#none troubles

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[explodingstarlight]

weaponizing your newfound "youngest" child status

everyone go read @snailsnaps fic "Alpha Stage"-- de-aged Donnie is giving me LIFE

👉 something of a sequel to this

[cinnamon-flame]

Viva Piñata art dump

Viva Piñata was my favorite game when I was younger and it influenced my style heavily throughout the years but I've noticed it's like really niche? I haven't seen a lot of people talking about it which is a shame since the whole series is absolutely adorable. So I'm spreading the word myself with some funky doodles

[ganondoodle]

still thinking about how even just the decision to basically act like the shiekah tech never existed is just ... so baffling to me

bc again you could have done all the sonau tech does with shiekah instead, and they were perfect to be explored more in a sequel, why wouldnt you grasp that potential, the literal building blocks for more??

if you are that tired of shiekah tech .. dont make it a fuckign sequel to the game prominently featuring it???? totk doesnt take place generations after botw in which things could have changed drastically, its just a few years afterwards??

you want to reuse the map and get rid of shiekah tech? ok fine take LINK into the past then and the focus is for you to find a way to return; do some neat twist where its revealed that link was the one who sealed gan bc he couldnt defeat him without zelda or something if you dare (they wouldnt)

want less work than that and still reuse the map and get rid of shiekah tech AND reuse characters? ok then make it some alternate universe thingy like majoras mask in which everythign is the same but also isnt, its weird and creepy how characters you thoguht you knew suddendly dont act like themselves, shiekah tech doesnt exist, malice is now miasma, etc, it would give reason to why you feel so much like something about this world is familiar yet also very wrong

as far as im aware every "sequel" we have had so far were either generations apart from the first one, some alternate universe or a different location altogether- in all of which its plausible that things are different, things seem weirdly familiar but also wrong, or that another continent just works different from hyrule

but totk does none of that, its supposedly just a few years after the first game, same world same character, but its BUILT like some strange jumbled mess of stuff from botw and new stuff out of nowhere that just .. doesnt fit, but feeling a strange sense of otherness, a déja vu of something you know but it acts off, like an imposter, thats NOT intentional and it shows, its a mess of botw stuff, from stuff that people missed from the old games and entirely new stuff; i dont doubt it CAN work but the way it turned out is like a mix of 3 different puzzles forced together and being told 'see it fits!' even tho you can clearly see the pieces dont look right in these places

again it feels like a sequel that desperately wants you to forget the first game happened, that anythign from it mattered at all

and that isnt really ... the sense of a sequel? why insist on it being one when it only creates problems? is it marketing?? just like it was marketing to call age of calamity a telling of what happened before botw but then it wasnt that at all and that is still the sole reason why i dislike it? bc i was lied to? totk is like 10000 times worse than that, its a main title and doesnt even have the excuse of yeah its basically an excuse to play all your fav characters in fun ways and the game beign well aware that being its main appeal; what is totk appeal? a toybox with botw aestethic and none of the flavor?

(on a sidenote; the sonau tech doesnt even .. matter? in botw at least calamity ganon was made of shiekah tech parts and him overtaking other tech is a big point, the sonau tech doesnt serve anything but .. idk minerus useless mech? gan doesnt even aknowledge it, he doesnt care, all it is is toys for the player, not link, but the player. the monsters mining the tech materials? what for? gan doesnt give a damn and they dont work for the yiga either??)

i said it before but it gives me the feeling that the way botw invited you to theorize, to look beneath the surface, the way it intrigued you and laid the groundwork for so many interesting things without denying anything.. was accidental? or perhaps put in the game without the directors noticing? i cant stop thinking about them saying sth like "after botw zelda wondered if the kingdom of hyrule needed to keep existing the way it had been before the calamity, but then totk happens" bc it just feels like they realized too late that botw naturally led into questioning the status quo and they scrambled to fit it back into a flat and boring road we have seen so many times before (or even worse really) with totk

zeldas character naturally leads into her questioning and reexamine their history and set of rules? we gotta teach her a lesson of why she is importante god given monarchy girl that has to keep it bc what if evil brown man shows up again for no reason

maybe im grasping at straws here but looking at it this way the sonau .. make more "sense"; the shiekah were a group that was under the rule of the royal family, and misstreated before (oh no look soemthing interesting) so they dont lend themselves well to be used for teaching zelda that lesson- the sonau however are tailored really to be just that; they are a supposedly godly race from the literal sky that founded this version of hyrule, that had tech even more advanced and better than the shiekah, she gets put in the past to meet the perfect god king of goodness personally, also his very fridgy wifey that zelda later replaces in a way, shes put there and treated like family and then gets to see just how evil that evil big man from the desert is, sonia is falcon-punched to death solely so zelda can feel obligated to take over her role, have her new, better 'family' hurt by gan; similarly so raurus sacrifice, look what a noble and good king he is, he payed the ultimate price to lock that evil man away, now zelda you cannot let their sacrifice go to waste, rebuild that divinely good kingdom like it was!!

