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#no specific continuity
dian-mian · 1 year
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Just a short comic of my peace treaty au
edit:changedthecolourofthebloodshhh
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maddie-grove · 1 year
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As someone who’s living with a middle school social studies teacher, all the posts along the lines of “why did we never learn about this historical event in school” just make me go “because your teacher was supposed to cover all of US history in one year, and they didn’t get to the Revolutionary War until Halloween because they were urged to slow down the progression of the lessons because a more senior teacher was running behind, and they didn’t get to the Civil War until Valentine’s Day because the school kept scheduling every special event during social studies because there’s no end-of-grade testing for that subject, and they didn’t get to WWI until May because they were sick for a few days and the substitute couldn’t do much more than babysit, and now they’re having to do the entire Cold War in two days, so that’s why you didn’t hear about the lesbian inventor of the circus peanut. They would have loved to tell you about the lesbian inventor of the circus peanut!”
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melon-official · 15 days
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the clock's out of sync but we can fix it up, no problem
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the-meme-monarch · 7 months
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I’m a big proporter of “k_k isn’t stupid he just likes to act like it bc he thinks it funny to make people mad or confused”. and other such doodles of him
if you ship scc go away👍
references for the last one under the cut
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faeriekit · 2 months
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The Foster Mother
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Now on ao3 and VHS release
There was, supposedly, someone waiting for him in the green sitting room.
“…Why?” Tim asked. Most of the usual suspects had already come by to give their “condolences”—former Drakes Industries investors, curious about the newly orphaned heir; fellow socialites, once again flocking in to give and receive sympathies for their “close friends, the Drakes”; gawkers come to see what they could scavenge off of a dead family’s home, never mind that their child was alive.
“She claims to know you, Master Tim,” Alfred offered, kettle in his hand. He spent a moment deciding between different two canisters of tea; a sign of possibly difficult future conversation. “Her interest in your father's estate seemed quite…minimal.”
…Alright.
Tim was still in his formalwear. Dissolving Drake Industries would take at least another year, and plenty of future hours cementing the future home of certain resources in their dissolution, but the outfit probably was more appropriate for whatever oncoming conversation that was about to ensue than his planned change into Dick’s old hoodie and board shorts.
Okay. Tim steeled himself. The self-determination…mostly worked. Whatever. He trudged up into the green sitting room from the kitchen with his usual introduction ready on his tongue.
And then Tim walked into the room.
And then Jazzy was there.
*
Tim had been three, and Miss Jasmine had been his had been his third nanny. He’d outgrown the wetnurse early on, and his second nanny had been dismissed, so although Miss Jasmine was the third nanny, she was first nanny Tim could consciously remember.
She’d had red hair. She’d been very gentle with him.
She got him up in the morning and put him to bed at night; for the first time, there had been someone who sat with him until he was asleep, reading all sorts of books his parents had left to engage him with as an early genius. Then, when those were over and done as promised to his parents, they got unauthorized books from the library: silly books with made-up words, dinosaur books, books about teddy bears and adventures around the world.
Tim hadn’t been allowed to travel the world. Tim hadn’t been allowed a teddy bear. His parents had thought it would encourage undue attachment.
(It had been the same reason he’d never been given a pacifier.)
Miss Jazz had given him a knitted bunny. She’d said her dad had made it especially for him.
The toy’s name was Bunny and Tim remembered him being very soft.
She didn’t smile all the time, but smiles were rewards that were easy to earn. He finished his meal and she smiled. He finished an educational puzzle and she smiled. He was quiet all through her phone call and she smiled, and answered all his questions once she was done.
Jazzy had been the first person in his life who was there all the time. She’d kissed his forehead after the bath and kissed his scraped knees; she’d carried him in his arms when he was tired and sometimes even when he wasn’t. His parents had wanted him to be independent, proactive, and not clingy, but Jazzy had been someone who he could run to from his bed when he’d had nightmares and someone he could cuddle on her lap with when he’d cried.
She was gone when he was seven. He didn’t remember why. His parents had probably never told him, but still; he'd assumed he'd have found out why eventually.
Jazzy looked the same right now as she looked in Tim’s memories, although she was likely no longer a college student at a nannying gig. Her red hair was pulled into a high bun, her dress modest and conservative from her neck to her ankles. There was a backpack beside her foot. She was sitting, one leg crossed over the other, on the high-backed loveseat in the green sitting room.
