]

Any of my SNK fam want a starter from Brock or Josie Emerson? (Eden's older brother & younger sister) Specify down below who you're interested in ◡̈

[erabu-san]

I enjoyed every second of this quest

[This art has platonic intention. Thank you for not tag ship!]

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[mitathemita]

the shining sun!! ☀️

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[clairenatural]

okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel

[vixenfoxpup]

I need more dca fics to read, not just because they're all so cool and special and unique-

I want to collect their y/n's in my pocket, and bring back the y/nverse. All of them in a lil pocket dimension (the dca stay in their respective stories, this place is reserved for the self inserts and side characters/family to interact. The boys can have their own pocket dimension)

The y/ns live on the same street or apartment complex, being bunched into groups that are roomies

For example. Bamsara's Solar Lunacy y/n, Paper-Lilypie's CCRT y/n, and bones-of-a-rabbit's staffbot y/n. SB is there so CCRT can perform routine maintenance, plus CCRT can be a but messy, plus they could help clean up after ccrt's kids. SL is where, you may ask? Their room has been vacant for some time, but CCRT and SB keep it clean and regularly dusted, out of respect. They don't know if or when their friend will return, but they'll be welcome at any time.

Naffeclipse's y/ns share a suite, probably.

spadillelicious's LDR y/n could stay with saltciphblr's lovebug au y/n

Again, I need to read more to get a better feel of the different wonderful y/n's

This probably won't be uploaded, maybe someday, but this is mostly self indulgence that my brain has been blasting on repeat all day

Into the y/nverse, I raise you from the depths

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[sinfulwrites]

Their Favorite Sex Positions

Hello hello~ I was scrolling my dash and came across @missjellyhead and her post on the same topic and wanted to write my own with my faves... Give their post some love! I messaged them for permission, but I'm not sure if they're active lately....

I'm trying to get back into the groove of writing again. Please accept this small drabble!

Enjoy!

NSFW warning.

Michael Myers: Michael is prone to having sex wherever he is. Why waste time going to the bedroom when he could fuck you now against the wall? Michael can hold you up effortlessly, so if your legs are getting tired, he will simply scoop up your legs and continue fucking you. If a table is nearby, Michael will bend you over it and fuck you from behind. If there’s anything on those tables, they will be rocked off by the strength of his hips. If you are in bed, though, he is still inclined to fuck you from behind. He feels more comfortable taking his mask off and biting on your shoulders when you can’t see his face.

Jason Voorhees: Sex is a sacred thing to Jason. His beliefs are rather traditional, and as such, his preference is missionary. In the bed, in a dark room where he can be comfortable taking his mask off and lavishing you with kisses. Jason is not opposed to other positions, but his go-to will always be missionary. In his mind, doggy style is the dirtiest.

Thomas Hewitt: Thomas was raised in a traditional home. He was taught that sex was purely for making a baby, and it would be done in missionary under the blankets. Meeting you and starting a sexual relationship had changed his views on the matter, but he is still inclined to fuck you in missionary. He loves the closeness, seeing the faces you made in response to what he did to you, and of course being able to kiss you. In the early mornings before his work, Thomas liked to pull you close against him and have some slow morning sex. Spooning you allows him to keep you even closer than missionary can, and allows him to have a shameless grab at your chest. There has also been more than one occasion of you two being outside the home getting in a quickie in Thomas’s lap. Riding him is a treat to him, as he has an obligation to himself to make you feel good. Knowing you want him to feel good gets him all emotional afterwards. Expect a tight hug and tons of kisses.

