#no because i am. obsessed.

[sylvieeee5]

my overwhelming desire to make animatics of like, half the songs in goosebumps the musical vs. the knowledge that i haven’t even completed the concept sketches for my webcomic. fight

[indigo6f00ff]

need to share an experience i had 30 minutes ago

(edit: thanks to @walks-the-ages for providing and reminding me to put alt text, sorry it slips my mind alot lol)

[ohno-wallace]

you can’t look me in the eyes and tell me they didn’t say this.

[autisticrosewilson]

While we're on the topic of De-aging AU's I wanna talk about Jason and Damian if Jason was 14 again real quick.

Do you guys think that Damian looks at this version of Jason, so different from the version he knows, nothing like the person he was told Jason was, and feels uncomfortably seen?

Damian was always told that Jason died because he was reckless, because he disobeyed orders, he was fired as Robin and he got himself killed. A cautionary tale, not a threat to his position. He dismisses Jason because Bruce does, because Dick does, because sometimes even Babs and Alfred do.

That's not the kid that he's looking at now. This Jason is happy, and smart, and full of love that has not yet soured into grief. He hangs on Bruce's every word, trains until his hands bleed and his body gives out to perfect the moves Bruce teaches him. He looks at Bruce with stars in his eyes and he calls him dad.

And Damian can't help but think, that this is the perfect Robin. The perfect son. And if Jason - sweet, loving, strong, Jason - can be fired, can die and have his room locked away and his pictures torn down, can have his last memory as Robin be as A Good Soldier, how could the rest of them ever compete? What could Damian do to stand a chance?

Jason will never grow out of the shadow of Robin, like the rest of them did. As long as Bruce, and Dick, and Babs, and Alfred look at him and see a dead kid who came back wrong, he will never get to be anything else. He will not get to be looked at through who he is now without the shadow of a dead boy looming over him.

And the worst part? Jason is exactly the same person he was back then. Bitter, sure, angry, justifiably, but he is still the boy with too much love in his heart and righteous fury festering in his gut. He is exactly the same boy who threw himself in front of an explosion to save his mother.

(The lines between the mother that betrayed him and the father that disgraced him are so very blurred. Fire or blade or crowbars or fists it does not matter. It ends the same way it always does because Jason Todd always dies, in every universe, in every timeline, Jason dies and crawls out only to be killed again and again and again.)

[ryllen]

I was just THINKING OF HOW ANNOYING Sebek is, H O N E S T .

[lordzuuko]

Dream doesn’t wait 100 years anymore to visit Hob when he could just do it every night in his dreams, or sometimes at the New Inn and every time is always a surprise to the immortal which amuses the Dream Lord immensely. I’m obsessed with them help lol  Print

[haedraulics]

the most iconic "they don't know they're about to fundamentally change each other's lives" moment in yaoi history

young holmes/watson designs partly inspired by @contact-guy's incredible comic adaptation of canon which i am obsessed with!!

[stedebonnets]

Stede Bonnet + his fancy 'cursed' red suit

[pherredraws]

first meetings

[extrashortshorts]

Last spring:

a YEAR AGO, can you believe it?

[nextstopparis]

obsessed with the scene in 5.02 where they’re crawling up that sewer or whatever thing. merlin is fighting for his life gagging every 3 seconds and arthurs just laughing at him

LIKE??????

[thecooler]

TLT girlies are so spoiled for fanart. Most books don't have a tenth this much art, which is to say nothing of the QUALITY of so much of it. People are putting their whole pussy into it etc.

Sometimes I'll read a book and love it and there will be like 3 posts total about it. This time I feel like a nobleman draped across a chaise lounge being fed fresh crisp grapes. And the grapes are beautiful paintings of space dykes

[eskildit]

i think about this exchange i swear almost every day. thats misogyny baby!!!

[nomazee]

“This is unnecessary.”

At Blade’s snide comment, you pull sharply at the strands of his hair in your hands. He grunts in displeasure before obediently quieting down, only a little scared of you scalping him if he annoys you any further. 

Perched behind him on the couch while he sits on the floor, your hands find themselves coming through his hair (long, smooth, untangled despite the fact that you’ve never seen him take a brush to it). Your efforts to part his hair with just your fingers are fruitless. His hair is thick on the top, so much so that you’re surprised his neck doesn’t constantly ache with the weight of it. Your hands pause, resting on the top of his head while you try and figure out how you’ll style it. 

“Be nice,” you warn, two hands on the sides of his head tilting it from side to side, treating him as a foam mannequin on which you can project your very thorough cosmetology skills. “Your fate is quite literally in my hands. I could knock you out and shave you bald very easily.”

“I don’t doubt that,” he says earnestly, and you can’t help the way your lips twinge into a smile. “This is clearly a hassle. My hair looks fine the way it is.”