She looked up when he came in.
Tim. Stopped in his tracks.
It didn’t matter. Jazzy—Miss Jasmine stood up as soon as she saw him, eyes alight with worry. Foggy memories were swimming to the forefront of Tim’s brain. He couldn’t move.
“Tim?” Ja—Miss Jasmine asked, teal eyes raking over his frame. Tim froze where he was. He didn’t move, wide-eyed and terrified for no reason at all when Miss Jasmine got closer to him, at a distance that was more appropriate for a conversation.
She stood there. Watching him. It felt like his mother had just come home from her trips with Dad, and a ghost of old terror wafted through him as he waited for her to decide he’d done something wrong. Her voice got softer. Her eyes got softer. Why was Tim feeling so wrong-footed?? It was only a former staff person!
“Tim?” her voice was so gentle. “I don’t know if you remember me. I’m—“
“M’s Jazz,” Tim croaked. Which. Wasn’t the level of formality he’d been going for, but better than Jazzy. He wasn’t a toddler anymore.
Miss Jasmine was so tall—honestly, was she taller than Bruce? She’d seemed insurmountable as a child; he hadn’t expected her height to truly be so statuesque as an adult.
(Or. Well. Almost an adult.)
She didn’t quite kneel down, but she did stoop lower, as if Tim was small and he needed to be on equal footing in order to have a serious conversation.
He could see all her freckles. Tim swallowed. It was too familiar. Everything about her was too familiar.
“You’re so big now,” Jazzy whispered, looking at his hair, his suit, his polished shoes. He didn’t feel it. “Oh, you’ve grown up so well.”
Thanks, Tim almost said. Something stopped him—something thick in his throat, to impassable to break through.
“I—“ he tried. He coughed. “Why…you… You’re here?”
Jazzy threw him an incredulous look, and then an incredibly wry one. “Well,” she drawled a little too primly, in the way that Alfred occasionally made obvious statements, “I’d think it obvious that when one’s parents have passed away, that those who care about you might come to check and see if you’re alright.”
Which. That didn’t make sense. Jazzy hadn’t come back for any other reason; she hadn’t come back for his mother’s funeral, nor when his father was injured publicly by a villain. Why start now?
“And,” Jazz added, seeing his visual confusion and distrust, “Your parents can’t exactly threaten me with a kidnapping charge for visiting you when they’re dead.” Pause. “Which I am sorry about. My condolences.”
Which. Whiplash. What a statement.
“Uh,” said Tim, who was rapidly losing control over the situation.
Jazzy stood again, and went back to her seat; she didn’t set herself down, though, as she only stooped to grab her backpack. “I am sorry for being unable to visit, although I really wanted to; you were at a very vulnerable age and had already moved into a class a year above you, and your parents should have been less hasty about replacing your main caretaker. The assassination attempts were unwarranted, but they did drive the point home that attempting contact was perhaps discouraged.”
“What,” said Tim. “Assassin what.”
“They were ninjas,” Jazzy offered, as if that was an answer. “Except the last one, which was a former marine. The point is that I do care about you, and wanted to ask if you had any idea where you’re going now that your parents are no longer…available guardians.”
Tim’s mouth opened. It closed.
Jazzy waited patiently.
“…How have you been?” Tim tried, resorting to a part of the script they hadn’t gone through yet.
Jazzy’s laugh was tired, but no less real. It was nothing like listening to his parents titter politely; he didn’t think Jazzy would even know how to fake a laugh. “Well, my brother told me that my former bosses had died, which was somewhat stressful. Otherwise, I’m pretty happy: I live with my brother and worked with him for the last few years. I was going to pursue medicine, but…well. The assassination attempts made it hard to interview for scholarships. I suppose that I could return to that now,” Jazzy mused, attention now elsewhere. She pulled the backpack off the floor and up into her grip. She opened it, and flipped through its contents. “How are you doing? I know that Wayne Manor fosters, but your parents were always rather…hands off. I thought the difference in levels of attention might be overwhelming.”
It was. Tim should be surprised how clearly she sees through him—
—But Jazzy used to watch him stim for almost a full hour after school, twisting Bunny’s arms back and forth until he could calm down. Seeing other people all day had been too much for him. Coming home from his parents’ parties had been similarly stressful.
