#no i will not type the word out

[sapphothetic]

david foster wallace, susannah irene, anne carson

[bonefall]

Anyway. Bi and Mspec Lesbians aren't a hotly "debated" topic or even new to queer culture, it's just the newest thing that bullies who REALLY want to be homophobic and even racist use to justify harassing gay people they don't like.

It's the thinnest possible veneer of progressive language wrapped around TERF and reactionary rhetoric so that they can feel righteous for forming an angry mob against vulnerable targets. If you're gullible enough to fall for the newest wave of bigotry within the queer community, and turn on your allies because they're "confusing" or "invading your spaces," the SAME way they turned on bi/pan labels, trans people, xenogenders, neopronouns, and aroace people before this, then get lost.

[zephyrchama]

Demon brothers who will go out of their comfort zone for you. Lucifer, who stands higher and prouder than anyone, kneeling to tie your shoe. To be on your level. You could have easily tied it yourself, but you didn't even have to ask. He only does these gestures for you.

Mammon, greedy to save up every last grimm he can, giving you money to buy the silly trinket you wanted. Your enjoyment is worth more to him than anything in his wallet.

Leviathan, who'd do anything to hide himself away and disconnect from other people, following you anywhere you want to go. He'll brave crowds, embarrassment, and the worst anxiety to be by your side.

Satan, on a never-ending quest for information and respect, teaching you anything. He'll share his knowledge only for you, telling you everything you want to know and finding the answer to all your questions.

Asmodeus, always perfect and pristine in every way, showing you his vulnerable side. The side no one else knows of. His tears and insecurities are visages reserved only for you.

Beelzebub, gluttonous for immediate satisfaction, holding himself back for your sake. Waiting to eat because he knows you'll be cooking for him. Waiting to savor it. Waiting so he can share with you and make your day just a little brighter.

Belphegor, a sloth with little intrinsic motivation, pushing himself for your sake. Staying up later and later to stay around you. Not just in a dream, but the real you. Doing better in school so that you and your praise can be his reward.

[vanwizard]

okay i will admit i enjoyed these three in the like. one scene they were actually all on screen together.

sofia voice shut up and get the fuck out goncharov, i’m gonna fuck your wife now.

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[markscherz]

tumblrs being transphobic, with the ceo himself starting an actual harassment campaign against a transfem & also banning transfems who post abt it.

Oh shit, I had not heard about that.

I would like to say I don’t understand why this shit keeps happening, but I actually do understand it way too well. It just makes me so sad and angry. Especially on a site where people find and make their communities.

So much of this is about ego, and the people with power wielding that power to protect themselves and failing to protect others with it. A mere hint of negative sentiment towards them is harassment that is dealt with immediately and harshly, but a dozen complaints about discrimination or threats or bullying take ages to process and frequently come to unsatisfactory moderation decisions.

Whatever the sentiments of the people running this hellsite, you are always welcome in my corner of the internet, wherever you find it. You are all wonderful, and we all deserve to feel that part of this space belongs to us and those to whom we can connect.

Transphobia has no place on tumblr, period. Or anywhere else in society for that matter. It is that which should be being rooted out.

[iwoulddieforienzo]

Something I really appreciate about TOA that I don’t see get talked about much is that I never get the sense that Apollo finds Lester ugly.

For all that he complains about the body he’s stuck in, I never got the feeling that it came from a distaste for Lester himself. When he sees Lester’s traits reflected in others, like Meg being chunky, he is completely unaffected by it. Finds it charming, even. (In fact, the only times I can remember him having Opinions about how someone looks is when they’ve chosen something about their appearance that he either approves or disapproves of, like a tacky jacket/hair cut or when he finds someone attractive. The only time I can remember him calling anybody ugly was when he pointed out that Dionysus was choosing to look as ugly as possible to piss of Zeus, which is a statement of fact and doesn’t necessarily mean he thinks that Dionysus’ form is actually ugly. He makes no mention of finding it so before or after that line. It’s a statement of fact that Dionysus is choosing a form that either he or Zeus finds ugly to piss of their dad.)

The thing about Lester is that he is so devastatingly mortal. He has flab and acne and no upper body strength and his voice squeaks when he’s nervous and he sweats a lot and he has a silly name and messy, curly hair that’s impossible to tame. He is the Most Teenager To Ever. There is no godly blood running through his veins, no powers he can call upon. If Apollo were to run into him in the street, I don’t think he’d pay him much mind. He’d probably just think, “sweet kid”, and move on. If he got to know him, I think Apollo would adore him because that’s just who rrverse!Apollo is. He loves mortals despite himself, flaws and all. He’d argue against anything bad Lester had to say about his own appearance and mean every word.