“It does,” you admit, “but wouldn’t it be nice to try something new? And at no cost to you, aside from mild scalp pain. I’m good at hair. I did Kafka’s that one time.” You fail to mention that it was only one time for good reason. Kafka said that you handle hair the same way a lobster would handle a violin—that is, with clumsy hands and a clear lack of refinement. She had to hide every pair of scissors from you in fear that you'd give Silver Wolf microbangs.

As if on cue, your fingers get caught in an unexpected snag in Blade’s hair, and you pull and tug and yank as if expecting it to untangle on its own. Blade hisses and reaches a hand back to smack you on the wrist, turning around to glare at you. 

“Watch it,” he orders, gentle but firm. There’s not enough heat in his words to scare you, and his eyes are a particularly beautiful shade of copper in the dim, flickering light of this dingy lounge room. Whatever you say, beautiful, you think to yourself hysterically. 

After a few half-willed apologies from you and some nudges of encouragement, Blade finally relaxes enough to turn back around and tilt his head back in your lap, letting your fingers play with his hair nonsensically. A braid, you decide, would look quite nice on him. One long one down the back. If you had ribbon, you’d use some to tie his hair, but all you have is one of Kafka’s tragically thin hair ties. 

“It’s a nice color,” you comment absentmindedly, pretending that you can’t see the way Blade’s eyes have shut in contentment at your gentle prodding. “It changes in the light a little bit. It looks very blue now, but I’ve always thought it was black.” You section his hair off into three pieces, loosely laying one over the other over and over again. The aged gold ornament still hangs securely in his hair, and you don’t do anything to move it. It suits him. 

“It’s natural, if that’s what you’re getting at,” he tells you, the slightest twinge of a joke in his voice. It plays at your smile and at your heart, too. 

“You say that now, but you’ll be scrambling to come up with a lie when I find box dye in your bag.” 

He only hums in response, reluctantly enjoying the feeling of your hands on him—they’re gentle, and you can imagine he’s not quite used to this. It’s an addictive feeling, to have him at your mercy, even with just your hands in his hair. There’s trust, unspoken, lingering warmly in the air and settling like condensation on your skin. You could very easily do a number of things that would hurt Blade—kill him, almost. You’ve only ever thought of it a few times, and those were all a very long time ago. 

You don’t think of it that often anymore. All you’re paying attention to is Blade and the splitting ends of his hair and how nice he’d look with a red ribbon tied in. 

“We should go shopping,” you tell him, voice close to a whisper now. You’ve secured the end of his braid already, and your handiwork is admirable. The strands are neatly crossed over each other, uniform in size with each other as they taper down into the end. “Some clips for you would be nice.” Absentmindedly, you comb through the layers of hair near his face, digging your fingers gently into the sides of his face and scratching at his scalp. 

“And where exactly would we go shopping? We’re not exactly upstanding members of society in some people’s eyes.” 

“Then I’ll make clips for you,” you say, a naive kind of dedication in your tone. “I used to work with metal, a little bit. I could make jewelry. Ornaments for your hair. I’ll put a ribbon in next time.” 

“What makes you think there’ll be a next time?” Blade asks doubtfully, in steep contrast with the way he lets your hands roam along his scalp, and the way his head leans back into you as if he’s comfortable. 

“You’re a loyal customer,” you quip, “you’d never let somebody else do your hair when you have me as a dedicated stylist.” 

“I’m your only customer.” 

“I know,” and in a moment of weakness—because at the end of the day that’s what you are, weak, malleable and moveable when you’re with Blade like this—you lean down just a little bit, pressing a stupid clumsy kiss on the crown of his head. Your fingers trail down to trace the bumps of the braid, the divots and grooves in it, made by your hands, and yours alone. “That just means I can put all my effort towards you alone.” 

“You shouldn’t.” And he means it when he says that, and it hurts you, puts a sickly pang in your chest that you want to reach for and tear out before it grows into something worse. 

“But I will,” you tell him. Blade is stubborn, but not stubborn enough to keep it up. Not now, not here, not when the overhead lights are flickering and making his hair look just a little bluer, illuminating the warmer ends of his hair, glinting off the metal ornament still clipped into it. He rests between your hands, still sitting on the cold floor, pretending that he isn’t falling asleep with you like the fool he secretly is.

—°+..｡*ﾟ｡*ﾟ+.*.｡.—

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[evgar]

gunslinger abigail + john and sadie being obsessed with her

[stagefoureddiediaz]

Can we just talk about the choice to use calla lilies in this scene please!!!

They are a symbol of love and commitment and red ones specifically mean ‘I am yours’ and courage, boldness and determination. In Roman mythology the calla lily was a symbol of sexuality because of its phallic appearance and the Victorian’s associate the calla lily with magnificence!