She’d never been mad at him for it. She held him while he talked and stimmed and talked and talked and talked, and brushed his hair sometimes, or if it was very late and he was very young, helped him brush his teeth through all the medieval execution facts he could name.
“It is a lot to get used to,” Tim agreed quietly. He didn’t want to be ungrateful. He didn’t want to let on anyone about his plan to leave.
He had an out. The papers had already been filed; there was an actor waiting to play his uncle for a custody battle, ready for the fight.
Tim was ready to up and go. It was no hardship to leave all the good things here; anything beat making Bruce stick his fingers into Tim any deeper than they already were, compromising the dynamic they’d already established.
It was for the best.
“I can imagine,” Jazzy sympathized easily. “And I wanted to offer—well. I know there’s probably a lot of choices available to you, but my brother and I recently moved back to Gotham proper for the time being. He’s teaching astronomy courses at the university and I’m filing paperwork for Arkham patients. It’s not so privileged a home, but it’s quieter, and more central in town.”
…Tim’s heart skipped.
He. He couldn’t stop staring. Jazzy stared back at him, quiet and sure. Sure of what, Tim had no idea, but…
Why? Why would she want Tim? There was no way she would be able to get to his trust fund without his help, and he for sure knew better than to enable her ability to leech from him. The last time she’d known him, Tim had been a snot-nosed kid who cried all the time and couldn’t be normal for twenty consecutive minutes. His parents couldn’t even stand to be on the same hemisphere as him as a child. What appeal did this have for her?? What could having a teenager with severe baggage living in her house do for her?
And it’s not like there was any chance she knew he was Robin!
“Oh,” Jazzy suddenly interrupted. “I brought these for you, by the way. Your parents had tossed them out at various points; I’ve washed them since, of course.”
She handed him the backpack by the handle.
…Tim peeked inside.
On top was Bunny, still a washed-out faded sort of pink. He looked as fresh as he had the day when Tim’s parents had ”cleaned out” Tim’s nursery—in other words, a faded, a little gray, and slightly discolored from an old spaghetti stain. His button eyes were big and blue.
And beneath him were books that hadn’t passed his father’s muster as appropriately masculine reading material: The Velveteen Rabbit, with the cover a little scarred from a fierce attack of wet wipes. There’s A Monster at the End of This Book, with a goofy-looking Muppet on the cover, gold spine beat up beyond belief. Art Tim’s teacher at the time must have laminated and sent home; Tim’s dorky, crayon cat proved he would never make it as an artist, but attached to it was a photograph of a grinning boy with a bowl cut and a missing tooth.
Tim stared. There’d been purple marker on his hands and face. His grin looked…really bad, actually, like as if he was baring his teeth because he didn’t know how to smile. There was no formal grace there. Nothing to show the neighbors, nothing worth framing to put into the line of sight of the investors in the office.
Jazzy had kept it and brought it home with her. Jazzy had fished it out of the trash, and brought it with her to give back to him in Gotham.
It was crinkled like it’d been folded, over and over again. Further down in the bag was a crumpled certificate dedicated to “Timmy Drake, for: knowing a lot about octopi”, and a baby blanket Tim didn’t even remember. It had rocket ships on it. It looked as if someone had cut into it with scissors, although it had been obviously and brightly mended with red embroidery floss later on.
Jazzy had only been his nanny until Tim was seven. She had simply been gone one night, and Mom and Dad had been home for ten nights after without help before giving in and hiring Mrs. McIlvane and Mrs. Edith. Ms. Edith had never been so…permissive…with Tim as Jazzy had been.
Tim swallowed. He carefully put everything back into the backpack, unsure if he even wanted to keep it or not. It wasn’t like he could leave it here; he’d be gone, ideally, before the week was out. There was no point in taking it with him if he only planned to live with a stranger until he was eighteen.
“J…” Tim tried. He cut himself off before he could get too informal without prompting. “Miss Jasmine—“
“Just Jazz,” Jazzy corrected politely.
“—Why are you here?” Tim asked, ignoring how she’d technically already answered. He didn’t believe her. “What made my parents fire you?”
Jazzy’s expression turned…soft. Tim couldn’t look at her. Something horrible was welling with it, and he didn’t know how to cope.
“I’m here because I care about you,” Jazz repeated, and knelt beside him. She looked up into his face, and took his hand. Tim didn’t know why. He was practically an adult—he didn’t need this!