The problem is that it’s Apollo in this body. Apollo, The Golden Child, the perfect son, a God. His distaste for this body is because Lester is so devastatingly mortal and imperfect. Apollo has to be perfect, he has to be shiny and pretty and strong because he has nothing else to offer otherwise.

And.. I dunno, there’s something about Apollo hating the things that draw him to others when it’s him. The flaws that he tears apart in himself he finds endlessly charming on others, or he thinks that they have better reasons for why they have them, or he thinks they have enough positive traits to counteract them. The positive things that he hides deep enough that even the reader can’t see right away, like his kindness and genuine desire to understand and connect with everyone around him, that he’s shocked to find directed at him in turn.

That Apollo accepting himself and reclaiming his personhood leads to him being comfortable with being Lester, imperfect and mortal as he is. That he takes that imperfection back with him to Olympus… I dunno man I’m Emotional. Also it’s just plain nice that Lester is never treated as ugly for looking like a normal ass teenager, even by the guy stuck in this body. That’s neat.

Or maybe I’m just rambling and this means nothing at all and I’m reading too far into Blorbo from my books.

[shadebloopnik]

Unrequited/One-sided Radioapple but it isn't treated like an angsty end of the world thing.

Imagine they slowly get closer after all the banters, and eventually becoming close friends. Lucifer ends up catching feelings for him, and after a long while, decides to confess and ask Alastor if he felt the same.

Alastor admittedly does not feel the same.

He's getting uncomfortable, struggling to keep his composure because he's DONE this before. He KNOWS how this ends. He remembers Vox and all his insistent declarations of affection and desperate pleas for Alastor to reciprocate; the possessive entitlement. He remembers how all those sickly sweet words morphed into something venomous when he didn't give the lowlife what he wanted. He remembers the anger, the ridiculous notion that it was Alastor's fault why he was so mad, that Alastor led him on and that he obviously deserved something in payment for it all-

So yes, Alastor knows how this ends.

It doesn't mean he isn't disappointed though, because he actually LIKES Lucifer, far more than he ever did Vox. Perhaps not in the way the king might have wanted, but he did. He treasured their little talks, their drinking sessions, their shared love for their instruments, Lucifers singing, their little duets, the banter, the playful jabs, the sparring.

He'd even slowly grown accustomed to the other's touches, not feeling the same surge of disgust and discomfort whenever the shorter man would grab at his arm in excitement, forgetting his usual thoughtfulness of Alastor's touch aversion for the short moment of whatever distracted him. Alastor even enjoyed it at times, relaxing at the feel of soft feathers beneath his claws, or the sensation of gentle scratches against his ears.

Difficult as it was to admit, Alastor had grown to care for the angel, the same way he had for Rosie orv Mimzy.

But no matter how fond Alastor was of Lucifer, it didn't change the fact that he didn't feel the same way romantically, or even sexually. No way in the 7 rings of Hell was he going to lie to Lucifer about either, not going to even entertain the idea of pretending he reciprocated for Lucifer's sake. He respected his friend too much for that.

So a clear, direct rejection it is. It was a shame, but nothing could be done. He said his piece concisely, and waited, shoulders set, back straight, smile and eyes a careful blank canvas as he prepared for the inevitable.

Lucifer nodded, a normal soft smile still in place, "Thank you for your answer, it means a lot."

Which......what? Alastor expected an outburst, or at the very least sharp words.

What he did NOT expect was....acceptance? And not just that but, a happy one? Contentment?????

"You're....alright with that?", he had to ask, he had to. Lucifer was clearly just very good at masking his upset.

But the damn angel just smiled?? And it didn't even look fake, just as bright and soft as his normal smiles, albeit a little confused?? Lucifer smiled at him, his brows furrowing in a bit of confused disbelief, as though Alastor is being the weird one here.

"Uhh, yeah??? Why wouldn't I be??? Yeah I may have some feelings for you but its not like you're obligated to feel the same. Above anything else, we're friends first and foremost and i'm alright with that..."

Then he seemed to have reached his own little conclusion as his words trailed off, because suddenly Lucifer's eyes widened in realization of something, and his words picking up with a sense of panicked urgency.

