#no one important seems to have died.
Reveal AU where the reveal takes place due to Cor and Ardyn discovering that they’re soulmates. (Bonus if it’s one of the ‘soulmates swap bodies’ scenarios. Ace is praying loudly at the thought of Ardyn with unconstrained access to the Citadel.)
Ace stares at the out of place very Cor-like expression on his Uncle’s face.
“No.” It’s the only word out of his mouth as Ace feels the world crumble under him. “Absolutely not. I am leaving.”
“Sit down.” It comes out as an order and Ace has the expected petty urge to disobey Cor - because that is Cor in Ardyn’s body and Ace is certain of it - because Ace is not paid nearly enough by the Crown to deal with this.
“Siren.” His code name comes out as a warning. Ace makes the mistake of looking back and is hit full force with the intensity of Cor’s glare on Ardyn’s face.
Ace sits back down and the expected interrogation begins.
“Am I in an Imperial?”
Ace’s expression does not change from the poker face he has perfected under Ardyn’s tutelage.
“In a manner of speaking,” Ace answers, “I’m sure you’ve already felt the uh - absence - of something in that body you’re in.”
“This man is a Lucis Caelum. How do you know him?”
Ace debates the merit of setting the restaurant he and Ardyn decided to meet in on fire.
“He’s an ally.”
“Siren.”
“Alright, ally might be a too strong a word. He’s….an informant.”
“Siren.”
Ace plasters on a fake smile.
“He’s also the Chancellor of the Empire,” Ace says.
“How do you know him?”
“Oh,” Ace says as if discussing the weather and ignoring the hammering of his heart, “He’s my uncle.”
-
Ardyn comes to in a throne room. He comes to with Regis looking concerned as Ardyn quickly catalogues the lack of lingering Scourge and Scourge associated pain and then spends a moment to look down. Well muscled. Lean. At least Ardyn’s soulmate has an attractive body.
He looks back up at Regis and debates setting him on fire. Ardyn then debates the merits of letting Ifrit run loose in Insomnia. But that would make his nephew and his nephews family sad. So he doesn’t do that.
He wants to.
He doesn’t do it.
Ardyn thinks Ace would be proud of his restraint.
“You’re not Cor, are you?” Regis says.
Ardyn’s answering grin is sharp.
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How is my best friend Arthur has he helped you baldur any gates
He’s been good! My washing machine broke last week and I hauled it out the other day in preparation for the new one and he’s been loving his new Top Secret Hiding Spot.
We are taking a little bit of a Baldur’s Gate break right now just because I was getting burnt out. We’re slowly making our way through Mass Effect Andromeda for the second time. I’m very excited to get back to BG3 tho.
I left off right at the start of Act 2. I’m playing a Githyanki monk named Ez’rai and spent way too much time coming up with a backstory for them. I’m going to be romancing Wyll this time. I think Ez’rai growing up in such a harsh culture that didn’t have room for soft romance will go together in such a fun and cute way with Wyll. A noble’s son who is just so sweet and romantic and good.
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Theory: The Clone X was not Cody like some people think or even Fives (I know he's been dead for a very long time but so was Boba Fett and look where we are. Plus, Echo was supposed to be certainly dead too; making him Winter Soldier-esque storyline wouldn't be that surprising) or not even Slick.
((Also, now that we've seen his face devoid of any tattoos or scars I think first two takes are definitely not applicable anymore; they wouldn't put that much effort to make him unrecognizable))
Back to the point: In my opinion, The Clone X was none other than...
Fox.
Now let me explain.
Who else, other than X, was loyal to the law and justice dictated by it over any moral or ethic code?
Fox.
Who else was portrayed with such single-minded focus on hunting down traitors of the government he served, regardless of what it was?
Fox.
Who else could know not only Coruscant so well but also identify Rex like they knew each other?
He already was a remarkably successful tracker of traitors, why not make him more efficient by pointing them out for him?
Good soldiers follow orders, after all.
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just a thought but like. if akiyama, who’s established as being a bizarrely talented investigator in y5, suspected kiryu’s death to have been faked (or at least “fishy” in his own words) basically on the fucking Spot, i feel like it just makes sense that majima would’ve been just as quick, if not quicker to see where shit wasn’t adding up and become skeptical that the whole thing was a coverup. reason being, in y5 he put shit together and figured out the grand scheme going on so damn early most people didn’t even suspect yet that there was any scheme going on. he then faked his own death well enough to get it in the papers and had masterminded himself all the way to the final boss (with some help of course) before things backfired on him. so he’s got some crazy good skills when it comes to reading people, figuring out their intentions, putting puzzle pieces together, etc– way better than he wants people knowing, generally– and he knows the hallmark signs of a faked death because he’s literally done it before. all that on top of knowing kiryu like the back of his hand and knowing damn well how hard this man is to kill, and how prone to running away from shit for the sake of the safety of people he cares about (for better or for worse) he is. he could absolutely put together that, if given the opportunity by some faction or powerful individual, kiryu would sacrifice his identity and status as a legit living person for the assured safety of others, or for yakuza tensions to diminish, or maybe even as an act of self-flagellation.
tldr: I think the reasons majima didn’t go rogue/apeshit after kiryu’s alleged death are that A) for once he has saejima around to reign him in and make it feel less like Everything has been lost, B) I think he’s legitimately known pretty much all along that kiryu didn’t die that day; nor would he believe it unless he saw it with his own eye.