“And I was fired because your Mother overheard you calling me ‘Mommy’ on accident when you were tired. I suppose she was insulted, although I’d never know why; it’s not like she was ever home to bond with you in the first place.”
Tim’s throat closed. He missed his mom. He missed waiting up for his parents’ flight home, seeing their headlights outside the window, and knowing they’d bring home gifts from overseas. He missed using Mom’s perfume, and knowing he’d used more of the bottle sitting on her dressed than she ever had, but that it still smelled like her. He missed hearing his Dad telling all sorts of adventure stories and promises through the phone to be home for the holidays, even if Tim knew there was every chance he’d find some other way to spend the time back in Gotham.
And there was some small child in him who missed Jazzy, who hugged him and walked him to the library and made him soup from a can instead of fancy dinners and, who’d never needed to be waited for in the first place.
Tim looked at Jazzy’s round, freckled face.
He swallowed.
Tim moved out before the end of the week, as expected.
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menlove · 5 days
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exciting post from james menlove ur local beatles rpf mutual but i'm sooo curious on where this tide has shifted over the last few years bc i remember 2016 when it was world-ending discourse
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lotus-pear · 4 months
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whatever happens, please don’t break
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reddpenn · 5 months
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I got a puzzle for my birthday! c:
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Everything we know about Project Apple (and, by extension, Anya's past) thus far
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thought i'd compile all of that now while endo's on break Just In Case the next chapter happens to start anya's backstory (i don't Think it will but endo likes surprising us LSDFKLFS)
important disclaimer that project apple and the organization in charge of anya's experiments have not been confirmed to be related! there's evidence that they have things in common, in particular employees, but that's our only real connection between the two thus far. still! worth looking into
more under the cut!
so, starting very strongly with the very first mention of anything related to the project: anya's introduction in chapter 1
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despite her being a main character, we know very little about her past at the moment, and this little blurb at the beginning makes up a very big portion of what we know.
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things to note here:
as an experiment, her name was "Test Subject 007". important to note that the notation differs between her and bond: she was Test Subject 007, bond was Subject 8, no zeroes in there;
she had been made thus by accident, the phrasing itself implying quite heavily that she was just a normal child before said accident (but this is the translation! i don't know japanese so i can't cross-reference with the raws to clarify if the phrasing changes anything, but the fanbook uses the word "gained" to describe her powers too);
because her mind-reading is an unintended consequence, that means the scientists were presumably not, at least initially, trying to achieve cognitive enhancements in humans, and were instead trying to achieve something else, whatever that might've been;
she escaped from the facility and then moved from institution to institution, looking for a family.
so, crucially, through this little introduction we learn that there is an organization, government-funded or otherwise, that is or was conducting human experiments for unknown purposes. we also learn that whatever family anya had prior to being involved in the experiments is more than likely unreachable, at least as far as she knows, and so she has settled for finding a new family to take care of her instead.
in terms of the facility itself, here we see they clearly drilled it into her that she can't ever reveal her secret (and the darn plush is there too -- in the anime it's even more emphasized, as you can see in the gif i made)
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through her reminiscing though, we get our very first look at the scientists that were in charge of her! they're in the gif above but here they are in the manga too. it's so interesting that the anime actually shows their eyes behind the glasses though, fascinating choice.
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the insistence on world peace is important, as it explains her own personal obsession with it and shows that it's not just because of twilight's own focus on preserving the peace. i also don't think twilight ever really talks about "world peace," only about "preserving the current peace between westalis and ostania" -- anya seems to be the only one talking about WORLD peace (even in the very first scene where either of them mention it in proximity to each other in ch 1, loid says "understanding the other party is the first step towards peace" and anya's interpretation is "understanding me makes world peace?") but take this with a grain of salt because i might be wrong! going through every single mention of peace in the story just to fact check this one little trivia fact is a bit much i think so i'm not doing it JSDFKLSD
but yes
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remember mr hair strand and baldy, we'll see them again. not her though, ig she wasn't in charge of bond
now, fast-forwarding to chapter 19, we finally get a name and a premise for the experiments:
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"but oana," you might say, "this is talking about animals only! how do we know it's the same project as anya's, which involved human experimentation?"
i don't think it is, is the thing! i think it's related to the experiments anya was a part of, which is evidenced by the same scientists being featured in project apple too, but there's more going on that we don't know about. there wouldn't be such adamancy on keeping the two separate in every official mention of them if they were just the same thing, imo!
back to the evidence, we learn that the project, conducted and funded by the previous ostanian regime (meaning donovan's related to it one way or another, since he was prime minister), was marked by franticness and desperation -- a prime place for accidents like anya's telepathy and bond's future vision.