Alastor would really like to know what Lucifer's supposed realization was about himself because he had absolutely no clue.

"I mean, we ARE still friends right?? I don't- I- I hope this doesn't like- change your opinion of me. You're not- oh gosh I'm not making you uncomfortable am I? I- I won't mention it! You can even forget this whole confession ever happened! We can just go on as before! I don't feel any different or would act any different! Honest! I mean, I don't regret confessing because you deserve to know and I'm not ashamed of my feelings, but I don't want you to be uncomfortable! It doesn't change the way i'll treat you! Or change any aspect of our relationship! I don't even think I like you more as a lover than as a friend! I really, really do love our friendship, it matters more to me than any thoughts of being in a romantic relationship with you! So please just forget it all-"

Alastor let the word vomit wash over him, every word leaving him more confused by the minute.

Because yes, there's the desperation he expected, but...it was more about, convincing Alastor to remain friends?? Reassuring Alastor that nothing has to change?? That their friendship is the most important thing here??

(If anyone asks, no Alastor's heart didn't swell. Only lesser beings would have had the urge to cry, and Alastor is anything but.)

Lucifer is unknowingly reassuring Alastor of every single one of his insecurities about the situation. Because Alastor DID want to remain friends, he cared too much about the man to let it go so easily. It was rare to find people who treasure friendships above romantic relationships.

"I don't tend to forget easily, nor will I forget this one in particular.", he spoke, finally finding his voice. At Lucifer's defeated, pained expression( is their friendship really that important to him?), he continued. "But....yes. I'd like that.. To remain...friends."

He didn't often say the word out loud, being comfortable enough with each other that it need not be reassured with the label. But with Lucifer brightening up like his namesake, relief and happiness palpable, Alastor felt no qualms at declaring their friendship out loud.

So life went on as usual. True to his word, Lucifer remained basically the same. The following weeks were a bit stilted for Alastor, as he put some rather painful distance between him and the angel; limiting their interactions, their usual touches.

Anytime now, Lucifer would break and show his true colors, Alastor would think, waiting for the boot to drop. Lucifer would end up angry, and dissatisfied, and that was that.

But it never happened. Lucifer never expressed discomfort when Alastor avoided him, seeming to be understanding of the others need for space. He was just as affectionate as before, though initially a bit held back, as though gauging Alastor's comfort.

Months would pass, and the king never faltered. Their friendship remained strong, if not growing ever closer than before. Alastor found himself even growing more comfortable with the man. Affectionate touches were becoming common, hugs and head pats and cuddles being a welcome thing, with the reassurance that the shorter king would never disrespect his boundaries.

Lucifer seemed genuinely happy about it, despite being clearly told that none of Alastor's actions hinted at anything romantic. In fact, he seemed ecstatic that Alastor was getting more affectionate towards him as a friend. The embarrassment the radio demon felt at having Lucifer basically tear up (no really, he was crying so hard, full on drama sobbing) with joy in front of him was intertwined with the sheer incredulous fondness he felt for the man at that moment.

They were sitting at a couch one night, more than a year passing since that confession. Lucifer was leaning back, resting against the cushions, while Alastor had his head on the smaller one's shoulder, nuzzling at the crook of his neck, legs tucked close to his body. Both had a book in hand, two nearly empty cups of tea on the table in front of them. Every so often, Lucifer would flex his fingers that rested on Alastor's head, running a digit against the other's ear, often prompting the demon to lean into the touch. White wings enveloped the two, blanketing them against the chill of the night.

As Alastor turned the page of his own book, relaxing into the touch of his dearest friend, he wondered how he ever got so lucky in hell.

[jeeaark]

If Greygold was a companion, what would be the best way to initiate a romance with them? Would they go for the “L” word early or an Act or two later?

The "L" word was lube, right? Right? Else showering Durge/Tav with kisses Gomez-Addams-Style is the alternative.

Maybe the Nat 20 romance isn't the best way for Tav/Durge, but it sure is for Greygold. You just know Greygold scared that Dream Guardian away the first time and has been low-key obsessed with that armor since

[didhewinkback]

ii most wanted

a post engagement road trip for the something old kids aka i cannot stop listening to this song and ended up writing 2k words of smut about it

word count: see above, warnings: see above

---

The wind was whipping through your hair, the sun streaming in through the windshield, old 70s rock on the radio. The leather of the car seat felt like it was sticking to every inch of your skin but you didn’t mind. The weed you smoked made everything move in slow motion, all your senses heightened. Everything feeling loose, easy, free. Your hand making waves out the window through the wind, up and down in an addictive pattern. 