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just thought about the fact that part of being a doctor is, unfortunately, having to cope with the knowledge that you can't save everyone. and yeah, barton might just seem like a cold-hearted monster on the outside. BUT the man is also able to feel cognitive empathy, and sometimes, he has genuinely felt bad for people / made a connection to them. and with this in mind, especially considering the patient he had at the time didn't even have an emergency contact to reach out to before they died, the first time that he wasn't able to prevent someone from dying —
barton had to go excuse himself to BAWL his eyes out after they were gone. and this was because they just seemed so lonely, yet they were also appreciative that he was willing to stay with them before they died. so, although barton does feel like his heart is ugly and ice-cold at times, he is capable of demonstrating kindness towards people + he isn't completely evil. plus, in addition, the man didn't sleep well at all for at least a week because although they do tell you that people are going to die in medical school... i can imagine that it's so much different whenever you actually experience it.
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ok so while my ds is getting sand poured into it at alarming rates I'm thinking about how jrpgs in specific have a really weird desync with How Important Death Is. like some address it better than others but it very frequently happens where if you take a step back youll go "am I wild or is everybody just like, Really down with murder in this game". and consequences for said murder, especially in a characterization sense but even just actual physical consequences, don't really happen? unless it's a vehicle for conflict but like. when it is a vehicle for conflict it feels weird because why are These Guys actually taking the fact we killed somebody in broad daylight seriously and coming after us for it while all the other npcs and even the main party took it like it was another saturday evening
see I Think where the issue lies is in the fact that everything is in its own little world when you're in a battle? like. when you fight an enemy and you get leather out of it it's seen as something the enemy Drops and not. their hide. when you defeat a character in a battle it does just feel like you Defeated them. unless there's dialogue afterwards that says otherwise you don't even mentally assume you killed em you just wounded them enough to make them flee or dissolve or whatever. and it's Weird to just. have that assumption there because for a lot of games it really isn't clear if you're killing them or defeating them !!
that last point is extra important when you have the specific brand of Skittish Hero / Noble Hero Who Doesn't Kill People / Rational Hero In Way Over Their Head or whatever where you really don't think they Would kill a guy just to get them out of the way. in that case it's REALLY weird because it's hardly brought up. even if it Is brought up that that guy Sure Did Die the mc doesn't tend to actually have a reaction ??? and I don't know why this is ???? like Any written reaction would be more interesting than nothing even if the guy doesn't have a full on crisis about taking another life having them go "oh shit, The Consequences" would be nice. really anything except (oh cool we can advance the plot now).
I will also mention that Some deaths do matter plot wise but very frequently what makes them matter is how much of it is linked to an in game battle I think. if your mc just finishes a fight and comes back to the overworld and the guy's Disappeared or Dissolved or whatever it means they don't matter. if the guy's still around after the fight it means it's more significant, especially if they're still alive but wounded or Really Shaken Up. because this clears up the indistinguishable line between if a battle is lethal or not and if a character decides to deal a finishing blow now it's Way more telling of their character. even though this is basically the same thing that happened in the (killed In A Battle) scenario. just with more dialogue. I will also mention that the person who deals the finishing blow is Rarely Ever that good hearted protagonist and often they'll even go :0 at somebody else committing a murder despite them instigating and helping murder quite a few people. just. In Battle. so it's less bad. I guess.
this is leaving out the fact that in party deaths are often a Major Major Blow because like. ok that's fair. that's A Guy You Knew that's understandable. anyway I don't really know where I'm going with this I just think it's interesting how in these types of games death can swap from not mattering at all to mattering a Lot and if u don't think about it too hard u don't even question it. I'll probably be putting some examples in the tags idk
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70% of my trigun thoughts are abt how plants (independent and dependant) work and what they symbolize and their relationships with other characters and the world and stuff and the implications of independent plants coming with the earth forces and what it says about how earth has progressed since SEEDS left the planet, 20% of my thoughts are "hope those guys (meryl milly vash livio ww knives) are having fun" and 10% is rotating trimax Rem Saverem around in my head at all times
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I love this movie about.... zoro's past boyfriend being taken over by a curse
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karnak, who's main thing is seeing the flaw in everything, telling triton that his disability is actually a strength,,,,, crying
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Wander the halls
Of who you have been.
This familiar old house
You can't remember living in.
Run your quicksilver fingertips
Along the oak banister and
banish the ghost of its grip.