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we also learn that the project was sacked by the new administration and that the former test subjects ended up on the black market.
(this makes it very important, imo, to learn when anya escaped the facility vs. when the project was sacked. it's clearly no longer in function, but while we've heard nothing from them thus far, i'm willing to bet the shady dealings around the desmond group are NOT related to the war, as W.I.S.E. has been led to believe, but rather to reignite project apple. that is speculation however so i'm going to refrain from theorising much on why the desmond group is focused on acquiring pharmaceutical companies!!)
ok speculation tangent over, back on track
so, that's already a decent amount of info! but moving to chapter 22, when bond is finally home, and we finally see some familiar faces
behold! baldy and mr hair strand!
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and 2 other guys we don't know but will see again in another bond flashback!
that's 2 out of the 3 scientists we've seen thus far from anya's own time as subject 007, confirming that there IS a connection between anya and bond's experiments, regardless of whatever the project anya was a part of might've been named.
this is also the chapter in which we learn that bond himself was subject 8 (or, if we take it from the fanbook, subject #8. still, diff notation from anya!)
in chapter 31, we learn an interesting tiny piece of trivia. we don't get any further info on it, but it IS mentioned as something that is known by W.I.S.E.:
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ostania is rumoured to have done human experimentation! and W.I.S.E., and by extension loid, are aware of that.
do i know how them knowing may be important later? not really!
the next droplet of info we get is in chapter 40. we see that project apple had collaborators that are still functioning unhindered.
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of course, born industries is only rumoured to have been involved with project apple, but regardless of whether or not they actually were, the rumour itself implies that the project likely pulled scientists from various other companies' R&D departments.
(this makes the desmond group's acquisition of glooman pharmaceuticals shadier, but anyway)
as a side note, twilight is emoting so much at just his wrong assumption that bond is seeking revenge against the scientists. imagine how he's going to react when he finds out about anya JKSDFKLFSD
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and now aaaaall the way in chapter 58, we see the bald guy who anya also knows, the two scientists from bond's previous flashback, and one whole new guy!
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and thus ends our current knowledge of it all!
the only other thing worth discussing is anya's knowledge of classical language
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but plenty people have already discussed these scenes, especially recently, so here are some links: 1 | 2 | 3
the only thing i can add is that i'm fairly certain that classical language is a lot more likely to be latin than old english, because it's a very common language to learn in school (in europe at least, and ostania is based on east germany so it makes sense to me. i learned mandatory latin in school for a few good years too, even if i wasn't that good at it lol) and because one of the most common modern usages of latin are in medicine and science, it would make sense that she'd be better at it due to exposure.
a possibility is also that the scientists would think in latin to conceal their thoughts from her, and that's how she ended up learning so much. she's not fluent in latin, she's just well acquainted and that cicumstance would explain the how.
BUT THAT'S SPECULATIONNN
also i don't think "ANIA" is an acronym, nor do i think anya's been misspelling her own name out of lack of knowledge. "ania" is a polish diminutive of anna and an alternate transcription of Аня, so i think it's far more likely that anya isn't ostanian or westalian than it is that her name comes from an acronym.
now,
TL;DR!
what we know about project apple (and the "mysterious organization"):
project apple was funded and conducted by what appears to have been donovan's regime and, from what W.I.S.E. knows, aimed to create highly intelligent animals for military purposes;
W.I.S.E. is aware that ostania is at the very least rumoured to have dabbled in human experimentation;
the project is presumably no longer on-going, though it is likely there are efforts behind the scenes to revive it;
it is rumoured but not confirmed that project apple had collaborating companies that are still functioning perfectly fine;
the same scientists who were in charge of bond were also in charge of anya, signalling that there is a very significant connection between project apple and the "mysterious organization;"
based on what they were telling anya, they were/are very focused on "world peace";
their experimentation methods include but likely aren't limited to electrocution.
and what we (vaguely) know about anya that relates to this:
she is at the youngest, 4 years old, and at the oldest, 5 nearing 6. we don't know her real age, all we know is she definitely lied about being 6;
she is very fixated on specifically world peace while twilight is focused on peace between ostania and westalis. the scientists are the very first we see talking about this, so it's likely their fault;
she is unreasonably well acquainted with classical language;
she has escaped the facility at LEAST 1 year ago;
and, one tidbit from the fanbook (page 29): "Anya has been reading minds for as long as she can remember," implying that her memory of a life before the lab is muddy at best and absent at worst.
that's all we know that i know of!!
if you got this far, thank you for reading :D hope any of this was interesting or sparked any theories >:] have a good day!