A warm palm slides on your thigh, his thumb moving up and down before squeezing and you all but melt into the seat, turning to look at him. He smiles over at you before looking back at the wide, empty road. 

“Y’ good?” he asks, lips twitching up into a smile.

“So good,” you say back, laughter bubbling over your words, heart skipping when he laughs with you. You can’t pinpoint what’s funny and maybe nothing is. It’s just… everything feels so warm and right and real. You turn back to look out the window, marveling at the open roads, the way it's just you and him for miles.

“Look good like this.” he mumbles, voice barely audible over the wind.

“What, stoned?”

“Nooo,” he laughs, shaking his head, wide grin on his face as he looks you over once more. “Meant y’ look happy. Relaxed. Look nice with that ring on your finger.”

You hum, holding up your hand with said ring on it, thumb twisting over the band, back and forth, taking a moment to admire it in the light.

“It’s a good one, innit?” you say and you can see the way his eyes roll even behind his sunglasses but he still grabs your hand and pulls it towards his mouth, thumb brushing over the ring once before pressing a kiss to your knuckles. 

“Your man did good, huh?” he says, releasing your hand to slide his back on your thigh. You slide your hand into his hair and he preens, leaning into the touch. 

“Yeah, my man did.” you say and he squeezes your thigh, a soft smile on his lips as you rake your hand through his curls, taking your time to study his profile. The cut of his jaw, the line of the beard he’s been growing out. God, he’s nice to look at. He looks good behind the wheel, too,  the flex of his arm as he casually holds the steering wheel, legs splayed wide, his lips moving as he softly sings along to the radio.

You’re struck for a moment at the view, at this man you’ve loved for most of your life, at the ring he proposed to you with gleaming against his hair and you think you want to have this view for the rest of your life. To get to be by his side till the day you die. You can feel it wash over you, almost bowling you over. Knowing he wants the same.

Your hand slides down his hair, playing with the curls at the nape before resting on the back of his neck, his muscles jumping at the touch before you squeeze once and he hums in appreciation. A deep sound from the back of his throat and - oh. 

It’s been warm all day but you suddenly feel a rush of heat from the inside out. Your eye catches on a bead of sweat falling down the side of his neck, tracing along the tendons until it pools into the collar of his t-shirt and you’re suddenly parched, desperation flooding your veins, overwhelmed by the need to taste, to touch and be touched. You could blame the high but you know it’s him, it’s always him. 

You dig your thumb into the muscle where his shoulder meets his neck, the spot that’s always bothering him. His hand tightens on your thigh for a second before he groans when the muscle starts to give way under your touch. 

“Harry,” you choke out, your voice reedy and he hums in response. “Pull over.” 

He snaps his head to look at you, confused, before he does a double take, brows shooting up behind his sunnies as he reads what must be obvious need all over your face.

“Y’ serious?” he asks incredulously and you nod fervently, shifting in the seat. “Baby, we’re in –”

“The middle of nowhere, we haven’t seen anyone for miles.” you cut him off, quickly undoing your seatbelt and sliding over on the bench seat, ignoring his muttered “jesus” as you press so against his side, his arm going across your lap as a makeshift belt, hand gripping your outer thigh. His eyes flicking between the road and you and you can see the swallow he takes before you’re leaning in to press your lips against his neck, taking your time to kiss along the skin. 

You keep one hand on the back of his neck, the other sliding down the front of his shirt, twisting in the hem before teasing at the waistband of his jeans, sliding down to palm him, biting down on his neck when he inhales sharply.

“Please,” you mumble against his neck, squeezing him once more, his hips twitching up to chase the touch. “Unless you want to keep driving and I can just -” 

You go to duck your head down but he stops you, hand tight on your thigh as he sputters out a “crash the bloody car if you do that” that has you laughing into his neck.

“Jus’ hang on a mo’ - let me -” he can barely string a sentence together as he drives for a bit longer before pulling off the road onto where there’s a dip in the tall grass, in between two cypress trees. You watch as his shaky hands throw the car into park, waiting until he pulls the keys out of the ignition before you’re turning his head towards yours to capture his lips in a kiss that has him moaning into your mouth. 