Asa Emory: When Asa fucks, he fucks hard. If the bed isn’t slamming into the wall, he’s not doing it right. Doggy style gives him the freedom to pound into you without your hips and thighs restricting him. His preference for anal also makes it even more appealing. Doing it from behind also gives him the freedom to slap your ass and yank your hair back to whisper in your ear about how much of a slut you are. Watching your face as he fucks you is also ideal, however, so if he fucks you from the front he shoves your knees into your chest to give himself complete access to slam his hips into you. He will use rope to tie your legs where he wants them so he can leave his hands free to choke you as his cock knocks the wind out of you. We would be here all day if we brought up all his bonds and sex chairs…

Jesse Cromeans: Jesse loves to see the faces you make as his cock slides in and out of you. He especially loves to make you see yourself with his mask. Spreading your legs and fucking you on your back is a safe position for him, but it is far from the only way he enjoys you. His favorite is fucking you in front of his giant mirrors. Jesse will bend you over on your hands and knees and fuck you from behind so he can pull your hair and make you watch in the mirror as his hips slam against your ass. He shamelessly enjoys being ridden and will happily prop himself up on his pillows and let you ride away. He loves to film you riding his cock, and he will definitely have you watch the tape with him later. Other days, he will have you ride in reverse to watch it in his mirrors. In the back of his car, he loves to make you ride him until the car is rocking. 

[frownyalfred]

you know what one of my favorite tropes is? forced identity reveal. and not just scenes where the villain will throw some poor civilian off a building if the Justice League doesn't stand up. I mean the kind where they're forced, through magic or powers or some sort of force, to reveal themselves.

Kryptonians are immediately identified in the crowd with kryptonite. Every Lantern hisses as their rings start to flare at the same time, glowing wildly on their hands. Glamours are forcibly dropped. Like that.

[lordcarlisle]

🏏

My Harry & Lee brainrot has well and truly set in...

[erabu-san]

I enjoyed every second of this quest This art has platonic intention, please don't tag ship

[fumifooms]

Hien & Benichidori compilation

Okay so I put a & but this absolutely a shippy post, the hienichidori community is quiet af and there is no discourse but their comics in their Adventurer’s Bible profiles…!!! Many may ask, does Benichidori canonically have a crush on Hien?! Straightforward answer: It’s left heavily implied but yes. Alternate answer: If the framing of Falin in an explosion as Toshiro says that he loves her isn’t meant to associate the explosion with falling in love when it is mirrored in the next page, then… I think it’s a mix of both, I don’t think just this is true because Hien wouldn’t know who Shuro is talking about or even what Falin looks like, but it could be that the explosion is instead meant to show a world vision being shaken, the thing blowing you away. So for Hien, having Shuro say that breaks this unsaid assumption she’s always had that they might end up together, and thus Falin is taken like an explosion to the face. Similarly, for someone with facial dysmorphia and for who appearances and being subservient are everything, having Hien be confident and totally assume her plain looks, even uplifting herself, that also shakes her world like a bomb. And yes it’s not just about the makeup!! Benichidori’s drawn to her confidence, to her unapologetic attitude, to her attitude. Benichidori unexpectedly snapped at Hien too, but she was totally unshaken and she replied casually and lightheartedly even then; Benichidori saying she can be herself with Hien is about Hien not caring about her mask, both her makeup and her subdued demeanor. Hien is canonically special to Benichidori.

And on the note of that comic, I took a picture from my Adventurer’s Bible for this but I think the fantranslations I’ve seen are lovely too, really gets across all the meaning of the original sentence… Where Benichidori said "She was the only one I could be my unadorned self in front of" (which is my fave) or "I’m able to act my honest self with her". Benichidori having body(more specifically facial) dysmorphia is explicitly stated in the Adventurer’s Bible btw.

Pleasee how Hien’s extra is her talking about her life story and Toshiro to Benichidori… How Hien says "That guy is blind!" and Benichidori says "I’ve noticed that 😊" as if saying that Toshiro is blind to what a catch Hien is… Also in the ninja girls’ shared inn room Benichidori puts her futon next to Hien’s bed.

[dyrewrites]

"This character is insignificant to the story, but literally helps drive the plot, so he should have a little more development."

Brain: turns character into an absolute lunatic that is a blast to write and creates more scenes just for them.

I am never going to finish this book.