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dian-mian · 1 year
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Tw: Suicide
There should be more fics exploring about Optimus being lowkey suicidal ngl
Talking more of how his self sacrificing habits kinda stems from his lowkey suicidal thoughts
Also how despite his status and value as a Prime, he sees himself as "expendable" as any soldier so he's very reckless and always puts others before himself (to an extreme. Like he lacks any self preservation or whatsoever). He values other mechs' lives but himself, go out of the way to help them in anyway but he rarely accepts help or care from others
There's also the "So much responsibilities and expectations from others and I lowkey want to escape from it" cuz yknow ur a Prime, a war commander so you're responsible for all the mechs under your care and stuff and having to suffer for millions of years in a war against the Decepticons, you get tired of seeing your mechs dying and not being able to do anything, having to care for a lot of mechs as well as being locked in a battle with Megatron (old friend, ex, whatev u call it) who wouldn't see reason
Of course, he doesn't admit his suicidal thoughts to anyone because who would be able to understand his position? Who could really comfort him? He's kinda alone in the top. People look up to him as an unwavering, unstoppable force of good and losing that would break his army's morale. Optimus has to be this beacon of hope so others wouldn't give up and push on. He won't bring others down with him in his misery so might as well suffer in silence
Idk I just like to explore this idea and see this more in fanfics 😔 (In art too fff)
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more misc scribbles!!!
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hughmanbean · 4 months
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Another World
Dick had found a new indie game that had just come out, and it was pretty good. He had even gotten Tim sold on it, though that hadn't helped his sleep schedule.
It was one of those visual novels, but had really good fighting mechanics and great backgrounds and settings. The setting was really well done, with even one off characters feeling fully fleshed out.
It was a mix between romance, mystery, slice of life, and psychological horror, since you could take the romance routes or the mystery routes in any interactions, which would drastically change the rest of the gameplay.
There were many routes, and at the end you would encounter the one of or the entire Royal Family.
The High Queen, Avaricious Duke, Erratic Prince, Wandering Princess, Autumn Knight, and Advisor Time.
Depending on your choices, it could anything from a heartfelt confession, an epic battle, or the reveal of a horrid secret.
The reason why this is relevant is because they're now stuck in this game.
Not just Dick and Tim, but the rest of the family too.
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somegrumpynerd · 25 days
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Dust's nightmare
Dust has nightmares about fighting and killing here and there, but the ones that really stick with him are the ones that are just... memories. Things he can never have again.
What he can have though, is a distraction when he wakes up to help him settle and make sure he's not alone with his thoughts for too long
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shimmershy · 1 year
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Chara Week Day 5: Ghost
Every time I see that machine in the True Lab, I wonder if it could possibly be Chara's soul in there? Probably unlikely, but not impossible... It's interesting to think about what the implications of that would be.
A version with no text and then a version with just the machine, because I think it looks pretty cool and ominous alone as well.....
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monakisu · 5 months
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L is less of a blanket and more of an iron maiden. squeezing light half to death is the only way his insomnia-challenged ass can fall asleep
gift 1/3 for my DN secret santa @llawlieta ! for ur prompt of light and L sleeping and being vulnerable and fluffy with each other… thank u so much to the @dnsecretsanta mod for their hard work in setting up this whole lovely shebang!! HAPPY HOLIDAYS ∩(´∀`∩)🧡🌀💤
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bruciemilf · 1 year
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Peter B admitting to Miles that the non stop tragedies and losses shaping their stories are hard, harsh, and , knowing they can do something about it, cruel even. Then saying the GOOD aspects essentially outshine them. But that's not true. That's a classic toxic positivity line, used to justify shitty, unequal politics. " But at least we have this one good thing" WE CAN HAVE THAT GOOD THING AND NOTHING ELSE. WE AREN'T MADE TO BE IN PAIN, AND PAIN SHOULDN'T MAKE A HERO.
What Miguel doesn't understand is they don't owe the world suffering.
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