You kiss him once, twice, three times before he’s pulling back, mumbling a “let me get these -” and pulling his sunglasses off and throwing them on the dash before his hand wraps around your neck to pull you back in. Your tongue darts out to lick at the seam of his lips before he’s opening up, the first touch of his tongue against yours wrenches a moan from the back of your throat. His hands move up and down your sides, squeezing occasionally before they slide to your hips, shifting you both until he’s in the middle of the seat as he pulls you into his lap.

You slide your hand up into his hair, getting a steady grip as you kiss him with everything you have. His hands feel like they’re everywhere, all at once, sliding up and down your sides before they slide around your back and down, grabbing a handful of your bum as his tongue glides over yours. Everything is warm, perfect heat as arousal pools in your stomach, slowly losing your mind with every drag of his lips.

He wrenches away from your mouth, panting as he catches his breath, his blown out eyes darting all over your face. 

“Want me so bad y’ made me stop the car, hm?” he teases and you’re not even thinking of a comeback before you’re nodding and leaning back in. 

You kiss him slowly, taking your time to lick into his mouth, goosebumps erupting at his soft moan, the way his hands grip you tighter, the high making you feel everything ten times deeper. He knows just where to touch you to make you sigh into his mouth, his hands sliding up and down your thighs before resting back on your arse, the other sliding up your shirt to cup your breast. He’s gentle until he’s not, squeezing hard and laughing against your lips when you bite down on his in retaliation. 

You lose yourselves in each other, each taking turns to take over, mouths and hands exploring as you please. It’s when he’s got his hand on the back of your neck, controlling the kiss with an expert flick of his tongue that you can’t help yourself and grind down against him. 

“That’s it,” he says when he pulls away, one hand falling to your hips to encourage their roll as he kisses along your jaw. “Go after it, baby.”

“Need you naked,” you whisper, pulling his head back up towards you to kiss him again. “Need you - backseat.” 

He nods, pressing a searing kiss to your lips before pulling away. You climb off him and gracelessly climb over the backseat, breathless with laughter when you watch him do the same. He cups your jaw, kissing you deeply before pulling away.

“Get naked,” he murmurs and you both pull your clothes off as quickly as possible, hands banging against the roof and sides of the car, grunts from when you accidentally kick each other as you’re pulling your jeans off. He makes to hover over you before you shake your head, pushing him back against the seat so he’s sitting up as you straddle him, feeling his hard length right against your core, his eyes wide as he looks up at you, his hand coming up you cup your cheek. 

“Baby - someone could see you.” he mumbles and you simply respond with a roll of your hips, making him bite down on his swollen lips, his hands sliding up your thighs and resting on your hips.

“Want them to,” you say, reaching down to curl your hand around him, pumping a few times to watch his neck go taut as you line him up with your center. “Want them to know I’m yours.”

“Jesus- fuck ,” he grunts out, his eyes rolling up into the back of his head, his head tipping back to rest on the top of the seat as you sink down on him in one fell swoop, his grip like a vice on your hips. 

You’re not so sex stupid to actually risk getting caught - you’re on an abandoned road in the middle of Tuscany - but there’s something about the idea of someone seeing you that’s clearly working for the both of you. You move your hips forward and back, getting used to the stretch as he leans forward to press a line of kisses down your sternum towards your chest, hands sliding up your back as he sucks a nipple into his mouth and gropes the other, soft hands and tongue making you melt.

“How’s it feel?” he mumbles against your chest, switching sides to your other breast as you roll your hips, both of you moaning at the sensation. 

“Good. Full.” you mumble, almost delirious in your pleasure, sparks shooting up your spine each time you roll your hips just right. “So full.”

You pull his head off your chest and back up to your mouth to capture his lips in a kiss as you start to find your rhythm, what was once rolls of the hips become full bounces up and down, making him groan against your tongue.  He pulls back, one hand falling to grip at your ass as he rests his head against the seat, brow furrowed as he watches you fuck him.

“Y’ so beautiful,” he says, eyes dropping down to where you’re connected. “Fucking - drenching me. In the backseat - shit.”

Your head grazes the roof with every bounce but you can’t be arsed to care, not when he’s looking at you like that, pure want and desire in his eyes, beads of sweat dripping down his chest, his butterfly glistening in the sun. He’s the hottest thing you’ve ever seen and he’s looking at you like you’re everything and nothing, nothing has ever felt better than this. 