and even though they go so much out of their way to put the cart back onto the rails of black and white-good and evil in an even flatter way than the old games, it still doesnt feel right, at least to me, it still feels like zelda shouldnt have gone along with all of that, it feels like even her character from botw was walked back entirely, except for the intro, it made her feel like a stranger to me-

because this is a sequel, i know this zelda, she wouldnt act like that after all that shes been through, this feels ... off

and it all just insulting to anyone who cared about botw more than surface level, or the zelda lore in general, i dont even care much about the timeline, but theres alot of lore and themes beyond it that felt ignored, especially so given that .. its a damn sequel, non AU, not generations apart, directly part 2-

but its not.

it even feels very "corporate", put zelda in a dress again, people liked that, put crazy abilities in the game to flashbang people with how insane it is even if its not the best for the gameplay or the story, put a new asthetic into it out of nowhere bc its 'new' and act like its been there the whole time, put gan in there bc people miss him and find him sexy even if his role is just as flat as that of an evil cloud monster-

*sigh*

you know, i saw a post that said aoc was like a bad fanfic (affectionate) and totk was like a bad fanfic (derogatory) and tbh thats like one of the best comparisons/summaries i have seen ..

[mrghostrat]

It's a special kind of agony that both Gabriel and Crowley call Aziraphale "Angel" in flawless.

Chapter three wrecked me, by the way.

i'm sorry once i start the pain train i cannot stop 👁️👄👁️

and i'm definitely not laughing at everyone's pain (lie)

(thanks @thewolveswolf for all ur support and judgement)

[ghostlyarchaeologist]

Eliot and A'Yan.

Leverage S03E12 The King George Job.

[aceredshirt13]

having read nearly all of the Jeeves short stories, it’s so funny to me that Bertie’s bisexuality manifests as casting a wide but shallow net at girls and a narrow but ridiculously deep net at men. He thinks girls are pretty on a reasonably frequent basis, and has tried to marry at least four women thus far (not counting the unwanted engagements), but when it doesn’t work out he’s over it in 24 hours. Meanwhile he shows absolutely no interest in and never gives flattering depictions of 99% of the men in his life, but will praise Jeeves to anyone who will listen, wax poetic about his appearance (and get defensive on his behalf about it when a child insults it), and is absolutely inconsolable when they are separated.

(also Bertie is in no way allosexual. he is canonically terrified at the thought of reproducing. and due to the narrow but deep net on the other end I don’t imagine he’s going around sleeping with loads of men, either. that man’s either demi as hell or just entirely ace)

[ghost-bxrd]

Would Jason die in the court of owls batfam au?

Oooo, good question! I could see it go either way honestly.

The entire Court would be on the warpath afterwards and wake up every single Talon to go hunt down the Joker tho.

[s-wordsmith]

Something I really need Stranger Things fic writers to know is that no one in rural America was locking any doors in the eighties apart from the government and businesses. I remember when there was a big stink about "we gotta start locking our doors now how am I supposed to remember that every time I leave the house." People didn't lock the doors when they were home until at LEAST the mid-aughts, a lot of people STILL don't. "Oh we can't get into so-and-so's house/car because we don't have the keys!" You do not need the keys, just open the door. "I'm alarmed because I went over to so-and-so's house and their front door was unlocked so I instantly knew something was wrong." It would be much weirder if it was locked. If I showed up at my friend's house and the door was locked I would immediately assume something was wrong. If I lived in a town regularly invaded by monsters and patrolled by mobs of government agents/Russian spies/jocks with guns, I would assume my friend was currently being hunted.

[aquared]

out of all the au designs i’ve made so far these guys are probably my favorite here are some doodles

[tricoufamily]

visiting the hometown

(want everyone to know this edit came to me in a dream and i changed the lore just to do it)

[spop-romanticizes-abuse]

says the show that completely pushed aside existing friendships and platonic relationships in favor of amatonormativity.

[katrantsasoiaf]

hotd as troubled birds (12/?)

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i'm sorry but you guys just don't get them like i do. i will never run out of these, it's too fun. i am just gonna shitpost for a while.

[18catsreading]

Jaysohn: that's Lukas

Tula: oh

Lukas: [congested] mint, mama! I had mint and I need it to live!

Tula: oh, uh

Aabria: full meltdown

Tula: hi, are you Lukas?

Lukas: it's the bosses of me! Hi.

Tula: the what?

Lukas: they're the bosses of me

Jaysohn: I'm not your boss

Tula: Jaysohn

Jaysohn: I don't --

Tula: why is Lukas telling me that you're the boss of him?

Lila: we gave him back!

Tula: what do you mean --

Jaysohn: we gave him back to Education.

Tula: you gave him back?

Lukas: they gave me back, but my allegiance remains with Jaysohn and Lila.

Tula: is your nose stuffy?

Lukas: yeah

Tula: come here come here come here [Brennan:] I'm going to lay on hands five points to cure a disease, and I'm just gonna blow into one of his nostrils.

Aabria: yea!

Rashawn: oh!

Brennan: just [pwah] just catch a bunch of snot.

All: noises of general disgust

Aabria: Amazing! A snot rocket like, scatters across the ground.

All: more noises of disgust and dismay

Tula: oh, there you go sweetie.

Lukas: [not congested!] Oh my God! Mom! That lady's mouth is mint! Hi

Tula: hi

Lukas: I pledge my allegiance to your family forever!

Tula: oh that's very --

Jaysohn: yeah, you gotta stop giving yourself away, it's weird.

Lukas: breathes in and out deeply

Jaysohn: but you can be our friend