Take hold of the drapes
You swear you recognize and
Do your best to let in some light.
Wander the halls
Of who you have been.
This familiar old house
You can't remember living in.
Speak deep into the cracks in the walls
To check if that's where the words got lost.
Ask them what they saw
And when the plaster started to flake off
Ask them how long it has been
And why you are so sure you know them.
Wander the halls
Of who you have been
A familiar old house
You must have once lived in.
Except it wasn't this place,
This place full of dust and grief.
It wasn't old and weary and worn.
But just how do you know it wasn't.
How much have you rotted?
How vibrant once was it?
Were you?
Walk the halls
Of what you have lost
An ancient house
You know you have lived in.
Walk them up and down
Until they are known again
Until you know the shape of you
If you cannot know why.
Set about loving here
Set about living here.
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what are ur best terror ships??? /wllipt
so as you might have guessed I have a soft spot for hickey. so hickey/gibson and hickey/tozer are my faves.
Adding on this i can add the unappreciated and overlooked but with actually a lot of potential ship: gibson/tozer, hear me out: they're in a situationship with the same weird little guy but they're polar opposite (introvert vs extrovert, judgy vs friendly, self-reliant vs loyal, it's-not-personal-but-it's-finished vs get-me-off-these-chains-cornelius!, we'll-be-flogged vs walking to the gallows together aka not wanting trouble vs risking everything) and yet those two clever, practical, peaceful, skilled men fall for the same guy.
I think exactly for those contradictions they can have such an interesting dynamic.
If Billy had more scenes people would appreciate him more. Tozer gets flashed out a lot more, has different interactions and we get to see his character arc. Billy's arc tho happens mostly off-screen. even his talk with irving is off-screen. we don't see how billy reacts AFTER the flogging (it's implied he and hickey didn't interact much and that hickey spent more time with the marines) but then again we see so little from billy's pov one really needs to pay attention to him to notice the shades of his personality.
anyway. i got lost, back to the question: gibson/hickey/tozer is my ot3, because on one side
-> tozer adds a sense of stability to hickey/gibson that they alone don't have.
on the other side
<- gibson is the reality check to hickey/tozer. dont get me wrong but hickey/tozer is also (much slower than hickey/gibson) on a self-destruction path. you know tozer can't say no to hickey until it's too late. So billy would be the canary to the coalmine that can be hickey's lastest scheme.
basically I'm a hickey shipper, with the right setup i'm all for hickey/manson, hickey/irving, and even hickey/hartnell. hickey/goodsir too! i forgot about them
i see why people might enjoy hickey/crozier but i'm not part of the 'fuck that old man' club so i don't actively look up for those.
I can also see the appeal for hickey/jopson, but to me jopson isn't flashed out enough to be interesting. he's just very needy for crozier approval. to me he doesn't carry anything on his own, he's got eldest daughter syndrome and he's the guy from tweeter who says i don't have an opinion on my own, if a beautiful girl tells me to change my mind I will. but for crozier. sorry for the jopson enjoyers. nothing personal, that character doesn't resound with me. i don't have daddy issues.
other ships i enjoy are: tozer/armitage, manson/hartnell, heather/being alive, anyone/hodgson bc hodge is a case study, it's interesting for interpretation. honorable mention goodsir/silna
honorable non-mention bridgens/peglar, bc they're already happy in canon or into a realtionship of some kind so i don't feel the need to explore that more.
and this is it.
hope you found this answer interesting and...not to long and have a good day <3
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Thinking about Berserk again. I havent read any of the new chapters because Miura's death kind of got to me really bad so thinking about or talking about berserk at all just made me really depressed and I think I probably havent even looked at it since he passed (after I used to reread huge chunks of it like every week) but now its been like two years and Im thinking I should just accept it and give the new stuff a shot.
One thing I am always thinking about though is how Miura's death effected discussion around Berserk and how much it will continue to effect discussion. Like, I always felt Berserk never got enough criticism. You can search Berserk on here and find all my old posts complaining about how everybody was jumping the gun on calling it One Of The Greatest Manga Ever when it wasnt even done and at the time most people were convinced it hadnt been good since like what, conviction arc? And that was back before Kentaro Miura died and his death has only made the discussion even more like "Berserk is a beautiful wonderful masterpiece and anyone with problems doesnt GET IT".
So like I stopped reading under the idea that no matter what happened it wasnt gonna be what REALLY shouldve happened, now I think thats kind of unfair and maybe I should give it a shot, but I think that idea is gonna be influencing how people talk about a manga that was already being given alot of undue praise and adoration from people who seemed to mostly never have actually read it and had nothing more interesting to say about it beyond it being the manga that popularized the idea of a guy with a big big sword. I dunno.
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finally gwitch The Witch From Mercury is over and it really did manage to be Izetta The Last Witch. in. SPAAAAAAACE
this is a good trend. who's next
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