“Y’ so good to me,” he grunts out, eyes following your every move. “Love you like this. So fucking hot.” 

Fire licks up your spine, your rhythm getting sloppier as his words hurtle you towards your finish. You can barely catch your breath as you dig your nails into his shoulders, grabbing his wrist and pulling it up to your face, sucking two of his fingers into your mouth. 

“Fuck. Y’ close, huh?” he asks and you nod around his fingers. “Let’s get you there, baby. Want you to come first, want y’ to come around me.” 

He pulls his hand from your mouth, leaning up to kiss you deep, his hand dropping to your clit, drawing mind-numbing circles that have you crying out against his mouth, your hips driving against his more aggressive than ever. 

“That’s it. Go after it for me. Want y’ to come, my gorgeous girl.” he mumbles against your lips, pulling back to watch your face with brows furrowed in concentration as he flicks your clit just so and you explode around him, feeling like you’re burning from the inside out as you come, moaning out his name as he doesn’t let up until you stop fluttering around him. 

You don’t stop your hips, continuing to grind against him despite the overstimulation, your hand latching on to the back of his hair to kiss along his jaw.

“Need you to come,” you gasp out against his jaw, moaning when he groans and grips you tighter. “Want you to fill me up. Want to feel it.”

“Shit - baby. Fuck. I’m -” He bites down on your shoulder, hands falling to your hips as he rocks his hips up to meet yours, thrusting once, twice, and coming, moaning against your skin as you feel his release coat your walls, fingers digging into your skin as he pulls you against his chest.

The two of you breathing deep, panting as you try to catch your breath. He kisses against your collarbone, his hand coming up to brush your hair back behind your shoulder as he leans in to kiss along your neck before leaning back against the seat, looking well-fucked with rosy cheeks, a soft smile on his face as his chest heaves. 

“Got my balls all over the upholstery,” he says and you bark out a laugh as he laughs with you, both of you shaking with it. You lean back to ease him out of you, his hands helping guide you as you slide off his lap and sit next to him, your hands immediately reaching for each other, fingers interlocking as you roll your head along the top of the seat to look over at him.

“Just fucked you within an inch of your life and that’s the first thing you say?” you ask and he huffs out a laugh. 

“Y’ did, didn’t you?” he says, pressing a kiss to your temple. “Can’t believe you just fucked me in the backseat. That was the hottest thing to ever happen to me.”

“Shut up,” you laugh.

“‘M serious. You’ve got no idea what you look like when you’re looking at me like that. Like ‘m the only thing that matters.” he shakes his head, taking a deep inhale before rolling his head to look over at you, deadly serious, his voice rumbling out like gravel. “Makes me feel like I’m on fire.”

He leans over to capture your lips with his, kissing you so slowly, so carefully, you can feel the fire burning in you once more, the fire that never quite goes away with him.

“I love you so much,” you murmur against his lips and he inhales sharply before kissing you harder, letting go of your hand to bring both hands up to cup your face, holding you in place while he drags his lips against yours. 

“Love you too, baby.” he mumbles, kissing you once before pulling back. “Lay back for me. Gonna make you feel how you make me feel.” 

“H, you already - oh” you cut yourself off with moan as he sucks a kiss behind your ear, at the spot on your neck that always drives you crazy as he gently pushes you back against the seat.

“Then we can smoke some more, make some sandwiches and take a nap.” he says, lips dragging against your skin.  “No rush, yeah? We’ve got time.”

“Yeah,” you say, melting against the seat as his lips find yours once more, his hand sliding down your body until it falls between your thighs, making you gasp against his mouth. “We’ve got - we’ve got time.”

You lay back, eyes drawn to the way the sun reflects off his naked back, the pattern his lips draw against your skin making your eyes flutter shut as he presses his fingers into you. Your mind is still hazy but nothing has been more clear. This is all you want. It’s him, it’s him, it’s him. Till the day you die.

---

a/n: no ones dying btw its the song lyrics just wanted to make that clear. havent been able to finish writing someting in literal months, have requests in my inbox for not this, but here we are. my blog, my rules. not sure anyones still interested in reading this but i wrote it so im posting !

taglist:@tobesolovelysstuff, @louyoursins, @daydreamingofmatilda, @jojo-blog53, @marzhshaim, @devilsqueen722, @just-happiness-only,@lomlhstyles, @feestyles, @spock4presidnet, @sunshinemoonsposts, @indierockgirrl, @jerseygirlinca, @kissitnhekitchen, @goldnrry,

[leenfiend]

what's ur type first < prev next >

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[whaliiwatching]

Hey hello. Consider. Hobie reading over and suggesting edits to drafts of Peter's writing and then going home visually with clippings and quotes from said writing as a part of him. Alternately, Peter takes inspiration from quotes visible on Hobie

heart on your sleeve…..

[rotisseries]

planet of love

[hairupintheair]

Trolls Cookbook Text

Troll Slaw

Ingredients

-9 Trolls, shredded -2 pounds of green cabbage -1 Teaspoon Caraway seeds -3 cups of mayonnaise -2 tablespoons white vinegar -1 clove garlic, minced -1 teaspoon dijon mustard -2 carrots, grated (1 cup)

Directions

In a large bowl, toss Trolls with 1 tbsp salt. Cover with ice water, refrigerate for 1 hour. This will preserve their color.

Drain the chilled Trolls, then squeeze in a towel to absorb any excess moisture. While simple, this is the most important step. The dressing will coat much better to a dry Troll.

Return to the large bowl. Stir in carrots and toasted caraway seeds. Add dressing and stir well.

Filet of Troll

Ingredients

-1/2 lbs filet of Trolls, trimmed and tied -5 tablespoons unsalted butter -1 tbsp salt -1 tbsp pepper

Directions

Preheat the oven to 451 degrees F. Place the Trolls on a sheet pan and pat them down. Use your hands to spread the butter over them. If they laugh, don't be alarmed. Trolls are ticklish by nature. Sprinkle the sale and pepper, evenly.

Roast in the oven for exactly 24 minutes. Remove the trolls from the oven, cover them tightly with aluminum foil, and allow them to rest at room temperature for 20 minutes. Remove the strings and slice the filet of trolls thickly.

Beef Trollganoff

Directions

Slice trolls against the grain into 1 inch strips. Trolls may lose color when you begin slicing. This is normal.

Cook Trolls using same skillet until brown. Heat to boil; reduce heat. Cover and simmer for 15 minutes. Stir into Troll mixture. Serve over noodles. Enjoy!

Ingredients

-1 1/2 pounds Troll -8 ounces day-old mushrooms, sliced -2 medium onions, thinly sliced -1/4 cups margarine -1 1/2 cups Troll-flavored broth -1/4 teaspoon salt -1 teaspoon worcestershire sauce -1/2 cup all purpose flour -1 1/2 cups sour cream -3 cups cooked egg noodles

Spicy Tuna Troll

Ingredients -5 cups sushi rice -2 sheets dry seaweed -3 tbsp white sesame seeds -4 lbs sushi-grade Trolls -1 cup mayonnaise -1/4 tbsp of dry chili pepper

Directions

Chop trolls and mix with mayonnaise and chili-pepper. Put a sheet of seaweed on a mat. Spread a portion of rice on top of the sheet. Sprinkle sesame seeds on top of the sushi rice. Please a portion of troll mixture lengthwise on the rice. Roll the mat, pressing forward to shape the sushi into a cylinder. Firmly press the mat and remove it from the sushi.

Cut the rolls into bite size pieces. Enjoy!

Jellied Cassetroll

Ingredients

-1 box of gelatin mix -12-17 Trolls -16 oz of sour cream -8 oz whipped topping -2 cups boiling water

Directions

Dissolve gelatin mixture in boiling water for 2 minutes. Add Trolls, chopped. Blend mixture with a hand mixer until the Trolls and gelatin have adequately mixed. Place in the fridge for 2-3 hours or until the gelatin mixture sets half way.

Lightly fold in the sour cream and whipped topping. Pour the entire mixture into a mold of your choice. This is where you get creative! Troll Hair molds, Trollstice molds, a mold for every occasion!

Fruity Troll Roll

Directions

Mix all the ingredients except chocolate in a large bowl. Stir thoroughly and place on a foil covered tray. Refrigerate until needed.

Form into two logs, using greased hands. If Troll hair protrudes from log, don't worry. This is great for presentation and adds a bit of color to the dish!

Melt chocolate while logs chill. Once melted, pour over logs. You may notice a few shouts or screams when you begin pouring the chocolate. This lets you know the chocolate is the perfect temperature! Chill the logs in the fridge.

Slice with a serrated knife to serve.